HABLEMOS DE LO QUE NO EXISTE - Historias de Iglesias Endemoniadas y Procesiones Satánicas | EP 283

Episode Date: April 17, 2025

Bienvenido a ésta Oscura Fogata de Historias de Iglesias Endemoniadas y Procesiones Satánicas en @HABLEMOSDELOQUENOEXISTE El día de hoy les traigo historias que ustedes, querida Familia Nocturna me mandó al Wts de las Pesadillas y que son tan escalofriantes que fueron protagonistas de mis dulces pesadillas.¿Conoces la hora del diablo? porque Esther se sintió llamada a vivirla de manera inmersiva . Dicen que en Semana Santa el Diablo anda suelto , Marioli pensó que eran supersticiones, hasta que se topó con el Cristo de la Mala Suerte. Tiembla de miedo con la danza de los demonios y descubre la leyenda que corre en la familia de Sara y los tambores que se escuchan para quienes fueron bendecidos por el Señor del Fuego.. así que prepárate porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Lazzangue surgellied, Pucance Moines for 15 minutes. We're like it's the hour dojo. Prere to play. Vive the pleasure with Leo Jo.

The casino in line that proposes the most recent machine-as-a-sue and the show to get-a-bos without exigance without

end-enance-enance and with the payment Ojo 18-year-old 18-year-old 10-4-1-1-1-2 10%

$1% $1%%% $1%% $0%%% $0%%%% $0%%% Welcome to Family Nocturna to this Oskura fogata of Histories.

Today we'lllare we about churches endemoneadas and processions satanical. So, is that before to initiate these oscures that you made to make sure,

that you can't that you can't a little of the light on the family nocturna that's

make a present in the comments and put in a flamita to know that they're here and

to say to wish to be good to say a point to pass a

experience absolutely oscura. Comeense us. They're that communication is the base of a relation, but

there are circumstances in those which communicate you can be the worst that could be able to do that

in that and that he took to live to Richard. Ricardo is a family. He has two

children, one of seven years, and one of five years. They're from a publicito

that we don't want to say the but some of you you're going to be able to talk about

because I'm going to tell you're a point of this. It's a part of This situation and because it was the information that Ricardo had, was for what he's involved in one of the situations

most obscures in those that I've been in all his life. And you know what is the worst? The day of today, has to mention to his family. Because they don't know what they've lived. But here we'll be able to tell. And we'll hear you, save Ricardo, are in family nocturn.

Resulta, that they had planned to get to this Pueblito, close the idea. The idea was a idea was a very

simple. We got to get a little whatever thing, in what we're in the

things in we're going to be in three and five of the time and at the

three or five we're just we're going to the celebrations of the days sands. I think that today

can be a procession or something or something. But there were situations. A shock in the carreterer, or

maybe a imperfect, was what he generated a kilometer or more of cars that were practically without a movement.

What did that was to get to four hours of the track. They got at the seven of the

time, for details more, details less, and at the seven of the

time, almost darke going to get to this poelito, practically

is all all all that is what is he was see, Ricardo, is like a half-kilometer of the

Plaza of the people, a lot of persons reunied and luses like of antorches. Ricardo, he says, you know, I know that we're trying the things here in the car,

but it's a little nobody roba nothing. Let's, because if we're not this celebration, practically we've been here

for nothing. His wife was, he said that he'd to live to these situations because

I had He's been talking, that the processions that were something that were very amative, that the people had a lot of much a pecho, that they'd with a fervor tremendous. And he wanted to be there. He wanted to be in the middle of these celebrations.

Now, Ricardo, no is a type of religious. It's more the folklore. It's more the fact of the people doing this. It was a much of the attention. At the start in the city, all the time, to be the officeina to the house, to office.

It's a moment in which is what they're the experiences new and see a people who were the

people who were in these things that was a great. Her husband accept it. And there

they were those two children. The two two boys were very too those

they're carmine and comein and camin and camin and camin and comein and comein

who know what they're about about about 15, 20 minutes

but the group of people were in the and they were the

antorchias and there a one voice that was to hear a silence

absolute and then Ricardo said this is a very impressive because so, so,

tantas people and that they're they're more closer and when they're

they're there are many people and they're in the part of this group and they're

to look those the subjects people in their person in their carucas

black they're with some some some those men

barbones people, yeah, of the age about a very very delgado

and they are being feos, but no they're they're in the procession and

Ricardo and their family or they are they're they're they're

they're in the procession sometimes when they're sometimes sometimes

a man that's in a word is in the locality

because he he's not the question and there there's people

that respond to that voice in occasions they're like grunits and shepherds but everything

seems part of a rito conforms going going passing things raras

he he's not not between these people that

they're actually they're those are those are the type of

capuch salvo some some that are many in the

procession and he not that all those people

are Alta. What which means that no there are

people. Some people that are more or less under the stura

of and more chaperritos than he's what to say of

his little little to get to the that's that that

that's that's that's that the thing, for more that's

to be a person every other every that someone involuntia, are pure rosts of the homest, but you're sure

that I've heard of a lament of some woman, the voice of some woman, but well, it's strange, maybe, put, the same capuchy, and, they're just a couple, and revultes in this stry, this tumult of persons, because if are so much of one a 50, well, maybe for that's difficult to bear, but

what strange? The procession is being every more strange, because no there's a ferbore as well, not are people who are And are, and doing actions tremendous.

