HABLEMOS DE LO QUE NO EXISTE - Historias de Ouija, Brujería y Duendes | Episodio 368

Episode Date: February 26, 2026

Bienvenido a ésta Oscura Fogata de Historias de Ouija, Brujería y Duendes en ‪ ⁨@HABLEMOSDELOQUENOEXISTE⁩  El día de hoy El Narrador les preparó historias escalofriantes que ustedes le enviaron y que son tan aterradoras que seguro serán protagonistas en tus dulces pesadillas. Descubre el por qué María le teme a los espejos y a las antigüedades . ¿Has escuchado de la Brujería de Duendes y sus efectos horripilantes? Te platicará de los peligros de "jugar" a la Ouija y contactar con Entidades Macabras . Te recomendamos llegar hasta el final, porque hay sorpresas porque ya se acerca nuestro 4to Aniversario . Así que prepárate para  ⁨@HABLEMOSDELOQUENOEXISTE⁩  Hablemos de lo que no existe es un canal con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

Welcome to Family Nocturna, to this Oskura Fogatat of Histories. The day of today, I'm going to about a church that

has a little a manned and a family that's a little unenrable. Dichu. Once this,

we'll comece us with this foggata of stories. But, before the new ones, if it's the

first time that you're I'm here, I'm going to survive you do you're that you're not that you

never never to get to the time, then then you let me in the comments, a phrase that that says,

"'Narradour, "'soverevied to the foggata, "'pardt, "'pardt, "'dice, "'one to this, "'comence us "'withes this

"'scura foggata "'histories. "'What I'm "'a-punned to "'is one of "'the stories "'that's "'that's

"'that's "'that I'm "'a' many "'as'nia "'as'n't "'a-one "'that I'm "'that I'm

"'I'm going to "'that I'm a point "'to be a "'to be a man "'that a "'one "'he had had passed, because if someone had happened this,

is of the things more terrible that we're going to be he said, he said, when he

had around to be around to the six years, and he had to be things that he was doing

that he had a group of people, that they had been with medias tintas. They'd

like to get us much in the thing of the paranormal, they'd start

into all these questions from mysticas esoteric as other

other world. I I liked the theme of the other realities. The possibility

of a power or a contact with an entity was a thing. And as I'm not they'd have

with medias stiltas. Johnas me said that in this time, all his room,

the page you'd full of posters, that you were about about about resurrection,

of demonios, of brujery, groups of music that had some similar, that were that were

apart, those letters, you and of things demoniacas. All for him hir about in turn to that he'd

a stancheria full of cranios, that were cranios of persons, and things etched as well, it's chaschres, and then a lot of people who were in front of things, He liked, Retratos, pictures, pictures, echas

a man, and of all. The rest of the people, we're going to they're in other

escalones. They were in the things more of the practices. He was the

aesthetic, he he was not logotic, or what was more macabro

ritualistic. The friends, no. The friends are more well,

practice and not we don't know how they things, that that's

that's, that moment in that in a disjunctive. His friends are in

the house as a house of a way to do you. And there's a contacting to make a one of the

other people who says that he has a form in that that he can't be able to contact with

something. So, it's a question in that it's going to be to do you do not in

a case of a situation in special. The nobody those He doesn't listen, nobody spies, and then is the

place there is the place there's a good amount of hours and that nobody's not a lot of those people

that John's not they're not not really they're going to confess some years after they're that they're

totally impacted by this change that's having taken the man, to be this type of

because they consider them are a person are a different neutras in a time a day-a-

day, are people are people, they're doing of the enterprises and jobs of that type, nothing that

has to be with the music much more with this type of paraphernalia but they they'd be impacted much

that their even they're even they even they just the terror, nor they're even the movie to come up

all, all, all, movies, music, all. Well, Jonaz,

is there the decision of yeah know, that if yeah, he gets

to get to the Uiha, you can hear hear there, of a oldita, of a

Ancienita, it's listening of the meres gruegos, he's listening to his friends,

he's talking that's part of what he has to do you get to do a pacto, your house

not going to be able to do that that's the one of the first of the first of his

his own he put in the house, and no he's not his parents, nor the mother,

that's his other three friends were in a time, and they're going to

be there from the time, until the five of the morning, because they had to prepare all and they had to be the ritual

that was the hour just. At 3.33, they'd have been to be contacted with that entity to be able to start the time of the ritual yet complete. They're in all this theme of initiate, before the Uiha, and he'll notice that one of

the other of the companyers, the he said that had the form of this contact, trai a one of which no one could be that nobody if they were to be aerole, and he was there the mochella for the other time with the time with the arms.

