HABLEMOS DE LO QUE NO EXISTE - Historias de Iglesias Siniestras, Rituales de Brujería y Demonios Japoneses | EP 325

Episode Date: September 15, 2025

Bienvenido a ésta Oscura Fogata de Historias de Iglesias Siniestras, Rituales de Brujería y Demonios Japoneses en  @HABLEMOSDELOQUENOEXISTE  Hoy les traigo historias extrañas y perturbadoras que ustedes , querida Familia Nocturna me compartieron en el wts de las pesadillas. Escucha de demonios japoneses, entidades macabras y cómo lo que parecía buena Suerte de Joel se convirtió en el suceso mas aterrador de su vida. Descubre por que una Iglesia en Ruinas que dicen está embrujada no es el mejor lugar para invocar espíritus y conoce el pueblo de los brujos y sus temibles rituales oscuros en los maizales. Así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Welcome to Family Nocturna to this oscura fogata of histories. Today, I'm three themes, three things that are absolutely obscure and aterrower. Today we'll talk about of Iglesiasinistras, rituals of brujeria,

and demonios Japanese. But, before you know, my dear family nocturna, accompany to give us to give us the people who are new and that come

for first time to let me hear me all of you guys. Permitern me to say you a pair of things, yeah

that are a point to live your first a fogata of the story of the

story. I recommend that I'm in a place in a little bit and then they're

the preference in the light. No, I'll say that occur something

while they're the episode. And my family nocturna

me to let me say this that day family nocturna that

here in the car of the question let's I'm a question

and let be able to respond to responder. And, of past, deignle the well-belied to all those who are going to experimenter

a first fogata oscura of stories. Comeens us. It's a lot equivalent to what we understanding us, or also for desencarned, but not are any

something. It's like are spirits that have kept so time in the earth, and apart, in life, not were so very good, that were transformed in things quite

spantosas. That is one of the maximums attractive that he had when he invited to to go to

Japan. This happened to goel. Resulta that Joel is a type that

is a thing that the thing and he says narrator, I always I always felt that

my life was a great, but as how I do it I'm the career

honestly, I not me I'm not I'm not I'm a person

more backante that's that's looking someone when I I'm going to do the presentation. I said, no, there's

a way that I'd keep with the job, because they're paying very, very well. And narrator, although no dave the profile, for some strange situation, maybe he came in the interviewer, or maybe there there was a confusion and me confundered with another person, but I passed.

And since I'm going to the career, me's going to do. A job good, after other job, well. No, do you know two years in the same job, because me are getting to promotions of others, and I'll say so, to be a matter of this narrator.

No, I'm the best of my friends, nor the more knows, nor the who more does the other than the other

things. In many occasions, I don't even I'm doing the 100% of what I can't, and I'm very

conscious, but for some strange reason, me promote, and me promote, and I'm

in different companies. That's I've made to clarify. No, me has to a little

in a company that it's when I was, when I was, in my fourth or fifth work,

that I'm talking that had passed about about about about since I saw I'm in the

carrera, I've a vacante to have a course of a course of intensive in

Japan. Nine months. Nine months in Japan. I tell to do say so

the more honest that I am a person I'm a little

I'm a time of the anime I I'm incant to the culture Japanese. Or, well, that's the

because when you're going to see it's a different when you know it's in a new life, but I was really really illusioned,

and when I went to the second time, I went to instantaneously, I did that I, I said the interview,

and I was, I was the first month, and yeah, for the third month, I'm in this new company

that was a point to to send me to hand to the thing, the time, to learn

to learn to learn about of certain apparatus, of certain technologies, and to

come to come to to get to my people, I'm quite kind of because how

could be that a company, that was that I had even had been even had

been even a time, I'm to be a other people, in the life had done

that's I'm doing that I had tried to and I went to to Japan. And

I'm Japan me a person, not a Japanese, but a person that was a Japanese but he said,

and I'm saying, here in Japan, the honesty and the rectitude is recompensate. But all

what they are for the things, it has been cost very very altos, take care here.

And I know why I was because we did it because we said, but he he was

he said that form and I think that I'm in some way I'm just going

so I'm using my tools and I'm I'm going to him, I'm going to get a

beerbes, I'm trying and for some extra reason he went away having little to me,

to the point in that when we've got we've got we're that we're that's

I'm not not I'm going to make sure it's a year and then we're when we

we'd just, he decided that if he was to live to another barrio and that he wanted a little, he was he

and the company, the company said, and a part of that moment, me to crack me to my own own

unias because I know I'm I don't know of the Japanese. And this

was before the cellulares good, no there was to give me

to understand how God mandara and and learn to

get to the place to where I'm a whole thing,

a situation. One day me top a house that's a penas a few

in the house and the house see that in rent. Yeah, for this

moment, I was to distinguish like certain signer, a sometimes a person

entering and out of certain to some that's not a local commercial.

Yeah distinctia when the places were in renta. Not not

sofistica as the day of but I do people

I mean because the barrio in the barrio in the place is a place in a

business there's a many people that are many people who were all the people who things,

so the people were more abertas than what I lived. Quarres to where

I was not you know, you know, the time, the time, of the

problems with the people, yeah, for this moment, Japan had been a little

of my enqq a lot, it was because it was only there and no

I had any with who had any with who had to the only person that was to be in me and

never wanted to be able to and I'm and I'm when the people were in I'm

was just I'm just so. So, when I went to the

place and me I did understand the woman me is

a quantity in numbers that I can know and

in that moment I did rent rent and the the

and then I started to repeat one and other Rent, rent, rent. And thence I thought that we've got to get a quarter, I'm, and I'm not sure. I'm sorry, you know, I'm gonna'clock, and I'm gonna'n't know, rentaer. And the that was renting, that's a bit, biaticos of the company, but I'm going to have to

have to be able to make the changes and pay all the things, like for having made the change and all these situations.

