HABLEMOS DE LO QUE NO EXISTE - Historias de Sectas Macabras | Rituales Oscuros y Sombras Siniestras | EP 241 | Fogata de Historias

Episode Date: November 22, 2024

Bienvenidos a ésta nueva Oscura Fogata de Historias PARANORMALES, te narraré Historias de Sectas Macabras | Rituales Oscuros y Sombras Siniestras en ‪@HABLEMOSDELOQUENOEXISTE‬ El día de hoy les preparé historias que ustedes, querida Familia Nocturna me han hecho llegar al whatsdelaspesadillas y que estoy seguro que a más de uno dejará con dulces pesadillas. ¿Has escuchado acerca de el demonio de la Sangr3 Negra? prepárate. porque no se si logarás sobrevivir a esta fogata, ya que te hablare, de lo más aterrador que ha vivido un miembro de la familia nocturna, ahora que sabe que dicen "que no hay niños fantasmas; escucharas acerca de un estafador que quiso estafar a una secta, temblaras cuando sepas que se ocultaba en el templo oscuro; y tal vez como Antonio nunca puedas olvidar el nombre de Eréndira, Esas y otras historias solo aquí en HABLEMOS DE LO QUE NO EXISTE. Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

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Bookine. Oh, that also. And profite. Villaray, the voice that we love that we love. Welcome to Famine Nocturna, to this foggata of histories in Let Mepplems of what no exists. The day of today,

we have an episode a bit of course. I've got to I've got related about sects conjures

macabros incidences obscures and pastos pastos occultos pastos

pastes that scond things that's quite malevolas but before

to start let me make you an invitation if this is your first first time you're beingvenous

a I'm Today, I've prepared various stories that are quite

dark so we're so we do we in the moment of the you know,

that you make a fear, that you get a little, a little

to get a tranquillity or simply you like to do you know that you're

for your subscription and if you you you you're part

of the family noctur then you know you to say,

you invite to that if you can live a fog of stories in a single recorried,

then at the final of the video, comment me, what was the story that

most you most of this, come we once said this oscura fogata of stories.

If me permites, I'm to the story of the

people, Janette lived something that has traumatized that that

has to the day of today, and You've passed more 10 years. Janette had a newio.

One of his first noviors was the artifice of this situation. Resulta that she and he

had been known in the job. They had a good relationship. He was

the type more galan, but she also was she was a self-estimed Janet

caused by situations family situations in the school and for his first

two ex-novios, two types that we we'd that's impeached in that Janette

and she didn't feel like a lot and they're in a way, because Janette

had a concept very a bit of her. For so when Fabian

came, he got and he he made, he said, he said a pair of

things beautiful, a coqueto very simpleon? For her, was more

than sufficient and was perdidly not enaborated but she

interested Fabian as I don't he's the type more a guy

a man hair chile chino and his form

to be a little a but the rest

of people of the person to his there

a there a a form to get that

the other the other but But Janette, a part of that Fabian

he made a lot of her and he was a not a not of this.

It was like if something he impid to see a very obvious.

The words that were sometimes were words were a

little aggressive that the ways in that were

things habitual not not the styles not the

people with the person with social media. He was torpe. It was rare.

But, well, at final, there's a phrase that says, there's a rote for

a decocid, and, and, they were going to and Janet was a feeling, and

he was that he was a rapidly, the time advanced. And when they've

two months in this relation to the one he had put to a man,

Fabian, he said, I'm I'm something, I'm special. I want to

give you a gift a that not only is the part my family, and it

is the part of my family. And Janette she kept a little

abrumated for the phrase, and he says, how that's my

family know, my family knows, my family know that I know that

I'm been been that this relation so for that we're both

together, and we're both we're going to give us. The regalor

consistia in a cadenita dorada that at final was in a quadrito

black that covered a little a favian he said to Janet

directly that not that not that he would be that he would be able to be

that ever the bluza and that not not just it's like a

the other Janette she didn't have a question in the end up

it's after the time after she was only was interested now she was

she was she was she was what she was she

she she she she she she was that

she was what she was she because in he, when he

he went to a house, even when in the house of Janette, not she lived in

a environment of peace and everything, in that time the

house was spelusnant it. It was like someone

had a person and simply all they're not

to talk to the thing. It was very not nobody

was the people were in a silence sepulc

sepulcral. It was like if not so perciviered very very rare and the ambient in the house of the ungradable. Janette is sure that in some moment of the madrugada, when he went to do not do you, open

the eyes and saw a shadow of his camera. He's sure, but at the same time, it was too too much the day for the cadena, because they'd some months in this

relation, for what was it, but he was so I was so that was so tired and he no time to be able to when those

