HABLEMOS DE LO QUE NO EXISTE - Historias de Limpias, Chamanes y Santeros | EP 335

Episode Date: October 23, 2025

Bienvenido a ésta Oscura Fogata de Historias de Limpias, Chamanes y Santeros en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  Ustedes saben que me encantan las historias de terror y ésta es una de las historias más escalofriantes que me han mandado. Escucha la historia de Eleazar y el pueblo maldito. Descubre el porque la santera le advirtió del Árbol Mu3rt0 de la Peste y tiembla de miedo con la Entidad del Bosque. Conoce la historia de por qué la abuela cree en la Llorona y sus espeluznantes consecuencias, así que prepárate porque llegó el momento de que ‪  ⁨@HABLEMOSDELOQUENOEXISTE⁩ 

Welcome to Family Nocturna Nocturna, to this obscure foggata of stories. The day of today to talk about about limpies, chamanes, and santares. But, before to initiate this episode, I have to say two things. The first, Family Nocturna of Guadalajara,

we'll see the day of the morning, because we're going to be there with a fogata in-vibu in your city and they'll give us that one, that more of one not they're going to be to be able to doomere,

but to others those are to have fascinated during days. But, apart of that I'm to take advantage this moment to invoking to the Famer Nocturn and that's making Narrate, we're very close

of the million, because if, every day, Familya Nocturna, for the fact that they're looking and pressuring the button to subscribe to all those who are not subscribed, remember that that is gratis, every we're more close to the million. And, record the Trato,

if you're part of the Family Nocturn, if you're the content of this channel, if you like this episode, share it, so, for that every time we're more members of the Family Nocturna. And since already,

I'll tell you, you know, you know, you know what's going to someone there's in the student who

the student who the mother's, in the little bit of the nietta, in the father, and he had

done to get but both were in family nocturn of the closet, until one went to

the other, and now all the two are you know, so that's so that my family

nocturna, for favor, revisen and if you're this video, share, but well,

without for all those people for those that are new first you know, they're going to

they're talking, don't you don't know to be the light, because we're a point of an obscure

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responsible. The conditions apply. There are places where we have ascented ascented as humans, and we don't be living there.

Because they're territory of other things, and all being all start those and there's that's the history of Elisar,

and here we going to tell that. Elazar has a father that during many years, after the day

to say, is his heroe. It's a person that for he is someone like a figure

of authority of the person in that he when he, when he, when he was

going to have been a very good. But Eleazar also also with the pass

of the years, is like all. They've passed for those stages of

this image of this hero of caricature to to

transform it in a hero of the life real, with

his defects and his virtues. Eleazar me says, Narrator, my papa is very chistoso, my papa is very

very graciously. My father, that I have all the respect and the world, has a little bit more little.

He used to use some little little bit and that have a form redonded. And that's

that's very, very, very, very graciously. Apart, he has his eyes very plodas and

of a color dark, scuro, obscure, so-oscuro, and what he

make that are gusanos, above of the lenders, because when he is surprised or wants to make emphasis on something, he'll want to the face and open the boca for inertia. And it's and it's so much-and-because, because the

lends that have, that are redondos, and his seha, it's just for the river, and it is the busano-companor coming down to when he does that, narrator, that he does, looking, that you put down the attention of the world, is being emphatic, but when does that, you can't present any attention.

Those gusansomers are They make that you want to hear and you have to to wait a lot of what you're saying is secondary. It has a form of being very peculiar. It's a person that is like distraided, as always prestoning attention in many things, and he's just being a post on the moscow. And then there's a reason,

and it's in the rube. It's like in a million things at the same. At the same, in a nada, very distraided, but very focalized. And that has led to his career of engineer to be a person very exitosa. but, at the way, is someone

very peculiar. He's dressed with camisas that never are the model. He has a got a lot of five types of

different, but repeated as six times each other. The worst is when they've gone to buy it not the

same, and he's a beautiful a good a good a new and I'm a same

that's the she's she's and he's put in the guardarropa just with the other

that are just with the other but for a good thing was a many years

he just to discuss with him. Dejo, he said to say, Oh, you, you'd be able to buy another rotha, but always they're the same. The camisa of quadrits with a rations

of color blue, and the quadrits are being re-enated of a color like marigient, me do acabadito. No is beautiful. That camisa,