He said to the other people who had to do you do that they're to put in certain things, what type of words,

write, and then he'd have a lot of things. The other two were there like doing all, and John was,

he was like a bigie, puttingsse very close of the door, for if they were

to get to get some father, he, then then then then then to get the way,

or to to be the way to going to soceding into the room. Because if yeah what I had

is scandalous what they were doing there was something to be a very complicated to explain

to the not you don't you go to this history but it's that's what you

that's that I've heard of that's the people not that the day

some some some something something did everything it

was to be perfectly when when it the first the first vehicle

to the house of Johnas are after the 12 of the night and his papas go to the room and their papas

neither are to get to the door to the court of Jona. So, so it's that all perfectly well,

they're all all right, they're all in the moment in the that they're and they're to play with

the whiha the whiffa at a little time, five, 10 minutes, he gets to move and

and they're to start to be between each one of the presentes and coinciding in that

nobody he's moving. They're going to And they're And it And they They're asking

They're in direct, that if is a demonio because they want to they're not because they're

doing a act, and respond to give him more whelts that is a demonio

and in that moment is where they're this series of events that are the

man, the man who he had had the back to start to this process

of the whiff he, he's a book that he was a

has an illustrations, that have some impressions magicas and very important and very powerful, that the drawings that have there are they have a

significate more than what they've written, and that only the person with a certain where they can find, they can't find,

they can't be there. There's, I've mentioned or not they've said nothing, because they,

even they're in this moment of the ritual, are more being secondary, they're at

service of the the child, that's the that's the thing that but is one of them the people, the

that starts to act to a way very extra. When he's a the book, the man who

is ordering all the ritual, he's the book, put the hand on one of

these pictures, and when he put the hand in the little, the other child,

the other chicle, he's, he's, he's, he abey the little of the

hand, and he gets a little this thing. Here, you have to make a

because you have to hear other story that a tall Javier he was he was talking about

almost during 15 years, from he took 15 to the one story that's

that's that he he said that during his infancy he was a person

that he was a son in a Christian ascerrim exagerated full of

reglas all all is God, God, and if no says what

God is what God exactly of what denomination Christian were, but it was a family with a thought very arraigued and not they'd

much to dialogue. That's what Javier, when he has around of some 14 years, decide that he detest for complete

all those these creences, and he wants all the contrary, he wants to do it to their family, there's

that the moma of Javier was created by her abuela, so not for her mother,

but for his abuela, what means that he had methods and forms and were quite archaical for

the time. A problem of much violence, a time of many few words, no there was

much interaction and he had a mother, and he said a he says a man, that's when he's

he's out of the time of the Christianism, has a component. It's, I'm

want to give the contra and I'm much odio. Demaciod I'm not so odio, I'm

Mentioned, I'm Mnoseprecied, I'm all of hypocrite, and these things are going to play very very strong in

their life. Because in the second year he doesn't he gets to in terms of burghry, but gross.

No, he's put to mediter, if that's going to have to not, if that's

he's going to do you and it's more, why he's why he's specifically, and is that

he's that two great motors that they're going to have the form automatic.

The the odio, the resentment that has been for these questions that we've been in the family, and for the other other,

to have decided to give them to do this other. A part of the he, he no he no takes over the

decision of the situation very complicated because there is something that's a influence malepica. And it's,

when you know, that's the dark of the light, there, in the borders of the way,

there are things that are the I'm a little bit, and that they say, why breached to get to get into, and they want to be to parts of the darkest of that bosque, and they're in that

you're not there, and if you're not conscious of you, and if you know to your person, your mind, and not know you know your different areas, and to know what is your

voice and what is your voice, you're going to you're going to this man. This manchew, he's going to talk, that in an occasion was with

some friends to play Uighah. And when was playing Wouh, Someone saced a book that was beautiful, because he had the image of a mansion, of a mansion that he knew that that mansion existed, that was a mansion of the world real. That was a picture that was made, that retrato that was made,

was of a mansion real, and he knew that he was going to find. He took the book, when he saw the book, he got impacted, he learned all of those and each one of the details, he regressed the book to his dukeye, regressed to do that session of Uiha, and that session of Uiha, was all a game, was a

from there he had clear to his mission, he had to find that mansion, that place,

because that the place of some way, and so they passed two or three years,

in those that they had been in tour to to ask to all the person, if

once had seen a house of certain characteristics, some some

windows, many in a few different things to sometimes like it's like it's

like those big eyes, but there are a lot of person that even when the day of today we are, we still uses vellas, and is

a person that in occasions is diminut from the windows, the part of the house. It's strange, because it seems that before it was a door, but yeah no it has a great boca. It's one of these doors that have like an arc on the part of the above, and an arc of

a great, a door of a matter, that if you mettes in the house, you'll find out of the inside. The house appears abandoned in the first piece. But in the second piece, no.

In the second piece, it's abitated. And he's in the patio. He's

that he is a thing, and he is going to and he until when he

20 years, a day coming to a few a road on the house of

a house of he he's he's going on a

and he he he's he he's he not in

his own, but in his directly in his mind and in his heart. And he wants to respond that call. So, is that commencing to come in a street, in a lot of,

and to go to some houses that he no knew, and there is something that does make to look at the left? Just to the left, there is a complexe abitational,

for the which you can enter from the street, but are like an an edificio of many ofitations, and where he gets,

he topa with a garden in the that in the the bottom, is there situated to the house that view in that the car that he knew that was real.

In the part of a baron, an umbraal that no has a door, that has a arco great that looks a boca, and in the part of the above two rectangles

grand as like eyes, and be a person with a bellita, that is coming and he's just in front of a venter to a

front of a window to him. And he know that in the place in the situation that

he should be to be able to courting to the house and at the few meters he's found a a port very old. It's more

a port medieval or something that's a medieval more than a port of contemporary and he still going to go to the

side of the second piece but he knows that he's where he has to the right and he gets a second

a garden and when he gets that garden he gets impacted. Front to him in a garden

discovered there is a wall of a crystal enormous and in front of that a wall of crystal,

is a little a little of a little of a caro, that has a lot of black.

