HABLEMOS DE LO QUE NO EXISTE - Historias de Lugares Embrujados y Panteón | EP 336

Episode Date: October 27, 2025

Bienvenida Familia Nocturna a ésta Oscura Fogata de historias de Lugares Embrujados y Panteón que seguro serán protagonistas en tus dulces Pesadillas. Conoce una de las puertas al infierno , descubre los secretos que esconden las escaleras que van directo al panteón y escucha de uno de los lugares mas embrujados que me han mandado. Asi que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩  HABLEMOS DE LO QUE NO EXISTE es un canal de YouTube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Welcome to Family Nocturna to this Oskura Fogata of Histories. The day of I'm going to try to different relato about

in the places in the things that were different things and that were doing that were a point to

but before to put in a context. It's supposed that in this moment, I should be going to

run to the airport. But one one thing was with other, so we're we're here

in the video of is a different. Today, I'm to be to tell the stories one

after other of the different stories that me mandated the most of the because I know how to do the episode

because I'm the time recortated but so, those relato are supermating so much more so much

we're going to start this oscura fogata of stories. We're going to put a name to the

little little bit of she's she's called Fiona Fiona Fiona that in this

story no Shrek resulta that has a an abuela and he had a brother that was a

very much, much, much, a pair of a very amorousa very close with his children, so,

between them the mom of our suscriptora and, and, they're they're

like a union family very very very a net they're

an union also very very very and and then after

after he told a story that's very macabra but

there is something. Fiona has something, and me says so, narrator, I want to know you know in the paranormal but in a manner profound, and in my experience, is because I've lived many things very obscure, because

my abuela is dweigh of a house that is absolutely embrugated. That house, if there's a house, if there's a lot of the house, of my abuela. Resulta that when the and the abuel, they were

young, and were young, and they were at a point of castes, and they're a new thing,

because I'm talking about this, of this, and that's about about the old and it's and the

business was very strange, because the abelor was sastre, in that was so much, and it

was so he was getting renomber, because it transformed it was a expert in a person,

the girl was a little, a lot of a type of relations publicas because

contact first or amistades, persons and so if it was trying to little to

the person, women, that were to create in a future the vestido of a woman,

obviously, for his a body or for the person, but also, she was the secretary of

the abelor and was the public and it's all the needs of the

things that are being presenting and she she had been

had been a certain number of a He said that they needed to brinked to a house a lot of a lot of

renting, it was very small. It was a little. No, the renomber, no dave like the image that needed. And they needed something that were much more ostentous, and a lotative, and it was decided for a house. A house great. A house that had had many of the habitations, and

each one of the habitations is going to transform it in a type of vestigeot in the newbies could be to go to buy to their besties the idea

was to have to be many of that they're to get to get to work to say,

it was a person that was getting a renomber and he was doing much

money, he was a great and a time of when the when the

bula is the busk of the house she topa with

one in special that can't create it. It's a

house a That's a that's in a area that's in a

area of those that are a barred perimetral that's only the residents

can enter there's there's a guardia and that's not a part of there's

a lot of questions that's a case that the house that you have you. A news of the

periodical Some person She was a lot of But when When you went That house It was a

First, the costo It was exactly in the Presuppost We're going to A quantity $1,000

The time is that with $1,000 Yeah, I was looking certain type of houses,

and this house, and this house, it was almost the double. No,

I could create it, in a ganga. The house if there was a manita

of parra, some things, it was in the first-vista, but there something. That house

desentonable of all the area. You'll say, a zone exclusive, a zone

com barda, and that's a class extrana, much more great, even if had preston

if you had done a question, that the terrain that the rest of the castes

not to be that. In fact, in that moment, it was he was

an excedent of the terrain, something that convened. The house it was in the encanted,

entro, if not good conditions. Apart, very, very extra. All the

houses of the interior of this house of the house were chisina and they were quite

sounds of crugied, it was that there had to many things but in relation to

the cost of the house, that in that was going to be a very much

was a matter. The image was something atyipic the

image to those no-bees, entering and getting marvellousied, because, entran, he was to change a certain area, and I would put some speys

to look at some themselves, and when they were to be able to bring to her back to see her in that transformation, like an before-and-and-a-out- the cella,

that was here practically in ruins, the paredes that were made because they were tap-ses, and she imagined all changed,

paredes blanks, some tapices very amissues with some decorations of color dorado, things very beautiful and a

candlelade that was like a story of a princesses and she imagined one of the new

her vows and she was going to and she was doing the vals with her future

and those images that she she made in her did not only only that

did the other that she were that that he necessitar. When he went to

his husband, the things were clear. We're going to buy that house, so-of-s-

and the man said, oh, yeah, but the reparations, the time, it's the time.

