HABLEMOS DE LO QUE NO EXISTE - Historias de Panteón, Fantasmas y Entes Siniestros| Ft. Morita @alasygarraspodcast | EP 220

Episode Date: September 10, 2024

Bienvenidos a este nuevo Duelo de Historias de Panteón, Fantasmas y Entes Siniestros en @hablemosdeloquenoexiste con la buena Morita @alasygarrasproducciones.Morita es miembro de la Familia Nocturna y nos cuenta historias espeluznantes que han vivido en su familia desde  lamentos espectrales hasta el intento de posesion de un alma errante. Escucha la escalofriante tragedia que desencadenó un  duende y el objeto al que estaba vinculado. Y descubre historias de panteón que seguro serán protagonistas en tus dulces pesadillas. Asi que prepárate porque llegó el momento de que @hablemosdeloquenoexisteHablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado .

Welcome to Family Nighturna to this new and special episode of about we'll be not even we're going to we're going to we're in

we're not we're we're going to this duel of stories because front of me is you're a good friend with the

with which we've had many experiences extrana in these days I want to present to the good

Morita. Morita, how you're very good very much thanks for the invitation I'm fan

of your podcast you're you're a night the nocturnal. Yes,

I'm sure, sure, you do you know, you know, you know, you know, you know,

I'm sure on the Spotify. Okay. I don't time to be videos, but I'm still I'm still

here. I'm going, the most old, the most that I remember, is the lady that's the

person who there's a way, there's a one of the , you know, yeah, sure that's

between the episode three and six. Ah, more or yeah, yeah, yeah,

yeah, that's called, intu- night, Yeah, something that's called. Something you know. Yeah,

that's true. Yeah, yeah. Yeah, yeah, I mean, it's the first, it's the first time. I know much people that's

like, to do youika and to, this, the spiritism, brogheria Mexican, and never had

heard of something in no, no, no, I've seen, never, never,

I've seen. Well, the story that I'm about to talk to to give to give

that, it's one of those of that you don't have heard because no me had

talked to And resulta that we're a from a very little she's

a person very very sensible and empathic with all the people of their entire.

His family is a family as a rudda with much activity some much

some super hyperactivus and he was more more of a person like more of

being more to be being and while the other they were She said, she was a little bit of a child.

And he was a lot of details where the others and had much manhood of the people from a person super-sensible. Sensible, no in thematics spiritual. 100% emotions. Conformly, it was very obvious to what

she was to dedicate. She wanted to be a psychologist. Okay. And there was a situation that she had a much. Only had a member in a whole family with the one could connectar.

And it was a tia, The Tia Lola, the Tia Lola had a detail. All the time was like in some mismas. In the moments if you topavas

with her, you were going to be able to be doing things, like if were in voice up but not

in voice because not they were in the and she was and she was that was she was

nervous. The detail is that she she was she was the history of her because she

was the only Tia that has that personality and the family, no

science certain, but not about like he they were in a little but at the time,

he said, and then the idea, never was the connection, conformed to the fact the connection

with the person, it was to be a kind of a kind of kind of a kind of

then it was the RETO so how my Tia never had never had been to connect to

another good conversation and not I don't know what is the history not me they're going to say and the

Tia never to say nothing I'm going to get to be when you when you know to get to

make it at the first of the reason for that was there was for the Tia I wanted

to get in that part of that's saying that what was going to be

there and why he's going to get that because the Tia

of a certain functional but like these people are all the time

are nervous and in her world. So, it was advancing the

career. And they were in these three, four, five, six years. And when

was about to be able to end up that she was prepared and that's a matter professional. I'm a

session. I'm to make, this, this is ethical. This is, this is not ever,

and he gave a lot of the error that was committing. But he did, at final,

imprudent, and with a situation very personal that he wanted, he prepared the place for

this session, no allent, no he said to nobody to the family and simply he said to the Tia Lola

that's the day that he gets, it's like a trap, but no, because at the final prepare a

messita, tacitas of coffee, the gaitets that know that they are the then the

point, what she was, that she say, that say that I'm, not so

not to find all the details of your life, but to understand what

is what is going in that mind. What he said in that day

because she did that did the Tia or she was a thing she was she was

she was a time a past a much that the family knew but she

was a very very there there there there there

the mother the the child the she was the woman

had never had asked many about about the abuela. When

he asked about the mother, the mom of the Tia Lola discovered that he

was not a good person. It was a person super cruel. It was a person

very aggressive, had a very little patience for the other

and it was a person to be a good and it was a

manazzo, like the was the person really to suffer. A person malabola.

When the family had a six members, because it was a family very extensive,

the pacincy of her was nula. And what he was the experiment was with the Tia

Lola, was that in a place that they were to reenar of bivere's and lots

of that that was that was a a cajone a little, it was

when Lola did something that was The enderrava, put in a candide and she was there a little hour.

Then she was to get a biter and then it after that she kept in silence a half a hour or that she had made to

he had to be the cajone and he was back. Totally. Nobody had nobody about the abuela

and was for something. Nobody was I was was really that was what did that the Tia Lola

was like that were those first experiments of the abel. The My mother really was a woman cruel. When they moved

to house, because the fortune at level economic, he smiled, she went a place more grand that had in the sotano. So, in the place to the little bit of puttuged in a cajone, decided that the sotano, that was full of trickees and socio, could have been a

better. Because it's empecino with Lola? No has no. For that's the boy, it was a little bit of that made it and of a

way it was the same that she was that part the problem occurred in that's the sotano.

