HABLEMOS DE LO QUE NO EXISTE - Historias de Maldiciones, Militares y Encuentros Paranormales | Episodio 421 | Hablemos De Lo Que No Existe

Episode Date: August 31, 2026

¿Alguna vez has sentido que no estás completamente solo en una habitación, o que las paredes de tu propia casa esconden un pasado oscuro del que no puedes escapar?#FamiliaNocturna ponte cómod@ pero no apagues las luces, porque hoy en esta oscura #FogataDeHistorias nos adentramos juntó a #ElNarrador en los rincones más profundos del Infierno con relatos que harán que tengas #DulcesPesadillas en #HablemosDeLoQueNoExisteY si quieres vivir una #FogataDeHistorias #EnVivo entra a nuestros grupos de difusión para ver que ciudades siguen y conseguir sus boletos. Les mando un abrazote, Bye Bye

Welcome to Family Nocturna to These Cura Fogata of Histories in Let Me What No Exist. The day of today we are to talk to histories of militaries, malditions, and encounters paranormal. But, before to initiate with this episode, permit me to say something. Terminando the episode, unete to the reds of diffusion, for that you goyspongett, with all the day with all the events in those that,

we'll be to be in your city. Because if you you're in the Saltillo, Monterey, City of Mexico,

Mexicali, Tijuana, Torrion, and well, more cities still more more than some more.

Revised those places for you go to the theaters, and maybe your city is there

that's a that's a matter to go over the page of the and you have said, and have you

said, where you're to sit, and come to the light, because An oscura fogata of stories.

Comeense us. For all the family nocturnal, military, I'm a very salute. And I want to say that I'm much among you. First, thanks for

your service. And the second, what good stories me man, because me have you make you some years,

I've seen in the episode that's the voiceicita of the Masayan, no, I'll record

at the final, what episode was, and I'll hear the stories of Marchan.

Marchan is a person that was part of the army, I'm not it's, but it's

many of many of the people, there's on TikTok, terminated this video, go and visit them

and send them and send them the other people, super good stories. And I told you

and they told, also some some of some time, but that's a time,

and a family nocturnal that we going to let's the name of

Soraya, she is part of the actually actually or not she

has been of the the general, I did you military. And if they pass of those things, and

I want to tell something that me and my squadron, and if it was something that was a good, very, very important, that

it was there resulta that Soraya, they're a manned, a type of a campmement military,

a lot, so the place physical perimetra we're talking, we did more a

kilometer, to you make a extreme to even trotando, you're a good time,

you're the other, there were various squadrons there. No know how

it's this type of complexe in the place in the place. What

is that she's that she put in a turn nocturn. When she

is in the turn nocturn, they're to happen things

that the alarm in the campment. No directly for her,

it's the alarm general. Algo something got to the campament.

It was was near the area north and

come a squadron complete one on carmioneta, others marching,

and they're all in group to get to get to the lot of the lot of the lot of the area,

they're going to the radio's to sound. It's in the area, it's in the area, they have to be

in the zone of they're doing to start, and points of the point of

when one's going to all the campament is made a lot of the zone armed

and they're there, and they're trying to be in the they're trying to do this

parts, they even know that's they're in the group of

the campos of the center of the campment. In the center of the campament,

there's there come in the gritty. It's one of the militares that all

they're and he got I'm, here I'm I'm gotry, three grits to say, a silence

absolute, reigning in the place, so you listen to the military marching, you're

not they're doing the radio because they're doing a barred perimmetral. They're

emboscar, for complete, that person that entered, and when they're in this type, abrassant the tree,

totally inconsient. When they're saffan of the object, this subject, no does it, he can't give a description

of what was what he got it, is very confonded, no, he has a kind of

not a kind of, he got to be gulfed, they're, when our great, Soraya,

is sole in the turn nocturn, for second time in the second time. They're

talking between all of the other what was what's what you and they're

going to and they're there rumors about a girl, spiritus of the Bosque

Chenekes duendes nobody know with that attitude but there

no one one person says a person a

person a person someone that's a group of a group of a

supernatural because they're they're this certain and are militaries, she says,

no-se, but only she said, the people was a real of the not the person,

not it's the real thing, it's the fear, when you know, when you know, you know, you have to

transformer in impulse, you have to transform it in concentration, it has to transform in something

that you do a energy, it's a need to learn, and as you're

you're not you the world, the world, is part of you, and never succumbes

to it, the world is part of your arm. No, you know, you know, it's all right, it's all right. What happens is that the majority of the persons not are accustomed to affrontal,

nor to feel it, or to live it. Here you do you, you do you do, you know, you're doing, because you have to be alone in the night,

arisganded the peyeho and a basis nobody to hear that's there, I'm going to say that I'm going to say that no time, but the fear

is part of all the days, and was there concentrated, doing my Tare when then I'm sure that something and I know

something I'm now because they're all they're of those, and they're not they're not the person because what I

was a human. I'm talking to a movement that barackable practically from the

floor, and three meters of the height. It was like a circle that's

moving only. And for where it was all over all over that's

that was me to medentar. Soportar about And I got the way behind her

and I get a point in that that that's a point in the point of the sound are in a carcajada's

and they're in my sound in my mind of my and the same time in front of me, are so

atron-or- that I'm that I'm a new my body is a shock of energy, it's a sensation

horrible, see the eyes to get the hand I'm, I'm in the piece, that thing

and I'm and I'm and all the piece is a mancha a mancha that's a black that I'd be there.