And it's a girl she be a beautiful, she be a beautiful, very probably is albina,

because the skin is very, very palid and the hair is all all of

black. He's going to she, he wants, he is, what is, why he

is he's he's just two meters, the the new the contorn of

his eyes is very rogo, like if it had some type of infection, and after that, of a second or other,

all the pill of the rena's and he gets a vegent, and he does a count that's in front of something that I'd try to take the form of a little bit, but not it is.

And not it is because the hands of wessos large, the two-me-s- -up-y-oddus, the pyrnas the time to start

a lot, and that's a rostro that now he's a-in-a- rather-in-a- man-sac-and-s, it's transformed in a-pess-a-a-grap-a-

he's got grabbed for ever. He's going to and a part of that he's he's a

little he was going to be a lot of going to be going to that's until that one day

when he he comes when he comes to three and more or less for a

20, 20, 23 in this range, he will to pop a friend that

he no remember when was the last he was he's sure

that was in some a fact important, in a moment important of his life, but no he has passed many years, because he has been a lot of time. And it's then when the other he said, never

ever did he ever, and he's ever, and he's called him? He was there, he's called Johnas, and this Johnass had been with him and he said, Johnas, he he wastoub, he said, Johnas, Janice, yeah

I'm, Johnas, disculpame, no, me, I remember it, before I was much that you did? But, do you remember that night when we were in the Ujah, the And Johnaz

he responded of a way way he's got to see the mind, he's going to give to that conversation.

He's the book, the book, the book, you know, the book that was, the book, he said, and then I'm

saying, yeah, I'm a agree, but we're just we're just things, how has been the

last years, you've been in this moment, and he's saying, clearly, that's right, that's

my life, I said, that house, me I was looking, and Jona's he said,

Javier, for favor, for favor, we can be the talk about this. Necessito that we'll talk about more

to that's. And he's going to say that I've got to say that I'm just let's the hands and say, for

favor, Veltie to try. We need to need to get us to get to the other

when a certain group of youngs are to get to get to the wika, contact with a

contact with something a guy he was a book and he was another, the name of Javier, commenced to

actor to automatically. He got over the other person, almost said it was going to a force

discomunal. And at the moment in the page that was in black he started to talk in a language

that nobody was playing that was doing a type of show and Jonas was the he said, Javier,

Tranquil, Miko, no to do take this so that in serious, Javier, he went to

to learn to learn to learn another but J'Nas understood all. And it was like if someone, if he

had meted in the head to be in the translation of what Javier he was saying. And he was saying, I, to you know what you are you asking? You're going to things that are terrible and beautiful, things that are you guys,

but at the same time, that's be able to be well, and the infirm no is so. The In the infirno, no has to be with your stethic. The infirno is much better. And I'll

help you know to know. Palabras more, words less, Jonas, kept boke-abirt and disarmado. No, it was

what he was saying. It was a person, that never had heard that he was talking practically into his

head or of his heart, or in some his ser, while his his friend, he was, he was able

in a a language that he no he was he was able to understand or that that was the manned, but for a voice that not was

that he was that he was he was he was he was impacted he was he was there he said,

he got to the back to Javier, the man who had given the book, take the book and when

he was to get to get to he's got to get back, and he aghach the head

the case and he says Disculpe Sir. Javier to make the book, it's

double and he's back to the house. And during 15 years,

nobody there's there. There's there. That's he's been in

certain places, he's long as his family. Janas had to report

to the family to do what he had passed, but the

two days got to get the and he's he came to

the fact and then he comes to a time to come a business,

that's a public, that that it's that is that a whole process

because they had had been a little he had he's

he's he's he's he's a time during a time

long he's he constantly is talking about about a

certain a hospital psychiatric of a house and he says

to all of the hospital that if they have

seen that have seen a in the hospital, in the patio, they say that he's got to

and start and then he's a old old he's a year of the time, he's not used the house,

but the house was made, and he's a little bit he's got to he got to he got to he's over

out of a psychiatrist, and the first of what he was that the house, the house maldita, the house

that was even was made in that book, a book no, a book without, a book I'm going to be a little bit of a certain quality of the car

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Via Rai, the voice that we love that we're in the world. If you're done some things that any one of us those would have practically

traumatized. She's living with her husband, with her wife, with her brother in

a house. His brother is a very good type, but the last few months have been a

pasty for him. He has a company personal, he has a house, all is a

perfect, but he got to separate from her her husband, he had five

years together, passed things in those who were not found

a point of the house entered in a dispute,

the The work entered in a very conflictive for the time of how they had to be there the dividends or what kind of

of money he had to give to her a collapse nervous. In that collapse nervous, for a situation

of the abogas, they can't the bank, and he's kept practically without an opportunity to

make a way medical the situation that is living of the collapse of nervous. There is

where she a very good person, a good woman, a woman, and he says,

Manito, no you don't you don't be so are situations fervent what you're doing it's

very very never ever never never but you you're really so you're

more strong you're more going to be to get to the house with my little

you know you know you you're they're they're in this time

because they're living so so for six meh

that they're to start to have a new

family integrated really this is He has been appreciated with her her mother that he is

looking and do do to do the job the better than to get to get to

the house and he's out of all the energy, the stress. Yeah, he has

passed various occasions me too hard to that that's

that a attack of panic and of a repente he's there's

people that come that's not you do you want to say that's

more humiliated for the situation. He, that always was so strong strong, that always was a person that's

a person that he's just a year and he all over a little bit. And it's there, when this Inter,

when a person totally disconocid, he says, tranquill, why not you do you ask things new?