When I went to that house and standing in that house Lola did something

that she was a mother, he was in the sotano and for a little

Lola started to get to call Lola come from this please,

no me don't me don't me don't me don't let's there there

there's something, here is something. And the boy was to put in front of the door and said, until you call you, if no, no, you know, not you salels. And Lola no parable to gritty, and I'd get patadas, grittos, something, something, it was,

the kids, you know, they were not even, too, a gusto, to be at least, and at least, it was, and now yeah, it was a little, and he said, Mom, for favor, no, he did not, no, he has done, not you, no, it has done. The point is that, that

that's sotan, no, he did it that's what I mean that's going to comeer Lola. Conforme went advancing this type of cruelties, Lola's going to be

about it's about it's a time in the end of the quarters just being done to be there's a traumatized

but there's something that there's a little bit of this chick in your mind after after after after

after study psychology at a time. The sotano had been there was there was

a lot was was a because he had the carh And here no. And that's what he started

indarer. Resulted that the Tia Lola no less because I didn't say to put in the words, but could

be fandasmas. And that sotano was plagued of entities. When they were the house,

that that's for what that nobody never, neither of never, discovered that the

sotano in some moment of the past probably remotely was a fos

common. Alam. And the Tia Lola And she was B. And then she was interacting with and interact with

with entities in soledad to his six or six or seven years. Oh, God.

Pover, the newna. Exactly. And one said this, Morita, bienvenida. Thank you.

Thank you. Oh, well, this story with that we're going to start this duel

me she was a follower, justament when a when I was a when I

started when I know she's she said she being she's

her her of her first he was a apartment with

her and in that department you have percat of

certain entities I think the most the most

that he took was that opened the door and

were the walls of the woman, like mojado, to the but when

came to the bathroom, it was a thing was in the court, and when she was a materialized,

it was a woman with the feet on the other feet being to the back the back.

So, while it was that that was that was that was had came out of

the room, in reality, had come in where she was there was a She never he never

did any kind of the time I'm because I'm I'm know that's

I'm identified to be there never me even though really really, until that I'm

when I'm when I'm when I'm the the fear of that something that I

know I don't control or that I know I can't absolutely nothing

because I'm not that I'm that even even even even even do I'm

I'm doing to do something, what's the part of the woman with the feet at least, what the most terror he caused was something that was when I was when I was about embarrassed. I said, yeah I had I, seven, eight months, yeah I was I was just a point of eventar. And then, well, I'm, in fact,

all, me enochable, all, I mean, I was all, all, all for all, all, I'd be able to

all. All right. So, then we got to get a time in the that I'm

a little, and I had to do a to do with a colchoneta that was there

was there and the exception of, no, and you, and the manga

to you, the manga to be to do to be to do my poor man

there and my and then I was I I was atostada, and dormida,

and dormied how she unded the colchon after me, like if he's sentar. And I

said, it's my marid, want to get reconciliation, he wants, and I said, and I

started to see, and the head, and so, but the rarrow, I,

I said, I'm, I'm, I'm, I'm, I'm cussed, and I

caricio the caricio the carri- and I started to cariciar the panza.

And say, what me is rarrow was that the repent he

he's a little he's he's he's put in the carision.

And then she let us let us let's let's a man,

that when he was he was really he's he's I'm, I'm

you you're you? And in that I'm I'm the

voice of my marid in the piece in the car in the the piece that

I'm saying, no, but also I'm doing. I'm cubri with the super-covija

and I'm going to get a lot, my marido but in the in what he's

par, that thing, that thing is that thing and it and then my marido

and the moment in the moment in the moment in the moment, I, I'm,

I'm that that thing, that's that thing and in that moment, I,

I mean, the most my panzota of embarrassedada. And in that moment, the two did we can't put you can't

in a maletta, what that's urgent for the hospital for if us agarra the part of, and we've been, because my

brother was my brother was and then we never, we've got back we've got we're just, we're trying

to get our things, our moules, we're going to paying the renta until we're we're not,

we've got people external to not have to never ever in the life to get to never too early

to plan your summer story in Europe with WestJet from rolling countryside to cobblestone streets begin your

next chapter book your seat at westjet or call your travel agent WestJet where your story takes off There you're

there said Alvarito he had a certain particularity as a child unique and I lived in a

colony in where there more people in the people in the time only. When he

he was a couple of four years, he had a manned he said the dweendent.

