HABLEMOS DE LO QUE NO EXISTE - Historias de Mediums Aterrados, Contactados Confundidos y Vínculos Siniestros | EP 280
Episode Date: April 7, 2025Bienvenidos a ésta Oscura Fogata de Historias de Mediums Aterrados, Contactados Confundidos y Vínculos Siniestros en @HABLEMOSDELOQUENOEXISTE El día de hoy les traigo historias espeluznantes qu...e ustedes, querida familia nocturna me enviaron al wts de las pesadillas . Escucha la escalofriante experiencia que vivió Raúl cuando se dio cuenta que por las noches en su habitación, no estaban solos, había algo oscuro y antiguo flotando entre susurros espectrales. Conoce la Protección del Laurel, los DEMONIOS de Carbón y las Maldiciones Fortuitas de carretera. Tal vez te convendría no apagar la luz y permíteme desearte suerte en este oscuro recorrido, porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.
Transcript
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From Binge All Episodes exclusively on Paramount Plus.
Welcome to Family Nocturna,
to this iscura fogataties.
The day of today we're going to talk about
mediums aterrados,
contacted, confunded,
and of inquels,
profoundly sinistros.
Today, we're going to have a fogata
a little more
oscura than the
so that's the
new are new
in the channel
maybe you
would be able to
not to be able to
all the lot.
I'm going to
go and they're
going to
little fugito
in the comments
according the
stories that
they're going
sovereviening
because I
hope that
they can get
to the final
of this episode.
One
once said this,
to all the
veterans and
all those
that form
part of this
obscure
the family
the family
more
is a more obscure and more chida of internet, the family
nocturna, let's pite in the
commentaries, putting in a loanita.
That's just to give you a little
good suerate to the new.
Deceeing that, ohla, that
survive in this episode. One of
said this, we'll, comeens us.
Raul is aterrado,
and you can't doorme in his
abitation.
Of course, his house entire
he represents a profound amazza,
and I'll explain to why.
This is something that is
something that's occurring at the day of
today. And no
know what's
what's going
in your
house.
But not
is something
that's
it's a
thing.
It's a
year.
Ace
years,
Raul had
a certain
or 11
years.
And there was
a
time in
that they
were
doing
remodelations
in
the
part of the
remodelation
was that
her
was that
a
little
very beautiful
very temat
for him.
And in
that time,
as not
only were
only were
just the
adequations
of the
apartment of
and the comedor, he
he had to
get to
to be in the
room in the
apartment of
his papas.
His papa
not would
support to
that Raul
would be
in the
room and
apart,
dormied in
the
room in
his wife,
so he
he bought
a little
a little
little
soficient
great
for that
not the
enough
that you
that would
be a
much,
that's
a little
he.
That's
the siloci-
he was to
just were
a time
a lot
two months
in
what
that they'd
in your
apartment.
And now
if
fellisement
to go to
his
house,
and he
now
would have to
have to
the
little
to be a
little
to be the
time.
Raul,
when he
he was
a
good, it's
a
good,
not
not
very
very
that
not
very
as
to be
to
want to
but
so
soficient
good,
but
to
do not
a
good
time
a
time
before
a
new
remodeled
a
personal
It's in these circumstances, in where
comeends to occur with the things that I'm
about to say. The day is normal perfectly.
When he gets to the abitation of Papa and Moma,
he's got first that my mom and Papa
have been a good rato together, for then
he'll enter and simply beacostarse and
do not be a molestia. The manchew, yeah is
a quite conscientious this age. So, a
night, go and he's acuesta.
To let me say, this not is the day of today.
this was
10 years
and in
that night
having the
between
10 and 11
years
there's
there
there's a
there
there's not
no
is no
there
no time
no
there's
but he
after the
night
when he
when he
opened
the
time
he's
he's
so
he's
so
but
the
but the
there
is that
there
is that
is
something
that
is
a
little
a
little
the
Something something
that's
not stuiered
time.
It's 11 years.
Not is that
even after
literally for the hour,
literally
for the ad
and his experiences.
So,
is that it
is that
is that
is that it
is a point
there.
Some a
part of
soniditos.
Are you a
part of
that no
corresponded
to the
room,
in no
hour of
the day
and less
in the
madrogated.
Because
are voices.
Some
voices of
people,
and voices
of persons
that
not
of his papas.
Some voices that
are the
door of the
door of the
door.
But not
they're at
one point,
they're
the end of
the
extrems of the
room.
The other
left to
the head to
the
side and
observe
to the
corner,
and he
looks to
see
two
the
of a
woman
that's
that's
not
and they're
and
they're
doing the
back
to
Raul
and
his
and
they're
talking
continually
he
he not
no
the
movement
of
the
He doesn't move in the
Bocas, but he's quite
perfectly the voices.
It's like if
they're reciting
something to be
a velocity
that's a monotone
that generates a
and it's difficult
to understand it.
It can be
your own, it
can't be a
other, not it
when then you
see the
right, that
there's
there also.
Voltea
to that and
there's a
other pair
exactly
exactly
exactly
the same,
but
vestido of
the
left of
the left
the side of
the
are the
sombras absolutely
oscuras,
what he does
think,
that maybe
are bested
in the
black,
but the
cabel,
the silhouette
of the
head,
the altitude,
the altitude,
is identical,
is identical,
only the
robes is
black,
it's the
night,
no,
there's a
little
light in the
room,
then then
notice that
is a
color
clear and
it seems
a
person,
and the
other,
and the
other,
they're
being
understand those, and then
then she begins to
feel a fear,
if it's
like to get a
car to get a
thing, and it's
like they've
made a problem
to get to
get to get
totally dormant.
At the day
next, in the
almurso,
with her mom
and with his
papa, he
not remember
the things,
until his
father,
he's got to
a carcahada,
and he said,
oh,
hey,
you've heard
you,
you know,
that you're
a partads,
like,
if it was a cabo,
like if it was a
perro,
like if she
were there
and could be
there's
and then
in the moment
Raul's
he had
seen the
night earlier,
and he was
paced,
but no,
he was
saying something,
that was obvious
that was a
there was
there was
there was
another person,
apart there
were people
were not
people,
that's ridiculous
that I'm
maybe he was
in some
caricatura,
maybe it
maybe he
was in
some part.
His
his
he was
a soniando
no
you don't
say,
a cackayette, and he has much
a case, and they're going to pass
various days.
Until that one day in the
madrugada,
standing there in the
room, and after
to have forgotten
that success
strange of the days
earlier,
something,
but now it's
a matter,
but now
has a little
days
back.
Experience,
identify in
seconds,
that are the
soundings,
and that's
the first
that's heard,
so it's
that's the
side of the
left,
and then
the side of
the
extrems of the
room, and in
both are
the
two people are the
two.
Now, now
is that the
robes is
black and that
the rope is
black, because
the door
of the
room also
is there
and just in
the room,
in that
door,
there is a
other one
that's
parted,
but as
if it's
a perfile
to the
camera,
imagineate
that
you're
the
door,
and they
positionen
putting the
the
Frent to them, there are another
Paira, equally.
One of vestiges
of black,
are those vestiges
of black.
They're identical.
And now see
rascos in the
Rostro,
are like if
were clones,
are the same
cars,
are the same
rascals,
and they're
at the same
rhythm,
all, when
be that
he's just
he's just,
it's like
if something
he'll be
to be
the energy,
when he
doesn't,
it's
he's a
cold in the
camera.
It's
has a
terrible,
terrible.
Yeah,
no
He wants to sleep there,
this is
easy to
forget.
Now,
this is this
not can
be a
dream.
It's sure.
He's sure
that was
still that
he's
his papas.
His
papas,
now see
a little
too
and he
has to
have to
what he
lived on
or if
is things
that they're
living
as well,
so is that
in these
is that
he's
thinking
how
out of
but
we're
the
visitors
not had
their same
no time,
and they
were
to be
to be to
wait to
that he
was
sure
or a
good.
Because
one
night
when
was
thinking
how
how
could be
to
help
and
they're
to
see
a
change.
