HABLEMOS DE LO QUE NO EXISTE - Historias de Hospitales Siniestros , Cementerios Ocultos y Entidades Malévolas | EP 332
Episode Date: October 9, 2025Bienvenido a ésta Oscura Fogata de Historias de Hospitales Siniestros , Cementerios Ocultos y Entidades Malévolas en @HABLEMOSDELOQUENOEXISTE El día de hoy les traigo historias espeluznantes qu...e ustedes, querida Familia Nocturna, me compartieron al wts de las Pesadillas. "La tata chana siempre nos decía Nunca juegues con los Duendes de cara roja" eso me confesó Marilú y luego de que te cuente su historia vas a entender por qué. Tiembla de miedo con uno de los hospitales mas embrujados de México, conoce el cementerio de aviones y escucha el encuentro mas aterrador con la Bruja de S4ngr3 , asi que prepárate porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE Por cierto, si aún no mandas tu historia nos encantaría que nos la hagas llegar al wts de las pesadillas (lo encuentras en los Sábados de Sombras) o al mail contactoinexistente@gmail.comHABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.
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Welcome to Family Nocturna,
to this obscure foggata of Histories.
The day of today,
we're going to talk about
of hospitals, sinisteries,
cemeteries occultos,
but before I'm giving them to give these three
advises.
The First,
the Family Nocturn of Puebla,
we'll see this Wednesday.
The second,
we're going for the marches of the million
family nocturn.
So, if you're,
that's that
video, if you
liked it,
if you're
more,
because at the
million of
subscribers,
we're going to
get a
surprise. And finally,
for those
those people
who are new,
and just because
someone
who's in a
march of the
million,
and are here
for the first
time,
let me
give to the
advice,
let me,
because you're
a point
to start,
a
fogata of
stories.
What you're
at point
to hear,
is the
story of the
novatada
more cruel,
and far
and aterrador
that I've
got to
hear to
hear of
a
time.
Brian is
the author
of this
novatata
and
until the
day of
he's
repentied.
I'm
that for
the
work in
that he
is
there's
there
is a
thing that he
has
that
he has
to
review
to
continue
to
the
we're
we're
not
not
not much
data
because
there
can
be
a
material
like
that
that
no
has
found
to put
to
the
work
to
let's
just to just to just go to just a new
good time in this cemetery of avionnes.
It's one of those multiple functions.
And he has been a lot of time there
that's escalated,
and now he has been a place
kind of extra in the chief of a quartia,
but at the same time is chief of an
emascent.
That makes that a lot of time,
he confunded, and he's of mal-humor,
because he's the narrator,
I don't know the better person,
nor the most brilliant,
simply I've been in my
time,
I've been more
than I've been
but the fact that's
I've been my
attitudes and I've
my rathos
and I tending I
tend to you
to all the
people know that
I'm going to
a novatada
there was one
in special
that me
it's not
I'm not
I'm sorry
when the people
not my
can't
oh my
I'm
I'm
do all the
I'm
do you
let's make
the life
pesada
so I'm
and me
They made an sir of
one of 56 years
of a number
Gumaro.
From the
name I don't
like it's
to be a
school of a
old and here
we've got to
work people
modern.
My form
to think,
narrator,
not I think
or bad,
only I think
so I'm
a man,
a man,
a man,
a man,
like you know,
when you
see a
person,
when you see a
very,
but result
that don't
Gumano,
we'd
we're not
so much
that not
able to
that were
responses
rapid,
that
did the
things rapid. No, the
Lord for all, he took over his time.
It was all literal.
All what I said, it wasia, but
with a lentitude, with
a pereza, that me
I was put a nervous, me ponied,
fastidied, or molest.
And he was called the attention continually, but
Don Humaro no entendia. Apart,
he had to say, total
the things, point-by-punt,
because, standing there, Don Gumaro,
he would improvising anything,
nor he would give to do
do you
to do you
to do you
do you
do you
if you
need to
you need to
it's
like you
never had
the focus
like if
never
had a
idea
like
and that
it was
that
it was
all
parts
not
not
not
not
but
I
was
I
did it
I'm
I'm
a
one
one
he
did
do
two
two
hours
with
one
of
one of
one
of
the
been marked as a person
trapeying the
and that's
put to alerted
to the person
that not pass
for there,
because it's
mojado,
and don't gomaro
he did and
get the letterer
let's the
area and
put to see it
and the same
quadrita
one hour and
a half.
The poor
type
he got
and give to
give me
and I'm
I'm
I'm
a message
of radio
of him
do you
make me
the
refregate
favor
me is
saying the
he's
when I'm
when I'm
to stop. It's that
I'm
done you're doing
all the
arm.
And he
did you
know, I'm
you know,
I'm sure
I'm gonna
do this
do I'm gonna
do I'm gonna
do this
do you know
I'm gonna
because no
me said
no,
a narrator
he wanted
or car
he's
he didn't
a santa
to me
and he
he felt
three days
to work
and he
he gets
and he
he's still
he's
he's still
no,
well
here I'm
here
I'm the
incapacity
narrator
he came
with
the
cabestrillo in the
brazo that
no,
I want to
work that type
I'm caught
so much,
because I don't
know if
he's going to
get to be
you, but in
serious you,
you know,
that's just
that's not,
that's
that's
different.
Well,
to make the
things
clear as
I'm
I'm fatigy
so that
I'm going
to get,
I'm going to
never we
never we're
to beon
someone in
the madrogada
because
we know
there are
there are
many things.
It's
when I
came to
me and
me told
that a
chica of a
little
a time they
were to
do a
little bit of
a limaqes
one of the
aviaries and
one of the
other people
and that just
one of the
problems
for the
which they
had made
that they
had made to
that they
was that
never could
repair a mechanism that
they had in the
door, manned
to the
signora,
and a
me consta
that the
when she
was so
never really
that was sodive
that was
sodive and
sud and sud, because he said that when
he said he was all over, he was
all right, and when you're going to have been
the plane, be, of a sudden
two sombras of the left
side of the sceptive, sentadas in an ascent.