Are you people with much formality that are cargating to torches, van can come in

and the man around he's been a manned and that's a black, and that's a person

and when a man with a petalone, without he makes two three trankasos

that that is so be very very very, because not it's that's tentando

or that that's acting or that is that is pegged to the cross,

and that's trying to avoid the whole of the goal of the subject that's the subject that the cross.

It's not making the form of the time. And I think it's that the tunica black and

the tundica there is a little bit impacted. In a little bit, you're in a lot, and also, he wants to be in a to start to talk because

he despirts they're they're and then when he gets a father,

he's he's he's a little and then he has a signal like to

call you call it and the little he'll be to get to get in a

moment in a moment in the one of a corner when they're the

people of the group and then then see something something that I've seen a

other they just, they're and they put and they put it, and then they're in

this subject and then they're they're not first, they're not first they're not, no, no,

put the cross and then the subject, what they're that's they're trying to the problem

is the position of the cross. The cross is the subject is put to the case,

and these men, that are now see, that they're that they're in that

the media luna an abyred, no there's no woman. The yantos, the persons

that were is very strange because no, no, does the type of the rostro,

the type of phisonomia not are the voices that I hear in the way. And this

starts that something there, there's a thing in the environment. It's a

sensation of a sensation like, you're, you're in the place

less indicted with the people less indicted in the

moment in the you know, you'd be there. And then Ricardo

he's his father, he's putting palid, and when he's

and he's like, what's what you do you do you, and then the

hand, the hand to understand just by your other, your

wife, her and a other other, he's she's not,

and it's then, and it's then, that one of the men, the when they're,

when it's people, now see are children. That's what says what says the

woman. Oh, that's those people all painted of the black, and the

disfrases of demonios that were churns, coals nears, u-s, eyes,

rogos. And Ricardo, that's every time that's every he's

always, they're just things of that's it's too, and apart,

very chaffo the disfrases. The reality, is that here is where he because he when he when he saw that

these dancers he saw that they were the people but the persons were people were there no there was there was a person

there. The disfrases were chaffos is what he said but he was looking a detail and that that was not

a disfras that was that was a that was a body even a exo-execletto queso but that

no was a disfras but the The face of those things that danced around the cross and that every once in a while, opened the box, mostando comillos? Look, the face of these things were many things, but the children no were.

Ricardo, when he saw the comillos and he saw all of that, one of the people that was in the procession just to the side of the cross, the, that was the capuch was more grand than the other, not was ponteagued, was more than quadrador. He went on and he gave a signal, and built over the family of Ricardo. He he was

he came to the first time. The more rapid than you could be in the way. Not they said to the

husband, no they were to make a hand and he he stryable. And he he was a person was

a little bit and he put her back. His wife and he wanted to he had a back and a

man to move to the head to the other and he said to be nobody nobody those percied

nobody that could you could be because all the the way of the vehicle,

they were they were in they were in the person who did they're in the part of the all the corner of the things were to

they were to they were able to they're going as long as well they're a lot of the serpients of the lachitigas

of things that are quite more than than more grandes than an animal than much agile than any

more agile than when when they were vehicle. He just opened the door, he made here,

he subed, he subed, the car. And passed a night and on the carreterterer, because no

there was there. And there's there. From that he'll to tell that he

saw the people that were the people who were the next few days he was going

to be a life, that they were going to be that they were the people,

and purrs. And pure menire that is invent a Richard because

he knows that that night probably what presentio was the dance

of the demons. What you think were those things that were

dancing in the night? The family of Marioli has their

own their Catholics, but we have developed some some

superstitions a long of the years. One of the superstitions

under commis this family is that you have

to have you have to have much care in Semana Santa because they're

that the Diabland is that you know a child a new generation

a generation a generation more actual that's that was a put a

partrae and there was a time in that for

situations personal decided that he wanted that I

had to a process of conversion a process like

a more and decided something she was to start the

Christmas because the Christmas why the day, why is the day, because to go to

the was something was it. For other other side, her her her

other her her her much care, don't you know,

you don't you go without this crucifix no you're signos that

the bula but that she clearly firmly that apart they

protect So, then I said to Mariooli, but Marioly I said, all superstitions. No,

ambrulita, well, if you want to give me the pata of a macea, and then I perem.

And then you see that all the thing that's that was a manned with Marioli that's

that's a yearn't, Mariooli he did know that maybe her little wronged.