And then he said, I'm a friend, my friend, my friend, and my friend, and

then the mom, one of the person, I said, he's a duent, and he said,

a man, and he said, a man, a man, he's a dund, it, has a oreges

pund, has barb, it's like a little, and he said that's a dwind. The lady said, as there were caricatures of the time, that if you put an example

between the pitufs, the arenas of blacknebes, and things of that type, and he said, it's imagination of things that was the television. So,

so never he put him like much attention, but there a little of things raras that were in torno

the child. The child, we'd, we'd have a little in his court, and she was sure that was playing

and not in other part and when when the boy he was not even not was in a place in a place in a place in a place

not all the time I'm doing it but then it's a start a constant extrana at the point to start to

to be a see if it's I'm going to make sure that we let us in the cajohn of the juggetes there's going to get to

get to get to I'm going to see to the case not great not's I don't see the

but it he's out of the manned caron of the and he's a constant

that's a constant that he's a little he said a mother he's a matter his words

is I'm much my word the dweend no is good and then the mom

he says well well then you you know you're to you're

you're you're going to you go back I'm I'm never

in things paran not there does there And Alvarito he says,

Mom, is that is very mal. And he says, well, just say he he's not with him.

And not you're not just to be only with him. Ablame if he and I'm to play with

him. The mom all the time is thinking that's question of imagination. The problem

is that two or three days after after he was going to be most of much much

to have to have to be to be a car and he started to make more

more caliado, he's to be more to be more isolated and, lamentably

there was a pillet in the zone of that you live in, and a day he'll find out of the Oh, God. The situation is this. The house in the house in the quarter of the apartment, where he was a little bit of a poloet and so, was a type of roperito

little, with a cajon that had a key. After that he felles, pass on months in which the parents, the mom of this chico, and the papa, are in a situation as a mediums peridded

mentally. Obviously, they They've got to lose to his own his own So you don't

you're in not you're not a question of not a year. Passing four or six things to

not to know the thing that the ballot out of the there's a carjone since a much and

one of the photos that was a that was a one of she had to to be to to talk

to talk to him because obviously is living a duel and you not appear in

that commenced to find her into the roperito the he's

to start about the person, no know how how much we're doing about the

time, then the person is that's the thing to be that's not a

much not know how how to get a situation finally a

day and he's a calculation and he he says he you're you're

doing the photo of the barito and he's I

why I'm to want to want to is appearing there again

in her car in the room in the room you're doing this probably the probably you're doing you know I want to

we're going to our new year our new year is in the sky and you know my interest that we're talking about

that you don't you don't you know the situation is this the the sir starts

with a little mortgid in the and not they know they're going to

check the doctor the doctor no knows of what type of animals because the type of

mordina no has much sense and in the photography and he's very far

the body of the border the most of the mordidas are not going to

the the little the thing. And so, something in the

mind. The duend is malo, really is malvado and he's

there's a house that there can't be a being that may be able to

do it a little he was the that provoked that and now

he wants to to do that so in an experiment so he's he's he's he's

he's put on the ropero he's they're and the day the

the photograph appeared the the the the part of the

and the moly not they're not done to do they're they're

and they're that the dund he was there was this case this this

and was with a my muke my my moke my mollita me and he my man my mom

that's my my mom when I'm when I'm my my new year was a movie

a mark of the first editions of Baby Alive was a a new a manned a material that's a

material of the material of which is a tetrica really the mulek but it's a baby, of a

baby, I was, parpadeable, he had phrases, but what did a ultra-mega

plus was a was that was a little the voice. The

muke if had you had to and I said, Mama, Leche,

things so, no? If you you you're to be to

even to hear to other voices, if you you

did the man the That was what that was the ultra-plus

ultimate generation. For that was famous the muck and was super known to the muck

for that the thing when my papa has my papa has a little my papa

that's whatever thing that's being a few or the muckus the muckus to learn all the

day at the two of the morning all the days. I had a quarter of a room of a stucke of

a room an entire of a house and a little of a day at the morning was a day and the morning

mom, mama I want to play and as the walls of my house are very

dead all the day's I'm my papa and to my papa he had a lot

and then what I did my my papa was that I'd and he was the interrupters

that's because he had the apado automatic that was if not he'd

doorme I'm I'm obviously hour but I have the manna

to talk to talk dormita so the then the time so the time is

because I my camera was a back to the room to get to

the then I'm the time and the day next with the interrupter

Mama And he was, he was, he was he, he was going a interrupter he said,

he said, he took a pilas, he got those the day the day the day at the morning

in point mama mama and my and my papa not was a

a desperation of I'm to doormir, no? So, so, what I did

all the day before the whole of the unueka in a boat

of the little of those lot of the lottes that normally use them for the

stuff, but I was used for my little days before to be

and then and I'm under the mure to down of the

boat and it and it was sepulted with with so

but the muke so still still playing so

we know because you know because then the

day the day next I had to do the little all the munches

because it was my my muneka favorite. Until that one my father's

in a reunion in the house with the family, and then I was

at the little there's a little bit of my mulek on the chair, I'm up the

little bit and the muckus so that for some reason they started to talk to

no, but in my house, of a repent, it's

this, and the other. And then my papa said, ah,

well, that that's that's on the night and the night's

and that nobody he was they're and they said, and just that

that and just when we just that we're all right, right, right,

so, so, so, they're at the three the morning when one

of his company said, you know, you know, I'm to go, you,

I'm going to to be to be to be a time to work. He was. He waspired of all, and just when he was in the door of

the, of the house, the mokeke, open the eyes and starts, bye, bye, bye,

oh, well, who knows, why never regressed that friend, to the house,

never, he never to visitar. Or, so, more tard, in what he was

I was up to go to get in the car, and it's a chelam. And from my muke

but my papas decided to make my my muke because the bye-bye not was a

phrase that was a pre-grabated in the muke. Histories and that are in torno to get

to stories scaldes and I mean me me I'm and in

general histories and reliant related there there there there

one of the I don't Contigo, because these days have taken a lot of recordings, but you know what me said of the house of

Canyita's this of Carlos Trejo? Yes. Okay. There's the second part. Okay. That story

we subed to TikTok and in TikTok and a lot of people started to send us messages. Various people said,

no, that is an story very a story very tonto. We know that Carlos Trejo invented that.

