HABLEMOS DE LO QUE NO EXISTE - Historias de Hoteles , Escuelas Embrujadas y Apariciones Aterradoras | SÁBADO DE SOMBRAS en Domingo

Episode Date: June 7, 2026

Historias de hoteles y escuelas embrujadas y apariciones aterradoras Prepárense para historias aterradoras de hoteles, escuelas y apariciones aterradoras ytodo el chisme Paranormal de lo que ocurri�� en la Fogata en Hermosillo en esta Gira 2026 En #HABLEMOSDELOQUENOEXISTE

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free of charge. BetMGM operates pursuant to an operating agreement with Eye Gaming Ontario. to this sabbado sombrass in domino permit me a second

family nocturna because we're having some details technical that we

don't we're in the studio and we we're in a place made a

disaster after the envive of but not it could fail

that that not me would be and go to the foggats in the city. Then, that no so I'll

be avoided the Sombos because they were waiting. And, look, here we're, desveled, maldormidos, but we're living and it's the important.

Let me, let me a second. Demme a second that I'm just just coming here the things. It's like, oh, God,

Santo, it was there was, until that it was to be to be. but, let's see. We'll see.

We'll see, we're. And here, here, here. A ver. Look, there seems that's a solution, right? Very well.

We're going to see. Family Nocturna, how are? Disculpene this minute of a commodos and things

technical. Quentermen me, for I'm here in the comments because in the comments

that we we're in this moment we're we're a little complicated the

to be to be able to be a second, I'm I'm in a second, I'm

know of a real real of you're not at you're just that I'm just that

I'm not I'm my lentes and my I'm a second for

favor I think I'm here you can't me in the comments

if all if all so it's and it and it's good

because if all it it's it's it's good.

Then we we're on the other side. Derm me a second and then me a

second and I found the lenses. Ah, God, me, yeah. We've seen

light, have seen. We're a bit autos now. How are how are

how are? Diggarm for favor. All you see and it listen.

It's good to talk to be to be here with you. Thanks for domingo, because, well, as I said,

desveled, because at the night was the presentation in Hermosillo Sonora, I'm still here.

What's is the car. Let's hear say, that was the gorrita. Zero, one.

It was the first that came to this style. And, the people of the pestyos,

we said, we said, we're, we're, we're, because they have been all my

collectionist and I like, so, like, those, those, those,

those little collections of those first versions or the first editions of the things. So, to the people of the

Pesadillas, much thanks for this detail. No, no, I know that I was going to do. It's too much.

What did it? Now, so, I've done. Now, so, let's say, first, the stories that I've got,

and then of that I know, how it was in-vibo. But, before to start all, I'm the

thanks, a lot of thanks very, very special, here, to the, let's see, let's see, right,

to the people who are to the Hermosillo Sonora, to all the family nocturner to hear

to the lot, the form of receiving me, the carino that are people, they're much

a lot of amable, and I get, like, I'm, kind of, many,

grand, many, people, like, of, the, of, the,

I don't know how to say it, but it's a cold, and not the ambiental, the ambiental, no,

that's not not a effected a lot, but so a calide of the practice,

thanks, thanks of the whole heart, I'm felt like in the first time

that I'm very much, so I'm very, said one, I've done, said, now I'm

now, I'm going to talk, because I want to these stories, these things I've got

to say how occurred, because are stories that I was debating me the day of yesterday if they were

in the foggata here in Hermosillo, Sonora, or they were to count on the Saturday of Somras. So, so I decided that

the destiny jugar and that he were the decisionia. I had prepared all to present it in

the fogat, but I kept with the idea of, to me I like much to be spontaneous.

So in the fogatas of what I'm of what I'm many, many, many,

many, many, many, many, many, alternatives to what I'm doing. In occasions, is an alternative good in the which not, no, not was something that I had thought, but there, for the circumstances, for the

place, for the people, for the environment, so, then so, tonight, various of the stories that I conted, not had thought about to tell them, and me I kept then with a lot of stories that also wanted to talk, because it's us, it was a time of the fogata. So, is that, today I'll take some good stories of terror, that I have to say the

I'm going to say the state in Mexico has a not see this occur in

all the world I think that maybe but no see every

in those who live in you have a legend local one or

various apart can be some like historically I

think they're more to 50 10 years I

think historical for put a name a say

this but legends antivas, and it could be that there stories contemporaneous. Now, to what I go is that

no me had to have a place that had been, but it has, and has more, and you're more stories,

and then the people with that I've here conversation, that were a quantity mediumamente great for the

time that I've been living, that was many, they're all, all,

all, all, all, or they were to be passed to them

or in the place that they were and I kept with there's there

the stories not was a thing was was a chocient and it

was a masticating but I'm to tell what what was what

was I'm I'm we're we're we're we're we're

we're we when we we're in this hotel I'm with

the chas the reception. No, no, no I go with the chicas. Yes, we're going to the chaskson. And very linda, a little one of a a little bit of a

voice, and me says, you're the text of, that's the story of terror? As it was a disfrasado as a person, I'd be in my disfras of person, no, I'd come with my my trage, my rope of

the job of the job. She didn't, but well, if I don't know, I'd, I think no, I'd, I'd, I think, no, I'd, I'd, but a garrette a but a barra normal and a a lot of a lot of painturice.

And then I'm rio and I said, I'm sorry, you're a nocturna and she put coloradita, coloradite and me says, yes, I'm a lot, what good, what I'm just. I'm, I'm a super salute, very linda of her. And he's a,

there are stories of here, of the hotel, and me he says, this, look, I know, I know people that have stories,

but right not are, let me the present. But not in that moment. to the day because that day

we'd do not very time to get to I'm going to whatever Jennifer he was in

this turn nocturno not you should in the morning this she said

well I said we let's say the day and if someone me tell a

story that well if no me tell in the

story this no no no You will to get to another hotel

to that tell your stories of an hotel in the in the in the in the

in the I'm in I'm going to say, I'm going to get to another hotel.