Now
there
had
much
both
both
both
two
and
both
in the
door.
And
another
pair of
those
which
emanable
a
light
very
bright
was
a
very brilliant
segator
and
when
he
she kept
looking
to the
light,
simply
he was
a good
a lot of
he was a
very much
and he
during the
next
days,
he said to
the
father,
that for
favor,
no
it's
not the
room and
he
would be
to
get to
to
get to
his
he's
he's
going to
get a
little
in the
door
and
he never
the
door
and
you
do it
not
normal
because
has
caused
problems
in
the
house. He has
the door and
try a
chair of
the committor
the one
put down
of the
carer to
that nobody
making
forces by
that could
open to
the door
in the night
because what
what was
in the
house
what is
the
what is the
problem?
That
he was the
put to put
to put
to put up
to the
door
and in the
part of
the
light very
brilliant
a light
a little
a little
a legated
and even
when it was
a
redigita
the
of the
down,
it was
all the
quarter to
that level
of the
rule.
Raul,
during the
next years,
he's
a,
you know,
form of
a little
insimismated.
No,
is able
to be
with the
other,
it's
really,
so sure,
it's
that he
is a
other,
that he
doesn't
not,
that he's
different,
and then
his parents,
in
other to
start
involved,
in
that he
he has
more amissities
and that's
a person
more sociable
they're
so tired
they're so
they're
so abrued
for their
day-a-day
that Raul
has done
that they
have done
to present
the attention
since
long
in some
time in
the next
the mom
does a
notice
you're
to have
a
little
she's
she's
not
but
the
months
advance
so
that
that
He doesn't be
because he doesn't
if they're in
a danger or not.
He has
he has
a lot of
that they're
in a way,
that all of him,
that all
all is going to
be going to
be doing so
that's for what
he can't
be related to
his head
no, he
doesn't
his
his brother
and at
that time,
there's a
moment, no,
there's been
to appear
to be there
no,
there's
no more
situations
and
pass an
10 years.
Raul
today
has,
between
20 and
22
years.
has an
brother
of 10
and this
history
was absolutely
forgotten
because are
the
records
fantasiosos
of a
man who
he's
a
important
after you
when you
when you
you're
you're
you're
doing
that's
you'll
get
you're
you
have done
you're
you're
things to
start at the
time
and you
you're
you're
you're
you
in your
time
so
then
you're
now
for
not,
I don't
record about that
until
that
two days
his
brother
in the
first of
he
he was
to talk
that he
had
because
in the
court
of his
father
he
had
seen
a
other
people
and
and
someone
that
someone
that
was
that
was
when
he
said
that
he
said
that
he
said
what
I'm
a
man who
never
never
before
and
I
think
my
family,
corred
and I
put to
make a
memory.
My
my father
before
of these
other people
were not a
different.
Now are
people
totally
people totally
grises,
without
energy,
and they
are living
on the day
to do you
but
what is
what is
going to
get to
the
house of
Raul?
The
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When you were
when you were
busy, you're trying to
do you guys
in trying to negotiate,
to exchange
these cards of hockey,
the bonhom,
the bracelets,
even of the collation.
You know that
each thing has
a good
before having to
have been in
the time.
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help.
Telechage
it right
this story
that I
want to
to tell
is of those
things that
I like
much,
because it has
to be
with one of
the phenomena
that's in the
channel.
We're
about a
themeatic
and result
that the
people
are people
to find
to find out
and they
are many
are miscruid
in them
similar
only
that's
that's
that's
the case
of Jasmine
Jasmine
is
shegidora
of the
channel
is
family
nocturn
and
me
and I
say
I'm
am
I'm
I'm
Mewerta
of
Mired
to do
but
this
not
passed
for
to
ask
things
that
not
this
first
because
I'm
I'm
was a
victim
of
and
I
know
there
there
there
there
there
there
there
there
there
people who
that
there
that
there
because
there
yes
Jasmin
he
did
know
that
in the
case
that in the
They were going to be
because it was going to
to hear the podcast.
I'll
tell what is what
he occurred
because it's
aterrador
what he
see.
A Jasmine
he
would have
to gostance
in the
camera,
put her
music and
get to
get us
get us
very
but
during
a sequence
of
a
very
strange.
She
has a
very good
time
and
are
playlists
that
you
know
play
she
put
a
sequence
of
the playlist and they put
that they're in an
order in direct,
one consecutive
of the other.
And it has
another playlist
in the point in
order in order
a lot of
it's all
they like.
Depend to what
you're going
that's
what you're
that's the
is the
is what I
hear to
hear that
is the
madrugated.
And I
began to
hear music
that not
in the
playlist,
it's
it's super
strange.
She's
he's over
the
cellular,
no entient
how he
He goes there,
he put stop,
he put down,
and he
gets to
get to dream.
At the day
next,
he put his
playlist, and
at the
song,
when she
still is
a new
she's
a new thing,
and he
will be
to put her
same.
The
song that
is like
a rock,
but it's
a rock
like 60-
70-
that's
that's
that's
there's
people
here melomana,
that's
that's
in what
know what
the
moment's
the
Just let's understand that it's to
give a little bit of context in the story.
Jasmine, I hear a
song, that is more
well of the 60s, 70s,
maybe even
even 50s.
And that song
is very strident.
It has some
sounds that
they're just
they're making
and they're making
how it's getting
to the cellular
there, no
the day.
Two days
after,
now doesn't
this,
it's a lot
more.
In the
moment in
that's going to start to get
dormita.
The abetation
begins to
to be
a little
temperature, but
not is
a little
little
little
because
it's a
minute to
when
of a
time when
it's
to feel
that's
it's
and in
the
room
there
no
air
air
condicions
that
has
a
living in
a
city
that
climate
normally
is
about
the
about
the
two
degrees
and
subal
much
to the
24
then
is perfect the climate of there.
No, it needs to nothing.
A-o-mast,
to bring a ventana,
and the windows are
closed.
That day,
abe the window,
and the air
enters a little
calid,
what makes sense.
Cere the
window, and it
goes to
and in the
madrugada,
open the
eyes because
it's not
covered with
a sabbana,
and it's
venting a
little of
no more,
but if
a little,
but if it's,
but it's,
What's what's what's the past?
He's going to put
to be
when she's
something
a little
about
he's about
he
but he
knows what
the
side of the
instit
and if
the instant
to the
eyes
but there's
much
much more
so it's
that's
in a position of
obivio
and no
he doesn't
he doesn't
put to
the seat or
a chaquette
a chacketa
a chamois
a chamois
she's a
on his
camera and he
he gets
dormied.
At the
next
he'll
to be
to get
the temperature.
At the
day
next
again,
he'll
to
get to
get a
temperature.
For
this
moment,
Jasmine
has
about
a
time and
I'm
that
is
a
madruruous
or in
the
madugated
or in the
madru
and
he's
not to
her
never to
her
to
her
her
and she
has
very
she's
much,
not,
no,
in
a lot of
in a
time in
to come to
tell her
that something
that's
a lot of the
thing that's
things that are
not,
no,
no,
they're going
to be
don't get
things,
that's
that's
things that's
you're
you're
imagining.
So,
so,
Jasmine
she
can't,
she's
she's
she's been
and she
she's been
and she
she's a
thing,
she's
I'm,
no,
my mom,
no,
I'm,
don't
do
sleeping
well.
The
mom
and
sit with
the
head.
No,
he's
not really
deep
in the
time.
And then
then,
standing
there in
the
commer,
her
her mom
is
in front.
The
mom
is like
trying
and
having
plato
or
something
but
he's
done
the
his
yesmin.
Jasmin
he
hevant
his
cellular
he
and
start
to
click
the
front
to
move
to be
the cellar, when he
he moved
a tantito
his
right and
he's
just in your
armro,
tantito
at that's
someone is
somando
as far as
seeing the
person.
It's the
car of
someone
that's
a better
but it's
a head
great,
it's
has a
little
and it
has been
a
bit of a
so it's
and then
he's
he's
he's
and he
and he
he'll
the
the place
the
the world
just a
more, I'll just to see,
all right,
yes, Moma,
and she
and it's a
carrying
your own.