This channel not is of polemics, not so so it's a question

but the question. But there were three comments very strange. There's

the first. He said, that case, that that's the center of those problems.

I live in that colony. There is a building of departments. If

you want to know those stories of terror, I ask to any

any to any any so that is a very well

I have a The next. I lived much time in that colony in one of the casas vicina. And he says, and if that house is a certain rare,

but in the houses, they're a lot of, many times the residents have been able to, okay, it's interesting. But the one of the time that said,

I can't talk a little more detail of that house because I worked there two years. And I said, I'll be, and me, and me, he says,

look, I know the veracity of the story. No, me interest to the part. No,

no, we to tell the thing. In the house, it was like a little bit of my name.

Fin. It was my eyes and me set up the life various times.

I put investigate. And resulta that that colony complete, was a pantheon

of a monastery, and this we're talking about a lot time. It's a that's that

if in not in the house of cany but in various of it's where it was

where the part in the that there was a amount of the

you get to you're going to get a so stuff. So, those stories of the

legends of for me were very very very these days

I'm to talk to and all to be all and I

did something I'm like what I said in my a

t'U and good nights is like, I don't know how to take what

you're saying. He said, I'm I'm going every every day, that I'm present a lot

because I'm never I've been like it. And I said, but if you have put to

think that if you get to a bit of a bit of something, it's a very,

and then me say, well, well, well, so, because I'm I'm,

then you, then you're not you're saying, well, it's was that it's,

it's, it's And said, I worked a time in a station of metro. And in this station of metro, there was a quarter in which we had, like, things of arraimental that we needed to make little reparations of the station.

In that place, in more than one occasion, I came to open it, and there was a person that wasleading to the wall, like, and was trying to do that because it was a smallmement and then,

I'd go to the casetas, to ask us, to asker that who was in turn, the casettes were at a medium metro I said

I'm I'm going to I'm going to be and I'm saying you're you're the only that

I'm saying I'm I'm going to get you know what I'm and me say you do you know

and then it's the carette was a back that that's that's over times

but the people who had been all they've seen and not they're not a

person and not there's and no there's that's that's that's

that I'm but I you don't but I don't know something that something I want to

to go to day of today, I'm going to be going to be something about it.

Something it's correct. And fifted that I'm a school that's very that's around, that's around

the call of can't be and many times I'm going to get to the house, but the

time more more than much more but if it's a bit a rara rara.

If it's really really, if it's really, no, no, no, not even,

simply is different. Passer to that's different. Passer to quadras of my preparatory. You have heard of

if you've been more things around? The fact that's been interesting, for me to be for the next

for the next time. But, but I'll be your question, what is your story, Marita?

This, I mean, it's a person, that he said, that he said, that he said,

that he did, he, he, he was, a professor of his university,

that was his professor favorite, and to the most cario he had. Um,

this professor to pay his studies university when he was he was a job of a guardian

in a panteon of a garden nocturno in a pantheon then

then he all the days he'd and the first week and the you're just

you're you're you're and you do you then says in an occasion

he took do do you and well if some chavos trying

there scabar not to get a not, we know, the joyer of the whether they're

to get to and then. So, he'll he's trying to spantarl us but for when he

he's they're not and they're not. And he said, then what

was that so he was going a person oh, I disculpa a

company also with the uniform of the the the the

guards no, of the Panteon. Oh, I'm just that's the other casetta that's more

to be there and I'm doing my round and then I'm talking here. You're new or no?

No, no I know. I'm not. You know, I'm going to take a coffee and we'll know us

more as more. So, yeah. And then then then then you metier

to the casetta, prendier the cafeteria and they did you a coffee and

puttick and platic and platic and platica, he started to reesear the frio.

And then then as he, as a first time, he like, he like, he still not said,

this professor like, he still he was, that he can't recear the frieer in those

places, no, and I've had been the bad a lot of a night really really a

time, and then so he's, he's, to talk, and I, and platicable, but temlable,

and temlava, until his company, he said, you know, you, yeah, yeah,

yeah, yeah, don't you care I'm not I'm trying I'm so I know

I'm so I'm so I'm yeah I'm so on that you know that's a car that's

a car that's a car that's like that's like that's like a poste this is a my spouse

and it's yeah let's let's get let's let let's gettel the professor who did a

he's made and after he got he got he got to do get to do no, la-a-lott-as-tas,

they've been at the two tassas of coffee. Lavoed the office- do-o-lough the co-vija and said, oh, but the sir said that he had

pre-ed-a-pressed to her and me-law and then when he got when when when

when he gets the change of the morning he said, where did you, where he

he'd do you do his co-gice to-o- to-o- to the other said and he says,

Where do you live Where do you? No, I'm going to the school I'm to say, San Felipe

for putting an example. Ah, well, fiftate that the house of the

man, you're going to do you to give the cobiha. Now, he's going. He does

the direction, effectively he was super to pass. Toca the door, to be a lady,

oh, I mean, so, me, I said, I said, I said, me,

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de fact, is heupted in that panteon, he had a year of fallecid, and never, when they left his things, never found that cobiha