And in that hotel me present a jeff that is like a certain area that

is like the kind of the resources that are the quarters

to all all this things and the the word that I wanted to say, is the

encargated of the em and what what is that in the almasen me,

me, I'm going to present to the people to the person to the little that they've

been things that have lived because if they are much things. And I said,

well, more or more than me a little idea. And me to say,

look, to me, and the personal, no, me has done nothing. But

we're going to Don't know we're going to name because you know that the theme of something that's something that's

we're going to be going to be Don't know and when me he says oh yeah Panchita this person tells stories of

terror for internet tell you tell you, tell me for all the things that you have passed. And Panchita

is he kept being with a car of this is a trap, me going to say they're

like these things not you're saying like these that if I do permission, tell them. And he says,

look, is that it's that's not a few years, no, not not had had been contact with with the

personal, he had had been to me for me to present to the and he

explain to how were the going to the way, I'll get, I'll give,

that point to see, that point to me, a port like that you see, that you

of an house, that is of a houseen, and it said, I'm, I'm,

I'm, I'm, I'm, I'm, I'm, and when the chava put tisa,

tisa, tisa, and when it was I'll look at because he was explaining things and I do you know I'm going to

respondient, I'll go to see her and see that he's like the two hands to do the whole

skin chinita in the two hands and then the voice and her look to look and his eyes and the

eyes and you're you're well, you're well, Adelita you're

and she she's more and more and more and says yeah me go to here

and I'm go to and he And he's out coming to be back back, but tam-balli-a- -poh-a-poh.

And I'm like to get like, what he's going to do you do a attack or something? And me

says, here is a man, here there are things in this place. I'm very very sensible

with these things. I'm not I'm never, no, no me would have

done me I'd said this this man, this man, so it was because

you have seen a phantom, and me have told me I never me, I've topado. And where

me says that, and me says, is a woman, is a woman that is a woman that's a woman who enterer here. No, no, there's form to know this hotel has a lot of time. So, and for

what she said, and it was a woman, we're a woman, we're talking about the epoch, or a, a, a, a, that's, that's, he's more of 70 years. And he says, no, I said, I mean, I mean, me

kept very impacted, because me described a little to the people that had seen in this place, And yeah, it was like, I said, this is tough

and I'm saying, yeah, of me, no, I'm going to be able to get to me have gone to someone, and me

they're going to get to get her and she's she's Hanna. And yeah, well, I say, and yeah,

well, I'm saying, that, I'm, they're saying, and they're they're going to tell the stories

of terror, and this question. And Juanah me starts to say, is that, is that me happened

something, very, very, very, and I'm, and I said, some, some, two things, one more or less, but one that

is still, a lot, but one that's a lot, but one, I'm interested in the stories, and me say, in a room, I've been a political. Politico, mal, or so, mal. The people no wanted, and said, and bad was past,

and said, and bad those, no me referrower like things, nothing more chueca, but things like, oscura. He had been met with things feas, and the people had to beware, he had he had fear. Then

in the room of we're we're we're going to not just when we're going to not want to

have a contact with him. It's supposed to three days but for the third day yeah,

yeah had passed the hour of the checkout and we they're to

get to the room. I'm I'm I'm I'm I'm

I'm doing something something. Sincigieter the thing. I go to the room

to one side, I do the house of the other I'm doing the house of the houseo.

And in those two habitations they're still listening the house of the

public but you're talking that I'm moving and I had people,

it's there's that I'm there I'm in the way I'm this one

because I know this not you're not to and you're to come

to be to you know and what I'm and start to say, service of the room, service of the room, service of the apartment, service of the apartment.

And as a case, I said, well, I'm sorry, I'm going to have to enter because you know, it's a hour of checkout.

And he's, and with fear, I'm going the card, I'm the door, and I'm when I'm opening the door,

that there are to the room, so, yeah, they're just, I'm, I'm going to

get to be to talk. And I'm about to talk to to be able to that I'm to

one when I open the door and it's all the thing, and it's

completely clean and the door of the room of the door of

the door of and when I'm and I'm and I'm and I am a

and I get a friar because I'm I'm I'm I'm

I'm not report that because who know that and in

the transcurs of the day two two companions came

and they come and same story. That the two were passing by there,

they were in the person because they were in the hotel and aparted had passed his checkout and then

we don't get us and the place and the place was seen the way to the room to go to the

back. No, there don't get to get us we, we see, we're to pay to

say, there they they're there in the end every certain time they're

that in that room, no us ushusts to the clients, they're

to be the hotel. Also, me was that when she entered, for, let me

get her a nuptata, because she was that they told the story of that was a

little of the pieces, and that they said, take much care, because when

when you go to see, and she she's, and she she's she, she was a

If he could, I go that piece, only when they paid the things and never even he was in the night. So, doing,

like, looking, evadir that in one occasion, it's a house, but is very entered at the

night, and it's kind of because if I had to get to the little bit of

the little and the newatada that they said, then it's kind of

like, oh, how he's back, and to do the time, so it was

to be to be to do it to do to go to go to the time. So, it's like perjuring all that time there

and thinking in what is going to do you go to get? When he's a part of a door and it's heard that they talk in the

door from and the voice a boy of a little and he says, oh, I'm can't be able and

the she has a sustra because he's a new that hour, revisa the abitation and

result that the apartment should be to be that's so it doesn't, it's,

it's not it's it's not it rapidly reception. They say, there's a one in the

room in the room in the room 1st, 212, for favor manden to someone,

because here I'm doing that the room, and they're saying, how there's a new,

is that if I said, it said, he said, and they said, and you don't go

to be a lot, we're we're up, we're we're to get a person who

got to get a minute after before He says, if you want, for favor, ask you a side. And he says, for what? He says, nothing more.

Ask you a lot. She put to one side to her. She gets a being like to see. And he says, no you're going to be to sustar.

