HABLEMOS DE LO QUE NO EXISTE - Historias de Hospitales Embrujados , Maldiciones Tenebrosas y Entes Endemoniados | EP 279

Episode Date: April 3, 2025

Bienvenida Familia Nocturna a ésta Oscura Fogata de Hospitales Embrujados , Maldiciones Tenebrosas y Entes Endemoniados en  @HABLEMOSDELOQUENOEXISTE  El día de hoy les traigo historias que ustedes, querida Familia Nocturna , me mandaron al wts de las pesadillas y al correo contacto inexistente.Descubre los secretos de la casa de la abuelita Macaria y de la entidad que ronda su patio. Tiembla de miedo junto a Erika en una tienda de antigüedades y su encuentro con la muñeca maldita. Conoce a la Tarotista de las tragedias, el Nahual de las Sombras y la Condena de los Pactados. Y por si fuera poco escucha la historia de "La Medusa" y el amarre mas despiadado y sin corazón que me han hecho llegar , asi que prepárate , porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Welcome to aboard Via Raille. Embarked and profite. Embarque and celebrate. Rigolet. Publiere. Savoy. Admire.

And, and profite. Viarai, the voice that we love that love that soccer, you could assist at a

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with Visa. It's just to have a card of RISA BMO for participate. Inscrive you

or BMO.com bar obliq concour. The Reglement of the Concour SEPLORNs Welcome to Famine Nocturna to this Scura Fogata of Histories. The day of today, I'm very

content because the Monday last we did a meta very tenderousa grand part of the family

nocturna or a very good quantity of the family nocturna was honest in the

comments and he said I could terminate the episode so I think we I don't think that

we'll this meta to try to bring them the stories of the most

atteratorors that I but remember that the stories most that's the

Saturday of SOMbers all the Saturday and if some to get to get

to let us let's let's let's let's let's let's

I'm about the maldiction tenibroas and tithes endemone and

once said this once said this Scura Fogata. And for all those new I recommend I, you know, I'll pay the light. Enicials. Much of us

we have that abuelita or that abelito or that family, that when we were little, his house was our refuge or our zone in

that we'd be a clear case of Julio. A Julio he had to be in the house of her Abolita Macaria.

The days in the house of her abelita Macaria were adventures. No there was restriction of

or a television. He liked to be caricatures, but he was to be many

caricatures, and no there's no way, there's a woman irresponsible. It's that

was a person very good, not it was a person, it was that she

was there was a badgerer, but he'd a battery and a better

a lot of the time but you know, but you're also another

little little detail. There was something that did that the abelita Macaria in the night was just very deep

but in the days very dormied. And this woman, you know, you had to do when she

had done, because I had used some little little, these bifocal that when they were

those eyes, and if you were you were like that's just differentamated it. It was a

vision, not aterrador but very chistos. Because when she was He'd quit those lenses,

his eyes. They were chiquitos, chiquitos, ch'huit, ch'alli. A julio, he'd be

to be a bollita Macaria to come to back, ballita to makeer to yeah. And if I was in the

house of a ballita Macari, he was watching, and he was there while the baby to be

until the ballita macaria, Abelita, tell me a story, Abelita, we've got to

your patio, abelita, we're to your house, and I'm here to be to be

about the to be able to get No record about what I lived in house of his abuela, until that he was in family nocturned. And this was

to do to make questions in your family, that they were absolutely aterrado. For the nights in the house

of the abelita Makaria, she'd much noise. So, they'd be the way to the

house, as if there were a type of a lot of and the abelita no one

just a second. When Julio was put nervos and he said, Abolita, what is that's that she's

called? I was and brazable the little he'd go to get the door, and he's

put to a lot of and he said yeah, doormete me and then then Julio

said, but you're wellita, but you're that's those loud.

It's a cato that is a little bit there's but it's like someone that you're

like you're no my hitho no my hitho is a perro and is a cat. You, not you're not saying, my hollito, put yourself, and always he'd put his colchita up to the coo'yrolet.

And then, after that, he'd sacaba one of the bracets, and he'd be able to do like a sign of the cross, but in all the body. And he'd say, Bendice this camera to camp,

that no, he'd rime, nor a thing mala, nor cause of spanto, only God and the Spirit-Sant.

It was the oration that always said the abelita Macaria there before

that that's time. And those moments for Julio were

moments very beautiful he was very very .

Now that is a doubt of something that

is what is that is that is the mother

was that was very very and his eyes

in those eyes were in the night in the night in

no no moment was that was a dream. But now he'd know the

gestures. The abelita Macaria had a fear. Only the child no he'd he'd he'd say to. But now

he'd say the oration and me agrava the man trembla more than never. When

me was her voice was very temblorosa and Julio now

listening these stories and that many people are to ask

to ask if something had happened if decided to go to to ask her mom and

a papa if you know some secret of that the oldita Makaria that the day of day of

day of they said, oh, well, when she when she m'clock when you're your oldie,

we've been we're going to not even we're saying. And then he said, but why? Because there

there's why, because there's a lot didn't it was a little bit of your abelel

but if it appeared to the year, every that we we were you to get us, for

favor, no they're they're going to the man who's putting the little bit of the question about, and she'd

say, that were the lot of the yorona, and you had the door to do you your abelita

in many occasions when I was to the window to start her and she was there and this

woman was a parted and she went to the window and say you know you know

you much times you were saying moma papa in the house of my caria

me took in the ventana in the night, and when she occurred to Julio, she left the blood to the house.

