HABLEMOS DE LO QUE NO EXISTE - Historias de Trabajos Embrujados , Brujas Poliamorosas y Exorcismos no Consensuados | EP 330

Episode Date: October 2, 2025

Bienvenido a ésta Oscura Fogata de Historias de Trabajos Embrujados , Brujas Poliamorosas y Exorcismos no Consensuados en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  El día de hoy les traigo uno de los casos mas extraños y aterradores que me han mandado al wts de las pesadillas, escucha los escalofriantes eventos que embrujaron el lugar de trabajo de Manuel , efectos poltergeist y entidades malévolas que serán protagonistas en tus dulces pesadillas. ¿Crees poder reconocer a una bruja? un miembro de mi querida Familia Nocturna vivió una historia de horror en donde tuvo una relación con una, hasta que las cosas se volvieron paranormales. Así que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩  Por cierto, si aún no mandas tu historia nos encantaría que nos la hagas llegar al wts de las pesadillas (lo encuentras en los Sábados de Sombras) o al mail [e-mail] DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

It's something else here now. Something new. From. Exclusively on Paramount Plus. It's the series Stephen King calls scary as hell. Everything here is impossible, but it's also real. Sci-fi vision calls it the best show streaming right now. We're running out of time and we still don't know the rules.

Don't miss what the movie blog calls something you need to watch. Saving those children is how we all go home. From binge all episodes exclusively on Paramount Plus. Welcome to Family Nocturna to this Oskura Fogata of Stories in Let Me Let Me Not Juste Weak Most of What No Exorcism, Bruchas, Brucker, Bruchas, Poliomorosas, and Exorcismos no Consensuados.

But, before to initiate, Permitam me invoccur to the Famer Nocturna and that be present in the comments, saying, narrator, we're in the Marche of the Million, because, very probably for this moment, now we're 920,000 followers in YouTube

so in the red in the you're going to this is that you're going to because we're going to the family nocturna

because at the million we're we're just a super-surpres but in what we're I'm

I'm going to all those that's people who come to first to come and they

can't and they're and they don't they're not pager the fogata

of the dark fomina night turn, the day of the day of

today, me they're purses and they're really and we're going to do

because this that they're I'm going to have seen I'm going to because it's a little things that

they're in the story and we we're doing like a order to the first. The first

is that there's a one of a pair of two people that were those two of families

Christianas protestants no so I know that the denomination, but the two were like the obeja

negro of both of both were the same-in-a-one-nied, because they were, like, one thing in that they had put in order, without put into order, you know, of those that nobody

says, but all those are doing the same time or they're doing to do. And is that they had been put to do know, in that

they were to their daughter, under any circumstance. No. They'd just not nothing to do that

religions, and not is that they've got something bad, is that they're going to be a beholder-negra, justgated, with some problems, ideales, or ideas distinct. The point is that. When they're a his wife, they decide that no they're going to baptize, and there

this espantosa adventure. When the little bit of eight months, for a situation of the job, they're going to move to a city. At least, a new city, the company in the that's the husband or the man of this relation,

and it's a place where to live that's not bad. The other way is a lot of a house to two-pissus is chiquita, is a house

a little, has a little but the sufficiently great for that one they're not to come to the baby,

and in the other are they're in the third quarter, put all the and they're all the car be in

them or cab in they're in the house, but not the house in the room in the

house in the little also, and in the room of the room, all is all right.

The house no has space, we're in the cell. It's the commedory, but they're

engineered, as they're going to have visit with a mess of this of this brand,

of the red, that roger, with the red, they're a little little,

a very rare that they've got from a local of there, that's that they

had been in the time in that that was that they're in the part of

Adelaide. He pegged a new two places. So, serve for those two are that they're

sitting at one of the other. Or, that one of those two if you acuiting

the spalde on one of the restalds and the and they do the other, but the

two are so much so that in this case, the things went

quite good. The company was very demandant in

things like of time and things that had to have to

do the stuff and he has a this woman with her in those moments

get a point in the way this woman passes much time and he's to think that is necessary to start to have to have a new city

because it's one or two months that's there and practically not say a another maybe to

do the manned in some sometimes out of out of the house but are

moments and it's like someone he would have leased the because someone

at the day next he's the next and he present a and he's a little

she is a person that she's the order, that he had seen that's

there's that he had seen the she's a good, and that

the back the the business the things to get to a better

to the person, the the best of the the next the next to be a more

two, three, four mesicitos, that are like a little community. There's a lot of there's a group of there in the house. When he gets, the husband,

the father, all they're going to knowciety. There are reunions in those that the spouse go, and there are there are men,

and they're doing their new circle of amistades and all perfectly well, until the little, and it gets to

get very bad. The repent one night he doesn't come, and it and it

means to giveulver, that means that all of that everything that's been that's got getting in the stomach and the body is a woman

to another, there's a little to get to be a little they've been to get into an hospital, they're doing, the doctors are they're

having to be probably it's a but there's a question, but there's a day, and pass two days, and they pass on three days, and the doctors

have done to stabilize a little the new, they're saying that probably is some type of virus or some

type of bacteria, but not he had talked a case and not he's not any

any of the medical and they're in a lot of a lot of situation. Yeah, there are two

specialists that pass the specialists get to a conclusion a couple of hours after they're in

a situation very confus the the papas are disamparated and desolated and they feel very