he was to start and he got to get a little I'm not to

Fabian. No, I'm he said ideas. Yeah, of course she

she was not she was a pretty, that that was

that would be a not attractive but it was a very rare because

in that he said he said, hey Annette how

passed the night he was all all all

something that you want to want to tell you, Janet me said it was like if he supier. And you know, a narrator. Then I knew that he did he said. Because all of that

time, passed things rare in house. The environment of strange, my papas and my brother major, comporting to be a way extrana also as if

no existier, no me presentable attention. What the most me has made the attention, is that always there was a good

every tonteria, for the rope that not that's too well, because I'm something out of

your place, because I'm going to do you're doing for the family, or any kind of that's your

that you occur, that if I get that's time, that's that I'm all that that time,

no one ever they had attacked. And I was never been impacted,

but I had been having Scented August, but not that was because I

knew that there was a lot I'm not that but I knew that there

was a and that it was coming in what in that I was sure

that I was I was sure that was I'm sure that

was that I didn't a certain real and that not

me really because for some I was all

all all all If there had a new How had passed my night

if there was a question, and I'm to think he had a got to he had

done so that he had done. So, that that night for first

what I did was to get the the car in a

closet. I went to do not and I went to and I

think, because they were what were going that they're not

Narrator, no I can't say that that was an error, but that was the night most atterrador of my life. In the middle of the madrugada, me I just started on the man's frias. When I opened the eyes, two manned black, I don't see, of the home, or the woman, because they were men's very delgated, with the two large, and they gotrared, and the sensation elada was the last year when I waspired. When I

I'm going to look the two hands but I don't see that I'm in a little bit I'm afraid and I'm

really the right I'm not there I'm not I'm going what I'm what I'm going what I'm what I'm

so. So, some responses that the day of today no I'm but no termino

my night because after that before that front to my eyes

it's the closet where he had left the and I saw the

the like if a man he was going to me and he let's he was caught in my feet.

And I heard a voice a voice that he said in the he said, no

you know, you know, that's that was like, it was a mess- like if me it was

ordering and not very, not it was a good, it was a menace

a belada. When I got the same, I tapped the more great than committed in all the life, because I

went to where I'm where I'm the door, that I had been a voice that I've been a man,

a man who's a capuched, with a man wesudas all vestida of the black. I'm sure

that I was seeing the death. No, he was the rostro, the hands, I could

see, were the same, and they're those, or a malo very Delgado not

were the same that were others. But when I saw that thing I'm at

grite, grite, I'm I'm made a phoenix a few of days.

My fathers not were not no no that's that

house. That house when I went in the morning, a sustadisim because I could put to

pettings, Or so I was in it, the first thing was to grab the and runper that mugre that was in the metal

that I had the piece of metal that was in the same silhouette that came in the night. But there a difference.

When it was in the night, I'm sure that was a woman. In the the cadena,

that figure was a skeleton, a skeleton with a capucho. was Aterrata So it's That's

That's That's He doesn't He wants He wants He wants to He wants To make

He said He said That's the part of the family So that That was I was I'm

I'm I'm I'm Cair in the feet And he He said

That's Urugery And He me He said It's It's Bureia

for He He and my family adored to

the Morte and we're asking that you accompany in your leech. You can't see her?

And now I'm you know, you know to someone that you have been never

under any circumstances dokes with your hands or your body, something

that you know, that's that you have used to do you hear this story.

This story that I'm about to talk is one of the stories more

that I'm have come here to this and I want to tell her when it's

a lot it's a realate to know if someone more has seen what he sawul

has seen two people from his childhood two people that are

the people of the parties the people of the those

those those those people who they're all ultimately Saul

has a try a idea and He wants to know places embruched. And in the city in the city in that we live, there's a place in the special,

in the one that nobody's ever to enter. Because there's many stories about. And it's an ancient church. No, I know that's adorably, and I know that religion was the way.

What I can't say is that that was a place had a power of a matter of somemany and the part of the right of the right to be a rock. That place,

there had many stories since that had encountered cadaveres, not one, various, that many people who

were not were able to get, stories about of laments, of phantasas of sombras that's

mouven, million and things that Saul, at the long of his life had

heard, but not I know a one person that had entered

to the place, and that had a experience, for so he

he thought, that they were that those were that really

there there something, he's he was to he was to so he was his two friends,

Jaime and Lucio but the things not came out of he went with a mannedtonado he's

going to go to this place to get to get a certain adrenaline and it

does and it's a more valiant but also it's very much more imprudent. Because getting

to the thing there were things that he said that not The door had a candor. And they were

prepared to be able to be able to have been to be able to get to be to get to be considered

as a lot if it was a cause of a scandal the second is that since they've started

to find a little a place a bed tombated a little

a little window downed to put to be a little of the

He said that he was feeling very mal the spina and that he was he was a cobarde

that he no he was he would enter and they're trying to the two those two that were

those he said in serious if you were you don't know and I started

those two to say especially Saul are are all the things that are

things that are you he said not are the stories no don't see in the

place. It's a dark. She's that there is a and it's

that it not a good. Lucy no, no, no that he

knew, but he's failed. The other other two

were to go on on a part lateral.