And when cruiser, like, the
mirab, with those sombras, that no
see in the eyes, but it's like, you're like,
you're just a contact visual, the
two sombras, he moves the head
to the above, no
they're like a form so defined, but
see the area of the
head
they're in a
movement of
above,
as far in
saying she
and she's
a sustra
that's
that's
when they're
to do you
know,
the maras
are the
time of the
caris,
just like she
said,
but the
other side
is intact
and there
no there's
no way.
The other
door is
that's
a certain
time
that there
there's
there no
there's
there's
there
because the
teleraa
are
intact.
Pobre Mucer
Pooer
Peeo
she did
that
and she was
so excited
that they were
well,
no,
it was the
only.
There's the
story of
a person
that said
they were in
the first
time of
the time when
they were
to do
the
night and it
took to
see a
person
doing a
kind of
a
little of an
vehicle.
Just
also
we're just
we're just
we're
not a
little occulted
not
it's
not a
little to the
but
when when
it's
where is
the
location
they
to get
or liadas
of
people
because
they're
the
people who
want to
get to
get to
in the
car,
or in
this case
people
that's
that's
that
people.
This
type
they were
to
go and
they
they're
they
were
they
were
done
a
report
that
for
they
they
were
to
they
they
were
coming
coming
coming
and they
after
the
two
in that place in the
night
there are
things
rare things
supernaturales
and naturales
but never
are good
to do you
go to
go to make a
lot of
and to be
to make
and at the
last 12
of the
night and
I'm
and you
do it
I'm
so it's
I'm
going to
me
they're
going to
that
he's
he was
he was
he
he was
I'm
I'm
I'm
I'm
the
same
the same
I'm
I'm
I'm
I don't know I try go
put in more intransigent with him
and Don Gumaro,
acata the orders,
all of us has been
more and that makes
and that I'm going to
go to bengar and I'm going to
go to be there
to my area,
and then when
it's a month
narrator, that me
is that I'm working
at the turn of nocturn,
and that me has
been two occasions
that for favor
the malnare of the day
because he wants
to pass time with
his wife,
I'm,
I don't, no,
no, you're going
to give to the
day,
you're going to
give to the
the company,
Hid,
the fruged.
After that
you apply this,
you know,
you're going to
go to
go to the
night, and then
to know,
to know what
he was
saying,
and I'm
saying,
O'Ral!
Gumaro,
lancate,
for favor,
to do
a roundin,
to do
a point of
vigilance
there in the
area of
the cemetery of
that's a
night, when
Don Gumaro
was a little
of a rube,
because there
was a lot
of the
environment.
Don Gumaro
is covered
with a
chumarra
with a
apart with
his lantern
and we
we're going
with all the
cameras of
vision
nocturn.
And you
see Don Gumaro.
The other
monitor that
is with me
say,
Oye,
you know,
you know,
you know,
you know,
you're
going to
be a sustat
and Don Gumar
and is that
he's great,
not it
not say
that's a
not far to
let me
let's be
to get to
let's be
a little to
that's going to get
with a grip
and he's
going to get
to get a
time.
And I'm
for that I'm
to give us
to get to
get a
and let's
that's
going to be
the same
he's going to
give the
back,
you know,
and my
companyer
me said
that he was
that I'm
that's a
case,
I don't know,
and if
me
repented,
narrator.
When we're
we're
monitoringing the
camera,
there's a
sensor that's
we're going to
we're just the
we're
we're just
we're just
about some six cameras
more
ahead and where
we're in
a final
in a
area of this
cemetery of
there's a
no it's a
not a
not a
not we're
using it's
simply
it's going
and we
we're
we're
we're
we're
we can't
we're
to be a
place where
in the
middle of the
well
just
in the
initial
of the
maisal
there
there's
there
there
but not
you can't
the
but not
I'm
I'd goveteo with the other type of the monitor,
and just me says,
no, see,
I'm going to be here.
But in serious,
I was just about
I'm fatied to?
Yeah, I'm sorry.
I said, this is the good.
A-per-huh, and I'll say,
Gumaro, more rapid,
yeah?
Necessing to let's be
the rondin,
you're going to
and say,
pardon me,
is that's so it's
much free and
still caminando very
rapid, and me
to where I'm
where I'm going,
and I'mpire,
and parate
in front of the maisal.
If you want
you get a little
let us and we
from the camera
we'll see if
there's a lot of
the woman
in front,
where he's going to
the maisal
he's going to
and then
just we're looking
in the cameras
how Gumaro
is coming with
his lampra
and it's
going to
camera by camera
of monitor
for monitor
we're doing
the same
camera
to the same
when to be
these changes
when of
when we're
gumarro
go can't
rightito
to this
woman,
he's
lusando
with the
and then
they're in
the fald
and he's
a meter and
this person
al-usandle
to the front
and no
us say
nothing.
And nothing
more,
like 10
minutes
after this
guy,
he gets to
the water
to get to
the
talk to
and it's
for the
walkit-tock and
the radio.
How's
time I'm
to get
here?
And we
we're
we're not
we're
we're
not quite
this
way.
well, is there in front
this thing? And then
we say, Gumaro,
still are you
very long,
do some three
passitos for
the latter.
Narrator,
we're seeing
on the monitor.
Three passes
is to front
to this
thing,
and has the
lantern
so pegada,
and where
just the
linterna
had been
as much
in the
panza of
that we
were being,
Don Gumaro
us
I'll send a message,
Oh,
you know, I
did much
frio,
it's a
cold, it's
me congeled
the man.