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and so see. And profite. Via Rai, the voice that we love that this story that I'm going to tell us

me asked me carecidentally that not give to not data so specific so just just that

only I'm going to do a lot that is is very relevant. It is the history of a police whose

work in the guardies that is doing during six months or he's doing during six months was to be in the

part of the station of the policeia in the time of the time to the morning after the amecer

doing as as far to maintain there's a vigilance he has many years in these

people is a kind of character is a supermement curtid not they

don't they don't need the time the night, no has a important.

The stories of the idea is a little not a question. But he

happened to do a really a supermating. To have an idea, in the area in the

area, in the area, it's a L. For that L, only a

entry, in the part, you know, a part of the L. And you you,

you know, you're just with a wall, you're a little a little back,

you're you're to the end of you're a bar in front, is a

bar a almost six meters and that barred of six meters apart

has a lot of it's a kind of being a lot of it's more for guard a post

that really that's that's that's that's the situation is that are going to

get to things that in the part of the final of

the time the time you go back and you know another

on another about 10 15 passes top on a

right and there's some 60 passes. That final, those 60 passes,

at the final, they're to appear signos in the wall. It's

and it happens a cross marked as with but then so it doesn't

get a symbol. No, who fregated it was put. I'm

here. No, we cabem two persons. The space is exactly

for two people. If I put to the side, cabri a

person, of my same complication on the and we're going to the arm,

on the hand on the people who's who's the and I'm doing a idea very rapid. You're

doing ideas. Talves I was there and it's a little and then you know that and you know

and then you know the and I'm right. It's true. Reyes to the Rondin, do the

world and now the cross has a middle circle and that's yeah me started

to be done me I'm doing. I'm to be a question in the

that for a couple of minutes if you have to move to get to the

little to the little bit of the end of that's a L and I'm another way now you're

a little little bit of a lot of that's that's that's not that I'm interested

to know that's that's that's that's because nobody is to get to be

me to be me I'm sure I'm to get over to the bunker where

there's I'm there I'm I'm I'm said to I'm

that I'm to talk like in a way indirect because not I'm going to

do you. They're doing on the they're going to in a but there have been some

that says that's that's that's that's the thing that's a form of

a car and say but something something else does it no no no doesn't

just the symbol and if you know you're going to get to you're going to get to but yeah

that's you're going to be past and pass and pass and pass and we

pass to us we're we're we're we're we're and when we're

so it's it's just repeat and repeat but no you do you

you guys casso? Well, the problem was that he, doing that when he's

a cross with a circle and try like in some idea more rar some words about, and when

it's not it's not to convince with the situation that that that thing is going to be done

because it be being painted then. Then he will get to the bunker,

go to a pair of paos, a tina with a water, get at final,

moja the paos, he says that in the moment in the moment in the he took that it's like if he had entered in a

trance very extra. The head was he was going to go to follow the time. No,

he said exactly what he is he was in the next he was taken into because they said he was a

attack of a lot of a month a time a time a little indefinid but he

he goes to he goes he said well he could have been there like a kind of

a type of last stress or things so, they're they're they're

because they're the examiner with a good and get a little the process

no he doesn't he's not, examines toxic psychological not there they

they're they're their and they put in that but now a mode

of a time. So, it was going to do it is that

start that that loop and and it starts another and

another other another another another another another another

is that the time that months, and try never to present the attention,

and obviously never to talk to it because who know the he's over. That thing, the last

day, not is made like of this material. Now are some of some of some kind of

some kind of carisos that mark a cross and markable the circle and that circle was

like a other other thing. One was one was like a plant secas

and at final something me called, me I'm and when I

came, a voice me said in the voice, leticia, Leticia is my

wife. He said, I've to get to get to be to work, and to

I don't know with what was what I toped. Well, this is

a story of my vis-abuela, of when my my tios and my

little were children. My abelita is the ante-penult are the

two men-un- and she is, after of her other

two more My abuela, my ex-abweller, I'm when my abelita had one

four or five years, more or my ex-a- old-a- my ex-a-saint never- I've seen,

felles for alcoholism me seems, I don't know, the story is very old,

and then we was not about much about the thing. The point is that

at the reason, that my viz-a- was a mother- -sult- with nine

children in the years 40s, So, he offered a house a price

a house very and appreciate a price a suspicious about, but being a mother

solterer with nine children, then you don't you don't you don't you know.