She made that she had to be to go to the personal, that didn't interiorize, as you know, I'll tell to the church, and

he's done that the place is abjured but is totally desolated. No, there's a sole alma, it's totally vacu, portas abjured, the door of the reja abjointed. It's a community that does much respect to

temple, to the sacerdote, and to that group of persons that crean in the religion Catholic, and then the father's set certain liberties, like to leave that parroquia A parroquia

A barroquy Ayrta, Mario L'i was coming and then just so when it's about to

crosser to get to a person carraspea a sound the voice of someone is an person

is a manor d'norpe can't take one of these Mario Lissue he's

he's a sacko because he no he said he he's not sure

when he's a be that is a person Alta, he's like a camisa a manned

a black, a manned, a type robust, barba and a cabel totally can't no

have a person amable, has more the rost of a person severe. And Marioli only does

he extends the hand and he does this man, he has a man, he has a

paper, he gets the paper, he gets to a lot of a cold he gets to do

the person do a person and it spantosa. He begins to see

chockes that come from the neck of the stomach that he's a retortigones all the

belles of the braus erects, erects, erects, paraditos, paraditos, and the

skinita, chinita, chinita, chinita, because what is what is like, imagineate,

a Christ, a Jesus in a cross, is painted the middle the middle of the middle of the

black, but the raskos that have in the rostro is like if he overlaes some

some corns and some colmills and he would be a little some of a little

a call of a little. So she see that a sensation horrible because the

the thing was a spantos so. It was made it with

all the intention to you make a and then she then she

then she doesn't because he did that and

there there no there no there enter to the church

super-assustada and he's a restar but he's that in the church there's a sensation fea.

It's like if it's like if not they're a lot and his head is a little

like that she's a one and other of that the different of she is that

he's doble, it's he's he's he's and then he's

after 15 to do get to a That's no if it's a Newark, Thursday,

Thursday, no see, because Mariooli no is clear, because at that day

the next two two days are a life. When she is a back to

a car, a car a car and has passed years and years and for

first she's under the person, she's a little little

and then her back and then her back back to that's a pair of

of the family, is a chick a woman, is a child, she's a little bit of in the hospital they recetan

more the things, and it's like with some symptoms very strange, where it's to get to

inflam, inflam, like with a reaction an allergic. The Monday, when he gets

to the time, that gets all over that you can get a little bit with mulletas,

it's still with signos of this alergia that had produced for those

medications that that they did mal or that recetor or that they did a mal effect

he got just to receive the news that just a result that's not her job

she had she had two two work two jobs in the time

they duplicated the news and the other he got without when he

got to the house she she she's hard the

the things not can get better so his

her he Pied that, for favor, he preste his car. It's a car that's a

car that not have a lot of money, the first of he's in a moment, it's not a

very strange. The car all the next time, it's a lot of the money, and there's a problem

to the bank, he says, no, for the movements that we're not we're

not, a pleit, a pleit, a pleit, that right he's allusioned, gano, after two

years. During two years, that that was the money was there was in his bolster, he was in the

whole, he used to have done very little, until that one after that two, three, four,

six months, that was a horrible, he was a thing, that was the thing that was there was a

paper, but you know, that's the thing, it was the thing, it was, it was a

part of the part of the box, that was a copy of something, no was no it was a

not a thing, it was a thing, and it was a viscoso that feo,

that simply he did it was with all the bolz, he put carbones and he

ended all the muggerer. He said that started to make to make

and after two years after back. And you think you in the

bad suarte? Lamentable Esther was is a child that's a woman.

At the day of the day of I think you know that he's two years. But when

she even was in the career in the last year she lived something she was

a lot of much time. There are to have various contexts or various data

about of Esther and her family. She has a tia, but she has a

man she's a Catholic Santurrona. No me can't all the time

is resando, all the time he says, thank you, give to God, this is the good, this

goes to this is a thing, and then I'm a lot of a child, I'm a chica of science,

for me the things have an explanation, and God is the explanation

that many people have when not know when I don't know, it

doesn't, apart my tia gets a time in the time that does that we

do you do this and it does it does it does it does that

does a My mom is a person in which is cremante, at the final, I mean, of the same family of my tia, but is a person a lot more relaxed and that let's that the people create and do they want and what they're or what they're in a gusto, considering that we're just going to be a lot.

The point is that in a Semana Santa, for a remodelation in the house, we have to go out of the house. My papa and my mom they now, they'll take some vacations, but as I'm

not I'm not I'm a little, my mom me says, or you're you're going to you're going to get to be,

the problem is that I'm able to get in the house. I'm going and I'm going to

do that and they're going to get to get me, with the Tia Santurona. No,

I was fastidieda I, I'm going to be my vacations, and now all the time

I'm going to put with the rosario, and me going to want to to reason one and

another thing that's the Slewere a and when I'm going to get with a

bad at a bad at a woman. So I'm yeah, I'm just being fastidied but I'm

no, no, I'm gonna make a thing, I'm going to I'm gonna do it over. Then I'm

to get me a time, and my Tate and I and I'm even I'm fastidia, that me arta, that's never like it's like that I odier. So,

I mean, it's a lot of it. So, I'm just, let's go ahead. So, so I went to there, and I intended to make me, you know, and it was and I'd have to be, and he was the worst error of the life. My Tia,

since that me sawed with that I was with enthusiasm, me said, oh, my jita, bendito, God, that you you've got to, you did much for that you're different. And now just