And he is he's that I'm trying to get my life normal and you, no you

don't you don't you have to give, you I'm, you just

I'm, I I just want that's good, I'm going to go to your house

because really you're really not, you know, you know, you know, to put you to do this

and I'm, I'm used to visit bars. I go to bars, because in the basares I go to things and

I'm going to imagine the story of those things. That a roperito, that a little,

that's a person, who could have been to have done, where is the other's that's your

life. And that you do to be because I I'm a boyd from two years. And, really, at the initial, it was like my life

had gone to pedasos because I wanted to my husband. But why not you do you do? Look at you. Something that you can't be

you, and to be able to be focused on you. And the words were like magic. Because he

he was connected so with this woman, as I'll say, this man, this man, he does the time, he

does the grace of this is, is he's puttto. He's a job. No, it's going to be in conditions.

Lega, the house and he gets to get to the same to be the time. And it's all all right.

And it's because the day was terrible and her know he will be to question. And no

he'll say to a house to get at certain hours. Entient the process of

your brother, it's very complicated. But when he gets a very

good time, he's a little bit something, even when the money to tell to get

a lot Well, after having been about that woman, we're going to that's in a time in that that's a thing that's

really got in emotionally, very gulpeated emotionally, very got to be exactly what he said the she said a

question, and he said to visit basares and he went to visit bazares, casas of old,

and he started that dynamic and he did a point that that's a form very strange

connecto to, to inventive to stories to the objects to be it. It was a something that was a little

that was a time in months he'd to be able to it. No, is that that's what that was

that was working in the solution of the life but needed a little a time of a space and I need

that of a repent that's you're able to get to get to the tension, the pressure,

the pressure, and the things that had to do you, in the baza, no. In the

basar, in the that he was when I saw a pallasito a little bit a little, a pylacito he put to

think, this is a little bit more a new. That's all a man. And if imagine a family

nostalgic, that the papa he was in a one that the little bit and they were

with the palazzo. But the papa no those didn't because that is a

little that's a person, the pallas probably before, was a little bit more

after after a old old he had put a lot of he was a question, but he was

going to he was going he was he was going what he he lived in that moment and every

one of those things was putting particit of her very creative in a

form in a form in a way he he could get him and I did a

little a chair and he's a party So as in Ergumeno, the sposo, took one of the sills and

the kebrough over the and for that one of the fatas also that's all right to be that's re-sanated.

He left to get all the piece of it. And the other chairs, no, the other sias,

they were their children, they were they were, they were their own, and they were all the

story, the history of the history of his father, and he was about there, all the

that was something that's something, and it was a impressive, a lot of

therapeutic. All what was doing yeah for out of he was going to have more

more than I think he but all it's a quadra and it's there when a

one one one one before in front of a and when he

he can see his and he does it's just not you

get a mind what you want you're that because they're

so he was so it so it's she seemed well

it and it's that he asked the cost of the Spejo, that was a gunger, and he was a guy,

and he was in a mark gris that not too, was a little affected, he was he

was the mark original, and it was a caroner. A spego a lot, a special,

and a big, and a special really, and it costed very very much,

he they were there to get us to get us to the car, he not

chisto, no, they did that same day for the time, there,

there, a new her mother. His her mother, when I go that's

a spego, he says, and this what? And he's a woman, I'm, that's

I've been going to have to get to much time. You promise that in the course of the

next year, if no me do it and I go to do it. Nothing more than

he goes, I'm very significant because I'm a very very good, no,

I'm to do you want to because I do it but it's to be to be

and the person, and the Mary, that is the me Manda

the history. He said, Narrator, I don't understand what me started

in the house of this man. But I did the risa because

I'm I'm when we didn't 10 and my man, my

he was saying, the type that was he had done and that

all of a time, I'm and I put a permission

for a a special and he offentio and it

and it he said, no you you're just bullying me. And I don't

want to want to want to talk about and I'm sorry, no, I'm still I'm sorry,

I'm when we're new we're you know, you've got to that you and then he said,

like, how we're when we're we're not when we're we're young you, I'd

you're all and I'm really a reason, because for all to go to go to the

room, to get to the house, to get to the regadera. There was an occasion that you cast to 45 minutes because no I said that you could get out of your hands, all

wrugated. And then he's going to read there, narrator, because he was going to record. And he said, no, me accorded to that I had to hear about that. And I'm doing permission. That there are things important and things that no. There were things that you had to take the decision. And he's to start and, well, puras carcathas

with records, bonitos, was the form of accept that maldita cause infernal in the house. Because at that that thing went, the things

there came very quickly. The things that were to be with the context in the what they're

and there are to be very conscientious of that. He is affected to emotionally and mentally,

he's working on that's a facted. Maria is divided between his family

between him and between questions personal because apart, in

no moment he has to be she she and the The little, the subrina, of this subject, and the of her daughter of Mary, is a little bit of six years.

Then she's not a conscientious of many things of the house, not is conscious of his entorn. And the husband is a person that, for questions of work, in occasions, he is very accustomed to that Maria he gets the order of the house, and he, with that he's very agust. Then when he gets, there's a repent,

there's an article new, he doesn't even he wants to be with his family. The other things, for something is there, point and she it's a couple and it's a good

you're going to you're going to this story. It's the first day or second that they're in that space.

