HABLEMOS DE LO QUE NO EXISTE - Historias de Pactos Diabólicos | Amarres Retorcidos y Apariciones Malévolas

Episode Date: January 27, 2025

Si te gustan las historias de horror, miedo y espanto hoy te traemos 5 Historias aterradoras, desde amores retorcidos, artículos infestados, pactos diabólicos y dones malditos, escucha estas historias que no te dejaran dormir, antes de iniciar esta oscura fogata de historias, te deseamos buena suerte y esperamos que sobrevivas: 1.- Una familia muy cristiana 2.- El caricaturista maldito 3.- El libro de S4ngr3 4.- La pensión de los fantasmas 5.- Trio y amarre

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to this oscura fogata of histories. The day of today, before to initiate, permit me d'artensia and a recommendation. The advertency is that we're going to talk about things scabroos. We're going to talk about entities oscuras,

things that are good and are quite mal ebolas, persons that have made upactos with the mal, and it has been transformed in things very

different to what they were, and finally, those who were saying to to love with all the heart but that

retorcied so their love and their that the day of

what they are just is destruction and death. So, my

advertency. Dicen some people that specifically this podcast

can pass some some some in your house can

maybe to maybe bring two so so the

first. The first Encomendate to God before to start this podcast. And the second

subscribe to because the members of the family nocturna, if you have a sometimes

they're always the value to confrontal them. And one once said this, you desire

good and we let's the foggat. Cree's that exists the salvation or the

condenation? Cres that exists the the sky or the or the not you

you're in these things? Well, let me say you that the history

of Mauricio has to have to be much with this and lamentably he he's that the day

of the day of he's a question of this foggata contendate a story of Maricio.

A story that could be able to make to make a question, a day to say

a day of me a question. Resulta that Marysio lived in a family very dysfunctional,

a family that had many many many that he has after he has to come

around of 14 years, his a father is a a type that's a with many

problems with the baby. That's the does it has to have many many people

and in the type is a beastia. Real- is a ogro, a monster,

a tyrano, a subject that in the moment in the place

the house, has that all tiemble. The mom of Maurice

and Mauriceo, because in that moment even were a little

practically they refugian. The mom, intends to protect the

child, because the papa is very violent when he's a lot of a lot of

and he doesn't that he and you can't you can't imagine. A life

but the life of Mauricio change. The life of Maricio change when he has

14 years. When he has 14 years, his father, in the two years,

has luched much for being other person. Entro in these groups of Alcoholics

Anonymous and he It was very and then he entered in a group Christian

that he was a very a conversion what for him was a

very profound a a never a thing and

to change something something but but it's important

because this does this when when they get

to a religious that that ral in the

fanatism a sometimes it And it begins to see a dichotomia, a separation between the person

that is outside, and the person that is the problem of the Papa of Maurice. Afura

to house, was a Christian an person, a person that all that was that was

the person that was born, and that was never the Bible of his man, and all the

time he was reading and he was saying, and then he in voice a lot, and he

was saying one and another passage, a person that was entregated,

creetient to the tetan. But in house, in the house still was

being a little ogro, a little irrespectuos of the rights of the

other the people, he not going to not let us the

Bible. You, as you, as you're not you're

self. And he said pure questions that did that

his his wife, and in this moment you

the other brother of Mauricio, that for this then, I was going to make a point in

or was going to make a lot of not a but he was an ambient in a house very disagradable, an ambient

in a house very pesado. Mauricio no not said if he had better

the before the before the auntes definitely he had to be

a life a but but of certain way, he he had

learned how sortiard how to make that not to be

to be to look at him. Years before that he did this change, I don't he had a bit of

because I'm going to get to a house, he was to get to not more when he

was a mother, but mom also she also, then she also, so you

have a kind of a type of rebeli that he had permitted confronter

a little this situation. Well, so he he. The new

papa, the new father, the new father, no he was to breathe. All the time

was machacled his creencers and Mauricio was very very molest because he said, that's a

but before, you know about you're about that and now you're the good and then

before you're not you not you're many confrontations Maricio

at your father that was that was that had been that not

not not support his his his father in no

he a process in the the which was to ask him to your family,

were to give to them, it was a different. It was a process strange. He entered

in Alcoholics Anonymous, and even not has so advanced when he knows one of those

other Christian, for the Iglesia Christiana, and he started the church

that's a group of alcoholics anonimus a sometimes recal in the alcohol,

a sometimes not, it was something, it was a problem, the part of disculpals

if is that he exists, he no he lived. And Mauricio also, and if in a moment

he was he felt false and superficial. That's what he said, Narrador, I was full of resentment.

I was full of my father. Courage, courage, to be it. He was my hero, he was my

enemy, he was the person of the that I wanted to me want to me he was the

person exactly what I not wanted to do all the everything. All what he

did I want to do the Christianism. Ah, I started, I started. And I was

14 years I'm going to see to be in the internet and to ask him and I put to know

about the demons, of the Lucifer, of the churches that were the people,

and things of that and not was the because it was the internet of the

2000s, I was I was not to know one or another thing

that that were there, pure Quintos, Pru relato not

really to a information that was a very good. But then when I did I

did a man who I wanted to that I did a give a a

realal a a great that was for me like the

before never had never had a video never and a

my 15 years my my time my with a disc

there that said Resident Evil. That Resident Evil was a game that was a

movie to me was always that never my papa. Nothing more, with that

was, with the monster that was the discic or the description

of the game, with that was sufficient for that me it was

and I'm not my own house. It was I was

the volume the volume the most low possible. Momah, mom was my

complice and she I'm and he your papa and you're to put it. And I'm

to go to get to the disco the video or not. If he said he was

the videohue was of the devil that the thing that were just that's that's

that all they're doing to just that things of things that I

for this then just just just just just just just just I'm

and the game if I was going to put to a day a narrator I'm

to get a house and he he's waiting to be to be to be in

to talk about and I know I know how in front of him there

is the car of my disc and my disc one and I

said that you don't you don't get you and he

he never he he he went to your life to give you

to narrator not I can't say the level of fury that I'm in I'm sure

he wanted to do that he wanted to do you me le I'm going to see on the

but my papa was much more than I'm he made to turn to the

but me he was I'm never to be up again to him

to get to get to get to he's I'm never videojuego and the

game the game I was I had been and I'm going to have to go to and I'm

it you know you know I'm I'm I'm I'm a way

I'm a way to make you because my house was a but no way

there's not there I'm there's my way I'm there's

that I'm there I'm I'm I'm I'm up I I'm

I'm I'm I'm sure I'm I was to I started I began to my little bit of the

my my badgered, but I did you know, and I'd agree to God, and I'm saying, I'm trying to my mind, my heart, or the day