Where does
that it's
we're just a
and we're doing,
and we're
saying,
you know,
the problem
narrator is
that's
a media
and we
see that
he's a
little, and
he's going to
get a
little bit of
the right, and
then I'm
the way
there's a
moment, and
he's coming
behind behind
him.
He's
we're going to
get to
him,
we're
we're
we're
that maybe he was going to give a hypotermia and something,
that yeah, it's going to go to the zone of uniform,
that's a change, and she were to her house.
No, we'd have to be at her car,
her car. She was to go to his
house, no, no, no, we'll tell us nothing.
We'll fall to three days at the job.
I said, no, of here I'm.
Yeah, we did the back.
And as, as well,
it's report, to see,
we'd have to give us a opportunity
to go. And is that we're saying,
no, discurper me, is that
after that, because I'm new
was a little, and in the
house, and it was just
they said that there was
a woman coming under the house,
and then my husband
was all assustated,
and I said,
ah, my woman,
let me recoverer.
And yeah, at final
my mother's
to have to come to
the house, and then
he said, well,
and then we said,
well, we're
just got to
get a job.
Narrator,
if me had
repented of what
he did,
but never,
he would to
go to work to
to contract to
Don Gumaro.
He said that
no,
that lamentably
had made
a fault
very great in the
company,
I don't we
could have to
contact him.
But if I
could we
could we
give a
card of
recommendation,
and never
me
to talk.
But you know
more
more stories
of the
cemetery,
and other
day
I'll
you're
you
have
you've
had
ever
or of
the
man of
the
man of
the
person,
there's
there's
a
couple
of
there
a
woman
that
was
a
story
as
the
service
of
the
world of
the
paranormal
things
in
inexplicables,
things related
with phantas,
and things,
and all this
type of things
that I mean
us enjoy.
Tatachana
was presentable
in places
publicas.
She present
there and
then called to
the children
and to all
that was
listening and
he was
going to
tell different
stories.
Marilu
when
he was
about about
one
years,
I've
heard the
story
in labios
or in
the boca
of Tata Chana
about
the man
of the
camera
and me
He said that, his life
was marked because he
he started to believe in
all the theme of the paranormal,
even when,
for that moment,
never before
had lived anything.
Tatachana
told that in that
place, in the
place, in the
place, in the
moment,
many years
after, a pair
of decades,
tal-be-mast,
all there was
a mountain,
had sembrisios,
and they were
the afuars
of a city,
and he
said that in
that zone
they said that for there
were there
were the dwinds
and the
men of the
men of the
men,
that were
to have to
have been
because
not were
things to
not are
not they
were people,
and that the
people were
incautos
were in
them,
in that
one,
a family,
a family
that very
only a penas
had
to live.
So,
and his
labors of
camp,
recollecting
some things
and when
they were
to collecter,
they were
to the city,
they'd
they'd
they'd
go to the
and then
they'd
go to the
other way
they'd
they'd
get a
because they
were they're
to bring the
indispensable
for the day
to do you.
This family
had a
little,
this
new, every
that was
that
was in
questions of
the
labour,
he's
there
in the
campos,
in the
zones
that there
places
there were
monticulos
of the
tree,
a pair
of the
arbustos, for that zone, and the
little he loved to be playing
there, exploring,
viewing, and there was a
place in special in
in the little he loved
to be a small, and
it was a small,
that was an arbor,
that was a
little bit of
that type of
that was it, but the
cortesa that
was it was a
corteza, it was
a cross-a-lice,
no had a
no-n-n-a-
way in that
that any
person could
escalar for
there, and
less an adult,
because
they were
they were so lisa, that at moment of
to try to put your hands with force in the tronco,
it was to go back by the peso.
And the second problem,
for the while it was impossible to be up of that
arbor, it was because the rams were very altas.
All the tronco, that was a lot,
was stave, and the rams up,
what he had that if you'd have been
a starrer or some type of aditament
to get to get to the rams,
no way in the time in that you'd be able.
Well, this
baby,
and he was
sat down
and the
end of the
whole of the
day.
Papa and Mama
he
had been
all the time
about the
about the
time.
He had to
be there's
and there's
and then
never
never ever
never
never
not with
the duendes
and
with the
men
and the
end of
the
little
because the
little
and to
be a
little
of just
four,
five,
six
six
years,
he was
seven,
eight,
nine,
ten,
11 years.
And at
the
11 years, the things
were
complicated, and
Marilu,
was surprised
for the ralto,
because she,
in that moment,
had the
same age of
the new,
of the
little of the
child,
and she
talked,
she,
she said,
she said,
a day,
he was,
a discussion
in the
little,
he had put
more sugar
of the
coffee of
the papa,
the papa,
not he
could be
not a
part, there,
there was a
time, and no,
they did
a regaining
very
very
enojado. He's
out of the
house, the
Papa, he
grita, and not
you go to
go to your
and you know
you know you
not you're
not going to
the wendez,
and with the
man who's
the man who
said, and the
little he
he said,
well, I'm
going to be
going to be
going to be
orders, and
he's going,
the little
making his
berinch and very
molest,
he went
and he's
he's going,
but they
don't they
pay attention,
they're
they're going
to focus
them in
their
They're at the city to
to sell the
stuff after
after having recollected
and when
they're going to
it's about
about the
five and a
time.
And the
little is in
the new thing is
in the
area of the
place,
and they're
and they're
and they're
again,
Bernard,
Bernard,
Ben!
Yeah,
I,
he's,
Ben,
yeah,
we're preparing
to come,
but
Bernardo
no appears.
Allas
and every
one of
the zones
aledani
to where
they were
explored to detail. The
arbor in the
where Bernard was sent about
there was a
summer, was one of the
first places that
investigated. And no
there was a
rastro of him. The problem is that
there was no wayas, no
form of being rastering.