Total, they were first the sote of a

house that that sote he was to look

to the building that was an an old and all

and all and the one of the windows that was sealed with a lamin of the

was made that was a middle tumbled so so they after the back

they were on the and they were and they went to the church

the church had a bankas and had a piece of

the but I'll say I'm I'm know what

kind of things they were there, because both the bankas, as well as the altar, were they're black. What rituals did?

What religion was? No, me clear. They're entering for the part posterior. Entranes from a series of passages, that for they were very

unredados, they were with the adrenaline atop, and only they saw that a passillo connected with another, and there were

various doors. No, they'd be able to be a certain that there people, so is that they were

in a form sigilosa advancing, when they were the part of the

recinto where was the lot of the bankas, they were boke-abirtos. Totally

black. Tant can bankas as that altar. And apart there, if

there was something, there was an aroma, something that said that they

were much fear. They're They were advancing between the banks, and trying to get to the door and see from there some form of

to start. Because, for the form in the way in the were going to do you want to do this a scandal to

go back to and if for then a patruya was going to have reported. Some of reported the

gun-and-asos that they gave to the madera, prefer they'd try to try to try to

get to get-of- get to and I think that that was the the worst of the

errors that they could have done. Because when they were there, when they

passed on the altar, in the other to simply to get the and they

are the and they are that they that they is that is based in nothing

of the of the because at the end of there. In the

other of the respect to whatever were the other

the religions and there were the And while one

simply was the altar he took with his hands and he was so

he was the other he went to and he opened of the and he

said he said he a sacrifice for the demonios he

wanted to be the chistos but but it

there exist there entities invis that not they

don't They don't understand the chisces, no entiened the sarcasm. Because, after the past the altar, and Saul took the friend of

his man, and he was styr, because, although he he said, I feel more, and what he said, his friend,

he was retumbing in his case, then he put so supermente nervos, the friend he said, the

other, he was very nervous, and he said, yeah, yeah, I'm doing, he said,

we're going to go, they're coming from the bankers just to go to the way to the

when they're when they're to hear some some of those types of very

rhythmical that's that's that's that you never because if you're

you you're you're you're when you go by that and

they're at the door and they were a little

a got a hot fra the recor all the

spina and it was had been discarraged millions of

voltios. They'd see in the body and that's that's

that's that they're in the way. But they're doing the way.

There something there. Just behind of the altar, something

that was a second back, a I say

type style something something that kind of like these cartelones rectangular that serve for

some of the negotiations to put those in the and that you know that you can't that's that thing is that thing was immense. It was not easy to be occulted. It was something

of some of about 60-70 centimeters of ancho for almost three meters of the

the The worst was the rhythm. That was the rhythm that had that thing when was the thing. Like if had a piece. Like if

someone was still there were behind. The things started to put very very

very quickly when that last was a brinko that that did to par to

parar to be not the not even a rectangle and if they had any doubt

that if what they were a person moving some type of cartelon of three meters with

a facility tremendous that's that cartelon or that thing a large of color

black was after after to be to be the and it

was a very strange because it was really really really

probably part probably carton the problem is that when chock

with the soil it on it had been water and

it's sparse. Gotas for all parts. He reunio and the

liquid was to go to be some of some of some was a

person was and it was but imagine it's just

like a manche of a great that that

comes to start to start to the piece

they they they the decor we said that they started to

get to get to the door, they were to get her and they didn't get to

that they were really and when they were just they were to be a meter that's

that was to be to start to form something ovaled like the part

superior of a head and in that instant they they're

they're they're in the way the back the liquid

and going to the part of the of the passios, resando to some God, because

they're not in the but resando to some God invisible that for favor those a little they're in

the labyrinth. It's not that God those heard. Because they were to get directly

to the court to the court. When they were the policeia and they were so

they're just that they're for favor say, say no, say no say no, sake no,

sake no. The police was going to start to interrogate and they for favor, saken us and get me

to the carcels do you whatever want to but saken us Saul and his friend they're that night

in the carcel. They've got to pay a good a good the problem is that

all the things that the officials were incoherentes the officials had to do this

because obviously I think that there had some that there was that

was that one of the one of the like the worst night of his life. And the grand doubt, what was that that we were that we were in that church? And what were the

they were there? If you've ever seen a entity like this that they've ever in the comments, let me know in the comments. Antonio has no fear and evita

the pantheons. Do you know why? You recommend to hear this story. Antonio has fear and evita the cemeterios.