I don't have the minor idea how they're doing and how my papa does keep trying, but, you're going to

know, the pantalone. The pantalone, my papa, he doesn't put to the altitude of the

only, the problem is that my Papa, has PIRNs very large. So when he's

put the pantalone at the armament, that's practically always and he facka

the capice into the pantalor is very, very, very, very, very,

very, very chistos. Apart, I don't know why, I think he does more

security and that the pantylidid and it makes that you

see the very a car a cat a cat when you when it when it

and it when you when you when you when you when you you I'm going to do this, because

yeah, after many years of to live with him, no there were many things raras because my papa, it's peculiar, but when I completed 15 years he was something

that at the first I gave much a risa, but then he made that I'd know that maybe there are things that we know we

know we when I'm 15 years to festeager my 15 years, he did a plan of vacations,

he did a plan of a play. I was with my mom and my Papa, I'm a little, and when we get him to the

place, before we were to, we were to, we're going to, we're the we're the we're in the house, and we're

at the moment of being there, he said, before that they're going on the blocker, for favor, come on me,

that I'm a little ritual of initiation. My papa is a bromista, is chistoson, is very

distraided, is very peculiar. So, so we know we're going to he was to go to go to

and I'm and I'm with our clothes and I'm my mom and I'm a lot of

my papa and I'm a lot of a place like a little bit of a boy and say that

we're we're we're going to and I'm going to get a

and he goes and it put in very very very very

sort that I'm that I'm kind of kind of kind of biggostios

me little time, and that's all right, and where I see, he's a pap, partied at the middle, and me it's frotting in the car. What, what do you? What's going to? What's what you're doing? I'm trying, that was a little bit of a problem, and then I'll go, and he's not being, with that car emphatic

that I think, with the gusanos comaders, around of the lentes, me have to want to the risa, and me is saying something, that I understand that the final is, and then, and then I I can't. Narrator, and I'm

doing a question that my father not a problem. I'm not frotating the papa in the

car, in the coo, in the becha, in the face, in the father and my papa

not is very religious but I know, but I'm just I'm not the point is that

does that that's that's just he's not my mom, and I'm chisto. No, I want to be

the eyes to be the time when I'm and he is doing this barred with the papa and that's resando, I'm going to, rezone, I see that it's like crucifixos in the air. I don't know, because he never has been comported so in the life, but I'm very serious,

very, very serious. When he finished, we're going to hear that. Tengen much care of, never end uproarer, and not stand demetientient with phantasmas, because they don't they like those espied. Palabras more extra-as, no me could have said, narrator. It's the thing more rarer

that I mean had said in the life. I know if it was a a big of a problem or not. His level of serried

had to that it was a problem, for the why I'm so that the rest of that day,

I'm I'm still to I'm a strange. First, because I used a papa, and that

was not a good. And the second was because not he was to give me and the

way that was my day after my my dad went to the house to come

to come to come and when my I'm I'm to to talk with her and I said, Moma, for

please, explain me, what carajos was what happened yesterday? What demonious was that? No, I don't get any of the words that me said, is a drama, is a chist, you know what you? And my mom

was very serious, and for the first before me, me said, sit down the cigar, he put a fumar, and me says, put attention,

because when I get your papa, no I can't talk to this thing. You, you see, you can

you Our boda has a six months. And then so,

yeah, my mom, I said that so, so, I'm, you know, you know,

why he's so I'm and I said, no, no, no,

I'm my father is that I said that something that's he had to

have had to and he did, he said, and you he, you,

you, you're, and you said, no, no, no, not it

was a thing in the head. It was a tragedy that us passed. No, you're enterable. And then, well, I said, I know a narrator. No, I knew about it.

Yeah, my mom, me was very interested. To, yeah, no started the relato, my mom, when I had had been a cabled the cigar, and I saw that his hands were tambrose. Me told one of the

stories more rare, triste, and peculiar, is that I've had been opportunity to talk to my dad, because me prohibit that it was to what I said. My mom me

He said that in the despedia of soltero of Papa, Papa decided that he was to go to go to

because even for me was a newad, during all his infancy and

before to get he was a fanatic to be in the place out of

the city to camp there to be there in

places that that was talking I'm about I'm a

person that you can't imagine but I did that my

mom me she would continue to contend. She said that in the despeded of soltero, he decided to go to his friend Lucio. The best friend of his life, someone who never had heard of that person, and me said that he went with Lucio and two friends more, to a bush that is near the house. When he said that, it's

very rare because no there's no bush that house. But my mom, me mention that and, well, just just never more, just I keep listening. And me say,

that in the bush, there's a tree, and that in that is a tree, there is a

man, there has a much, and that nobody is not, nobody is not any any

nobody is my father, the senior Lucio, that me said my mom, that was

his other two, pass around the the Arbol Mewortho, and of a sudden Lucio he's going to say, O'clock, what is that?