In more one occasion, he had been in presence of the yorona, only not he was

he was there were the little abelita Macaria not said that her not really that's

and I would be to ask you, you know, that you did you know that

was a little, Erika, she had infulas of a critora, she had a

She was a writer. She was a living as a writer. He had just 14 years, the chamaquita, but for her, she was the new Stephen King. She was the new writer of terror, that waspant to all the people. This story that I'm telling

occurred after 7 years. I want to make clear something. Erika, the day of today, now no, he'scribe for what he happened, and this is I'm going to say to. Erica, had, a process, that not to be do I'm going to be

because are a time are very technical or processes very profound. But a great raskos

paraphraseated and of a form a way of she'd she'd that the images

were to the and it and it and it's that that these

images that I know can sound difficult to understand but

imagine that you you're you're sitting and you imagine you

you you're you're you you can put play and when

you put play that that you know that not a

photo, it's a movie, and it is a little. A Erika to do you

a lot of and when occurred to that he was going to make to write to what he's

being in the letter was spantosa. Then I had to decifra all the

thing that was they were and they were not other other other

other other than that she's the process more difficult to erika that's after another in her

and she had a problem and a problem that was a little one of the one of the movie was

it was over it was because it was made to her and it was able to she

was just she could she was when she was and could learn what he

or the pieces that he he had then then part of the the movie

and that he was he was he was I was I'm I'm to make

to go to work. A lot of something very strange. A thought of an thought that was

different, a movie that was a particular to the rest of the she was her head. She was

a small big, in a mess a lot of a very very illumination and

just front to her a libretta of rayes. It was something like

timeo of the name of the time you have been, but more

a time habitual. We're talking of something about a lot, almost 45 centimeters of long and

almost 30 centimeters of where I couldn't get those libretas, who'd but he had purrits of

that type. Because his letter was horrible and he was so much, then the better

and start upuntable to start the letters more than the letters and there was simply was

going to come back the images and then when it in the room,

it was a image different. The film that was in your was a

different, it was a mark. A mark different, a mark a marco a marco

that was a lot of the un-of- the time. For first,

I was, I was being a movie in a high definition in the

case, because all the pictures were in black and black and A lot of these were

pictures animos, a sometimes were like bocettos written to lapis,

never something in 4K, that could do you could be some and that could be

a little bit that's really, and it was that's she was a person that was

a little a little a man but not it was a woman of the who is

a woman, that is very black that was in a little

of the air of the that was a little bit of a superiors, and he was only illuminated by vellas. There were different messes,

there were different sills, all there was to make a rustic like if she she was she herself or someone more

he had done, but not an artisan, not a carpintero, things mal-eachas. Velas

distributed in all parts in a place that all is in a place of a

is a little, but this new a vestido of these of moenica an white. It was

of a color violet or morado. As it is a dark, it was

not over not much but I thought that was in this range of colors.

Possibly there I had some some black because I had a moion

atrasas a little bit of a piece of and this vestirito and he

had a remates where some end of a lot sometimes in color

black, a in color gris, it was a lot costoso, very beautiful, car, but at the way, aterrador. She does

know that in the place, it's little craniums, and the craniums are of color and this thing that looks like a

little, has a that doesn't a person to a little, a man, a man, a one is a

smile, it's a one that's a sonrisa of a person, and he has a It is something that

is something that is something has seen a person that has been a person who does not have to do you

are doing that's being that type of a smile. A sonrisa totally false of empathy,

totally false of grace is a delight for the malddad. The hands of

this little the little bit you're that you're not you're not a

little bit a little more arugated than any any I was on the

other, in the messes there were papers, there were not the not pieces

of the actuales, they were to make, and they were there a point

of the carbon, and the most most that was that there

was there there was a place, that could be the redied

of the belles, in that there was a one

a womane she exactly exactly exactly she she

with the hand and with the hand full of saliva, it's a man that's a mornick that is a mornieca, which is a mornelna, for all parts of this saliva. He's over at all right

of the messes, has a little object that's a pungso-cortante, it's a body in the body, and with this liquid

vital-roho and then the mackes. The vestido that was totally morado, he's to have been

very to the tachones that have the vestido of her, the vestido that and this image that's being

is nothing what you see, it's the sensation of the place. It's a bad. It's a

place in the that if if you get to get to not you don't you go to be

that you can't be in car and for more little that's you're not

that's you're going to you're not going to do you that's that

that's that is absolutely malheula is absolutely obscure And you know what the best of the