They desperated so
the papas
about the 7.m. of the
time of the
town, and when
came to the
little city,
they started to
someone,
someone that
was like an
person who
could be encargated
of the theme
like of busked
and logger
to be able to help us
that person will help us. This person
mobilizes a
one of the policeies
and then then
to move to be
not as a theme official
but they're
these parents angustied
and they're all
the ranchito of these
people. One, two,
three, four,
five, six hours
of buskedom.
All exhausts.
They're can't
to mass no
power.
They've revised
all the terrains
of cabo to rabo
and of a repop.
And,
and of a
repent
a
great,
he's
the
little
the
little bit of
an
little
that's
a
year he's
a
day,
and the
man
the
totally
absolutely
as
a
metid
between
the
ramas
not
they
have
you
have
you
have
he
he's
because
after the
three people
have
been to
the
other
to be
a
he, he no
he was not
he gotrara and
and he was
verbalized
things and
he said
to be able
perfectly
he said
he'd
and he
had about
and he
he'd
then they
got him
they had to
get to
get it
between the
three people
because
he was
sold and
he was
his
miscontrolled
but his
mirabed
his mind
was a
little
like if
had been
something
that
that's
another
never
to
turn
Bernardo's
going to
and Tatachana
is going
that Tatsana
was going to
three days
but not are
men.
They're
something
more.
And they're
just to be
the children,
the children
that's obeysen.
That's what
was what I'm
Tatachana.
And Marilu,
the chick
that she can
send to
the history
and say,
narrator,
I think
Tatachana
she had
the
not that
because
she had
many stories,
the
men of
red,
the
women of
marries
and the
men of
blue,
if you
want to
this
story,
I'm
to
talk to
more.
Bien
aboard Via Raai, Embarked and
profite. Embarked
and celebrate.
Rigolet. Publiere.
Savory.
Admirate.
And profite.
Via Rae.
The voice that we love that am.
Mayra has lived
things strange,
things that probably
many of you
have heard or have
experienced.
But there's something
that has lived in the
family of Mayra
that definitely
never had
heard.
And here you
have been
to hear.
Resulta
that Mayra is super fan of the channel and me
says, narrator, I
I see the channel because I identified
with a pair of stories, but
there was a moment in which you
started to tell certain stories of
certain entity, and they were
that you knowjara, because
you were planted as
as something, and for me
never has been a little bit of a lot, but
let me tell me, I've lived
things rare in the life. In one
occasion, me passed, that
had a noviour super-selo,
was a nobio that for all
always always
was doing
like reclamos
and we're going
bad those.
I had my
cellular and had
a conversation
of WhatsApp
with the
school because
we were looking
about a
job and they were
finales
so it were
things that
was a lot
one thing
I gave to
the other
I was
doing it
for the
question of
the job
he with
his celos
that not
he was
he could
control
and
in those
moments
in those
days
was a
time was
a
with who
you're
you
most
you're
talking to,
a bit with who's
going to be
going to be
going to be
going to be
the car
to get to
see,
and he's
to get to
the situation
to get to
the point that
we're
in gritties
and sarandeos.
I don't
do me
well, he
definitely
also,
and where
he was
a point
to put me
on the
time to
get to
my
house,
because I
went to
I'm
doing so,
I'm
I'm going to
he's
he's there
all in
argumeno,
all
loco,
molest,
and I
just
just say
I just go
my cellar,
but he
is saying
one and there
another way
again,
to you
know,
he's not
a stupidity
because all
the problem
had been
because I
had been
talking.
Oh,
well,
so total
that this
ex,
no me
he's
not so
I'm
very enojated
and a
day I'm
a little
I'm a
very strange.
I'm
I'm in
the house
of the
but I'm
not I'm
like in my
body
physical,
so I
can't
see the
and I'm moving
for the house
and I have the
opportunity to
see what is
I'm in
the room,
and then
in the cajon
that's in
a cajoner
at a lot of
the cellar
and I'm
and I said
I'm here
I'm going
a day that
I'm not
in the
house,
I'm up
my mom
I'm
I'm saying
for him
that he's
that he has
that he has
he has been
very bad
character
I'll be
she's
no she
preoccupied, we're going to reconsider
puras mentrars, narrator.
He said that if I had
done an opportunity to
enter to the
court, because I had
left a little
her name of her
was a very good
person and was
like very
very avergonsada
for the
his own,
of my ex,
me go and
direct to the
room, I'm
the caron that
was my cellar
that's my cellar
that I'm
I'm going.
I've lived
a lot of
things raras,
I think
these things
pass.
In a time
I've worked
in a
constructora.
and me took a guardia nocturned
where we had to have to have a revision of materials,
yeah,
I mean I remember.
But when I was there,
I was paid a space
because no-a-to-have-na-to-a-can,
and the next time to receive
and they were to be a chance.
I was going to do a opportunity,
and I went to dream
like a casetta that we had to vigilance.
I said that if she was up to something,
the team was about,
we'd say we'd rather than,
we'd have to-one-and-as-all-a-money,
or so,
every in a turn
I'm going,
I'm quite
super dormita,
but super,
super,
dormita,
and then
when I'm
the eyes,
there's
still there's
all the way
the people
working,
I'm doing,
I'm still,
and I'm
a little
me to
a little
a little
me,
I'm trying,
it's a
man,
it's not
the six
of the
morning,
at the
four or
three of the
morning,
what the
demon is
going to
be
going to
be
a
a little
in a
construction.
Apart,
how it
was a
place.
The place was
a barrede.
So,
I'm
I'm going to
do you
know what I'm
going to
move the
body, so
I'm going
the
other I'm
and I'm
the way.
It's a
man of a
man that
that's a
little bit.
Me
starts a
much
fear.