Why me going to be to start? Abre the door. No, there's a lot of the room. And he says,

you're sure that you did you? Yes, after the I'm going to talk and me told to

and I'm saying to the boy to be able to open. He said, well, no you'll be able to have to be used to

the room. You know it had revised because this is your piece, but it's like a second that nobody's

been there's not yet there's so we're going to find out of nobody. And when they were a

revision and they called to the person as of personal, more than they're to say,

that's a person, that's a phantom, yeah no those have not those out of the

room and he said, no, there's me do much fear,

much fear. And then callate, that I'm fascinated, I'm being done carnita

but of the good family nocturna. Now, so I'm not only only the

food of the Hermosillo is delicious. Now also the stories were very

very very and I so, but cacky like a little

a new and me kept watching this chick and I'm manchin

I said now it the more Fierke, that's passed in the hotel, and they're

with the supervisor, with the person, and she says, no, the most the more he passed to

a person that's been in a person who's me, me interest. So, so please, tell me.

And I do you know, I'm sure to find out of Newcturn, if you're doing the stories to

here, please, come, your likes, you know, you know, that with his likes, and at the final of the video, is a way to get

to more and more family nocturna, because the family nocturna, the family nocturna, help that we're every more, and the family nocturner, convicture, and it's other, since that's done in mind, in more familiales nocturns, and, in the en-vibo

passed that, but right I'll tell you. So, if you're just, they're just trying to the stories, come to your likes, we're just people connected, and nothing more 400 likes, then then come from here, I still

still they're a toncito I've brought uptintas so if if they're so they're so like

so they're so like to go and so the rest and meanwhile I'm

going that I went that this story that me

told so me made this last because the others

I have intrigued but the last that was she I was

a tower to This is something to something a little

nothing, nothing. We've since many a time, I've commented that

in the exorcists, in the people of the people of the people,

that are to do doce they're many, many of them

that there are there are some, there but

there's that the great majority that are that are people

are entities oscuras, demonios to be like very direct. And those demons take those forms to to get to the people, to have contactos with them,

to make the guardia. What what did you did to the person that wasposed in that's a

obscure what is still understanding this context. This person is a hospede in that hotel.

And being in that hotel had passed his stances of a almost a

one I've occurred nothing, a client more, a guest more,

but a day before that's a day before, has to have to

go to a place, or a reunion, or there's a

one or it is a night, it's a time, and it

and you know, and at being getting a getting to the

night, it is the house, it's in the the piece where

she appears the the new. And at the moment to get to

that's a thing, it's a thing, and the black, the vestido is like maybe old, me too,

the little the little little feo, but not was a surprise, and it was like a

surprise, and he said like, as he came to come to and the man,

it's a very night, not are their not their not his papas, and for

he's he's he's he's he's what, what's what you

need, and the little the man, he makes Omar, he

kept with the eyes and he will be to be back. This sign

of a get to move the hand the person saying he's a lot of

the man's bad. The pale. the hair is more than

a critical. It's be so so be disalini the role

too. Because he is he's what you do you need you?

What? And again the other way the woman. And then, he's asome

from the crumbna from her and he will be to make to see this sign of this sign of this guy,

and the man starts to come in and say, well, I'm going, I'm going, but he

going to quite resel, because it's a little, it's a little of a new of

a hotel, no, he knows, he's going to know what's going to and he's

going to and he and in some moment, no he's he parped or something,

because no view the a little of the little she's just now he's,

and she's my name where you you're you're a final of the passio

to come in the passiel that should be to be he's he's he's

spanted because when when he is there there there

there no there there the little the the

she was not not was not was not was

trespass the the the wall, it was a car and doing the

because there no there there was there. There was all the door. The sir

was spanted and he was going to the elevator, back to the first the first the lobby,

he gets directly with the agent of reception, pede that for forward to

do you know, he no want to get to get to get to the hotel,

but they're they're in a a stance more above, he

So, you go there. Patitas for the the Lord, so I'm a lot of

me too. And I'm there. Because if the finality is cause a fear, because that

is just, I think that after that he did a great feste. Then family

nocturna, what are so, is so far? It's so not far sexas? Because

me present a one chica that I said that I'm the group

of people that I'm saying, I'm also I'm I'm

some some of this hotel are on the other in the I

and I did it and I did because they were so

I'm tell me how how it was the and

me said in a in a hotel that I

had been they was all all completely but

during the years was the mid-to-one the two-its- in construction

and in remodelation. We're to do it. They were six pieces. From one to three,

functioned well, but from four to six, they were in remodelation and in

construction. What was what was that really had really a clientele, but very

very, very poor. Because only they were the one and two, because in the piece three

had a rudder- during the day for the remodelations that were

are doing the pieces that were more higher. What they did the people of ingenier, to avoid problems with the clients, is that there

two elevators. One of the elevators was for clients and the other they were only for the construction. No, they were

another elevator that were like to do the materials. How they had they were a letterer, clients,

and the other letterer had construction, and in the of the clientes was ableitado

for that are of these hotels that you enter and with your cardet you mark directly the

piece but you can't pick up you know you know you know you know

the button to where you the child the that was what was what me

told she was very very very was that was

to that was to pressioner to to and she was

to use the that was the that Well, well, one

a night they've had a problem with the construction and it's to be

to be the other is a other is like the thing they're only

have abitated on one and two not can get

on the piece three five and apart as

it's much time this place in remodelation so

it's all all all they all and one and one

and one and one and one and other and pic one, pick one, it's very

simple and it's part of a routine. This chica, for what me count, gets up the elevator,

and with the carder, it's up, and he put Piso 2, where pression a Piso 2,

she will be distracted in the cellar, not see, I don't see if recoged something,

or go, or go, or so, excuse me, and what what occurs, is that is that

is that is that is a cellar, not is like with a conscience of the

body, because it's a time, it's about the night, no

there's no way in the hotel. Really they're like a work

a very routine for the lack of clientela. Yeah, it's in the

thing, when, the open the door and where it has been in front of a lot

a falled a blue, but a fall of a lot, that's levador, no

be the feet, no be the blue, she in the cellar, and he says, like for inercy, good nights, no

they respondent, it's normal for the zone in the that's the type of hotel that a sometimes two

clients, no are not they're not a word, so it's not he's not so it's

just got there down in his cellar and and of the

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Not that he has passed much time. No, has heard that the doors are sure and, as it's been automatic, who's about how much time has passed? But the person has been there in the lavator with her and why don't see those doors, revisa that his foot, not be like storbando or his coat or his brazo.