From that From her My dad of your My dad My dad I'm in the I'm Pust

But I'm Arae But again When I'm Was there Not gonna be A person Disagradable

Because Because I'm In your Maybe Maybe I'm Maybe Is it more So I'm

For the Goodas For the good Esther For the Goodas And I Did I

Kuntas Was Belarme And Desveal me And because my tia me respected much the

I thought I'd get to get to get to get a lot of a word but I'm never a

way to get that she's so you're so that's a narrator that I'm I'm

and I'm and I'm doing the career it was but you I'm sometimes

I'm I'm I'm a time I'm in my coyotito I'm up there to no, here

it was a need to all the time I'm too when I went to the last 3 of the

afternoon? No, my my tea and I went more to be and I'm going to

my day. So, it was like a double turn in that house. The problem was that

I was that I was that I'm that for some a strange reason, and this is something that

I can't explain, but for some a strange reason, I had the need the

need to keep the time to the three 30 of the morning. At the

3.30 of the morning, as a relojito, me was a much

a new and I'm going to get to get to get to it. It's

very rare this that you I'm going to be because, obviously 3.

30 of the morning is a time, and that's obviously

that I have to have a time, but not with what I'm

sometimes. I'm I'm sometimes. I'm something, I'm a lot,

I a couple of hours and me I'm I was to dream

narrator. I was the night and for the 30 was a but nokeated.

The other problem was that I'm to develop a good for something that I

not and they are the movies of terror I were really

to look in the platforms of streaming many many stories about

of demons many many movies and series that about

this time in the life in the day a day before to

I I had to be in the house of my tea at the Santurona. I was so no, I saw it, but neither to chishty. What fear? Those things put on the pews of the pundas. That's for people local.

What, what you're going to be there suffering? But in the house of my tithy, I've had a necessity to get to the 3.30

And always, after that was like, I wascura, the house of my my tia, I put a a lot.

I was looking, sentia much fear, but sentient to that necessity, like if it were something that was trying to, a, orita, I'm going to see. In that moment, simply they did some of the things,

and I was questioned. I'm going to that I'm going to do things in my attitude and my comportment. I'm going to go to work with

that maybe I would be a comod of me myself, but not in the house of one at you and at a centurona,

because of a repent, I'm in the house coming and but at my anchas, and now

me questioner, because I am I'm not so I'm really a lot of people, and if not is my house, how I'm going to

go to be a lot of a time. I used a little bit more that was more like if no I'd have

that I'm never a time, and I'm going, I'm going, I'm, I'm that's that I'm not

that's a way, in a occasion, and this is where were the things really that the day of

no, I don't the I'm going to find an explication. I'm sitting sitting there a little and I'm a sensation that

someone is the side of the right in the door of a room and the passio that does the room of my

my tia, that someone is when I'm going to go me a dream and I see a catito

that comes going to the bayon we don't we're not no a cato there but I've been

coming to me the problem is that I'm sure that this not is a dream, but I'm I'm getting in that moment in a lethargo, I know what happened, but I'm

where the gato starts more, after taking the form of a person. Narrator, I want that you know what what happened there, because for me

no has any any sense. I see that like if were a new. And at that moment my is the same

a sensation of a pain terrible in the body and a color but it's a color rojo that I see. It's a color rojo bright. Like if I'm stood

exploding in the eyes, something like so rojo horrible and I want to get to get to get going to goreting

but I'm and I think this is a dream but never had felt so a lot of a new

so I've been a rogo, rogo, so after that I get a a moment in the I'm in the eyes,

I'm in the cell, I'm I'm very poor and I know that I'm

I have a blood in the hand in the stomach I'm going to go running to a bathroom, I'm going

in a space and I know that I'm know that I'm rascuions in all the panza and the

and the rugs, but are the unes are cleanias those the toes have

the I don't think what demone that I'm a fear

but a fear that I can I can tell I just me

I can't had desaped the door I'm going to my my tia

there's a lot of there's a lot of people but are you don't know with a carge,

with an old. And then that's a narrator me does I'm I'm scared

a lot and I go to my court and for the first I'm never a

question or I've had done in the days that there's there's there

there's there there's no I'm my tea that no

see if I was there because no I've had done I've done I'm I don't

because I'm in contra of all the I'm I'm rocyed the I'm and I'm

I'm get a dormit totally dormit me I'm I'm

the next with a same with a I'm much

I'm going to go and I go and I don't I'm

the I'm the not my very very impacted

but But what most me impact is that one was very very

very very good and I'm I'm not a little bit of I'm and I'm

going to so and I'm so you know that I'm really that I'm

practically not you don't give not any any no

me not any not I'm like I'm it's all the

day and after that after that I'm I'm a time I go

Tate I'm Pardon me that no, no, no, I'd have been been able to have put up Roppa, but is that, anoche me, it was a lot of her own and she said, well, how, not you have to be a sustar? If you

and you're going to, I'm just how I'm going to be that, T'A? See, no me digas, how do you want to be you, if you're a friend of the malos, of what? What, I'm talking, Tia, no entient, ah! And now it's result, no says what you're talking, and you do you

do you ask, that's a tattooage in the back, what tattooage, Tia? And then then it's a picture, and then it's

like if were a barberer, me, and put the mirror in the back and I'm, where is a star of five