So, then she got her and he gave to his nine chamacos to live

there. Since the first day was the yant of a baby for

the house, sporadically, in the nights. First, he said one of the children, he said, you know, you know, you know, when he said, he said,

hmm, this is an imagination. When he wascuched, the third, he said, okay, hour to talk with the family. My vis-abwela, well, a fin of count, a spiritist, that cregian

all this, of the manage of the energies, the power of the mind, et cetera, et cetera, he, he said,

don't you don't know, is an almitan, that's that's that's and it's and the

kids are, no, yeah, yeah, yeah, the question was that at the

first waspidically in the nights, the yant of the baby, but

a little you know, they were all the house in the night and then then after

the day and then it was in moments not very conventional and,

there came a point in that was just impossible to live with that yandot of the baby.

No, I was not they're to do you to work, not they're to get a time.

All the time was heard of the baby. So, between my abelita

and those her men, they were to do my missabuela that

did that did you my exhual for the things for the pagoes and then then they were

to make a little to that was a the time of the baby in the o'clock the day. So my ablis-a-a-sie-a-sacid to do a job in the house. Cere all the windows.

And he started to work. She was a-in-lawed, she was a and to ask, to ask, to ask, with the eyes closed, for all the house. The house was so-granded that had a sotan. Baja the sotano. Gero, to have the eyes

serridden from the house with with the house with the door to go to get to

the car to go to the stah and he's the same the second. The ex-a-s-a-

bans to bring al-va-Niles to put to the the postan and just in the point in

where she said, here is, they're an deposit of the water and

in the deposit of the rest of a baby recently has been asked. No we know, obviously,

a science is certain that what was what happened, but my family has a theory. The

matrimonio that was a house to my exasapuel, that was suspiciously was a

three three daughters, the three solteras and young adolescents. So,

the theory is that one of the daughters was, well, so, so it

was so so it's so doming so so, she, it's a unbarasada,

I'm a woman and then it was a murder social, no, what do you a mother

solterer, a marriage a child, and the thing, then the thing,

they're not, and when made the baby, then it was not a could get to. they're

they've been they're they're called a ministerial public or policeia to get

the rest of the baby but obviously the time of putrefaction of the body was the

wife was living there was living there and then then they liberated to all my

family to all the cargos and never he never knew the investigation of those

restos but a after the the yanto of the so I didn't

that I wanted to that What good story. What good story. Let's see. The two stories that

I'm that I'm that's the one has to be with this perspective that we have when we're

when we're the world that's like very direct and we interpret we're a reality that all

that all that's we're doing that we don't question we're we're in a

type of assimilation and it provoked phenomena extraiors. This that I

want to one of those phenomena that no me have talked to that nobody me

manned in the that says until my 22 years I think that the

story the monster about the house for all because I did that

I didn't think I think it were that they were forms

in those that the people that the people that was it was

it's was after the two that in a discussion

very of my my novia, my novia me said that but is that those things are

about the monster of the camera. And I said, like, what you're like, so it's

so, are you know, so they're in the room, so they're to learn the thing, so,

and he, you know, you never had a monster of your camera, what he

was this. And it's something that's a very very hard. Not he not he

not really probably I've said, I'm, I'm, it was too, he's it's done,

and it's Himilow, like a reality. He lives in a house of camp. His

father, no see exactly in what business is there, but it's to be all with questions related to

the house. So, the next the next the next two kilometers to be there. It's a

house super beautiful, but not of a house made and a type of a house

made of a type of a two-pissos, a place a lot and more very much

and more a recamara of it, a lot of repisas also, the man, of the camera is very

very good very good and a family super well that's perfect. The situation

is that his mom he said a day, oh, your court, ten it's

well, the monster is going to get to the mom. And so he's going

to be to be to be a two years if they're a problem.

And she was that the court was that was

the family for questions of privacy, I used to start all the

doors at the moment of to do you. He said that from that he lived in that house,

when he was going to know what was, but it was very dark, the part of the time,

the part of the center, it was going to be back and the back and he was going to the final,

and I heard, as the back to the camera, something was to repart to

the soil and had a respiration like a very profound. And I started around the

quarter, I'd have various rondines, and the camera was up to the side of the feet,

then the part of the final, and another way the camera was the camera who was the but one day

put in a retort to the monster and he gave in the piece some

how are these spinnilleras of football that that used for when I went

to go to the school so I just some spinilleras of football and he says that in the middle of the madrugada that thing,

starts to come in the spinnillers and see how a sombre is a little in front of the camera and it's her and it's from from there I procured to

the day of day of day, never to get things punso-cortant in the piece. Because the monster

of the back in my camera me can't do you to do you to do you to do

me said to me said the grand question then what the carajos I'm that

that abitaph. Diablos. Oh, well, the ultimate story that I've been the most

that's my family in a whole. All right. My abelel in peace

of the cancer, was diagnosed with a tumor maligno cerebral when I

had seven years, six, seven years, my no more and I'm almost

I'm not been he was done, he was he was he's too he's

much time in the hospital, the therapy intensive and when he He said from the hospital. The doctors

said to my family that my abuel no had a experience of more of a year. That if I

very well us went to six months. And we did eight years the year.