It's a pain. The house had a real-of- the thing, and not

he was to be able to be the people who want to do the want to

do the the in the place to have certain securities to know if there were paid or no, first they're with a notary, they're the change of titulares, and then they're going to pay the money. I'll say, I'm going to say,

I said, I said, I said, but it's more than that cost to be it. It was a lot of money. This no has much sense, but for them was the suorpe that was the story that they're

not they've paid. They're done that the owners that they're being, they're not even they're looking and they're looking and they're

those things, they're going to do the plan, the planification of all the remodelations, and from there things are

strange. When they're on the second piece, it's the first that's the first time that it's a

little. At the this woman saw, but not she can't with a detail,

there's something very rare in a parade. And that no he he's the

I don't remember ever seen. It's the part that does, let's the area north,

the point to the north, and that that was totally dispegated, now has a door.

And it's a door that's a door that contrasta. The wall, that has

the tapis damaged, it's a tapis me birdos, like, with a color that

in some moment, it was like something like a emeralda, every in the

but now there a door that's rare. The part of the visagra are

doradas, are very very amortive are you like a artisano where there

should be a bit more a perilla some a certain there's there is there

is a potrata like in the she she is she's looking

that she's she think you think we give some use

and the she is no it's very she

she I'd pureria that no I'm here when I came. But, well, there's to be to where we have to be to get to

get to the house connect a and so we're doing. We're going to take points and things of what they're going to

start the remodulations, they're going to many rogues of tapices, get with votes and votes of pegament

also also and botes and votes of the now are those, are they two,

are they two, more a quadrilla of the house. They're they're going to the remodelations, and there's something that's

satiouan, and when they're getting much time, they're like if had occurred some type of tragedy, like if

they'd say they'd say they're I'm at another point and they're going with their normal.

No, no, they're not because they're in prises. They're they're

a little to their day of today of but they're prises. Necesses they need to the house

is in order. And the time appremia, because they're in a new a day that not are dedicated to

the newbies and not are getting into effective and he can't get a person. So,

so they're with all the remederation. No, have passed no, no, even two

days, when one of the people they're topan outside of the

house, is he, he's, he, he, with a pitillo, with a cigar, is it's a fumating and fumando. The metta of the body

has been to put down to the car. And then, you know, he'll be at one side and a other of the house, and it's separate from the vehicle in the car,

and he'll do a other world to the house, and he'll do another to the house, and he will be to do a turn in the car,

he'll be to put the cigar, he's just and is being, and when you when they're doing to do this, like two,

three times, because they're are almost 50, 60 meters in a platica of some time of those that they'd be

to get to them, to ask us to ask us to get to what, because in that moment is when they're

to give all the recommendations. There are the reparations and there's remodeledable. No, after.

Then, then it would be a problem with the novias there. Imagineate that has

a little a little, agoger or something that was something that they'd be

something that, they're they're they're they're they're and in form very amable,

and they're they're asking in the house, that they're like curiousing for there, and that's

a point of a point of view of the person that's a person who's a person and the

person, why there's there's a paltion, and no they're not they're not you're talking

about, you're just, you're just you're thinking other other thing. No, no,

into the house, there's a house, there's a point out, no, no, no,

we don't we're, let's explain us. I'm with with all the team. We're working in the plant

a black but I'm like to get a lot of and I'm I'm sure that they're that's where

things like more more faredes and so then it was a checkada and when I went

in the room principal saw a door was open and the door

was very very very big and a bad and it made a bad

something something I'm rare. No, I want to say, no I want to do say, but it was very strange, and when I amom, me do you know,

that's a little bit of a door that's a little, and it's like a caracol that goes to go to go. I'm not just me asome.

And the escalera of caracol, that descends, it was down as a light of the belas. I'm from

the abackation, I came about, and when I was when I was with the I made I found that

I was quite inquietto. The passel was very dark. That appendice of the house is

so I'm going to see to be out of where I'm the the door to the

pantheon the escalera of the but here there there no there

no there no no any no no one there there there

there there the house because the door to the pantheon, because this man

and they're not entient this man. Entran to the house, suben to the second-pice, for a lot of the stair to have a lot of surprise. The wall of the quarter is retapisada, all in color black, part of the things that they were

of these tapices, and there's not the door visible. If it's makes very strange, they're going to, they're sitting, and they're saying, because the door does the panteon, because it's the door of the panteon, and when they're trying to to talk with him,

you know, they're not they're out of the trance. The type is he's

going to totally and it's repeat and repeat and repeat the same.