I'm trying
the
I'm trying
the
I'm not
the
parpado,
those I
don't know
the
place to
start
so it's
to feel much, much frio, much
free,
until that
someone
opens the door
and it's
a carcachad of
a little,
this person
is a sust,
I pego a
grito, and
thanks that
I'm able
to spabilar,
me levant,
and I
go and I
go to
and I'm
going to
see, we
know, we
know, we
know of that
that I'm
not going to
hear of that
that I'm
never to
say,
I've lived
things
rareas.
But there
there's a
other,
as I'm
what I thought
with your
channel,
that when
I'm
know he.
And not
it was a
much
time,
because I
just knew
the
fogatas.
But I
started to
get
from the
first of
episodes.
And I
don't
remember what
episode is,
but it
was the
that you
were the
when you
didn't
that's
a chawo
and he
and he
said a
story
about
a
a
When I heard that,
the narrator,
no you know
the level of
the courage
that I did.
The problem
is that
I made any
message.
I still
and I'm
listening
videos and
I'm going to
hear of
other way
puras
stories of
terror of
Charro
Nero
and then
I don't
I'm
what
I'm
that I
my, for my
family,
we're
we're
we're just
we're
we're
and I
want to
because
because
no
not
my
abuela
us
that she
when
when she
when
young. In that time my
abuelo,
was a barrage of
a man,
a boyishua and
jugabor.
As if
said the
songs,
he was a
type that
all the
time was
doing
saffarranchos
problems
for here,
for there,
infiel a
more not
could be,
a type
in which
you could
confiard,
but ah,
how
he was
my
my abuela
my
had three werkus.
And then
the
father was
the old
to go
and when
regressable
and when
he hadrava a
narrator,
how you
do I mean,
ah,
so,
without more
trap-pugos,
he hadgrapes
and he
was back,
and he was
a car,
a situation
horrible.
For you know,
I never
know my
abuel,
never.
And,
and said my
abuel,
that in
a time,
he went
so much
and he
got so
that she
was so
enoged,
that the
things were
putio
very bad
in a
way
more
rapid.
This type
the type
he
says she,
she,
she
that
he's
is taking a rastras
of the
place.
She is
there when
he's in
the conscience
for the
quantity of
the
time, then
he's a
little,
and then he's
to get a
help,
and be
that if
there are
people who
those people,
one's
they're
they're
they're
they're
they're
because,
because something
has
got to
a
she's
she's
noj
so,
but
she
she's
not the
he said,
even
the
but that
me
help,
and that
he's
he's
he's
to hear a
second is a
ginnete,
the abuel
the abel
he was to
have to
have been
her last
day,
because the
abelel
was so
enojated
that he
would be
to get to
get to
get to
and she
can't be
to get
getting
getting
and the
little,
the
little,
and of
the
other
he's
part of the
caro
with a
black,
the type
that's there,
no
see the
the
car, no
see in the
man, my
abuela
also
is a
little bit of
my
old old
and he's
to get a
abel
and he
made a
friega.
Dice my
mother
that just
I'm just
I'm
grittance
stop,
stop,
but after
between
and
a
minute,
he's
he's
a
idea
at patas
in the
piece
against
on the
horrible,
horrible,
Borgreible.
And my
abel
and my
He said that just
He said that
He just got her
He got her to
He got her
He gave two
Palmades in the
Spalda
and he went
And never
ever
And since
My abuela
So,
the idea
that the
Charro Negr was
his angel of
the guard
And said,
sometimes my angel of
the guard
But now
now,
now,
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Has you heard the story of the phantasm Sendoza?
When we had the duels of stories,
he came and us accompanied Louis Martinez.
Louis Martinez,
us told us a story of a phantasmacendos.
Since that day of today,
no had ever been able to hear that
name or that title
that title,
that's a lot of time.
Until that, Juan,
we're going to call this story.
Juan Federico,
we're going to call him,
is a fan of the channel,
and us man to make a story
that's of locus.
He says that his abuel
He was a person
like a talent
and a form
of a very
concrete.
He was a
very few words
of much
activity physical in
the house
and that
he is very
chavito,
his abuel
and was a
manned
in the
house but
for pure
questions of
limpeas
had very
much time
or very
poor opportunity
or very
many many
the
more than
he's a
type margado
but we
we're a
manera
and not was a manner
that common.
The abuelo,
if you
were to the
house,
I was barriending.
If not,
he was
trapeying,
if not,
he was
limping the
mess and
he was
going to
lavando
trastes.
He,
he was
much time
in things
of the
thing,
to move, to
my wife,
than my
abel,
my abel
and said,
is that
he used
to do it,
because with
that's
doing that,
he's
doing
that,
He is doing
some of exercise.
A.
If she's a
maintain in form.
And my
abuela always
always about
for him.
I don't
I remember
of my
old old
saying,
why all the
time was
doing,
trapeying,
or doing
what are
doing that
my
mother was a
person
very moved
but
strange.
She had
more to
things of
the plomeria
of the
carpinteria
and my
abelor
more in
things
in the
time.
I don't
remember
also
talk about
about
my
father and my
my abelo fellacy when I had 10 years. I have
45, and I've passed much time.
But there was a situation that
occurred just after that
fellacy, that was very strange.
One day, no
if a month or two months
after the fallacyment of my
abuel, we're all
in the house of the
abuel. There still still
is my abelita, my abolita
still still not so repone.
I'll say,
even my abelver,
was a person,
like, very silenciosa,
of many words,
really,
I mean,
his manner,
and my abole
was to
be a lot of
him.
When we were
all this day,
we were all
we're all over
and we're just
a little bit of
their narrator,
because they were
things that
had to be
with the
vacations,
and that he
went to
the room, and
he was,
and the only
that he said
to the
person,
den me a scov.
And it's
because I've
encountered
things in
the room,
and it
put them
malas. Oh, and you
remember when
they were babies
that they were
a lot of
tawyers and in a
bathroom, first
he went to
do you know,
all the
mess where they
were to put in
the babys to
make the
and then we
all the
time we got
another half
hour, the
year,
the sir,
and the
other thing,
there were the
intendent.