and when he's a vista and I'll see to the and then

it's a a dark is a dark like a night

but so without black and it and he never ever

not ever ever was what I was he was I'm so I'm

to go to to see a person that's there's and it and when

the elevator in the Piso 5. And it's Fria, fria, fria, free, fria. He passes the targetta, let's put the floor, the plant

a back, he goes. When he goes directly to talk to the general, the gregent, the general he'll manda and the day next he's the first that that's the first that that's all the

blue that's a little that's another. For other other side, I told a story that occurred in

that place after after the opened, and that they're not understand what happened.

And this is a story that's a story that was directly a client, that the client was

but was the was the thing. The client was with three friends, was a two,

two, years, that went to be to this city, but really to be

going to go to go to not see the United or some other

people here but they were only the pass and they were to go to bed. In this context, the chick is a hospered

with her and she said, it's that, have, it has to have to be how they've got the

story. The story not she was she she was a lot of the lot of

the time of what the chava was he was was grittable and they

were while she to her because at the two of the morning were at the three

in the lobby and they were paled and enojadisimas and they were there and they're there

to get to the people. So this what I'm to say is like that's extracto

of all these things armadas in what it is the time

chronological. The chick says with a voice a bad real

I'm said I'm had had been of this maldito

the place. Since that I got all, it's a horrible service and not serve

for a euphoric, but not they're not done personal for what the chava

says, when I entered in the room, quit and let me get into

all the royo that you know, he's when I'm when I put in the

house and I did the light and of all the light just only was only the

lampa the of the front and so, it was a place was sent to

a tentric, I'd have done that I'm never had done a matter, I'm not,

because after she got to the elevator, she's going to go to say, oh,

no, it's not a electricity of the house, and when they're

in the door, the room and then and then she's like she

she's still, so, so, he's they're doing the revision of the

switch, and he said, no, signita, so, is that's all the switch.

All right. We're we're we know if saw if you see if you see it and it's from there

I've made the people that was in reception not was that not that not was that I'm

she was other two friends the other two two two amos not

they're like it's of those clients exigentes no the

the she can then she then we have had

had had you're like, yes and are so, and are things and they're not

because what they're doing because what they're in the lot of the chava, is that in the room

with one of his and the room, and I'm in the one of these that are of these,

one was to be for her and the other for the two two amy or they

are to they're to she's she's she's with

one of his friends when the other is a bañando. That that is a

bit of and then he's to be to get to go, yeah I go,

oh, well, you know, they're going to be and they're and they're and they're

and say, orale, look, the local and now what's what you and they

start? And you want you when you want you they're talking until

I'm until you a moment, and the time in the that's the way,

you're to be to and the two they're seeing with a car of a you're

you're just you're just they're talking the door and they're they're gritty and gritty that's

that's that's we're we're gonna you're just you're you're you're

because none of one of the two we're talking the nobody I'm

no no yeah not not you don't don't I'm I'm like

I want to be I'm I'm free and frigg and yeah me

and blah, blah, blah, la. Total, the environment is so that's the same pesable, that this chick, the one that was doing a barrenche, and the other other, she, she

was, she was, like, in pyjama, she's out of the house, she goes with her to help her, and this she was the

originally, the cumbrosa, the she was the that was made in one of the cabas. Apage the apartment?

No, no, not apaga the that's the problem. No apah the apartment.

And for her, to her and she had a little put the maletas

on the door, and when they're on the targetta, move on the marlete

in a forceosa, let's listen, and if she got dormita, she's

she's she's she's sitting the camera, the door,

there's the all the little the little, the Chicas,

Tarder more than 20 minutes and she got a minute, and she

the movement of the little but not the roaditas. What you is a gulp-nazoo

in the piece. And when hearing the blow-nazoo in the piece, what the

is that she and she just she says, no-se, Evelyn and Samantha

for give them no, Evelyn, Samantha, what happened? And at the side

of the camera has a a switch of a lamparita, it's

and where the lamparita and it's a lot of and there's the maleta tied in the but not are, the not are the

not the door, the door is a car, pardon, the door is being the slavit, the mallet is that tirada, she'll get her

and then he'll go, apace the light and she acuctor. Ojo

important too. She had had had the light but there was

a modorra and he had dormied and for so no didn't

that she got done again. She again to hear

a little a little time so. And then then

rapidly you open the door of the camera, the silhouette of a little bit of a little bit of her, just in front of her, and the room is free to

see. This chava says if Evelyn, Samantha, I'll say, the name of his friends, and the little bit, but the form of bolted, or is like if it was a great actress of films of terror, because then, this chava is

to be a suss, set. To set to be right, prend the lamparita, and where it pender the lamparita, So, the mochilla, the mallet the door, the door

is over, pegas, and she is totally sustada because the room is that was in she had

had called the slatina. The figure that I saw, I don't do you, no,

I'm, she was the right, she had the light, that the friends

had been getting a real real roo, and there was, let me,

let me, let me, the last, the people, they're on the lobby that as

really had enojored the other and she had fastidied because in the the time the chick exigente had been

two, three arrakees that's not to mention them she had said or we're going to be a little

we're going to get a other room and I'm going to my house and I'm I'm going to

my house I'm so let's we're all that they're all right those times they're going to

dinner and they're almost three hours between the visit, the dinner, the stina, the plattica

and all of that and in those three hours is when it was when it was all that she was all but not

because I was here I'm doing it was accompanying. So, my dear family nocturna if you

are just those stories of Sonora, that's that they're banned with the

stories of Sonor, they're being in your like, and terminand the video,

and I'm seeing that much of you Gustra the gorhita, I'll give that was a big of

the team of the and the part of the merch that is a major that's being the channel.

