HABLEMOS DE LO QUE NO EXISTE - Historias de Nahuales , Brujas y Animales Espirituales | EP 266 | EL NARRADOR

Episode Date: February 17, 2025

¿Sabes el día en el que se abren las puertas del infierno? Bienvenido a ésta Oscura Fogata de historias en la que nos acompañan Nahuales , Brujas y Animales Espirituales.¿Has tenido alguna mascota que sientas que te ha protegido? Olivia vivió esa PROTECCIÓN en carne propia cuando se enfrentó a una aterradora entidad que buscaba entrar a la casa en donde estaba su sobrinita bebé. Escucha de como un grupo de amigos buscaban divertirse en el bosque y se enfrentaron a la experiencia mas espeluznante que han vivido, una JAURÍA PARANORMAL .DESCUBRE LAS TRES PREGUNTAS para saber si estas en PELIGRO DE BRUJERÍA y lo que Teresa enfrentó junto a su familia de BRUJOS.Tiembla de miedo con historias de brujas, nahuales y el guardián del bosque, así que prepárate porque llegó el momento de que @hablemosdeloquenoexisteHablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

Welcome to Family Nocturna to this oscura fogata of histories. The day of today we'll be the gawales, bruchas, and animals spiritual. But, before to initiate this

oscura fogata and see who and you're and you're the best of the best of those who are new,

those that is your first fogat and that are you have been to this podcast and want to know if

they're going to live to let me say this that I would be form in part of the community, part of the family more obscure, and more chida of all internet, the family

nocturna. And to form part, only occupant something, something that's a very simple, soverevibing, a this, oscura fogata, and the family nocturna, the family nocturna and her servicor, we'd say most in this obscure and aterrador voyage. And here, family nocturna, if you can't be present, I'll invok, for you, put on here in the comments,

your lunitas. Why? Simply. for that you want to good suerate to the long of this recorriety

not to not be to do you any of some or a girl or a individual

come in their help and you once said this to

the the we're we're we see a great

a interesting I'm and I'd want to you to

you to ask to what was what this

woman Resulta is a child. It's a child that has a family, has a lot of

her family and has a special. She has were very friends in infancy. Now,

that are adult, and the two have a life. Not they don't

they're quite. Apart, there's a question very specific that Olivia am

from where his his prime. His prima live in a house that is a

little, a house not very large, are two pieces, but it's a house little.

Out of the house, in the part principal, there's a big, but what most he

doesn't the tree, is the house, is Bruno. Bruno is a

perrito that all the community of that colony has acugied. It's

they're they're much care and respect. All know you know

Bruno. Bruno is a per medium-minted not is bravo, it's carinousissimo,

but that's there's a that you that's with a posture menaceante, that you getres to

a person and the force a because if Bruno is a start to grow

and you go to and you know, Bruno is a fierre to defend

persons and not you don't you don't get to he's never been

to attack to A person enter this colony and see that endosme over there Bruno's

he's a he's a house and he's the he's a man who he's

a person who is a person who is a person a but he

he's he and he's and he he got

the person so he's so he's he's a

house of his wife with accuses to be there. And know what the prima no is stunted. The primal it's always, he's a time when he invites to have

a dayyone, and in many occasions, just he mando a message of cellar, you dege the day of the assyto, and the key is in that part of the maceda. Why? Because you know, she says perfectly that she comes to play with Bruno.

A-becess not is the visit, and it's the platica. But, well, in this relation, in the case they're so much, and are complices in this carino that has to be Tonto, Bruno, that I want to say that

there's a car out of us. Olivia's had been attempted to get in two other occasions, but Bruno no's a lot. Bruno is of the community. Bruno is for one. Bruno is of all. Those defends to allos, and to all those who wants.

Olivia He vied a success very aterrador in house of his prima. And this is he occurred about about three or four years. Resulta that one day

received a message of her prima, a very good news. He's embarrassed she's a her first

baby. And from that's moment Olivia she seemed a sony her

she went in the end of she was a very close to her and she's good,

she's she's her she's a woman that for that she's

to be there to she will accompany in the quarantine. So, his prima

and he says, no, well, if you I'm going to you're going to be able to you're going to

and he's no, no, no, it's in serious, I'm going to be more or less to be in the quarantine. I want to support those.

Always has been to me, you're a great honor and for me. And I think to you can

help you believe. Olivia was totally to be totally. No, there was

no type of of juggeretta or second intention, 100% it was to help to help a when he

came the moment and have passed from that after that after that the little,

the new year has made to say to be to that's always always

his maletas. The day that he gets to the house coincide

with various things this seems like it was

like it because when when when When it gets, resulta, that the spouse of his prima

he's going to go to a project for a question of a job and not could do not do come to the things. So when she

gets with all his maletas, the person that receives Olivia is the wife of her wife, he he'll be,

he'll be, he'll do a breatho very caluroso and he said, Olivia, no you know, you

don't have any great- the gratitude that I'm very preoccupied because I'm going to have to be to

see a Sonia and my nina, for favor, care of those and whatever something, mandame a message.

You know your wife and right with the little bit more emotionally. So, is that I'm the things

so in the woman. She's a woman. The prima Olivia is Sonia. The point.

Is that Olivia receive that type of the kind of the house,

the and he does know that she. His cuneado, postiso,

say In this moment, no I was exaggerating nothing. When he gets Sonia's made a

mar of and he's saying that she she's going to be a mom, or if it's a bad

a mama, and then then Olivia swel to a carcajada and he's that you are the

poor nen or it's what you do you up is the time. The first the world

after the things that you're going to get to realize. Olivia has like this complicity

with her to do to do with humor, with sarcasm, and look, he's just a because Sonia's relax, she'll take a game. As long as a relation of many years, never it took as an offence. The days pass-balling.

Between, of a sudden, these attacks that have Sonia, the restyeties of the nana, the canstancey that has Sonia, and Olivia, like, adaptand-se, still, no has been to discargarer all his marletas, just had been scarred two,

I was I've got four. So, all the occasions that is the same. Busca the the rope in

where the I'm going to the same when the first when they they've been and she has been

has been having to the nena being that's being checking that he's

getting to his prime well has been a kind of there's

that that has that for the time that exauster exausta

and it's there where what I'm going to what I'm going to say to Olivia is

in the house, he's dormitando in a cellon is being the television being

because really not he's really not the noise blank. Sonia

has been very very very hour before he said he was

to be with the nena that she going to go to the

Olivia Sonia and the baby. And that there were going to be you'll be be able to

something, that's about, but that he was going to do his space. Sonia did this

because he noted Oliver that he was too really and he really that's a

employee, it's family then. Then, yeah had a minute there,

Olivia, and occurred something something. She was a very

very very very very so, he started rare

the environment, like if of a sudden, something, something is aboderated of the house,

like if the air in all the room, of a bit of a bit of, pesado, pesado, very pesado,

and that to be a not were properly difficult, but it was a got that it

every time that inalable, I sentia that the energy was going to go and so much

in much, and it was very little the energy that he had to So, so it's that he was a

repented, that I'd try the cellular in the hand, and I'd the head and the

cellarer, and the cellar, like, it was the cellar, and it was to get

and it was to make and it's again, and it was never to get dormita.

