HABLEMOS DE LO QUE NO EXISTE - Historias de Panteón, Horror y Brujería | Ft. Hablemos de Terror | EP 166

Episode Date: March 5, 2024

Vi con horror como una criatura con garras se materializaba frente a mi.Bienvenido a un escalofriante DUELO DE HISTORIAS en @HABLEMOSDELOQUENOEXISTE el día de hoy nos acompaña un super invitado, el buen Efraín @HablemosdeTerror ; les preparamos historias de brujería, casas embrujadas y eventos paranormales tan aterradores que seguro serán protagonistas en tus dulces pesadillas. Efraín es creador de contenido paranormal y nos comparte en @HablemosdeTerror historias de criaturas, leyendas, fantasmas, apariciones, brujería y todo el horror que te imagines. Escucha la aterradora historia que vivió un suscriptor cuando vio a una criatura con garras materializarse; se partícipe del relato en donde entidad oscura aterroriza a mas de un habitante al mismo tiempo ; rituales de limpia que empeoran eventos paranormales.. y un montón de historias más .. así que prepárate para que @HABLEMOSDELOQUENOEXISTE Si eres de los valientes que llegó al final del video comparte en tus comentarios "narrador llegué hasta el final de una"Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en una casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido El duelo de historias nació el 1 de junio de 2023 en @hablemosdeloquenoexiste y consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado .

The in-medium starts to bolted and signala the foot of the tree of there's a

there there's a because the second thing is the that's that when when they

decide to go to the room in the they get that the one that's

that's that's that's that is a type of a

and the she the end of the end of you're not you've said that

you've been that said you paged the Luz. Welcome to Family Nocturna

to this new episode to let us the new episode we'll be a new episode very special for two

reasons. The first, is the new here, a invite-a- that had been with us over

the year past and other again, there's the opportunity to work to

work to and the second, is because this invited came here to dolo

of the stories. And for the people who is new in the channel,

all the people that are coming when we're to know what it's

I'm in the story of the story. The invite of we're we're going to

give us and we're going to the more more more fear, so that's that you

hear the first that you get a fear, or that you de fear,

then then in that moment subscribe to the channel. And if you

get to the end to the episode, do me know to say me to

the comments and I did, Narrator, I got. I'm a one of this episode and let me be the good Ephraim, and we'll hear of his

terrors and his terrorificos. Ephrain, Ervano, how is? What is there? Thank you. Thank you. Thank you. Thank you for the invitation.

Thanks for invite me to this format of duelo of stories. We'll see the narrator can't get until the final

of the program. Ah, that means that you does good stories, Efrain. Sure, Well, clear.

I'm good stories. I'm going to be if we're going to do the time that's not the

time to get to my ultimate story. Really, keep in the really. You're really. You're the

excellent. So, family nocturna, we're going to start to start with this W. Histories,

I'm going to tell me. This story really not is one. Are you I want to talk about the victims of the podcast.

For the people that are new, I'll explain briefly. Since we need we know the podcast after the episode number of

19, commenced to get many messages. Persons, while they were they in the podcast,

they were to have experiences strange. At the principle, for the type of

relato, in many it was a suggestion. But, conformed was advancing and I

not comment these cases, me they were more complex. So,

so with the time, we've been got to recopilating and every time, and when when

we're in we're coming to this these relato of the victims of the podcast. What?

I need to say you something, I'm I'm sorry, I'm going to what you want to

say, I'm going to say, I think nobody of you get to live to the first. The first of

these victims is a situation that I hope that nobody live, because they're of these situations

that are in, that is the place that you consider you, that you considerate a second to another, dege to be

to do. This chick she has heard us in marathones in marathones in two or three

occasions that we have been on this and she me say, narrator, being honest,

I created that the invento that I never had passed nothing, and we've

made, we've done that I'm and marathones of day complete. And then a day in the night,

a day specifically in my house, that is a house very really ruddousa because we're not

a family very silenciousa, that night in special there was a silence sepulcral. Why?

Because all my family had had said. I was the only that I

had decided to get to and not I had decided to get to

get there to make I'm because my day day

of the whole the day of the had been been a second I'm

there's a no idea in the house, we've been in a one way and we're

in a point in my door, I'm they're I'm I'm alterer and I

said, I've got to get to get to the house and they think that

someone there's there no, there no there no person that

had been there had been the second the second victim

of the podcast is a situation extrana that I still looking relats of this

type. There's a breach very great in the question generational, in that in the past, the

advances technologically not much so the people had much a certain nature, they were

in the here and the hour. That's that did, in our creencia that proliferate

relats of the type paranormal. Because, because the people were in their

houses, if they were in the light. And at the moment of the light, well, they were in stories of terror or they said that

was there had to be with this folklore for the fault of technology. Now, that the world never is

a pagable, all the time there's a tablet, a cellular, a and it and it's

that these people, never affect to the technology. And here is where this second subject.

This chick, this chick she said that he said, he's put to hear

to hear to hear it. So, then she said that she put a nervous and she she said,

so you know, you know, I'm going to get a exam I'm a time, I'm going to get to be able to do that's

for the chapter, she's a laptop, it's a little to a laptop, he's a

carer, and when he's he'scuit with a volume the chapter that's

the same and it never he had passed. The laptop yeah has a couple of years to

use it and never he had passed to that. If she had detainia the things and had the laptop

and was a suspension and never was a doubleed. Well, in this moment standing

doodd and it's going to the laptop, apaga or more well sheer the windows of

YouTube and those explorators, put in to the double, the deja and she

is out of the quarter and at the three or four minutes, commenced to hear the

episode to all volume that comes to the house of the little bit of and the laptop is

an end up and the episode. This chick says, parre, you want to send out of

this message to say, that's that's that's the episode. But the worst of

the worst of all, this is horrible. The worst of all the cases is

the the other those cases that are not there are

they're that they doves to the perception. In many occasions you

want to want to to want to be a idea that what you probably is an effect of your imagination,

percivist mal, you've been more the things, you're very can't be something, an explanation

rapid, but that we'll, let me, or let give a poor credibility to

your perception. But what occurs when there's and what happens? And what that's

those testives have something that not has been that's going to

after the a bad perception. This chick starts a marathon of the podcast. She doesn't think nothing of