Maria open the door of the house. After the the return to his vehicle,

he's a box of the mandatow. When is a point to enter, he projected

in the mirror directly to his brother that's sitting in the cell,

the television is the television is encendid, but the brother, it's like if stood in the robe in the

shirt, because it's with a carmissed like a lot of the thing that's around.

I'll say, it's a little bit of a full of full of all that you see, she

is at point to enter in the house to call her attention because

not is not that parted the little in the time in the moment

in the he enter and see in the carson and be that's not

a good, she try the the man, and he says, manito, for favor, there's limit, there's limits, there's

there, bistete that there's a little she's a little bit, so is that I'm going to be able to sit down to see the second piece, so she

she's that she does a little into the house very much, she does a little bit of the kitchen, it's,

let me turn to see, but he doesn't see, look to be in the room because she she's going to

the kitchen and she and starts, and you're to get to, and the Right, if you gotrassed, it was in curva,

he's got a bit, and apart the tiradero that you have, it's not a bit, but he's like, and he's like, he's like, and then they're,

in the back, and call it, that's the time, he crispa, all, and it, a shock electric in all the spout, and

he'll get the ball-as-as- back, and he's, he's, he's, he's, and he's,

he's, man, what's-and-a- you're-st- that's-ststas, you're-ststst, I'm, and I,

from the second piece, I heard, I asked, I asked, and I'm going to the room, and there's a

look, to see, to the other thing, he's not, he's a little bit, he's in

a little bit bit more is that's that's that's but it's in the reflection,

and he he says, man, no, no, no, don't know, uh,

don't know that's about, and I'm just you're saying, when you're watching, I'm doing the television,

man, I don't know no, I don't know I'm not, I don't know what you're saying. Apart, I respect to your house, how I'm going to have

all to turn to and say, and you're going to get into a tyson and boxers and he says, man, in your house and with the

sobrina, no, pardon me, but no, manita. I don't you'd say the respect to

your house. So if I don't go on for your house, I, I don't, I'm sure, and she

said a free. No, perdon me bad, maybe me mal, and so it is very mal, and she's

when he gets out of the little bit All tranquill. Passed a pair of days, and there's a little bit rarrow. The environment of the house changed. If you're a strange, the brother has been dedicated much time in the

time of the job, with the work, and it's like the things are advancing, but she has felt the climate of the house rarrow. At the grader in the case has been to be able to be her nina out, and yeah,

to get in the night and he asks her man, if she was to be there, if her husband is, well, she's a, well, and she'll be, two, three, four, five, six, seven, eight, nine, or ten days when when it gets the second of the success.

She gets to the house, we're talking to the six and a half the time. When he gets, no, be the car of his brother. You know, he's the car of his husband. You know, she's the only one. Yeah, the little bit can't say it's a lot. It's hard to get her to sleep and go, and rapid. Because the day of morning, they're in the school and the things have to go. Go to the second

Piso, Deja the little in the baby. She says that, for favor,

she's doing a lot of good, that she starts to be in the while she

will be in some her own she's, she's in the room. And she's

there's doing what you have to do you and so, and of a attention,

and he and he and the door, she's a little a vata, a bat,

a batta and then he said, but you did you that you that you banaras, not that you wistairs, not that you

wish her and says, why did you, why did you, the regattara and the little bit, and the

other way, and she goes, the mom is enoja, and he says, a me, you know me is quite,

the respect to that you, I'm going to be you're going, and you're going, you're going, and you're going, and you're

going to the little bit of the little and see where your little bit of the room, that is the

person, and then he's in the house, and then it's sierra the door. And she'll get a manito, manito. No me seared the door. Manito, for

favor, the little is porting all. No, have to be those comportments. We have to correct it. My hita. My hita, and where is saying, abramed the door, they're talking for the back and pegged the gritty

in the skylo, because he sentio that a manita he got from the spalda back. Pego in the grito, brinked to the door, and just behind her, and just to her, and right after

to her, and she's, what What's the past, Mom? Me Stah, and the Mama's just kind of hell. Able the door that is there in the quarter of the room, because now if the door is, like, without any, it's a problem to open. And when

it opens and it, it'scended the light, just in front where I've seen the little bit of the screen. She's quite impacted. No, it's what's going to be able to be able to do that he doesn't. Days posterior, he will hear to the a little in the night and

when he's going to the morning he's going to be a night. And the she's a

little bit of the door to to do you. They're in the door with a door with the house. Necessita

they're going to get that that's that's they're in those moments. But the day in the

day in the he says, for favor, get to the second, you know, you know, you know the

door, and he's, and he's, and he's, and he's, and he's, No, I've moved the entrance, and she assom, and she sees in the entry

something that makes that his head almost explode in an instant, you know that she has to go. What she saw, is that when the brother says that in the entry, and he said, for favor, I'll have seen some days in the piece of a revent of the room. Pardon me, my, brother, but I don't

have the force to do. So, yeah, it's too too, it's a lot. So, yeah, yeah, it's just, yeah, boston. I mean, so, so, no, so, no, so, I don't know come, to the passio where

is the entry and at the problem, is that he is that she's

being in a angle and it and in the space is projected to be projected

to but in other direction. No has no any way

that that's going to but what is even more, is that

that thing that thing that thing that when I turn to

the other do what you want, but sacralo de here, for favor, that thing has been a little. The other next is the

day of the next time of the other places are people are not of the thing of the thing of the