of today of you, I know what I'm the mal spirit, me had been about the ear to and he said,

and why you don't you're to give you? And not I thought two I,

I'm back to the house, and I went to two things that I

knew, the first a plumon and the second, a lot of the old

of the year past, of these books and these demons, and all

these things that I had investigated. I was up the techo and I began to

and I'm those symbols that were in these symbols and I started to paint in the

body. When I finished to paint me these symbols, I started to say

all the list of names of demons of there and I said phrases

like I I'm to you and I'm to

say these I'm I'm I'm I now is for you

and and this to do you to do you because was what I've been I think

they're not quite. And they're they're they're not so they're so they're so they're

because I remember that after that all of all of the the techo of the

house, all of all of those things there, no no past

nothing. But I'm I'm maybe so it passed, but no me did I

did I'm I'm I'm going to consume you know you know but

are things that are more difficult than than a service and I'm

to consume of different things and those things are to

get to get on other with with different

people and different people, and I start a life

in that I don't have a little limit. And in that moment,

I'd say, I'd say that I was to agree with that, but no me I'm not, I don't know, no, I'm I don't know, no see, if it was the courage to my papa, no see if it was what happened that day, and I don't know how time passed, from that day in the techo, and when

I was totally submerged in a life full of vices. And this, this is the little, narrator. Because during 15 years, since that

my life only was that I'm I'm going to work, I'm going and I never a

situation paranormal, none, nor one one alone. Only I , I, I, that I think

he was my papa, that I think it was not a life stable, my papa me did

to talk, my my papa no support to under the influx of a substance, is under the influx of another substance, and if not, in the same

house, we'd have to do it to do that. My papa me left to talk, and I was always to get to get to the things in the

car. Every thing that I was doing that was doing one and other and I'd say something. Much of years

after I was I was doing to do that but right we're going to get to that there. I,

I don't I'm going to do you, but at same time, I don't I'm I'm

not I'm necessarily a day toke a phone one day I'm

I'm that in the month no I'm pure blackouts moments to start

with a group of people moments of not to be out of a house

to come to come on a little idea how the day of today I'm going to live,

because in this time, I'm in all the parts of all the people and much are people

that you can't imagine, but not they're on the day of the not for the

consumer, but for the other I'm going to give more data because I don't

want to I'm going to be to be to the time even even

when I when when I I'm three years of this I'm

I'm talking to before 30 years, toque the fund, toque the phone.

More of a month and not accorded practically of nothing, not know where I'm had cuted

in the body, had I'm I'm know what had succeeded,

no see me had tortured me to torture or was a kind of

some or was a but being out of a house

temblando me I I did know that I know that I

did that I'm I'm going to move. I'm a move. A group of alcoholics

anonimus a time no me functioned. I'm started groups that people who

have people that were problems with my family, no, I want to see a

know, I'm to know to move, me to do one or another other

in this in this situation. And, well, during various years, narrator, my life was so. Intentar, trynard, intentar, failer, and not to work it. It was in

that maldito cycle of a derota, one after other, in the that I could, enter a papa. And there, I, I'm reconciled with him. My papa

yeah me repudiable. My papa no, I didn't know anything. I'd had luched because that so, so I understood. So, I

I had to get to get to get to it. But I'm to get to get to

understand that what he lived on was simple. No, was easy. No,

was something that he had a decision, and I'm to get to

me too. And I'm to be to be a little. And strangelyly

I think a time, I know if it is but

we're not that it is simply, it that we understand that we

into these groups in I've seen a person Christiana, this person Christian me gave a

group and changed my life. Of a repent, I'm now, like that

figure that that I had to and I began, I'm trying, I'm going to be a

kind of that was, because I don't think of that I'm a day they put

the hands in the a head narrator. And this is the part. This is the

part where my life is the life is the life. I put you put some the little to

make sure you. I'm going to feel that all my body was really, free, and I had to

tremble, temble, I, I felt like to feel like to get to all the

part of the body. And I start, I'm and I'm, and I'm just I

just did you that some Some of the eyebrows and I began to feel a cold and I I could be to start to cry.

And in that in my mind, it's a disloqued a record. A record that I

had more to have been a time to have it started to what I happened.

But the reality is that I that I had no had, until that

situation, until that I'm in that place, to my 31 or 32 years, and I made a

oration for me, it's disloqued a record. I'm furious, back into the house,

and trying a plume and a old and starting to mark my body. Narrator,

that day, when I took that I got a sensation and I said, what I did? What I

did? A part of that day, I'm I tried to orer. And every that I

tried to do you know a voice in my head, I'm going to talk about me. A voice

that's pastos a voice that's like a voice is of a woman, a sometimes is

of a woman, and he says things very subtle, but every

that every that he does he and he destroyer and so he

and he you not are to you you are not you are not

the narrator. Narrator, During the past four years, I've been used, for the sea, mar and the earth,

to be a better person, and not you think that my life is destroyed as a time before to enter in

these changes. But I think I that voice no's going. That voice me and I

think that the day of today, I'm I'm done. And here is where I would like to know, you think

that Mauricio is the condenade, you think that he's to repenting and say, not you

think that these things exist, and simply that's that's that's that's

that's that's that is the really, that's what you that's

in the life of Maritio. Beh a board via Rai, embarked and profite,

embarked and relax see, siote, bookinet. Oh, that also. And profite.