In fin, if my companyer, I've always had been good as far. I'm going to the

stairs behind the the little, me the door, and I get a

surprised. The cost for you you get an idea in this time, it was

$4,000 $4,000 $1,000, a that moment, but the place was incredibly great and

beautifully great. It had a peculiarity. The door of the entrance that was

the door, the apartment, only it was a door of a crystal. And it was a crystal

narrator, that I know how to say, because it was like a trokelad or something

very brunied, but not you logabas to be the 100% to be out of out of the

We're going to distinguish exactly the rostro of a person details specific, but if I could see to be the

altitude, if it had some color very particular like very resaltante, all that was all right.

The place was very beautiful. It was two abatations and apart one area that's a

one that's could use like as a way, because there from this moment

and it was like these mue and it was much more more

more than where I was No, there was more to give them to do this I'm going to like to put in

the idea of that I'm going, is that I'm doing the department, because I'm having many difficulties, I'm trying to

the situation like difficult and for that they're getting and finally they're the they're saying, ohie,

post, I'm looking, for this I've had two two years living in other side

andarrado. And they they're going to enterer. So, so I I'm

I'm going to I'm I'm going the cost, me They say that's a little car. The debate with them. Because I go,

because I go, I'm done with I don't know if I'm going to go. Poorer tactics that I saw. And I'm working on the

whole. At the final, I'll get in that place. No, they're not to other,

the fact. I go and I'm done to install. Yeah, have passed almost four seven years.

And the day that I'm done to start to occur things very strange. Some

the night. I'm sure of the capacitation. That day, the other type with the company, he said a

part of phrases in Japanese that I don't know I'm not to understand. Because all the time was like I was

really about practically for the different from the pantomima, because the words, there was one

or two of what they were talking, and I always had made making gestures like if you

had done to getchard the head, I'm a little the eyes, I'm

my hands and they had to my and I never me said nothing, and I felt

that as I had despeded, so they were saying, so I'm tired, because that day the other type,

he went, you know, you know, you're getting nothing to you should have more gas to your classes of

Japanese. I, I never had been a adventure, I've been going to be able to get to Japan, and

you know, the end of the time not the time, it was a friegastation that was a pure

per day of time, all the time was trying like the I'm like I'm like I'm trying to

start to paint something in the libretta to make you know that's start to be a signos and some some pointes

to make sure that I'm paying attention I don't I'm not and the other other type that day in

special was just about really and me and he I'm saying that I'm bombo

arto fastidied the house I'm I'm at the night I'm I'm sure

I'm sure I'm I'm going to I'm going to the door that the pathos and the escalator. I'm coming down to for this.

I'm going in a boxer, in a camisa of tirants. No, me be like a person very decent. But no me important. The Japanese have like

many details in the things that have to do you have been a little so I'm a point. And where I open the

door, I don't see the better or the worst surprise that I've had been in my life.

What was rasguuying the door in the was a catito of more or less

or 30, 40 centimeters of altitude when I was sent out in his quarters Negro, black, negro, negro, negro,

Negro, with the part of the old behals black, blanks, and the nose and

the nose was because it was red from black of the other. And that color

red, it was like had been ariot that had been a bit of but

there was the nose rogita and the the gato the

got to get to and it and he starts and is tirandos,

she'd kind of a little and I'm a little bit of a little bit and I'm fascinated,

fascinated, fascinated. That gato is going to be my company, and I'm going to

be able to be to be a unreary, and those caponeses because I'm a cat narrator.

And now this Mexican has a cat. And no there's a person

that's a Mexican with a or, well, that was my idea, and me I started to say purrs. of that type. Me did a question that the

cat had certain things extrana. Before, before I was he was able to the door, he was he didn't want to get in-sehrased there.

The night when he was set out of the door and he was there. But in the madrugated, when I was going to do not, in

some occasions that me went to the swing, that had a little of stress, that me kept thinking in how I was going to do

the day next, for that they would be not they're not, I'd be and I'm

thinking, and I'm going to be the door, because from my invitation to be

and the catito was sitting in the quarters, being but very bigadito

to the door. And he was to move to one the head to

other and it was like that was something and it's very strange,

because they were hours. One one day I had

just I around and I don't understand why I was doing that I'm going to and I'm going to the head

to one of the other and I'm so I'm my eyes and I'm not one of a person murmurating and something that

and I made a minute I've got I'm a good luck I took a new York and there

a man with a car ha ha ha ha ha musical that he had he had he'd certain instructions

that nobody didn't and then the changito was going and then he'd a box or a cartel, and he was there. And I knew that that was a timo, that

then was going to find out of the sir, and he was to give her and he was going to be as far as the chango should have escaped, and yeah, the people had no-to-alleged, nothing to defenders. And I saw that was a fraud, because the sir, it was a dayary, that at the same hour, he had with the same chango, at the same place. The chango no's escapeable, the chango no's going, the chango was to recollectar those things for after after after

after now that I'm going to the woman and I'm going to be to do you to do you

not a not you're going to be a cato and that's my companyero but no

no expense of my things and I went and I'm going to I'm

going to the door and when I went to the door

I had had had been two two seconds

but I did me had been had been behind

the vidro, something abhorred and black, that was moved very rapid in the piece and no would have been able.