But that sensation, no, it was not more to be to be to get

to get a lot that's too too. No, I'm no idea. Olivia

not a person that has much MEDO. It's a person that the things

always with a little of the form relaxed, is a person with very good good vibras.

So, it's a kind of the canstance that's too, I'm fantasizing, apache the

television, it's going to come in, it's a door of the room, where is

Sonia and where is the nena, and when he comes, she does see, she is

sitting the back to the door, and there in the cunita is the nana,

She goes and she assoma, the cunita is totally dormita, and then says, well, this is a very good moment, but to go to dream. If she occupa something, Sonia me will be to be to hear, or the nina will be y'allar, and list.

He, she acuesta, da the spada to the ventana, for that ventana, see this arbor that was in the area of the

house. There, in the moment in which she can't, it's something something so, something very strange. Siente

like the air that was a person, it is even more. And there's a more. It's a little

it's the epicentro like if from the top, and it was a sensation of depression and it

was a time to be the camera but it's a time that I'm that can't

do you make a lot and in the moment in the moment, in the moment, Something something or a

maybe a sound or maybe a sound because not it's a very very much a great

that's a turn to do you know and she has been adrenaline and the heart

they're patiened really is almost sure that was sure

that was a big there's a question and it's there

when he's something there there there there there

there a little, but it's a a caninadit like a little, like a piece little. And it's

very, in the three days pastos that's been there, no, I have heard I've heard

in the house, not in the night. What is that's the thing? And it's

attention. For the form of to come in four patas, it's a little

the feet, and then it's a little bit of the room, to the area,

to the area, and It goes and regressa and then, then it's not something more. The sounder is more clear. Those pisaditats that sonnabond, like of something, yeah suenan, something more meadyal, something a little more pesado, something that while, while, and then, the most rarrow of all, and then, the most rarrow of all,

something starts unyed the techo, to rasker it, to rasker it, and it's heard like if it sturbando there, and that is just to start, because it doesn't sound a little bit. It's a little Then that thing Like if is a

Grunner and he commenced to move over over but now are not a

four patas are two and they are very marked back back back,

he gets up and again this thing and it's there when Bruno

enter in the scene Bruno he he starts and he glararar but

it's so it ohadis so it is a point to revent in ravia never

had had heard of Bruno so. If I had seen a one ever seen that was a

person would be a kind of an attitude media despota and that Bruno was he

was a little bit of but he was the laddried in a laddry that was a badro but he

was he he was a back to he's he's there he's there

he he's there he's he's the he's ladder and laddry

ladd' and he he makes to be perfectly is Bruno. Then, that thing, camina other

way to the cell, and Bruno comes to grunier, but it's a grunier tremendous. And in that

that thing, that thing, from the room, where she saw the television, and it

on the the house, to gore to get, and in four or five

passes, get to the area of the room, and he can't how that

thing that the thing, it she gets she helled, because it's a sound that

he's a sound that he has a totally of surprise, and see that Bruno voltae the head to the arbor, and that's there, that's in the entry of the house, he's a little. Cair in some of the

eyes, and see how there are a big, and the way, but of a sudden, he'd have the impression that if it were a gato, mediumamently grand, and in other occasions, it would be more than a person

taking posures felinas. He's a lot of much MED For then he does know But is to

But it's at the border But it's the end of the back The back The book has been

And it's hands and the feet Elated totally No, know what has

No, has thought in the Mena, not even is thinking in her She's

situations too that so much that's that so that's

how to make a brom this? How to make a Chist this?

How relaxes no idea No know, his mind

is in blank. And it's when Bruno, he's to get a little,

he's to get the and then he'llad, and then he crues the mirah to her.

When he cruised with Bruno, it's like she would see she back,

it's not that the air, you know, not is a more, she seems like, and in

that's doing, you're in a little, that thing that's in entry of the house, he has made the

door, agitadissima, that perro is your adoration, he opens the door and he says, Bruno, Bruno, come to come back, Bruno, and see where the

perrita, come, go, and he gets to getcha, he gets to cariciary, and he starts to lamber the and the instant

of that he's done a middle turn to the little, and he starts to and he starts to lader, and he'll be that

all elizado, he's all elizado, he's all risado, he's all right, he's all right, and he's, and he'll get to and Bruno

and he putt all the force in his patas, no he's he's

he's a little, he's a little down the and he's a little and he's

and he's to be and he's he's she's she there's there's

there there's in the right then then you the idea in the

stupid you're how you're you're to put to all this

and then then And the prima, when when he gets and she puts to front to see her, and she does

know that the prima has the eyes open and is a being the window. And she's talking, Sonia,

Sonia, what you and Sonia, and she can say nothing but move the eyes. And move

the eyes in the that she know it in a certain form the window, or

so it did Olivia because he and he just there in the

the that is bolted of the head that is like that's like it's

like it's that's a little a house a head redonda with

those eyes redondos and it has just a line in the

color color amylos felinos a little a naris little

and little longos andch sunriending of that's there's

on the the coming down a day of today after

three years not not can't forget and in those pears pesed

that that's there. It's a person but at the way not the

the head is a lot of a lot but a much little to make

the the eyes are the of the little the form in the

way of the part of the that is a person human but a man

he can do that's totally bolted of the techo

no has to get to that That thing So she starts

to move and she She's she's a cry to Sonia Sonia let me

cause to go the little a little she can't talk about she's

a car you take a bottle of the one of the thing is the thing

and and then and then she makes to venting the water he's

maybe of some maybe some person that is this in a but he's God you

let's do you make the that not that He starts to venting the water in the window and he he starts to venting the water, bend this water, Goddice this hogar, God's it, for favor.

I don't know with you. But, for favor, listen me, you need. If you exist, here, we're occupant. And then you're supposed to be a reprimed. Respira profound.

She says that something that something that's there's a movement in the arbor, it'll be a sonarke me, and it's a person that's someone correying for the car.