When he was a little he was a pair of of experiences that have done their reserves and evite these these places, these camposantos.

The family of Antonio had a tradition and always in three occasions of the year they went to visit to

his fieles difunters. Familiares that had there, at some tios, in occasions

to the abuela, to the because the tradition in the one one single person.

When were in these years, more or when Antonio had around about about about about

eight or nine years, occurred what I'm going to say to something that's

something that's that's in the cemetery, I'm a moment in that's

a bit of this dialogue with the familyaries and a little of a little in

a little in a oration, tradition very personal, very of his family. Antonio was very

little to support times time long of meditation, of reflection, so to his

nine-year-tos, more or less for that when was there was a time,

he got the desperation and he commenced to come to come in

a top of a tomb that he called a lot of a

little in rejado in the that was all covered and the

front and a lot a lapida was a

last and don't in those nine years not

he had much attention to the but he

marvell that in the place. He had much a year, that was all, with much colors grises, poralapidas. That space was

full of flowers, and the flowers were very beautiful. When he was there, he he was acercough to the woman, and then he had been had done to know that he, and he said, You like? And he says, If you're, they're just, yes, are very bonitas.

And he says, this is the only tomb of all the cemetery that has flowers. And then Antonio, he asked, And, you know, and you know, and says, no? No, no, I know because that's what? But I think

are people that they've given much love for his families. Antonio no ententeenthier's a bit of what he's about, is just a penas a little, but he in the rostro of this woman, a woman major, of

cabo cano, regorgeta, with a voice very dulce, like she's, like, she's a person in that can confi,

a person that's a good, it's so it's a good, then,

then, he's still saying about without and he said, you know,

to the people, and she he said, yes, yes, has much time,

has much time, I've got, so, then, he's got, the voice of

his mom, A part of that occasion, when I went to the cemetery, I don't see desperable so. I was thinking in that there had an amiga. That year, were the three occasions. This was the first, in the second occasion that was, he went to the place.

When they were there, the flowers, he started to talk them, and after five, ten minutes, he saw a woman that was just the side of him, and he looked to see, Oh, I don't I've asked,

but you how's the and the she says, me I'm Herendira, you, how do you

know, and Antonio says, me name Antonio, and she has a name

very beautiful. You, because you've been here. And Antonio he said, my

parents come here to visit people that are that are they're not

they're but I know those and you think your parents

have that you have people? And Antonio he respond

like with this form that they have the children in those that are the thing is in

a second the response more beautiful that he could have said, and he says,

but no I think that you have been that you want these

people. And the she is that why is that you know for the

flowers? This is the only place that has the only the only the

people that they've They've they've to care much. The

woman was very content, very happy, the eyes they put

a little bit biterer and Antonio he was he was

because he not know he know there there

there there but it was that they were in color blue

and almost more and those flowers and he

was fascinated never never seen that So he went So he went

And so His mom He said Where did you Where are You're You're in Three times

You know You're You're You're Momas She's that She's When the

Momah When the Moma He said He said You know You go You

You're And You're And he And he And he And he's An

Not more You When we're When we're To Comeer If you Comeer

To Come back To And he's Momus' And he He's Momah

But I'm, well, I have a friend there, and say, and you say, if you want to come to come to make to come to the tomb with flowers.

And, and Antonio, what I was the care of everyone, it was very intelligent, but also was a can-y- so,

the little Antonio, he said, yeah, my mom, is good, but I don't think to

do you know, in any moment, only was to just it was to be that that the next time

that would be to visit to her friend, and, and, of that's there's a time.

The third time is the year. It's when happened what Antonio did that he did a

question, that he had a strange. Because they got on the cemetery,

he was that's much the end of him. And then, in the first of

almost a half hour to be in the cemetery, when

his mom closed to start some kind of type of oration? He no he no doodoo

a second, he gotro a while he went to and he said him to come him and you know where I'm and his mom commenced to

get to get him he said that no, me you know me it's you said yeah but how I'm going

without to give to do Nendira and he still going the new rumbo the tomb of

Flores but he perdi no he he got he he he said to ask you

mom and he said the the tomb, where is Don Erendida, where are the Flores? And he's

Don't know, my am I'm my amy, every every time that's been in the tomb of the flowers,

she is there is there. And then her mom he says, see, where it was, and they're

and they're looking the place, and not there's the tomb of the flowers. No, is there

even a time. They've been more of 20 minutes there. The papa and is

saying, and it's said, and it's a worker of the cemetery.

And the sir is a second yeah to ask to be in the place

but I'm not a little of the and he didn't know to be the the person.