But as I was, what I was a maskara that had the form of the face of a woman, but

in a form abelada, with a black, and long, and the collar of a serpent,

that's going to the back on the door the door. I'm kept

elad. The catito was out of the I don't I've got to

see if I'm going to because what I was going to that I was that I'm going to that I'm going to I'm going to

say that I'm not going to be going to be saying that's a I'm going to my eyes. The gato no gets it.

I don't see if I'm going to go to make you're going to say in the company that I'm in a depression or

to be what I know what I'm going to start. They're going to start things very strange

in this department. That department in the department in the I'm in the night the light

is the light is the end up. That's that's not a gradable. Signific that there's

there's because from it doesn't not far the sense of insecurity like to

have the door and it was without the after that after that happened to

start that it was to Puntitas, and the voice that was like, like,

and the voice that was like, oh, wow, because I knew that they were that they were that they'd hear of the point every rinko-cuito that there in that

place in the place in which was more grand than the other, there were many, there were many. Who was playing and apagando the light? I was downed a year, but me ganed the cancancey. So, is that me was to dream. In various occasions,

me kept dormido with the work of the job, you can't imagine. I was, me tirade there, and, in the night, one day, me to go a narrator, that I heard of the movement into the department.

I'm going to and between a quarter and there are these that are in the material that's a

day of the day of they're and I see that a little the height that you

with a mask with a maskor and some that's that's a

see that's I'm a small and it's a small the problem is that the kid to

the little to the heart and I know-the- narrator even with the

the light apagada. Or that man had put a puttum in the because never in the life had seen a face so black. Tere the grito, as no you know, to the other departments, were to quecharse with me and with the renterer. I, the day next, only was saying,

pardon, pardon, because I knew that any me entendia nothing, and just had chas gatcha the head and had the hands, and the younger, and the sir was very enoched. Narrator, no-seek-cant-court time pass. All the

nights I do with a certain insomnia, I'm really very incoomod, and of

a repent one day I'll hear about back on the department, and for

this time two, three months since I moved there, and then I'll

and there four little with the masks, two in one on the

other side of the part, I'm I'm I'm going to give a

time, because if no, no, I'm going to be to be

I go to those of the right because those are the right are they're there are there's there's not

there's there's not maybe there in a kitchen that's it's impossible but maybe there's

something I'm going to the right and where I see to one of those people that's

that's going in the places that's the wall with the wall

so it's there in the there in the muro and just made so I'm

just to feel so free I can to go to the other side, I turned the and I

kept a sent out to the chintit with a minute, like I'm doing you're to be able to you know,

my little bit of the cell until that it was to the same. The day next I

took a part of things that was that I was going to revolver at the stomach,

in front of the front of the front of that I'm that were that were

that were that were that were just that I said, I'm I'm

a hospital to when I went to the hospital in Japan I

I don't understand anything, and I said I needed someone who I attended in Spanish, and I know if it was for that, or because my other companyer me reported, but me said, regressate to Mexico, and when

I came, they had an indemnization and my card of despise. Narrator, never ever, I've never to passer this place.

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Cirote, booquined. Bukinet. Oh, that also. and profite. Via Rae, the voice that we love. Never you know a church

in ruins or a church abandoned, and much less to have some that has a macabre, or you can pass what you

know what he passed to Manuel, and Melale, Cecilia, and Sandra. Manuel, Carina, Cecilia, and Sandra,

could say that are a group of people, it's a really because really, Cecili and Sandra

are are menas and are and Juan and Manuel are nobios. So, Karina and Manuel, that

have a beautiful relationship and that have a newbiasco of just two, three months, are friends of Cecil and because Karina studied with them in the primary or in the secondary. Karina me says, they're friends myas of all the life narrator. And this

occurred when we had us 15 years. All the life in that time me saw a primaria, maybe a little bit more before. Resulta that Karina Cecil and Sandra were great friends and had personalities

that were very interesting. Karina, for her is of these people that that's people who that's the thing, we're going to

we're going to go to this let's do we're going to do this to play football to play football that we're going

to enter to the team natation post boy and I'm my and you see the

game to do never he's never he's never she's she's the

she's the she's the she's but she it's like it doesn't you're going to there you

there there. Never had ever ever that the first had a woman,

not for a question that were more than the other, but for the attitude.

A sometimes Karina was that time being the

things that that not that she was she she did

in a school in a school in a school when they

were she was she put simply and simply

simply for that reason. Don't have believed that she were the first that

had a new year. Well, there there's a second point for the quite that not you

have never never that you're that you and it's that you and they're on a

occasion and she and when she went when she said oh,

but how he did you know, and they're not the but

is that Manuel had various attributes very different number

one came of a family very not a home

not a no one Viena, very rich. They were dukees of many

condomines, were associated with a chain of hotels, they were in the area more

privilegedia that existed in the city of these children. Point number two,

the type was very intelligent. Three, was a sumamente social.