That night
in your
room, that
thing,
that's a
visit,
is there
there,
a costed
in the
camera,
she move
the can't,
when he
to get
the cellar
to
and get
to get
to get
reflected and
that other
that thing,
but now
is a
person,
it's a
person
that's
a person
that's
about
about a
65,
talves,
one 70,
has the
cabo
the hair
the hands are
some long
because
not so
normal
is what you
is a
silhouette
and there is
something
of the
the
thing
it's like
it's
like they're
putting
and it's
that's
the
little
maybe for
the
figure
maybe
for the
temperature
of
but
no
he's
no
he's
there
never
he's
there
you can't
see
what you're
being
what is
you can
see
the
it's
like
if
not
could
move,
but
no
know if
is a
subnolient
or if
she's
kind of
or she's
not a
reactioning.
And for
her,
I've
never have
I've
been,
I've
got to be
a state of
much
fear,
and then
she
has
a lot of
the
the
little
the
little
and she
starts
and she
starts,
the day, the
right
and top
with a
what
does,
that a
scalofio
he
recorra
all the
body
and
he's
not any
sound
no sound
and
this
This thing, he put the
hand on the armament
and he does
some little
little little
little bit of
just like saying
yeah,
the man
is still
frieie
and it's
a peter
and the
worst is that
when it
when it's
the little
the little
the stances
that
touch on
your
feeling that
you can't
imagine.
After that
another
other man
the
the tombe
that's
caught
in their
position and
then after
then after
they're
they're
all
and she
recobral
the
and pega the grito
more great
that has
done in
his life.
His mom
gets to the
house and
he says,
if I'm
my mom
I've got a
bad
and she
she's
very well
very well
no say
she's more
she's going
to ask
Jasmine
no he
has been
confidence
no he
not he
not
she's the
person
she's the
type of
things he
not will be
not able to
do that
she's
she's
to doping
and
it's
very
because even
it was the
night
most
aterrader of
his
life,
amaze
that's
that's
that's
very
very strange
and
and the
actually
what was
in the
night
is
kind of
kind of
did
that's
not a
fear
when
when
she
can't
it's
even
it's
just
it's
that's
I'm
I'm
I'm not
I'm tired
I'm sure
are those
subidones
that you
do you're
and then
after I'm
going to start
without
but no
it's a
night with
a lot of
and he
and he's
and he
and he
don't
no sound
in the
room
no
he's
the cell
the cell
he
he's
not
he's
no care
that's
that he can't
never
never
perfectly
no way
there's
no
no more
when it
He's up at the morning
the next
and she's
with an
new time
the day
the next
the next
the next
the next time
the same
and then
the years
and then
they're going to
present to
come and
he's going to
be able to
and get to
make more
more than
that's the
person who's
not who I'm
could help
to do
to this
and then
then so
in an
arrebat
of a
kind of
to be
to make
a change
to make
the
car car
the job
the
he'll
lav
while
he's
while
things in the
room.
Be the
camera and
he's
and he's
quite that I
know how I'm
my saba
you know
no time
that's not
that's not
that's the
armada and
where he
put the
hand the
house of
the laurel
and he
kept being
and I
don't
get that
that you
down the
the front of
the
there's
there's
there's
there
and then
see that
he's
so I
don't know
what's
what's
what's
what's
and
he goes
to the
ojas in the
hand and he said,
Mom,
I'm
I'm
I'm
I'm
I'm
and I
and say
you're
you're
and you're
and she
yeah,
yeah,
yeah,
yeah,
it's
all right.
And the
mom
back,
he's
another frasco
of the
kitchen and
and he
said,
but
what are?
So,
are you?
So,
they're
they're
saying,
what you
are you
say,
let's
say,
I'm
changing the
savana
let
go,
let's
go
on
the
can't the
sabanas, and just where
I'd have to go
the head of her,
the leaves
put it as far as
the sabana and
says,
no, the armada
and says,
what's going to do
your armada?
No, I'm,
I want to put in
this funda,
it put a good
amount of the
laurel,
she has made
as a common
and they're
still still
like,
like,
and they're
just,
not just
you're gonna
do you,
you're going
to be,
you're just
Jasmine is impacted,
from mom,
in the life
had been
a lot of
a conversation
that's long.
And her
mom,
cregiened in
these things,
is the first
that's the first
that makes,
that's the
first that's,
that's the
thing is,
is that's
this tete's
that's stint,
bette the
medicine.
And the
mom,
and the
is Jasmine
is the boke
abirta.
And,
and before
that he
asked a
thing,
the mom
separate in the
door
in the
the room with the two
hands in the
marco
Volta and he
said,
your abuel
came to
get to get to
not be
and we'll be
and we're
a little more
than a little
more than
19 years
you think that
she's going to
get to
what's
what's
so that's
he's
he's
he says
what
what's
what's
what is
what is this
and then
so my
she's
she's
she's
she's
your
abuelito
you're
you're
you're
not you
don't you
Yeah,
still
the
I mean,
I mean,
I'm going to
bring the
thing,
it's all,
he's a
matter,
but is that the
I'm going to
hear about,
no I'm
interested,
don't know,
you know,
is better,
you know,
let him
the thing,
then,
yes,
he's got,
but my
abel,
Moma,
my
abel
my abel
my
father's just
that you're
and you
know,
and you
are you
more
and you're
more,
let's,
let's,
so you
know,
and has
more
than what
had
had been
had justed that
that
had been
a boy.
And here
he's
a time.
We're going to
talk more
to talk.
And me
said,
I'm
am sure.
I'm
about my
mom
about about
that I'm
what the
demonious
was going to
the
house,
I'm
not the
thing I'm
what I'm
my
thing I'm,
no it's
the person
that I
know I'm
I'm thinking
I'm
I'm not
I'm
I'm
I'm
I'm
what I'm
to come
in my
bedation?
Because
some
the
Laurel, me
help.
How?
My
Abuela
not
died.
And you
want to
see in
the
place?
It's
never too
early
to plan
your
summer's
story in
Europe
with
WestJet
from
rolling
countryside
to
cobblestone
streets
begin
your
next
chapter
book
your
seat
at
Westjet
or
call
your
travel
agent
Westjet
where
your
story
takes
off
She knows
how
did you
blab
no
The devil
wears
Prada
too
is the
movie
event
20 years
in
making
I
honestly
anymore, so I think we just, we should tell her.
Will you two please spit it out already?
This Friday, be the first to experience it only in theaters.
In light of the recent scandal, I'm here to restore your credibility.
Oh, because we're a team now.
That's a nice story.
The devil wears Prada too in Theaters Friday.
There's people that there are people who use a others like if were
in the same basura. But,
after all those,
he's got to
Christobal.
But to
understand the
history of
Christoval,
there's what
he was what
he was
to do you.
Because at
the reason
of what
he lived with
this type,
is for what
we know the
history.
Enrique,
to his
65 years,
he pensioned.
He came
a very
good
quantity in
the moment
in the
moment in
the
they were
in the
time,
a
company
with
that had
I've worked with them
and more
to 35 years,
had made
a grand career
and had made
a great family
in the day
that was
for it was
a good
amount of money.
Aparted of that
the pension
kept a
pretty well
a
pay for
a month
about 15
years with
a
figureate
that
that's
considerable.
The problem
of those
problems
that all
we're
that's in
cumul of
money
that they
did you
They were they did not.
He didn't want to be
a good quantity and he no, he knew that
he'd be able to get a
manned,
that he'd run a
co-earned the
account.
No, Enrique was a
more of activity,
more to do the
thing, he was to
have to have the
money.
I'm trying to
and I'll
go and those vending,
but it's much
risk, I know
much of the
thing of cars.
Well, I'm going to
Pintuards,
I'm going to
paint,
I'm very great for
this type of
efforts and then you can't
get a control of
this type of
people,
you need to be
you need to
more character than
I'm not
a person
that's a
aggeried,
I'm going to
get in the
construction and
in the
work.