We have light, and it's there that's a manch and it's then when I hear that I'm I'm justurred in the o'id,

and there my my body my body is a no is me that's got congelated for more that I do the instructions that

I've practicated more of two hundred many times of how to take the arm, to do that the mancha and I'm

can move with all the and I'm that it's a No, is a person. Boydor part of the commandant. And I tell, what? No, no more than he said,

Adelante, no me they'll be able to mandar in the nights to do. And the time, me can't. Me have to go to another place. You know,

I'm going to be because I'm asking. At the point of those nights, a little time he got to his scripted

of this world. No, they knew any idea of how it was, he was free, with a fear,

I'd, the arm in the hand and no they're signos of violence and the

no way, I'm in a paro, the car, the posture and all there's a lot of

you know that's I think he was he was he was a second commandant

the other the first he was he didn't with him a man, he's a type

good, a type of he wanted but he was he was he was he

I'm a question maldita for you, Dime a place

in the that you think that can occur things phantasmal. And of all the places that can have been thought,

many of you are going to coincid with me, maybe for experiences, maybe for stories, in that in

the theaters a few times occur in the other one person in the family notuctor, continually,

for diversas in the classes in he has been in a theater and there

in this theater, since a year, have been occurred things very

strange, but what he has been aterrower and he has to be to be

to get to know if you're in the place, or better go to do the

other the here. Here you go to the year, he

there's two years more? He's living something something

that a lot of that the theater was he's

preparing in Camerino a paper no secondary but even much more more much more

more than that. Simple and simply simply was to be there. Forming part of something to say.

A past of that our own our good guesting, is a person very nervous was a

beder with the hands frias, frias, and for more that he was

and sobable and even they said Augustine but you to talk to come to come

to the extreme to the scene to do you don't say not you say,

but if if I rigo and if I enter tart, and if I'll do you, I'll talk with something, and then they said, well, if I'd say, Augustine, I'd also be very preoccupied, and you just to come in, and yeah, no voltets, nor even to the public,

you'll turn to the other side that will be going to do, is all, you're all. You're a person more extra, into the extras, tranquill, but Augustine was like if entering in his world and if he'd alludea all, de-repeenance, they're to start one to one of

those companions. You know, that was the worst part, that was what Augustine was to admit, that what he

caused a fear of the is that he was the last in the other, nobody had after he

did he all of the all of and all of they were to be able to because the

those transseunters those who were that they were waiting

there and they're making and damans to the other other

and Augustine is the the idea, the the idea, the the

image that all they they were going to be able to be able. And it was then when you sentient tranquillity. It's supposed that no any of nobody. Also, it's the

first work in the way that will appear. No, the person that knows more in around this theme. It's just about it. And it occurs something because in the a while they're going to restyran to the and where it's open the the key of the abo.

After that, the key, yeah no it's nearer, and Augustine he gets the moment to enter in the scene. He distraged so for the person that was there, that and they've got them the nerves, so is that

he's the scene, camino, like a champion, like a transseunte any, he got to the other extreme,

the heart, and nobody was waiting. Nobody, absolutely nobody was absolutely, nobody, was there's ideas of it.

It was their imagination. When he crossed on the other other other, the other, they're there,

and then other, the master, and he was he'd be a silence, but they're totally

distraided, like, actions that were all the gave importance, Salvo Augustine. He kept

waiting the last time. So I don't be the ultimate. There's a other more. I'm

a little more. I'm kept waiting at the other extreme of the scene. For the minimum,

he's he's saying, if you were saying, I'm I'm

not going to do you. But no that's there's there's there's there

on the time, an apiece, it's a truerre the telon and no there.

And no there. They're all all a scene, saluden to the public, and they go. The public were other students around the 15 people. The theater was almost

but, after being, Augustine asked, oh, yeah, who was the person that was in the Camerino? Who was the person that was the last? And he said, No, you were the last, but I heard that they were in the baguio, and I heard that they were the keys, and

they started all those companions to Cuchach, and it was an company that said, oh, well, just that you're done the welcome to Augustine, to that the theater is enbruised. And Augustine, I'll look at the world,

the works of the theater, not the phantasmas and the men, the phantasmas invented, who are there? Who are there?

Who are there? And he said, in serious, Augustine, is that he is an brugated? The open the keys.

That's the back to go back. And when you'll ever to be, and you're sure to get a

shot, and you you're going to do that's a other work, in an ensigno, when he will to talk to his scene,

he'll be a little, he does a question, yeah, for his years of experience, that every time he

is all over that he's always to be more, he's always more, and all the he says the part of the

other. If he's he's a much more, because he thinks of pure things negative.

The master has made the last of the last he put the last thing, he's trying to get to the

back, he'll be open to the door, so it's just to vacill, vacill, until his

eyes. With the time and the past of the months, Augustine, and there are various

in the theater. There are passes between the bankas when it's a base.

There's a low-le- -all- like you like a person, he has responded in

many times. But the voice no emits- nobody, it's the same, the same

tone with the same the same moment, and the moment that he respond, don't

to talk the voice, because if I'm going to be going to be

going to another and I'm going to this. Hello, hello, they're

more to be two years that voice on in the theater.

They've have got all the person, and the voice is the

most this. And for him, it's he's the people,

they're giving the people, they're the people, they're

never they're never they they're part of the

chiste. The voice, they're a voice in-serrathered, of sure it was the first conserge, or our first soprano, or

was the first person who took uptub a paper principal, and that now here to remember us

that we're doing the inventos that the people. The keys are they're

not quite, they're not quite that idea, but it's a good as far, the end of the theater,

although is absolutely a bit, are ideas that are the people for always the idea of the musas

that are coming to come to them to the other actors that is something is a lot quite

quite quite that's a last thing to be a start studying because in some cases because in some

occasions the stress is so that no he's much it's an actor and has a

resource to express those emotions no has enough resources to regulate and auto-tankilize

no know how to get to get a stability mental and it's a kind of to get in the

consumption of certain of a way, you know, a couple just before to act, a pair

of cigarrito andres all, all right. And he, in that moment, is a

major of that, but it is nothing recommended for anybody that you

want to do you to be to be to be to the consumption of these substances. At the long,

it can't take consequences. But in this moment that is so young Augustine, he's still he's doing a solid-as-as- but we have to

have to be careful with the salinas' families nocturn. Because they're that are false. One day,

in a work of a theater that is especially tensed for the drama in

that they're talking of an invocation infernal how the things sometimes

are to get to get to get to a entire only a dialogue at the final in the

last scene. He was a dialogue intermedio, but he stressed so that he can't with the stress. Two words had to say. And he travoh, and tartamudio. The rest of the other people, he made a mirabrovation

espantosa, and he only aghached a little the look at a little bit very vaguely, with a voice just imperceptible, and he sailed rapidly from the scene. He's aart, preoccupied,