Oh yeah my my son is looking the tomb of the flowers and said

no he knows and he he knew an eye like to he

the he's he said he's in front of you sir and

where they there there there a ton of of the little bit of

a lapida and Antonio says, no, no, no, no it was so it's one of

flowers. He's no, it's that they're there's and they were here

abing tumbas and they opened this and then they're all the

and that it's like a and you have been back when

when he heard he came back turned to the

tomb he was that the It was the tomb that had been before. But as a now he was the

only that he had a lot of the only that was simply and simply and it's

a rea and he's a rea, intent to remember the place, it's being there

and then he says he's he put the pen the piece for always.

Two things. The first? The person, the all people

we're that do pass. That's he put the little the little bit

and he was a point of saying how that don't know to be

saying that's about he's about the and like to say to say to say

to what you're to say when he's when he said he said

ados Antonio and thank and thank so he

he was he kept call because he did He made out that there something in him,

something that's because he can't perceive phantasmas. From it he began

to make a certain distance in the cemetery because for him the phantasmas

that be not are different to a person common and the person that's the

around those that they're who they were when they were a little

that was in the tomb. And those that were in the other pantions that

was a a little chico because he was a little bit of a little for that he's

his reserves not it's not going to be able to be able to you. And you have said

you've had been a spirit imagine you've you've you've a life

you've been a lot of you've got to He said, He'll do your family, and then

you're to do that all the thing you think you're that's that's the story

of Alvaro and here we're to talk her. Alvaro me sent to

a message that he made a attention, and me said, narrator, I'm

to say that, the stories that you're that result fascinating, me

are just but don't me do me don't me one. In the

Sabber on the Sombast a phrase, and when you said, all my

my skin was chinita, and I sent a quantity of fear, almost incontrolable. Diggist

that no there's no- no- no- I'm to know to get

what we did what me happened. I'm a person that I'm

a thing of a lot all the situation related with movies, with podcasts, with videos,

I'm looking evidences and all this type of things. But honestly, after many, despite of tantos years to be looking, I'm getting to deceptionar. And I prefer to see all this as fiction, like a fantasy. Never had passed anything.

Never had ever been anything to my family. Never had occurred absolutely nothing. until this Saturday two hours before to hear

that podcast you. The Saturday we were a reunion family in the house.

Vinered my parents, and there were my brothers, and of my

of them two two children. It's a little rare. When

we were in the community we're having also a part

and a over a And we started to to hear one of the two two children, to the most

little to do you to get a little bit of my brother's thinking that had been

having been having been that he was incered in front of my sonnito has around

of six years. This chaparito is very very agile he likes to be

exploring all. For so it has to tend to get to do

but we say he's a risk, but to a certain point,

not many these types of of risks. The abitation that we in the room is

an apartment in the in the time, we've had we had a my abel

that's my abel and you we'd we'd we're because really

what we did we're incerning to we're we we're

we're there, we we put us to the door a carrojo a row that is only

manual, is a tube, and a little not in a little not far

that you know, I'm going to 60 and I need to put a bankito

to do it to get to get to get to get to practically

in the center in the part superior, in the part the

thing the idea of that's the that my my abo not it

not my abuel, for his situation, I'm trying always to get to

get a and he was there and then in various occasions I'm kept in

my father too my my mom in another and my boy

was he got in a so put it because we put us

put us pickaportes and with those the door the

door was a port And what we did we did was to leave those pickaportes because

not we could we could not we're not so far so much so what my papa did was very

easy. He started and capes of paintura and capes and capes and every year that

does the clean of the and and it and it's to see they need

to like they need the the door he put another another

one that that that that not to be to be

to move. Any of a portazzo is a thing is a bigadissima. Yeah are many years and many caps of

painting. Narrator, this end of the same of my subrino to get to the door.

Literally, romper the door. When we got the caradour, we were and we

did not that the door for the middle and then the pickaportes

were put putts. We've started patadas, we to have Pesso,

it's to do and finally it's we do it's it's it's

unutilable no we're not we're not in the door no we don't we

have been in we're worried about my subrino for his health

that's so it was just he was being he was very very

so I'm when when he when he tranquillized, he he was

to talk about a little a narrator. When he said

to say the he said he's he's he's a little

with his little and he and I came

the question to the question and so that

those serro that not in any any in

any in any he's he had to be caught

to I I went to the I'm going to there's a little bit of

the same the rome. The truth is that I had put to to think if it was a

little or not a but in the moment in the moment in the the

phantasm of the not they're not that those are those are

those are that they are things that they're I, because if

if so were a phantasm to be in my house a spirit of a little, because he was

almost two meters and and in my mind came the image where something something,

making to pass for a little, he's made to my sobrino,

and when my sobrino was in the court, it he closed

the door with a force so brutal that moved this red as a rojo as if

was a nothing else here now something new from exclusively on Paramount Plus

it's the series Stephen King calls scary as hell everything here

is impossible but it's also real sci-fi vision calls it the best show streaming

right now we're running out time and we still don't know the rules

don't don't miss what the movie blog calls something you need to watch

saving those children is how we all go home from Binge all episodes exclusively on Paramount Plus. If you may