There no no way to see what more. She's a new of the

little. The nena starts and she goes to the carga the prima she's like

a lot he says to a bad she's a little to what? He says, I'm going to get a

minute, I'm still that night that that madrugated is the peor of your life. in the morning

next no dormier no peggar on pestaia all was a silence incoomod with trying

to try to try to try to make descriptions when the head is you are being

visions that spantosas that's having to say to sonia all of those those

details during all the madugate the the nana is a

moment is a baby that has a pen the time. Sonia can't come in a

little and he is trying to come in time. But also the cansanse he can't in moments

and she go and she can't be all the time. And just when it's the sun

of the morning, Olivia is a man. After of the brinkos

in the arbor, he's the person on the cariening and Bruno he was

He's the body. He put all the whole of the whole my Brunito my Brunito and he's

saying Bruno, Bruno, Bruno Bruno! And then he's going to the entry and Sonia

and he says, Prima, Prima, Prima, wait, you know, she,

wait, sorry, I'm going to get to go to get to my Brunito Abroon,

Bruno, Bruno, Bruno, Brunito, Brunito, Brunito, and he's like a

grittando out of the house. Nobody is very very very very

six of the morning. Nobody nobody said you probably did you know what they

and then after the minutes Sonia is at the endra and he letete

prima for favor you have to say a great disperated

my Brunito my Brunito Mett me Brumit Prima when when she

in the house no more Sony he la Bras and he said

he said I said to two two years after We've got to die.

Now that you have you hear of it, what I'm what you Olivia, what is this? Lazange surgoled,

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the conditions apply. Welcome to Vyarai, embarked and profite. Embarque and celebrated. Rigolet, public, savourate,

admire, and profite. Via Rai, the voice that we have. Some people say that the animals are

guardians spiritual. You've seen of this? Gustavo, no, I don't have heard

nothing of this, but he took to top to be one in a middle of a buske

in what he could have been the last time to the last time. He used to

hear the fogata, and he got much the stories of the stories of the time

nostalgicic of the years when he was a old and he was

a group a group of a group of a group of people who's put to the other

a good, a finity musical for a group, and you'll tell you'll do you in comments, but Gustavo knew this group, and since he started from part of him in the when he went on being the member, he's seemed as being ashted as an other family. Except for a member, a little pepe.

There was a chico there, that he liked a much to play with appearances. He was transformed in that group in the one more than you, every other person that had a a logro

or a situation that had obtained a example,

a good good a little a little something

always he had to put a put put a example

if someone in the group of Gustavo had a

second another he said the next next next

next month you go back you see a one of

you receive a no a bicycle a a

video-jeworthy of his papas. He said, I'll have been my papa and my papa me will give a little next month. And I always

had to have some commentary of this type. A Gustavo no he was this, and in some moment he was to

start to get us and he put a very aggressive, much to the defensive. And now, and it's

like, ah, why we have we have a group? No, he used to

pass time time, and have no he was not, I was was a

person that was He never had so much of that, had so much that problem of care to be more than the

other, that he had things very tontas. And I said at first that Gustavo

he liked in the stories of terror, because on the other he'd

know that but the other other side, it's because with that group

lived a story of a cause of Pepe. Resulta that one

of the members of the Caligare that was the the best positioned, the family most accoutalada,

received a grand gift of a grand gift of his father's a little bit of a vallniarie, but it was all an adventure, member of the Caligaris, of the other Caligaris, he loved. He lived a experience tremendous. Cruiser

for the bush. Then, go mountaine above, for sendas and senderos in those that was that was near a defiladero, and after that, to get there to

get to, a water thermals or a balniary, a place that was like very in the naturalness,

a place full of luxus. Not was a little little tranquil. That that when

when he came to tell the anecdote, Pepe came to his own oh, I know the

place when they want to want you know they know they're so much, I know all the

attitude of Pepe they're just put it put it in a prieto and they said they're

like well, then you know, but it's very caro, no, but it's

very Well, if no we can't pay, then we'll put a Fecha and we're going to, and we're going to and he's to say, that's, that no, that's, that no, and finally he says, well, I'll give us, we'll give it. Occupers that each one has this quantity of money, put a quantity mediumaminted and a part of there they put in a Fecha. Expect three months.

During three months, really all just were all so fastidated to Pepe, that if they're just turned the quantity of money. also, you have been a member of the group,

with the family very well positioned, and he had said, if one or not he was going to

get the but he's just about with that that's the attitude of Pepe. He'll

the day, and it's the time, and all they're the money. And the strange is

that Pepe is that he's done that even he's he's he was going to

get to that he's all all are They're extranails, they're marvellous, but you know what?

The principal, what he did that they're in the more. And that's he got to the morbo. In what

apretto he's metio, Pee, how he's going to get to he's not no, he knows.

He's not so, so he's in the game, and it's, let me, and the can't,

and the car Rue that he had been a thing that should be a youngke, in some

that's a cemetery of a carocto, the can't It was just because all in the world, we're going to be in the fantasy.

That was made sure. A lot of the rudiment of you can't imagine. Every time that I'd want to do you, sonnable where all the transmission was generating a rasping a raspad of ferros tremendous, sonable like if not

had a gotita of the the air into, and that thing, very probably maybe even if it was even even was in gasoline. Because Pepe, in no moment,

it was done in gasolineer. And the medidels those had totally in Lae. There, it was like if no there was a gota and it was a

a miracle or a maldition. Because they were a place of a one of a one of

a lot of a bit of a bit of a bit of a bit. Before to enter to the

boss, the friend Rico, the who is he was a place,

he said to the he would like, he would be that all would be that all

that he did that he's doing a feeling that he's going to be able to occupy. They said that, for

favor, between everyone, call them to the guardian of the that they were that they were

and they all they were and they and you, what you, what did you take you where you

your your nobody of this group they're in those questions they're

they're they're they're not there nobody is a person spiritual or religious

or much when he when he went saying this they were that

was Someone, for there was carcoged all of the kind of a little reprobatoria and

a little disencajada because he didn't know the situation. And he he was saying,

I'm saying in serious, and I think we want to do that. Why did that?

To do you, to say, he was the person that had a matter. And right, you're going to

know, they're all the instructions that he said. And it says, to be

paraphraseo because this years and Gustavo, no is the words exact, but is the intention. We are at point to enter to your bosque, and to

you, that you are the guardian of this place, we need your protection. We ask us, that you don't us deges solos, and that us aleges of all the bad, that until the mal, we are invisible, and you get to a good

place in which we are sure. Permitens us to, hear you, and understand you. He said that. All just said all of the moment,

and he, in some moment, awoyed. When awed, all he, alled, all, all they all. Then they were

in that moment solemnly after after, as a problem that he had made to all. But he

went to very serious. He met in that boss, and they were, pepe, he was the

he was the he was the he was he was the one In the place, Pepe was the He was the last time of the excursion, and there was going to get to this

place, better than the other friend. They're going to. And at the beginning, it was that they're going in circles. Pepe only does the appearance of being sure. But Gustavo has gotten, that sometimes Pepe is suddening, and

he's nervous. And when they're saying, wait, wait, don't me want to lose. It's for here. And notice that he takes decisions to the tonto, that really doesn't not try

a map or not ideas in the head, that's the other two or three occasions that one of

the other Caligaris of the people, he says, oh, and it's a way,

he said, oh, if I'm confused, it's for there. And he does

know that just about for about, they're in a box,

and you know, you know, and you have taken in that they don't

have been that they're not they're not the they're, and None of them

None of them knows how survive a night in a bush. Nobody try a tienta of campana

or they're things that can help when it's when it's a little the drama

now is chistosa and they've not done of the risk of that that they've

taken to that that's where the richito of the group and

say they're ohian yeah it's well pepe you know

we know we're we're we're and says if we're get. SIGAN me.