Via Rae, the voice that we love. There's something else here now. Something new. From, exclusively on Paramount Plus, it's the series Stephen King calls Scary as Hell. Everything here is impossible, but it's also real.

Sci-fi vision calls it the best show streaming right now. We're running out of time and we still don't know the rules. Don't miss what the movie blog calls something you need to watch. Saving those children is how we all go home. binge all episodes exclusively on Paramount Plus.

You have put to think what would you have a superpod? Aron? Aron no has to ask us it. Aron it has, and no he doesn't like for nothing. Want to know why? Listen to his story. After that many of us

we know the universe Marvel, there are people that have passed a certain time fantasizing about what would be if they'd have some superpoder. In the case of Aron, we're going to the

to have a maldition for him is something that's a little in a line very delgated it.

Resulted that Aron he did know that he probably has a super-power but it's

something that's a but I want to what is what is what has what has

what is that is a pandemic in a way very difficult he

he had had moved for a new a new And when

I was about a year, a year and a year and a year and a year in a good

place, with a good so it's a good money, he's, and the time. He's not a

time to get a problem and then it's a part of a situation very difficult. Decide, after two months, that he has to get there. The problem is that there were certain penalizations, because

I was in a place, I'll say, very beautiful. There was a contract very tramposito that he had firmed, and then has to get to live there, the problem is that, paying the rent, practically, yeah no-tiener to come. Because it will get the moment

in the case, if it's doing both, three, four months, maybe he's not going to have to one of those.

And there's a great problem here. The grave problem is that in that moment,

he was when he was going to be to this situation of the pandemic.

And it was there, in this situation, standing to get to get to the

middle of the car and without a time, tick, tick,

talk, quickly, because he know when he is when it to have to have to be

, I'm going to the pandemic, then it's there when when you think, what abilities

I'm, what I'm doing, what things I'm doing in my camp of hobbies or things that

do you do that could be a little some something, that's something.

First, he's a type that he's a good to the cook so, so he's not,

and he's, but it the time of the pandemic, and the people started to

have much of that kind of the type of consumption. So, so that minimum in

the building never never did not not. He was to put

to make to make like great assaions and movements of marketing

not know that so so is that he and it's

that after after after after he's he had a

ability that he had a very very but it was

in the area of the hobbies in the area of the things

that are more for diversion, than for to get something, he was

he was very very well, and he was in a way way very extrana. He only

needed that you're in your time for time sufficient, for that his mind he should

not need to start seeing, his mind registrava a image. And then

the time after he was sent over a hand to a paper and

it was like could be there there, like if that image that could ever to bring, and it was

like if calcara something. Me, say, narrators, is my secret, no I'm doing, I'm talking, I'm the image, the

thing, the thing, the thing I'm in front of me, now the plasma up of the paper, I

know how I do, but I can't do, and just, and just, and I think, for me to be sure

was very very simple. But the truth is that no I'm I'm put to

do jobs of people and I said that if, for a favor, that if they would have made what were, any kind of any kind of,

but that primarily, for favor, me promovier. We're talking that in this time of the

pandemic, there was much time in house. So, so I think, I think in

other circumstances, not have never got much, here, the process, the

that me were being being like being maybe that's or,

or, that a camera, because we were via webcam, that If we'd

the camera and then I'd show the that they'd show them that they'd not get them they'd

a lot of you're doing a lot of I'm saying I'm sure they'd and I'm didn't know

that they're doing a demonstration to start those watching much time, then just I saw the

paper and I'd be my callca my form like to start to to linear all the

all the word RORrault me to make to make to make a to come I was just to breathe a little.

And it was there, when I did that, that if there was something strange with this super-power, never had worked so much, never. Always had been

like, in a level of hobby. A-beces, one-one, every three, four, a few years, a few times,

a few years, but they'd be able to this. Now, five-beces a day, seven times

a day, almost 14 hours of work dedicated to that's, if it was not it,

it's trying to do that and then the people put me a prove,

give me a way in that you want, and you want, and I

know, total, narrator, I'mpe to have cliente to have cliente

to cliente triente, I think was that was that that muscle that

that made to get to a other level, a level in which the day of today of today

for me is a maldition. The repent, the image that was plasmable in my paper,

not just the person. And I remember perfectly. My first mother has a gemelas

are some angelsitos, but are some angels very garrosos. The two nens have a

lot of energy and all the day are up to down, gritty, gritty, and

you can you can't keep quietas, never. So, so my

first mother me asked that did that when they're

in a in a conversation family, that I not me focuser in the

conversation family, that only was that and did that and I

did that that's a was a very strange. We tried

in the food family never were when they were to

do of them. I'm going how are all the two with your rosted at the little.

And then I'm that I'm a little the angle to have a image that could be more artistic. It was a

little bit so it was so I'm a little inclined to up to down and just being

a little skinned for that the boarders of the camera and that

had an image a image clear. When I'm when I

the of paper, and I'm seeing that's doing that I'm

to say, I'm in the image, and I'm just the lineinginging. They're to the

little bit the corner, what's the end of the side of red,

and like a car totally dark. Apart of that I think, I'm a

little bit more the time, because I think, that's something that's something that's

something that's excuses, narrator. I was focused only in a little. I don't read nothing

of movies of terror, of monsters, nothing, nothing, and apart never me ever ever

never had passed. So, when you make the reenfoca and change the angle,

all perfectly well, I go to the o'clock, I'm going to see, and now this thing

is a one of one of them and so it's like a part above

of the the thing that I know that is because is,

because it is and I'm my sobriended only is the part of the rost of my sobriene.

It's like if it's a little bit of the real. But when it's not the way, I'm doing what

is doing that thing. I'll say, I'm going to we can't do something more we're a little

to get a little bit to the little perturvated. They're they're not not really

they're not but her but her your rostro is like compungido, like stresado. And he

I say, I mean, and she let's get to a certain place to the house, that's put to

one side of the other, under the excuse that was a lot of that was in a minute, but they were

in a and one, and one, I'd I'd first, first, to get,

to the one of the one of her, she's the way, I'm to come'

to be to be a second, and the other, and the narrator, when I'm seeing,

they're sitting as two as as a new a new a repel of a new a second, imagineate two

medias lunas on each other and then they're one at the other, they're in

a old mowada that recae over the back and at a little

of them there's there's like a a one in the middle

of the there a there was a sombra that when I was drawing it was like

if it were a rude, like all all righted and they were those eyes red with me.