that's, she has some some of the creences spiritual, but he's the fact that that's

that I'm 40 years. A my 40 years, I don't believe in those newneries. I'm

those stories of terror. And if I'm I'm in a family Catholic and we're

we're not even never has never been nothing. Then we don't we're

because we're these things that are more of a movie. See, I've seen the podcast because me divert, me entertain, and at sometimes even my arroo. But me passed something one night. No, it was an episode in special,

neither I don't even remember that I just remember that I started a bit ofathing very strange. Like, me sentia abrumated and me started much fear. But not was for the episode, the episode no had stories

so terror-dor-dor-as, not for me. And I began to to feel something like anxiety. Better I'm going to the computer and I'm

going to get to do to do this and I'm going to get to do you know, and I know that I'm know that I'm

first in my life in a paralysis of the but here there's a problem. Not a

not a problem like as I have seen in your podcast that you pass on

some that just can't move the eyes and not they can move

well they don't they don't you see that something

is up in my and he's under the time, that's up your knees in my back and with

some little little bit of my head's very long as and me and I'm and I'm to get to

gogare. He's, I'm going to go over and I'm going to get a and at

moment I can move me and recuperer my my senses and my movements and I'm to cry

and I I started. In my house, we've my mom and my my daughter. My daughter has 14 years. In that moment, I was sent me a tont, me sent me desperated, and

I started to say, it was a a pesadilla, it was a pesadilla, but the sensation that had in the body, not a pesadier. Sentie a man in my head, I sent him his rodillas in the spal. And here was the worst. The

next days, I didn't know could be able to be able to. If me accosted in the camera, I sentia that someone was sitting at my side. If I

had to get me totally to the wall, I'm that I'm about in the

night. When I was about to get to get to my room, I'm sure

that in many times I heard I'm like if was coming

to the camera to the television to the camera. In two three

occasions I hear that something that was that was a

light, all was when I So, I started to say to me that I was suggesting that I was doing ideas, that he had consumed

much terror, that was I was doing all these things. And one day my mom and I, without the thing, we started

to talk about the thing, we had to intervene and we were the three grittando. We had been the calm

and, in the last two times, all our relation had had transformed a lot and we were

getting very bad. We were just in front of the room with the door open and in

that's it's out of the room, the control of the television and

call in our our feet. We're three we're seeing, and my

mom me says, I've since a time, I'm really that my

little my my I'm just that I'm not, I'm not a few and we

know, and we know, it's it's kind of in my court

and was going to be Adelante with your story. I'll tell a story that has much to be with my state.

I'm in Michigan. In the state of Michoacan is very common the tradition of Noche of Murtos. Here,

so, and this tradition envue many of offices, and people that's going to

get to money, and that there much tourism and much affluence in the cemeteries. This person

that's that in his youth he and a prime he wants to get to get a

centavers but a day? Well, days before the night of the celebration

of the Noche of Murtos they're to help to help to carry to

the people that get that are with all the offerings, like the entrance to the

cemetery to the tomb and a sometimes are the times are so on

some they're so they're they're in the entrance and they

do you do they do you let's get us etcc so they

they're they're they're and and getting some some and some

the first clients of day for the the time so

some some they're one of one of they're sort of mud, the which is a detail important,

and they're saying, hey, we're we're going to help you do you know economic, they're doing the

economic, they're going to the tomb. This tomb is of these that are the kind of a type of

mausoleo where is a construction and there's all the spaces for the ferretros

with the peculiarity that this hascaleras that decienten not they're at level of

soil, if they're in subsuelo. They're and they find a place very very

polvooos. It's be that they've been done in a time. So,

when they were they're saying, you know, we're going to need water,

try to the cubeta. The person that is the person that's the person who's

said, you know, you know, they said, you know, some they're going to

those, I'm he's He's kept he with you whatever that's

he offers to be whatever they're but this person not remember

that this people don't talk the language of because he's

he he total they they they're they're and they

start to barren a and when he's to get

horrible for so they're to put a little

a little a little to let's assillow this manner.

So, it's the water. So the person that me to say,

that's his prime. He said, hey, be for water. Be and tell you

to the sordomood. No, well, I don't know. I don't say, well,

well, be, sign you know, the cubeta, tell you to the water, this.

Empeas to start the escalones. And a part of before before

the door the door the door. It's It's a troughed,

and this chabu, a chero, he's, he's, and he's, to panicia, he's,

he's, he's, he's, he says, and he gets, and he completely in

panic, he says, what we do we do, what, we're, we're, talk,

let's, but is that is sordomood, we, it's sordomood, we, we're, it's a

to have the temperature. They're to feel something of a few. Something that's

going to there. What? Toady not you know. Suben the two

together. They're and they're to force the door and not back.

The door simply not they're not. Passed a few

of this so and the other person that comes

with the flowers and and the door the

door like These two are going asusted, like, as opposed to they were,

and they said, is that they're not sure the door. The door was blocked, it was a little,

and he said, but that is impossible. The door not had chapa. It was of these doors that rareria

that all the thing is unir the two aryos that have with a handado.

And the canada do the person that had had gone to buy the flowers. because to acceder

only quitas the candor and the door was what was what happened there. Still

not so never know. Passed this, they're working and pass a year. And at

the year next they're to work. A little a year more grandes, they're,

if not I'm in the secondaries, they're they're, they're they're

going to get to the cemetery they're there's various the work, this, the limpeas of

tomb, etc. When they went to the side, he's he's not he's

guys, oh, me to clean my tomb., I'm, I'm, I'm, I'm, I'm, I'm, I'm, This Friday Be the first to experience it only in theaters In light of the recent scandal I'm sure to restore your credibility Oh, because we're a team now

That's a nice story The devil wears Prada too In Theaters Friday They're like, no, it's that They're going to, let me, let's pay me Well, alright, then, So, let's go, we'll, So they're going, and in a while

you, they're going, this person also, they're going to be Yeah, no, they're able to be in the car So, they're in their vestiment Tejana Chamarra and botas pantalone

it's but this person is coming very very rapid so fast that they're so they're

to keep the path and they're that they're to the section a of the panteon the section

a or the one in many pantions generally is the most antiv is the

the zone that the the cemetery. When they get to there,

they're going to the time there's a big there's a little bit of this person.