It was to a bad to the chato. That is another story. The point is

that when recently he went to the hospital, my mom, was, I was tried to

have been in the hospital, and had been And when, they're just that I don't remember, I mean, I said to

my mom, that when he came to me a little he said, is that that's not my abuel. That's no is my

abuel. And my mom, well, I was, well, you know, you know,

you know, you know, of a syrugy cerebral, no, of that calibre. My

abel was completely rapped, he had a little, in his, in his cuero

I mean, because they met her a valveula this he was in a cell of the

redas, no I'm a car like it like he was a my old

my very, very, very, so my mom, so my mother was

that I always I know my man a man was

a man of so, to be to come to be in these two

two years. Wow. So my abel was a realent, my chato. And,

no. So my my mom me, I was not me the way to be

because I said, no, that's not my boy. Paso a time

when my my mom, my my tios, all the family was

to do to my abelos. The house of my abelos

so we all we to do to make to my abelos because

he kept six months to they were the family of my my t-Gilberto,

who is the major, had a family of my two-tio-Ugo had a new every new every co-court,

every except us because the quarters not got to not come. So my mom,

I'd be in the court of my abel-a- to help to help you, and my brother,

I and my father we were in the cell you were not very problems, and it's

quite-comodos in case of my abuel. Repetient now my papa has the new

little bit very very very little so so it's that one one of the morning

he was he was he was a he was he was he said he he's

he said he said he said a man he he's he he's

feel he he's he he he's he he

he he he completely materialized inclin over his

car a figure a I mean, right I like, like a good Potterhead me like describe like a

dementor black. A dementor but black. A figure humanoid with a tunica black

like if had a maya in the car completely pegated all the factions

only with the couencas tapas as sumida but without no faction another.

So my papa the first my papa always try to look the

explanation logical, paralysis of the brain. But he said, he, he was, I've been inclinated over him, he said,

I've got, I'm sorry, and he's put to siter. No, he was paralyzed. And then when he

said, that that thing not is paralysis of the sono, because no is paralyzed, he,

he was that's that mother, and when he'll that thing still still there,

being fithing physically, parado. without moving the feet floating

completely and do the and flot it and flot it from the cell, the cell

of my is very but from the cell and you have to get to

get to get to it's the cello to my

the to the table and he's he's he's he

he's he's he did my father my and my

My brother and I We were We were on the other sillion. My brother had a year

and I had seven. And my brother, a year a year a year still was

my little bit more on the and then my father, the only that did

was paris was the caro to me to me to me to

he got to and he and he was over and he didn't he was

the alarm to go to work at the six to the time

to the At the 6 of the morning, that the alarm, he, he was going to, the fourth of my abel, and he said,

Gorda, subete with the kids. No, but why is being, it's very a time, because you

get, you know, get, with the little, so I'm going to go to go to

doves with the children. So my mom, he was talking in serious. He was, he subed

with us my father and got to get to get to to be to be to be

to be I said to my mom and said, well, what's the because you know, because no,

because no, because no you're because no he's going to this. I mean a figure,

so, so, at the three of the morning, he's, he's, he's,

he's, he's, he's, he's, and then, and then, he's, he's,

because, because, obviously, the first was, he came for my father,

no, no, he's he told absolutely nothing, but he's

kept with that, he's thinking in what he saw my my mario. At the

day the next we went we went to the school my mom was back to get back

to my my was there was in his his court my mom

was preparing the the when the house the

house is that you know you know you

the room the kitchen a one on the house

there on the other there's a house of a cinema and more

above is the garden my mom was in the first piece when he he's from the

great of my abuela, oh, God, and a goal, and my mom was,

I thought my mother said, so my mom back, but let's go,

I'm going, and what's to what my father, and he's completely

pallid, agarrapping the pome of one of the pormo of my mom, He got to my

abuelita and he said, Mom, Sultal. Let's say, Mom, let's say, Mom, let's let her. Mom, Mom, until my

my abo so my abel so much. My father started to a cigar. My abel had 20

years without fum- and that day was fom- a cigar. And yeah that they were,

I'm doing, but what did you? What did you? What did you did you? And then my abuel

he started to say, is that when I brought the door to make a lavator that is the

room of service. When I opened the door of a lavator to make a

back of the door there was a figure humanoid black with the car

taped by a maya without a same what I had

seen that my father without that and then so his reaction

was grito was he got the door and he

went into it was like a So then is when my mom said that

you think that Ruben also my husband was a view in the madugated. So my

abuela is all over your father, then you know there's to have to have been

because yeah, yeah they've had been four months that my

old had to the hospital and supposedly if didn't

not she didn't she he'd so he passed

a second after that apparition and one day I came to the school and I put to

play to go out my abuel after the after I'm going to that's my old, the night to

the morning a day I went to my mom he called much the attention. He said he said

what's what you now if now if now if you want to now you and I

did six I'm my I'm he said he is that you is my abuel. Then they

they're they're then still I mean, my ex-abuela, when

they described in all what happened and all what we were living

like the figure and the my vis-a- said, what what

is in places in places in places of violence

or repentines, hospitals, hospitals, carterter and, prisons, prisons,

so there, are many almas that not they're

in, that they're assimilarer that they're mortals, but no they're not going

to be so they're they're they're not they're to occupy the people of

the people that's a person that's between the life and the life and

the world, that's they're they're like a battle spiritual

in for for who who can get with

that and there entities that are they're that

to impede that, to maintain the equilibrium at saying, to be, understand that no, you know, you know you're not, that's what you've seen. The body of

Hilbert, has been called my abuel. The body of Gilbert was was playing for maintaining the control of

your body. What you saw a was a man who came to say, well, this is your person,

to be your person, to the other person that was trying to be able to be able to say, you know,

you know, this is your this is the your, this is the your problem, but this is your

problem. That's what we did you know. And I'm because just basically after that my,

my mother and my papa saw that I said that I said, my abuel, and this is my

abelow. And then so we'd do we're like something like the migra spiritual.