permit you, I'll tell you the story of the Casa of the Sector Roja. Axel, at the day of today, has 27 years, and no is a Santa Palomilla, and he knows. He committed many errors at the long of his life and he was in the carcels during

a couple of years. And it's there, in the carcel, that he knew to Alvaro. A subject to chaparito, moreno, with a nose, so great, like, of a bolita,

and the cabo chino, chino, very shortito. Alvaro was a man,

you know, no, you know, he'd not be much attention. Inclusive

his physical he'd a little but if you you

was you you kept there there was in the

in the the the he was rapidly I got

the confidence of but he had a detail. He

is able to do do that, because he was a expert manipulator. A guy that was in the carcel, for having done many types of fraud, and have abused of the confidence and of

much people. Axel he knew. And, and a basis, the destiny or plays certain pastas, because me, he says, narrator. Of all the people that were there, the that less had wanted to

be able to be a type, Alvaro, because no he was calljave never. And I, the fact, I'm a person who

was an abuser. And me it was like a companyer of CELda. Alvar

Arrador's going to get more time than you in the carcel. And I I was

to be to be a time to when I was making when I inventing stories,

because he had many many anecdotas. He was someone

was he had had had done many Many things. Also, also,

also to give me to the class of the person with that I've committed errors, but no I had considered never a bad person,

had taken bad decisions, had been with bads, but I felt that for the I,

I was in the decision that he took he? Alvaro, he sent to he was he did a

count, in that I had an opportunity to not get there. He told that the first atrackos

that he was robing bicycles. And be the class of person that was, he was

to be to beigilar to the people, and being in the park, doing exercise,

making to pass as one of the sportsists that were there, he was

he was he was he was and when he was that a person especially

young he was a back velocity out of the park, he was he was

troting. Why did that? Because many of the of the people who were in

a bicycle they were so, once that he was a person with the

house, he was he had trotando, and a day or two, he had

located the house, the bicycle and in that time for the

were at the the casas not had had had

a caro and he was to recollectar. What did with

many how much? He said with the best of the rest of the second man.

And, the very disgracied, he put a little a chair of bicyclets and then

so that was the change of the rations and the and so for all that's

he had robbed. This type was un-verguyen and he was

he was he was every that was that was he'd He was notable.

Me said that he was escalando. That no was quite a much time in a colony. He was migrating to one to another and then

he was to migrate to a city to another. But the second that was to robarse

the mascots of the person. You know a narrator this type of was a

person he was he said he went to hecco with haulas haulas that he

was he was a type bellidoso. He was a guy to do things but all he used to do you know

to do you do it. Puso haules with those they'd be in the point and he

the problem was that this type was going being very very impisio

and I'll say, if it was he was intelligent but he was he was

he was he was three times in the same coroner

for the of the mascotas a he was he was he was he

he said you you have been you you're you're you

he was he he started to scabooly and even he said, no, no, no, no,

no, with those things I'm going to be able to and not going to be to be able to have to be

to get to get to the and get to you're going to get to probably because he was more

to five kilometers of there. But from there he learned never more

more of two mascots in the same colony and was he was and

he was getting to and just when I was just when I

was that do this type. But at a way, he had got a

certain kind of a great deal of his and his stories. I'll say,

I know to distinguish the veridels of the false

one one night he I made and he said

Axel you I'm to say something but is very important

I I'm he said what you want to let me do

let me say you you go this this time and I said, if this

week, I'm going. Me, you know, but you have to tell you to go to get to the tomb or you will be to get into

a tomb, to to tell him. And Axel me says, narrator, I'm going to enter in details, but

we can't that I can't this story because I know what he passed to Alvaro. When he was scaling in

all those his new things Sucios. GEOC. It was all the abacia. The codiciar,

the care, the having more, the time, to have a life very oldgated. But,

a base to perjured people, it's a pessimo a way. You're going to

leave there a list of enemies very ample. But apart of that, not you are

you're scabando a pusso, so not you're you're just down

and Alvaro he did a very very very he

said, that conform he was escalating when he was he was he was

because he said he was he was much and be he I'm

just some money for the money and other hundreds of

pounds for the animals not not not not

not even not the time because this type are a if she was

if he was for that he was a sociopath not he was a fact that he had a

he'd he'd he'd a cost of the life of the other of the

efforts agenos and he was over-e and then his efforts said that

valian more than that so he put the mirror more and he

he started he and he he's he he went to a abogado

that he he's he's he's certain questions legal for the course

it could scaboo-or and arm a plan. In occasions he'd a disfrasated practically

of a person of much money, in other occasions was like was the father of

a family and was and he and he men, other times the actors said that

what they went and they took their and they was a more

later was escalando and he was doing like a

bandi a bandi in the which I could confier. Alvarro started

very rapid because the third or quarter house that made you made you did a

person who had a the the new year that was a judicial and judicial

for the people who don't know, like a person a particular.