And, well, Famina Norturna, for those that are going to to have to have to be to have to say,

I'm saying that I'm no, I'm no, but in my question, I'm know and I'm

know, so that's a afternoon auturna, if you're like, if they're I'm going to

another tanda of stories that I really, because you know all this

these chas me are so, and I'm saying the little the child,

oh yeah, narrator, because she was a family no, the chava of the

is that was, I mean, in the day was, you know, I'm

the way, you're the person, the person of the person of

the first hotel me gave with this second Chica, no. The second

chica, no, was a family nocturra, but the first is, and I didn't be there.

So, well, yeah, I'm done this situation, and you say, someone,

I don't remember who was, that I'm saying, narrator, I have to present to

someone, that has more, that's, that's, I've got, to be to get to

the day of the day, but all the day was so, a person that I talked,

a person that was a story, and there was a moment in the I got

to the theater. When I got to the theater, I go in this

plan, like a little time of a time in to do you have to doves of

sound, proofs of the music, and see the these these

where we present us is the first time that we have to and at the time

there is all the people working that's that all the team

and to the people that the people that we did the thanks for

their services. But standing there in this place, I was in a plan of the one,

what is the stories? I was about about it about it was about the not, that is when

I'm going this I'm going to the list, and even the time, where my

team me said, I don't you can't more stories because I try I

another so I'm going to start. So, I'm going to I'm not I'm,

do when when they're people who are directly from this

place, we're to say different. We're to say it very, very

distinct. Two persons that not are that they're to visit

that day but not are the family noturn because no

I know I don't who were who were.

I I hope that me understand but these people who were, and I know where they're

they're not they're in their place, I'm going to you know, then you're that they're

that I'm so you don't know they're not not they're not there and they're like that

that's like, of what? Of terror and I'm getting feo, I said, the terror

paranormal and they're and they they're going to and they're and they're and I'm there they're

stories and are good, and the two are going to be and they're going to and they're going to be, let me and say,

please, what are you and they're one to say, no, if I'm if I'm my stories,

me going to have to have to be a lot of and the because are much many, and I'm,

man, the guy I'm, and it's it's too it's too because me said,

it's much time, I've worked in a school in a school that So, of plan.

And the other is the that's the one is the other is the because I was with her. And she's about it. But not

we all of us pass. A little we had to be and much we made this. And I'm interested to

what was what what was. The that was going to the story. And me said, well, I'm,

wait, wait, wait, I'll, let me, I'm, I'm, I'm,

I'm, what you're to, what's past the maestras, says, there in the

school, there was a phantasm that only could be the children. My response to my reaction was that. I'm going to be back. I'm confused a little. I don't understand that phrase like of all the magnitude that you want to say. Then I'm going to be,

how there's a lot of them can't be the children? And I said, yes, it's a a little bit of color a blue, but it's a vestigeo. It's a vestigeo. It's a vestige. No, no, no, it's a feo, but for how no, it's

describe it is a vestal of a period of a very, very bigito. And it's a little little, like if

were a pre-school and he said, but how you know, I said, look, I'm saying,

look, and the time, we're doing the groups new and with groups that were

people, that the children, when they were doing a a fill to enter to a salon,

many of of them were to always the same. Dependia that salon, what point were,

and at that point, they were to say they were, the new, those who know they know that

they're not to be and then the maestras they're they're doing, what are saying,

saludating the little, is that we're saying hello, and the master was only

for the there was no there there was a nothing. The problem is that that That's that

That's the During more of 10 years During more 10 years New New New York that were Independientimenting the salon

And dependia That's allone They'd On a point Specifico In the There was a Aenea

Aux of The Usul He was The past of the years He asked And they're looking

The description That I'm That coincidia And coincidia And coincidia and And coincidia And then The other

that chica is the that she's the little yeah, let me to tell what we're going to be

let me tell to get to be she, no, no, the case the one of the two. One day,

she and I don't know they're in some no see festival of the day of the

other or something with the parents of the family but the when it's when it's

when it's when it's a lot when they started a in the banos because there

a fugue of water and we're going to one after another and we're

doing a little and we're we're so we're not a mugre one of

the vano. We're we're supervising the technical and trying to the

technical and the time we're we're not we're not we're not that we're we're not

we're we're doing when we we're doing when we La la la la la la la la la And that And that's a cantadito

When we started to We got us And we said, And then I was where I And when I I'm, I'm, I'm that in the

Ba'noyer that were Puerdas that were cases that they'd be almost below of the of the And he said

Be some Pyecitos that are at the the altitude of the taza, almost to be used and they're moving so.

Like if they're, while he pataleing the air, and it's one and another way,

la, la, la, la, la la. La, la. And me I'm a little, and I'm a

little, but nobody so I'm so. So, I'm met I, me said the

chick that's that she can't that she can't be able and you

have been that's those things, me meto, I'm going to, I'm going, what do you do, what do you do, and when I'm going, the door is right

to go directly against the wall, because it's a little bit of the bathroom, and the two we're getting, because the feet were there when I opened the door of a gulp.

And yeah no had nothing. And I, I, to the frigate. And me said, but that, that she's the same to the same, to the

I see, I've seen, and me said, but it's a a little that something that there's

a guy and I'm that I'm that I'm and it has passed in two

occasions that when there's when there after after some there's

some there are some there and when those form

a sometimes for questions disciplin or sometimes for

something something there when there has been there there has been

a there has been a two things I see in

the filas to a little I've seen from different angles

because they're on occasions that I'm that she's

all dispeinated and she is much chaparita I

have a vesty but the vesty blue but it's

so it's that before had been black and

now it is a mariel but it so so

so not not not not the The problem is that is that

is going to and when the question to the men's the people, because that's the

response to the same, the response to the same, and I hear, but is that the man's to get desacated,

and you get to call to the attention to the parents, because he's a class, and but

no, no, no, I'm any, no, nobody has seen more than I, and he

came in the fieldas, the I've seen the back, but the one,

the only that I did, I did, I think, I want to see how is the carita, to tell you or then I'd

identify her. He was going and say, Entientemned me, no he'd give a world's to be disapercivied.