You know perfectly that they're being because of the repent he's and he

maintain the mirate to the look at that's that is the

thing that's the thing are the eyes that have a bright

a certain colorc a white a a one

a eye that never has a one that looks when

he's those eyes Sient, like if that that's that was being, to get into

in her, something that's something that's it's a little that's, and the repented they were some

and the ramas and the ramas and redar to erika for the head, for the heart,

from the she, he's a and it's then that he's a time, that's

that's the thing, that's he's not has written, has written the

he's, and he dole the quejada. How time has given without no time? Nobody's

no point. He's the notion of the time. He's up absolutely

turbated from this situation. She's very incomod. No said what

was what happened. He never had happened. During the the three days

no he's he's he. No, he's he's and he's

doesn't know. The fourth day, the fourth day he does know

a Realist is all. It's all. It's all right. He's a sierrareau. And, of a repent, the mark Marlillo is

another and he can't move. He wants to see another other thing. The movie starts where

the time was the time the last. The woman is doing directly to the eyes. He's coming

to the moonieca. Toma the moonika from the head. It's one of the

bank. He's a little to do it. He's a a a picture. It's a photographia

of this chick in color sepia agarrand with a man to the moke and sustaining

a photo in the other hand. Something aterrador. And Erica just see how

he's and he and he and he and to get this photographia in the

part of the back of the the oneue is something because what

is she's she she's she she's she's she's

she a man that is the way to get in the back,

she's a man that's a person and there's a lot of the little bit

that they're put in the thing, they're not to be puttaleh, he's that he

doesn't and then all of all of all, and she recobra the

conscience and it's the whole, the she's sitting at the

she's the door, she's the book of the book yeah, no want to

write to write to write to not to this. During the next days, Erica,

what you want to get to get over the compostura, to start the eyes, it's not fear,

imagine, he doesn't know what you know, to make a different things that they help

to get to get to things, things that's that are very planch, barred, trapear,

what that's and it's is to passier, is that en-simismated seeing things that no think a much.

So, he gotro a routine, a routine very very dangerous. He started to come in

room, seeing houses, being people, and of a sudden, and then was in a way

that was a little to get to get to back to back to back, and he

felt something a day like a necessity to start to come to come

in a room, she went in some many, with the streets, with that it was a other colony,

and, and, and then in a pair of jayjones, that's a little but he

does a little letter that says, it's a door, no, he's a person,

a adult major, that he's a very amabely, you're the first client of the day, for you want to do a

tour, you're a little, We have we have our, clothes, what you do you do you do you

see, we're in we're in good quality and we're just a little bit and then

she says no, no I know, no, no I'm going and she says, you're

like you look at the mucs. When she she's she's like she

had done a discarga electric in all the column vertebral and

he's he said, no, no, no, all, no, person, rapidly is to one of the areas of this

place, take a one of the man, and it's exactly the muke that has been seen in his images mental. She commenced to go to the muke, in a form of inart, and in front of her,

there's a little voiceicita, a voice that recognizes the instant, is the voice of her abuelita, and her little bit the little bit of the no, no, you know,

but there something that there's a voice, there something that is an instruction to that recommendation, the

impulse that has done of your motoricity. So, it's that the moke, to the

mocke, and the balltea, he met a man to the back, and I

make a photographia where is something something that is a little very borrous

to see but it's is sustaining the head of the moneca and with another is

a photographia that's a what is the photographia when they're that's the man who's the man who

the man who's and the man and he's, this is a man, this is a man, and the he's a question,

how you know that's a photographia? No, I know, there, I see, there's a

idea to go, to get to a new a need terrible, and a part of

two or three quadras, I'm going to hear a voice a voice that had I've heard a voice that has a ceceo.

Those voices that when they pronounce much the S. It's a voice of a woman that's to say to say like, "'Come, see me, "'then for me, "'te I'm, but

"'but every time that "'cathes that says "'a, "'when he gets a "'to get to her "'since to his house "'seient to "'sient like

"'s if he had "'chuped the energy, "'se seems like "'so had been "'the whole, "'seient, "'scente like "'s.

"'It's a little. He's the MEDAW. So, is that he did know that he

discovered some of the days earlier. If can't my my mind has to

think to be and get to the house, he got the carrape and he

put, but as never in the life he had done, a detail

every part of the house it and it's a

little that the mom she gets surprised the man's

her has she has filled of ampoyas and it he's

going to do you're and they're there's it's a right in the mind, that's

he's because he not the voice. It's a lot that they have the

hand that you know, and so it's doing doing it for two

times. As the just a way to use the hands, we're going to

come out and to come in and caminor and come back and and come in and while he makes start a

time, and when she does know that she says, and it's The CCEO, about,

it's a call. The book, a mured the language, and he put to come to come in. Three a time

after the time, having a clear that he was going to try to get to get to the stuff to do that

the back to do that's doing the three months after. Yeah, no, there's

no, of this. But he said that day of today, he'd be the

new Stephen King, but no he'd be to grab a lapis and open a a libri of a

little to that thing, that that thing that seems that she wanted to you?