No, that
that's the
money
too much
really up.
Ah,
what I go,
what I
do,
and being
in that I
do,
what I go,
what I
do,
he's present
with him
a grand
opportunity.
It's
almost like
if it were
the destiny
like
if they
had been
the
like if
someone
was
he was he wasiating, because he
he gets a card, inviting him to a
business of franchisies,
of a place of tacos and hamburgas.
Some tacos and some hamburgas that he had
tried some other, they'd have been
delicious, good-simus.
How could it be those tacos
so good were to investers?
He went to the
people who else he gave to that
card?
This is the destiny.
Tal-be, the people of the
company, that is he's
some are the top-empresarios,
they put them in contact
with me, and
for that he gave.
things of that type
are going to
because
not so
he's
question to
ask to
ask him
to this
franchise a
tal Christoval
that
how did
how he
he got
he got
the way he
he's got
that he's
that form
will enter
to get
to get
to the
negotiation
because
maybe
a
place
a place
a good
a good
not
not so
not he
not
so
he's
not
not to be
not
able to
be
so
able to be
so
because he no
has to
develop to
it's
getting to
something that's
incredible
apart the cost
of the franchise
is the
part of what
they did
it's perfect
everything
everything
he's going to
get to be
receiving
his mensuality
apart he puts
a new
so much
are totally
exitoso
are delicious
those
food
those hamburgas
those tacos
where I
put go to
do you
everything
everything
and then
to
a
reunion
with Christo
A subject of 1,70,
cabell-negr,
a rechonchito,
very charismatic,
from the last
he goes,
he's got to
with a sonrisota,
how you're
welcome,
hey,
what's good
to be here,
Enrique,
what,
has provided
our tacos,
you've
done our
hamburgues,
has been
to our
locales,
and then
he said,
sure,
I know,
I was
because I
know,
because when
I received
your card,
I,
at the instant,
I said,
I'm,
I'm a lot,
to come
a little
of the
business.
Well,
a part of there
technicisms that
not you
interestes,
things in
those who are
if you're
an expert,
you're at
the same
trap that
came to
the same
little
the same
formulas
that were
in the
contract,
that all
so long
that's
so un-sor
and
a man-
man-a-
man-a-
man,
I'm not,
you know
quite
he'd
know,
I'm
very,
very hard,
very hard,
because
they're
six months
and in the
first
six months
they're
in the
local,
in this
local,
They put in the
place in the
next six
months.
Yeah
is established
the place.
You know the
people.
In the next
six months,
it's a
beginning their
regalias.
In the
next six
months,
are two
years
since the
new years.
Because a
a few people
those lobes
that are
not they
need to
they need to
they need.
A
a bit of
sometimes are
not quite
they're
they're
they need
a very
good mordisco.
And this
is the
case, three
years and
a half,
in three
years and
a local,
not was
any local,
it was the
local of
the tacos and
the
hamburgis of
this franchise.
The local
had a
level of
a
great-tremend.
And it
then when
the
repent,
he came
getting
to Enrique
to this
local that
he'd
he'd
get to
this, he
was totally
grateful
with
Christoval.
How
he did
this
opportunity
and
he
part, I knew that had benefited
much Christopal. Because he had put
many ideas there. How was going to
give to know? What
people were important to get
in this place? In what medias
of communication had to appear?
All a logistic for expansion
and cresiment that had been
talked to his friend. All of this.
All this had been out. It was
had been the moment in which simply
the things agarraarer, yeah, his rumbo,
his march. And he, getting to a local,
this local, that he'll gendousion,
there's a patruly of police
that gets to the
post and he's up.
He no
he's going to
not heirs
violence because
he's more
confused and apart
Christobal is
up,
sub, sub,
suvete the car
is for a
formality,
we're going
but he
is a
back the patruia
and he
no has posado
only Enrique
in the part
of the
back.
And in the
patruya,
the police
and Christobal
just said
ohie
there were
some
inconvenient
with the
contractos
we're going to
to pay that you
don't you present
in the
subcursar
and you
it's a
it's good
you know
when you
get to get
so and Rennrique
and he says
well
but why
in a
patruia
and then
then the
policeia
just
he's
a
hand a
point
and it's
because
if you know
you know
you're
you're
you're
not
you're
you're
to be
the part of
the
back
and in
the
the middle
of
the
God
of
that
because
they've
in a
very
right
up
he
He goes, he quits the spouses,
he met a good patada, and he
says, and not you will ever be able to present.
No, he will be to add a piece or no centaub of this.
Siente amazas for him and his family.
No.
He knows what he has what he has to do.
And three months after,
standing in a confusion and depression absolute,
they're going to a series of cards of abogados.
There are some demands.
If you have to present it in different judgments,
a demanda,
acquiring a car,
a demand,
a piddling a sum
millionaria
that should
come to
a man,
a woman,
the one
he promises
that if
not get in
an arregl,
will be
a carsel
for him,
and very
probably a
condena of
more of
30 years.
Cartas
that are
so well
that are
that it
simply and
simply and
simply
simply
are
that may
that
this
is a
court
of the
body,
and he
he is
he's
all this
time in
this three
meces
has been
trying
contact with Christopal, but
yeah not their numbers,
yeah not is he.
There is the number
with that car
sonrient, because
they're their numbers
personal.
But,
contested one
a woman.
But when
he sends a message
of the regress
is another person,
what is going
and what's
going, and
Christovale
is a perdidiso.
Reactioned
very late.
When he
he wants to
reactionar
and he
comes to
do they're
to do you
contractus
firmastes,
no,
no,
me did
copy.
It's
very
this.
Here,
you're
manned
for a million
things and
for the
way to be in
it.
We need to
see what
you're going,
but it
will be you
going to
do you're
not going to
get to be
a parted.
You know,
is the
guy, is my
friend, it's
my own, my
man, no,
no,
he, in
the last
years,
has left
more of
15 people
in the
ruin,
in the
case,
his socius.
Not more
of this
is public,
because he
also,
he's
of various periodical local.
So,
no
you know what
you know.
And the
thing started
to advance.
And Enrique
perdi was
absolutely
everything.
And here
there's a
situation.
Because this is
a time
of fraud.
Why
demons
should be
to be
this in the
channel?
Because the
point is
how he
made that
he
gave to
the
time.
The repent,
Enrique,
standing in
his
house
to
a reunion
family.
No
we're
to
to go to go to the house.
No, they're
from here
and the
family was so
inardecide,
because they had
had been
contact with
all the family
of Christobel
and Christobal
with the
his way, and
that would be
in any
sense, or
to do it,
or he
had been
the world.
Because this
lobo and
had got to
his
real real
his real
a type
with scrupulous,
a type
that was,
and it was for
the other,
and it was
for the
only for a
apice
less,
he'd
all.
The family was so enoged that they were in
that they were in order to. First, no, they're
and, standing there, the family,
of a sudden, they're, let's see,
testigos, victims of the same.
The house is it full of an odor putrefacto.
The lights are start to parpadeer,
standing in that reunion, and they're
that in the plant-alta-all-all-tumar
like if were many people coming down,
and a voice grave, saying,
vallance. The voice
grave, sound absolutely
aterrador. All those who
were there, you know, can't be
tranquil. The light
to goreys to the normality.
But all of the car
of fear of absolute. Yeah no
is that aroma, but
it seems like if it would have
impregnated into the
nose, like if
stood there, because
now all right
all seems to
do you know the
next days.
Persons torturing
to the rest of
the familyers,
vending them directly
to them,
saying to us,
you would have
been to have
you said,
but no
quixist.
And they're
torturing to
the other
family.
If is the
child,
is to the
mother or
his father,
if it's
the husband,
is a
one of
his own of
his
so, and it's
that's
that's
a day,
affected those
don't
don't par,
no parn't
to have
not,
the same,
the second,
and in the
second and the
first
in the
house, rizas,
that sometimes
are the
time,
Rizasas
that in
moments
are in
the
room in the room in that they are.
Something that's
quite of the tranquillity.