thing of things, but the time of a little carmioncuit and they say that they're

that they're not more the space and that he he's kept with the part of the matter and

he's just what I'm what I'm that's all that something. I mean, you know, you can't doze it's very rapid, no, it's not. But the madrear, no, we can't even know the situation of the, because. But the

brother, rapidly, let's pite, that you try them a martyllo of those that have these two, like, palankitas, saffan, all the mark of the spejo, they're taking the vidro, no less, the person's so he they're going to give it, and he'll have made me to have re-rechebrajarl,

in the patio, they're in a part, like, of an assadour, and the assad-and, like, for puras-stis and recortes, I'm going to throw the madera and he's a quen a problem

is that the day next he gets the spouse of the and he he gets he's

he said he he's to tell you to talk to something that he's he said to you

I'm a surprise when he when he came when he came to get to

get to all the things that he's all the things and the

he's getting to with a thing inuels more or less of

a meter 80, very little, that has a markito, and she says that's the he's a little and then he's he's over

the question. Fickate that's very what you've been doing your brother with the baras, now that I

get to the and I'm tuped this and it was a little that was a and she he said,

no, no, no, no, that thing you're that's all right, or you, neither you,

nor you enter to the thing that I want to receive. And after the disconcierto

of the husband, because he didn't he even he tried to come to get to go and he was in the

time. He said, and the husband was frio and he said, narrator, it's a

feach that my husband think that he gave a great that he's a but I don't want to

get to get to get to what I'm really a and I'm very impactate and from

that I know that these things that's that's supposed that are they're

there and not necessarily are good. René Antonia and Hizela are family

René is the Papa, Antonia is the mom, and Gisela is the daughter, and they've been a little bit of a pesadilla that no is going to be borrower from many years. There are things that we can't live in the day-a-day, that

simply those can't let us just make up. But when it's something and recurrent, and the explanation, no has any logic, it can generate an impact profound. René, has been, a second

a year, an increase, an amount of post that he generated a ingress tremendous that it's also to

co-earned in a level socioe in the never ever ever ever

I'm a new national that's that's some plantas a

national and that has done a renomber the which has to

maintain but apart of that a amount of a

particular but a increase that it does that it

does that incredible. This not is a situation like of favoritism. He comes from his life,

he's constructing all his career, and is pure effort, pure and doro. He was to learn of publicas,

too, he was to learn to learn to get to get to more time of that he wanted to support people

to work, to know to know who has been a true a trajectory, but all it has done to

pure sudor and blood. Entendient this situation, the first he did, one of the

first of his place, was to make that his family would be in a place that was accord to

what he was going to have been the other and get me the and I say,

I don't a person like of materialist or not in the sense very superficial.

Clearly that I want a good house, clearly I want a good car,

clear that I want that I all that all this so I'm but I Part of that, I do

my account. I am a person that has a lot of a style of money. I'm not spendesteadiering

money, because to me costed. And I costed much. So, I'm also, I've done,

I've done. The case, is for strategy. Me had come in other things.

Inclusive, to the places to go, or to the place, the I'd

think I, I'd, in this moment, not were a not even not were

not the way, not connect us. For them, I am the new RICO, the no-the-counter, then it's very pronto to change me, but there, also was living one of the two-as,

the dwean of the factory, and probably if we had a contact and we're going to have very good chemistry, my little age of her little, and we're going to go to some time, and if we were, my husband, in the college of her, it. It was a tactic to future. All those things, if you want to go-created, you're going to

move, minimum for me has been the history. Then, I'm going to live a area of departments, that is where this this is where this she's living with her family. The department are

those departments very beautiful, because really are little little and what you have deluoso are the clothos are the make that, but

that's not that would be that that's really for a lot of people, but the cabas are very beautiful.

The house is incredible, the be incredible, the bestinos if it were our guardarropa none none would

not even would not even but, look, the appearances we've to go to

get to workarrope to go to do we have to get doing a thing to get a lot of

I thought that I was saying, this is what you you're doing. You're not of us over you're not from a family

of a Bolengo, you know, you're not a direct-tucho there, of a fabric, of a company but you

have to get, you're going to you know you know this socialite. I think I'm saying

that I'm saying, and not you know this because it's a trauma

or a person that overpience, it's because I know I've known a much people

that's so that's so, and normally when they're a a regal,

it's a good a good so it's a many of the So I quit the periodical me I'm clear that is an offence. What is there

is a type of gnom, duende, or something that has like a fiender, and nothing more says, Abrasam. Number one, it was a feo, very feo, very feo,

of very bad gusto. Number two, why me is that you're going to this? Three, no me explain that thing, simply me la

he gave much courage. But courage as it wasia, much courage. It was very got with forces to the point in that he lastimed.

When I I see, I'm trying two two deados that try in there manchita of the hand. I'm in

a manned. And when when I get my husband, I'm going to the time. She's,

but why you're a friendying? If it's a gift, it's a thing. The people

do that just because is that ingueney me's more, be the perkeria

that me do, because it's horrible, and where he's the point,

then I'm the then I'm probably Hizela, she's the she has to have to

have to have to that's horrible that thing, and not it's a good part it's a lot of the other people who are

going to be going to go out of that's going to know that's about that's not the result of the house, not have been a lot of

the day. No me I'm not apeach orrogeries, nothing of that that's the narrator. You know, because when I

knowho, me offusco, and I'm know-and- has passed in two occasions that I'm just my corbats

into the neverer there, in the congelator Addentro, are my corbatas, that, according I, I'd trailed here in the hands and they'd

have taken above of my burrow into the congelator. Me offusco, molesto or acelerado, de-repte

my hands and my hands are more rapid as I'm doing things tauts. I've had been creditials

of the lecture, I've heard of things that's but it's very little usual.