My Bapa said, no, no, I don't know, I'm not too much of the ear. To be the senior Lucius, he was very affinado. The other companions, don't know anything. And Lucio, very attracted by the

the noise, he starts to comeinar more rapid, but the way from the cender in the way. He was coming just in direction to the Arbor Mewarto,

which is an arbor in which nobody is a circle, because it has a vibra, according to say, Moma. And then, narrator, me that when he went, my papa, he goes seeing,

he's got in, he's grittying that he's going to, he's going to the part of the above of the arbor, and he's kept a good rata, and saying, if they're, if they're there, the little, but yeah, Lucio was like, like if he'd be in a trance, like if not were the same. My papa's to parade the

side, he'll turn to the arbor, no there no, he's he says, you know, and he's very,

and he, he's going saying, he's in the little, he's there, he's going to go to get,

no you go to get, and then he said, yeah me he's, he's, where's the

little, the little and there's there's no, my papa says that in that

he said, I'm the other people, he said, he's they're They're

They're They're They're at And then they're They're And then they He said He's a

He's asked If really not they've seen to the Nina They said That's a That's a

That's a That's a He's a He's not They're They're They're They're

There's not There's a He's just that He's a part of the Arbor, in One of the Ramas and

He's They're moving the Rewing The Rueue RORans The Rewerererererer The Rackes

ram every every time that's a time. It was my

father said that he's he was he was to get to the city

because probably probably was having a attack mental

or or some kind of a situation. And that

they had to get to let you know to be all right to

and they have to be the night they're to the time

they they're in the the way, Lucio's he's sented mal. It's

bad. He's very get in a hospital. Lucio says that he's

bad to get something to do you do you do that and he said to

he's a question and the doctor he says that's very, very strange.

No he's he like he's kind of kind of situation, a situation

so. No. He my father, my papa, he still responding that no, he no, he no, he no he no knows more, that he's a friend, he's a friend, but that he no knows that anyone of the family

has any of the family has been a little bit. The doctor no, it's been nothing more an episode, he has been a checker, it's a good, but Lucio no see well, the day next, Lucio is like debilited, me

have been passing the days, and my mom says that she, she knew a Lucio, he was also a friend of her. He was he was a friend of her. He was the friend of my papa, but also also was an amistat. And she was the

father and he was the father and he was the person more near my father and the that was fungier in certain functions and were

very contented with that. But had been passed out of a week, and Lucio was like if had been

been behecised 10 years. He had had been really very arrogated. We're talking that my

papa he's married the two years. Lucio had a year more than he

It was a person of 35, 40 years, that I know, that is an age young, but she notable the contrast of one time for another. He was very embegecised. The car with ojera's, more delgado, he began to go doctors. My papa was very preoccupied for him. He was a very culpable. My mom had my papa yet not was focused on the time of the boda. He started to help her friend, understand the situation.

Lucio, pierred the work that he had been a job. that he had, he can't go to work, is a little bit, every bit,

every every time, but he's not can't be being, he's still more so,

so it's a moment in the that's an time, they're going for a

man, and he's, and he's, he's, there's that's that's because it

but it's for the envidions of the people that's that's that's

he's he's going to get to he's he's no, absolutely nothing,

absolutely nothing. My papa was worried-asim. He was going to be able to doorkers with the family of Lucius. And then the woman was putting up every day better.

Of this chaman, she expected on a pair of days and they were to trylora. The bruja began to do a barris with an egg, it's a tirade of cards,

and there were some quarsos, imannes, and many things. No passed absolutely nothing. He gave a million things, and

nothing. Finally, they were for a santaer. The santa was a person of renomber that said that was santa

hechicera because more well, he had like pactos and he had contact with other seres

that she could say they're to get to the house and when is a

point to enter that the she's my mom I know not know

that the case he was out of the house she kept

being all all of all all all has this house has peste, this is not

well, and she met, without that nobody's where is Lucio, that she's going to a rastro that only she can't see, ah, this house has peste, a person,

someone here is pasted, he's in a room, and Lusio, and Lusio, for that moment, and said, my mom, that was a wessito in the camera.

The type yeah no had nothing of energy, I, could be conscious, I could be in the studios,

and they were anemias and things, of that type, but no there were reasons, nor motives for more studies that said that had the

Mr. Lucio, medications and all they did nothing. The specialists not were yet what were the alternatives

not were to functioned. And when entered the santa, nothing more he said, she said,

she did, she didn't, she'd, no, she don't he doesn't he'd then,

and then Lucius he said to who, to whom? A-N-a- a-nie-a- -a-a-a-a-a-a-a-pest. not you've seen

have you ever to have seen. A Peste no he doesn't that's not a lot of their

not a lot of the family not quite what's but my father is and he said,

I'm in the emboske I'm there, but I did not because you did you

he's not he's not he went he went to the house of the Peste and he was

I'm sorry but the Pest's you're still with the Pestor but the Pestorce is

well say to the peste, that, for favor me pardon me and me dege in peace. And the centerer and he says, no, no, with the peste, nobody can't be able. The peste is the pest. My papa,

the family of Lucio and Lucio, he said, The santara, that, for favor those help. The santara says, I'm going to say what you have to do, and take a note. Cierra your

assuptus. Empeas and start the pendentes that you have, not you get us because you met with a mala and not to

to leave. Here no there's a little. And, and before you know this is a good,

this is the life, and a little bit not a time. And lamentable it's so it's

the best of your time. It's the good to be a little and the family desolated.