Apart of the amazas
continuous of the
idas at the
time in the
morning,
to come the timbre,
and they're
so they're so
that they're
to be able to
sound,
it's on a
third time,
quarter time
when you're
that's a
minute,
he'll be
and he
over the
door and he's
you're
so, then
Enrique,
that has to
have to
He sabotone to the
camisa and he
a cross with two
lines.
And he says,
my friend,
you come here
you're going to
get to
you and your
family,
conservant the
life,
quensela.
The other
me to come
me.
It's
a,
he's up
a car
and he's
and he
said,
Enrique,
three
months
after I
did all.
That's
that was
what I
entered
that was,
that was
that
I was the initial, it was a podridden.
And this is the history that recopiled, because I'm
looking to his socios, to the
people with which I had made eachot
and this was what I had ever
entered before to do after doing it.
Resulta, Christopal, the
charismatic, not was any kind of
a typege more,
a subject to which, the
life had no been sorryed,
no, he was very bad.
Of this, after 15 years.
When then, in a moment
desperated, decided that
he was to put a post of taquitos.
The type not was a good co-ciner, and
not had a good saun. He had the
way easy. He saw that he had puttos of tacos.
The posthes of tacos didn't, well, that's
a place of taco. Because so,
I saw the post-Christobal, always.
And then, put a
post-of-tacos, insipid, with
a tortilla that's rompe, with a
a tortilla that, too, that probably
had a flavor. Something
that had someone that would be able to
try to do it, no, regressarer.
The costos, altissimus, because
if he was he had to be
something special. Christobald was
a person who had been
understood, that many things are in the basis of
effort. And it's there, in these circumstances,
when Christobald began to know
the desperation. His
inversion, that was so obvious, so easy,
and so fast, not was working. And it was the
last money that he kept. Now,
now, if, needed to see,
that's still, that two quadras,
they'd have a pair of times that were in a
post of tacos and hamburgess. And that
a place of tacos and burgers,
he was having a
exitio
tremendous.
He was there
he did so
pass by cliente.
And,
and so,
after the
days, he went
to be friends
of the mecero,
of the
person that
was attending
caj,
of the type
that was in
the type of
the time,
and then it
and things.
The same
he did
know that
but you
did know
but you
did
So, so he did
know that he was very good
enganing.
The next
he did he was
to get a person
for that he
was a new
to be a
person to be
he was a
day and that
he was a
veryisurably
was saturated
of people
no parable
to do that
the person
to have
invited
not know
is that
he had
put a letterer
he had
they're
they're gonna
takeos but
you're gonna
a hour
parada,
an hour
before
to get
to get a
time.
He had
saturated
the
place,
he had a
good
money,
he had
invested,
he had
invested in
all of
a
appearance.
When
he got
a
money,
he said,
this
thing,
he
did a
money,
with that
money,
Christoval,
he did a
carah
to the
man,
he's
he got to
a cargo,
he was
like a
person
very elegant.
Helough
he
bought a
redacted a card. He did
he found that no
had like
something very
very well
written, so
he was he
he wasco
someone that
was he readacted
something more
in form,
he wascough
some of
some people who
was there
was a business
and he was
and he was
and he was
making a
proposal
that he was
a process
of this company
multinational, what was
a particular
that, I think,
that's extended
because for this point,
that the beano
of those tacos and hamburgesses
was a person who
had a person who had a
person who confiel
and was a person
and in Christobal
was easy to
confier.
He was
so he was
getting a little
little,
he said that
first he was
a little
to be a
little to
do you to
do it was
all this was
to go to
and going
to the
place.
And when
he had a
little
important,
all the
people were
that were
Bahamas,
in the restaurant,
not they had
done
but they'd
have done the
order of
Christopal and
not of the
original.
And there
it was very
very easy
to talk
to get
the life
impossible
and a
person
that was
a lot of
a
life
that's
not a
rare that
he had
caused
a
little
a
time,
that
I'm
that
was
perfectly
good
of
good
even
even
the
day in
the
he
They had heard grits, there was much
parpadear of the luses.
In fact, there are persons
that have seen
seen sombras in the
ventanas.
And so,
it was how
he did so
of the first of
the locales.
All the
these are
stories of terror,
every
we're more
more traitioneras,
more
prodigas,
with more
artimae
of a person
that the
only that
is all the
what you
have you
have
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Temo has one of the stories more aterradoras that has
had yet made up to the channel.
Temo says that, after his seven years,
his life was totally normal.
a little
a little more
a little
more like
the other
that was
that was going
that was
the time in
his time
and he had
his travesura
his chiflazons
but no
there was
nothing
special in
his
but
the
seven years
he was
he was in
a
patin
of the
diablo
and
when he
on the
patil
of
he
was
he
met
a very
very
very
very
part
of
his
body
he
he
inconsciente two days in the hospital and when
he gets me something that
he's a lot. Fronted to
him, just in the camera,
when the moment in the keybre the
moment in the eye, he starts to
say, Temo, Temito, you're
being, Doctor,
come, van, come, and you're
just here, yeah, he's here,
here, and he's here. And,
and, while the mom says that,
Temo no can't apartar the
the
It's a mirrored of the front, although her mom is a little bit of a somber. And these sombre is like if it's
but delineated titit. It's a woman, it's a woman, because it's a silhouette of the
hair is a very large and undulado. The hands are very fine, but is absolutely
black. The side of the right of him, see how they're entering by the door of the
room. Two
children sombra.
No, they're
not they
characteristics
special.
No, they're
in any
rastro of the
rope, but the
time of
the time of
the children,
more
little than
even and they
even they're
like if
were a
little bit of
a
little bit of
a very,
what is what
is what is
what's
coming to
their
come,
he'll
come down,
his mom,
his mom,
he's
he's
she's
the woman,
and the
woman,
and the
mother
Volta,
for all parts.
In that's
going to get
the doctor,
and he's a
young, there's
a man, I'm saying
that I'm saying
there's a
little bit of
a man,
he's not
a little bit
still,
it's a
back to the
effect to
still
of things that
you've put
you.
You don't
be sure,
it's a
question,
he's a
little bit of
the
eyes,
he's got
when he
when he
doesn't
his mom
not in the
room,
is the
house,
but the
woman that
in front of
the camera
still
and the
two
the two
of
the other
adult, no
be rascals,
no be details,
are silhouettes.
Silhouettes
medias
transparentosas
because when
be that
the doctor
and pass
behind the
woman,
he'll
know what
see what
she's going
that's
something that
it's a
idea, it's
difficult
to say,
because it's
something
that's a
way, and a
way,
and a
way,
he's not
he's not
he's not
talking,
he's talking
with the
doctor,
he says
that,
he's
moment
he gets a
mom and
he says,
Doctor,
but why
I'm going
this woman
and these
and then
he said,
he's a
strange,
because you
don't
have to
have more
effects
than what
we're
going to
let's
get to
send a
other specialist.
Another doctor
gets,
he has
an
interview
with him
and then
I'm,
even a
little
he does
know,
that if
she's
saying
that's
that's
going to
be a
something,
that will
be a
something,
so I'm
I mean,
it's
call the
book,
and when the
other
specialist
he said,
I'm saying
you're going
things.
Oh,
yeah,
but a
rata's
I'm going to
get the
yeah,
I'm not
I'm too,
but I'm
like,
that's,
like,
so,
so,
and then
the doctor
is,
and he says,
yeah,
those things
pass,
apart,
you,
you're,
you're,
you've,
you've,
you've got,
you've got to
make a
little bit
to relaxer to
a little bit of a good
and he says,
you have much
a lot of
this is a
second opportunity
that you do
the life,
no, we're
we're going to
do you
know, so you
know,
so you're
here to get to
your mom,
to give you
a little,
your mom,
you've got
a much,
you've been,
you see,
you see,
you've,
you've been,
you've been,
like,
so it's a
thing,
that's just to
get a
problem of
reality
that very,
because when
TEMO
was and
he was
before a
thing,
was full
of magubiardur
the head was totally
raped and I'd
I'd have some
the markas
in all the
area of the
head of the
head.