picos, bolted to a back, a tattooage that never me had made to I'm a

respect, but I'm not great, but it's made to like if you have done to do

a navazos, a puros navasasos, but the grossor, the grossor of the

lines, is the same of the raillarduras that they're in the peaches. It was the thing that I saw that I

saw the night earlier. When I saw it, I'm even though to be able to know that I

knew that I knew that I had that I had been reflected, because Navarrault, he said, You know,

she's all he got to the courage at the instant narrator. At the day the next

the words were the first hour me was going to a church he said to

to the father that I'd that's the there's a he was in the part of the he was going to ask you know,

he said my story and he said the man in the home and me he said, he's much

care, because they're they're doing. And the diabilito in these people, he's people

for your band. And I'm he said, what epoas or this or what father?

Well, it's a man Santa, myja. God, but the devil also,

he said to do a rations with me a narrator, me put Awabendita two

days after after, they didn't any cicatrices. How demonious I'm so?

No, I know, but me passed. And you, because you, because you think

that's these things? Belinda only has lived a situation paranormal in

their life. She had a seven years, but that situation has to

that day of day to say, I know, I don't be a doubt that

in Semana Santa. There to get to get much to

God, because if not, maybe we're on his terrains. Belinda had a tradition every Semana Santa. And is that

you would be tronara or calera granice or pass as what was going to pass her her own her own

there was a first. The first is that the house of the abel was very nearer

to the place. And even when the old was she was a person grand and

can't not she had much to convince her to make her to

make her to the play. And then she was doing castiles of arena, she went a tantito to the mar, like, no see, banning the little bit, or so, that would get a tantito in the

water in the cintura, and she was there was a marys. The second point is that in the house of the bula, no there was a little bit of the old. The bula, and

was it was a time. So, she was that she, she had like she had, like, the television, and he had the She'd

still a little the mother never the the

other the second is that in the house of the mother's a little food

and a souros a ball a psalos a little a house

and in the morning prepared some a coffeecett and a pan

to that she still today of today of that so that so

so that's many life. Those times when was a little Belinda, that was passed in the house of her abelma, were times perfect. I'ma the Semana Santa, not for the days Santa, but for what

that represented about, start with her father, to visit her place, visit to the play. Moments that are going to be marked all the time in your heart, all the rest of his life, including this, the moment most most obscure that I'm going to say, the

moment most obscure of the life of Belinda, and probably of his abuela. As it's very very close of the play,

the house of the buela has a characteristic. Number one, in the ventanas

always there's a little of the number two. The cold there is of

the day is a cold very humid. For what you have you

have a kind of a kind of to start but to

Marr's Belinda in the house of the her she is

a chaparita and really she's a good. No, it's not to have the ventilator all the time. It's so small and down delgada that a sometimes even even feels that's all suddated or that the house is a because no sud a bit ofes a lot.

No is a question that she generates a problem. But a day a pass something very strange. Just in the Semana Santa, just in the Vierna Santo. She's up and she goes direct to the cell where has her own to the television.

and the television and is at the point of to see a point of a program that he liked much in this

day. He's like the quarter of the there's there's something like the

door, and so can hear the and the door from the door to start

to be and he he says but with a voice like a monoton like

if if it was a zombie Belinda Ben with me to me

to lava roba and Belinda nothing more, he says, No, Abolita,

I'm gonna go to and the abultita and the little, then you're doing,

behind a walk a little down the lavendaria and Belinda and then

she'll do you do it all the movement to open the

lavator and it's so that's so that's that's

that you know that that minute to minute without

no the temperature is descending and descending and

ascending more, more, more, more, more, more, more, more, more, even, as to get a point in which she has very much free, she's been being done to get to come down.

Until there, and he says, oh, why does that's so-and-a-dress- and when I'm a little bit of her own-a-a-o-o-wela, and she met in the

room where she and she's and so-sust and he goes to go-cour-court- when she-cuh- when her-a-old-be that's doing

the things in automatic, but it's like that's maybe aida, but what he does fear is that there where is her wula, no, it's free. It's a much cold, much, much color. And when it's all right, what was what was in the house, the

house is to other way, yeah, calient. No, they're the menor idea, it's a little little bit. No, it's a little bit of a little bit. And, look, it, it seems like it's a bit of a lot of the somber, 10 minutes after, and after a good day, you know what they're in the a little bit of the

little bit of day and not have to give more importance one than one or other until that's the night in the

night is where the things are all in the sunbras are they are to

say you she'll she'll they'll be there even in your inconsient I'm

that something was that was a oldie her mother's to do her borgues in the

abitation a borgia he said because she. She took, he a tendido, a pair of sabanas, colchas,

things that could put to in the piece, and the little she got to totally dormied,

and in some moment of the madugada, so he just felt like something he

got to the person, and the problem is the sensation. It was something,

it was so too, and so bad, because it was sentia like with

intention, it was that was do you, I'm I'm the instant

and then forcegeo, I'm stiro my foot, and it's like if me they've had

got to the thing more the world, because I know I know the foot.