Narrator, me I wasusted when I'm a matter. I sussed I'm sorry, I'm

couldn't terminate the because I don't know to do you do you know I don't see to

change there the forms and the spaces that thing that thing was there. I

said to me a little indisposed that me gave opportunity of

other day and also I I said that if, for for favor, we'd do we can't

do you, that's the pandemic and that's, that would be a family's, for the

well, when he's doing that the narrator, the nines started, they were, and they're

to say, let me, let me, let me, no me do you know, me, and the mom

and the mom and was to get my first man and no he never Tarador,

I'll turn to a a little bit, and what I see this thing, above of the little, like,

I'm doing doing something with her and I'm so I'm what I'm a lot. We did it

did you know my primia was a little desperated, but as she didn't anything,

she said, miralalal, this has she has seen a pietra, this she has been a little

this new thing I'll let's get to the little bit the new the new she's

to get dormita and I said just I think I'm trying to read me

but the fact that I'm very nervous very nervous narrator a rathor pass a

rata the little all the normal pass three four or

five days we'll do the exercise and now

not it's a one and the and the the worst

is that they are being to I'm I want to

I this this thing that I'm saying right with an example,

it's a don't, I'm not I'm going to because from that I'm seeing to be things in the people that

I'm not always are so they're there. There was a person, one, that was the

that was that I was really, that I'm really. A person that was a little

I don't remember exactly what familiar was of the building but it was because

they were They were not even though. They were doing this, they'd be how did the other and this little.

And this chick in special, it was because she'd have a photo made a man of

and she and me said a realist. He took a postura like my

profile, he got about about a minute looking to a space.

And narrator, when I went to the paper, I'm just at the

other of her like and and, and pointing to the front and putting his hands in

his shoulders, to a woman yeah major, but with a look at a look at a little, not he was,

a type of manos or the form of to talk her that was that was a very and then

I said, me permit you, you're a little more artistic, is something

that's a thing. I'm I'm doing that. And when she see the

picture, and when she's, how How do you I want to my abelita?

You said, your best of your person. I'll to say, I'm

remember who was the person that he he's he he said so,

then so this is your abelita is that she me said,

but I know that she was she was she she was

like she was like she she was she

and in that narrator so she she He's up and where I was posing

for me, he goes a photographia. It was the woman that I saw in the paper. I'm sure

the day of today that I have done, but the things that I've seen now

in the paper to draw there, there are things that are unenarrable there

things more than a pesadia. I've two years that I've to do

do you want to do you want to do you all the whole of that I was a house, me asked

that I did retratos of each one of the narrators. It's a time that I could consider

the life, for the things that they're in this place. Now,

here the question of the what you do you with that? I've

seen movies of terror, in the that all the time you

again you at your time, but what's what's doing

that's why it's going to the the noise, because if it's like it's a enbruised the place, you've got to be there? You've got to

have ever to live that? Well, the protagonist of this story, no heard any of those alarms. No,

he was a experience to see those characters, because every one of the things that I've been doing,

I think, I'd do. And is that the stories that make to get to the

post-of- the podcast of the some one- I'm a lot- as I

said, no, No, there's a way to know. But there's every

relato that they're that there are that I put a nervous, there are

some that I'm really, but this, this is a great

fog rogo. If what is this is real, listen Claudia,

I recommend that you take many many precautions

There Resulta that Claudia, as like the person of the relato anterior, he doesn't

much to draw. Claudia is it has been more a hobby very well

established. She, in his dreams Guachiros, in, you know, his fantasies

more wayjadas, more than the reality, she imagined during a

time as a time as a mark of the ratoncito. Practico

he was he was luching for to have some a place. But now it's

realist. It's good to but not it's not a part of the

people to talk the important for that but only he

like a fantasy but he was he was to

do and even he and even he I'm professionally

I know to not money for She's very good. Has it of all. Caricatures,

retratos realist, and, well, I don't know the terms exact, but she has a gamma amplissima of things that can do,

simply if you does a lapisit and a borrador, you make this woman. He knows a lot of

techniques. It's something that's something that's in the world real, to plasmarts to present me

to doves' things of to buy to buyerns and quaderns of these that are blanks.

If you were in your house, it's a lot of because it's a person very ordened.

But it's a lot of quaderns from big, small of official, timeo cart, of those

that they're in a hoja that's like transparentos like of this paper that's paper that's

a paper white, you're done the world, and has the whole that has more a cartulina.

It has specialized that are for aquarellas, and in fin, you topar you topar you really dedicated to a person

that a person that's that he wants, that makes, that make, all these worlds, different,

universes, places, etc. Claudia, am a different. For that, he's,

that make that this hobby be a more more more that he can be

a little to make a one to connect more that is submerged for complete in this hobby. And there's

something that has been that says that even when the moment in the he was brought it was the day of the day to day of

today, is absolutely repentida. Arrepentied at the point of the mind, arrepentida

at a point to know to do you know, that this story that you send us more a

petition of aucil for the the way, to do I'll say Claudia, if what you mandated is certain,

I recommend that you know you know and you're a lot of your stuff yeah. She was

a tinder of antiquities. In a tinder of antiquities that since she got a

vibra extra for all. The dependent of the place is more more than a person

that a person that's a particular that a person like a a brouca,

that a dependent is real of a new thing. The woman had a vestido, a pampon,

the color black, of a other person. She was very palid this person. She didn't

know if really a parision or the person, but all the whole, but she

did that she said, that she considered that there he no he knew a phantasm

only a person that's a little in a person a dependent, and

a little bit of malice, of not being a person good. The place was like a little bit a little disquieted.