Lucio took a part of days in those that in this situation so precaria

and come in to call people, and comes to call family and and it begins

family to be a A funeral that two months. Two months were being how he despised

this man and for more medicals that were and for more medicine and more bruchos and chamanes no-one nothing to do.

Simply a day in the night there was there's a middle of the time. When my mom me said

that, narrator, he salian in the eyes for the eyes and he had the heart

and I was getting and I said, what you're what you're saying no,

I mean You don't expect that he's not that's not it's a impactant but no, this is a

quote of children. And my mom me said, I was a little bit he not is a little bit

so we're going to I'm not and that that was that that's not to do your papa

and you let you say the story no you don't you know you idea of

how you're you know you're you We were castes and we're We're

a lot of The boda is a moment very very sad for us. If you see you

in the house, there's photos of that you don't know a very good person

and he took to that you what you did you was that did you did you

that's your father you know you know you know you're too when the

father when the Luci were they were they're saying that

what could do you could do could clean. The Santaire said a

phrase that your papa no idea. But no I've queried to because it is something

very hard. The Santaa he said, no even the Papa come to

barred it, and you your papa and you even though they're that

that's that's barred with papa are like the more the more

that I. I'm not the I'm not but it for that you

have much fear because ultimately has been looking like moments and

places to and get with some time. And you're two times that you'll be to get to campament.

For that's doing that. Dice, narrator, for me, it was like you said, me blew

the head. It was that he was a person that's that I do you know, is very

chistos, but also is my hero and is a type super intelligent. And for me is

the person as much more close to my grand man, I'm, he had

this there's Scundied there and it's so a lot that no

it's that it's a lot of my mom to get a kind of that's a way you're

how you're that you're you're going to think that two people that's there's there

there's a little and for a lot that's a thing that that's that's

with a thing that's that you can't that you a little that's

in the ramas to the ramas of a mer around and how you you're

that see a infirm. Simply the medicine not was too not quite.

They were what they had to be the other. It's the form in that I did it.

And it was the when I went to 20 years. I'm inclined for the

career of the engineering civil. Yeah passed five years and I'm

about to graduate and to graduate we have the service social

and in the service social I don't want to be doing the

time just just doing for doing. Decid I met me to turn to in something in what we could do we're doing a project of engineering civil.

For this, I have to tell you to tell you what happened, circa to some three aeneito after. We're talking when I'm a mom and my my papa is when I have 15 years, and what I'm going to say to occurro when I had 18,

almost 19 years. There was a situation in my city in where a tormentor, but a tromba and I'd came with a quantity of water as never us had passed,

lamentably, to the rivers of a river that's in the area, there's so,

so much, that's that's because, a past that they've said, to have

had said to put it those sitemings, well, they were and they had a

family centers. It was a moment durisim for the city, durissim.

But, there there's there. More all the falds

of the rio, there colonies. and there two colonies that passed the water, the sunned-posed and was inunded

and the same people of government and it was and it impeded that the people had three years the place a place. A man

a middle of the city. Or, well, in the afueras of the city, but the point very very very very

and it was a little, and it was a place, and it was a place like of people that kind of adinered

or accommodated or that had many things to be, it was a place in the naturalness. Well,

narrator, I propose that restowments that way, that rescatement that visites, that's that part of

colonies that were taken as many years ago, we'll bring the road and that

the people that were there, those that still that are that they are the

other other, the colonies, they're their parkesit, so zone of the

games, Restaurar the place. And I'm going to ask for funds, to find us when I'm

I'm trying to the engineer who was in front of the project no, cack, if you had you had seen the

sonrisa, the type me said, in the real you want to be you know, you know,

you're you're going to you're going to do, no, no, we're going to make a carcachad and he said,

I know to you he, equalito, cabron, you're like, you're

You're going to You're going to You're going to You're going to You're going to You're going And when I said Turbius,

me kept being And I'm going What's the What's the Refeiting? No, no, we're going to Let's do you

I'm going to I do that This is something And so I Knaviener And me He says, No,

I'm not I'm talking of those things Turbius No You know You know the

stories that there's the There's You know that they're They're inbruched No

I'm going That's When you we're going to have to go to revisit the place. You're going to ventate with companions. You're going to go to go ahead. I'm going to go ahead and go ahead and go ahead and

go ahead and then I'm going to go ahead. So, so I'm going to go ahead and where me says that, me moleste, and he says, Ingenier, I'm going to be playing, and me's saying a chister that no has any great. Because here, we're going to do the things well. You have been a master my two years of the career.