He said, Yeah, you know you've got you know. And PEP se afairn and says, no,

we're going to get. Before the nightseer, we're going to talk about, has a problem personal. And he put

in risk to all. Because in that point nobody he was to see a discussion,

a discussion that's maybe 20 minutes, 20 minutes that would have been good and

those had had been dedicated to try to try to or to try to be it

because when they're to do you do you and they're all the thing you're it's very

time, it's the night no you know they're in middle of a buske that no know they

in the middle of where they were what you can't find in their

endpoints to identify those and nobody took the people

to get not without rastro and having a hilly,

connect a point, to tryer a GPS. Nothing of this. They're only,

a group of the young, and maybe if something may be, it's a last night

of their life of nobody wants in that but Gustavu me says,

I know my people, we know we're we're we

know, yeah nobody never when we when we we were sonabom

we Secos. One A word or two. No, we're going to say nothing. We're trying to the reality what we did. And Pepe, in some moment, still saying, is that if we'd say we'd like, we'd golleying, it. We'd want to call up. Yeah, no, we'd

even want to be able to be able to be able to be some type of animal. We'd, we're in the territory of something, maybe. We're not close to some a place of someone or of something, and we're as idiots. Yeah, we put us in alarm, we put us into a little, and we started to come in a field. Intentable us, but no see a nada, nothing.

You're saying that the only pieces where you'd loga was because there was the Luna, and there was where we decided that we'd go to the hand. We went like in a type of cadena, agarrando the hand of the day of the end, and then we'd styramom the other hand to the other hand to us and we'd we were taking the hand,

someone took the leaderate and we we're going going and we're going to

let's a man in the most profound of the dark when the day of the

day he was with a man a delantito intentando to talk what was

in front of the because no we didn't see anything we we're

we're we're voices, voices, we're we're we're we're

like if if there a group of people there, not conversing, but doing oration.

No, I can't explain, narrator, what was what they said, because it was a little bit but sonable but sonnable sound like something

of a lot of intentions, sonable, it was a voice of someone disalmated, and they'd still soning

those voices and conformed we were, we were more closer of a repent, because I

go to the middle of the half I'm my head I'm moving to another

trying to try and I'm trying to not keep me with a little a ram

because I'm I'm all right for that that's about you we're

going to you're you're and you know it and it's maintain't in silence

I'm know when I I'm I'm I'm a that there

a fogata. And I I think that we don't to be able to

not a word, because all there is silence absolute salvo the

voices of those women and there's there around the

fogata. I'm Miod narrator as never in the life

I've had something I'm think that we're going

to say we then then then then the

It's coming by our right A light blanca resplandecent and we notice how a certain part

it's and we'll we'll a sound that's shh I'll I don't

see if the rest but I go and the hands as me torsierer I

I'm I'm all I'm all allteeing and we're we're

we're we're saying Ben Ben The problem is that the voice, narrator, I hear in my ear and in my head. At the same time, it's a voice that me has a tranquillity. The voices of the women is the

thing most aterrador that I can't say. If they're listening, those res, or rations, or whatever thing that they were doing, and the other other one, the voice, just I repeated, Ben, Ben. We're going to come back to the the light. In some moment we're sort of the hand. It was something like very natural.

And when we got in middle of a zone of the arbores, no see where comes the light, but there is a morrow. And that is there, sentado over those quarters, and nothing more, it's just me kept seeing the eyes,

but not your intelligence. No, were the eyes of an animal. They were more the eyes of a person. She me And then Voltae And so he He gets

A manned And move the Cove the Cabe And move the Cove the And then after the

next Amigo of the Orooos Abajo and Arriva Like saying So, and so

And so And so And one of That says That one He'll be a One, he Toh

The problem is that He has Peked his labios And he He has He made

The So it Just opened the box and it's sound like decalience. Voltae, commenced to come in that instant, that is, SIGANME.

And we're going to get a narrator. We're going to get. No, I don't know the minority of where. We're going to all in the field behind of this animal.

De-reepent we're going in some sub-divis, de-repeen we're in some badadas, I'm sure that we've gone to those

places but we're a time and he he does a bese in a turn,

he goes in the field, he will be to be to be looking to all the

and he went to be the time when we we're going

for a defiladero and when when we get us to the part

of the time we we're we're we're we're we we're

we we did all the world to the narrator that was the last

that was the last time never ever he said never to give to the word the

the caligari and then we didn't we're not a very bad vibra and that

that was that was that was a sor other others they're that's

a he's a and I'm no I'm no

no no no no but one that we get us to the camera we're going to

see a and not we don't know we'll be and I'm sure that I'm sure I'm still

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Quautla Morelos is the cuna of one of the comedians more than the most grandes that has been in Mexico, the senior Franco Scamilla, but also is the cuna of one of the stories more aterradoras that me have gotten to the channel. This occurred here, yeah, for the decade of the 50s of the 40. Braulio

me scribe that in Quautla Morelos, in the time of his abuela, and maybe after the years 80, no see, the day of today, if were the Fiesta of San

Miguel Archangel. The 29 of September, they were they were some ramos of the

flowers that I think called pericot. Some flowers grand, amarillas, tomabing

all the ram of flowers, putian the part of the flowers to be

right, and to back, and to all, they were they were, and they

were crosses, and they were , these cruces, they put in the

doors, in the windows, in the entrance of the house. Because it said, in the Fiesta of San Miguel

Archangel, if they were the doors of the infirno. Resulta that the creencia

of the legend of this festival, is that in that day, especially,

to San Miguel Archangel, as the day of the day of the day of

the day of the humanita against the demonies. The

humanity is without the floor of pericot, does the way of some sort of

protection, they put in all the entrances to the house for the people not see they're not at

you, if they get back the house, because nobody you're going to be to

and it's something that it's a quite, it's in the 29 of September, like if

were a thing, it's in the nothing, they'd get to those

many times that were all the city were to listen to hear abheds.