And four, it was he was all of his favor of the life, he had

privilege over privilege, over privilege, over privilege, but he was a

good someone, quite modest, he never was haggatting of nothing. For the whole,

it's so really that put it's a lot of the end up, but well, look, one pon

and God and this chas, they just they're, because they're what really

happened there, because never came to that they're that's

the ranch of Manuel, all those suppositions and

they're all and they said, sure that's the rancho is the history that

Karno. Dice Karina, that she's told her and a other way, that the rancho in

the time they're going to get to get that's a time that's a much. A place a lottero,

because not is a rancho that they can have to like to pass things for a

one little piece. No, have the major commodities, but if there's

electricity, if there's there's a lot, and there's a stuff but it's the

The place is actually to live a little to camp a little in the interpairia

but what is that is that is a three kilometers of the ruins of

a church. Quenta the history and the legend that these ruins

were at the intent of a church that not was a

church properly of a religion. A family of

much money wanted to and then is to go to be the best postor.

If the Catholics wanted a good amount of going to be a lot of but if

the Anglicanos wanted to have there's a Anglicana. The that would be a

better for them the church. Talves those emotions, maybe

that type kind of of mentality or maybe some other

other was what was the the thing because they

they were that there had bankers, it was all terminated, and they were in the last time,

the door also had brought with materials, too, materials, many carous, it was a

little, but very luchos. And when they were with the last the last

the time, it was doing the unacabos, it's a certain part of

the church and it and he's and there, and a

part of there, and a or no lader, and any a little other

could be there more to be there to after the after after something,

something something or a accident, or they were they were things, or they

were the things, or they had to the other of the situations

someone to then they was there was that the

church was there there there there there when

there when there there no, not to give the church,

a nobody he interested to have that the community.

The cities and the people, they're in some occasions

of a way a mismedida, but then this is

detain. The people more near about, when they

built in the church was growing very going to

go to the I'm I'm I'm a family rich that

I'm a a little religion, but of the night of the morning, yeah when they're

the church in the church built, it's it's the way,

the people, they're to make to make to get zones abandoned

and the and the time to get to be to be the second another

nobody's the person and where was the place was so far

so apart and now with a lot of his that's stories of their that that's

that I'm that you that's that I'm going to it's not two five years

of the women of these chases for the time in the that you get that that

that is a ruin the color of the matter is strange because she

she she's the history maderas very very fine

but all the church is a black Negr.

It seems like if it had come out of the cements Like if all of that had been made of And the matter not was to consume but it was totally

carbonized. The texture No, it seems like some sort of some type of extraone Even even

even if it's made a simple vista, it seems more more than a pietra. The aroma that's

not an aroma agelessia, it's an aroma Nausiaubo. It's a There's there There's a cultivable

of many things vivas with those that you want to be and it it's the

guardida yeah, or of malvivient or of some type of animal that they

do they do their things because the aroma is so pestilent and so that's that's a

five meters you know the presence of the church. The chicas

van with Manuel. The the way is a very, very,

very inclinated with a pendent a and a pretty pronounced, and then they have to go to 35 minutes in the vehicle of Emmanuel, until that they're going to a cruise in form of T.

To the left of the Rancho of Manuel, to the right istile. Decided that they're going to go, to the Rancho of Manuel, to leave the things, and they're going to go to the church because not is that long. Apart, no there are no bigos in that place. And then, because they're up to

stir the Pyrn't. So, so when they're about 200 meters, there's a

aroma and a place in the place that not a bad idea. Yeah, they've been talking about

the maldition, and there many other theories. Cecilia and Sandra, they're a

thing that they're much kuchichard. They're very intelligent, and they're

they're about, they're probably probably are poors ideas of pollererinos. Those ideas that have

the maldition are coincidences over coincidcia. No, doesn't happen. And they're going to to show that no there's nothing, but that's good adventure and

they're going to try a good anecdote for the city. They're going to be. Not two hundred meters, are 100. And now the aroma is a lot more more important. It's like if you're getting to a place, in the there's nearer, there some kind of water.

Aguas, these places, to those who are the waters that have used, that are full of residues, human, and they have to to try to some use, or maybe rieb or another other other thing.

Well, the pestilencia is interesting. When are 50 meters, the vision of the church is

clear. And it has a sensation that our people people say, you'd

give a bad a bad because the place was a horrible. It was

like if in because that something that was that was in the even

even, who knows, he's going to know, he was part of his imagination

or if it was the the time, because they were to say,

not it's that you do you do you do the the world,

but he's that he was that that's that was that

the thing that was that was that you see

when when you can't do there for the air that's

the level. The problem is that there not is that so much the time. There's a timeplated

and the rockas not are dying. The way inpedred no is the way. And you

do it because Manuel he gotcha to talk one, and to know if for this

was going to see it's very strange when I was to look to the house,

the house the house not so moving and then think it's some type of

some idea Because the chicas are the that are going to advance that they're going to. That moment in the he gotchaed,

he said he's gotcha they're, because they're in the naris tapada, they're in the hand in the

box, and they're saying, wah, for what we come from, it's a way,

while they're they're going that they're doing, that they're being incongruent with what

they're it's, we'll very bad, no end. You I'll say that Karina

not the leader of the group. Karina still, she's the and she's,

that's, I'm, and the that's, you're, and it's, and it's, and it, and it's, simply enter Sandra and then then Trocese. Cecilia enter and what he'll see Karina from out of

is something that he's a little he says when Cecilia when Cecilia when she makes the hands in the