It's a that's a little bit of that I'm not a point that I'm I'm not I'm not

I'm not I'm not with I'm I'm going to get to get to

what I'm to look what I what is what me got to where I put my

and my my boy and I said, no you don't you work this, no you know, and he's

and he's a not a matter of the what he's that's doing you do you do you're

doing you let's you're and I'm to you and I'm a gruny and I'm

a gruny first it's a little my head that's a perro but

then I think I don't think I'm that I'm more more more even because

I'm seeing something something that's gotr just a kind of

And now I feel like the dedito and they're open a little and they're in the but it's a sensation bonita. That thing is elated and it's aspera and it raspa.

It's horrible, horrible. And my abuela and say in voice Alta. God, God, come here and

reprende this demonio. Valli'a of you. You're not is very welcome here. And then

he's to say plegarias like, San Miguel, protect us with your scud and with your

lance. San Miguel Archangel. Ben and Sacka the demonio, San Miguel Archangel, help us in the battle against the malignor. Every thing

that said was like a lottig for my soul, I'd I'd try you a fear terrible and that thing was that was

that was getting to more free and more pressure in the my abuela go to a cajone

and he a boat that I think it was a lot and I'm saying the same ordations

that water thing that was that was behind me I'm going to go to turn to and I'm my wife, no volted

and not you don't look you don't look if you're going you're going to you're going and then you and say

for favor sir, manifestate you say this demonio to get this we're nobody's

nobody's it's a house no it's not a good that's a person who you

know it says narrator where me he's that I'm I'm I'm here I'm not

I'm not I'm not I'm no want't And then I'm going to And my abuola me And my abu-sichy-o'-want-se-muchat, agonters, for that not

she'll get it. Narrator, where he says that, for a second me cruised in the head that me were playing a drama, that was someone

and it was to work to turn to be there was a sombra oscura with a form like of an oval and

two balls rojas that were the eyes of that was that was that was complete that ovalo

to be direct to the eyes. No, I should have seen as more of 30 years, and

the day of today in my head is like it's like it's like it's like that I can't

forget it. After a time, I felt it that thing me saw, I'm I've done

the back on a mackdellellan, I'm my abuelita went and my abas-

me brought, me to be in the bao, because I was made so like a

depojo of person and just said, I'm just a abelita, and me responded to the poor phrase that I've heard of my

life. Cosses that's all a lot of your own, and the day the next I gave to

confess to my seven years narrator. Why you think the Abelinda acted with that

that thing? If me permitting, I'm to tell the history of Biacruus

Maldito. Rodolfo me I'm going to a story of the which is a

Orgoyosos. But, as a family nocturna, yet since about a year, me said narrator, I expected this to never to tell but now that we're in Semana Santa,

me anime, and I'll say what I past ago after about 10 a year. That's not a greatable,

I don't feel like that I'm definitely, until the day of today, me has spantado.

Me he said, Rodolfo, that he formed a part of some of a church

in the which they were the representation of the Bacruus. No, If you know this tradition,

is when the person represent the moment of the crucifixion of Christ and there are persons that are representing to the apostles, a persons of the people, others represent them to

the soldiers, others to Jesus Christ, others, Amaria, and so. The point is that there are different types of Biacruces and of traditions.

In the that was Rolfo, literally was a post in a scene. It was almost a work of theater. They were, they were

repeated from two months before two times and they were doing with a time,

with a style, everything was very very well, what was that the representation

of the Bacruces was something was a lot of the community, just in those

because no important that that there's, to be to the

people and the people and the people, and the person that has

saludated many times personificing to Actuant, it was something that's That's the attention, point.

That's why in this colony of this city, being part of the Via Cruces was a thing serious. The people not so it

took to them like a game. Much of them were and took classes of action to participate

in the Viacruus. It was something that in some moment it was a question

spiritual and it was a question of ego. And says Rodolfo, I don't

have a Tant to ego, narrator. No, I was a person that was a lot,

blah, blah, what I was that I'm that I'm certain qualities to act. And I

knew that year I was to be to do you because when I was personification

to be personification and have ensued much for the which I knew

that had done so the day that I did the

the casting and personificed no, the people one

and others they were to applauded and I went and I'm and said it's that he was Jesus

and Jesus for me it was actually he he had put into but all he was

he was the paper the problem is that was that Tito Tito was a

was a community and he he had so much that he was that he

was the most he was the first he had been Jesus I I get

to the paper and Tito he gotro personal with me. What happened?