The arboles, some the coaxe were going to all the raises. There were arboles

medianos that were and they rancabba and they were in the heavy. They were

to themwame in the people. Some people, it said that's they were the vintos, it was a more,

no it's never. But it was the 29 of September just when the demons

are they were all over in these vintos and attack and the persons they'd like to take or they'd like the flower

of pericot was the form in the way they were to protect in their own and here is where braulio braulio me

said that yeah for this time as 40s or 50s her abolita tomacita vivian in

kautla this this lady of today of today a person major and entered

in years she she lived something was a very when was when it

when it He heard this legend about San Miguel Archangel and he took to live various of these celebrations standing in their house that she used the out of the wind

and she was like a little bo there in the middle of the nada of the repent it was heard of another house and in occasions

very nearer and in occasions in occasions in the house but when when was a little was very observator to the senior Tomasita

or in this case the little Thomasita, the little Thomasita, the little bit, that's not a demonio? Entrava for the rendition

of the ventana. It was the windo that was a certain part of the door, and probably was going to

that was that it was what was the sound like when sylvas. The more the book,

less the sounded the sound, and the more more pincidate out of the

more agus more agudo waser. Then she said, it was like the silvido

of the the world, that not are heard-hied, are silvied of doors. Those are no are demonies. When he took up

13 years, it's when he was what I'm going to say to. Resulta that she has fear. She has fear because, in the last

days, I've been listening to her abuelita, that her mother's like the question as like to be able

curating people, and to keep The abuel has been to advertiseries that they've been to make a while in the zone She's

He's got to cause problems And that's been here to cause problems And that's been But that's a wall Very strong And that's gonna And that's gonna They're very close

The Fiesta of San Miguel Archangel And she has She has been Mewat Soa'a She was a lot He asked

He was a while And he said He was a animal But that is a A woman And that is a person And that if and the baby, she'll have to eat

and then she'll just you can't imagine a husha of 14 years thinking that she'll have been to comeer a little bit and the poor Tomasita has a year.

He'll get the Fiesta of St. Miguel Archangel and she's prepared and knows that minimum that day no will be going to be

their house they're going to put the flowers for all parts you know they know that not are that day will be

that day will be that time the wind is that's the time while because who will be

going to be a lot of the night that they're that's they're probably

he's probably he he's going to he's that he's that that's

the middle of the house the thing that the thing

that's the day of she she's she she's she she

a man a thing he's a rastering to the

the but it's a little a ballita, is a pegated and, and of a repent to be

how it's to be a extend, and what should be a garrita is a a guy,

a little a tube that's there's there's there that's that's

that's that's that's it's to be to make to the time

to a person. The person is a completely full of be you,

and be how that person is a she starts and and he's he's he kept

seeing with the eyes the people you you can't imagine. A mirate

a look at a other and she saw it was the person

but totally covered of the and then that person was and not

how the he he starts and it and she she she's she

she she and it time until the next three

three three seven I not I put I was the Nawal, but also

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me envioed a story that is very interesting and a lot about there all people have heard stories about that the abel

of a while person he got a with a gulfes with an entity with some manned

this is the case of but his story is a bit more more extraia has a

some data that not I've heard in one. The

abuel of Mauro was the Mr. Faustino. The

Mr. Faustino has a good time. This history

of he knows Mauro not for the labos of him

but not for the abel and they are that

he was a subject of a character a

character a quite a quite not aggressive but

is determined a A person that not has with games, a person that one way that one of the

decision or says that is a lot, point and it's the type of people who know the

people who analysis. He is 99% action, 1% think, and still

there may be that he's going to spend the time that not be the thing,

he's much to act of, actions, of do not of planification and he

was doing his things in the life. He was he known more the

mother of he was having family he was he was he's of his some

a type super work but the so you was

not to analyze in the in the years in he

started he was talking when he had only he

had 17 18 18 19 19 he he

had an man he had a of a sinister.

His friend was Joaquin. A he was from the school.

They were to the school together and from their friends. But

Joaquin was normal. Joaquin he had said that that every that

every that she was she she was she percied she

he said oh my God you don't you don't you

don't you're going to say that don't Faustino? No, where they said that, Faustino, is of a little genie, figure. No, Abolita, is my friend. No, the of you is my friend. And he frego. No, there was more whiltas. Now, Faustino

with more gas, he was there with Joaquin. So, they've got a new mugre. The family of Faustino, never stood to this amist. But the years were going to go ahead and there's a moment in the way you acclimatas, you adaptas,

you adacuas, you You're not used to Why I tell you this? Because, inclusive, the same Faustino was to do that something

that was very that he was that he had things that he said, or what kind of of things like that

her was that her were that his family were bruchos or well, a lineage of bruchos

and of that even that's said that an tatar abel of him was a

war, but that the The parents of Joaquin Yeah no They didn't They didn't They'd

Traged much repercussions and They didn't Pager that Deuda or No, they'd Pager What's to be

Tovara to Don Faustino no Is to think But if Sele did Rarro That nobody He'd hear

The family of Joaquin And the Papa and the Mom were persons very little.

Joaquin, as far as the years, it was it was a rare. When they were in the

school, I had certain things rareas that as as they were friends,

Faustino not the but with the years he he questioned

he he he he went in the recre and

he he he he was he he he he

he he was he got to And you know, that was the poor, that when they'd get to the food of the

other, the people, I'd have a bottle of the and he was over and he was and then in some

occasion, that Faustino he asked that he said, why are you, he said, because they are doing

something to he? And he's he brought to do that he didn't of him,

no he didn't, he was more than he, and were better than he.

Faustino with the time, he learned the time, he learned, no, no,

they had for to tell us. Faustino also not anyone who commenced to pabonyers for the little little little bit of people that were

that was a victory at every moment. No, it was a type that was made in the studio. If he'd a ball, he

just had just he'd just about the man and he was going to go back to his side of the

other side of the other type very practical. Tal-be that's for so they're very well.

But then the life was advancing and And they say that when you have a little in your personality, accentued, the years do you deemps, and with Joaquin, we're just a yearnge.

He started to vestyed in a manner extrafalary. And this friend of Don Faustino, this son, heho, this man of descendants'emps, this type that was, a little a little bit of a lothone, a little mal-leech, mal-sano, very vengative. he was to

do a extrafalaria and he started to add chains that were in metals or mader

that were strange he was he started tattoos when it was not a

not much when that was that was that was they were in the

carcel and he he was he was there was he

there was to give the person he he was

that the people he had fear. But even still, I had this amistice with Faustino, and

he's respected in the one to the other. He never questioned about why did so-a-called something. Joaquin, in no moment, wascaba to make a daim to Faustino. But we'd say, the line was very delgated, because