box he's back a guy a a quayor that terminine in a pick

he he gets the other side Sandra he put the hand

and he makes to move the pico that has the back to

after after after that's the pico begins to vibrate. Cecilia

a pega a little but a gritty that's a lot of the sound not because it's

so much the sound the sound that he's quite a cold for first time in your

life, no say. What are doing? There are no vehicle no have any

arms, no they've got a lot of a arm black or something what is what is what is it's going to

to see to see they're up. Why gritted this woman? And of a woman,

and then he's coming Sandra, that was the woman, the quata, the

that he was the hands to be the little the little bit of the chick that I

think you can't you know, that was to get to the back to you,

it's the eye the eyes the they're not like if he's not, "'Stas well, you're

"'the chick no respond, "'sue coming into "'Sessie, "'wiluelly to get "'of the church in the "'isie, there's a-all-ah-all-a-oh-i, "'and-a-all-all-ah-all-ah-oh, "'and-you-ween-court.

"'Carrina and Manuel. "'Corren, "'Coreen, and Sandra, "'and-a-old, "'and-a-old, "'and-a-old, "'as-vince a-n-n-o-n-oh-h-h enojado, making a berrench, that

makes a curve in the spiel in the intersejo fruncid, and preiet to the pundes, and he commenced to come out, like marching,

moving the body, so, making passes and that all so that's all this is a lot of, but Sandra

was going in a road of a pair of changlas, sandalias, that not were made

to be made to be a form that way that far that can't the others trotando they'll

they're all impacted and they're all they're all right, the chica go to come in that way, and the

repent they're they're doing that they're a condition, and the other other manchach and she and go to

the cabana is a sustada, Cecily is a sustada, Pide a gritts, that for someone

that's help, that someone that somebody that's and then then then they're

they're they're they're saying, hey, here, Acca! Then, Manuel's

says the chikas that recuperate the alient. 100 meters after he had lost again the other way. Because he was

structuring very well in his mind that had to get to get a sandra. Simply he was going to

disbocated. And then he's putting the hands over his little when a two seconds

after a second after she Cicin' and come back and then he began to start to but he

came to so he came to that with a little you, it's the accelerate all and he felt the

air. So, is the ultimate to get to the scene that's

that's a lot of that's that's there's there's there a manch

around of her and he is and he's and he's a

little with a hand the arms not the he's because

God is very great and because Sandra it

seems has a power and it because with

all and the with the and with the head in the piece, is talking of a

way way very extra and it's doing a arcas a lot of that's that's

that's in the other type no could stabilize in any moment or not to be

she back. She's like, and it's and it a moment in the that's a

way to do that he has got to and he let's say, help them, please,

helpen me. No, I'm I'm not I'm so stene. And, and the

three, they have to pick to pick to the piece, not that the mancha that is around of the bocano of

is something very obscure, it's a little and the when all of all the chica is a little but to be

a way spantosa, very strident with a voice that's grave and aguda at a very words, it's like if

were various words, like if were various persons and the ruses who are the Rises of a

person human or of the pahors, but is something spantosos, the chics

with fear the people are doing pression in the back, and then he's a time

to have to see the eyes, and he's a real of the subject that's there's

that's a person who know the family and then it's a lot of the manuel, he's a manuel he says

we've got the we're the scene and the chica's got to and gabriel was be and He said, but they did something.

And Cecilia, instantaneously she put a black and says, no, no, we're doing it. And Gabriel

just he he's acerco and he said, intentsate contact with something, right? Dicitas

tontas. Vyance to here. Vyance to here. What the Chicks and Manuel

see them and then those others when they know how he's his papa. His papa

was in the people of the of hisinces, because they've been put in a question.

And he says, we're in an emergency, for favor. One of the Chicks is a bad. We're going to

get a lot. I'm going to get to get a little hospital, he does the coordinates, they're going

to get to and just when they're in the faldas of the serro? Sandra recuperate

the cordura, he begins to be normal. They're at the vehicle of Manuel. Manuel is

backando, no, of a way much a more more than more

and Sandra and said, What's going to say, what What's And then when they're saying, is that you're going to

do you know something. Sandra, I'm going to say, my things, my stuff, my cartel,

some photos, and I'm some books, for favor, my things, my things. Manuel, has to

talk to her because this chick was incontrolable but yeah not that

that was a time. The papa get a ten minutes after. They're put down

in the middle of the carter, he'd he'd be for sure to be with her father and also

he says Celia, that's going to be to see Cicely, that's going to get to be to come to get to come back to the cabana.

Me, he's narrator, he was there with Manuel, and he was a more of fear because I don't

want to get to get to get to that the way, we're going to see a not there.

No, I'm there before. Two arboles, just before this part in form of

tea that they'd to give to the church and the cabana. There are two arboles of tronco

very gross. The two two have some many red, very rojas. Notecis to say, if it's liquid vital, rojo, or if is another substance,

because the color is so rojo and like it's so it's a time impregnated, that it's of that color our liquid

vital that we have in the veins. It's more it would be like if were colors of the

but it was something very fresh and it was a mid-a-mitted a quervo-ne-negrowing. He was caught. With what

they were. We're going to go to more velocity, and when we get to the cabna, we don't even intend to enter.

In the the entry of the cabbae, the head of the quorbo with a palo clavado

to the matter. We're going to the way to the house of Gabriel.