Yeah, no, they're not they're, they're to look at both sides,

in all directions, no know what happens, they're, and they're on the

tomb in the tomb in the time in the time back. Eunice, remember that

the last seven years of their life have been supermently miserable. All right. It was a minute a

situation very difficult for a family, something unesperated. His father, a person

a person very person that was a person who had a accident laboral. She

lived in the United and he we, we'd, we're a good fortune,

he was covered for a good but he did he did that his life

did he trstok a way a way negative of a moment he

he's he's and a construction and a nobody's he's he said

to make to make some little details of we're we're

a master in the art. He is a car of the work.

He's not he's very precise in what does. And

nobody is how he made on on a piece

of that he was and he and he

and he and the rest of his people and the rest of

the people get to help him just a

time a bit after the He, at from that moment, he can't

work more. And that's it's a marg but it's a marg in a way in the way really is a

person totally different. Not only, for now not able to move us as as much, not only

for the things that not your character changed. It's a type very amalgated.

It's a type that is an guy who's is a refugia in substance and it

is refugers in the alcohol, he's to refugation in the cigarro. And it's transformed in a person

very violent, very violent, maltraped all to his around. In that Titanic of the life in the

family decided not back to get us and they're with him and they're with him the day of

today. But it's a situation spantosa. They're like a person totally different

and he is someone who has been so she, in that moment, was planning her boda. And to be a moment

marvellouso was a moment horrible. Her boda not was her she was a moment

very doloroso because his papa didn't even he didn't even though the time in the

time in the time in the life was he was in peasant in a impossible.

At a little she is embaraza and decide with his parke, given the

care of the care of the time, a person, to the maltrats that receive to him,

and then to get to live to him, and thanks to the security,

it's possible to buy a house and more, it's

no, not going not to be not more in a part of a year,

but in a year, you're still being a baby. The mom comes to

start the o'g not so positive. The husband of Eunice is a period of the job and he has two years looking and

he's with pure jobs that just they're just they're in a great part in the house, now they're going to be doing

the most of the time are asphyxied. Imagineate the type of life that they're the relations

not are good. The relations are spending all the time of a little and there

a little no you you're not because if there a carino that's a barco you have been

back out of nobody to be able to be able to be there. The Lord, lamentable

for all what he has lived and for the substance is another person, yeah no

has a conciences in that he has a power to change or minimum

not until this moment. She she has no do you do

three things. The first that when he is just only in the house, they're going to peg her three times in the vireos, as trying to call his attention. Voltae, and

when he goes to your activity, another and so is in repeated occasions. If no has a case to that call for the window, the things, not going to go to more. Because the

second thing is the one that that's that's the one of the one of the one of the one of the is that you

is going to the room something that's something that a type of a sombra a sombra that in occasions

is the of a little and in other occasions it's the that of an

old. He says that's a dweend when he's a not he doesn't support

this the the fear he gets and he He prefers to go to understand. But as to leave to the house, the things not better.

Because he's a kebara that he's to enarer all the zone in the way that is of lechusas. Lechusas that never nobody has seen. Lechusas that never, in the years that

have, the few years that have in that house, nobody's got toped. She's, she's fastidied. She, even though he he has and he has and he has a

beautiful. is difficult. Then, to hear a person that in their status, it's a matter, and it's a

way to make the case, he says, he says, he says, he says, that he's all that's all.

And so, if he had had seen the things, but one day, one day there's a case,

and she thinks that he's a phone. And you says, you know, yeah. If we're

we're trying to help, but if our presence here only is generating more problem, we're going to go yeah. He'll have with his

husband and decide that they're going to have to the house. The mom has the problem of sordera, but in a certain way, yeah seem to be used to beckos, and their comies, for some moms, mom and papas. And is that, you know,

it's the moment of romper this, and that can't other bribus. And that day occurred something very strange. She spoke with her husband, but no I'm in person. He spoke for telephone. She was just only in the house. And

He started to do the maletas to all the then he started to get to the car. He's

sub to be the car and strangely when he does the car, the car wants to

runcar but no he doesn't the motor and it's and then

see how in repeated occasions the the door the door

the house that's the head of the mom and he comes to and it

goes to pass there three, four minutes. She's a lot of march and she'll see that the head of the mama

and he'll go to both and say what's what's going. Decide back to the vehicle and then

she gets being the door principal and then she she says something. Something

something the door of the house but not he can't be and he

he's clearito. At the second of his mom you know what's you're doing? Yeah, yeah, better bet. And then she said,

Mama, I don't have been talking the door. And the mom, he says, you know, she's not going with me.

And she says, oh, yeah, it's me makes that his father not so- I'm going to the house.

So, he's a house, the father, the father's, they're going to be, they're so they're

fastidated, but she's, that's a little when her when her when her when his husband,

when his He says that he says that they're going to to get, that's going to be able, he decides that's good, but you know, if it's possible, let me go-nots in the first opportunity. Really, here, here, all is very bad?

And then, to the morning next, when his husband and he went to his child for the Kinder, she's there, she met to bathear, and at the moment in the time in the time of the door is, the door,

so there's a silhouette of a man, adult, great, there in front of and she and she makes to get the door and she starts to

call to the papa and the father and he gets and he gets the court and he says what you

do you what is the sombra that you you say you have seen and when

the description it's exactly the same in the center

of the city in the city very a city has more is that they have

passillos, have various patios, and all the quarters are around. In this house, there's an arbor, an arbor

of manzana's that is like part of the protagonist of the story. There's a child that is a

house of his abuel, that is this house to I'm he's the mother

and the mother and the mother and the abuela, obviously. The abuela, a woman yeah

great, with many problems of the and in the little bit a lot of a time.