Then it was to be a round of the filas, the manner lenda, what is that I'm going

and always that I'm going to the little time me is doing the back and me is to look into the

role. Like she she was she was she was she was a car. And I, oh, that's super rare, and me

does the impression, of other thing, maybe obscure, that is like it's there. Everything could end, maybe an alusination,

because she was very conscientious, the mind, a lot of things, you can't be good,

because a bit of imagination, and you can be doing an idea, and you know,

and you're doing what I'm doing, I'd do, I'd do, I'd do this, family,

have stories, and more histories, and more stories, and there's stories, and there's more stories, there's more and more stories, and every more stories,

and every more obscure. So, look, if it's of Hermosillo, and have lived something, I don't know, but I'd say that I'd say,

that the city is a bit more with all respect, enbruchedly about, but I'd think I'd rather that

to duddle for tantus that I've started to hear. But, well, the point is, that this

this this is this is going to there's a there's a there's a there's

and he said a very what I said one is that in three occasions when you but I'm talking that you're

talking about you it was you it to the point in the point in the the sameunded some salons that we

have below of plant a back they're They're like in a sub-nivele. At the air-libe, they're in-per-the-fewr, but they're down.

Casse us inunded. And something passed at the day the next. Despite that we had done it, when we had to do that weptease,

but a limpea's important, and we just to all of all because all because we all we've been. What we

is that in one only of the videos there was there were some were like if were

of the feet of a baby, that were full of load, and they were subying

from the base of the door, until that they were in the techo, and they were

so perfectly marked those and they were the feet of a baby. No me questions that

it was he was, no, you don't be that you know, one,

that no, that was one, that nobody could have done that was the

conditions in that was the school. Well, Dear family Naltuna,

here's there. There's a sound rare. All see and it can't

hear and me? Because no, for that you know, for you know,

but that me made me I've heard of so I'm like like

lodoo like lode all so and so so good

all perfect. So, then he he said, but that's

very there's very there's there's there one thing

that is still a bit more than that he said to be what can be more

than that you know you and he said that's me to me

no to nobody more he has happened well now

now he he got a but in some I'm

a thing I'm doing in the third piece in the

one a one there only salons to give classes

I know of what level of the school. And he's but in the in the

in-medio I'm going to me going to get to get I'm going to

hear the I'm a baby. It can be a boy a but I

sound about a baby but not the yant like a grito

abiot but a a like a a like a a

so you but with much a lot much dolor and

like I I'm a mom and in that time was almost recently mom, me naceo of the heart of the heart to say, yeah,

Chiquito, yeah, Chiquito, where are you? Where is my child? And said, me,

I'm born my instinct maternal, until I understood, you know, that's going to be doing a

baby here in the school? Then I am, I'm a room, it's a vacue,

I'm a little, I'm a back a but I'm I'm a, I'm not to, I'm,

I'm, that comes the in the salon in the middle? Well, I'll try you, go and I'm and when I'm met, it's called the yant. She me put the pill chinita.

She sentio, very feo, because it was it was saying, oh, oh, oh, but it was I was dying

to get out of the sound because me put to see it. It was, I was, I was back, I was justed, and I was

the director, doctor, I heard a doctor, I heard a doctor, I'm, and I, with me, the director,

and I said, no, you know, you know, you know, and he's, no, it's a little,

a little, a hoes- this is an awi-o-y-o- this, it was a-o-o- and then and I

said, I had to be a little, because if was a baby, we had to help,

but if me, I'd be a lot, and it was a real, total,

that the directorer also, that's that's too, this is, that's,

that's fego, like you that's a baby, put in plan, if you say you're going to

to be a to be a bit of a little, to do you, we're going to get a door and we're back to do you

do this. When I go and I go and I say to the director, we're going to the same thing, we're doing the second, you know,

and I'm going to get to the same. And then I'm going, and then we're going, to use it, he's just tome, and says,

no, I'm going to say that there's a house of the people, and that's when they're there's

when it's sound as well, but no it's going to the plant back, I'm my little

the salon on the baby, but then it there's there's a back, the intendentent,

and the part of the patio that's to see a there's there also, it's not it doesn't

and then then it, so yeah, so, well, so, so it's that's

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go sub and we'll hear you know we'll not much when I'm just used when the

intendentent he was he said, this third day I go back and in the other to

report it I said a bit I'm so I'm to help me let me let me

go to the sound and if you say you say you do you do you do you

do you do you do and I do you do grabing the sound I mean, I'm, I'm, I'm very nervous, those days I'm

too, I'm very incoomoda because I was, I was, I wanted to help to help and I'm put to do things, but I'll go to hear the yant, one and another once, and one and another once, and I say, well, after, like, of those 20 minutes, me sub, me go to

the salon, apago that, and I don't see, I'm to hear that, and, as much hour after, I'll, regress the cint, I'm playing, no, rompil the cint, Rompil the cinta No,