In the the house of Gabriel, no there the house vacuous.

It's like if the house was made a lot of a lot of we're in the car to get a

car to do you know, and he said, Gabriel came to let me get to them to happen. No,

we've got to talk about the thing. It was the last time that we did this

with this with a story, but a narrator, no me I'm I'm going

to never to ever never to get to get to that's that's that's

that that that I've I've been never had been able to forget and you have been

more 20 years. The 90 are of the most most

most one of us except for Polo and Jennifer the 90

for those is the decade most aterrador that have

lived Paul and in this time of the 90

that is just at the initial before before 1995 was

what you were to say Paul and Jennifer

was from the preparatory. Then, they were together but they were going to know-upio.

When both were all their career, they were decided to be cast to make a family, and they were

they were in the one for the other. Jennifer, for your account, was a person

very amorosa, very very circana, and was like always the all the thing,

he was a type was a job, and he had a devotion for Jennifer.

What she occupied was her priority. Never never when Polo was there was something.

If there were something there was because Jennifer not so he said it. And Polo always

he used to the same. Jenny, you know I don't tell you the mind. You want

much and you can't me want to tell you what you do you do you do you

do you know how she's not he was he'd not even he's that's

this mentality and this profile of the man provider that more than

of good or mal, it's a a profile that was a and that's

a real of a lot of much, much time. Well, in this

time of the last one of this Pau Poh, Polo,

that is decided to to be to get a with she, know,

he needs, but also, but also know something that's in a

time that's the moment in the can be experimented and this is

the moment to take risk. more Adelaide, it will be

more difficult. And this has been clear, Polo, because the father of him were a

young, and his papa was a person who was a person who was a life,

he was very apagued, very very, and was a job, but that he

left his dollars to be to be the things of the life.

never came they were never had a time, he

that when Tomara if it was violent or it was a malo but it wasnted

and Polo he's so I'm not want I'm want to I'm

I'm and I prefer preferer I'm I'm I'm I'm

I'm I'm I'm to get to get me to get me to

get me to my life to my year and you know

I'm you really he he was he probably And the same

Papa of Polo he said, I mean, when you're a little when you're now that's a Jennifer, and then

then before to give you a good time, but I'd give them to give them to give some newfound to talk about

and then to say the goodnights and Polo to his manner from the side in the side of the

corner of his house, she was the time I'm always the kind of this. Because the

proposal of Polo for his standards was a something was a very

surprise. Jennifer, my papa me did a surprise. us is giving

a pair of cars that have that are in very good conditions I'm

I see to the mecanic those I'm to go to and

I'm and I just local a place in the afueras

in the X city in that there is for I

want I'm and I'm going to me you want to

be a maybe we might be a mal-comer but I'm no,

not going to pass one day that not is not made to make a whole of a new

to be a business that you know, he was made to be able for her but he wanted to

what he had been to him his papas. The papa those the

vehicles that he had to be tautos polo he repara

Jennifer accepta they they're going to this and they're

they they have a little chockient a chocked me

I refer to that the expectative that you're trying to front, maybe not it's not quite a lot of and it's a lot of people. The house

that's a car of the matter, a lot of a lot of a lot of a house that's a more of a more of

30 or 30 meters, it does a bad a bad vibrator, not too not as the church of the

history pastada, not not as some some of some of some some of the other

things, but the so sufficient as to you know to do you If the idea is to live there,

well, Jennifer is there. It's the first that has a little car, the car, he

naceo, he's from the whole, he's not to look to see, well,

if you want you do you want to get this, you're getting, Jennifer,

it's all, and he says, no, no, Polo, it's a

we're, we're going, we're going to go, we're going, apart, there's a part of

not very beautiful, but, but not not it's very barat for that simply with two cars

and feos and says, yes, I know. But is that there's a there's a lot of that you want to to say,

but it's something like, according you, nor you, we know, we're going to a one kilometer to the

people of bruchas and bruchos. Those bruchos are in the suburb, there are the people to do you know

that I'm not really but it but it's, but it's, for what I think to the

person to that that that's the reason for that that nobody want to

For that is what you want to desacers to get to get a bad karma and for me is an opportunity of a business.

And so then Jenny, not you know to say, but yeah we're doing this pass, better that's

complete. What you say? Jennifer took a carasonada in that moment. This is going to

say much time after Apollo. The personada was, we're, we're going

we're doing other thing, we're doing another business, this is the only.

But he I was just because I sentia because I sentia a verguenza of her when he was

getting to the house and when he was a car of what what is this what is this not what we're doing.

And it's he said that just he said with the head to say with the power of

so he's put very very agree and he going to the car the house

the the door is disvencigated all all all It has what would

would be a patio, but neither I think it's so far as because the time of the terrain is so great that we're

talking, it's a area, is a very, very great, and atrace is a plantio.

No, there's a patio properly. The plantio is of mais. And it's

that's advanced but not very well quite. Polo, part of the

company that is just for the plantio of mais, not only only for the

ganga. He had had thought a methodology to desgraned much more rapid the

mazorca of the elote to be something that was the elotes in vaso and he sentia

he was that could be the great business because in that moment he never had seen

in any part of this place in that he knew and he he had

many recet when he went to go vacations to cancun or

some of these placas paradisiacas result that he was he was

probando and and coming and comiento and he intended of how they were these elotes. Then he had all

all over going to be a lot of the and he was called in his dreams or in your

imagination, the rey elotero. It was the way in that he was his form of

a form of impulsar for this so when he was he said he said oh,

no it's the company, it's the great elotter. And Jennifer was re-in- in the

low, that name no is very good and not It was very funerner and he

imagined to him, and he wastied a rop and in the head, like a complemento

that was making the marusk and the lot of she did to her a lot of

she'd give a a and risa but he'd he'd he'd

he'd he was a because she was there she'd to be in this adventure, in

this entomentiment, to be to every moment that they were at the place.