There were
a
anecdotas
of my
abuel
related
with the
little
my
old, my
like I said,
maybe for questions
of exercise,
for questions
of maintaining
in condition,
no see.
But me
made much
a little
something that
did you in
those first
episodes.
You in the
first episodes
of the
channel,
mentioned that
you had a
theory
about the
personalities,
that when
the people
have a
thing a
thing a
thing,
a lot
they're not
they're
and the
spirit or the
soul,
and the
other,
that's
they're doing
Well, there's what we'll
what we passed.
One month or two
months after,
of my abuel
had fallen.
We're in the
house of my
abuela,
that now
is my
abuelita there.
And then
then we're
to do this
night,
talking about those
anecdotes that
I told you.
Well,
narrator,
no,
I don't see
if it were
at the
night
pasteditas,
I've
been going to
when I
get to
the sound
of trastes
in the
plant
back,
but here
there's
a situation
very
particular.
The sound of the tracts
No, I copped
to hear it
not even
10 seconds.
It was a rhythm
very specific.
A type of
lavado,
depolid,
of platito,
because it
was to make
a towel
that sonable
a
and then
and then
after that
where I
gotrava
the plate
and he
put in a
place.
If it was
the second
or fourth
plato,
you'd
hear you
because he
he was
he was
he accommodable.
And I'd grab up the
second plate
and other
and he,
he,
he,
he,
he, he,
he, he,
he,
and he,
and he'd
he'd
he'd
he'd
he'd
he'd
he'd
and he
and he
always,
and my
time,
he'd
a moment,
in that
all of
a
really,
30 minutes
listening
that's
you,
you know,
you'd
laver the
people,
nobody
nobody with
that's all
nobody
he'd
a nobody
he'd matter
a passada and we just
we'd have to
the only
that was the
pasted.
And then I
thought that
night after the
last time we're
doing that
we're going to
to get to
the first piece
to see who
who is the
sound because
definitely
is like
imitando to
the abel
when I'm
to hear
the rechinio
of the
mess that is
exactly
like the
oldo
was it
and after
that was
a type of
barrido
that is
exactly
the
abel. And there,
so, narrator.
I felt like
very nervous
because, okay,
one is
imitate it in one
and other
is imitably
in all the
other thing.
I'm
kept thinking
that maybe
was not
a dormit
or that's
a play with
a drama
or that
was there in
a situation
that had to
have to
some type
of a
spirit.
I'm
subed
the escalers,
I go to
the
quarter
where
was my
my brother,
and my
Muartos of
Mired,
and they're
doing so,
don't know
you're not
you're in
I'm going to
my
little bit of my
mother
in the
my time
my
my mom
dormied at the
mother and the
mother's
and the
three are
talking about
in the
ball
saying,
the ball
saying,
it's a
make that you
see that
my mom
saying,
oh,
my papa
yeah
he's
in the
past,
no
you know
when I
said when
I'm
saying my
my mom to
me
but vacillow.
I sensed that
I came to
a can't
a can't
I'm in
my old old
that my
abuel had
back to
the other
other side.
After that
that day
narrator,
I'm going to
rest all the
days in the
house at
every time
that I'm
a opportunity
and he
said,
Abelel,
now we
we're going
to be
the
limpeas.
You
just yet
he descans
in a pass.
And you
know what
narrator?
After the
three or
four days
they've
to hear
to hearse
to hearse
the
And if you're
asking,
the house
was more
a lot of the
time as well
was doing the
limpecies
and the day
when we'd
get him
the mugrero,
the plato's
they were
all the
place that they
always had been
so we're
we're doing
the work
and the
abelel
and I'm
now you
stay
and I'm
if you're
going to
get to
get used
that you
think you
that you
make sure
that you
has only
a
a vivance,
one
that he
occurred,
that no
know how
he was,
but he
never he
never to
happen to
happen to
get to
his family.
Magali,
no practica
brauchery,
no practica
nothing
has
never had
hugged
Uiha
and
nothing
of the
no
has,
no
he has
he
he was
he was
a
life
normal,
the
life
was one
the
one of the
lives
more
that
you
can
you
studied
for
dentista
and
never
termed
how to
do you
know of
the career
because he
had taken
a year
sabbatical
one of the
first he
never
he's not
he's
he never
he's
and he
his wife
his wife
was a
person
that he
had
had been
very
economically
that
she
had
she was
for 10
years
but
since
she
saw
for
her
first
first
Magal
and
he
have
together
five
years
and
they
have
they
had
had
to
his
He had more or less in that
in the then of what
happened, more or less
about, almost, almost. And
she said she had a
normal, he had a man of
from the house. Since the case,
her life was to be in the
house, he took some
curses out of the house, but
it was really to entertainer's,
she enbarraza, and when
yeah, she was born, practically
his life was the new, it was
a little bit of the
Antigua and Magali was
very happy with that.
They're both
not some persons
religiouses but
of any other
religion and
they're not
not even
from the family
religiousas.
No is
a thing
important.
For that's
he can't
what he
does it
or maybe
is just that
what he provoked
what he's
living.
No,
I mean,
at final
me says
what you
think you
think you're
she's
she's going
and she
is gone
and she
normal,
of a
day normal,
of a month
normal,
of a
year
When she is
Acostated in the
Cama,
that's your
routine is,
I'm going
with the baby,
I'm
arope
very well,
I'm
a coon,
that's a
very high,
I go to
my
bed and I'm
doorme.
The baby
has
accustomed to
do not
the night
for this
point.