I, you know, you respect to much. I want to think that this what I'm saying is a broma. I'm a novice, I'm a new bathe, but I'm a professional. When I said that, he said,

you mandas. Bye, engineer. We're going to go ahead. We're going to move the things, narrator. A company

with that that was all the career me had left horrible, no we've had been a good

chemistry, he was he came with me, he said, and he said, and me said, for favor

permit me to participate in your project. Like a a week because this is like the

project. Before to go to do a lot of paper eries that you imagine you. And in that a week

we're talking. And I was I'm very abertico and I said, why, why me

you said, why me I said a idea of you that it not was, a lot of the career

I was I was I'm a person in some very competitive and your form of

that was not much we'd never. But when when presentaste that project

and me said, and I'm the fri that you're going to be I'm a little

idea of one you're a bad idea or two, you're a idiot and you don't you have

done so so you I'm so that I'm but I'm going to but I'm

going to see what's what you're going to you're so I think you're and then

I'm I'm saying it because it's I'm in a plan more to be more to

make a be friends, and I said, that of the stories of phantasmas? And she said, but is that not are stories, there are phantasmas. And then I'm, I'm going, we're going, we're doing those things. And she says,

no, it's crazy, and no, there are places in those that we're going to go, but, look, for the chisme, I'll you go to accompany. Narrator, complete, complete. A last the second we need to go to the first places to revisit all, the soil, how are

the constructions. And for this we have the permissions of to govenation to govenation to go ahead. We have to

we need to cordonar first the area. No, no, a lot of things for two people and novats.

Look, not have passed two hours that we're going, no, the raldas of the

river, but it's a little humid and there pass the river, then it's a little

that's a time, so the those d'A not the day, I had passed on the

to this part of the body, to my zone of the piece. She was she was a mother,

she said, I don't understand how you're too you're a lot of the look at and I'm

and I'm and I'm and I'm and my hands too, and my hands, look, and then

it's like, and then it's a lot, it because in the red Rackardor, no see. I think

because I do sankas, d'aviv brinkos, no, I'm just I'm

not just on the time to imagine the place, there was there more of a house that was

that was almost to touch a place to go to be in a little bit of other back. Other houses.

It was like if you were in the middle of a place. I think for that

was so enfocated but so so much that I'm found that was the house

narrate. It's like if they had been a time. There was a mess

of a madder that was in the middle of what probably was a one of

one of the one of the one of the and had the plates tirados just in the places in those

that had been been in the lot of the because they were accommodated in the piece, cuchars, tenedores,

and there were a new thing, a piece, deseched all the the tela. In some moment, it was mowow, then the

air and the things did you did what they're to do. But the point, narrator, is that in the

part central of the the world, still there still had a little undied, it was like, or they'd have the impression, like if

someone would have sent out there, and I'm going to for that's there's a lot of, for that's the thing. We're going to a house in the

when we're going to we're doing to have done, because the structure not was good. But the first piece, it was like if had

had entered all the water for a door that had to be the patio, would have done, he would have

had been done, the the walls were carcomed all the things, I mean there were

not in the house, but the area of the room of the house there still have vestigues

of the things that had been clavated a a little of a mow

was a pyleta where she was a mantrasas but was a

second piece. No, we've we've done it because we're

not we're not a history of terror in the second piece

narrator the second the door, the side of the right, after that you'd up the escalars, and you

came to do you walk to a little pastilet angstito, there was a little painted of

a rosa, in the there was like a house of a mucke's great, a

a camera with a sabana rosas, the problem is that that was that was

a little that was a rosa it was, it was a little had been like if it

had been the color of the camera was all of insects and things horrible, there were webbeciles,

but like, but like, but it you imagine, that cab for a full of immondice where he's

been reproducing and reproducing insect and there's like a zone of things that has been the area

where they had like the room in the closet, it was full of and when

you say, yeah, is that we're and they're like they're like they were a

parvada of pardos askeros we're we're assuptasasas and

I'm I was to understand. It's that it's a movie of terror, for that's a city of a person.

A house, a house, a little, you know, you know, you know, you know, the room,

and the room, the area, the area, the area, but where you were to the

area, there was a house, there were there's, so you've been about, then you're

as, as it was a part in the middle of the the problem is that

the part of the other still We got into it, we were there, we're getting a few times, if you know, if this was we could have been down in any moment, and we went to there,

coming down very lento, because if you can't rapidly, you can't generate the vibration sufficient for that's like pending on some, what is like pending practically of palli-allies, a construction that pesa-tonelad. So, the other was to be a year, the park

intact, but all full of a radumbre and as a redomber and as well, and the colony more near to that was, the sound of

the wind there made, so it was that all the metal rechirannan for all a lot of

a way different to what we are not much silence, the sonos were more more agudous