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children is how we all go home. From binge all episodes exclusively on Paramount Plus. Se is part of the family Nocturna. It's doctora and she has only lived two suceses, but are tremendously terror-dress. The first success that

lived in a hospital he took over a few years and was something of what definitively not can't give as an explanation and during many years she decided that not. She was be able to be able to be that. But here,

as we've got them the anonymat, and he like the stories of phantasmas, a raise to what he lived, decided to mandarin us and we said, "'For favor, nothing more "'catch me to come to my "'but this, I've lived in

hospital, and is in serious, "'is something that no "'me has passed "'Nad more to me. "'Resulta, "'that there was a day "'in' there was much "'movement, and she,

"'or, probably, "'the hierarchy that you "'that had in the "'Hiririririr in the hospital "'that was a certain "'he took to start prinkando to

another to do you to do you and get a point is that a moment in the she is so

proactive, that they're that they're doing people, and it was part of the usual in that day,

that's that they were not to be that she was doing, to make a question,

and as they're in a second, I'm trying, I'm trying to the doctor Carreill, look here at the

cell of the officeines, there, there can they can give to the doctor

carreye, I'm sorry, doctora, not where is the patient at this. There's the doctorate. There's the way. You're going to you have all the

data about the patients. And she'll get with the questions from the questions from the certain people, where are certain details of patients.

Of these people that are in 100,000 things and in all they're the attention at the one person

of a person of a person of a in some that was that was like that was taking many

of his resources because is a thing very complex when a voice of a woman gets by her

and he says Doctora how can I'm going from the hospital and then she just maybe that's maybe he'll

but not voltotea completely and be where there's a a woman that's actua to a manner rapid and

he says bette right for this door terminating you're going you're going to

get a back back and there just the right right if you you're if you're

to any any that's a black so like the and he's

that you know he says he's like three seconds and say that's a that's a bad at

a farmer because a woman me asked you and she and he said

oh yeah wait wait and wait a and when he he gets

with a she he doesn't that the first is that he had done

that with the person that she was having the interaction was

She was just going to the same point than she was paledido completely. The second is that the area in the area in the was there was a reason

not there was there was nobody outside of the hospital. And the third is that that woman was going to be

from the back up to the back. No, he was there. And the doctor simply she kept

with the eyes aborted and she no sopue what was my head was so never had lived

something So, no cruised for my head. I've been a woman that's

over a woman and she's a other person, the other person is absolutely palidda and you know what I

know what was an obelial was something that we did for the time that we're trying so that we went to

so I'm coming by the passillo that she went to I think I'm was to

say me, well, it was your imagination but I'm passing for the and I'm where I'm

doing that I'm doing that's where I'm in a stringed and the door not it's been

point, it's been so I'm in this shock mental when when I'm see one of my chachos

and me say what what's, it's been strange, no, is that you know what

you know to see a blackita and I'm and me he's there's many people

that have seen this woman that woman of the woman that's he's

that they ask how to go to the hospital and that some

We don't know that they're a lot of a new, but others say that no, that's a vata black, but that not is of this hospital, that

nobody has that people have seen the point is that there's not we can't talk to that's a way to prove it. You,

what do you think that's that's a thing that's shone, the furs for a minute,

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right now. As far, you've said, the doctora Seila, he's a follower of the channel,

and vivio two things. This is the second thing that was the hospital. Yeah

had passed a very good time from the story

and I'm a time. This day, there's an encounter

armed between two groups of the people, and

the people, and the people, and the person, is a person,

a person, a band that said, he was, he was, received a quantity of the

Impresonant that the doctors we know that we're probably we're not to do but we're those try,

it has signos vitales and we're to act with total professionalism reunimed our body medical of

emergency rapidissimo yeah we we're moving to the cell we're we're going

in the cell of surgeries we did we're all the protocols that they were

in the cell of the cell of the community I'm to start a

a farmer who starts to maldecy and he comes to repeat the same

bad a bad but he that word he's a word he does he when he

is going to something that's usually that word for a problem for a

response for when they're like how you say that you're this phrase is

a phrase totally altisonant but he's he's to repeat

and repeat and repeat and repeat until that I get a moment in that I'm

He'll say, I'm no me They're those are your criteria and your

prejudices. It's moment of we're doing. And then alza the voice and says,

is that has been seen, and me signaled for a side. And we

we call a tortoo. The Tortuga is a little in the we deposit

as the rest of the ballas and things that we have to get

to get to that the patient. that quenco is still no

has nothing more than more than because in what we're doing we're doing things

and the quenco is in a middle of a totally and it's just going

and it and it's and he and then he said you know you're you're

you're doing you're you're saying no I'm talking that I'm

so I'm so what's so I so I'm so I'm I'm

with the patient the patient is great Asim, as I said, had received many impacts of barra, the lights,

what had ever had passed and not had to pass. They're going to start. And the place is a

strange. You know, I'm going to describe. I'm going to see, I'm going to know.

Sentie that a person started to godearnes and to come to around of us,

one and other in circles that every ever are going to be more to

the person that was the me. Conform me I sentia that's the sensation was so real

that I am I'm one first I'm doing I'm a machine, the things I'm

have to do you have to be and I get elated the lights light and the

quenco that's going to turn and it starts that that thing

that's that's that's that's something that's this does it

does it 20 or 20 or 20 or 20 or 20 or group, says, he's a pacted, who's going to do you? And I'll say

what demonious you're talking? This is normal. It's a pacted, butchew, you know, pierde signals vitales and in that instant where the person fallacy, the law regressive the normality, the kinko's detain in front of our eyes. And one of the one of the piernas, it's a

same word, enormous, debuggered there. He said, he was pacted. Viniered for him. If you know someone who has been in a story of pacted, for favor, mandemelah. It's interesting to tell it here in the channel. This what I'm going to

say is 100% on the personal. During much time, I always took like a phraseicita that said,

that the human in essence is good. Well, as the way, we're going, we're going to, let me

know that I'm going to talk to, get in moments in what I question and me the question in serious.