Telarrains colling of different points. There are many stants in those are full

of things but saturated and others are basing only with an article. It's strange.

Because this place, even even a old a tinder of brugery not because

me it's not even though I don't know if, Claudia, but because I know a little more of the theme and the descriptions that it seems more to that's

even a new thing of antiquedities, although there says, antiquedities, according to this chick. He's the

estanteries for different points. There are teleranares in different parts. She thought

that the large- little, and he said, this is that badrissim. But I have to

have to do you when he saw in one of one of and she said

that not was not apparently adornos. The place was

So, in a zone there were Lattas, Lattas, like, old, oxidated, medierrotas,

and abertas. And that was a strange. In other point, that was all the

little little bit there were like frascus of different forms,

one's in form of triangles, others that were like, those, were like,

those were all were all and they were a one,

there was a lot of made. Couchars, tenedores, platos, and other

type of articles kind of rare. Maderas, that were used as some of the many of them had been in

that they'd have been in a lot of but it was very strange because there had placas of auto and

there were photographs of persons. This, this is quite rare. The area that

the area the area that brought at the moment in the the is the

area of the books. Three stants, all of the books

one in special with books that have pastas and probably

forros of the furrows of the one. That one

he called he and he and he and it

and a joy in a middle of this muger

in middle of this little there there there

there there there there a book of the little

and things that no have nothing written and the and they're in the

coffeecitas yeah antivuitas the marcos are really rotos

even even in one of the end the end of a

end of a bit a little a little a little coffeecite

is a aroma of the aroma a something Antigo, including

of a ligeramety, but something to a person that will be to do you. Tavis,

there will have the different scenes of the characters, the good, the ambientation

of this place is incredible, the yeah, it's impregnated the book,

and it's simple. Or, it's a trap. Because Claudio no, I don't

do two when the chica that went, well, with this woman vestida

as if were a personage of a movie probably of Tim Burton.

She said he said what he he said narrator, for give you know,

that's me he could have got to $5, $10, $20

or $30 $1, me paid you not I'm not I'm

a instant I got a a money and he did

he said that he did you get to and I think I'm

even I or not that has talked the book, nor that I have talked to her,

since I went, never he moved. Narrator, after the things that my

are going to think it's a person because maybe not it was a time, I'm going to

talk about your story. She gets to a house and a book, a carder,

a carderno to do you an quixito an old an horror to death. They're pastas

oscuras, she does the pastas not are so much coffee, and it was a little bit of roared,

like, as long as all the skinas and all the pastas and are the pastas are oscuras

Prends the lights of the house, it's absolutely negras and that's rare. It's very

strange. Commience to ogear and pass something really rar although all the

corners of the little the the of the little she mayn't

a lot of the end uproletes. and it's a pair of gotties of sand in the ojas. who'll get into identification with them. It's so vivu, a person to o'leer to all the contrary,

that intends to connectar and make that the scripture be a kind of that this

is a thing that is a and in the other to connecter, it's like

if the book would be two hands phantasmal and they're

like if he they're not no no no toke and

it's when Claudia simply and simply and simply decide

to start time. It's like if it was the blocker of the divuant. He was to the

kitchen and if you serve some a bocadillo, if you're a little to make, and when

he gets to the room, she topa with the first of the situations that no have been

that's that you her man, with her father, her dad is a his brother

but no he's a little person, she's the first person who he's

a different, She also, but hebuha very lento. Why, when when he went to give Claudia to her room,

with his book, with his bocadillo, with something with something with something, he found the book abjointed and just in the

first in the first page, was she was a picture of Claudia. Only that had a

one, the eyes. The eyes were in a little different. So, they were like if they were

the eyes but with many details and she saw, and she kept thinking, Mama,

but for what's he wants to play a and then so it kind turbidita

that the book, she puts to do make about the time

time time, how could have made a I've done a so

so much and it and it He's kept giving back and he distracted and the scene of

that's the day, in the moment in the moment in the he's he's his mom and

he's he's a mom yeah, yeah, you know really the

really the and the mom and the actuant like a an actress and he

says, I know that's talking, I don't I'm not you're no

I'm no I'm to be Claudia to his house try the book

and he he makes the image and he says no mom

what the stratut so beautiful, he's the eyes, but those eyes are those are the little raros,

and Claudia he says, Mama, yeah no you do you do you. And then the mom

he says, because you do you know, I don't do you know I'm doing, and she oh,

my mom for favor. Well, no, she was he was the person

Claudia think that her she's actually and even she said that her

not a woman not a good actress that she, I, and she was

sincere, and honestly I've had been heard of that she was, she said,

he said, he said to her to be the question to the actress. For

that in the next days, in those the book, the time when

was that I had been a little things things normal

, Claudia in the house sentada and she and

the house sitting front the computer and always with

little details strange. Yeah no appeared and they not see

in the eyes. A sometimes it was a little a close-up to the

hands. There was a little a little a bit, a other a

way in the little bit the altitude. It was something more. It's like if

if it was she were she she were Claudia, creak that her mom is a great

actress, and apart a different an she has been in the a lot of the more than it. and she has been

to be done to do know. It's a game to make her to do the room to her and her to mom. He will get it the fourth of mom,

and in the A fourth of mom will do you will be a bit of and he's very

it's very strange. Because never he had passed. With a lapis, because with a plume

is it that when you put to write, no mancha. It's like if if it's

a hot, it's like if he'd have some to be

a other to make to be to make us with

with but with lapis no. That extra a year. Tal-be is the type of graphito.

Tal-be, mom is to use another one-estrtle. Tal-beck, is this page in the problem. And, and agarra the page, the double in form of a triangle. It's the next. It's going to do you. And then, it's the next. If you're the next to be the book, nothing.