Is it that this not your career? Why, why always the things to start in the mal? Why is that too? And more she's out of the door tracerer, the

that's just the side of Camerino's and there's a country of football and where there's the entry to the stationationationation. And when there

there's three companions. He's going to get to turn to give a cigar, and he's back a cacketia new. One of the

malas customs that's doing and for the majority of the people are evading in those moments. No, I've had

done to see that the day. Because all they're doing to come to get to him, then he'll

get your casketia, he put in a cigar in the box, it's when he's when something very

strange. At the house, just for this work and for the type of

them, they've been contracted, or more been, pedid, service,

and a guard of the university, and he was there all know,

Don Rosendo, sentadito, The man with a refresh, with a man, and practically just to see that nobody's met a camel and no, if he wants to robber, because it's very amortive. Augustine is in the patio. He's, is doing his first boccanadas. His companions are back to return to the scene.

When he, front of his eyes, that is comingando very rapid, the Guardia is a charmer. But the chamar that uses the Guardia is blue with a staria black. And this Guardia, trai, a chamois of color yellow, with a starry a black. For some the

and some the mark that's very much. He's going to be the cigar it's like

a reaction instantanea like to think, and thener what's back, he'll be

to get to be able to be a minute but it is more to be 150

meters ahead just in the entrance of the station

and Augustin is and is when he's done that this

type is rocend rocendro is regodetto. That type is sumamating as trying to open the rea, when Augustine does some passes for the end of the

detail what is happening, and front of his eyes, he sees something very strange. He's a new vestyed of Monaglio. He's going with an incensary. And, after he had done that he'd have done out that he'd another, and in two parpadeos behind of this little, there are another more.

And in less of a second, he's a group of almost two children that are coming down with an incensary, and they're doing a marcher, very solemn. Some passos lent, recortado,

very concentrated, no longer see any a little no second. The problem is that now,

the that was a little lucid there. The rest of the people,

notice to get a much fear. He's got a matter of the

past. But the pasto that is the other other other other

other side in the other playing in the he has been the he has been a

something, because that's not could be be going to be going to be going to be going to be able to see when he

went to the scene with the book abirt and the eyes aberted. No took to ask him. Minim, he gave to the tranquillity of him. He never was the only that he saw these monagulleguos. No, he'll be able to talk for a loco, he's put very nervous. Yeah, for this moment, you know, you know,

that the master has been taking measures and for that you can't even, and committed a lot of errors, where he'll go and count, that's being the God, Sando, it's that the very probably

probably will be to do help in a lot of a bestuarial or in anything that you know

because the scene of you Agustin to make us alusin't. So, is that he's got,

and more he's a actor, and not that's a act of the not going to be a

focus of the fact of that being to be a break in the

thing, it's a breach of being in the theater. The grand question, what was what I did, but for the other side, sentirese valiant. If I'm fronted that, really not is enough to confront me a 10

companyers in the public. No, it's much to say two phrases there. This, guardar, not gritty, all vera of course, that's another, no, are boberies, and, at a set idea, the things started to flue. Oh, Augustine, was so bad, eh?

Because me says, no tardy A semester, yeah had two papers protagonics. Obrats chiquita, if you're

but they're dialogues of a whole entire. In the life I'm going to do that's not to do you

know about. I'm doing this but I'm rajable, no me chava, and the

master, and the master's the question, that's over a talent well, Augustine,

because I see where I'm going, apart of the companyers to ensue and to enslave and ensuy

and ensuy and ensuyer only and with the glasses and with lights and with light uprored and one once the master's and I said, no, no,

no, no, no, no me does fear any the theater, nor the scene, or the public. I want to be actor. And the master yeah me sonrilla,

and me says, well, I'm seeing to see, I'm going to advance and me to focus on that. And there was a group of people

in the team of the theater, that no, a fech. At the time, no, they're the one of them is the

leader of that groupito, and is the that all the time me has put in contra. Another of them, in the first semester,

was a great friend my. So, seeing, having perished the war with the principal, because, I know because I hate, but me odia, I decided to talk with the he was an friend.

And I went and I said, oh, yeah, I've done, I've done. To any one of the three has done it's done, and me started a lot of situations

that for his good and for his understanding, I was an arrogant, I was a despota. And he said, well,

me would have said, you'd be a good, some things that are I've been gone to. I'm

really for loggarer a good paper. If I do the image of despota or of arrogance, because I'm very concentrated. I'm not so empathic, because, whenever I'm empathic, I'm very nervous. You const. And he's kept vyingn't me the eyes and me, well, vending it, if you've done it, never

has been personal. And if in some moment, you offend, for favor, tell me, well, I'm, before, I know, but no, but no, you know you have to try to me so, and we we're going to send a

remedy. When the other two were to start to start me d'clock, he had made a

little bit of and he had to be a little of the group. We don't we'll not we'll

make a person, because I think you think you very, very enfocated, I need to

get my and for that I'm have to be a good, and I'm don't know

I'm I need to compete and I do you make the way, but I'm

my better effort. And, once just just was thinking in that I wanted to see them, and I'm going to make sure to do you, and I did count that if I'm

centro in me myself, the things I've done, and I'm been working in this, in a future, maybe it's a different, but right now me it's a good

I'm done to do and this two months, and I decided to go to talk with these two pelados, and I decided to go and

to say to the two, and the two, and there's the same, to make sure, and solusional the situation,

because There were two ensayos that were ruined for complete, because they'd tardy a purpose, and me they'd with more dialogues, knowing that I'm pettico, making my dialogues so large, in that moment, improvising. In that moment, doing changes,

me they're putting very difficult, and they're doing to do you guys specific, knowing that they were in interaction with me, and that needed to enter into interaction with, if no, I was going to be able to go on the scenario, and yeah are two times that me arroenaed the ensue, and me make

kind like a idiot. So, is that I would have to be a decision.