What was
what he did
he did you
know, he
used a girl
to get to
and he'd
not ask about.
No,
I don't
ask you,
because
even if
the thing
more
a lot of
the thing
is the
thing of the
accident?
Since
the hospital
they've
not they're
not to
appear
sombers
in all
parts.
His house,
her house
has three
somras
that
always
are fixed
in the
same
place, in the
kitchen, in the
cell,
and in the
entrance, is
a very
high,
it's a
very old
for it's a
very much
time, because
even be
that in the
hand has
something like
a ball,
a rifle,
or something.
I'll
say,
are some
sombras,
no be
people,
are some
and the
sombras
and the
sombrus,
I'm
do this,
because
all what
I'm
talking to
tell you,
the
Tenmo had to learn to
Tohue
Tohaping,
No, they're
They're not
They're
No, they're
They're
They're
They're
They're
They're
They're
They're
It's like
If they're
They're
No,
And in occasions
see that
They're
But no
They're not
That's
No, he
They're
They can't
They're not
They're
They're
Like they're
He says,
I'm
about
to be the
and
it's a
way of
to say it
to do you
to do you
do you
feel special,
it's a
different,
but at
the same
time the
word
phantasm
for him
means
something,
it's
so it
does
feel
so it's
I'm
around
and I'm
around the
things
that's
that's
like
so it's
like
in two
different
and
for him
and for
he's
he does
much
tranquility
it
has
to be loved.
To places in
where there are
roydos.
And Temo
says,
well,
if there's
there's
many times.
The cemeterios
a few.
A veces,
there are
many,
a few
little.
Then,
Temmo,
the long of
the years,
was discovering
how assimilar
this situation
and know
that's good
to not
to be
not to
not to be
a lexionator,
but as
something,
like,
he's
something,
the people
don't me
mean,
if I'm
I'm
as someone
extrano.
If I'm
about this,
the people
me just
they're doing
a lot,
and if I'm
about this,
no pass
nothing.
And,
I'm
happened to
nothing.
Then I'm
not the
I'm not.
And so
still
going to
many
years,
the
life of
Temo.
10,
15
years,
not
exactly
how are,
but
are a
very good
amount
of years
because
the day
to do
time it
time
then we
I'm
to the
20-tant
years
pegand
to
He has had the only experience in the
which says,
narrator,
you can't assure
that if there's
something more
than the
phantasmas.
No know what is,
but it's
malo.
I was.
He was,
and he said,
and he said,
he wascou
an museum.
A museum
that is very
concurried.
No.
I see
in his
city or in
other part
because
not me
it's
but the
point is
that in the
museum
is that
it needs
like a good time of anticipation
for that you have the entrances
and it says that in that time,
no says if at the day of today
there,
there was a place
in the place
in which was
a type of
stanza of what
were some
some of the
people of who
know what
was a stancho
and it was a
two sillings
a alfomber
a pair of
a carmard
an armadura
and various
details more
he not so
he not was
in all that
because there were
two things
that were
really
the attention.
In the
part
tracera,
where formed
a chimney
that's
maybe is
historic or not
but it
was very
beautiful
in the
place.
The chimney
a
time was
being a
machine,
or
another type
of technology
because
there not
irradiable
that
that chimene
was where
were where
were the
two siles.
Not
they were
these
little
were
these
type of
the
that's not
if it's
madera,
is metal
or the
combination
of both,
because they're
full of
details,
and apart
its structure
was a robust,
it was
big,
and then
I was in
garigolied,
be brasos,
but
it's a
long,
the part
of the
back of the
asiento
it was
a bit
a
perciopelo
tremendous,
but
no
he was
there was
a sombra
there.
It was
the sombra
of a
woman
that was
sat there, with a sombrero
enormous,
enormous,
something totally
of the time,
and was there
sat down,
and was there
the other
chair.
The chairs
they put them
in the
that if someone
was sent out
one,
if it's a
little
movement of
the
head,
to the
other
side,
she would
be being
almost
to be
to be
a car to
the other person.
Like if
you were,
not for you
know, for
you're in
little movement,
you're
looking at
the eyes.
Then he
he'll be a
this woman
and he's
looking to the
other sill,
but in the
other
chair,
he a
little bit of
a person,
is a
sombra,
that has
the hand in
the barbilla
and he
is turning
to see
to her.
And they
are fichos
totally.
It's
like if
were there
there,
there.
It's
a moment
in the
even he
he's
a question
if it's
some
effect visual of the museum, because
never he had to have
talked to see that
detail.
The hands,
for first time,
they're in
the first few
but they're
in some matures.
The sombers
are different to
those that's
always have
seen.
They're more
detailed.
The two
the two
two of the
subject is
almost as
if they're
a structure,
a form
more specific,
are more
more obscure.
For
the middle of
the
didos, if
not
look to
see not
back
to
them.
Apart, it's
like if
were a
matter,
like if
was a
thing that
you're
a
kind of
a
combination
between
the
carbon
or
the obsidian
something,
something,
and
dark
absolutely.
He
is a
detail
that
and then
he
and then
he's
to imagine
to
what
color
could
have
been
the
sombrero
that
could
have
tried
there
because there are some figures
and the collar of the sombrero is something
grand, then he's a little bit. When
he's very short of his
rollo. And then he, no, you know,
if he's been talking to him or no. He's still
prestoning in the sombrough at this and he'll
be the sombrero. He's thinking, what color
could have been rojo?
He'll be to hear. Voltaire
to go back. And then, notice that the
sombra of the woman,
He's up
some
parpads
and some
eyes
absolutely
black
now so
like two
black
to the
light
direct to be
and he
and he
will be
to be
the
the
woman and
see
the
red
is rogo
is
rogo
he
he
is
he
never
had
had
had been
contact
with
any
of
this
things
and
never
one
of
this
was
been
a
kind
of
a
interaction, because he's
is he's not
asking the color,
he's not saying,
so is that
he's put to
a temlar,
he's put a
pared,
he's
and he's
and he's
there's a
way,
he's going to
walk in
rune,
no,
he's not
that's
that he
was a
person,
that's a
person,
is of a
person,
that's
a person
painted,
no,
I'm,
I'm going to
make,
is some
attraction
of the
museum,
and it
He begins to
to look to
see in
a day or
in a
note
there's
there's
a lot,
there's
very
very confused
to the
day
next in
his house
and when
the door
the door
the
she makes
the
feeling
the
dispegated
but
at the
time
there
there's
a
same
there.
There's
not can't
be
so
so I'm
too
two
your
house
your
the ridiculous in the
house.
To go to
go to
your room.
No,
want to get to
get in your
situation.
Not want to
talk about this
thing,
because he's
going to have to
talk about
about a
life here
so he's
more easy.
If it's
a place,
it's more
the room,
see the eyes,
and there's
the sombrows of
those two.
The subjecto
that I'm
a man in
the barbilla,
but now
move the
the heados
and it
does it
and it
and be this
woman,
that's there,
both with
the eyes
with the
And every the structure of the
skin, it's just to be more real,
and it's to notar more those
details, pointitos,
it's like if the pale were absolutely
black, like if you were a carbon
directly, but you'll
distinguish the eyes because they're a brill.
And it's a brillo.
There no there's luce in the
room of Temo, but the
eyes of them, if they're
not illuminated. The
body of them is like if it's
like if simply
and simply simply were an carbon
And when he
is seeing,
he's
DOLOR in the
Pacheo,
much
DOLOR in
the
Ombro,
I'm
really
mal,
ascapated,
and in
some moment
to be the
eyes,
I'm sudating,
sudando,
I'm
going to
go to
the
back the
and I'm
the
face and I
know the
I'm in the
chest,
and in the
shoulder,
Rohas
totally,
like if
me
had been
Kamederer
with them,
not as
a second
grade,
third-gard,
no me
to make
mark,
but it
was like
this
woman
me
had
firmed,
you'd
you'd
to pass
a night
in this
life?