This story is Deybon, that about of the time in which he was with an ex-novio called Claudio

Yvonne me said narrator for a palito of a rana calva me salve

and then me a story of the most aty that he had been made

that he he was he had enamored of a child he's I don't

know he's he's he's he's that he's he's kind of

a chemical that's that's not it not was like or tell me about your

life or see there were a mutual attraction much passion and one thing made

that other was too very a little a little a big of because it

is very relevant because the decisions that go to and there are not

not are not decisions and she they're but they maybe that's

that maybe not it's there is he was. And Bon, he's to have these moments

like very passionals with Claudio. Claudio is a type that little, he's

to caparar his attention, his time, and it makes that these times

more and more so much so that after three months to have a relation

who has a title none, nor we're we're we're

we're some, we're some, we're some, none, nothing,

nothing, nothing, nothing, We're not. We're We're We're We're We're

With whatever What you're And they're And they're To live To live to give to Claudio,

that is part of his decisions mal-tomated She had a apartment in a

area very beautiful Claudia Vivian in a area that not

for criticarly but it was a one in a area where

maybe Claudia no didn't any type of problem but

Yvon Yvon so could have problems. His carro no I go toka the zone. Her percha no

to go to the zone. It's not that she were in fachas, but because it was a much elegant for the

place. That's that all the people were where was over the way was they were

a good in a barrio, it was a barrow and it was known for

the and it was he was he was he was enamorada, was

a passionate. They're to get a department and that's the end up they're in unawured.

Then they did a question that two of the quarters that were in they were occupied by

people, and they were and they didn't get to no, and I

said, I said, I was that, I was going to, or now more, more,

more, I'm being being a person and I am a person very pudoros

when I'm these persons and I'm covered by a sabana practically transparent and no I'm ever and I'm sorry and I'm saludo like nothing, I know because no, I'm prended the alarm? That not was I?

I'm kept in that place and even go to my department for things. During a month and a media, I'm using the same roppa. I only use the part

external of the because the rop interior was sus and we don't have to laval there, and no me It's more than a day, I'm just covered by a twiarder and me paceda in the department. You were a person puderosa.

After that, they were a person very strange. No, I could have been to doorme in the night. Me sentia, with much energy at the beginning, and then I felt a drainada. And it was in these days when we took the door to a new neighbor. Claudio me said that, for favor, for you're to because for this moment, Claudio

no did anything. I was to clean, to recogure, to do the food, to put the things. And he no, he did not do, and he'd be to work and regressa. I had two months of no been to have been to the job. I'd no, I'd have no time. And no me

important. And I'd have gone to open the door that morning. And then, the other side was to becina. I'm with a camisa the enlargada of this Claudio, this camisa almost,

does have part of my pomp, and is something that's something. And so I'm going to bring the door. She's a

little the chica, and me says, mm, another of the last of Claudio. And then

I don't know they're not they're not the other, I'm the only, and then I'm saying to

the o'id, what you need, I'm here the other and then then he's back

to vociferate. Dill that Util, that me pay what I Deve, and he's going, and me guinea an Ojo. I don't understand what I'm going to go ahead. The next day, no I'll know of her, only me

said, to a sudden, Cladio, that she's a year-in-art, me covro a money that no-de-o, is a very mentirosa, and I don't did anything. But, conformed me were passing the days, I'm going to feel bad. Me started to be a sudden

like, Claudio said that me would be together with his two rumy and sat down in a sillion, even when practically was without he was in he didn't

he was in those rumies me dabbed some of the and I was and I was looking, and I was

thinking that something I chuped up the energy. At a repent I felt like well,

as if not focard nothing, like if not had thought I'm there, and then

Claudio directi to his friends say, bean- bean- and it's

well, we're getting to help us and then So as I felt all, I just moved

the head to move the the day the day the next I'm my second I'm going to my car is the next year my life you're going to be four semanas

when I'm over there me be a yeargeyed to come the door I'm very sad, very bad very abatied and so I only have an idea of the head I'm gonna help me because now

nobody will be to hear of so, and then when I'm talking to take and the door is the

entry, I'm coming to go back, I'm going to the door and I'm another way, and it's the

little bit the child and me and me said, if not you're going to be

to be to be you're the other. And then I'm I'm trying that something

I was I'm trying to say he's I'd say to let's say that he'd be largara but in the other of that