I'm going to talk to. And that's I was about direct and he was to say the things.

If we don't go to the good paper, he was to be the

better boxiator. And even when me when I had the

little and the back and I would end up that you even,

even even that me even even to even to get this this

and they would give to give a minute a to one.

If If we could have arrable the things to the good, the same we were to regal the bad, but let's we're going to rebecca. I was prepared for my two papers, the work and the rock. And I was waiting there. I put behind bambalinas,

and me put to be sparing. I didn't know of that. But me lo imagined how it had to be. I was going to be a very bad, paraded two-conra-one. I in the life had soled a gulf, no-one a moscow. I was going to lose,

but I was to lose, like the grandes, in front of all, and confronting the brabucon. And with that determination, I was in there. And, of a repent, I started and to come to come in much

firmness, and I started to I'm like a tor. Sentia that in the moment that they were in bestir,

narrator! And then, that one is going to go passing the side of the other of the cellas

that are direct there where we don't know the provadores. And I said, this is the moment, and that I go

coming with all my determination to the camerino and I go to the carerinos when the

when they're in bestire it, no important. No, I'm going to get a gritty and I'm going to make manassos. And I'm going to enter into the camerinos, vacient,

with my passos. Boom, boom, boom, boom. And he I'm going, Agir! Sal to one! Any apprages the loose. No, he'll help you. And he no me contested. And no me contested.

And no me contested. And I'm going to buffer. I said, D'n't there's a little bit more. I'm going to tremble. I'm sure. He was to say, oh, this, this is very broncudo.

Poor act. narrator. Me, I was dying my Mied. All right. All right. All right. All right. Look at the one of the and you're going to do

when the time. A me was going to be able to spantosos. But no, they were to do you want

because the light they've been apaled. A me favor. So, is that I'm after five minutes

me frie? Never happened. I was nobody. It was just on the umbrella of the door.

And Agirre, I'm going to go. And I'm here here with the other companyero, and where

they're going to begin to Uro and they're making to be to be to be had been so

so I'm that I'm so I'm cold I'm not couldn't ask you don't know

I'm a person I'm a person more I'm just me give a realance to do you

in this moment and me I'm went to the car and I took a and I

put a fumar and I just just to think what I got

to be going to go back to not you know I'm going to

have been bad I went to get it, I got started the work, I entered, just when I had to enter to the scenario, and I went to all, all of that day, and no those necessitated. I mean, I did know that they were a distraction, so is that the day

next thing, I was going to, I was talking to them, and to talk about them, I had to make more direct with the things, and, if no, something had to do, but also, I could have to me distracter that way. Well, something because they've got to look me, and the work, the work, the work, the things

they've got them well, I'm going to top with a situation strange. The other friend, the friend of

the other man, he's always still going to get direct to the scene to do you. We're going we're all

all we're all over here, and he doesn't give to any vestuary and it and it

and it's a minute, I'm going to get to the people, I'm going to get to

all the he's going to get to all right to make sure now so it's so I'm

going to make sure and I I go, hey, hey, hey, come back, come back. See, you, the scene. But I go and I'm talking with the eyes

because I'm starting. When I go to the scenario, no-in-nary. And he went to all parts, and nobody me is to put in attention. I was there

had done a trifulka, that all of it, that all of a way a very brabucona, but it was not so much, he didn't make a tone that aggressive.

And then, then someone's to come, me to say, and he said, well, I'm the, and I'm saying,

well, you're, you, We started the ensued. Me day a vulta, I've got it, and after five minutes, they got her and his friend. But they'd, without the ensue, they'd

get out of the other, and it was it too many, and they were two because, why I was seeing doing? Why did it? It was the same that passed with Aguirre, not I've put to think it. A few time, it was about

a narrator. I got very very very time in the ensue. It's a new work. In this work I have a I have a protagonist. And I have two

pages entire of dialogue. It's a monologue. Something that I've ever ever be I'm going to get to be

these types. Apart, my person again not the subordina the action of the action of them.

Nothing me affect. Nothing more more I have got to do you work of my memory,

a better in the development of my person, to be to be able in the

scene, I'm going just very very very scandal, me met

for the part traceras without a reason for because no they're not to get a but I'm

coel to the theater. I'm saying when the repent I'm know the musics of the theater, but

then they're more passes and more passes and those I start in camerino so I'm so I'm

so I'm the light, and when it's the light I see a middle of the people the people who

have the post in the scene they're they're in the carerino and they're

in the side to another. And when I go coming down to the light and it's paga. It's a very extrano. I'm going, let's start. I'm going to get into the carmerino. When I enter the door, it's

a little, I'm going to get a trap. Me going to grab around between various, because there are two more that have been to the endvety, because me has been in the papers. And then I'm there, and I'm going to set a ballop, a burrower, or something. When I'm going to frown for my minutes,

I flooho my puns, because those were very abetable, for if something was over. I'll light, and around the place is completely vacill, and there me do you know that's the latter.