and apart the atmosphere of the place, I understand yeah, we're we're a

phantasmas, but no there's a story of my father of many years, but it's a

quote that my mom. That's the idea that I have. We've got the idea that we're doing the

inspections. Now we're we're in other type of studies. What casa is recata? That's a

recat, that's a vision pre-eliminate. We've got many photographs, we're ideas, and

then in one of the photographs when we the redos, maraud, appears the car of a little

car to be a car not the person, the there, outside of the room, she's just

coming to see that, not you know when I've seen that because I went to be to my

mind, and he you're going to get to that's a I'm not you want to you're not the photographs

that we talk about, and I say, but are the effects specials that you

could have to be to be a friend, but not you but not I'm

this this thing is there in the negative that that thing I,

I'm you I'm you're going to a I don't I don't

I was going to talk to things that not come to the case. And then we we're going to do the

time. I know how time passed. I thought it was going to start to start things

of permisos, themes of people, and things, and when we go to the second world,

we're four people, we're to serve two people, two other people more,

we're doing we're doing the rescat of the casas what's si and what we,

Now we have some totally tached like that's the that I'm going to that's a part of it's a point in the way that that

thing was still there was always we're going to go to a house for their own and you imagine that is the

worst decision that you can in the life real when you're in the camp of work

not you're in a movie you're the risk and the phantasas not are

riskos what I see in the photography for me not is real and we we're

time on the time on the time on the time we're two colonies, the quantity of houses were around of 27 cases, the ones that we had to see still they had a possibility of rescatarse. And to do all that in some hours, it was a a jobal tremendous. So, we'll divide us. Every one of whom elige a one. We've been done in a map for the quadrants, of where I would

go to each one, and no passed any 10 minutes when I stood in this house, the last time, that has been the plato, that has the plateos, as one in their And I hear the gritty of my companyer, but I hear you I'm a gritty but of the locus. I'm going to

the house, I'm going to get to get, where you're, where you're, where you're, not to me hear you,

not I'm not too, I'm going to the colony. And of a redolour, in a badadita that's, that I've been

that's a little, I've been there's always and I have seen, and it's a bush,

not very great, but it's a bush, a lot of that are there in that zone and it's

me make very extraion because I've never been pretext I've been sure when I have been in the city or has been in the

car or me go to the other type of that I'm going usually not a but now so I'm that I'm

that's a part of the city, that she's going to that I'm going to I'm going to

I'm going to the boss that, narrator, me I'm I'm

thinking that and the repend of a voice me says, idiot she's going to the

Bosque, Sola, Muebete! Then I'm to get to call out of my friends, for if my

friends are my people who are going to be going to the busk, he's going to see me, for a

report, and if someone send a cellular Markke and a way, and I go and go,

but no he'll go, he's a very, very rapid, and I get in the place in the

buske, and I'm going to the world, no, it's, the place not

the person, I'm going to say the papa that I know the person of camp, never was a

camped, when I'm going to get to get a mind you know with these stories, I've

and now I'm in, it's the place more of more than meters atras

when I was in these colonies, I don't think the atmosphere that's I'm

going to and I get to I'm a 50 meters or a little

more that this she is a cross and it's easy to distinguish because I'm a suetter

rojo. The sweater contrasts with all the colors that I'm in front of me, that are more the way of the coffee and

the red, and I'm going this chick and cross and the left, to the left, to the left, to the left,

to the left, and not that that's a case. So, so I'm going moving, between the arboros,

and they're a repent, I get a moment to a little a place, in the place,

and all the center, there's a an arbor, Grand, great, great, great, and

I don't go to be. I'm going the periferia of the eye, I'm going to see that

really not. It's right. Because I think that God, because I

have an angel of the guard, or because the rest of my papa, and the papa with

the papa with the paper and the I'm going to be to get to the thing to

a rechin and a type of movement that is a kind of that's

nothing to do work, I'm and I'm feel and I feel like a lot of

the head and I remember the instant of the history that I'm told. I'm going,

I'm the tree, and that's the arbor, is more more than other other thing

that has seen the other of fear, my my company has been

for complete is the moment that I have been in my life,

but it disappeared of my map and me instinct, I'm going to

and I'm I'm sure how that crugied and see and I'm going to go and I'm going to go and I'm

not the route for the I'm trying, but I can't see a place in the other side, and I'm

and come in and come in and come in and come in and come in and then I'm just in the entry

to when I met in the buske, I'm I'm sudando frio, me I'm very,

very, very, very, I'm going on so, little, to get up, to the house,

when I'm going, this is this chica, the blueza roja, the other two companions, they're coming

with me, they're coming with a car of and they're inhojated, molest, me are

getting, and I'm putting attention. I'm a quantity of things that I can't say,

my case is doing my worldas, Wiltas, Wirtas, I'm just, I'm just

just, I'm just just I'm, I'm just just par, I'm, I'm, As a one, me

they're to be taken to in the piece, I just know that I'm not I'm not I'm too

in my body, me they're to do a water and a word. What I'm what I'm

going to say, it's about a hour after after because there are like blackouts, like moments