But has a tia, the her mother that's that has problems at the

sonambulism because very so I'm a mannese to the foot

of the manzano. Cas nobody he took as something a little

an episode of sonambulism precisely but when this man one night

he's going to and an an anise to a one side of this arbor so they're in the alarms and the focus

because he never had experimented this he said he said to his abuela oh yeah abuela

is that was that I'm I'm amnicey on the mansano because

it's my I know my tea I sometimes I was I had a the story

of the house. He said, my son, my son, when your father, we got to we're going to we're not

we're going to this house we're going to a person to give to a presentar a person. So this

person, well, here's he had discussions because, well, I'd be a person to

pay him, or to pay him, or to not pay him, he'd to say to give them more time

to pay. Then, well, malas vibras, I know, something. Passed the years.

The woman falleces and one day they're to come to the door of the

house. They're the people. The people get, and they ask you to talk

with the woman, with the mother of this chau. He's he's

he's he's all the conversation. The people he said that for

the night's his little he's having problems for to be

sombers in a part of the and she a that's a part of your

room that's that is the that is contiguous to the patio to the

manz they're and what they're what we're what they're that this

well it has that has we've had been we we're

but in the family we know a person that is medium

and we're we're going to the opportunity that the medium to be to see there's a another more

well we're not we don't we don't we've been any inconvenience she

a quote the the medium to come on the door a point before

to enter the medium she and says me dole

the I'm my in the Pyrna. In this house someone

suffered a much of that's they're coming on this pass in this passio

and they're to a patio the in the medium and it and

signala the foot of the tree of man there

there there there there there about there there

and the and the family says well well yeah the

medium me or what they had to do. But they're like with this spinita and they're saying, we're going to our medium

for the people, not, for the people. So they're a medium. No,

so they're a friend of the family or just, they're just they're not a major. Before to

to enter a house, he said, in this house, I'd a person that had been

a lot to dolean much the and the cadera. It was a adult, anciana,

yeah fallacy, but ronda these passages. Well, the bula, no, they're all there.

It's going to pass, the habitations, cocinet, etc. they're, they're to get to

the manzano and they say, above of that's the tree of the

end of there, there there's there's there the family so

like like, how how we can't scarvar for what they're

to get the maldat that's there's it's a rather and they say,

well and what's yeah tomorrow then we're not no no no no

no no they have to do a certain day a certain hour he

specifies he specific some some it had to be to be that

was the because no I know but they

they're they they start a two meters they're a vasica

a basa a basia this is this is so it's well to the like that's

as a kind of the people that's people are they're they're and start

a little more and they're they're those the

us humans no they're they're they're they're they're

they're they're they're they're they're they they're this woman

and says these these bones are going to go to get to this house me

let us we're going to do this ritual of the cleanesa and the moment in the

moment in the never the people were to talk the door because the

little there there there in a area there a

building that from these constructions that now are

They're not new but they're much time. In the part of

the bottom are there. It's. I'm a time has been going going to. It's an edificible,

accessible, is an little, you know, but not is a place, but it's an building. It's an

building. The four quarters of departments live there there, and in just five years,

four people, more than, more four families, if could say, individuals,

right you'll understand why I'll that you that you are all in the circumstances

that are the circumstances that it's going to get there a very good but

has been something something something something that we're an idea

in one of the quarters that there is a pastor Christian

that is the culto and the culto and the the development of your church.

So, practically all the money that gets to get to the money is reinverted in

the church and is just just being to be able to do a second department. There are

two two chicas of 20 years students that all think they are a

couple of not is officially. They're are two chas very serious that

they live there, they don't molest to they, they're people

are people the residents know when they're and they know when they're because they're silenciosas. There's a

department that live in a senior yeah major. And this senior yeah major is a person of a

character very explosive. But it's also because it's a lot. So, and then the people tend to

give to give them don't molestal it. The problem is that in the The last apartment

lives in a family. They're a department very chiquitous and this family has four integrants and a pair.

They're mom a papa, a boy, and a new year, and these are the same age and they're five

years. No, it's never the battery. All the time, they're trying to be doing,

they're doing and they're to pass the perro in the same departments. So,

for some are they're the same the building, for others,

are an Infierno and persons very molestas. So, let's, we're just a certain time living there, have become accustomed to have accustomed to the

quay hagen, they've been accustomed that not all they're like they're, but also are concerned that are allied to people, or that

they're doing, because they're going to be a going to be things strange. The children of the

department, these chikas that are a couple, but not you know sense is certain, have been

listening during various days, not a two children, but a group of children, and that are dead of

all the time, and they're to get to the passages, and they see to get to the door, and

then they're they're doing, those grits and those rizas that are that from the

the house, and they're not as they're not as they're they,

they're they're they're a in spaces and in spaces and in being in

that's like euphoria, in the sotea, in the sotea no there's no there not,

it includes, no there has been in security could be some type of accident. So,

not it's so much they're so much they're not, if not are they're not they're not

they're not they're not to be the people and are they're they're

in a reason the the woman that has a

in this pastor, ultimately they've seen with a talent like very very serious. She may molesta. And when

they're they're in the power, be that they're that they're they're they're

that it for the fact that they're they're not going to know the

other that's but all the problem all the problem is

something is something for the senior of the other

department. The senior of the last department Pied that a junta Vecinal and one once that

are there the four Vecino he says to be a A little to the kids.

I'll please please that they don't to move muebles in the

madrugated and I'm back to the family and he says and you you're

you're to control to your children I'm not you put

security to the door to the door but your kids

are metient to my house. And then your little a part of

the sotea and then his son to go to the side of the and I'm I've been

to be into the house that they're to be a little not I'm in a

person retired but not that that so for favor

caro and the and the papas it's very very so

not it doesn't do what it's and to the and the

and the the people's because it's is that Kejando of that is very grave

but why not mention nothing of the turba of the people that's here the

last last and in that the pastor and I'm she and they

say I'm I'm very molest with you have

many occasions that I'm don't on the salo

and I don't me they they're they when

when total that they start to start all

the moment of that nobody is living the same. The papas are the first in to say,

waitem me, we're not we're very conscious of the building in the building in the time have been friends of my

kids here. At the contrary, we've been having those last few times to get those to the houses of

those people. No, have been here the most part of the time. Nunn't ever

never, we've been to the lot of the chas. And the Chikas says,

no, but we have heard that we've heard who who's

I've heard. And the sir, I never heard many grittando. They're not those two and they're in my house.