It's so grave the problem that the quadrilla that's that's people,

they have to do an car, the type of and they

never they're never never he's the carer to

come to do or be a substance or

simply something something something something something But the type never regressed to be the same.

Repetia, another other again, why the door does the panteon? Why the door to do the panteon? Because the door

of the panteon? And he's kept there, atorado, aturrored in the time. They'd that there some type of

of the other of the quadrilla was the and were the topis because there no

there was the door and nothing of that. In fin they were to be in the

remodelations of the house, not in other things. So, well, they started to get the way

more accedureate. They were a master of work. This master started to move the things. Between painters, no architect,

more well, more than, like, all banalels or or the subunits. They were doing the

different. In two months, the house was there. The house never was never were never.

They never asked them. But as they are people, but as these people are something that's a another

extended the plaza of the pay a little more a couple of months, a couple of months in some before

to terminate the remodulations they were to deposit a certain quantity to a bank, it was a pendent

there, some months after they deposited the rest, but never knew anything of

the family. The family not was not came to come to come to come to come

this for different motives. They were to be preoccupated of all the questions of

remoderation. I'd go, I've been in relation to a new thing. I've been

to run a local not more for six months, because the remoderation and

and continue. Pekinues also. Details, there were there were rumors between the

workers on the part of the house, the kids that were there's coming out of

there. The people were people were the people were the children

were in the men, the The abuelos of our suscriptor creed that was a little a boy

of a little bit of when they were the new year the house the house no more the first

the first of the newbies that came for the passio and he turned to one of

the eyes and then the the wife of the sastre he

said look at and remember of this image because out

that's going to you're going to see in the marvellousousa new year that you going to get a

very enthusiastic very emosionated and then he's quite looking at the mirror with a face with a little little

you know, it's and it's a kind of a good image and it's something more rarrow but when both are both they're going to

to be at the the spejo, and this is the first and the only way that occurred, they've been distortionated. Like if the spejo were of these speys of the fairia, that you make more great or more

little, they distorsioned the rost and they were spantosas. When the the oldie, the abelita of our substrictor see,

I don't know that they've installed this and the and the muchachach that was so that made

a half round and say what kind of this? I'm here and I'm

I feel vulnerable, I'm going to prove things for how I'm going to be the day of my boda and you make me make a monster. I don't want to know to you, what mal gusto have. And she's gone. The one of our subscription, is like very, very, very apennada. Regressing, and when regreca, is like

with many things in the head. How can't pass this detail? How could you have put this thing? Why is it? And he's trying to record if, yeah, it was revised or no. But no, no, no, he had revised it. And in that, I'll look at the spejo, and it's see normal. And no

it's what the demonious passed. Camines after some pastos, they put in the posture in the position where was the that was to be her client. And then

I'll turn to go to that it's all right, it's all right and it's front of the spejo and no see in no moment

any distortionated to her, and it's something super extra extra that's no, no, but the

next novi that came to this place, she was she was she was she was

they were to one of the habitations. Stando in one of the abitations, she started

to prove the vestige, and after about a 10, 15, or 20 minutes, open the

door to the secretary to ask her and ask her and she is sitting, inclinadite and she

said, what a little little she has, and then the abel of

our subcriptora Volta and he said, she, she, she,

she, she, she's she's, she's she's she the

little He didn't make a mention of nothing. He just said, he mentioned, he's very travis, it's very travisa. But vented for here. We're going to revisit other things, and she took to the abitation, and luched with all his forces

for that she was putting her every more palid, because she sentia that the sandal she'd live to go to the piece. There no, there was a child. She had a child.