in those that I'm a little the conscience, like, I'm I'm not,

I'm not, it's all. Resulta that I'm three hours perid. That's what they

tell. I'm three hours perid, that, that's As a loco, without

sense, I went grittando I got to no buskating me and that's

that's nobody he's to hear that I'm to start to get to get

to the house they they're to get to and when

I'm that they're they're getting they're getting they're

there some I'm to get to get to guard a

police, but nobody had yet yet yet the auxiliary. And then three hours after I'm palid,

mal, deseched, and I'm and I'm a little bit, no be the little, no yeah,

no be the narrator, I don't know me I don't know that I've gone to be going to

go back, I was persegiento my and I go to my question, that's

what I'm saying that that was that was not I'm not I'm not. I'm

never to put it all. All the next days for me were a martyr. I'm but not

me infirmed for that thing of the bosque. I'm because I was so that I

never gave any a bocado to the and then was just bad. My body was

to faller, I'm started to feel me bad, I'm and the repent

was very disveled and well, the project me I'm am

to be a little of the situation and me I'm going to enterer

of things. I'm going to visit this chick, the girl, the I'm going, that's the first was my

newbie, and then we're in this time, I'd get to get a time at the house,

and me started to that I'm that I'm a man, and I remember that I was,

I'm mean, but she was for that's then so, so it's that I'd

make, I'm comfortable that that was to be to be to be,

and I had entered to the project little, a little they had been said, first,

for what the time. But then there's one of the people who said, that when

went to one of the house, he saw a man that came in a room,

and he said, excuse, we're to do do this work, we're

very dangerous, for this, uh, get, the little,

uh, if you are living here, we're not we're doing we're going to

get to a place that's a little bit that's a a work of reconstruction. And he was doing so like the instructions, contando all the

and when he entered in the room, someone he has been the o'ydo, but with an aliento and he says, "'Salte of my house.

And when he says that this person has got to there, but not more than the house, the colonel and she went to

the caronet. And yeah he was another of other of the muchachos said that in that there were

there were in a room and when he went to the room, and when there were three women that were sitting in a

camera, he was going and they were there's women in the women vestidae were men,

they were women who had been and when he's got the door the door of the

door of the window, see that the back up and says, look, look, there are some

people and nobody more that was there. They were about that when

all they all over the caronetta, when you were they were like the

people, we're some the people, pointed in the project, they were subing the

carmionetta, when of a when of the zone, voices of the children that were playing and they were

to hear of the games when they they were when they were they were there's there,

but the the games were in function and in movement. Cossas that had three years

and that were not the could be moving easily they were they were

moving with a ligeres like they were all all This chick, the girl, the girl,

she told her that she said that nobody wanted to participate in the project, I me took to al-a-lejure. Tarded almost two months in restable. In being, in feeling me in strong, in having the head despegated, yeah no was ever

a friend of, you know, I wasntive, that one day or other me were to get back, and of a moment I did know that my work, I had left pendent, the faculty

had had been made and had made me and when I'm to retomar everything, I'm a very much I can't explain

for the talk I'm the first of the first I'm I'm going to go and come with things

with the about the fantasas, no I want to make you get to make you

and you see, with the collar between the patas, I go with this

master, I'm I'm I'm in the first what you do you

put to and he's and when he says, and when

My aprieta and he puts a man on the arm, me do you don't you don't think,

don't say, we're doing your next project. And I'm go to know a narrator. I'm

doing the construction of a poste. RBC Training Ground has discovered potential

in over 20,000 Canadian athletes and county. Your story could be next. If you've

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got. Sign up for free at RBCTrainningground dot CA. My family She actually in the

Yorona and is because my abuela has a story that is the most

horrenda that you can't imagine but I know in it I'm

to say why. My Abuela narrator not is a abelita

normal like many your stories I my my

abel my about my about he has the shoulders

very long and when she was when she was

when he was as a scondida's, he learned a luched Greco-Romana and learned also a little of boxeo.