Very
very
very good
synergy with
Magali,
but the
point is that
she will
be to
get to
get to
and after
the time,
the baby
is over the
little time. In this occasion
is dormied and is
a sony-and-and-you-said
because he does a point that it's a new,
because he does there,
in a place that all is obscure,
all is black, no-a-n-n't-nob. And
he begins to hear the
baby. Lentanement the angustia
and you see that the baby
needs, if it begins to move, but
all is obscure, no-a-n-n-n-n-a-n-d-n-all-
no-a-out-to-you, no-a-boh-a-a-a-vvoh.
to go. No, there's a right, no there's
no there, no there'shired, no there's a great, no
there's nothing. And then, in the middle of the
nada, there's a little, and
of a moment, there, there, there
a woman. The woman
no is know, she can't,
if what has pintura
or her skin is of color
rojo, or is a lotimated,
and I hope that you can't understand.
Or so, it's a liquid, vital
rojo over her. Something
this woman
no he does
a little
confidence,
at the
contrary,
from the moment
in the
moment in the
way in the
way in
the word
that is
a little
a little
a
person, and when she
thinks in the
word of
she starts to
her,
but the
child of the
baby
iscentu.
And then
trying to
turn to
I'll say
no,
it's
a
little bit
he's a
little
he's a
car and be the
car
of vision,
all is
is the
only point that
is the
woman,
and now when
it's
a little bit
to see,
but in a
place that
now is
a lot of
all the
place, and the
room is the
room of the
baby,
and the baby
is a
little bit
and the
woman
she agach
and makes
the
hands in the
cunah
and he
got the
he's,
Magal is that
he can't
with that
he's
he
doesn't
say,
his
the thoughts
are there.
And with all
what she
can be,
is to do
that she can
say,
that's a
baby,
that's a
woman,
no,
he's going to
say,
Bruch,
demon,
monster,
alhate
to my baby,
alhate.
And then that
thing that
is that
is a woman,
that's
all painted of
rogo,
he's all
he gets
the little
little
he's going,
and he's
got to
get to
her and
then he's
a passio
and just at the
paces,
there's a
picture,
that'sposed in
a little bit, and when it's
about, you know, the woman,
that'sposed in a little bit of her life,
with an odio,
he starts to grunir,
to come the baby in his
brasos,
he put in the
piece and he
he's a
a car like
a
moor's
and she
go and he
is clara.
The scene that
basically above of
the
the picture
that's his
posto.
Then
Magali
abre the
eyes
in the
world real,
it's
got a
got to
shudorous
and has
much fear.
He has
no for
her,
for the
baby.
He's
He levanted the
camera of a
brink, the
husband was
dormsive,
and the
time at the
morning,
he went to
get to be
he said,
he says,
Mugar,
what's
she's
going to
the
room,
and just in
the
middle of the
the
scene
that's
that's
that's
that's
there
the
the
man,
he's
the baby,
arropado,
tiradito.
Nobody
he's
he's
got,
the
windows
are
that's
are
going to
do
the
day
The body entire
he tiemble
because there's
a sensation
there's
there's a
house and
not a
human.
When
he gets a
little
and he's
the
little bit of
the room
that's
practically
at the
side of
her.
A rousn
of a
burrow,
but is
something
a
heart of
she's
herrised
and
the girl
and preet
the
little bit of
the
door,
he's got to
the door
to be the
person, the
husband just
He's
he says,
we're going to
baptize
the boy.
Not are
religiousos,
but if they've
heard many
stories of
bruchas.
And now
Magali me
said,
Narra-Ras,
if we
do we
do we're
going to
we're not
going to be
going to be
not to get
to get to
that thing,
but that
thing that
my
dreams,
it's real.
And now
I don't
I'm asked, what you think
that was that with what
was going to
make it in those
comments?
Let me know here
in the comments.
Look,
Air Canada
did a sold
world.
Super,
an offer for
the assort,
station
thermal,
volcano.
You've seen
the price for
the Japan?
M, it's
pardg and sushi.
Wow,
the sold
are good for
Mayork also.
We could
go to
the plage and
do you
go to the
long march on
the bar of
the sea
sea,
hmm,
I adore
the canolie
can't,
you're
another
Decide
this
Soled in Zerunerilimited, reserved
to R-Canada.com or at your agent
voyage, the conditions
apply.
This story is of the
hospital most embruged
in Mexico.
Manuel and Jairo
is considered
companions,
friends,
and casasasmas.
And all this is
for the circumstances
in those that
they were
10 years
after.
10 years
after,
they're going to
work in
an hospital
that was of
the security
social.
They're two
are
without a
plant.
contract, a time
defined, and then
they're going to
see it
they're in
they're in
five months
when the
the head
says that if
really they're
in the
place,
they're
to work
there at
minimum one
in the
turn of
that nobody
he's
that they
they're going to
get to
that year,
then then
those will
consider to
the plaza.
Jair and
Manuel
and they're
very serious
they're
going to
the
he says
that they
they're
that if they
they're
that if
no problem,
hospital. And,
if, turn of
madrugada, and
if a year,
they're in the
change,
they're at
turn of
the time, and
during
almost one
months,
no pass
absolutely
nothing,
but nothing,
except the
last month.
For the
last,
there are
routines.
You know
that day
are the
time, you
know,
that in
no moment
say,
that they're
that they're
very well
in the
night,
that they
have been
much work,
that the
things
marches
with
that they
are the
days are
when there's
a patient that
is a problematic
when there
situations there
that can be
scabrosas
know all the
rudiments of
the world,
know,
they are
some areas
that are
that are
that they're
not,
areres
that are
the ventilators
that like
the
installations
that are
old,
say,
say,
it's
and move it
and move
things,
there's not
phantasmagoras,
some
pure legends
and stories.
Except a
a yearnest.
A-Vierness.
So,
the
year in the
year,
in the first
hours of this
turn,
was a chaos
absolute,
full of persons,
a lot of
emergencies,
I'm going to
and you,
and you know,
and you know,
and you know,
and you know,
and it's,
and it's
with the
doctor, and
is that the
thing,
and it's
a little
, poor,
poor,
Emmanuel,
although you
know,
they're
there's
too stupier.