I'm sorry, I'm going to do my time of my people and they're to be there. And no, no, there. When I was

to see to see to see them to one of these that I've seen in the camerino, but not they were in that they were

that they were playing a bromom and the third time that's the first time you and I'm glad to my and I'm

He said, Hijo, here, here, we see, we know what means. That's the much

care. And I said, K, Abuel? Me when you see, when you get to get to the

death, is that the death. Quiddle, because if are the many, something,

and a matter of and a time we're going to the road, the carretta that we

going to take on the transport is a very big pern' and I know what

do what do. There's an effect paranormal that generate this channel

and it I have to have to many of you know some of you know, I'm going to

get into after you're going to after the because of course you're never more you never more

you'll see that true, they're going on TikTok but you do this because I

gave a story in that I don't know I'm really very content and I'm

someone more he said you know, you know, you know, you're that you didn't,

but what Silent Hill was, but what Chris that was that was Silent Hill

the first But, I mean not occurred things paranormal, just me astus'd. And me was at a night playing the

videojewing, and then it was a madrugat with all and that's all the way, but it's two episodes

I told it, that one person adjudicable a lot of events to play the silent hill,

but it was a reditch but this that I'm to tell, what they they've

to make, and the person that me said, look, it's for me

the game, but if it's for to play the game. No, I'll to know until the final, and if you have a theory, for favor, tell me it. But this is he occurred to one person for playing Silent Hill 2.

Our substitute, to the person, to call Justino. The good Justino bought a version digital of Silent Hill 2, a version remasterized, to see it in a panel very beautiful in his house that they had been regalado to comele-a-year-s his

papas. He, to his 20 years, very content for a semeanty-regalote, she kept a fine of a week only that no had nothing to do and no any type of

the study of the university she kept with a time, I'm going to give to the maldito

or the game and me will be with his various finales. The

game it's he's a pair of a set up but particularly it's

he's a much it's a difficult for some not so complicated for others

but are much many hours that he he inviart. And if he's a little. He's sensible. Justino

is si-sient, and when he was playing, he seemed to where they'd realize all the bellows of the body, but that's not detainee. And, de-repancy, he'd found that the body was that when I moved the quayalienable, he tronable, he'd tron about the shoulders, and part of the spalda. Empezzar tantito the

omens, and all the column, he'd, he's about tronar whecito by whesito. The manus had had, paltolidas, palds, with much dolor, that pretexts, that He was to be the control of all the tension that was going to goarding. He gave a while every 50 minutes was better

to make a pause of 10, and he was to come in the room and a pair of laugarties, a pair of mariposas, something of exercise, and it was like the body was to move here every hour.

Every three hours, Ibe, he meted a-a-wagued, because he said that it was not a attention that would be to end up bad.

And he wanted to cover the the game, but not he could be to cover like the characters

of the So, Justino, he'll do the two of the finales. There are

many more. And he kept a satisfied. Never had never had done a single

one of the time, never had a time, but he put up and he was a

finales, he was he was he was this that I'm about to talk to

you. Hege the lunace in the he's going to go to

a time more time. It's been a too too many

times, but the routine of exercise and of the banio, it's a very clean, very, very,

and also not it's not a bad at that's not going to go a game that's

a week, this week, and do you do it, and even is also, he's thinking to go

with a person who manage massages because they're not the

arms. When it's the time, at the six of the morning,

just maybe hour before that his papas, they're up to

get in the work, he's out of the room, when we, that the door of

a room, that is like a quarter of a little, is a room,

is a place of a meter, a meter and a middle, in the the

the one, there's a tachas, all this, they're in the

the passio, and in that armario of the blackos, it's open

the doors, it's a woman, that's all with a white

rota fea the woman see that has been the hair and he's going

and he's going to the house the path of the door and justino he gets

frio vying I'm too that the bad the

the was the the of the personages was something that

the demoniac satanical infarnal not it was a brumador, feo, suffocant. And

after two minutes of being, the door to be in the patio, Gustino, he went to the court of your papas, and he's going to come in the court of his father, knowing that he was to run to say, and then it's the voice of his papa, what happened? What, what happened? And Justino le says,

Papa, discolpame, I can't pass for the rastrillo. Like if he had no had the sui. He said, you have the tuo. It's that no I'm going to present. Me prestes the and he says, no is hygienic. For favor, me urge,

I have a hoax, I'll change. Passa, passal yeah! And then, Justino, he said, Papa, the door is closed. The papa, the papa, the papa, he put in the foot. It's very modroro. And he says, oh, that rarrow that's been open. Passal, go, and, let's have the rastillo. Justino, what you want is to be sure of the room, that's in the room. He says, oh, yeah,

do you, do you know, do you're doing your mom? Well, would have been better, if not us would have been up. Yeah, pardon, papa, pardon, papa. Is that me want to rassuror. Justine, with the barb of two, because he had rasurled the Wednesday earlier. But, look, no, he never, and he entered for the supposed rastillo, he'll take, and then when he gets a habitation,

he's sconding the sui, and he doesn't even what was what happened. He changed the navagher, and he has to rassurrable to him, he'll go to his papa, and the rest of his laparer, and a rata little bit to be there over his lavabo, for that he'll beauntary, and it seems like a day habitual. Passing two days. Two days in those that are very nervous. His papas are going to get

too their work. Her mother is going to get to a friend of her

she's in a not a he's not and he is all in the when he's

something really very, it's like if had had been the

console and would have got to get to the

part to get to the pain and the mind is a so hard

that something that a necessity of hear respira on the

exhale for the mouth inal the nose infls the pulmones stira the

try the try the back to make the back and it has been because it's

all all so when it's it when it and they

they do they're not they're really they're really

they're wussudas are very very very very very

and he dole, like no idea, there's a bit of the scapula, enterand her just in that wiquet, and it's when neither she

even is even even when he's never the second the sensation of those hands. But he

just put to the foot, and at the front of the passio, that woman is the looking

directly to the eyes. The eyes of this woman are blacked completely and they

are in the obscurial because the passillo is completely apado, but it can

can be perfectly there. The woman does a turn in the room in the apartment of his parents. He,

a sustado out of the house, he goes directly to the cochera, and he gets sat down

in a position that he knows the position of the chinito and, pardon for the reference

but so he's he, in the he cruises the feet, he's a hand the hand,

and he just there and he and he he's still that the time to come to

make a light because can be a But as they have a portone electric that's the lever, he's the that he's the guy

to get that he's the he's going to be when he's a car to get a door his mom is the door to say, what's the

you've got to you're still, you know, because there's a door to and just he said, yes,

but I need that for favor, me get them to buy medicine in the pharmacy, me can

get to you're just you're not, if you're really bad, you're just you get us to get us

to consultate to come she's my mom and he's up and when when they're two quadras and then you know I'm