I'm just I'm he went to get to the department and then we're to hear about a media

time how he got to get to get that they're going to get to turn to me up that's

that's who was the stupid that he made and took the apartment of my and he

said that you know my decina me says to say my declares that me that's

I'm coming of never he had seen like this man and I I felt a little

when he went to get then I'm then I'm sorry my time and I'm going to you know you don't you

get to get to get to you know you know you you can't get a you can't be in a

place you can't you're going to get to like the other he's said a narrator

I'm I'm my mom my mom did to receive when me my mom said all

He said, I was I was just about what he did the last to this muchach. This muchach he said that whatever explanation she

could have done but that she practically me was rescatting that not the not the person and that for a

good for me that I have been that I'm that's a time that not you know,

I don't know I don't have the men I'm Cesar that Claudio never kiss investigate

never reclame my vehicle just Dider, the blacker and he'd be down the never ever never ever

but the day of today to you know some years and creme that's the type of things

make you know that people are a little reflect on the the pordreddum that they

don't know and seeing this rhythm of stories that me make a few

in the humanity I want to tell the story of Carla

Carla practically me made a confession and she me

She was in a count that she, during many years, was a very much years, was a person who had a pessimistic health. If not were questions of garganta, were questions of vies respiratories, if not were that, were dolores in the back the body, if not was that a debilitary in the body, andemia

after anemia, and no important about the amount of food, the life that would have, she never, in any moment, she sentia very much. And then, So then it was to have a time

in those that he had a time in the time he was there

he was that the thing to the thing especially and he started

like a thing like something like and not know because

because even he he was in his heart in his

heart the and he had the the tarot he was

like it was like it Like this, past over four years. Vio some

an article online, he bought, he gave to his house, and standing there, since he got the mason, and he

began to see the instructions, he did know that he did a point that he was a thing, and he was

a barragear the cards, and I'm to get a different and then when she was the

child that was the little he said, he said he did he he was the suerer the

suerty. Sacco the CARTAS, he said he put his hand up to the cards, he pired to the cartes, that she was going to do it. And then he said, you know, you know, sopher in the cards? Why? It was something that was it. She poked her the chica

the cards. She got her, she was over the mess. Exparcied the mason, and he said to the child that, for favor, tomarer three cards. The chicka three cards. Then she she has, they'll get them to the center, they'll

say, I don't I remember the figures I don't remember all the I'm in one

there's a devil and the things that were not things good and

you know you know in a narrator in less a one one

one there but there was a problem although to me

that was too was very very strange but

during all this time after after after the

cards. I don't I'd try a Dolores. No, I felt with more energy than never. Recobre the

apetit. Me, I saw it with a good color of the skin.

Then to the time after the time. I invited a new time without

she was working in questions of studio. I'm had been a

semester of because of no not not was in this

she to the house, I go the I'm I'm I'm

something I After that he starts and he starts the maso, like to make a combination different, I ask a one

on a man in your heart and the other hand on the other man over the master, and that I'm a question, and that make the

second with the other, and that the second with the third. This chick asked questions as well

very generics because only me was doing the game. And he said, give me

beauty, damme love, and make popular. And then what appeared

in the cards, what I I understood, and I said and I said it's a reason, because it's

a lot of it's a good, it's it's not that you can't be to get a and you're

to have a accident and you're to get a bad you and the next chocked

and it disfigure part of the rostro but there's after

I've read the I'm much more I'm I'm I'm

I'm I'm I'm I'm to get the animos to go and I started

and I started to ask you to start to what you're it's for what you're saying it's for the impact of these

situations but no no the accidents were there was there was after the way not the

ideas it was a something when I when I took a third person I was

I know after that I that person had less energy and I had more energy so

so is that I was the person and the person was a certain I'm feeling a

very. And I'm really so I'm sure that I'm doing this more more more than I

think I'm always better better, me felt with self-estim me sent me intelligent, with the

mind very agile, me sent me a person that could have a kind of kind of

that I was always I'm a power I'm that I'm that I had that

I'm I'm to learn the people to make to make to my

They were caught well, that I knew that was the person that not had a man who had been a friend. And all the people that wanted, I'd have to read the cards. Because in more than 10 times that I'd ever me sawed something good. Simply were tragedies, and they were done being.

The people, as far as long as the circles, never saw them pass around the voice. And as those tragedies they'd have a verguyen, I think never reveled the truth. Because at the time, of every once in when I'm I'm going to

to turn to the mason every that I'm going to I'm very I'm a

very much I'm always I know I'm going to say the card of the death

because even they think it's change I think that I'm going to be

that you do you do you did you the tarotista of the

tragedies she know how did you black no the devil wears

prodot too is the movie event 20 years in the

making honestly can't can't with the secrets anymore

so I Will you two please spit it out already? This Friday be the first to experience it only in theaters. In light of the recent scandal, I'm here to restore your credibility. Oh, because we're a team now. That's a nice story. The devil wears Prada too in Theaters Friday. Eloisa vivied this situation,

and has been a lot of 10 years, and me mando a caller a lot of attention for how he said, narrator, you think that the legends are based in the

those make you know, and it's very extra- but after I did what she lived what she

lived here, I think perfectly of what she referred to his words. There you go,

because it's of the stories most aterradoras that she she has

she she's that during a time medium long, nearer

two months, for some something that not came to be the

case in this moment, she had to get in the house of her own but not just she, she, her

mother, and a prima, and a friend, you know, that's a family,

with that is practically your confessor, with the there's a kind of a kind of that's,

that's that all that's that's always that you never you that's that prime

was there. And it was a kind of the chemistry between these two chica,

that the emmama Elisa, Eloisa is the this idea of the two and he asked her father that if he

permitted to do in the room, in the room of her own that's the other two never were in so that's the other