They're other different other forms to do the things and the

policy the law was the right to the the paper. He interested

the actions. When the brother of the judicial, he he said that the check that not had found, it was about the 8th of the night. And the judicial, even when I was a time, no, he thought two times. He was up his vehicle, he went direct to the colony where

was the house or the old house of his brother. Detuble the vehicle there, tumbo the port patas. He was a bat of baseball and he went to there Alvaro, celebrating with

a pair of copas of a wine, with a woman in the room in the room in the room when he was the window. When he

began to goopial the door and the he went to Alvaro and he said, no I'm going to leave

nothing to you. And Alvaro in that instant, he was he had made a

grave error. He always thought that the part legal was what he was to defender

but never thought that was he was to top with a maton. Then,

Alvaro simply he went to the back on the I'm going to I'm going to I'm going to

I'm going to I'm and the policeie's I'm going to go to say, wait a

wait a minute, he's two fashos of the billets, he was he said,

no me do you, I'm a keep, I'm a car, and you're never we

the car and you know more my life than this. The

police that We, we'd have his methods, but also, he wasn't, he was like Alvaro, not he meted at the quarter for the rest of the money, he was

there, like a a perro vigilante, and just he came out of six, seven of the morning, this Alvaro he said, let me go to

have to be to beckoned at the eight, the eight were to the notary, they were the

time in the instant, like if it had been a type of donation. And yeah. From there,

Alvaro He also learned that not could do this type of things. I don't

know with who was in he's getting and he was a kind of

unorth bad un-grabable, corrupt, malo, sin heart, but

intelligent, he learned, he got, you know, you know,

you did you know, you know, he was, he had to three subjects,

to the case, he never appeared in the house, they'd they'd

they'd they'd they were they're they're with a renterer's, but not

they're not more for that's those people were three types quite grandotes

fornid thinking in that if if had had had had

got the bat of baseball he'd be put

more more more if it's three people of this volume,

Alvaro he's paid very well. They'd there's six

months, depending the old old the same when they're the new new

do you could be doing that could be that they're and these three types also

they were they were in systems of security. Alvar he was to be

the house, and he he, from his from his domicil commensable

to monitorer all. For this I'm talking here

now, more or of the finales of the 90 initials of the 2000s. For this moment,

Alvaro has a has robbed more of seven casas. After the first of

four, when he passed to this new method. And he got incredibly

good. Never been been a problem. He is a type of castador

of places because he was by looking to colonia and

go in a car that's much the attention, because not is the model more new, but not

see a car to start at a lot. Passes impercived, knows, knows manage the situation. He's a colony in colony. Busca casas. No,

casas in rent, no. He gets a timbre, and he says that's enchanted with the place, he says that comes

from a company very great and has a good money and has offered you. He says that if you vending

the house, and even you say, that's that is a offer that is so great that's a

great that's there's a question with Alvaro is that he's not well the property

in the moment in the he's the idea of how they they can the people who

can't and then it's in these busk when it's a house

incredible a house that has a a house that is a

kind that basically The architecture is rarer. It's more well European. It has made a cabadoes

and the windows are circular. It's very strange, but just the he said, this is for me. No,

he said to sell it. I was thinking in what to do it. She saw in the house.

The codice he goto. So, so it's he's not he was two times. Detuble

to the vehicle to work. Tocou the door a man heuroadito

of the skin very pallid of a cabo, subamente black. And as if the

man was with the maximum confidence of the world, he started to come to the reja, and he said,

me, what needs? And Alvaro he said, and I'm he said, I'll buy his house.

The person of her inside, reactioned like nobody had reacted on this

type of frauds. He said, he said, and Alvar no, I'm

he was accustomed that he said, no, and then So I'd vented downed a money and then

he'd put a amount of more high and the final was to convince us that they'd that they'd

that they're to tell you not at the final, no. Here this type seemed that he was

to do the property. So, so he was he he said, he'll I'll

offer us a quantity that was a amount of a price of the

half of the house. That house was a great. And the

The Lord said, It's fine. When? And Alberto no could believe it. His mind intented

to give the logic to what was going, and he said, that's anciano

had to have been done several decades and this place. And

he no know how it actually. He got to the price of

the before. Cerell it all right. Cerrrall like a

one was to rob her. He said I said, I'm going to the first hour, we'll

see in that direction, is the notary, there's the change, and I'll give the cheque

with the money. The sir said, there's we'll be. At the day

the next the anciano comes with a woman more or men, of the age of

old, and the man, the woman she's very and the first

again, I don't do you see without the situation because not

they're questions about the check not they're a floe

of the kind of a thing, because the the billets don't have been

not a money, not going to get a time of the but he's a costumbrated

to this stire and he's not of that is more, it's more

extrao even. The Anciano came to the old, he said,

he said, he's he's going to get with the house, he

He was the keys to Alvaro and he was even to cover the

cheque. No, he has sent him and here there's a question important.