Something of her he said one and other once, Vete to this

place. It was so bad that's that I'm not the car and had been

past two six months. The Lord that was not was about any

was not, nor was to get to be there. The I think,

the doors were disvencigated, Polo's kept to live here, very pesado, also not had a time a little bit of

they had, Polo was adequated the things in that the after this six months, this place

a place, a house, a house in that's a house in the people who probably certain days of the

dinner and the dinner are part of the samebrow that they're there's a house,

a house in which they're putting all those a car, a in the these moments intimate in those that

they were more, a past of the years that they were doing a very beautiful of

their relationship. For that the day in the polo's so,

and the times and the time, because what he was the grits

of Jennifer piding to be auxil that that day he sent you something

something that was that was he broke in automatic so

it was Jenny was in the entrance of the house, but not the house but not in the

guy, saying, there's a someone, someone, someone's get you, Polo,

please, help me, there's a there, and when he's he's in seconds

more more dormido than I do you, he's made no know he's not how,

he got to have a way to get a armad and the armory,

that's that's that's not an armion. And Polo, when she was she palida, assusated, bolted to the door, he doesn't even

he thinks. The braza, he put a one side, and says, where is it? But he has seen a little you've ever been

because you know your life would be a danger. It was made a fury. And the fury not was

for being a violent, it was for defender Jennifer. It was his life,

and something he had a menace, it was a manace, it was something, was a

and much time. Jennifer he signaled to the car and what I see in his vehicle it's a free.

It's a very free that he the armor cayed in the madera and the sound it has

recorded, it's during many nights narrator. I'm I'm grittando

because in my sweet I reproducied that sound of the disarmador

pegando in the mader and me he went and I remember to be to be able to be.

Addentro of the car. There were two spantapagos. Not were persons? I think Jennifer those confunded with persons.

But they were two spantapacharos, one sitting in the ascento of the pilot, the other sent out of the seat

of the copilot, but he had our robes. Someone no robb- the house of

our house and they were they were not used like us. When me

I'm the eyes, the eyes, those had like those buttons, some buttons

black grand. But when I'm going to the eye, it's scurrying a liquid,

me does do you know but at the same time I'm going to know that thing to be the part of

the other and thenro these spantapachers had they're trosos of

different pieces with elro narrator I don't know what was

going to understand what I didn't that was just about the vehicle he said

I'm said you to be to want to that to have that I'm going to use more, that you know

I'm going to need to be a pair of things and I went to get her I'm going to start as a loto.

I'm going to move the hand to another and I'm going to get to all the direction.

Who? Oh, don't you are a coward, come here, you're in my

property. Come here here, dam me car! Dice, narrator, me kept

without so. I don't how much time that I I was going to that

was consumed for complete those things and it was done to consume Jennifer said that the what he was

a little bit of because it said that the moment it was that it was changing the color, and in a moment, it was a bit of a moment, never had seen that a my way to

make static. And she was to get a long, five, seven,

15 seconds, and then he was to move, and it was to move,

and it never, I didn't get in the questions. I thought instantly in the bruchos.

But for what? To be you get to that I understand that we're in a

war. And you do do you don't go to not a time

I'm doing all the very mal-humored, but not so much good as well ascent. And Jennifer was very astustada, very a bit, tremblava, narrator. I was hebrae, and he came down

to the whew-and-a-le-le-law, and when he had pebri-a-lawed-law, and when he creaked in the sartene, preferrower not to say nothing. I would, he, he wasa-law, he said, tranquilla, but I knew that the things not were all right, because he had occulted a pair of things to her. after a couple of

days, as I told, I toped outside of the house in the door

is a disvencigated a sign that was a good probably was the liquid

that we we're we're in the the other but in the there

there was a gusannos in the center and what I me

me I'm I'm I'm I'm those gusans on the

boardes of the the boardes of the but not they they

were like if they were doing wiltas one and other time. I said

I'm feel like I'm not quite I'm not sure I'm got chased I'm getting

that I'm know how much time after I'm until I'm after the house that she

and me about the I'm going my love my my love you know I'm

to say you and I'm and I'm and I'm I'm trying to make sure that I'm I'm

I'm I'm put a distance as it had been a little grunion she

she not and was like too very close with me more more spaces

and I know I'm I'm going to come in the house but I'm putting a little bit more

about and she me say I'm very and I'm and I'm talking to because I

want to see what was out of and I I'm I'm I'm I'm

some I'm and I'm and I go other other thing that I'm that's

that is that when it's when it's there to the door and the

door, it starts to chorrear the water, but no see

no no see that it's that's it's that it has

no no no. No a one one no.