cotorritos in your house, Eloisa and her prima and the wife and the mother and they were in other

room. The days transcurier rapidly. Me, I'd the impression that no there was

there was because practically day and night they were in this house. But she

did a Eloisa, that she had much more battery, much more energy, and had to want her prima, because her prima for the 9th of the night and she was end up getting to dormita. And Eloisa, aortadilla, she was out of her house house, and I'd go and perevaryl, and pretty much one or two, it was close to the tele, and there, with the eyes aberted, and she'd rather than being the pantayota and listening to

what was what was about. And he'd d'10, 11, 12, of the night. but there was a moment in that the abuela he said that he said that she never to do that after the her lover

he said a not a little because not he doesn't the last the first time then she's dormer that's

that nobody he wants to get to be able to get to be there after the time of the while the next three

four or five days standing there in the house heard in the house that no something. Something that is like a

repetitive, like if someone arrasrasar to the feet, like if in the other to

be a restrances and it's a very rarro. Voltae to one to another and he

that prima he wants to use a brahma, right, and it's, you know, I'm not, you're, in in in in in in, in in in in in in in in in in in in in in in in in in in in in in in in in in in in a a room in the little the old old the things that were

accumulating with the years, and it's a lot of and the idea that you could be a

rata is the that she doesn't she has that's all the car to the

room, she gets to get to get to get to she was she was going she was

she will not come to talk with another ratah but it was that was

a trap and she she came she came a roundit and a

prima, because that day that's the day that after having the television, for the rat, and enter in the room, he's in the

little bit, but like a prima, because the door, and the prima, and the prima has a posture very strange.

It has the middle of the body, like if it had been been been a arm of the left,

he forced to to be able to be able to the camera, and the a head's going to be

with the eyes and the little bit of the posture of not the posture no see a posture a postura it's a

little bit more and he said a little little bit more and say, and say, hey, how comod

you see, it's, it's just it's not torturing and the prima no reaction.

And it's really a really a pretty basically always is all the time of

his chists and all and the prima no reaction and the She's spirand, she's a dormite, and he says, well, this is dwearm, but de plan, like she wore a lapida, she's going to be to-dorned.

The next days, she'll know that really her prima doorme in form extrana. As now she's going to dream, she'll pretext attention. And the prima, she acuesta to one side, and always she's acuesta, in the same way, asciences a obvill, as in position fetal, always the side of the right of her head pegged to the almoada, and always is agharing like the two manitas in a position. position as if it was

to do some type of oration. And then they're in a pair of hours, if it's

torsied to the left with the head to get to the other, the hands are separated,

that's in the the prima and he's seeing a detail in what moment that position and strangely that night never change

of position. That's rare. Today no no change. Every day always the position that rara.

I'm going to not going to not. Who can't? I know. I know. I'm going to go to

see the television even though the maldita rat. And then every 10 minutes I'm to come

to come to back, I'm to leave the door and I'm going to and see if I'm going to somer. And,

and see if you have changed in the position fetal, second a position fetal, 10 times position fetal, and in the

11, be something that the other the prima is in position fetal, but there a man that he's forcegeing

for that that he's a other position. One man of a woman he's taking the arm and he's forcing

against the camera and another man of this woman Pegged in the rostro, pressioning the camera.

Voltea to see that these hands are totally black and they're going to up with a batte

and the only that is like a little a cabo undulado with a

cabo very extravagant like if they were like careles and carels

of a dark but that they're there were there having a quantity

of a body that has a certain movement as to the point that it seems that

has been the body of and she's moving, and she's moving. And she's not that there's a thing that's

seeing the he's a lot that's a way, ah, we, there's a little here in the house, and then then they're

the lights of the room of the abuela, and when they're in the light, the light gets to

get to the court to the little to the time, and when when the first

of the house enter in the the of the room of these chas she's, she's in total penumbra, in total

obscurity, something, it's all right, and she'll be a velocity vertiginousa to one of the end of the

room and the absorb and disappear. And she gets elated. When that so happens, her prima begins to

get to be a good, and he says, he's having pesidias. This chick narrra what he said,

the girl, he said, for a piece, you've seen a a pesadilla, what is you

don't the television, of the security, you see you you're going things of that you

and she is a impactated, and she really offended by the attitude of

the her and what she has the first of the prima. That posture

that I've been having been that that's that's that's that's

why, the prime and now it's a little they're a little more

more less less than the first day that he came well

and They have very good activity physical in the day. This is just a point in a very rare. It's a woman that sheca that me made this story, Eloisa, she pung a very paranoid. Three or four days after, they're eatingando

the her mother-major, Eloisa, suprime and the abuela, when the hermina is the girl, is the mother, I have to say something,

Eloisa, no, she was making the other day. Ayer, I was out of the night, and there was a a woman with a

cabo that's a little bit me made because I'm going to go back and I'm going to do it.