She had been a mother after a few but not were a little bit more of the description, the susto was incrementinging. was a little

that had been seen the and never ever had toped her and none of his other of the

other her name a girl ruby, cras, supermating color sumament palida

and o'hose blue the rupita was a ropita was a black, black,

like if she were she were she a little a common communion baptize or

a a vestido like a but very very antiv here there

there is a situation that not I mention it. The work is the

I said, the that was the part of the house, the that's the kind of the thing is the he's got in

the penteon. And they're not making a incapier in the theme of the escalator, and they're making

in the thing of the door, and when they're then it's a tapisada the and you know that's a

point. The thing is that they're not they're not in the pantheon. And they

passed on various months in those that they were to reviewer all the

construction. They were enfocated especially in the part internal. But there was one of

the novias that took an attack of hyperventilation. When was there was a house,

something that started, and said that he said that was a little they're to get to

and they're in the patio. She's she's there's a car, but is a car of those

want to linchar? And they they're they're in a way in the they

I'm referred to Abuelo and Abuela in our Sastre and his wife and she's he kept being like

without and then the novi a sustada but now now with a combination of a

odious that's a idea signaled for in front and it's the first

after after that's that's that's that's the patio in one

of the one of the area just the part where there was

that directly a pante there and in the colony, there's a pantheon. No see the

theme of regulations, no see how demonious that could pass but there a pantheon. A pantheon that has reches and a pantheon

that has a port to enter. It's a reja that is a house of the rest of the colony but not are paredes,

not are mules, and no are there. The reja no has only there lapidas. When hea

the novia, the novia, the secretary, the abuela, the The two bolted to the panteon and they're looking at one or the other without what to do.

The novi, with the roba of the novi, regressa, alzando the part of the back of the phaida, regressa-ciminging and in less

five minutes, is it again and he's going to be there, says, only you're only you're to get a

a newbie to a lot of a lot of a pair of people, I'm going to charge that all you

know, and the woman, not he made a menace in false. He's He started with all the people that

knew there. He was the first time that he was back. And he was called with such a desprecio that the business was far back. All what they had invested,

all the changes that had done. So, he went to the basura, because yeah nobody wanted to

get a time doing that, he was a name but so, so much, that he was

to get to do you have to be other other work, and in the

five or six months, you have been a life regular. And that that area, that zone that was

for the vestiges of the new year, and that's where they were those perennel. The ante-sastre, her secretary, which is the

abuela of our sub-scriptor, and her first son are the first residents of the house. If they're to get to

live there, and you can't imagine how that's living in a house that not was

not been to be a house, but for that's a business, but to each one of the

abitations are abitations are Some habitations that are in the castillo of a princess, the abitation of the cell of a castle of a castle, and things of that type that are living there are rarous. But what can you do? You're going to do you?

Pinting, repatapisand. Yeah no, there's money to invest. The things not too well. And there's a new baby in Puerre is still again. If you're going to adapt to things. If you have to adapt to situations very, very, very, very strange. The pacitos of the new-sure

in the escalers is something that are you have to do the voices that are in the room, in the

that that was that was a newie was to do you, they have to have been they have to they're

they're because when when they don't get to happen to not it, it's more more

more than simply do to do or to be there any that there or that someone

is talking there that's in in one of the abutations that's supposed that's

in the in the most of a person has seen a person, the time is going to, the family

is growing, all the children who had been in this matrimonial, they had to get used to get a

house, the house had surprises for all of all Lazang surgely, the

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to pay for example, pay you to face from the time from the refrigerator and the refrigerator was a vacuble, and when they when they're

to open they're all the things there's a from the time, and then you never did you

and then he's got to the room just as you know, but probably probably had been to have

been able to have been after the buskid, and with the rudas the aperture and the

arra of the porthes and more of the parents and the people that were the

there no there there was that was all things things made

things the Each one of the children had their stories. Each one of the children had passed

things different. That's why that with the past of the time, the house had their own own

legends. From, never you have you to ever to this house, not the

crucifix. He had those own stories, yeah the family had

accustomed the the new the first that was when just just

And he had passed all the life. The other three or four brothers, because it was

a family relatively medium extensive for the time, they were also used

those the parents were in the occasions were not they were there.

They had accustomed that in more to the time, they were the

topis those those blackes in some in some moment

they're in the children, all the tapices were intact,

except in the part in the that was there, a a little very obscure

of the made of with those visagras of color dark, like made for some

person who can't do you know an artesan and a door and a little never had

a pome and had a cradura and was there, metida in the wall.