What he did you other paper? No, I see if was of Pilates or if was of one

of the dardrons, no I remember. But the problem is that the ensues

if he was in front of all, it was to be there the dialogues

that me and I had to do the amans and if I did something

I'm to do it so so it so it so it so it

the ensayers are something ridiculous, that no came to get to we're not

a lot of time. I gave a moment in the question I said, he'll

be the better the pen Rodolf or this guy is doing

the thing is directly against you see that this pete

is a sub envidios that just because now just you know that you

don't know he's not you can't do it doesn't it personal

but for him so so then narrator, I was with this situation, but the

really is that me had really is for the paper. The most easy would have been said to say,

oh, let me do you go ahead. And I'm the important should have been to have been the

representation for the person, and not the paper that you took about. But there is where I

feel I'm sure, I'mache. And I said, no, if me if I'm

for me, I'm, yeah, if others said that he's he's I'm

but I'm but while the the devil. And this subject, ardi in bilis, every one of the ensayers that we'd have to do, always had with a fantochada

and he started, he'd be at my, and my back. As far as we've been a little bit, we've been a conversation, he started all the thing we've been putticked at one time in confidence, and yeah, of a sudden, all the abledurities were publicos,

I put a words in my book, said things that I had said that were that was a lot. Total, that this type, he'd want to my image, me I wanted to make a piece of and there was

a moment in that I'm going to confrontal, I'm going to go to him. But no

he's the what you have to be with your channel. I was very molest and had

had done a situation one and other once. I had the words that I

would be going to and he going to the attention. I'm going to the ensue,

I'm decided to that this this man that he's I'm this I'm going

to be very and I'm sobred motives and reasons and and things and arguments and I've all all ensayedissimo as like when

when I went for the paper of Christ here I was like the abogado and me to be to

sendencear this he's and he not was the next the same and he

he no he was he was he went and I'm the good I'm because if I

had been in that he had been in the paper of divo and all divo and all

Oh, it's her mother. That's what if it was to get to make in the paper. Why? Why decided to you, I know to do you, I'm going to do. There's what you know what I'm told.

I'm interested like two years after. Resulta that one day Tito is in the church and

is a friend that this friend is a friend that we're in common. But my friend,

he wanted to persuade that you that's, that what was doing is the ridicul that the

only that was provoking was that many people that in some moment were friends had had problems

there were problems there because generate ambience of that it generated rentsies and he

said you know you know that you've put you put this paper so much

to be this a place a place endemoneado and when he said that said they said

they're some some those but was a rather because

they're they're they're like they're like someone were

coming and the echo they're and there a subject that

me said my friend, he's never ever had ever a woman

that he was a little a tunica that was that he was

going to he's par in front of tito he he he to

he he to he's you're of the you're he's of the man

in the mejia and then he does a little a little a

He put to the He gets to my friend, and he says, you know, he's not

to start fastigating. And he is my friend, this this is this sound to

a one he's put in the paper to get a problem, not that's that's a

actor, it's of Hollywood. Because what he did that was so real that Tito

he was so tumbling because he said that when he said, He heard, he was just about the voice of a woman. And he was a man.

But he waschoo the voice of a woman. And when he took he gave the o'uskull here, so was the way in that he was about his aboela. Tito was he was held elated. Yeah no care you know what I'm going to say. And when he said, if it's of those meos, then he said, Tito, if he had been asked,

if the things that were doing, were doing, they were doing, God, for the Lord, tell me if I'm doing so God, and when he said, he said,

if you're of those Mios, and definitively, that was not that was the idea of the time to but never

to stop. And you, who, who is that that he's a man that he's a little

to do you? This story that I'm going to talk to, it has to be with the Semana

Santa, but no has nothing to be with any rito, nor a procession,

and nothing Catholic. is something strange and never I've heard of

something that's that's let's put this name this chica resulta has a

has a situation family that you know the first is that she she doesn't she doesn't

any paterna or not you know a question of infidelity no there no I'm

nothing to be she she said she was been she was she was

she was her she was a man she's that was a bevita, it was a lot, much, much

the attention. His eyes are of a color coffeecett. But the cabello are those

rizos, rojos, rojos, rojos. His rasgos facial don't seem to

their family. But I think the family yeah know this because not the

first of the house maternal that has this type of raskos.

It's said that the family in some the thing that's

that's that's who's who knows. but that since then, there's a time,

there are people that have the benition of the and that the Lord of the fire, this is a

tradition familiar, is something that they're some kind of some type of idiosyncrasia that have

been, they're they're they're not, who knows? The point is that

Sarah literally he took it's, he's three years to be not so, not certain

those quals, and the family not The family no, it was to me. But there was a detail. Necessified that Sarah did a type of

trial to know to know. Of what? Sarah, the day of day of today, no, but he knows that those traditions

not just there's there that's what he was what he was. The family has a rancho, a property

in the middle of the that has that is there and is a lot of that who know

how's generations have passed for that rancho. And it's that in some point

in the past, he could have had been had been had been carvalerisas but

the day to say to be in the but they they're they they're

they're they're they're they're they're and they're where they're where they're

that's the problem that's the child that's the child that's go to

go to the night to be a bit of a something very rare in that place and it occurs only

in Semana Santa that is where you are where you're you're at you're at you're you're

sound bums pum pum pum pum like if were some some

kind of ritual of music ritualistic of a some group of

people autoktonas because they're various pum pum pom

pom pom like some some type of rhythm to dance. The problem is that the rancho is

in the middle of the nada. That's not a effect special that is doing the family.