And I'm going to get a little bit more than I'm going to be much fear and I think I'm having them I'm going to

I mean, then I'm saying I said you in that moment a narrator I said, I'm sorry I'm sorry

this house is too this house is enbrujada something and if I put it well and my

abuela is she was to read because I was a game and there there were the cause but I was so I'm

I'm sure that I'm going to my father and at the two three days we went to my prima also she went to be

not she had been so much that she didn't be at the things. An invento of a pair of wuerkas of two

chas with much imagination and he starts to move to the time until that they pass four or five months more

and then the abuela mark the house of Eloisa to ask you a excuse me and he said my ha I'm you're not

you're not now we're doing we're not what we're what we're what he says the abuela

is that a friend of Elisa that is a person is a type of a kind of

a situation economic difficult and he he had been to be able to the house

a time a time a time a two months in what was a

but it was with premium He was with her No, and he were a pair of her own and they were in formalizing.

And the abuela, as well, he said, that was very, that was the time, that there was a

way that was to ask you to ask you to other part for that they not be able the dispensate. And he

said that he said, well, two days was in the house. Because the second day,

he said he, he came he came to hear that something that he was a

rata, until that he did that that that sound that was the side of his camera

and when opened the eyes he was those eyes reds, reds, but sentellantes and they were

those eyes like if they were two lamps and were doing in the dark in

the dark in the hair that's moving with a white something something that

was like a woman and I'm and I kept clavado with the

mind, I'm keptipicated I'm putterifical, but not it that I would give me

fear no could move me he he had he's he got a

he got he puts his man over my car, sent him some

he was a lot of my I'm I'm not and I had said

the mind of this woman and there was those

eyes that not they're not not not much they're

not like there some you might you might

you get the right the I made a

He was going to go in a corner in a corner and disappeared. And when me told that and me described the

woman, I know that you're saying, and then Eloisa said, and then I'm

narrator, I know that why exists the legend of the medusa. If

ever lived something like this, for favor, put the story here

in the comments. This ultimate story that I'm about to tell

to talk is something that was a Mauricio when was a very little bit of

because he he does fear of the darkness, he does fear the darkness, and he does fear

all that he has a form, but that's a mind, he's a mind that's a man,

not is a man, he's a man, it's a adult major to he's a lot of he's a

little, and he took to go to the caries in the night, to the

house to the house of his house of the notice, get to some

food, or to go to give to ask them. It's a lot of that he

has been a day of he's not. He's that they were in the afuras

of the city. Inclusive in the house of the house of the

place that's not there was not even pavement it was a terraseria. It was

a area that was a very lehan to the city. To be you know

you you know you were in the afuars. And there many stories that were like

were in things, no phantasmas, bruchas, and things pears. They said that there was

something. There was a borrachito that all of knowcied, that all had been sometimes,

and they were being located but he they were inoffensive because they were to start

just vociferating and saying things, but the type was soabry that he was

so practically in the cera. So, so nobody was considerable, nobody was taking into account, so they they'd have been to get back. And that type of a moment of the night or the morning yeah not was. A subjecto that all was always would beacled

perfectly. There was another type, a man that was a major, that was about pitherto, limosada, or any fire that would have and he'd even a carretel improvised of carton

and a little of meccate of these cures, of Ixle, and they was arastraining the carton and every thing that was he'd have made with an exte

axte a very used and he was and he was he was and he was never nobody saw

that you know that's but that time the night of the night of the morning yeah no

Gaston Don Gaston Don Gaston Don Gaston one they said Gaspar others

they said Gaston nobody really was a nobody really was a but the type

these people were at another, or other yet not they're not when the time.

It's when the house of the other people. Nobody consider the fact of taking precautions, because they were

other times, and because they were that these people were going to another other place.

But what he was the explanation, or more well, the reality of what was going to

what was going to when he was coming into to his abuelos. Imagine this place.

No, there's no any any of pavement. So the light mercurial

is minimal. For every three or four quadras, there only two

postes of the and those, one has there are there

light of the houses and it's so that's that's that's

that's that was able to look to look to be a light

tenue. As he was out of his house just his

adapt into the obscurity. When, when, when, when, when at the one of

these curves, of these guys, he's getting to to get to get to

the house, he's he, he's he's, he's, he's,

he's, he, he's, the people, and he's , and there,

and there, some, he's like a one, a garra, a little little,

he, he, he, he gets, he, he's got being to that,

but, Because what he was a pata of perro, not is a garra of a lobo or other other thing. It was something that had five-ed-do with o'nias absolutely peludo,

that for that was a person of the foot, he got there and he's kept there and he he's got a gruny that's a little.

He starts to go to the house of his abelos, and no he could explain any what he he did.

His abuel do they're to be there, there passed the night was his abuelo the boyle the he took to go to get to

his father and when he was going to be the house he said no, oh, no, abelito,

you're going to come, you're going to get to come. At a little time, he was the news.

There was a wall rondando the zone. Mauricio knew perfectly that was the other

they were a myth. If another ever lived you something this

and I'm this story. And with this have you've got to the oscura foggata of stories. Now,

those that have been to one or of two or three, put me, for favor, in the story that most

they most that was the story that did a little of a little bit of a subscription and

your and you get to your platforms of Spotify, Apple Podcast, Amazon

Music, Disser, see us and give us and give us five stars. And did us

there in the comments what was the story that more

MADD You know. One once said this, we'll see this we're going

the same the stories most of the stories that we're made to be next the time

there's now. Now see, dear family nocturna and

I want a good time and that you have good

fun of and that you don't fun back.