And the papas are in those people in this moment and they're in the question. They're going to confronts in front

the sir. Dehens to get to get us in the house of the when they're when they're no, mom, of what you

are you? No, no. We've seen but no, we've been metied and it's this situation in

that of that they're that they're there there's a there. Because no they're

not they're not percivending the And in the cars of of all, no not not so

they're not being not being what the carhous is going. A part of that

day, the things are encrechending, the things endpeor much. All

the departments only has an an odor put

a woman that has her and the mother, all

the all the plantas that was the year gave a

day to the food is a podred. And this, these are because they've

made to do a realion to make a realer of the old old askeros. They'd talk to be

the the new new the building. And the door of the building when he got, no, there

no idea. And the aroma and said, and they said, what's saying, what's

they're going to explore all the quarters of the place to see there there's

and there's and they're to be to the sotea. When

they're to in a situation extrana and macabra. At the sottea there is a a quarter

a place of just four meters for four meters with a door all desvencised and all

old old and anything nothing well but when they're they're they're

saying that's that's the person nobody never he had seen

and they have you and they're they know the sotea they

the building the first the first the first that's

the one of the nobody's they're going to the place, they're

a handado, the place in the the place in the the

is quite bad in a deteriorated so so with

an un they can open the and when

they they don't they don't there don't there

alas that there are a MIRT and they're in other type of figures, Bacabas, and there are the photos

of each one of these people who are in the building. And some have the eyes that are tached, and others have

the boxes that are intachated. And they can't get that someone has been a lot of all the

problem is that today of today, they have the need to because they're not they're not if it's

one of those recines RBC Training Ground has discovered potential in over 20,000 Canadian athletes

and county. Your story could be next. If you've got the drive, they'll help you find your path to the Olympics.

Let's see what you've got. Sign up for free at at rbc trainingground. com. In the 2003, in the city of

Managua in Nicaragua, a a pairja that was a little department that

was rentable the mother of the chica, that is the that is a person

they're a mother that has this department on a little but there's a

the pair of this woman is a person of those that's that they get them

in their that they don't like that they don't that they don't know

that anyone that they they're they're they're they're they're so

this chica, then your mother to visit and they're talking about putting a business. When the

when the pair comes, he says, you know, you know, you know, she's not a bit in

our vina met in our bit of this with or without your help. Acto inmediate,

act so-segid, the senior of the house. He says, ah, perfect. You're

can, you can, you're doing here for tomorrow. Yeah, no more to,

uh, because obviously as they're going to problems financials, well, they'd be

various months of rent. This does it does it and then they're

a lot of a little a little unit abitational like with three departments.

Paredes altas that are going to let's like a type like

as a kind of a kind of muros that road are a patio and they're

inmediate and they're and they're and the ex-cunyada of this she goes and he goes

and it seems to a visit he's but that that same night in the

madrugada while these two characters doermen So, the manila the door

if you're to start that they're to help the door to the endra someone

wanted to she she does she and she just starts to talk with the

condo renaldo so she's called a parche renaldo reinaldo

he and get someone someone is someone get to

the other person they're they're a batte of baseball at the door it's all right, and they're

while they're coming to the door, all the samarreo of the door and then

then they're they're and there and no there. But no there's for where

is. In the patio, two perros Rodbailers that's when there when there

an intruso they're much more a bit of a lot of a scandal completely callied

and is more they were they were like that something they were in calm pass the night and this

chick baile and she said to her mother the she says for what you have you to that

that woman you know you know that she is that she has been metida in

things things rare, things obscures. She is a brouca. Sure, something was to be to

get to get to get to get to the night. It's like, not it's not

it's a way? It's regress. Passed the days. And at the three

months, if no I'm quix, in the month of March, the

which is important, the things are to change to

we're We're talking that for the nights objects were in the kitchen the door

was still assotating as like if they'd like they're going to a day she's

she's she's she's she taking there's there in the little

patyecet that that this this vivien he's he's

going to a and he he says oh see see you

and of she is a smile. Ha ha ha ha ha she she gets scared

and she's what's for the night is that's going to that the door

is that there's that there there there she's in the commer

sitting she's she's coming something and in the kitchen normally

has a case organic, the caskara of the web, the caskare of the cladone, et cetera. And, of course, he'll happen to see that recipient. He's upent

and he's come up. And effectively, the recipient vina rodent. She enters to the kitchen and that the recipient is a completely static.

They're passing things, still going to do things. Sensillas, we're to say it. But one day

your a partner has to go to get to go to the then she

she gets a lot of and when she's she says I'm going to get to my

mother, what necessity to this and she go to his mother

the problem is that her mother then she starts about about her

her she doesn't he he's he's he says he he says

he's he keep with economically. He starts to say things bad at him

for what she is innoja and she and say to me and he's to be I'm going

to be to get me to get me to get me and he and he he's and he

goes to get the night she starts she's being television and

she's she's and they're to hear the noise now

and first the door the then the she

she's with the Sienta a presence in your room I'm

a little a second and see a sombra a part of the car this

this is a second the time and he he's she's she's

she's she's she was a not he got a power

and he and he gets and he and he comes when she

when she the door you are there are there

the because have heard his grits. No she's she's

when objects are going to get to the house to the door. She's

they say, he says, he says a morning and she goes to the night in the house of

the family, and inmediate when the day next when the day next

he gets to they're and they start to move and they're a woman

a little, a senior a woman's a person in the house in front,

oh, they're durated much. The majority of the people

that have that do you don't don't not a

month you know, what you know, what was there? Well,

there was there was the sobrino of the due of that

house and that sobrino at Attento contra his

life, he self-desvivio, let's say it, called, so is that he

was a exphyxiated in March was that this was that

the the next in the year is his anniversary

ohhall that this year so they're so that

they they're to get to and and Just

talking about of cases in those that are there's a child she has

she knows that comes in a situation privileged she her, her,

her, her, were commercial, they were very well in the life and

they knew how investes so it's to have to

have to much effort and she is conscientious that that has

had been a great suor in a life in a family and grow and he has been

he's very well after after to have studied her career

she she was and his and his brother was

at his point to enter to go and he's to

study but he's going to get to the

university that in the he he decided and desire

to result that in that university, is where they have the best maestria in the area in the she wants to have these competences.