Joaquin, yeah had clear that was what he wanted, and he was going to, he went to Faustino, that he wanted to find a brute that he would functionar as as a mentor. A person

that was guiding him for the man to get to get to his right to he had to

know, he had to not to have been a couple of people who had depojated

of his power of his herency and he not he was he was

a type very teatrero very exaggerated for the change Faustino

just he just he in moment if he said to his old one certain things

of Joaquin and her mother, now he had been he had said, he said

he said, he's my own and I know, but Joaquin is good and you

know you know you know, and you know, because the bivuras also

mured the hands of his people. Well, the good Faustino had

a casom miso of this. But if And he noticed that Joaquin was pudriending a

little, a little every year, a penise. But if was going notary, he was

daigning more to the people of the people of the endroar being more popular for the

worst and it's there when they're to occur to occur some very

in the life of the father that his abuel to

give certain things that are that are that they

Pied. For promise that he Jury, that he promise, that he will use her always. To be, until that you know they're not

or she mwera. And he starts to give a regalitos of a when. He gave in a

caja a cinturon of bivora. But it was very strange. It was cowered

he never had had been one, but not a cinturon very

very not, I was in the he said, but, Abolita, you're going to get the

pants on the thing that this thing never marra. My I'm going to do

to do my whole promise me to make me, for favor, let me do you

do this until that this thing, or until I'm and he said Faustino but if

yeah, no, well, then this he's not, and then the abutta and then

he said, he's going to do you, no, no, he's the the his old old was to be.

her oldie had eyes for many of the oldita had a bollita had a pacharitus that had to say things. So, then I'd have, it was always put it. He gave a new one anillo with a cruxed that was a plato, he said, never to quit. It's a they had passed for something. Probably some type of of the polvo because every

every time that the assotado, it was to use, and he he was using when it's not you

that's not that's a roll and there and there's it's a little bit. But abelita but it's

a cordon and put it to be to be a poor man, and then you see cargand

it in the part of back after the part of the pantalone and the camis because there was

there was there was a boy't she was not she was to put in the brazo because he

had to manchado of black but I'm the way the buell is the old

and it's great and for all this she's not a time. The same time

how are the same things, how are the great not news he had

to get a master he was he was cobrating very caro he's

he was thinking much if to make the he he's

he he car, me he's things that I want to do

you do you do you know? And to Faustino no he thought he

does much because Faustino not he important. And Faustino he said well do you

do you're what you say well we're going to go back after that

that's that Faustino no repar in that after after after

no He also, he was to know of Joaquin, for a good time he was put to a way rather a time after. He was more sombril, with a few words, and just went and he presented with a bottle of

tequila, Faustino no he said, Faustino, accompany one, for the amissat that we've got many years. Faustino no repar in the words, the words are important, what are you saying, how they're saying, how they're

are conjugating. There's a message there. Faustino no, no, I don't know. And, no, I don't take. Accompany me, even if it's a one. No, no, I don't take. But you, take you, tomate you two, one for me or another for you. No, it's the same. Tomew,

I'm going to, you're saying. No, because Faustine, one that decided, no, who knew? Who knows what could have had been that beer? No no one trago, Joaquin. And then, after that,

no, no, no what he saw a what he was a little he was a

question, he was going to move over cabos on the other and a person

that had had been a man, that was a person firm and a

person honest he he got to pay a month and he

he he he was he he was just to where

I'm that this person that was on the

other to to that a tacho, because if not it was more than three hours at-pea, because there no time to move

and the attach it was a lot of a place that was a lot of the defiladero, at the other side of the wall of the

hill and the other side of you got to try to do that because you can't get to go back. It's in

a direction and in a direction of a way. One way that you start you, you're

going to on doing by there, when to when of this when to I start behind

he like a perro but it's a strange, headying and he

and he's to know that he's he's and he's getting, and he is talking

that's talking that he the two feet very just a just a panning for that

that the person he he comes when he'll when he he

a little he only he's just he's a meter and the

mentado per is there but, but coming in two patas for the

same of him. When be that he's a and for a strange

reason, he pega the wall on the road of the he's

he doesn't know and explain to and he said a old

he had said, he repeated and repeat and repeat and repeat and repeat and he's

he kept there. And of he he did he just he got parted

because no he he can't look to look to be a just a

reoho and is a two, three meters, then it's not he completely,

no you can't and be to be to be in the car and he's he's

and he can't how carhous he can't sit and his four

quarters there a very great that was coming a

two patas he sit in in his four

quarters and he he he and he he

said so he he and he And he's And he's And he's

And he says, and he says, look, nothing he was going to say to change the opinion, the perro

is there the night and Faustino no's not he's moving. He said that that cause he was going

with bad intentions. And one that was he was there in form of and he he was made,

he said that something, he's he did he did he did he he's going to move.

When does the when it when it's all the night and a

Faustino, one that decided that he was going to get there, he was going to get to get dorms. So,

so it's that he put out of the spal to the door, I'm he said the

right the voice of Joaquin and re-gownid saying, yeah, moveete, that I'm

want to do you, I'm going to do you do a not you do you not to be

nothing. And Faustino just said, andal the man, don't know, if you I'll

see, I'm, I'm, I'm, He said that the Perro He was Faustino

he went to He went to and he never he was he was he was he entered

of something two years after a news in the people a perro ravioso had been

attacked to various houses to various people and had had mordied a

man and one of the people of the people was the people

was he was was waiting and I knew that in some moment he was to attack because

they were a baby. He was a minute in the night when he was a movement in the patio,

he took to the perro, he met him two machetazos. And the day next the police was

the body he was in the patio this person. So, so it's that's a marrador.

My abuel not of many words. My abuela my mother me she said that my vis-abuel

or tatar the abel the abel of my abel. She thinks that she She said And she said a

little to the Brugheria, very personal the but he said the brujeria and he

did things to spantar Nahuales and then when they were in the hill, for the

position that took it or for the things that I'm my abuela or that

my tatar did he was he was he could be able and

he was he was the life to the abel and so

so me manda those stories by the WhatsApp of the pesab of the or by the correcto those data

I'm going to pass on every sabbado of somras there me came in the courier

a story that made the little bit of soledad that today of today

I think has around of 30 years when when it 21 or 22 he went

with a group of friends to he's not the there was what he was

what was a situation that was discabellated, and that she is there never to live a

of that. Because he are the stories of like the stories and like and like

but to have a vivience is something that is something that has been a group

of people I don't see if were three in total or five was a group

mediumit and they're to a place in the they're a

place that is a is Enkantado. I know what I know in Mexico, but I know in

what part. And she me said that when they go to this bush

that they're all the things that they need and they were and they had a

little and some things and they went in a plan

like to live a little the experience of

the natural but they don't even they had

many they had the major part were in a terrain that was a plan.