It was migration energetic and it and they're deported and then after that we said the sir if you

did it six months eight years not do it so interesting is the second person that me about

a mentor in one of the first episodes that we've seen a one came a little

a chica to the reja that was exactly exactly the only difference in the

description is that what she had perceived was like something something similar to the

color of a medusa that is transparentos for the people who are the first episodes

practically is in a mission and are two people talking and then

it's a air very and hear a and when they're

to the reja they're in this thing that is like a

a man with a rostro that not a

mayy oscura and whewa a velocity tremendous and it's just above of them they're just they're just that they're not

they're going to and then they're to get a a capilla, a church and obviously, no, they're going to

get to do that. But I really much the attention. What interesting these, these,

to give me, I want to something to a phenomenon in the podcast that, obviously, as

victims of the podcast. Ah, clear. There have been three cases of victims of podcast. Well,

have been there's more that's more than attention. But of those that ultimately

have done really are the situations of the things of the things.

The first, a little, a laptop, and at the moment

in the that's going to go to get a little the windows, the

a laptop. One that is the thing is a double and the her,

the she's all right. the laptop, is it's encased to be it's gonna'clock. and it's in the middle of that conversation, a total volume, and she's there's a different in the part in that that says, there's a lot of here in the abetation. And so, The next is

a person that is a time during a time it's that they're

being they're they're she she's she but what you

know what he doesn't much do you get in the sleep the

cell the cellar no it but it has suspended he

in a place in a middle where she she and in

the madrug and the get the cell he's

the cell on all the episode of the of the channel.

And that's I've been like if me obligar them. It's like to be not more but it's strange.

But the case that they made this end of this time, that's my impacted. Ase

few days, I was doing revisions and I was about exactly victim of the podcast.

There was a person that said, me said something that did it was a very in

tranquilla. Dice this this chica that, to start, I don't know

the podcast. She not was was doing a playlist of music for dormit and he

guarded all the songs that wanted to be a playlist she can't in your car, she put

audiophoneos put play the first the first the first and then it starts the voice of a

man that says welcome to a new episode and he said that in that he

did a much fear because not of that was that he was

where they want to be in paralysis of the soo no

they can move and And still hear listen one of the

episodes where I'm about a somber that's a room and it's the door

front of me the door to make a sombre in the room and and it and it's

describing all the thing. It's par to the side of the camera,

it directly, it's and the door to let the door to be aberted.

I'm I'm I'm I'm I'm I'm I'm the door is open.

Yeah, it's. Exactly. He said, me do much me do much, and from

that day, so my mind of the night. So, so that's not all the victims of the podcast are you

like. Masoquism, he said. Totally. Totally. Morita, how you did you know,

and before to do you know, I want to make an observation. I'm doing a

cat, I'm going behind the door of the door from the

the episode for a car, for a that's so I'm so if see in the

video they're gonna be dispersed that I'm like I'm like I'm like that's the things that

I'm like I'm gonna for my brother and for my perro that I'm a cato never

coming down by the cartings of the studio mobile and the cato you can

do you do that the cat black dot and gordo grandote and gordo ohos you got you got to

do you get to be? No, just not just like it's like like I'm going to but when I'm going to go and it's 100%

black, no, it's a lot of no, it's 100% black but well, my bruchita of that's always are guardians,

that many times are guardians, not so it's my, but there a cato negro there, roundando for there.

Yeah, here for the family nocturn occurred things rare during the conversations of the episodes

like Bored quite quite times but for questions of privacy probably not

not we'll countle much of these. It's just. Yeah. Oh, yeah, more, before I'm, where you can see the family

nocturna? Me can't find in TikTok like I'm point Morita or me can find out of the other

the legs and garras productions. Perfect. So, once said this, how many likes

we put to the family nocturna before the next episode? Ah,

I'll put to put fast, one, those, 9,000 9,000, 9,000,

because I'm a lot, family nocturna, 9,000 likes. In the moment in which this video, I get 9,000 likes, contact to Morita to grab the next episode. And if in the comments, me are saying, and they want to talk to,

the question, the time, the video, with that matter? Me al-a-lety. Well, you're going to talk to, Morita, much thanks. At the contrary, thanks to you for invite me. I'm a pass incredible. But, for sure, if I've to say this, I've done a lot, because they've done a lot of times

and again to grab all this. And it's been said, and it's been done all the days complete of of recordings. It's very Thank you. No, no, no, that's what. I don't know.

And they have to know that she has been a event important. So, really, it's been a thing to be in a

day of this. Yes, a little. No, the other. I'm really, I'm very well. I'm going to

make a relax. Like, Morita, that's very good, and family nocturna, that have a bonit

a month and that have a little time, and that don'ts