The children not was never to be at the pantheon

they said that and the life was going to be And, well, the

thing is going to and it's a moment in the case the house they're abandoned and all the family yeah separated because there are

who are people but all of going to live out. And the house is to get there, like a

little to the deriva. And it's then when our subscription. Our subscription is a

daughter of the second nena that took this of matrimonio. I've heard that the her mother had a house abandoned, that was a

house on-on-n-ona, and that his tios had been many experiences strange in the house. To all they'd ask about the experiences, but nobody wanted to talk. Until that were passing the years, this chick has been like 15, 16, 16, 17 years, and

the abuela he starts the stories. Dice she she said she, that when he started these stories, for her, they were like the about the but his 16 years has a

noviour and he has been the old one of the house because he can't do you know a project. The abuela

he says that not it is a good, that that is the place has like a bad and that nobody that

has been that's been the old. The abelio the young, the the muchachos

they had stories and many were very much were very to say, I'll say,

I'll say, no they they're party that he did that he was so insistent that in

some moment at the final a person major and a person who has a person who you say that's

that's things probably were things of the imagination of the past he's and he's giving the

little this chick and she and she go to the know- that he

has been like a house for reunions of and people

to do things that in occasions are in occasions do you.

with the novio for her. In no moment, thinks that it's a house desabitada for years, that no know how is the colony, that no know if there are mal-vivients living there, or that if someone took possession of the place, or that's in too much

that's a lot of an adventure romantic or amorosa, are at a point of living a story of terror, and the terror more askeleros that you imagine with insects of the arrains, polvo, ongos, and things of that type. No.

No. She went to nothing to her adventure. She went to her adventure, he goes with his novio, they're in the house, they're in the

door, and they're one of the realities more impactant and they're probably aterradoras

in a way that you can't imagine. The house in the moment in the room,

in the door, it's immaculated. It's like someone during the last years,

it's been having been constantly without that the same a single day, but there's

something very rare. The abuela he told that with the past of the time, he took the candeladro, quito the spejo that was in the passelio,

was changing the tapices, it was transformed in an house, although it didn't do you because there

were things but when she opened the door, the tapices were black the, the speeho

that was that was that was another again, and she he was he came

with her nobino with the novi he was distortionados in the dispego and he said, it's this. It's this, the history of the

abuela. They're in the cell and there's a candlelado. Nothing of this has been said, the mother's

according his stories, or maybe all are all are all those are all are stories that she has been thinking.

She has a idea. She's sure then, that there or no there a door in the

second piece, but if there a door, and if that door conduce to some

a place, she wants to know. Sub he to the second piece, in the second piece,

enter in an abitation that the parades have a topis of a color red,

emeralda very beautiful, but no any new door. And when see that, they're

pure inventos of the abel. Here I have to have to be a

part-a- in the is very important. If they're they're in-

a house not you think you don't think, but take precautions.

No know the naturalness of the things that happen, but something I can

say, you know, or a influx malepicic, or yeah or yeah, or

a time more biological organical, this type of cases can enter to your

brain, without you see that you can get that you know, you're

not in the control of your ideas, because this chick she was not was

doing that she was acting to automatically. When she she

subed the second Piso and see that Avitation where the door is a exception.

No, to make in count things. The tapis the repent is a very much as a second

the place. The place not is it should have been that's tapis. Who has

been been been has been the house? Who has did the thing?

And in that when stay in that that's the little that's saying,

she'd do the way to the world, and be a little a vestido blank and he

is going to the passillo of the second-pissue and he going to one of the other of the

other than and then I'm and he says, oh, you live here, you live here, I'm going to

say, for a person cuerda that is that is what you think it's that's

what you know, you're going to you're that's not to be a little bit of

a new year that's that has been many years it's a house, but

yeah, when the house, he took possession when he influx and stay in your head,

the logic not is one of the you can't think of the little he and the other little bit in a

And she said, why? And he says, because it's very soo-so and it's not soo to be to do nother to be. And she has done in reaction when she does a while the passio is full of tlernares. It's all the place very precarious, with a quantity of polvo espantosos. They're coming down for the passio, and, of a sudden,

she in this state, like, of stupor, of shock, to understand what was like in something that was moving and that she is she she's she she's she is she

all rewleton in the head. The novi that he he gets detenio in the

room of the tapices emeralda and he says, what is that is that the

wife and is that coming into that the door is able to and it is able to

look to some the light as as there were there's there's

there's there's where he's where he's where he's He says, Look, there's a caracole.