I was heard to hear a sound of a silvido first in the sound of

the scinted I don't if you see if the microphone that I'm but it is a

sort of something of raspando raspposito calido if you have seen signas

magnetica know what I'm and after of that it starts a

sound a wind a and and after of that sound a

adult acercating the and respiration when I gotres that you

and I did you no to the frugated no no no no you

I don't you know I don't I know I don't I'm and I said and I

said the director that for for me not to me not I'm

back to and it and you know you know there there was

there that I heard the yanked the baby and they were like the world and they were

all the and I'm a baby it's a other thing. So, my dear family

nocturna, what did them, they liked the stories of the day of the day of the day of

a man, and I'm and there more, there's more stories. I mean, but is

that here you know, you get a a story, they're a house of the duenders,

they're in a one once this, that I'm going to get to the house of the Dundas lamentably

but what I'm going to say is that my new night of Hermosillo, I'm I'm in

all the callidness with the people who were the people who people of Hermosillo

is Hermosillo is Hermosilla are people really lindia very good good amfittions

with much quality of with a great with a heart so much

thank you enchant and I just said my que and this that he hakechero, that's

that's that's the question. We've got the voices of the mass and the

in the in what I was a diet and that this is to get a diet what you not me

said that I'm going to be Hermosillo and here there's with your carne

that's the thing more that's the thing more that's some good some tacos to some

taqos and they're so delicious that I kept impacted. Ah, me are saying

here another poseicita of the masahya, if you're talking, me is malcriating all the

family nocturna because yesterday when we were we're all the time,

we've had been we've had been that we've had been for time for the

time. I don't proceed with another and all and all another another

and I you, you're you, you're You're creating a problem, the problem in my life. But as well, as it's a problem is made.

We're going to tell us another story. Let's see what story I'll tell you. What story I'll say, oh, I'm going to but,

let's that, let's be, yeah, are two stories very shortas, under commas, but not

shortas. Two facts of here, that I think are factos of Hermosillo that are very

number one in one of these hotels to the day of year me say you're saying you're

you're and they're with much respect I don't enter in in places inbrugated

no is that respect the place is that I'm away from because their energy

and it's so I'm not no no you're to see at the

distance and I said ah well so if no I don't see

no I'm And me, come back here. And I'm seeing one of these chicas,

I'm thinking in the story that I'm going to say, I'm going to get to be a one, me are going to

apply a question, I'm going to get to tell me stories of terror. So, so I'm

going to come going, I'm going and all going on very very in a ventanal

and me they're saying that's the place and see in some ruins up of a

place is the place and there is a manned and I'm a cabro

in serious me says yes that's that's that's the place

and I go to tell me me me said there in a place

like we're we're we're just about so much of the history of the casino of

the little who's they're not the they're more of 70 years and they're in

a lot of a little a little a little he went to a subject very wap that no

was in the city and then she she's to do and when he's a time

a type they're supermating and they're they're they're doing and then when aero of

aero of aero of the fire, it's involved, the chick to do the picture,

the she does know that's separate of the piece of not are the people are

not the one is a piece of the other is a foot and the other is a guy,

and the I'm and the face, and the person in the of a

demonio. And I did you what he's in that there. There

many versions of the history. Since that the

two and the two and the the place, since the chica

who went to be there after she was and then they're

on the after the they're in there there there there

I'm to do you and the fogata I'm I'm I'm to

tell to the family nocturna but me I'm

impacted because that story I'm they had been

in Tijuana now now that I went and

they they they they there there there in

Tip Nyer and I can't be be wrong. There's a there. There's a there.

There's a place that there's a lot of the world where is the story. But they're

in the place where it occurred. That's that the locus. That's

of the locus. But there other data more. Resulted that I know if

was in more part of the part of Mexico, because no I do that so

it was but has been very good time. I don't recall

the there was something like the war Christa the government

and the religion Catholic because I know if it was also the

Christian but Catholic entered in a conflict so are the

churches and commenced a conflict armed between the

people that are people and people religious and the

government and there and there a person and

a war internal in the war in the And from before, but

also in that time, commenced to make sure to make sure to make the people to be and connectable at times

the cathedrals, the churches, the conventus. It would be always there are forms to planter the stories.

It can plan to make a way heroic and show, to this is an word,

it's something that is something that is something to have to have to considerable. can show

someone like a martyr and a other person like a villain. But when you put you scudrienear

human, we're all. And we have our reasons to do the things to justificated and a lot.

But the problem is that when you put you put you scudrienear, a sometimes

more more more other band that not we're not so that's

a lot that it in Hermus and the war Christa had

a connection with the cathedral. The problem is that I think clandestinely I think. But it's that clandestine that is that person that's happening, but nobody has nothing to impediment. And, even

even, even, even, even, even, even, even, let's say, the Alta Society of that that time. It seems, it's a person, it's saying, no-se- that's-verrata there in this,

that that convento had an use very particular, a convento of Monjas. And that convento, more than to have the preparation of persons religious, was to cover a women that were embarrassed but that not had married.

And the families that caudalas that not could get in those scandals, they were, they were, they were, and that the problem, and the problem occurred, after some decades, when they did they were

excavations in what were in the ruins of the convento, and discovered, they were in those muros and enterred a lot of bodies,

of women, of babies, that probably of them have been not

not and the children. It's that the place really was to

talk to those and the people that was that

that there is very, very, very, very macabras.

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nocturn, if they were the day of the day of today of today of today of my time,

that I'm that I'm that I'm going to say that night me the paste incredible with the

people in the fogat in your city. It was an very, and there

was a moment in the and all all, all, we said, no manches.

And others oh, no, it's so, so no so not so not

so not so so no I'm so in the wait in,

wait, wait, wait, see Tataito, that's even me a lot of me a

story, please. Because the stories that we have in the fogata, there are

two or three that we're there's there's there's many, there's in the cities

because they are good and so they're very so-sissimas. So, for all

those that have in the fogats in their in the city,

take that the dark to the dark to the Better, go

and separate their place for the fogata because I'm going to not to

be in the different in the different places. I'm going to the major part of the

cities. We're to be in Merida, Cancun, Saltillo, Torreone, Metepec,

Pachuka, no, Kereto, Kereto, Kereto, City of Mexico, Mondeerreke, Ciud of Mexico

we've We've seen a situation because we have a super surprise. Yeah, they're going to start going to,

we're in the rach final, yeah, there's a time, yeah, there's a little, just have the