My abuela is a person very savage, but very salvage. She has the cabello and he

always like always like always like when she's like it like a peltu like this

afro, but so is her his his hair all the life. No is

a person data to things stetical is a person more more

rather the life has been so. He They used all the things that in their moment They said that they were for Homenic,

things like reparations of the house, aprende carpentery, and is a woman supermovied. My abuel is the complement perfected for my

abuela. It's a type that's a greatote, fortote, and he they're all the same

things of the abel. If this this pair, de repent, you'd be you're repairing a

car off out of the house, making movels of madder, are two people

very moved but very rudas very redas not are the type of people that are being being about a manner

beautiful and they're being got into and they're being gulfed and they're what they're in the case and what

you're in the instant you you're reconnoces are very very altos are supermating are robust and they're robustos

and furtess even more than the cabello chino and disordernado of my is that they're

some people with an attitude that's a embalentonated. Never never ever they're to medentate

for nobody. Jamas, have been a person that comes in front and they try and they try to

kind of a situation maybe a bad and that my abuel not he doesn't

say, you know, you know, and that other person starts to be to be

a bosarone of my abel and he's the man, and then he does he does

that he's going to that's point to play to a peredo, a mountain,

are people are people that are not to never to people. Entendient who are

my my old and I want to my mother, for

that she in the last, when she had when she had to

a thing, like, my abel terminated a time

a time, when when it the time, it's when it

a tormenton. When I get the tormenton, the people that are the people, they're residents of in this time, were men men, they're in the house, but she said that no. That's going to the house to spend to be at the husband, that, for favor, never, he'll care in the arraignment. And then

those of the house, those that are you say, they're saying, that, yeah, it's fine, that pay a good, that they're going to be able to they're done a paraguas, and so it's a wind that's soplating so strong that the abuels, that the abuels they say, no, no, no, no, no, no, no, no, no, no me den paraguas. With this wind, going to go to be

going to be able to, and I want that I pay in the job that I'll give. You'll say, my abuela, no-er-meree. My abelah, blah, what I'd be there in the head. And well, well, well, result, a narrator, that before that's out of them, and they say, oh, hey, there,

I, do you, and I'm tethered that I'll get my armienta. Me, they're going to do, but no, they'll give me to get them, and less that they're pared. And the poor, seignes, my abuela, my abelah,

she's a that's quite with a little bit of ratares assuited, and only they said, yes, sir, and my abuela, it's a because she let the water for the Overell, and of a sudden he was a and then she said she'd

go and I'm going without, and then I'm going to go and go to be able to go ahead. But she was so,

but she was being really about about this ideas when she when she's like a person that she lamented behind her.

She's moving the Overeol because she he's it has it because he has very fastidated and when

is the Overeol and when he And he says that, five, six meters, be with a woman that's a flaquita, flakita, a little bit,

the part like of the quixada the eye's very profound. There's a lot there's a lot of the image that's the image that's

the image that's the guy, it has all mojado, all mojado, and so he's he's a long, long,

long, and there's a batta black. And then my abel, he's trying to get to the overol,

she's he's going and he said, you're going to and that she's a she's a

but I'm that the form in the way in the way that she was not the she was

she was going to she said she said it was very rarro because I'll say

my my abel not a person that's a she's she's it's like

it's it's it's like it's it's Largat here. And no,

no, no I don't know, he'll back to the house and with the overol yeah, still with

the hands there's going to get to get to the velocity because has a

kind of a condition and it and it and it is a velocity. And she

does know, that you know, but she's that it's moving very lento,

very and the heart, and the he's got that's face, Sient

that's a velocity, but be that no. So, for more that's

moving, it's a situation, not going that's that way more more than the

thing, so it's that's that's the other part to the brain, and he

does it taclea it. My abel. My abel says, the front,

in the face, in the car, and she's, under the other, with the eyes

with the eyes because I felt like a fear, like something something that he said, like no

beas, protect, something like very animalesco, says my abuola, that when was going,

it was so it had passed many many caps of tel-arrains, many, many,

caps of tel-a and back in the part of the noca, like if they were

doing doing doing on the time who did, who did you did,

because she and did just, and just, and just, and, just, just,

there was nothing, he was sentia because I still seemed because I'm seeing seeing like if something it was trying

in the arms in the arms and the arms and then then he went to all the part and it was going to

the house and since my abuela has a little bit of the body of the when in a

a bit of the rostro says that he's that he's he gets chokes elctrices in the neck

that he's he starts the man to see and he he started the work of carpentry

but every bit more every less, every bit more for all this situation. But since

she has been very, very, very grabado that she took

to the yorona and even even that she no he got

but that that story that my abel my she's much

that she's she's that she's I'm her she's

the Yorona. I think there are things there, of spanto, that of a sudden we're going to be able to be one of them, but I don't think that has been the Yorona. You know why? Because they say that when the Yorona the listen to her, it's too a little. And she'll listen to

and was close. And she's her other thing. And with this story, our time, Our Nauturn, we've reached to the end of this scura fogata of stories. So if it's that, before you know, tell me here in the comments what was the story that most

you liked if you got the stories of the episode subscribe and give it to do you give us

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to see us in the fogata in in Wadalajara that, that for if you still no

you don't you're the last the last the little the last the

Or in the Sabbath of Somas, that no is if it was, if it's a Saturday or the Sunday, revising the reds for that checken. It's desire that have some of

these days. Bye, bye.