Because this door is to the cemetery. And where says that she'll make a a gritty. Because she

says, he's a little bit of the car and he's like, he's trying to try to present to the

attention. But one part of his mind and he says reaction, reactiona, let me,

let me come in a little moment propadea and he he said, what happened? Where I'm

where I'm where I'm I'm going to the house, they're going to and she

when he's going to go and she's in shock. That is a spejo that's that's

there's there. There's a little there's painted that has been many of

that you have done. And all that's the place, but none of

black. Sige the passio, the is too is too is

that's that's that's so there's there have been things

that's that's that have used, like some some

time, would have lived a person in situation of the street, or if groups of people have had done fiestas there, and they'd have done

all the basura abentated by all the part. And just before to get to the door,

to the door to the room, and there's a little bit of a roomoos that's a middle of

the room, and what does that the piece is that there's a person sated in that iscler

that's chereos, the person and he's the person and the problem is that that person can't

perfectly the torso and the hands, but no has feet. This chick is going to gore into the house, when shears the door, he goes to, and say, you know, and then to give her the way to go. The man, no, I mean, it's a

good. But it seems that whatever thing that does that door is abar and is something that's a lot of to have your conscience and get her. A betty not so he does it do the medicine, and not because she's a man, the student,

the contrary. It's a person very applied but he lived something so extravagant, so strange and that's aterrador

in the faculty that one day decided that's going to go and never to go to and here you going to

tell what what was the beauty. Betty, I've got to enter the faculty to do the

doctor and the faculty in that I studied because I studied not even a semester complete is

a faculty that is very strange. It has an area or in that time

it was the area Antigua of the Faculty, that was an edificio grande of three-pices, with a good quantity of salons, and had the area new. All the classes,

all were in the area new of the faculty. And the area via was a totally disquidated. It was an place abandoned, a place very gris,

both for the paintura, but also for the vibra. There were a scritorios antivus, banks,

cases of that type. That from out of the crystals, you'd be see that there was one of the salons that was, but at you, borrothed

of the storero, I'd, you know, like if those would have been haven't and they were over the other, because the videos that have been on the windows that were all over the walls, was also covered by the bookerals and the cellars and

the bank, and it was, but something horrible, a chaos. I always asked, since the first day that I saw, how demonios did that do? Because, even the

door was there and it's how they've made that chaos? No, where they were in those things,

no-se the world was a vibra, it was a not very kind of a little

abandoned, as if the time you were you're but, but I even

even starting I had a mind scientific that legends, what fantasas,

that are those are things of people that that's that I

think that I when I when I and that's, I said, Pamplina, is just a

sensation of abandon the place that's a very imponent, and that's there's a there's a someone who's

to get to some of the people who's to do you, to study, to be a little bit of a cigar,

or be with a guy, and yeah, because the place is abandonedado, but the

door always is open, so that was that that was a sensation, no

I had a more importance. I'm to study a place, and I

I do know that it was an environment a bit more a lot from a lot of from the first of the

point of people that are people that are doing all the people, they're doing much with them, to make them

to make them not stand and they're to be in qualifications and participations and that

the other see as such shinkles. An an ambient a supermente disagradable.

A me not my style. For me me it was to be a competition

a legal. We had the two study and the that's the same the first of the people are and the

that's all the but that's putting the part of the other for that not advance in the career so it was

very bad but it was that much of the students of the there were the other because I

said that I was going to be better the more. The master that were a character

tremendously pesable grittons very very durus in those was a

environment of much competitivity, much stress. And I'm talking from the moment one that's the faculty. When I took the

course of prepapeutic you know a environment of much attention, for that I'm when I'm going to the semester and practically

it's a career of supervivency against the company. It was a moment in that I deprimed a

little. No, I didn't have any I'm with people, I'm had been

in the prepedautical various maestos have been very to me, and many

many, me had there were in the mirror, and they were an opportunity,

and they were in the foot, not literally but they were not quite bad with the master's,

they were and they were in those little, and they were in about me

with professors. Horrible, an an ambient very toxic, very, very, very toxic.

Well, when he to get a time to the examines, I go to the biblioteca

to study, because they were, they were students, you're you're you're

to get hours and hours, and hours, and hours, and to come a

time to you, I'm going to you're in the first that I'm put them,

I'm put them all the things of the other, I'm disappear books.