I'm not I'm not need the doctor I need to me listen to my car and he's going to the papa and the

mom to see what with a car of what he does that he has the vehicle and he he says he's going to

get to you know he said no no papa I'm talking in serious I'm too I'm talking

really and I'm you're going to you're going to the but I'm you're going you're

you're the days. What happens? What you got into something? You metiste to something? No, no, it's these types of things. You have never. You never, Embarce you. Embarceasted to your No, Justino. And then, Justine, he says, for favor, me can't

let me be? The papa and the mom see, and the mom, he says, is the poor than that. And Justino justine, justine, never twer those eyes, he has to mordered the language, let's put the hands between the two ascent, acercairca, and say,

me can't let me forget to talk, for favor. They tell what I I told to you, the woman that and the mom that is the first person

in that house to be in the whole thing in that she never is he gets being the move the

head of the head to be a very very serious but she but she's not that's waiting the

but is waiting the burlaping this is but in bandeja of the little to you have you

a piece of a and the baby I mean, CRE in phantasmas, whatever but the mom,

she's going moving the head to be to the father, he's he said, no, we're not,

that's bad, and the person to be a senior. The Lord, he has

seen the other than the when they said, that the end of that's

his son had been born and he was a bad-of- risk,

and not they were going to get to the last, and she 20 years

after, and He said, clear that the sir was saying, he said, what is what is what you

is what you know, because the other day, every time that I'm that I'm that I'm

see that the house, and my life, and it's a woman horrible, and it's

like it is a little bit of our life real. How he has done

what I know what I know that's that's that's when they when they're

when they they're when they're that they're going to to sleep to a other

place. They're going to get to get to an hotel or with a little bit of no more.

And justino me says, Narrador, we have called to my mother's my mother, when we

said, and we're we're going to get in this side to the house, instantaneously

responde, also, they've seen a woman that fea. And all we want to what is,

but my papa says, already not because it's the night, and he

is the he's the he's the that's oh, no, pardon me confounded.

We've got a fugue of gas, we've got to revisar, but we're going to risk. Ah, that good what you say's to not to go to the house? Avicen me when all the day

next, they invite to do you. To say that they've been liberated of the and in the day they're they're all over

of the men, and they're just they're just they're doing with a look like a car of

indignated, because they're that they're that they've been that never them ever they're no matter, no matter

and now, and now, and now, and now, and now, and now, and the mom, he said,

look, I don't know we know how much the time of phantasmas. What we can say? All there

are in serious and bromas. But the reality is that they're trying to know how

diandres are to front of this. Not some those people not

they do you don't think in that. Justino Pid disculp

many times. I'm I'm just I'm just over that game. And the

Papa he said, ah, has played things he's no is

that And I'm a fanatic of the movies of terror. No, it's that also. Something is that they're going to to ask them

and they're that it's a house, that has been in the case, two persons that had acquired,

they put it in venda, justly because they said that inside of the house passed things raras,

but never found with that attitude that. The problem is that it is that once that they're

that they're that they don't see. This circumstance is the that's the people have but the

parents of justino had very good good hours and many plans financials. Apart, they

were at point they're at a point to buy a house, it's part of the business in those that

they were incursionate, decided better better than that car, and they were a

little more more tranquilly and that the little more much more

and then justino was going to go to all the possible. You know what

happened in the semester of the month? More of three people who had had had to

the house to get to get the place. And they're there in my Riddletes that said that's a

house is that's a shister me I've put on so. So, so just

he's he bruched all of his house for going playing

Silent Hill 2. And with this history, my dear family noctur

I have been to the The first, my dear family nocturna, preparense, because we're

to move to the year, we'll come to the whole of the city, so is that, for favor, enter in our

channels of diffusion, give to click to the link that does the and the places in

that we're to be able to let you don't you know that you don't know that's the channel.

Ah, but no you need the idea of the comedy in the experience in the

time you can't this have said this. And, getting to the final of this episode, I'll ask you, to the final, to you guys until the final, for what we do? You're doing the stories of terror? And you've ever lived here,

subscribe, and, give it to, give it the bell-a-companita, and permit me, give to the welcome to the Family Nocturna. And if you're not, so, see us, dan us the five-strelies. And when we get us to

790,000 followers, that yeah no-faulted nothing, Faltan few in that moment we'll submit we're

the next public a secret exclusive of Spotify one of this.

We've been we're going to we're this day I'm so that I'm those

funes passidias bye bye time nocturna how did

another another yeah yeah yeah I'm yeah now

now so I'm prepared in many of the other so you put

on all sit down more a lot more, and I'm going to go ahead and I'm going to go ahead and so I'm going to get to another

if you're going to because you're going to be you're doing. You're suplier. And also me said it's other.

Oh, I'm just doing straggos. But it's very fun. It's very really.