boletos for that you know, be very, very, very, very atent us, because you

want to want to the surprise and it's a place relatively limited, but

you're a super mega to be super mega to be. Now, said one of that in

Saltillo, Monterey, City of Mexico, Aguas Calientes we're to start

Tuxla Gutierrez also we're going to start in a Puebla Pachuca I'm

Diffen in Feeves in the Reds of or here in YouTube you can put in the

part in the page principal in the part of the right on the there are

there there BOLETos or Fogata in the city I don't remember

the number but pression there and you open a page where

appear in all the places and the feches for that you can enter to to your city and separate a place a

fogata because it's going to get a good. And the people who have been this Saturday

of somras have been some fosombs or if are here those of Hormosillo for favor commenten

what they did it happened because the environment of that night was too and I

want to that I'm that's that's not that this has been to do this there's

there. There's the first the people of the Hermosillo Sonora, in serious, I'm very

surprised for, like the reactions that were new, is a new newness, never me

never had talked. Let's say the contraste of what I think would have been in my city, in my

country natal, that I love to all the people, but it's a contraste that is a

contraste that not for me and for a new, but it's when I'm there in the fogat in the city,

there's a moment that like any wants to want to be a person, but I'm

I don't know, I'm going to do, I'm going to do go to go to the baoom before that's going to be in front of the bathroom, the baoom is very very long, and we had to pass in front of the field of the people that were entering, and, well, I don't want to generate

a whole disordering, because it's, it's, it's, it's, it's, but, like, a consumer, now me to be to be in this side, and really, there's a situation of logistic that, with a thing that you make, it's a disorder tremendous and

it's a time impact on many things that's the time that's all the problem was that if we're

going to get a whole a new god, oh, God, it was going to be a problem but well,

no, no, there's a no, and some of those urgencies and it was like,

I'm, and I'm saying, no you're don't you don't you don't you know,

you're in a narrator, disratsats you're like, disrater to be, you're going to

you're going to you're no, no, no me you're just is 100% that I'm going to

and it's a 100% that I'm going to to know, I've seen, and I said, you're going to say, you're going to say that no, total that I'm a cargift of

a person human normal, no, I don't try gore, and I'm going and I'm coming down the field, well,

two meters of the field, and there's people, and the chica, I mean, that's,

so, impressionant, because the chick, and I said, no, not they're not to find out of

and they're going to see in front, and I'm not there's so much, and I'm brutal,

I'm going going to the way, I'm going to get to be a person that I'm saying,

what's, good nights, and I'm good nights. And I'm in a moment we're going, I'm,

oh, that's not, and while me says that there's there's a little bit of the baby,

and then the end of the back, and then so while I'm going to

this chica of the staff. I'm, he said, he, he's part of the staff. No, no, no, he's family nocturn. And I go, that's repetous. So, really,

what repetous? What, good role? I'd have expected, in sensation, because me has passed, like the experience that I'm taking note, that I've said, ah, the narrator,

we can't take a photo or something. I'll be, I'll say, always sit there's in the confidence. but was very strange and it was like, what good on the other.

And while I'm going coming down, I do know that it's part of the environment, I think.

Because I'm coming down, there are two chicas to me, and when me see, they're getting

and me and I'm saying, hello, and I'm goodnaches, we've seen a riteite and I've

understood that I'm so I'm so they're so much, and they're coming and

the and we're a one of the ambulance and now now

now so the lot and we know and we go to

a room to a little to get to be to get in the

and the little and the and me said I'm I'm

you know I'm you do you do you do you say you

said you said yes but sure she but so I'm

what is this are people are so This is so loco

and the form of proceed like a very very respectuously I'm

let me the photo and in that a chica with a person who would be a lot of

a photograph and you God God, so apart of the part of the place

is super educated the place in where the demonies I'm

and it was very very different to what I'm used because

in Montreye you would have imagined that you've been come come

here that's the narrator and it would have been like a bit of a bit very different, probably probably but that's

good for this because then we know it's always it's not really very rapid because I'm very rapid because I have have been to see

for the question and the one we put in a posto the type of a type of a photo we know we we'll see

well we'll see in a moment and they take their and they're and you take this is this

was mad the local no see because I think I'm that every city has no sense

what I'm what I'm what I'm saying in their city would have been like, but so

is the form normal of proceed. Or, you know, why not they're not they're

not, why not they're not they're not, or what so what so it.

So, really was very contrastant, it was a much different, I'm, I'm,

to the place, and then I toped with that one of these people were at the

meet and grid and he I'm saying, yeah, so, yeah, he said, yeah,

uh, the, uh, the, about, when I'm the if it was I, if it was I, I

I liked much the show. I was impacted, impacted, impactado, and I came enamored of his people of the food. Let's, let me say, it's a

cause, I mean, I don't only the world, it's too rich, too. If you're in a Hermosillo, Sonora, not I want to say, I'm sorry,

because I know more than that someone, who knows in a future, but of Hermosillo Sonora, if they're to try the food, my respect,

Carnes, astorital, is what I've Roboado tacos, wow, is incredible, incredible the car. Now,

said, I've done, my dear family no time, no, I'm all the anecdotal me the end up here.

I want to show you want to be something, that is part of what is being part of the

show. For me, I think, this I think that never I've never said, but I

have a callerer a collectionist, and I got the show you the last I was,

I'm, the some javeritos with immanes that dame the names of all the cities, well, for the gira, we're in this of the 2026,

we're going to we'll show, we'll show, but, let me show us, but let me and I just do and say,

that's really, that's really, that's this, here's the Dermosillo Sonora. So,

my great family, no, it's it's a, uh, ha, ha, ha,

yeah, yeah, there's because I'm saying, no, I'm saying no, I'm for a lot of

all the cities, but we're going to be a promissio. But no, here they're grandotet, Hermosillo. The people of

Hermosillo, this is very hermosey. So, so you have been one of the time of this,

my dear family nocturna, let's I want to give me a good for having me

on the time, for the give more people and every more more in the

family nocturna. And my Dear family nocturn, from here, until we'll see the day of

morning, that the day of the day of the episode is to, no, no, no, no,

no, no, it's good what he is going to fear, but a terrorador,

savors. From here, until we see that the day of the day of that's that's

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