In one occasion, I'm disappeared my librette with a point,

I'm to get to return my time, I'm not

that I was just, I'm going to those, that were not the

people, because then just they were being when we came in the time of examines and me did

I'm going to I'm going to go out of the day I'm going to the building abandoned. In the building no,

no one of the people who are people who are that they're going and they're allude. Purns, puras chinkaders,

narrator. A me me important to get my faculty and to be the best doctora that will

be to be, even the first semester it's it's it's good to learn the

things well. So, to the demonio, if they're the people who are in that career ridiculous and in that meters the foot, they're just on the games of children. A me no me interest. Then I went to the edificio. Me subo to the middle, because I'm going to, I'm going to

and when I'm going to walk down, I'm looking doors that are open. I'm going to the second because in the first, all of all those were in the second. In the second, is where it's where it's a salon that all full of bank. And that salon is the middle.

No is the third, but it's the third salon, I'm going to open the door, and it's very rare in the salon.

There's a bank that's where it's the front of the pizarron, but there in front of the pizarron,

there are a lot of bankos, popitres, these banks that were of a made, that they were

like a paleta for your, your librettes, your appuntes, what was and all

are, amonononadoes, making a type of mountain. Some bankos bigisisisimos. But at

the center of the salon, or just to you can be from the door, there there, there someone in

to study, someone of a person who's a bank of there, but it's rare because the bank is of

color a color of the color of the matter, a color coffeecito, others that's some kind

of the mostos meosos, meosos, meosos, and more oscuritos and so, but feo, no. But, well,

this is to the mountain. I'm going to sit there. I'm going to put to study the hours that need to need.

I'm going to the same passios, one that was one that was a little little so much the door

and I'm put to study. I don't know how time passed. I'm very meted in my studio.

I'm doing all the world to and then I'm just I'm just I'm going I'm going to go

the passio and I'm to be a I'm not a I'm not to be a sustar so I'm in my mochila

me the I'm put in front because if someone comes going to talk about to come in a little

rapid and then I'm sorry I'm not to be sure you to be a mind that I'm going to be one of those

people who are I'm parted and I'm so I'm going to go to the door and I'm so I'm so I'm

nothing in the pacidle but I'm I'm going to pass on a side and I feel a bitesito

and I'm probably they're a point of a point out of and I'm doing it and they're to come up

to get to me not going to be a back, I'm going to get to my book, I'm going

my notes of my notes of those I'm doing, and then I'm talking to be it and I'm

don't want to talk narrator but I'm put all the whole the whole chinita all the

piece chinita I don't recognize the voice, but it was I'm used to like if if I'd have pegged then I just overreactionate. With all the

pill chinita just went to one side and I said, but there no there's nobody. And me kind of thinking

like, I'm going I'm tired of studying. I'm going to take a minutes, so I'm

to be to get to my head and all ways, I'm not I'm going to

do you're going to get the information. I'm I'm I'm is to stir me,

he'll go to the window that is the side of the side of the window, a window for the

see the light, it's the see the sea very and the

really, even the light, and it's it's nob, like if were

nob there, but no there, entra less light,

it's more the dark, and I'll hear back,

narrator, I'm I'm I'm with the world, I

know explain to exactly why is that reaction, but it was a fear, fear pure. It was something really,

very, really rare. I was that there was a person and that was a little not a person, I don't know how to

say that was what I was what the stomach and the garganta, there was a sensation of something that

was going to start to grow at gruras, I'mpe to feel a much fear,

I'm I'm feeling a necessity to but yeah, and at the curiosity of

what was going. Very rare, very rare. I'll hear about for the third time.

Betty, and when I'm going and I'm what I'm and I'm what I'm here, but now

I'm going to see what I'm going to see a lot of all this is a man of the some marks like if it's with a

same. Arrived of the head has some type of a capuch black and his eyes

are of a color beautiful but a way is very penetrante and me he's and I

say but the but the voice is of a man it's like a man

not more I'm there no way that a person there's there

all all all right and I just all I've got a I'm

the heart the I was a decelered. I mean, yeah no, yeah, not, I was not, I'm just, I don't, I'm not things there, and I'm going, and I'm going to go ahead of the middle of my way, go, gore, corred, correct, correct, and I'm going to, I'm going to, I'm going to hear the voice of a a man who said,