One of of his companions, that had no had a experience with this, he had

to get to a ball. One of these carreties that are two rods, and I wanted to

get to he took three three cajas with because he thought in a

pachanga. When the other they said they said, they said, no way no way,

no way, no way, the the way has nothing of the no is lice,

you do you you're going to esforcer? Well, the subject obstinated, because he

had given to these things, no way to get them to get to be the time not too for the time

free, as to be that they're a day complete, he said, he said, he said,

he said, he was, he was to get to get to the carretel, and it didn't

do you know, a minute, when was he was used the dole the back,

and the problem, is that to get to the carretel were other

five hundred meters to But to advance, it was impossible. And he had to desisting and have to leave the things there. A part of that moment,

the ambient in this group is a combination. Soledat, says, there, in that change of humor, one's were dead of the risa. This subject was that

chabal humbre of the enoho. It was an environment that I could not be to be able to hear. There we

committed the worst error of our lives. We got distraged us. We're a where we we've,

we've got to go to where we've and we're noceion of the time. We're in a

place in the way we know we have to have some certain and we have been

the way of the road. That's that's that's possible. That's

we can't how it never this companyero and we not revisable

to it. It could be to be to to get to things there that not were sealed as

the airs to beckon. And then, so could attract an animal that were a carnivore and we'd be able to to have our rastro perfectly.

No, we'd say, only we're we're in a night. No, we've done the tinds of the campana,

and there we did we know of the atontado that we're and of the fact of things that we

were doing. But at day of today, I I'm I'm really we're we're not,

because there to be what happened? We're We're We're We're three

Tendas of Campa This Amigo and he was more Relahed We're

trying Toas bombones When we We're We're We're Inmode

Of the One One, Not one, Many The Rises Sounded more

Like the Rises Some It's It's You're You're You're

You In a Pelicicca It's Perfect In the National and these channels, it's beautiful, it's amazing. But, you're pretty-to-de-you-do-you-creatable.

You're just-cuit-to-you-res, if you know you know you can't defend. That's at merced of what-seh and you're not going to do anything. We've got to hear that the rizzes augmentable in volume, in quantity. And there is where the pesadilla commenced a narrator.

No, we know what to do. No, we didn't know, if it was good or no, to be it's ancunded or apagada, we know we we'd get us

to get us to a carpa, no we didn't if the food that we had been back to get to the

most or put it to put it and put it and they were in the we're trying, we're trying

we're trying we're not we're having to get a we've got to and never we've put to

imagine that we're to come to finder a type of aubri narrator,

narrator we're we're there, debating, between one or other other thing. About, you can't imagine in silence, but enogadisimus,

stressed. We're not to the o'clock. But is that amending the food of here, that not be that's arrequels.

And, and while other, I started his arguments of the, why, we need to

get to the food, and put it a point, like if it were a type of a different,

like this were a kind of a ritual, and of that's what class of stupidels

you're saying, we're we're going, we're going to let's go the fire I said another. Narrator we were those idiots and ignorant

and we know we saw, even though, until that moment in which we really had been a problem. I, I thought, that was my last day. So, what I did say was, put me to record to my papas and start

to ask you to give to give to God. I'll teller them to do. I'm in a cellar, the message. No, there were in the sameial in where we were, I'd say, I'd

would be able to find the rest of the cellar, and to get the message to my papas. Deh. I'm photographs of my papas as

all the photos for the people to find out of my family. Dehs putting my

direction, my telephone and trying to keep a little with my desires and

all to know that so that's that's so I'm in this for many I know

to think that I'm a stupid but is that in serious not they not

not heard what I heard. It was the sensation of M-Muartre Inminant.

All, all those who were we're in there, because they sentient that these things every time were more close and every were more. I was writing that. When one of my friends me put the hand in the cellar, to make,

to make the brill. And then, it makes a signal and me says, Look, and I see between the arvoles, narrator, and I see how there is a light,

but much, and, and the light, it's a light, and it's apag. It's, and it's and it's

it's but it it's very very strange like if were flamassos me I'm here

and other of my companyers and he says are you do you do you do you're

you're don't don't you're he goes and he he goes to be

a narrator this that I know that I'm that I'm what that's it's

a figure more I'm talking that I'm I'm about something that made,

maybe an 80, brasos large, the point of the fingers of the end of the

eyes, I'm in the panumbras and the suns, and the repents, and it's

engulfed and it a, like if were a circle, it's and the

and the and the things, every that one of these things involved

in yams and flotable, it was where it was a carcajada a larido, like a

rizas, what fregados was what we we've seen, no we're going to

we're going to we're doing, to the other other people just I'm just that me kept on the carp

the world, we're doing the night, and when it was going to we're going to look to us one's

to us others, we went to try to the caronetta. When

we came to the diableto narrator, was the food was part of

all the other and the yableto, the yantas was to be where they had clavoured

or the but they're deseched for a tyrone that had various cortaduras. The

carmionetta had a letterer that said, "'Salgan to what we we've been

that day? Who were those people? It was some type of drama?

No, I don't the minute. Two hours after that I got to

my companyero, he went the the last of the group, all the the way of of the

way of the whole of the funeral. Nobody ablo nothing about about the respect. After that

time, never I never to a camp, and never I ever ever. Exponern us,

ver those me record about the situation, my man, my situation of the

thing, the idea of you start to be my family and to be,

are things that I want to have been, but but the day of

I think with incognita. What was with we not top that day

in the bosque. This is the ultimate story of this fogata. Permitem to say that

probably the story most aterrador of all that's heard of this time. So,

if it's the night, maybe you'll be the time and if not,

you desire the good of the suhors and that you

over to be to this last story of the fogata. Teresa,

me that she she has that you have I've been heard of since time various

stories that manned the audience but there there's a thing that has been that she

does it she has she's a family of bruchos bruchos bruchas of various

generations and says I know that there have many people that have made stories saying

that are of families of bruchos and I am a person that is one of these

families not I don't talk for the people but I have

heard that nobody that say the things that not as not as the

form of one of these families. My mom, Matilda, she decided

that no I would continue with nothing of the of the brugheria

absolutely nothing. But she not was the first. From her

mother had decided that had to have to get

with she not she also. Result that the

Abuel Erasmo the the abuel of Teresa. Teresa is the story. Matilda is her mom. Erasmus is the father of her mom. Or the Abelowel of Teresa.