They're
they're so
too
that came to
a moment in the
that
said,
Jairro,
you know,
I'm,
I'm going to
give a round
for the
passios,
if you want
the rato
alcansame,
I need to
use to have
me.
Manuel
he said
to say to
he's very,
that he's
going,
and then
Jairu
commenced to
come to
the
and get to
the area.
There's a
very strange.
Just to
the area
that's
that's right
that's
about the
only they're
in the
area that
is of
emergencies,
in that
area that
are the
lights and
there's the
side there
there's a
side there
a bank
and there
a little
a little,
a little
six a
and is a
sat down with
a pannan
and is there.
And the
little bit of
the feet,
balancinging those
in the bankita.
Jairo
gets to the
B, and he
says,
and the
little bit of
and the
little bit of
to be sure,
and he's to
move into the
feet.
So Jairo
he has a
hand to the
hand to be
not to be
not to be
all the
so I'm to
get to
the
a little, and they're going to the two, and
they're going to walk by the
passillo, and when they're going
walking on the passillo, there are
various crystals that are the doors of
some of the consultorios, and
he's a moment that the man of the
little bit of the little bit, and
then he does it be a pending that the
little bit of them, then they want to
call it to him, so it's that, bolted
to the right, and before
to look to see, have the ninainae
complete, he'll pass to
while I brought
the little
the
he came
that's the
thing to
go
can't
and he
and all
turn to
and then
they're
and they're
and they
are the
other
in the
first
consultory
Jairro
Va the
the
and he
he's
getting
the
hand
he's
he's
he gets
paralyzed
because he
he's
there
he's
there's
there no
there no
she's
the
hand and
he's
he's
agarando with her
hand.
Voltae.
And when
it goes to
there
no there's
nothing, but
if you
see the
hand that
they're in
the
so you
know,
that's
that he's
and it's
the way,
and come in
the
little
that you can
go to
the
passio
where you
got the
and it
was
to get
to get
to
get a
horrible.
All
the force
that has
to be
the
all the
energy
it
can't
to
be
to be
to
continue
to
to do a spectacle, and then
if he wants, he, he goes
and he'scution, and
he's gonna'n't
that the other
side of the
passio,
someone comes
and then says,
for favor,
that's not,
I'm going to
tell what I
have to live.
And in that
I'm a gritty,
but a grito
very revented.
And the rito
he's he can
go and when
he gets,
Manuel is
a sustadissimo,
and he says
Jairro,
what happened?
He said,
I'm,
he said,
I'm going to
to go to go to
and where I'll
go to a
little bit of
and here you know
and Jairu's
he's a little
he's just he
he's got to
happen the same
the same
those two are
all the
other cell of
the hospital
they're very
agitated and
of a repent
Manuel and he
says
oh yeah
and if we
do we're
we're doing
what you're
what we're
what we're
what we're
what we're
going to
how we're
to say to the
people it's
more I think
we don't
we don't we
we need to
to say to
nobody what
we
did not
what we're going to
go to
go to
and then
he's
no,
no,
no,
but if we
do we
do we
do we're
we're
and if
we're
so it
is something
that's
something that
is a
and they're
they're
they're
they're
trying to
start
to put
palid
and he
he's
a
one
in the
window
what he
is something
repilant
there
there in
the
manuel
see a
one
but
Hayro
is being an Ancianita.
And that's all right, because Manuel
he says,
Look, the reflexe of a
new guy and no there.
And then, Cairo,
he says,
what, is a bigie?
That's is a bigg-as?
And where,
he'll hear that
he goes
going to go ahead
and the
pastile, and
they're in the
rest of the
other of
the companyers,
and when
they're getting
there,
there,
there's
there's
something,
they're going
to guard the
compostura,
and they're
going to
the acerrere
that they're
so,
so it's
that they're
in a
moment
to restire.
and they're
some passitos
that are passing
from behind
of them,
pass them
and they're just
in the vintecito
frue
between the
two,
and when the
passos
get exactly
to where
is that the
trapeador
tired,
the trapeor
is a
little,
and it's
a pegger
and the
pathos
still
coming down,
and they
still
and they're
on the
on the
on the
piece
wheyas
mohas
of the
one of
the first
they're
they're
they've been
little
and then
they've been
a little
more
more than
they're in
a little
then they're
not going to
work in
the hospital
so that
the day
next they're
going to
the head,
they're
they're
they're
they're
so no
no important
that we
have been
we're
we're
not going to
get to
the
other
that's
the first
that you're
saying
no
no
I'm
not you
I'm
going to
get to
to work
to work
are
the
are
the most
me have
So, you know what?
I'm going to send to the
floor of the other.
Yeah, no is emergency.
If they're going to
work day,
there's not
many things.
And Manuel and Jairo
me say,
that narrator,
yes, in the
piece of the
other thing,
you know,
there's a hospital
is absolutely
enbruhado.
And with that
history,
dear family
nocturna,
we've
yet to
this obscure
fogata of
stories.
But,
before to
terminate
let me
ask us,
dear family
night,
and are
are they are ready for the event of
the morning?
They're ready
for the fogata in
live?
Because it's
going to put
very good
this spectacle.
Apart of that,
if it's the
first time that
you've been
to survive to
the fogata of
one,
make me to
make it in
the
community
nocturna
you can
give the
very much.
And you
know, for
that you're
part of the
family,
subscribe
on our
and if you
got in our
stories,
and if you
every time
we're more
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because
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and you're
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if it's going to
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on the
on the
on the
next to
probably in
Saturday
or in
Sunday or
on
on the
episode of
on the episode of
the next
Lunees
you,
I'd
I'd say
you're
you're
that you
go to the
fokats
in vivo,
the
those little
those
those are
you're
those
you're going to