Jovencita, Jovencita, what's doing here? It's a little. I don't know how we

saw, that's I'm going, I'm doing, I'm doing, I'm doing, and I'm and I'm

yeah, I'm a guardia, see, but there is the first guardia and I

know if was the thing that was the idea that I'm that I was a

back, I'm a shirt, a car a crag, a corbata a subject that's

a very very very very all good, all all. Pardon me, I'm and I said,

where you you're doing? No, in the, in the piece of the middle, at the quarter of

the numbers, you know, you're doing, you know, you're not talked to the lady, no. So,

then you're so it doesn't, no, no, you're all right, there's a more,

is that I'm my things, you're I'm, I'm coming, you, I'm, I'm,

you're, I'm not, no, no, no, no, no, no,

I'm going up the Scaleras, narrator. No, I want to enter to any other and the

type, and I'm and say, look, no, don't be this place. This place

is a place. Here have been said, you know you know the case of the

master Berta? And he said, no, no, no, no, I've

asked to the master, they're going to say, it's a manctor, but not they're going to say,

for Bertha, he occurred to come to come to come to the same

room, to the same salon that you get to he was, she took to that person

no they've to talk her but the people don't understand, the people not

the person, and he he was, and she and well, the Maestra

L'n' they found at the last of the day, was there was there was

there they were they were some problem in the head, until

that they they were a coiffed with a corso, and he got a normality,

but I'm very a very a lot of the fact to do you and the job,

and yeah, santo remedy. But it's because he top it was the same,

and so it's not a time, wait, but you get a vigilant

can't come in, he met to the salon and me grite from, you can

you all you all right, I'm, my things are like the

I'm going to the stuff in the mochilla and me says in the quarter of a lot has been

a bit a bit of a student and the people don't understand because it was the first

good, very very, very good and they said, and they're on the one of the

lampars that there in the salon bused the manner and he he's when it

when they they were when they were they were they're they're they're

they're there were persons that had people. And during much time, when the people were outside,

and if it was especially if it was in the room, and a person that was there and a person, and that was

they were in, they put it, they were, they were, and the narrator, I was impacted because

me was responding what I had asked, the other the other year,

and from the second sitting, and they were sitting, they were tapisable the

pure basura, because they'd be there to nothing to out of the way of and that's a scandalized. But these are the forms to tapar these

things. This is this building is too they're too they're trying. They're not they're thinking in the money.

There were two directors that were infartarred here in the salon in you're one went and no

he was he was he was he got to with that that woman and the person no

he was and the other the other had been the other he had understood that

had to get to get to the and I'm and it's a point of doing it,

but they're in there, it's there because when I'm in the

house and they were at a point to start, they

started to be about something, and the people, they're

to go to go to and when they're he was

infarted but he was in the cell and

the and the way and the position , it was

going to goy-ynged to something. Never they never found out what was, because no one person what he did do that. But, look, to you know what you pass to nothing. Take much careful, no you'll go back. This place, they've got to tumble, but no entient. The chick, the

story, and I said, me backer, me went to comeinand, I was coming, and I was, my head, my head, look at all the things that I had learned, and I had no recordable, I'd, had much fear. I'd want to go to the sub-direction to

to do my back or to suspend because not I would be to present

that's not a I'm not when I'm going to the subdirection I'm open a

door and then I'm a page that is full of photographs and of

a repented I'm in the that's super strange but

it's a type that I see I'm doing a mind and

is the guardia, the there's in one of the one of the quadros and he says

1,084,0008 Director Jesus Salazar Almagher. When I see that and they're he was director of the

faculty? Yes, how no? Grand Director, a typo. And why he's a guardia? Oh,

how? How do you? No, no, if he terminated the period before,

fellesio in the Salat Antigua, it and it seems that something

he did a a susto or or something. And so the poor-sit we can't talk to the

and say a narrator. I'm quite free. That day, no I did be down to the matter,

I did be be the back of the faculty. And I'm the medicine. And with this story,

dear family nocturra, we've got to this dark fogata of the story.

But, dear family noctur before I, before I just to this episode, as I'm

to tell me in the question me in the question me the story that's the part of the

family nocturn activa, put me here the phrase narrator, every more more than the million.

Because if we're going to get to get to the million of subscribers here in YouTube and we're going to

do you know, but if you know you do you guys the guys to get more than the episode that

you're going to get a episode that's a person to the people of Guadalajara I think

that they have been incredible in the in the in the people, remember

that we're we're we're we're going to we're we're there's a one of the

time in the time in there's a time in the time of the time of the I'm going to separate their

in the fogat because the mere day of the event, although they're to make the money, I think for

Mexico, you know, to make this family nocturna subscribe, and do that the

campanita if you know, we're saying us to give us and give us and done us

we're saying we'll be for more this story. airport. And I hope that we're here. To we'll see here. To see us the Wednesday, you're taking Duleses Pesadillas.