And then, it's okay, no, is it so much, no I'm putting to doggar, we're making, no, is it's not a is that's happening and he's going to

get a mind in the book. And it's extrano, because here is sure that he's sure that

not he passed to a high velocity, not it and it just it and it

he sent it a punch and where he gets the the hand there, but the

dead is a good a good on the times. Can be some

my she's putting a very extrana in the there is a little rare

because he a little bit of the little he's a lot of

the now in the different his eyes their eyes

have a little his rostro she see with

some with some he's but the way the

those hands are those are more whusudas the

a skin like if were more venas and more more surquitos like it's a piece

a part of a part of a part of a lot of little more less delgated and also the eyes

that's that's all the black with a redress and the hair redid

redid red Claudia no had me and Claudia

and she she's that's that's subient the number

so so lapices of different types of graphito, Compra-graphito, like, to do with a paint with the reddo,

he'll come, plums, plumbones, all. There's a she will to show. Who is the really can

make a sackard in a million images, transform the car of her in a monster, in a beastia, put an

monster behind of her mom, to do things horrible like put the camera and that's

be in the eyes above of she, something of her they're going to put with with tantos of detail

that her mom after that's her mom, after she's not going to do not to do not even to be in

the little to get to the house, enter in the room. And now is it

is divided into a four one hojita. A camera with one of the little a

mirror, a speo, a speo, a speo, that has been in the inside of the house,

but after of her and the sombre, with the same eyes that were in the image

the other. She's sat sat down, but some hands they tap in the box, and there's a

great-outable that seems that's that's that's that's a little little

a little little and as it's like it is a little little

red. In the other she see to her talking the

book and the book in the the part of the gastine dents like

if he were mordi the hand. When he's a

impactated and they seem in a bit of the images that I'm thinking

mom how could do this to this and then take

the book to and it's like the little

the right now so in the hand there there

there there there there a lot the pastas

are the part of something with the pastas. No, are negras, some gindas, a color gindo, very oscuro,

very obscure, like if were a concentrated of the same. Claudia, me said, narrator,

after that that mordida that made that thing, the day the next, the book was

a bit and my rosto was made transformed, the the commisura of my

labus were made back, I don't had dintes, I had colmillos, My eyes were those of a bivora

and I was like a large styrada. You want to say, narrator, that I'm because that book, I took and

I put down of my camera between the colchon and the base. I was I'm all the night and I

have the life. In the morning, when I went to that I'm that day,

the next I'm I'm my mom and I'm my mom my mom, I'm not

a color yeah more pegged to the carmesi and in the house he's

a little very rare like if someone was a narrator this pasto a

year from the I've got to talk it's I'm put in

a voice a and I see what I'm and

I'm a fourth time if this you you're

not you don't do you do you do do

to be in comments. The human has a great capacity of adaptation and it's

even a circumstances that it's that he's a lot of her a family that's

a bit of a bit of a and she not the she can support soported.

For circumstances very perla has to be to get to a

other country and you have a certain time living yeah

he's living in a house of a very very barren,

and it's a house of pension that, we don't have the best amenities, not is the

place but it's a place and there is a woman Frida and her

a child, a one and a little more normal that you can't

imagine. No are people don't people are very,

but nobody in that person nobody in that city or in

this town or in the the worst of the place, you're doing a

other a custom in the you know, you're not not a custom that you

know, the in what you have to and the end of the same, and they're

good, not certain, but are good people with the people

and not are people in the those people in the those that's

that pern't that There are things. There are things that you know that you make a sense that is the

place. No, it's your house, not your house, it's of a other, it's to be there

Perla, he's going to see that there's a thing. For you you're a caseona

an old, that has many abutations and the sheora rent to each one

of the houseions as were in the mini-departament are of these

casons that those abitations are quite large, the sufficiently great is for that you keep a

a camera king size, you have a roperer medianamently ample and you have a room

complete that some other other are the most is complete only for

you, and in other it's the part of the room

complete is a bad a better more more more

than many of the many of the many Problems are from the sound of

tuberies and from the aroma to a humidity, from the picture, that not

in the condition, from the the techo that even is very high, has a

certain level of filtrations and for more that it does because, from the

the world, and a sometimes are caused for the same incal

and nobody does that this and that this doesn't

who is who is causing. Rechinidos, crugied, a-becile, a sometimes murmur, it's a house an tuesday.

It used, very probably, in the pasto of that house, like a climate central. Because there are ventilars in the habitations,

ventilas that don't use in the day of today. All have little ventilators, but those ventils are

of some climate of an air air-condionado central. That armatoste never seen if there

any any kind of this perla no it took to see,

is that he it was to hear those mormulos that were things phantasmagoric it was

it was a conversation of someone in the other than you know that you know they

you know you know you know you know you know in these circumstances Perla

is when me said that she had adapted to that but not was

to be to do the but it and more because he

started he was something in the It was a bitation. It was imagined like if a person

and would be coming to hear the piece that was going to get to but it was a crugid

that if you passers much time in that you'd you'd you know that they

they're a one a rhythm specific to come a length

like someone that's like a little and it's learning and a

way and a but very very slow very paused, like if

if it's very concentrated in her lecture. She has a image,

like if a woman is like a woman and for that's not a

idea, so it's your imagination. But it's a ruse always

and it goes to the end, and it goes, he a

little more a little more and then he comes to cross

now to the back the very very. There's

a sensation rar. She had to get a good luck to get

to get to get one of the time. One of these is a bad year. a

it's kind of manchado, a little bit, but never put his dead. He does a little bit of

a perise to get to get all of the because no the good desensensensate in that zone. They're not

money for that. She's already, she's a work to work for another,

he's looking to the possibility of something to do that to be a future. Recurden,

this woman comes in their circumstances that are very vulnerable and she

is adaptating and He wants to survive So, those markers of for them

are very clear as. Someone is getting in their room. But no he's

a roba. No, has nothing. A pair of prendas to vesty, a psalets extras.