Because the people who know that the people who do you know when they want to

they're doing to them to do you. Something there was a very.

And Alvaro it was so. For so, so, so,

phone public, he marked to these subjects and he said, let's I'm not a house,

let's have a man who you want to live a year and I'm going to move to make, let's pay what I

have used to pay them, you know, the rules that I have what you can't do you know,

but what I need that I need to be to make for a manna is

16 cameras. Because 16? Because Alvaro is intelligent. You know

in the proportions of the places, more or less what cameras they're to put in what

and at that property the first of the first were the things that were there are the cameras

to be the exterior, thinking more or less how it was the interior also to be it

and to be the patio. 16 cameras, for the most was what was

what I'm going to the subject were they were they were they were the day

the day the next the day was waiting that were going to the Ancians

were used those people who were to come to them to confront those people that were the question of

the contract, and how had been doing it. The manseeing three months. I was in periodical if there were

an obituary there and had there the names of the owner anterior. Then see he or her

her spouse or the apeos that were or the person who had been in someone that had been

who had for the heart, for the the and have been said to

have been not the news of them that he that that's a

corbidit that practically he he never he never

he was during the first three months because for

the third Mets. These subjects vivian very very there.

But Alvaro was paranoid. Something was going there. He was his instinct

he was he was to get to get to the place. He had

many money and he had various properties that he no he was

a barice, it was a pure codice, all the that was

so he he was so when he when a night

when the the camera, was to prepare a coffee and saw something and saw

a lot of the monitors of the house. Resulta that there a group of people

that are incapuched and with much sigil have been been having been the

cameras. The strange not were those people, it would much

coincidia no, the extrano, the was to see the the

part of the monitory put totally the panel in the black without

signal. When he kept being there, is when he was a moment a man taking

one, and Alvarro is a type intelligent. The cameras were all wereas were

they were found found out of various were in places in those if you

know, you were to do you know, you're going to you're talking. And he

was a especially in the passillo of the second plant and in the

part a little in the zone in the place at the Cena where they guard them the bivere's

and in those is when he in the of the above, that was a guy

was all a capuched with some type of a repopal extrana,

Alvarro for the type of technology that had not I don't know

what was it was a rome was a really rare and in the piece

of the the old the old dwean, coming

by there, too well, but he was encorbed he was encorbed, caminable normal.

Like if the day that he had been been acting. And when he was

one of the cameras, so he saluded. And, he still three subjects, basically

very old and robust disappeared and Alvaro no knew what's

what's that's that's that atreve you a property for the

morning the next all the cameras including those those are desactivated he

was able to he was that they had been because they were they were information

to the people they did not he did go

to the house and when I want I want to

go we one of the one of the two two two

were he had he did a good a

a vengeance. I know a judge, and a part of there, the strategies

that were not far as were not sufficient. And for so I'm in the carcel.

Axel me tells the story, as you know, and I said,

and he said to he's here and not is in the tomb. Addivina

who who and why me could get this story

to the that those ancients are part of of some type of sect? Dear family Nocturna

that is on Spotify, Apple Podcast and in all the platforms of audio. With this history,

we've got to at the fogata, but before before to let me

let me say that during the days, there have been some there's many

there has been some problems there with the audio and

there are in other in other other more very

extraiors. You I'm trying just to modify all of the episodes for that that's not not even the

idea because it's not. But well, yeah is there we have to change it. You need to have a

little bit of patience. In question of a couple of years to be all all right. Consider it

that are three hundred episodes and we have to go manually and one on one

changing all. I want to say this for you you know

that's that we've heard your comments, that we've seen that we're doing

our whole of our end of the problem. One of this first, thanks for the patience,

thanks for being here, thanks for being part of the family nocturna. Second,

help me for a that the family nocturna of these networks, the Apple

podcast, of Spotify, the Disser, in the red in the red in the platforms of the

other Cresca because me says that only the 1% of those that I'm

still the first of the next year. The idea of we're to get him to get to

150,000 in Apple Podcast, and that only is only is you're on this

moment press the button to see and me you give the

Saturday on the Sambh you see a beautiful rest of

the Thank you.