Erasm was the who decided that that that was to be Erasmus. Erasmus, he took papas brujos, and practicable all type of brugheria. Of actually, an

hermana of Erasm, and a an herman of Erasm, he's dedicated to the brugheria. He was the he was the he was the second

generations of his family. Sin however, he is very clear. And he said to her mother,

the daughter Matilda and now to his nieta. Lamentably we'regames with different

malditions that we're to have to make to make to tell us that Teresa that

was a family of bruchos not is not for the person that's not to find out of her heart to

her own to her and she wants how one has said to do you know that's but the things that are

things that nobody to help to help that that's that definitely even the family

will have to have control maybe because they're there there

that really nobody nobody has that nobody has that only us do apparent. That is what

says Teresa. I said, narrator. When it was very little, before I knew all this my mom, my mom made questions very rare, very rare. I don't understand why me asked me those questions, only responded. And my mom, all those days,

before the dorm, me said, Tere, today, all you know, did you? And I said, why me questions that, Mom? Just respond, All right,

all or you've seen a something What's the normal? Tere, is it

has been a friend to be your friend, what is that that's that me,

and I ask me, yes, or no? It's has been to be to an

friend to that you do to be to no, ma'am

no, I'm so that's that there, there things that you

know you see that you see what you're there's a there are you there are there there

and then you know you're you're doing no mom my man very your sombra you

you're like you you're you see to you I'm I'm okay listen me

listen me listen me your your your she's she's she's a

she or you you know mom. I, I'm I'm paro and see a sombre in the floor. And when you can't, she's, she's or is there, I'm

in front? Never I've seen, Mom. Put attention and you're going to say, very well. Tere, you're talking to your heart and to your head, but not to your ears? No, I'm sorry. That

if they're talking, okay, or here to enter, but not here. No, Mom, no, I don't know. And they're going to passing the days, and I always responded that I didn't know. But then I did count that what my mom

was doing was to prevent that one of these maldricions me started to attack or that I started to start something that was supposed to have my line. My life, until my 10 years, was a pretty normal, salvo for two things. The questions of mom, and that I felt that I many my age

were because they said that I was but I don't understand why I don't know I didn't even know what was the

brother or the then I'm after this question. That my boyos, his brothers, are bruchos

that we've from a family of bruchos and the people of my city know, so the

mom's of my other people never were they were to come that

they were but with the time I learned to get to the person

a good. And Ter is a person who was a person who was a person who did a time.

She did count when was in the when she had a second brother,

because are three men, Tere, Luis, and Ariel, when

Nase Luis to her he was a terrible and he said

that really that really she not a person

or not for this is better. And she said to the day of today of if you could do you not have any

this lineage I'd be immensely more happy. No, what age has been

that's but still still is the cuna and is in a cunita

and is in the car me he's that one day his

mom and his mom and the papa and the mom I think you've

noticed that the papa and he mentioned. The papa and the mom not have a good relation, and they have a life intermitent. The abuel, the senior Erasm,

is the that cubre the family, is the that he'll play. Practically, for where they live and how do you have for, all of Erasmus, lamentably the husband of Tere, or as part of the maldition, because nobody in that family has a pair of that

has a person, or for a malice. He has a addiction with the alcohol. And no can't control. And it's put much better when she's with the mom of Tere. When he's with the mom of Tere, is a barrable and aggressiveissimo. And the day

next, sinceded. Bye, he he'll ask me, Tere. What I'm, Tere, what I'm doing, no should be able to pass. And I'm a bad example of father. Tere, he has a lot of that type. Pocas times, he has conversation with him. Pocas times is sobri.

No, he has a father, but no there's a more, he's a aggressive,

or that's someone of a person, like, very mal-ablad, a person

not-adable. The environment in that is very strange, as you can't

get to the things that has been in the other that's just

just a other other you can imagine, and they can

this family and in this situations, one day papa

and mom, no they're not the young. Terre, she's like to get to get

in the camera and he put her no has a call in voice that's all right that he

does get to get to the malas, nobody respond and he's out of the

room and he's and he is a one of the time for the rest of

those days. There's there's a house. A woman that no form

part of the family. A woman that never I've seen and that's he's

he's never ever this this woman is a person an person

manned the the hair he's a very so

totally can't see that that has the roba

that has they have a very pale her

her rostro what she she is mald in ojo

the the mirada the head and of an situation like if he'd be asco to be there asco,

to be there asco, start there with those people, and he's going to come to the cell to the room of Louis.

Terry, has a little, he gets to the room, and he says, Mama,

there's a mom, mam, there's a person, and he's going to do you go to do you,

he's going to do you, and when he gets in the room, this woman,

is in front of the like with asco and with repudio, like if he was to do do something, he was to be a second to her

when Tere, standing there, in the door of the quarter of the room, viewing this woman, all the value

he has got for a gritty. And it's a grito, that's a struendoso that Tere recall,

that is a when it was a little that the window and it began, and just

he just saw the an handiour the eyes, and he And then Terre he said, Let me, my brotherito!

And he said, and when he went to I said, I felt like the ventanas vibraband, and said, narrator, me can't be

inventing because was a little little because she but then this woman she was made with much

courage and I heard that my mom started to talk. Tere, what happened? And he

said, Moma, there a woman, he's met in the house, he

he wants to do do you, 20. And this woman is me kept with

with the idea and he's a little, and with his

dead I'm that perfor and it gets to the language from

from I'm I'm seeing that I see that

in my book it and it starts to get to

a lot and it's like something like I'm

I'm I'm put in the impressioned. It's all full of the same.

All right. All is spupying blood. It's a lot of we're just mom,

I'm and my little bit more. No, there's no that woman yeah. No,

I can't say to mom what I'm the whole downed. When me get to

the hospital, they're that something, they're they're trying and they're all the time.

Until that my Abuel, something me did to take and at the day the next I'm going.

I know what. He said, but a narrator, that thing was that was going to

get to my brother. My abuel is when me started

that that something that has, that has, I know, I don't I want

to be to the woman, I'm too time, and I'm doing

he did I'm just, he said, and my more, me

he's of a lineage of bruchas and you have to know the bad and you

know that he had to have to have good to be the sombras that sometimes the when they

are not mine and if not are my very very precavida because

they're bad intentions that if I know I'm not a

family and be in a place in a that only that's a person

not someone is an someone is a can be very that no do not dogeria and me

to get a bruchery because something that's that I'm there's a man

in the family that much probably if I get a man who is the

that's the that's that will have to have to have to have to

and if he's to get to he he

will be bad and he and he bad

the my old I don't with I live

only only my mom I He separated of Papa.

And I see 11 years, Nacier, my third brother.

From that day, we're to the expectation of what is what is the

because Ariel, since he has two years, to

all the questions to he says, he he

still his sombra, with he are he are

people, he has seen people that the It seems that my

my brother is going to get the worst part of this. And with this history, dear family

nocturna, we've got to the dark fogata of stories. So, is that, first,

first, all the new put in the comments who got to get here to one.

To all those that got to get them to tell me, for what was

the story that most that was the was the that was the

that they did that did that did you have that had

Once you've been said this, Family Nocturna, for favor, make us present in the comments and then the welcome to the new Family Nocturna. If you're saying, I'm going to say, I've done it. I'm part of the channel.

And there, send them, saluted those because yes, this family, every day is growing a little more. And once said this, remember,

subscribe to, give the campanita, and enter the groups of diffusion, for that you're to beas the episodes that are all the Sundays,

and the Saturdays, are the sabbos, although a a other on the one of the time.

Now, we'll see in the next episode that is this Jueves and before

of that you know that's a little little and you have done. DULses

by-bye.