Jennifer,
me makes the
advertency
that the
brusperion
and that
there's
there's
you know,
you know,
and she
took to
live it
to live it
to be
a time
a time
long,
she was
with the
themeatic
of the
bruchery
she,
she
did it
of this
some years.
But,
in the worst
way,
she did
know,
that was
that was
a little
And I tell you this, because she was aficionada.
Not an expert, not was ever,
I was having these things with a maestra.
It was all for your account, videos of internet,
what he recommended one and other person,
he'd to these places where vendied books of occultism,
that were dedicated to this type of creencers
or of buskid of information or of buskada of knowledge.
And she'd go to these places,
all of those.
And there was where I obtained the information.
I'd buy some
things and
because are
the vent to
the public and
he was put in
to practice.
Of a
repent,
he did
know that
like the
soyo,
the suyo,
the suyo
were the
invocations.
Commensar
to invocations
power.
Power of
a power of
the natural
and the
power of
other entities
because
he decided
that was
to be
to know
but
it was
some
kind of
because
me said
that it
said that's
that's
then, Jennifer
not is an
adolescent, Jennifer
and is an
adult,
she's a
own in a
department,
the department
pay a
rent and
there's a
place,
and there is
where it's
where it's
transformed in
his laboratory
of brugheria.
Because if
you get
to get to
your department
and
to be
to talk
with all the
things that
you're going
to do.
The first
no,
because only
only has
just got
a market
to come
a marketito
to buy some
food of
second, and you
beas monos
of carrizo,
a cositas
and things
made with
meccates,
and different
things puttas
that's
seen in stories
of terror,
but Jennifer
has
put up
put up
in cajitas,
you'll
start to
get to
get to
get a
time.
When you
see,
it's a
make you
to trygars
saliv
and that
you know
that's
exactly
what's
what's
the time
that's
for her
is that
for you
is a
time.
It's a
place,
is a
sanctuary,
in the
place she can
do you know,
but it's
then when I
think the problem
are the
business
surprise.
A day in
the morning,
circa the
day in the
morning,
receive a
call it.
It's a
primal,
we're
to put her
name
Epimeneo.
The
primro,
he'll be
and say
to Jennifer,
I'm
I'm,
I've got
to tryer
to tryer
here
to tryer
to
a revision of
a
hospital,
this,
for
favor,
d-asil,
give us
opportunity to
get us in
your house
one night.
Because
after the
they're going
to get to
have a
retraso.
And it's
a little
little bit more
for more
things.
Of the
other more
with the
money,
and I'm
not the
money.
And not
more,
for a
time.
And Jennifer,
it's
kind of
maybe
got a
got to
the situation.
He has
a problem
that the
primal
he makes
a
incoomodod,
and if
your
a little
Nita was
baptized.
And the
Primo said,
to you
care to
keep to get me
to be able to
get to be in
and then I'm
and he's
no,
I'm,
I'm,
I'm,
I'm really,
and I'm really
a really,
a realroyo.
If you know
you want to
get there
and you
don't know
that's like the
really
so we're really
that we
all we're
that's there
she's like
oh,
okay,
but just
you know,
but you
get,
for favor
the department
in a
three hours
and he
he says,
uh,
I'm
here,
I'm
she's in the lobby, and
she's not,
I'm,
wait a
because if
is it's
too
a bit of
a good,
it's
she's
all the
things,
let you
in a bolsa
and he
he left you
get it,
and the
box of the
box of
was there,
and was
and it
was in a
closet,
the
door,
he said,
and then
he said,
and so
two hours
45
minutes,
no,
he's
he did not
he's
he,
he's
he's
protections in the
house for the
poor
a boy
she knew
that much
of the things
to have invoked
if they were
there,
he could cause
damage.
And he
started to
find out of
things.
Cipocations,
Circulous of
Sal, and
well,
million and
things that
Jennifer
know and I
don't know.
But she
evented
more of
two hours
doing one
and other
in the
different
abitations,
different
entrances,
ventas of
the house,
in the
windows, in the
spejo, in the
place in those
in those that
going to be
to be able to
get to be in the
place, in the
places that
there were much
convivance,
in the
bathroom,
any way,
that's
the poor
little bit of
the poor
she said,
she had
got to
quite,
quite,
a kind of
a type of
salt
black special
that had
been a
that was
that was
a cent
for protection.
So,
so he got
that sal,
and it
Scondid,
up of the
door of the
quartito
that was in the
room,
the room,
and in the
front of the
windows.
It was for
the prim.
He's put
to talk to
him,
for this,
the primo
was tired,
to be used
to do not,
with a
little bit,
with a
little bit of
that's a
little bit, is
something bad,
so the primo is
getting very
you're around
between at 3.5.
and 5 of the
time, for
give a rung of
time.
So,
in what they're in
conversation,
piden to
eat a little,
and they're
like two,
three things,
the ones that
are they're
to have to
have to
get a
time, etc.
I'm just
the time.
I'm going to
start.
And the
first of the
time,
disculpombe
that you
say,
I'm not
a mabe
and no
ungrateful,
but I'm
to be
to be
the car. Jennifer
to get to his
room and just
he says,
for favor,
no,
you know,
if he's
to come to
send him
and he's
he says,
Prima,
no me
come you
say,
and he says
in what I'm
going,
I want to
get in a
shoot.
And the
one of
he says
about
you're saying,
I'm sorry.
If you
want to
make me
message,
no I'm
I'm
no,
well,
well,
well,
well,
well,
so the
person,
who knows
how it's
She didn't, because no
he made no message.
She got dormied
the little
time because it
was notory
for the ronquid.
And then
Jennifer,
she kept
a half hour
and then
there's a
nothing,
and Jennifer
was a
mured at the
canstancey
for the
morning, for
accommodate the
things,
and because
all the time
that were
talking,
he had a
eye in the
prime and
three eyes
in the
little,
that the
little was
that not
that was
to feel
to feel
to be
that not
notar
something,
because then
those protections
not were
good.
So,
so it's
that she
never
to be in
her life,
she gets
on the
room,
there's
a bulte
that you
don't let
get to
like,
and it
doesn't,
so it
just a
little
and it's
quite
dormita,
the
door of
the
door in
par in par.
It's
more,
the
the security
of the
end of
the
end of the
day
the day
the
second,
she did
He kept
dorm,
and of a
minute,
who knows
how time
happened,
half hour,
15 minutes,
maybe one
hour.
But he's
that
someone
to get
to be able to
but it's
a
abacacacable,
like,
you have
to hear
to hear
that's
really,
and the
heart
to try
to get
a
and he's
to
get a
little
and that
he's
and that
the
restire
and that
the
more. And it's
something that you know that in
any moment
it's going to
get to control.
That person
not is controlling
and that
respiration not
is calming.
It's making
that's
enfurtska
more and
more and more
and every second
that the risk
is going to
that's
the respiration
that was
listening, Jennifer.
And Jennifer
started
to feel like
not even
to get to
the camera
because
she's
how that
that respiration
that passed
every
more
more animal
like
if it was
a
buffalo,
it transformed
in a
type of buffido
every
when it's
a lot of
the way,
and sonar
some
those passes
tremendously
rapid and
that were
from the
first of
the
house,
and they
were in
the
and they're
just
behind the
and then
the
buffido
he
took
here
between the
ear
and the
cold.
A
sensation
terrible
was
a
back,
and to
that he
was
the
back
the
was the
little
the
little to
the
did what he
did it, and he
started to
get to get him,
he said,
the occiko,
what he was,
it was a
sensation of
invasion,
absolute,
something horrible,
tremendous.
And she,
containing the
more that
just put it,
just he
just said in
the vaguely
something that
she was able to
that she
was a lot of
to get a
calentar, and
to get
to get a
to get to,
at the point
in the
he's going to
get to
the point in
things that has to say.
That thing
is to start.
It's a
place where
cruxed
many
guses
in the
room and
then
six,
seven
passes.
Suen
and golds
of
the
department of
Jennifer
and
tranquillity
complete.
The
Prim
still
roncating
totally
dormied.