Total, that they're with her papa, and his papas are in that they're going to go back there. So, as

that, as they're very good commentians, they're in a very good house, in a very good price,

the house is in a zone residential precious, the house is a beautiful, and they

pay for the had elanted almost two years of rent. This, in some

convenios that they were their renomber the people acceded to do it because it's something

that's a little bit of those children were very well there because they had to be thinking

properly in the cost of the study the parents were that they

were that they were that they were they're they done

to be done I'm I'm going to say, this chick is a person that has able to provide the opportunities that's a person that has centered very well.

When was there, not for to start to the city, and to start his routine, and it was a thing to be to what he goes, and he's a studio

and he's in the studio and is it in your house, and if has known some people, it's very enfocated to make a lot of

relationships that is focused to this work and these areas of development. So, not is a person of fiestas,

not is a person of being situations that put in risk of any kind of when they're going to

come out of the house she didn't what was what was and it was a very subtle

she and her and her times their hours a time a moment more social and a

moment of a good what is that does that after the day that's in classes then it's

a time to do a moment of reunions or in occasions for a moment of exercise. He gets a tardy to the house and are used to that. She's all practically, school, and he regressa, and he regressa yet

after a reunion or of this exercise? What? What? Occurred that one day she gets, but it's very abrumated. What is is preending, but the projects that have, are projects that

they consume much energy. Lega, can't can't the head saturated and what is dorms so that

in this moment, as this lapseus in the that's a lot of the door of

his house and he is playing all the lights because is looking something

that you that is exactly but in that moment it's a important when

when he when he a recamara to a room there

there a side of the camera he and he

sit in the sillon to think in where he goes to say, not has a relevantia for the

story. The point is that thinking she was still deeply. But it was profoundly

dormita. No, she did a point in what he was that

what she did that you did a moment seemed the light in the

partpard and when the house was the house was getting to the

day. She orarious, that his brother also is a little before she. When he was when he was

he went to and he did it in the house, he did he he was, that was that was looking

that's all he had already had that's all that's a thing would be there's

but the day that he was that was the day next year he's saturated, she's at

the but now it's no need to do this no although,

sat down, during the night earlier. So is that when he gets in that sillion, yeah,

the door, now no, preended all the light, just he's a lot of the room. And she's

sitting, pardon, she's sitting, is the door, and he's, and in

that he's, he gets, the car of his brother, his his brother, his

person, and she's doing the things, are, some, the of the house.

And the brother he said, hey, I'm a strange, because you're with all the

lights of because you're in penumbra. Ayer that I'm that's a little. That's

rare. Normally you you're you're you're a lot of and she and she

and see that the door and be that the door. And she he says,

hey, no, she'll have to the light, and the light

and the light's and she has a lot. It's not he just to

question, a year you apaced the house? He said, no, when I came they were

so they're so they're so they're and they yeah, she's uncoodod. Because she

she's sure that that day she sent to in that the light was on the light

was on the car and the day earlier prendo all the lights for

the and her woman no he's so so this

third day that he gets the the first

what does is invite an amistat not he says because, but he wants that he's he's a ask,

and they're saying, what she really is not not being in the house, maybe there there's a

there, there's a lot of the there's a little some little when they got to

and you know, but it's a place in that you don't be a

place at the entry out of the entry that being that's

act to be being that's all the the but now is very

conscious and he this chick, oh, why you're going to all the light? I don't know, I don't

like more to have much to be much to be able to the dark as much. She's the thing is that

all the house is and she needs to be able to that no, or in an other room or in an other

room, she will be done a lot. So, then it's a thing to make a start, but

they're to get the voice and she's up the purpose that if if there someone in

the house they're So it's So he He's top with The surprise The things

are like they Have you Have you No, there's Signs of nobody It's in a

Habitation in That's not You're in Evening Evening I'm gonna I'm gonna To get to

A manned When he's When he gets In the Baon the Man When he's Seent

Cere to the eyes and it's a memory and in that a word. She's she's a compostura she

is in the moment in the moment in when the all the light of the house are all the house is and the

she's trying to open the door to the entrance no manches no me have said that in this

house I'm they're they're they're they're they're all she's just

because she she no she no she's not she was in the bao the bao

and the he's what's happening, but he has to talk to talk with his

brother, and when he says, well, my, I don't tell you know to be

to say, but I'm in the house and I have been things that I

have heard voices when no there no no I've got

to be some that other other other other other

I don't I don't I'm I'm to go to go

with people go to get to I'm Well, we don't we'll have to

get so, we're going to do some total, that these people are to be sure to be able to

get to be a realtor of a ritual of limpeas and it has to be with certain syrios

with the use of salt, the use of the use of the use of incensos and other

herbs arbos. Without not details, because the idea not is

to pass these processes, especially for what they're they're to make

the rite. The rito include that various of those vows, they'd put them in different points

of the house and were put them and they'd start, like in a type of process of procession, going to

a certain room in certain abitation in certain things, and they'd be saying, and they'd to have some

things made with the salt, and then they'd also, when they're doing this,

decide, that even they've been that, even they've that the room, they're going to to be a

light, they're going to start the bell and start the and they're doing to do.

It's a very good good lot of a lot of the house, it's a good quantity

of salt and it's a good quantity of the rito is so they're doing all this process

about a hour and 15 minutes after they're in the last apartment.