Because I have gotten this post because the 99.9% of the time, I'm

with a very good temple. You know because me I'll delant to the problems. I know how

they resolve. But this, no, I'm very obfuscated that day, so it's that I'm not so much the bad little duende,

the other thing, I said, and I'm saying, ah, at a rato will be to be in the congelator, because she

was a testigo of the of the of the moment, so the day next the day I'm re-and,

I'm sorry, and I'm very to make a very a pecho, and me she said, and I'm part to

look, the dundie she went, and it's He's going to re-in' No, man, the rato will be to be a

bad. A part of that day, I'm going to get a situation that makes to feel very nervous. They're

to disappear things of the house, the house, the house of the house, covered those utensil of

the kitchener, a house, a family, for that we start to start us to put our

things, because I'm talking to talk to some good years, and that album, I've

wanted to put it, like in the cell of the cell, and when when you were a

family unyed, that the important for me is the family, I lamented if it's a very manipulatory, but I had to be that for the position in the way that was, and for me, it was a little bit of directs. I had worked my ascensos doing this type of movements,

ganandom me the favor of the people, and never was the most important for me. So, well, understanding that, you know, the album of photos. No, it'sta. And I was done

fuscado no day in my job. I'm never I'm never

famous. His audio was malicississim, malicisim, you had to interpretal what the other person said, and there were many, he said, maybe

or no. But at the final, for messages very, very short, or with claves as we were in the

company, it was a fabulous. And that was the company, that was very important, and the day

more important in the we were doing, some changes of the company, and I was,

in the house in the night, I'm on an question, contest, I'm,

I'm, I'm going to prepare something to to eat. And when I regress, because I was watching television, my spouse and my wife and my his wife, and my wife, they were going to pass

all the night. And now is that radio. And yeah no is that. And yet no is it. And I don't I'm going to go. Volteo the sillon, bolted the messes, I'm my carjones, desarm my house, and not is it, and no is it, and not it's not, and no it's. Well, my

little, my little bit more. My niña about that he'scuites in the night that not they're not doing to dream, that there are some reticets that come in the closet and I said, this is the time of the case in the some of the

question. It's a to have been about a little bit of a lot of the school. I'm going

going to be all the alternatives, until my husband me says, Veeho, you're you

crees in the brugheria? And then I said, no, no, no, for nothing. Those things not.

That's not, you know, you're going to be that things here. And says, is that I think,

that I'm that's not you're not going to think you never you've said that you

never been You know, two times, two and not you've talked, that you,

specifically you, you, you, you, you're just you're just a time,

you, you're not you're you're you're you, you're and the

rest, I go and I'm going to think that's because you're thinking

in me and you're and the next you that the next thing, but the fact that's

that's in that's that's that's that you you And I just do go, I'm both occasions,

that when I go and I'm out of the refrigerator, is all full of moe and gusanos. You're talking, refrigerated, it was perfectly well, and no, and it's been pasted

any six hours, but full of mo, like if it were a lot of mecese there, and gusano's, not you've said anything,

not you've said anything, because I'm to bring some people to make sure the for the house,

we're doing a cleanesa of the refrigerator, all this, You'll go to see in your Targette of Credit the next but don't

that you know that you know that after after you've done that you another day some rebanated

in the refrigerator and the day next with gosanos and all the jenas and I'm and I'm and they're

doing unanim you're doing you're doing so you know so you're not just things in those

I'm met not some things that me me importen I'm I'm very so I'm so much

but perhaps it someone No, I don't know I don't know what I go we're going to live an ambient very stressful in the house. we'll go to say and not me to be it, I'm going to think, and you're going to just in the window, I'm going to make it.

And I don't me what I can't believe. And I'm thinking that's the humidity of the place, that that's doing that all the wheyes that are probably in mind of my or of other people who are they've been starting to mark. Until that I go in mind of the time real.

No, it's a humid really the and my little bit, and my little, his hands are quite more grand than that. And there in that moment I said, here is going to

something. Me, some promotion for the job, to be able to do the city, I accept. No,

I think two times. My spouse knows that for me the first, most important are they

them but to give us a good life, the second most important is the job. And all the

promotions, I don't know because I'm my spouse is that I'm so I'm so I'm even even

even to talk about the and I'm and said that I'm going to get to get to here because

there's a weird to the time the we're doing the all this that we're all righting

and then he said I'm going to go to my car and I'm and she in batta

me said you're I'm they're I say, I'm going to go, I'm going to go to

get to get to the closet. And I'm this I'm for my mother, narrator.

You know for my mother. That closet, I know to pay to pay. I'm a

person very specialita with the society and with the thing of animals and that

I don't support. No, I'm so that she's that she want to

do something I'm talking to do how many times I do much problem.