Yeah. And in the in the in the vivos in the vivos, it's is very different. Because I'm

I'm just I'm and there's the show and the the people me said, oh,

we need we need we need we need we Because we've got around in more of an event that we've got to

all and all another, and one, one also has one also also one has a car, that's not

a lot of another story and the other side and the other side. But the family

nocturn it is so there this story. This story, a very, is that are two stories

that are very strange. Let us let's see the I'll be to get to the first

story is a story very very, very, very very, very that, oh, a hell,

that are very few people that are in this, but if you're living a like this, take cards

in the issue, not you know, it's not bad. We're a good family

nocturna to which we're to put to know Renato. And the good Renato

has a subrinita that he's he's but with all the car

soe. Soe and Renato are a uny mugre. Renato has

40 years. Soe has around 7, but is the the little bit of his eyes. All the time is looking

to buy them and he's always want to be in class, now what you know what I'm there's a new bed

and that's all that's all over his wife. It's a more time with him than his

father. Renato has home office and he's he's very good in his

time time and now he's a son-sobrinita is practically all the time in the house

of his mom that is where he is where he he has has done all the things in the work

and he's all the time is for the time is to say. And there is a little bit

in a little in a occasion and not the he doesn't why he

he's a house a a bolsa the box the box see

fea that that they have like restos of things

medium sacuos around there there a circle of

there there Around there are monticulus of the monticulus, and one's salemusans, and others are in the omissions, and in other there are a lot of arrains muirtes. When he sees that,

he's too elaborate. It's like that's like that you've got in that form. No, he knows of these things, but it's more than obvious. And that's a brujeria.

He is a person dedicated to a situation related to systems. So, so, of these things know, no, they're interested much.

If he goes to your house, It was a tinna mediana of water very And the roger It's over again It's all right To have to be

Bacier, To desacers To desacers to Soapurrero So far Those things in The middle of the Calley

He gave the All right He thought of it He'd He'd have Some someone Or else But he

He'll give us a Mala Brom But no My Momba too And sooo-Suppernita Cauter here The Wives'E Coole Wants'E

Cookechior to do that. Maybe some some of the chos there are families new new people that are people that are the

people who are the people who to get to be a bruce or the that they want to be to make a

make a lot of a person to do you do that but in the same of the end of the same

of the head to the abel and they do that the invitation to do the

night in the matrogated he prepare a sandwich he has a

one back he's done a part of more of more fast, the door of the entry, all of the

entire, and go to the room of Soe. When that's his instinct paternal, is active. And then, then,

he'll get the vase, and it's the plastic, no, and it gets the Sanchez in the hand and it put in position

of defense, and no needs to have more problems than that sensation. It's a type,

like, mediumament sensible, he's really when someone is to when someone

when someone when someone goes to the temperature, is someone like is someone like in the here and in the hour. So is that

can't get directly the room of the room and when open the door, see a scene that a

whatever would have infarted or a minimum would have arraught, and he no. Be that

around the camera of the little there are four subjects that are that's

inclinous, and his hands are going to the the little the new. The new

Renato knows what is it. No. Levanta the voice, no to get alter to the

little he'll be coming and he a crotch, the braza and then he gets to

feel that are the hands very pesas those who they're doing those

hand to the little bit of his forces he put in cuclid because

she he's that you have got the force in the not the power

in the not to get to not the back the but it's a

little a chloe and it's feel that he met in a tund of his life, patadas, gulfs, rugs, mordid of all. It was a little rarer.

Because he, with the adrenaline atop and with a situation of protection, but a mil, and an odio and a courage to do you front of these things, as never in his

life, it was thinking how he was to sort a shot a gulp and a patada, but it was very strange, because all the was all right

was inverosimil. How could be acting that way with that rare. No, they were people what they saw, were they were, like, were you, they were supposed

humanoid, sedent, something. He's about the little, and he's abasantly, when he opens, he's a costed in his camera, back up to the

top, it's the day, it's he's done, it's all ingarrued, and the form of his hands is the same form that

in his dream, he had to be a man. When he he's all the body, and in this is a

son, and it's a cower, of his sobrina, she put in a almost a brink, and when open the door with the

heart, not the end up me, because what's the pasto to her mom? And the two are doing a good breakfast, all the little bit of a

coffee, canela for there and and soe, the saluda with all the boca manchada of nothaling, saying, hello,

he, he's he's got, the braza, it's all in some of the liens of the little, and he says,

I'm going to do, I'm very bad, dorms, and she's to be able, and she's to be

a-re-re- When when the space and see the face with various moretones all the body full of

rascuions and mordidas know that what he was a night, it was a thing.

I said a narrator, I know what to do you do you recommend that you with psychologists and then

with exorcists I'm going to the three at the way. We're going to see what you pass on the news

but I hope that this just not just has been a super and that not is

my new my son-o- my son-o- and not I'll be going to pass nothing. It's a very

very very so you know that you you're going to say you're going to say we're going to

that's a that's that's that's that's that's that's the

family nocturna and I know that we can't the stories that we're gonna we're

we're going to do something really really something What they've got to me mandare to have more data of that but me mandator,

there's got, I'll tell all what I'm going to tell what I was. Result that the end of the same, I'm going there for the life, like a narrator, and I'm going to walk for a center commercial with an underniko, tranquil, relaxed, you know, of a way in the way in that I want to pass disapersivode, so that the people not

see that I'm not so I'm being the narrator. So, I'm disfraised as a civil, making a comminado typical meo, that the people no recognizes, is a form of mimetize with the rest of So, so I recognize various people of the family nocturnal, very easily.

I'm going to a tinder when someone put in a hand, I do a pass to back, and I say, you're the narrator, and I'm, that's the narrator,

or the answer, or the question, and then you're a little bit of night, and he says, yes, yes, and he's

present, you, send a good salood, Max. And Max, and Max, me says, I'm a story, you know,

and I'm the question, and let me, for favor, the history, and then we're going to to tell. And to the mother,

like they said, it's about very strong in the history. This passed in many years. And the history is counted within the family of Max, because he passed to her wuela and to the family of her. The Papa of Max and the brothers of the Papa of Max.