The abitation the room, in the room where they've the

socesos of the of the things. When they're there and they're

the bell in this moment it's it's it's a little to start to make the

light of the room. So, they're they're not they're they're

they're to do the other abetations and they they're to be how the

belles they're to they're to be they're one in one in

one and they they're they're they are trying like

the spectacle they're going to go to get to get to get to

and they're they're going to the and they're the and they're the other

then they're with a fear of a so they're going going to get a

time they're a certain lot of they want to get to

the first the house and when you get in the the metal the

the fire the the the and to get and, and get to and get to be a

big and get a fire at a time. And in the second-pice of the room of she's not. Some are the

way. How something go back and they're and they're to start the door-in-pourta. How something

it's going to start to one-in-one. They're going to the door in the entry, and they're not

they're just the house the house is encending completely, it's and the door

and the They're getting there. At the day of the momentable, because they're not

they're not their their parents. Even they're a good relation, they've paid two

years. They've got to get some time to get to work to a micro department

because there they're not they're not they're to be to get to the next is a

very because occur in my family. It's something but I think

I'm something something. I've been a lot time and after after

we've we're we're we're we're we're we're not in this

new house all this new all of things little have been

to have been to but I want to a little

socese that has just a last a month. My

My husband has been experimenting terrors nocturns. All the nights he costs to work to sleep. He costs to work conciliate the dream

because she'll know that one she's done the fear and the things that has been. The same past,

of a point my son my son aiveron for the night. So she try to at the

first ignore it a little to see the little to be to have to to start

and get to but this no the little the new and then and then

and piding and piding and piding and p and then the eyes and the and at the

foot of the camera of the side of I was completely knocked there's a

person she's a she's she's she's she's she's she

and he and he and he starts the thing he has he has he doesn't

he he has he and he's to give his his leech to re-o-o-

be how this thing is a start to get to quickly very

long as to be to be to be her to the at the feet of

she she she that in a moment he he's

like the and the thing and this thing it's all

all all of there of light, not is an obscurity total. Alcans to not this sombra, desplasance. She'll try to talk.

Intent to communicate with me, to say, me, that something is happening, but no longer. No, no, no, they say in the fear of the fear that's, this, blocker. So, it's here, or

it's intent to turn, to be sure, to be able to get a little, and he gets to the She She's She says

And she He's They're They're in immediate A presence in your car

And a voice He says You Here, here you You

of all I'm I'm And I'm And curiously My

I My I'm in other In other A bedroom in

other you that investigates more these things that's heard about stories of the people, I want to

tell something that's the I said, I said, and I said, I said, and said, and so,

I was just me gave much a sed. I wanted to be to serve me to work, to be water,

to go to the kitchen, but in the moment in that I did I wanted to I,

that I They made them that they were that they're in a presence here and I heard a

voice that you, here you to get us at what was this my my ha

well I didn't I'm not much to go to to get me to go to the

school I think I'm at the morning I'm revised the cameras

of security of my apartment that in my room I'm

I have all these things that have like at

4 of the morning I'm that my spouse opens and he's to look

to the side where I'm to be to be to be a little the bivoron

it's it's try to how his this abruptly abruptly

he's up up and I'm just she's that I'm looking

and that can't be that that's the pan of every day in this

case with the story that I'm going with the story that's that's a question that

many people have asked the people have been the stories of terror are based in

the actual or the actual are based in stories of terror is that what was

first the one of the guise and there there there's that you

in my case I don't I didn't that the cinema that for more

fantasiosa that was a movie it was being being a lot of the

real until that I'm a day when I had about

six years this we're about about about the

90 the televisories not the technology not the

the televisories are very very very very very

they're a person a part a part was

a was a much more small. And the body

had many transistors and different things that the technical they were to describe. But the

point is that not the technology of the day of the one. One peculiarity of these

were when it had a noise black and and be you're doing all the time and sonable a sound of a

sound like of a gizier and yeah. That was something that was habitabomous, you'd have to be changing

to channel to get a channel to get a time, after they're digital, but this television of the

that I'm an analogue. It was d'perigietas, and you went to get to get back. Much of

the family nocturna, that that that's that time that's that I'm that I'm

that I'm not a night, they'll have to see a photo in Google

of this type of the TV that I know. The point is that those

televosos had certain peculiarity. The of perilla, in many occasions, they'd buttons. No, they'd sendia

and not so on for error. Because, you need to press a button for that's no, there's no, there's

a control remote in many of those televisories, you'd have to get, press the button and to be

so. Brandon, me tells that the history that he's very aterrador because

there are things that not should be going to be to be in their casas of

six years. He has much fear of the commedor

of that house. Because in the commed they're the television it's the cell

where also also to be to be television. It's a house

little not has a common not those many those

during the dinner on the television and they're being

the notisier and some some type of program

that that be a other they all all

all The fact extrano that the last two nights that the last the last time, that's the

sound of the gis, that's the sound of the sound of the and when it's a lot of the because he knows how it's

that cell he's that's that's it's because someone it's not it's

only there no way there's there They've gone two nights, or more two days, in the papes, in the when the papes

when you're going to the day in the night? Why are you to conclude? Because in that time, no, there was a good communication as

there was a time. So, the people were the purpose of the conclusion, because they're not they're not.

They're not. And you, you, too? It's not. It's a. Brandon, it's a cargard

with those trasters rotos. The problem is this. Brandon has much MED and no know

who's when when I know the third night, it's a thing that's

a lot of his life. He's to be in the bed. Lamentably, he has much

get to get to get to get to get to that a man.

So, is that when comes when it down, the television

is on the camera, and when she isome to be, the

the television is the light but in the and a camera.

And this car is something that is something that it's a little bit more the reddish around, but

it's having form of a rost. And then he, when he, when he's to impact,

his heart so it's a cellar, it's a back, see all the spina dorsal that

starts to have to have to be like electricity and it's like some the caten

and not they're not they're in chock for what is being and in

that's how two manas are from the television, they're in the screen and a soma a head

just right of the television. This head has some some of the black

reds. The hands are like a kind of a sunbra, it's a

black, absolutely black and it has a kind of a kind of

something he, he he he liberate of those the those emotions that

have been as a marrador and he comes to get to get to look and he's going to go to get to his own

and in that his mom that's the instant, he gets to the room and in the other than

to reacking what was the usual he has and she and she put to and he

and he does that the papa not the day next, the father is that's the he's called

not me not they're and have been able in voice Alta. No, I just I wanted to interrupt him

but what the mom and he said you know I'm going to you know a little no, no

it's a cool. That episode of Brandon he generated a lot of the darkness.