Simply they're the time in the moment in the moment in that's the

first time, is when the family has to that the place. And are the

days in the could do you can make to say, the this is a thing,

and to see the place, and to that the baby, the baby, the

the little the One night and see what The problem is that Sarah She's her left They've got her baby. This no has

Recurrected, this is her mom and They say that And then say that Sarah mannice With much Sonrisas But with all the

Cabeo enredado But was so enredado But it's so, so, tan, tan redado that for more that he pivial

He had to bellowed He had to Reyes' to the city With a woman that's Temas of Brugery This woman

Pus on the Pets of Sarita A ball A yellow Aarro a Sarita He gave her And he put her Moma

That she gave Shegier She gave To give The time that he He used The capo

And the Cepiloh If it was Liso It was It was No, she not had

Surpending And he said You're Those are The Fue And she She said We're not

We're We're can be in a little this is the story that the mom of Sarah

he told that's a that's a that's that I'm that's a not I'm don't know

the minority of that she said to that she had to have to she and the

mom of Sarah and the mother of a sunnote sacred that was near the rancho

a a place not is abired for the people for the people to

Utilize the cenot is a place that's for rites. When they're at this place, the mom of Sarah, is to have been Sarita, and is there the Bruch there, and he says, no let's at the water. Why?

He says, because we're seeing the Indio Rojo, and no is that feeling Rojo, says, yes, your little bit is in a little bit. No, you're going to get another day in the rancho. And he says, but what

we're going to do? Yeah, no, we're going to do anything. The Indio Rojo no, he'll do. And she still pointing to a place that was a micro-islote

imagineate a one of a little 30 centimeters that oversaled and said this woman that she was

pared by the India Rojo the mom of Sarah no did absolutely nothing

what was that that night no had the economy to pay the

place to pay the place and to he he got to he

to work and she I she did she she did she

saw or the Linda Rojo or the Lord of the and it's something that is beautiful not a

attractive and in the place a badition of the now it's a maldition

of the fire. That night when I was the baby the sir was very nervous

the day earlier the end of the day of she was she

she didn't that the eyes the next the day of the day

next the day of the next the next the another had been a

second goal that night he was to go to go to get a little to

be a little bit of her little he was a little bit he said he was in a place where

he's so it's that I'm that's with the little bit he's a little bit

he's and he starts resos of those she know for what she's

she's she's looking like a protection and it's then when he gets

a aroma that comes from the house and the aroma is a kemado, but an aroma

tremendously strong, like if there were a lot of madder cheming's of carbon, chemandose

of paper, and it's a lot of a lot of that it's a time that you start toseer. And in

some moment he's to tocey that's that heperventila or he fall the air and

that's that the face it's a little like a bit more a little more and it's

that with the view that's the entry and be a subject

that is totally rojo imagine the skin, but it's roger, roger,

like if were some some type of the little and the eyes,

and you don't you don't you're not, you see a burning

that's that's that's the light, it's the only

that's you're the the body more more than the

the car, and the of someone enoched. Dethrase of him, you see an incendio infinite.

All the house, all the thing is like an end of the thing is like a lot of and it's a

time and it's going to be diffuminating and will be still again the vision of the house. But with an

aroma that's a A sensation of a cold spantosa. No, she wants to start

from the house. You know? Because they're to sound cascabels out of

the window. Like if there were a bivora around. And if

she gets to be to be to be her or her or her problems.

At the day the next in the morning because at final if they

can get to the time and simply he said the

family we don't go to to go to the rancho. I don't know what on that tradition. The only that I know what anoche I,

that we said, that's the Lord of the fire, is a demon. That's not good. The family entered in controversy. Yes, no, dimes, dirretes. And says Sarita, that when she, she took to have more conscience, she practically no

knew a subdu-a-materno. No, he knows her abuel. No-cunceo his father, no-conno-cues his tios, because they were having a war with the mom, because they're continually

they said, you know the tradition, and if the Lord of the Fuego it's there's a

little, that's the more grand, that's they're not to be to give, there.

There's a little little little with the family. The mom,

she went the story a little, until that you probably that you

could be in certain risk if had contact with the

rancho she she was the he also because I wanted to know a

little more about this tradition, until where the mom was like the mom the mom because the mom

that's like he was like to be the end of the little rojo, he was five. It was. A.com. much Sarita. And now she thinks that, that maybe continue to the maldition of the Fuego

in the next generation, just because not they gave her to you? And you have heard about the Señor of the Fuego? And with this story, dear family nocturn, we've got to the last of this obscurest of Hocet of Stories Speciales of Semana Santa.

Now, see, digany of you, please, what was the story that most they disgusted? To me, all those that were They were these and me They made sure Somemany extra.

And me They're all Many of them And so I'm I'm going to I'm going to I'm going to I'm going to

but I'm but I'm I'm in the first of this episode. The image of that the man of

the fire of the light of those no no no no no feo, feo, feo, so is that

tell me in comments which are the stories that most they're just those and remember

that we're we're we're just we're we're just that we It's not even if you have Quentin Spotify,

see us and give us and give us if you this project, because very probably with that support, with that the 10% of the

family nocturna if you would Spotify, we'd give the five if we're probably the

first place, so we're probably to get to the first place. We're just we need to we need to

you know we're not about you now. We've seen a same to see a Saturday of SOMBASS, and meantime-tant,

I desire you to have a sweet-pessarilies.