For some circumstances of the life, they just had to go to live at Veracruz. When they're going to live at Veracruz, they're in a situation economic, very complicated, very, very, very complicated, but there's a person that's a family that says,

I have a house chiquet in Veracruz. Not is a beautiful. Yeah, you have to make her many hands of gato. Aparted of that, I'll say,

I'm going to get with nothing in the mouth. No, I'm going to go back. And then the abuel of Max says,

you're going to say, no, I'm going to say, say, wait, because not just, because it's

not just, for what no, because to get there and to those that they get them. I'm not. I'm not. Just because you're saying that you have this necessity, but I don't you recommend. And he's but why they're going to be bad? That case is of the devil.

No, if it's the devil. Why does it? You'll have the count if you're there. But, look, if you want to give, I cede, but no I'll recommend. And no, you're going to do it apart. No, you're going to do that. Well, they're in a situation so chaotic that when what they're saying is, so,

abiered, they have to go to and they're in this adventure. And they're a little

the garden, is a garden great, has a many, there's many, there's many

many things, definitely it's a fact that there's a really good a man of a

little, a house, a lot of a bit of a lot of a lot of a latrina and then

he's just a patio very great that patio too that's really too the house is very

and this is in very bad stout, all the house is of the house is of a old, socia

in any moment has done a part of the part of it's been podrida

see where you can you and it does it you're you're

you're to part you're to part of those but it's very

very because when the bula to that the door and

it that she see too more more more

more than whatever has done the the wall is the same. The house is horrible. The color that is

like chamoskado and has an aroma feo. The worst is that it seems a a drama. Because, after having entered, give a little bit the door principal, and they're going to the center of the door, written, Satanas. Dicen, in what moment is he said, the sposo, but, look, no

no, no, they're going to be able, but I think it's a question to puten us to work, and in a month we're ready to live. not is a place very beautiful, but we can paint the madder,

we can put tapices, and we can't we know we're of things. Well, if no, we're not going to

another, it's not so it. And I said, I mean, a little, it's a moment in

the patio, when they were going to start the malice, there had had taken a lot of

things. Of the ones, there's salient, salient, not when there was

and they were they were not soo'n't agressive, tarantulas that were directly to pick and they'd persegued. They were people who'd have been to confronters to, so no less than me. But it was very rare, because if you did you do something, then you'd top about the arrains

pecanas, sumamentousas, and not were the cras of the tarantulas. If you not did you see, they'd have other, it was very rarrow, because that was very evident. It was transformed in part of the rarrels of the house. No, you do you do not

to the tarantulas of the patio, or adentro, they're going to pick. But when when one of the primos of this family, and he went there the house, and when he went to the

patio, he went to the tarantulas, and then, fom, that's suelt a good trancas, that he makes to make a to the house,

and the first that is that is that the other arrae is that the other arrains, he came in the car, and he has been in the hospital.

The Puertae. Until seven capes of Pinted Pinted the PINTAZO-TIN-AZATANAS Because, apennas, no pass any 15 minutes, they'll have, and again again say Satanus. It seems to say Satanus. It's like, a little bit of pendent.

It's going to beck, and the same typography, exactly in the same point, with the same tinta. And if you're kept doing all the time, never see that it resale the name. But you'll have the vista a second. And when you'll see it, will have there written the

word Satanus. Nobody knows what happened in that happened. But if you did it when they started

when they started to clean for the end up because the walls that are like chumuskata that for much that

they're they're they're they're they're and then the gris and then

it's a horrible, it's a lot of a soo and then again

again but you're all the things all the columns of the

have symbols written things that they they know they're not they're they're in

what you know, but when they're they're so they're so they're a need

to be there. In one occasion there's a time, the tea got a time,

a little in the house was that's saying malditions

the tia more that's the time and after after the

hospital he put very much was a much she started

to talk to the tremendous in his ear right. And then he says,

no you know you're not a third time. The doctor, he's going to pull up the eye.

And it's something that's that's all the more medication that's not the doctor, he's, and he has

curations, all the day and then the next thing he's a time, he says, he's not the carnais,

is that's not a lot they're doing and being and looking and when then

when then a night that his husband and his children are out of the house, and she's

all right, they're to get a relampageer, and get a wind awionate that's

that they start at the point, they're some truenes and some relampagos and they

see the silhouette of a man just in the umbral of the door to the

door. The subject no doesn't a person. The person to

the top of the top of the top of the part of the case is still still for outside of the house and is superior to the part of the

mark. Problems of the cintura to be down. It's like if it were the quarters of a caboio. But conform you're going to the final of the patas, are the pats of a gairo, with three ines alarged. She's a little bit of a lot of the case, when that thing does a stepher into the samelante complete and for a rayo, all that sombrae kept marked with those cairns in ombers that go directly to the sky. She'll be that he's

that the heart and he's he's he's a name that's a man who's

that's and he's he's right of the other lampageo that she she's

she's she's she's she the door to the house of a house of

she appeared you did the end of and that night they're they're

coming to live in that case not so they've been they've said it that in that

case there was that never had had that she has in this one month. The people don't want them

want to be the night. Yeah, we've got to the arrains, of the woman that appears in the

patio, of the hands that are you know that's that you know that they had talked to see that

the front of the owner of the house. Wow. It's a very strong. It's very very

very. Max, tell you thank you to the story. It's very very

very strong. And well, posisita, you got the stories? Pamina Rourourourourne. For me Arturra,

them If you've got to have the stories, Quenten me in the comments which was the story that most you know the and if you want to the

extra, then see us in Spotify, don't the five stars because we're going to the million of subscribers. Now,

we'll go to the next the next the next week. I'd like you'd say that's good best of

bestisett. Bye, bye, bye. We'll see, Bucysita. Bye. Andando as a

narrator for the life, narrator and like a narrator for the

life, I know that they know they didn't they're in the trap

of the bocecett Why not you cut this? It's that's

very fun fun bye bye bye auto humiliation

Thank you.