Jennifer?
Jennifer
not could
be
to be
never
to
never
she
had been
ever
had
never
ever
never
never
a single-a-one. Never had
never seen anything. I just
I felt that she was, I think it
that she connected with that, but never
ever seen, and less so.
That day, he did
that thing was always
that was inojada.
And passed around
three months. Three
months that then, what was
what was going to be there?
But, before that,
why was it came to the
pierna? And is that, when
took the compostura and when the
primed, still haven't
never had been left,
So,
he met the
man to the
bolsa
of the
pantalon
and he
a bottle
of the
water.
Now have
changed the
texture
was like
if you
have used
that it was
made,
so it's all
made,
now
all that
was there
back,
and I
never was
back.
He
got into
the
bottle.
The
body.
His
part of
a markota
for
that you
knew
that he
had used
because
three
a few months
after
when
the circles
of people
that are
those things
I'm going to
ask you
puttaste
the food
and you
did you
knowh to
knowh to
you knowh
because
it was just
to make
you know
that the
things
not to
end upfid
if
if you
have been
something
you
have been
my
story
narrator
crees
in malditions
fortuitas
so
so
of the channel that
she says
that she
is the
family is
maldita.
But now
that I'm
in the
history,
no
he's
exactly
what is what
what
was the
maldition.
I'm
what you
what he
happened
and then
how
she did
know
of the
maldition.
She
during
various
nights
he
came
to have
visitors
noturnes.
First,
one
some sensations
in the
the room, the sensation of
being invaded,
the sensation
of that someone
was able.
Despite of that,
something a
little more
pesable.
It was like
if that
was there and
waser and
would be
more and I
felt a presence
very shortita
of her,
scarce 20
centimeters,
30
centimeters,
something that
if you'd
get to
get to
talk, and
she didn't
want to
see that,
so,
so that
never
styrs
the
of the other,
actually,
it was to recogued in his
room,
just front of the
camera.
There was a
thing that
was a figure
humanoid,
a little
longed.
His hands
had like the
legs very
long and
they were in
the points
afilas
no you
imagine you like
a man
wessoud
imagineate
more
like if
were the
path of
some type
of the
part of
that
the type of garra, that type
like a unyna,
and also the muke,
like a much
a little bit of the
direction to the
head, it was
more the
bird of a
human, but it was
a body humanoid.
The head
had like the
cabo'clock
and it was
deformed to
the end of a
type of a
peak, but
not was a
pico of
a paco,
it was like
something
was something
more conical
to the
other than
I don't be it many details.
There was something rare in the vestimenta,
because they were like if were
harapos,
like if were recollecting
things only to cover
his body,
and then see
that that
has something
that oversalve
a little
up of the
arms and is in the
part posterior
that form like
some two
threeangul.
What is
exactly that
is so,
no,
but when this
thing was
this thing was
that was
moved
like in
certain
directions
in
the ones
it was
that
was connected
to the
body,
but not
necessarily
were in the
arms.
It was
something
wonderful.
Because what
was being
was a
fantastic,
but it was
malevolo
and aterrador.
Because that
was that
was there
was not
was
with good
intentions.
For our
our
one of
the
moments
more
traumatic
of her
life.
But
as many
hours
after
only
only
that she has been
so on a form
very lucid
and of the
fact that's
like so
so in the
time so
that she's
that she's
about the
the same thing
and is looking
information for
her to provoke
a new lucid
and to
see that
that thing
to bring a
lantern in
a suhue
and see
what is what
is what is
being.
So,
is it's
marvellable
and a
person
very curious.
The
thing is that
I'm
see a
a
fourth,
a
fifth
and
six
night
that's
that's
a lot of
your
one of the
things
that
that's
a
and his
garas
it
put
from
the
and
it's
the
and when
he
he
and
he
a
mark
like
a
and
a
that
that
thing
what
she
he
thought
it
was
like
it
was
a
not
was
good
for
another
was
a
good. Yeah, with
fear and
understanding that
that's
not a
dream, or
it was more
than a
dream,
he was a
man.
And when
he called her
mom,
her mom
she got
palida.
But palida,
palida,
a saddata,
temblorosa.
She,
the chick
that's a
newcturna
says that
she
impacted so,
that's
with her
because he
can be
that's
maybe
where the
she's got
where the
woman,
he gets a
a little
a chair,
She's a
And the
She puts
in front of her
And he said
Mom,
Trankilla,
well,
it was a
dream,
I think
was a
dream.
And the
mom
he moved the
head
to the
other
and he's
no,
not it
was a
new
my son.
No,
it was
a
thing.
That thing.
That's
my
mom.
You know,
she,
when I
did she,
I'm,
I'm,
but
since
before I
before I
before I
always to
be in
the
abacation
or in
my
son.
And he
said,
I think
that the culpable is your
abuela.
Why?
Because when I
told it,
he put so
very palid
and me
meted a pair
of caches.
And me
said,
no, I want
to go back
to be able to
that this.
And yeah.
And he's,
but right,
meha,
we're going to
talk to
her.
Because if
that thing
is that
does it
and if
your
old we,
we need
we need to
we need,
we need
to be the
other
I think
I'm
I'm
I'm
that the
story
that were
to be
to say something of what you have
told on various occasions.
That we're going to
that that person
that we'd have
been a person that we're
a person who we're
a woman.
But no.
No, is the
case.
No is the
case.
My abuela
is so
know because
that thing
no see.
But no
he's going.
There's a
result that when
my abuela
is an barraiser
of mom,
she and her
and her
and her
and her
first to
be a
past.
This voyage was a
journey of three hours
and a three hours of
and a world.
And were a
city very
very certain
of their
they were in
this city
and they were
there was
my abuelo
he invited
a panecito
in a place
to my
abelah
and they
went to
get a
carter
in the
madugada
when
they got
the
carterer in
the
madugated
they said
that in
a
encounter
on a
cross
he was
the
when he was
he was
that was
very
very
So, so it's like if
were coming
and it's
something that's
a little,
but it's more
faster than you
even that's
a little,
he was a
signer of
a little
or very high,
with some
arms very
long,
with some
harapos
put up,
a cabello
that he
could be
the rostro
and the
he was a
form of a
point of a
point,
and that
the
little were
not of
the person,
they're
like the
he's,
he's,
he's,
move the car
to the car
to a
little,
he's
the car to
And when they're in the retrovisor, that
cause is parading towards the car.
When they're in their house
that night, no they top on
and they're still. But in the moment in the
that makes my mom, the day one
that she gets to the house, that
was in the room of my mom in her
habitation at the side of the cuna. Just when
my abo-gola, came with the baby in brasos. My
My abuela pego a gritty,
he went to the
abyss.
Entra to my
abuel and he
no-wee
because no
man can
see her.
From the
that's
pegged to
our family.
Since that
day,
no,
us have
left.
My
abel.
My
mother needs to be
my mom
to see.
And I,
no, I
know, I
know that I
did that I
didn't, because my
mom, you
not the way,
so now that
we're not
we're not
we know
we're not
we know
if we
we got a
a demonio,
So,
we got a
or it's
a manned
a maldition
of form
fortuita.
And you,
what would you
do you
do this
story?
We've got to
final
of this
oscura
fogata of
stories.
Now,
all those
those who
were
first
a fogata,
degen a
calaverita
and the
legend,
I mean,
the words
al-as-
last-
last-
last-a-
family
nocturns
let's put
a lunita
giving us
the bien-
-in-a-
-v-a-v-
-a-one-
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of the internet.
And now
so,
Chico's the
surprise.
For every
10,000
subscribers
in Spotify,
we're going
to be there
a little,
a story
inedita,
something secret.
For every
10,000.
In this
moment,
we've seen
four-mills
from the
first time.
We're
to see this
surprise.
So,
so if
if you
still don't
not you
on Spotify,
see us,
give us
the five
stars,
and in
nothing, we'll
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sub-sugned
various
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secretes
a time.
Dich one
once this,
we'll
see this.
We'll see
the next next
Thursday, but
I'm going to