Yeah. Sandalias, zapatos has one and yeah. A sandalias, one of not even

has been tennis. He's is looking the way to get getting

little and a little Ropo Ropo to be presentable. Well, this chica

Perla, in this place, still seeing things raras. The murmur, you have

more than one occasion in the that it's very rare, but you know they're

not from these ventils. They're in the room. It's like if

two people were there and and it is very rare

because it's good heard how it's move to that

sound. How it's a point to another? And the worst

is that when he comes, the soil cruhe. Like if two

people start to say, and they're not not they not they

would be there and they don't get much the

word. No, the but it doesn't the way more more

back. And there there is a feeling that something to something

that No, it's so much because there are two occasions that when when it's a

time, that's sure, that even the thing is the thing in the thing that that's not properly, that he was

that he was a person, he saw him to see a door to and he did the security,

that he was because she abryo and came know to the way, but it's like if

his person would be a minder this like a woman did it and she

was again again again, it's more rome, it's living

things strange. She is nervous, is an anxious, is living a situation

difficult. Busca the work. No, it's a situation easy. He's a

person in the house so that's that's rare. That's

that the person, it's to get to get to get her to get her

to be it. Well, it's just it is a little more the situation.

It's incoodod what is a being but it's so bad,

and it's too or that that place. No, simply not is a greatable. And it's in these circumstances when

one day decide to be to be to talk with the renterra, because they've been various hours,

making much a lot of a bit more a party that not paris to talk. And yeah, yeah,

is aft. Because the last time for those sensations of those movements, but that's no, they're

to be to be to this, this is so can be able to get, these are people

is discussing there. And she is paying a pension. He has a right to be a little bit of respect, a little bit of consideration.

He has a right to be in a little bit of a place, a place that not is a bit of a renterer. The rentera

live in the plant-bacher, live with her his wife, her daughter of ten years, a chiquia that is a

very good person. I'll say, for the standard of the not are, not are people, but not a bad person.

is a little and that's a little and that's a little and that's a lot of a lot of and it's

when it's when it's a little in the door of the car and it and it's aftor

all this time, and I'm just going and it and he and it's thinking like

what I'm thinking like, what I'm thinking in phantasm or in things of that time

when there when there a little she's about while she's and I get the

sound and it's it's she it's she but not in my room, Abajo.

No, I've been thought. What, that's the door of the reenter, abe the

door, and see how the sombra of a little little the room, and it's to move, and

it is a little bit and the room, and the room of the reenter is with a light

that's with a light a light calida, but very tenue, and then

there's many some of the not the sad. Well, it's Karen.

Karen is a little that's a person who's there. She's always in

his issues. And now he took the door, abri- and resulta the poor she's

there, and then just he just said, and she she'll be the Renterer. I'm

to be in Spanish. She's in the language of the person, and she

he said to the person, and the Rentterer and the Rentterer and the

car's the room. The Rentterer has a a room proper. The renterra

he says, like, wait me a moment, she gets out of the apartment, she gets a

door, she's where she open the door of the bayon, where can't

the reenter, the light in other lights, because it's all there's that's

there's going to be to be to be to be to be two minutes, I'm

a little Ike, I'm pre's attention in the sound of the people that

there is there and discussing and say, well, I don't have to have to keharm,

but even whatever I'm going to say, I'm going to say, I'm saying, I'm and I'm and you're

thinking a little that after she's a hand in the hand to the and it's and it put in the

peltes, it's very nervous, it's on a little bit and it's going to turn to be

to turn to with her little, so, he, abrasantly, and garranded with his

rest of the of a susto and just he said, with permission and he's coming on, he's a door to the

room of the room and he's got and he's a little two minutes he's her mom

and Perla is a sustadisim and he he says ohia I'm I'm

and he said yeah say yeah he said I'm originally

originally for a question for the grittons and you

say but are very very many here you have to understand it.

We don't do our we can't do you know, we've done to get to get

there's there's there's and there and Perla still doing

and then it's that's that's that's that's the name of the

Renter Frida is the she's he's he said he said he's

about to happen to be to what you to you're when you

when you talked the door nobody me opened and when I I was sure that

I saw that was around the camera and he was on the other extreme of the room and I I thought it was but right Karen

has got to enter your your room has a other side you say no no you're you're just

you're just your your name has an invite or there's no no you're a other than

you're not you don't you don't you don't you don't you don't you Perlars is that

un-tranky that's, no, no, no, no, no, no,

or me you're, or something, or something to do you do you know to do you, what I'm

that's a new, and then the then the signora frida, see the

and he said a signit like to me, moving in the man,

and go coming into the and they're coming down and get just to the entry

principal, a middle, medda a matter and the PID, for for favor,

that you do it to help to help you. Because they're to get up many times because it's

a trank. And now that's been a little humid, then it's a lot of you know

that you know you know. The point is that you open the door, they have to be the other side.

Perla he says, a bit, let me, and the seniorerer says, wait, wait,

start you, I'm a cargett to get a carotel, she put one in the box, he offers,

Perla, he says, no fum, and he tell it, maybe it merita.

And then Perla is a kind of thinking, being the casketia, he said,

no, no, I'm, well, I'm I'm, he's got a cigar,

he's he's put a bit of a bocanas and say, well, explain me,

and say, I'm, wait, wait, keep, to do you want to do a

three times, and he he said, me, I think, I think, here

you're a moment important for you if decides you can't get you or no. How,

me is going to go to go to only if you want to be no, I don't I'm

not the look of to get to look at look at this house

not this house had a house had a and

that the one was not that was a

French and that that dwe was a very

bad character she was was was was talking and grittando in the passillos,

always was very invasive. And she took here to her and he took here to his niece.

Lamentably, they were to be assaulted this place, and then to the wife and

the nietta they let's she's she's she's soported, I for this

then I live here here as a resident, this woman not

had to end of her and for a month very

small little more symbol basically he he's a

car and I'm also I'm a situation very difficult not I'm

not I'm I'm a good and this place but

I've had to learn to learn to get

living here you you I I'm I I'm

I recommend you're I'm you're not you I'm

you occurred a crime. You're going to that the dwean never and that's she's here and that's

the other that you see there in the room is the the new year the new year. The

discussions that sometimes you can go in the quarters and not it is the

the old the the old woman. It's what I think.