No. After of that things were of the bad and the

one day for other the the whole has only

the whole and it one I think that I

think it is And no function and no function and I go for pesticides and no function and I go

for one and other thing. I'm going to give you know how much the first of the causecha,

no I'm we could rescatard. We had had been to buy the cars, I had

just the tiendas of other city-sida that was a about because those

pesticides not are given and I don't so money but the

people were so and they did the direction and they were

they they were see that and as I insisted so, me did things like the second,

bolsas, things that they had demestrario, things that they had had been was what

they had, but if they made them like a account of a deal. And well, narrate,

the time, between those days that I was trying to the time,

and I had the nine and the night, and I had no, the night, and I'm

never, come, come, come, come, come, and I had

very very very because I was very preoccupied for all the thing of the

I'm not I'm a lot of a lot but I'm to make to get a question that

she was the back you're the back and I'm saying what you're saying why I talk about

so you're and I'm and I'm trying to a way frie dark distant

they're they're going to pass things more things that I don't know

to day to day of any if you even if any some day I can't

maybe she had to vesters and he had blusas and had pantalones and in occasions

I'm that's the problem was that not a reala black and he was a perfect and it was

beautiful and I was I'm very enfrascated in other things I made the question

very very tard where is back that's taking that that's

who he's doing where he he's put into that we're not we've been

money to to go to things. Of course, the viberes every are

less lucos and we're doing the basic, maybe that's that you're not a lot of every way,

more than more than more than activities, and also I noticed that she had the major part of

the biberes, the protein and certain things, for that that's that you

don't have a idea, it was like if something that I did a more than

my heart because it was something I'm I'm did you

I'm I'm rending the day the next and was impicata was trying trying to

rescat all a night when we're on the time I'm I'm going to hear of that the

the other something that something that is that the form in the way that was like first they were

doing a little the end of the time and then after like they were many

many time not you I'm talking a animal rabious to

I'm talking people trying to go to the piece of my house. That image

that had in the head of the matter, that were in their way, and now are going to

the life, was what I'm so aterrador, but it was so aterrador that I never desperi

a Jennifer. The agarro and I go and I am it and I'm doing a way that

that any that's that when I get to the house, the noise into the

the house cessan, but where the I met in the car, in my auto, the car is going to move her to the side of the side, as if someone was trying to know how much.

No, there was nothing, no, there was no one person. That night, madrugada, we got there in the auto. At the day next in the morning, she gets there, no-seqa, because it's there, I know the eyes rogous,

the note very malumorated, I'm peter, I'm going to know that in various moments of the day, she gets in different parts of the house, and she gets to just a little more parada-a-died, and I do

know that not even is doing too much very can't have noted for the black, but it's a much too a little bit to get to be a-a-baing,

and she's getting the blusas the legs of the costillas and the back and I think this is too is that

when I'm not, when I'm the type of the house to say you know, you know, you know, the trotone

with all, you know, I can't continue to see, she's to read of my narrator and

me says, well no, that muchito, no, that's much, man, you know, you're going, you're just, you know,

and he's cold, and he kept free, I'm quite, I'm, the telephone, Jennifer, pass in front

of me, she agache and he does a but it's a lastive that I

know, I'm, I'm and I'm and my mind, and her mind,

it was the other person, I'm, I'm I'm, I'm a person,

I'm accompany, me subo the car, she's been the side of my, I'm sure to put her

to get the door, and I'm going to the car. It's put like an energumena,

like a like to let's get patas and grits, I go in the car, I'm in the

car, and when I'm in the couple of the bruchos like two kilometers out of this under the

and I pittiento to you say to they were to be able to you're going to

you're when we process, she gets dormied and it gets

all the way to make a knock you never never a after we get to

get to a gasolinerer and this I'm talking about. She's put gasoline and she she

never and she she'll get to have a dinner I'm much am sure

I'm much the tank and then I'm go and I'm go and I'm

go and I'm I'm I'm a part of things. There in the Tinda that was a place at the caroliner.

Compre a pair of things, she'll get dormied, almost 24 hours, dormio. I get in

bell to the house and when I go, the only what I go is to talk the door, it's a

little bit of a little bit of a maddalene. All the what had done is this moment

was a fracacacos and I know if Jennifer going to be going to be

sequels, had done the person that most I was. When I go and I go and I go and I go and I'll.

With the mirrored, with her attitude, with his grits. His daughter, his daughter. You know something? I don't know it. But his carers, the reclamos to me, I knew that were fundamental. I said, pardon, let's

I pardon, let's pedic, pardon, and then, and then, we're just to be nobios. No, we're casemes. Yeah no we didn't want to have a relation with me. My my suitor, that until the day of today I'm still taking in my

heart because they're grand people, me they're just to talk, me, made a law, me and when a person was across in their way, they called mal of me. They said that in this city, in that a little biter in which we'd be able to, all the

people were like an abuser. Me took to muddard of the people, and no those culp. Never was contradicted, never was to look to, I've to re-ser my and I did that I'm

that's it's a take the risk for one but not it's not you're being at

this story we're doing we're getting to the dark of the stories all those

those new that that did you have done to be having to

have to be in days to give you the welcome to the family more dark at the

internet. And for my dear family nocturna, all those those people who have been about the

fogatas, what are the places, all the places. Now are the places and the places.

And the people are all the time. And also for the people who do you

that's the talk to the fogata and what's the little and then

in the Sambos pastos, there we're there's we're final,

we'll we'll share the WhatsApp of the pastes. One once

said this, we've we've been in the Platica secret on the on the

next Wednesday, where we're our episode, I'd desire

that I have a