Vivy in situations is very precarious, I don't want to go to go to the closet, me say, met the man and I go

for what, traite a lantern then I'm, I'm going to the lantern, I'm, and I'm a lot of the

cajones, and there, where are the carhons, that normally I put a rope interior and also, I

had questions like, calcettas and so, me say, and I do you, how,

empuged the tap, and where I'm the part of the there, there there, there, there,

there, there, is my cellar, a photographia my amarrated with a bit of a lot of the thing that

is a little like a place that's a lot of a part of that's a crucifio bolted and

the dween. No, the people in those departments narrate. Not part of the

first of the department was to change the caraduras and put some that nobody

they can be able that. Nobody has met the department. How that

that's But you know what? The dweened had something had a little really he said, Abrasame.

And with that story, my dear family nocturned of Spotify, we've got to the final of the

Skugat of Histories. But, but before to despegues two things. Number one,

if it's the first that you last one episode, is the first fugata that you

make sure in the comments to give to give the time to give

the family. If you're you're part of the family, tell what

was the history that most you and both the one and I'm to say this year we're four years

with the channel this year we're doing we're doing our fosos when we're doing the some time we're

some episodes but help us help us to us to we're more in the family

nocturna because we we're going to Spotify this year so so please so give us

and give us five stars and one that get us to the 700,000

followers, prepareate for the reactivar them these these year these years these years

more adderated to exclusive and uniques of Spotify. Now, said one of this one of

the five stars, prepare to for the practices secretes, and we see in the

Sabbath of Somras but to see we're on the Saturday to see

you I'd want to you doces you don't I

by or not I've told or not I've told you. That's a story of Alicia? No.

There's a way, there's to be, a bit, a bit of and a see,

if you've told or no. There's a there's a matter. That's a very interesting because there are

people who think I are the Santa Morte. I think to be with that story.

When I I made in the channel, I was was looking people that had been

something that had been to ask them around. A lot of people in a little bit a story paranormal.

And for there, there, there's a little bit and says, hey, I have some other things and I think

that are things that are that you've talked on your channel. And he said, and me said,

it's they've been with the Santa Morte. That's that's, for the

type of person and how we we're doing in the way of it's I'm so extrano

that she would be to talk to this thematic because as we've got we've got

time talking never never said to call in the time. So, then I

tell me what the thing about. And me and I'm said, I'm going to do you know

with respect and with that combination? He said because my family of the

side of my mom are adorators of the Santa Morty. I

no. I mean me me me does me do And I said, A-air, how is this

that time? To the Santa Morty, they're saying the much forms, the Blankita, the new-

Blanca, and me said, like all the forms in that she was my mother,

my mom, she'd get super bad, super-mal, no, I didn't even with

we're to come, we're just, we're just, we're a time, it was a question,

no, no, it was a control of nothing, the the door of the house always was open.

My brothers were going and they were going to get to be a little bit. I had

to get to get to the primary and I had to get in the house and I mean

not I would be to get to see that my mom no

I don't think that that but just because I

wanted to start to I'm to start that

she she could do to find out. And he said, and they're going to to pass things in the house.

The first that has to have to be with nothing paranormal. Is that one I've been getting to the class,

the house entire wwele a cigar, but potentissim it was like fum, fume, fume, fume, fume,

fume, then I'm so I'm closed, he abro, and me tup for a scene

that's a case that's all the room, but exaggerated. My mom is encased fumando,

and he is soplan the a little bit of a statue of a calaver that I try a guadana. Me assuceded like no because I don't

recognize my mom I'm a person with a quarter with a mu and a caravere there me a lot I'm sure I'm just a door

so of a going to go in my room and my mom me buska all rata she be

macradissima very and I start to say that no he's saying that she will be

doing some that you going to be a part of the room my mom is probably nobody

can enter there And I see to see to see a because a bit of

I'm going to get a status of the Santa. He's to get to put him to put him

to make the ticore's and it to make a million things. A me was much fear.

Much fear. No, it was a beautiful. My mom no, me didn't me explain

in the house, but that that was more of a movie of a little bit more

than a thing. And, I mean, so, pass like a year two of

that's so, they're in the things very bad. My mom now

has been like many many times but still in it's it's

a new a in the question like the excesses and it's

to get many to get to get a situation very complicated

without getting there just a much a much time a

time even even even even even I was not for

why? And I I when I was alone in the house in the morning, that's where

I was in the room, I was there to be a little bit of a house to be the camera, I was sent to a woman with

a bellon and she was making, and I was going to be a, it was a capucha and it was a

and it was a real I was a little, I was to go to the cello because what after that

and then that's the I'm and I'm to follow to the and I'm my mom

me said tranquil. It's the Blankita that is the visit and I said, but how? Why do you

why do you? I'm like you my mom opened the door, and I was was there that thing.

In one occasion in the night, I'm going to make up a lot of something, that's

that's saying that's a thing is a capital in the house. You

get to do you get to because of you're not I'm trying to I'm I've got I'm done,

I'm just I'm going to refrigerator and when I'm going to get there where is a there's a lot there's a

death and there's with her capuchia and with the guadana parada. He said, never never said,

that she was that she was always in the house, never was good, never passed nothing,

my mom was a dorado totally devota, my brothers are in adoradoes and devotos

and I just me began to and I'm just to live to and I me pegable

with them for those and for the things that they were the but always

it's a mind, that it was that they were they were in and I'm always me always

me gave me me know. Who's what you know these phenomena? But that was the

first story that me did you the last time and from the stories that

me have told us always they're a degree of very very

in the presence of her that the people that say no doesn't

not nothing that does a fear terrible and the people that

believe, said, Oye, see her but no you know to tryson her,

because then then you're going to not.