I don't have seen. I don't but with the time I'm accustomed I'm used you know,

you know, you're going to do you know, Parla me says, Narrador, four months I've got to

do that, four months in those those those presences, now not could get me to the

head, that were two almas that were that were that were, and the mother of

that's that's, that's she's in a past. After of those four

months, I'm I'm Cremme, no dude any day. Although, at a case in the house in

that I'm no one there's a bit of a abrumator, I preferriff a few times to

to live to be around to the and it I'm going to and you would you would be

in a house and you see, if you let me let me tell you

a story of conspiracy that has to have to a try

and a Before to terminate this fogata, I have to talk about

about this there's. There are a pair of stories that I have to have to

hear that you're these are things very retorsied very those

those are the people know is a kind of a

magic a magic roger vagia vinculate that dolega

the one a person for that that is

with someone with someone It's a type of magic that makes that normally what is

love is a form in an obsession and raya at times in actions that are in conducts these

these these relato these relattors that I want to tell the day of are the

are the most rare and the I've heard I've

that Omar and Tanya are a pair ha they're a

many years almost after a prepositoria and they started to have nobios

and one a year and a year of the university they're there there's

this history not me she's not me she's a manna she's a man

an amy an an amy an intimate, was the time from

the time of the second year now there's no

nothing he's very I'm very extrano because me is a narrator. I know the change of

Tanya. I know that Tanya, the day of today of the day of not a person.

When I those were both were together together a one of

a pretty a person he procurable the of Omar and Omar

was, was a devote an devote passionado of Tanya Tanya for

here, Tanya for yeah Tanya what need to not

he never never what he he was always always directed to Tanya.

If he thought in having some practices, well, but that no affect in the time that

will have an opportunity of the time, and also that they're in a future

to have a good work, and that Tanya, that Rue that Rue that Rue

that Rue that was, not that he was not that he was not to never, he never

never got to Tanya cameo. Tanya was to start to get very very bad

in the classes, yeah, of a repete no I'm and I'm

know that I'm a sometimes I'm a little toxic that's put to investigate

where no never or when nobody he's and I see to see that

there there was there were two they were giving like in those

photos they they're they're in they I'm I

I'm I'm to look in my circle of amisties and we

have someone in common and result about that's I started information narrator and

in a couple of I'm I'm know that my friend they were putting the querns but

well as this this is from the faculty from the faculty not when

I was not more near more near the final but when

they were they're they they're and I said Mark think

all things are things are are still two and Tanya

every that was she was she was she was she was she was having adventures

out of the relationship and he meantia descarately Omar was

a devote to her and this woman and this that was that she had a

opportunity Tanya no was I was not not respectable

Partou Mar no he not not not that

was a question like a question sexual desenfrenated

no Not not a father narrator. I was I'm going and he said Omar,

in serious open the eyes, no, no is the life that you're you're

not the life that you know, the world, you're doing, six, the more great, and it's the person,

when a day me I'm Mar, is made and he said,

I need to talk to see, I'm going to separate. And narrator,

we're we're in a bar, a bar, music a a little, a

little that would be a person, to not to be about

about about about and me he's to he's

he discovered messages, the he discovered he he discovered

all. And she in her car, he was in he was he was he was a

not only he was not only he was he came to the bellow of the eyes and

he did know to do he was not he was a person justa

not he not was not not he really was like a person that

was a have been bad or a or

over over overest and I said, look, Omar, I'm a man,

I'm a good and I think the people don't

be not a person. Helpame to help to you

put in contact with that and do the thing to do

go the and I'm I do I'm you

know I never I never had I thought I thought that my friend was this

yeah I'm going about you about two two or three years and it was when

I'm Martin's and they about it there was something that was there was

so and I'm seeing a many to be the day of the day of

I'm sure it's like my starting the alarm to say

what he was what he was to what he What happened? That's what I know. I'm there. Omar,

not went to that second reunion. Never knew a abogado. He never was to answer the telephone.

Me blocked to allude. And I'm did for alluded and I did for that he did not get

that he said that he never. He never was to come him. He was never

to do you never to be. But it he had no quisier to know to be

like I not existier and it. And it was are F. PTA. Some things

delicated. I dole much in your moment. I think for the same I'm refuged

but now now you're going two or three years. And listening your podcast and

all that that mymars me put to investigate and contact to the person

with who he talked to the HR and the narrator I'm

sure that they were to be to be to because I'm

that all a long to that not to It was a other person, a person a

person a very torpe, a person that had comments totally out of the place. All the time, I was talking about Tanya. Even when nobody he asked about, no,

he was focused on the work, all the time, her mind was Tanya Tanaanaena. His children started to have reports of the school,

that I'm not because I contacted also to also, and I'm that you don't live with Tanya

and with Omar. They've been just with the Because Omar Yeah, you know I don't He was He was on the

Yeah Omar If he was Devote for Tanya It was the double Devoto

for his His He's a person Calida of a No, no

I don't I can describe And now I'm about I'm idiot

absolutely ego and absolutely egoistic and he just

He just want with the Pair and that

no no he Correndel the work, he starts to pay money

prested, he makes puras things like if were an idiot obsessionated, and the

worst is that's six months narrator, me I'm that he

desvio. I'm sure, I'm sure the day of today that they were

that they're sure that when Tanya who he was to

some in some one one a food. Because he he changed, he was my friend, and

I waske, for the person who had access to their reds, and in that time, in that time, in

that same in the bar, all the publications, yeah, since sent him,

they were to tell you, all the time, he was sub doing things of her, of how

he was, of how he was, to be the rest of his life, narrator two days

before, I was talking with him, he was destroyed and he he said

he said he he said he was sure that Tanya he was he made him to make him to get a

this month. Now I have a question you're that Bere, we're

about a theory conspirative or discovered something a bit too too.

And with this history that family nocturna we have

yet to this this long this let's me invite

to get us this year. To all those who they like this project, to let us know what noxist, and that want to form part of the family nocturna, or that are part of the family nocturna, vanguard,

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All this thanks to your support, and a family nocturner. And once

said this, you desire a good time, we'll see the next week and that

you have your sweet and you see bad