During the years subsequent he never saw that never things that could be

to be a comed and he'd and he did he I'm to

the time to busggues the food and they were they

were reaganing and regaund and reaganando but he yeah not was disposed. He started to moj the camera. Now, so, yeah no was a peor, mojed the camera. He was a whole a problem. For questions of work, for situations of the family, the papas are separated,

they're going to live another and the other house and the things for abroad when they're going to be able to change for better, but still in many fears in him and are there. He records perfectly what he saw and he's met him in his but passed many years

and you not are, you know, in the records as more more in the way, more at

the hand, you are in that he want to that he's that he and a

day, he a make with a pair a movie a movie in Netflix yeah

passed many years. This movie of terror is called Insidios and

in the moment in the moment in that appears a demonio rojo

he is in those pantalones to his yeah 40 and and the instant

is being something to be so that what he saw that he was the day after the

television and is he's not he can't do and his he

never no say he doesn't how he's and he he'd give

disculp if the he does he does he'd know how part,

he's temblando and no know what's going to do you know. After that event bochornos,

Brandon he's to talk to his mom and he says, he's not live in the same

city, he says, he can go to visit him a day, that needs to talk

to be a lot to be a very much, for a final to be a day

to be a time, and he's never, that's the family, the mom she's

part, and the day of the day of day of his casita, but no they're in the best of those and they're the

best of the relations. When he decided to go to this house, that there's not really nothing,

Brandon, he says directly mom, Mom, you know that that time that was the only episode

that was the only episode that and that you went to me and you said, why you put you

to rest with me in the way to make sure? What happened? It's an adult. He's just

that there had occurred something of what not I'm sure. And the mom

is put very nervous and he said, no I'm not I'm really

important for me I need to know what and the mom he said I'm

something did a see a what you see? It was a a

room and you start it was something was a red or no

no no no no no a man so you

me made more more more I'm going to I'm to start to my dad and you know

a boy he's a man he's a year so you know so you do you're to do you

or the only that's me occurred no I know no no not you don't

not so but from that I'm for that I'm so I'm

doing to make my in the camera and I was I'm

I didn't because it was I'm you know you to go

you're to to that house, I'm to pression to your papa all the time I'm trying to

we're going to we're going to we're going to we're going to he's going to he's going but I'm doing that you

was doing to do that you're doing. It's what what happened. Me said narrator something

something that I know that I'm and why me percied from that after that after we're

after we we went to to do everyone in the room and in the comed

commenced to be the television, to get to the volume, and in the door of the two,

we're going to do you. All the night, no, us were not they're doing.

When I went to my mom said, my mom, me said, I don't know, I'm going to

have been something like, and he's I, I was I was trying to know

that you and I did you every that time, the person, the person's away

to me. With the time I understood that when I opened that time with the people, something,

something, things, things were in his houses, and then he says, you know,

you know, you know, that you think you that your father in some he was

that's, I think to be with that, but no, is incess true.

And one once said this, Ephrain, count me your ultimate story.

This story is recent, is documented and exist forms of corroborate there. There was a

of enamorados, let's say it in this manner. The chica always was something with her very exigente

very zealosa and he always he was a good man. It was a very good person

but this woman for some extrana, a strange reason, no confiable in him,

he's to investigate to do you, he's he's he's not, and never he never

he's he's not, he's he's he's got of those celos, of that

they're not they're not they're not they're they're not they're they're

to be, where he's and then total that they're this she does know

that he's he's he he's, he error of his life. Because he

had to find a man that really he was he was honest, amorous,

he was a man, he was all the qualities that she had of a

man. It's something else here now, something new. From exclusively on Paramount

Plus, it's the series Stephen King calls scary as hell everything here is

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We're running out of time and we still don't know the rules. Don't miss what the movie blog calls something you need to watch. Saving those children is how we all go home. From binge all episodes exclusively on Paramount Plus. He was left to continue with him because he he didn't want nothing with her. So this chick, well, this chick,

with a person of these that practice brouheria. He He says to all the situation And she says That there's a way That's dangerous But that he guarantees

That will functionar For what After what After to get To obtain certain Certainer certain Oftner Oftnerated

Forthunately Forernerately for She'd He decided To advance With this Ritual Let's say

of this way. She's not more than to get to the elements, put the intention, and the Bruch has been to do it all. She says that exactly the 14th of February to the midnight, he will

be to be able to start with her. It's all what he says. She says, okay, perfect. Faults many days for this day. She no not, no, no, there are changes, no, there asercamient,

it's kind of what will and then this chico is going to go to the city

and he has an accident in this accident he he'll he he's in the

carter at point to get to get to his city for strange

circumstances in the contacts of emergency there was a

a friend muto of them when they when they they're they're

they're they're the people this child he's he's he's saying he's

you know you know I'm you know you you know I'm I'm

I'm saying I'm and he's he said he got to an accident

and me they're saying to go to to recognize

the girl the she put like like like

no he says, no know what does, he says, for favor, maintain me

to get to you, no, no, no, you don't have nothing to do that's

a little a little a child and he started to talk to the parents

and does it is a telephone out of just a call

the CMEfo had had had had done the

in camp and when when you get this chico, the body is there that's

that's strange. At the time that he'll he's the telephone to make

to make a child and to tell her this situation that's the chica

is like in her house is crying, and and she's

lamenting for what she did to do you because think

that maybe she she she he he didn't he

didn't have that he he's a part to start to to maldecise to say to

her first because she's she was going to be able to be in particular for when she

be the hour now is the midnight night it's the cell phone but at the same

time the door of the house she will and open the door and is

a new the pure the pure person no what does the call

and he said, oh, the the body of Victor not is here.

Yeah, I'm he's parable at my house. At least we're

together. The body had got to at the midnight of the 14 of

February and he had been there in the door of this

she. Thank you that we're to get to the final of

this dolo of the story. You've got to last to the final

and I I want to to take to give me, Afrin. You know, I'm a

brother. Thanks for having for having participated. How you're about?

Thank you for the invitation. It's too very, very very well. Excellent stories.

Oh, I'm had been to the last the last time. And if did you

have to know the to know, please. Yes, remember in the commentaries, narrate

I'm to get to the final to one. One once said this

for this week and that have good Thank you, brother. You want a brosote.