and those of the hospital they say that for they're they're to come

to they're to take a one a second a time

and they're that they're They want to send to the other world. They're going they're going to

their house for that the little bit more and they're not their responsibility. They're very molestos, but those of the hospital

and say, no, is that the child, has been, the time of the protocol. If they've a problem,

no, they're they're not the two months, the the parents, the papas, they're all many emotions,

they're many days, and they're not even never, the new the new they're in

their way, it's in the a calaverita, is something very, very, very, very feller, you'd get directly to the heart, to carry the parts more sensible of you, of your humanity. Mama and papa are deadest, and it's there, when you know what to do, that they're in contact with the mom of one of those two,

and the mom says that she has a known, but that, for favor, not they'd say to the pastor of his church, because it's a woman that does things that the pastor not would be so Felice. No, it's a Bruch. It's like a medium,

something. And the mom, and the number and they say they're that they're and they

say they're in the name of this woman. When they they're doing the name the mom,

the person that's the number, the woman that says, that is an urgency and

they're they're saying that they're they're the day and the day after the day

the day, the the woman is at the and they say, here is there's a girl here's

there's been a girl, and then they say, no, we're not, we're going with those tontarious,

not you make you make aufad, for favor, if you can really help to help us, don't you

come you, you're going, and that's men's and this woman, this is a question,

a little to do you a little to doctores, papay and mom's put in frios, they're

they've had given that information. Tal best was the mom of them that she did the

number. then they're tranquilized and then see the eyes, they're going to talk,

and the woman still doing the don't know they're going to be able to even if you're

you're going to you know if we're a little, the new the new the other world.

And then they're well, what we're going to do you? Tragan me the

this and I let's give what I'm just they're not they're not I'm not can't

do not do you do. They say, they're going to a bride. Here has been a woman. And then they're just they're not doing this. They live in search of a bruise. A brawomen, a brawomen has been here. And a brawra is

the that is the timeing to her little. The bruchas, that are the children, no are they, they're going to them all the energy vital. So, your is not so they're doing. So, they're not going to. So,

is that they need to that's wronged that vinkul. someone that's someone, who's that's a lot of

your family has been in contact with your little in the last two

years, and they're in the whole the reunions that they're having

with the new and the and they say, well, we're so we

are people, one of them is a but of what you are one of

you is a a woman no important one of one of

them is a person, they're they're all of you two,

cargandolo at the time, they're going to put in his hands and there will be a person, there's a person specifically

that will be to be chasasar, that not he will be to and they're to know that after any circumstance

he will be to try, forceenla, that person, a woman, is a brawag. Papa and Moma,

no crean what they're doing what they're the idea more idiot that you've heard

in their thing more stupid that someone has had said,

but not they're to their and they're a little. And if the medical

not can do you know, and if the woman of the ideas don't have

the reason, it's a situation that they're to get to get to the

discussion. At the day next they're all the people, we need to

come to the house, we need to us we need for the good

for the good and all the business and all people, and

they're special. They're a each one a hootita different, and they they're going to

them to get a little, that they're taking with their and they're reciting the ojita

there directly to her. When they're they're not that three persons, three women, one an

anciana and two young, they're to put in the instant and they're to be in the kitchen.

I'll say to, there no there's there's all over some pastos,

they're the way, they're the back to put in things and they're to get them

like, gadgets, coffee, they're like people, but the sir? The sir,

here is in your version detective, and that's a result of soapachos. So, so is that

he's the eye during all the time of the reunion. Commience they're going to

one in one and no problem. All right, people, soltando those lot of their

lives, people, all, all his own, giving the things to the new rosaries,

others, resando his resos, all they're asking because at final, as people, when there's

a necessity, every one every one who do you know, and there were all all of trying to until the

father's that the three that were to the one, the first that was the house,

the first that was, she was the she was her, she'd every time that she'd

get to the new, permit, let me, let me, let me, let me the manus,

to be to be to be to be to be maltreatar the little bit of the door and it was

the door to do you the other side of the house pardon me, pardon me and have three times that's the same thing he's the father of the

man doing like if he would have had put a pisa go and take the the girl and he says his wife and they're gonna

they're gonna begin to get her to a person to a person that's close to this woman and it's then

when it when it's when it's when it's a direction to and sonriending, but with a sonrisa that he's a idea,

I know that's you, he says, Carga the little and reza for her yeah. The words so gelidas were so contrastant

with the place that one person said, Esteban, tranquil, and he said, no you getas, agarra the

little, he says her and she says, her husband, take her and raise the oja that the oja that

did you the woman is very nervous, and he's I'm saying, no, no, is that me they're doing much pendent to the babies. The bestinous,

start you're in a trifulka. Esteban, for favor, not be discortez. She is a company of us since many years. She's a lot of your young, but is a senior yeah major. For favor, Esteban,

for favor? And then, he'llte a with all. But with those colmills, like a papa leon, trying to protect

to his crue, and he says that nobody is a serke. Bruja, agrara, and resa the that we did

and he put the little and she put the moment, he changed the mind. Esteban, had seen

a mirror that's been a little disprovista of love. A mirada of an person,

that is a human, is a depredator. She he kept being and with a car of the

little, he said, he said, you know, you know, you know, you know, you know,

you know, you know, you're all, were all the voice that was that was that was

that was that was that was that was that came to be in a catacomba after that after the day after the

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and, and, and profite, Via Rae, the voice conem I'm I'm I'm going to one of the

cases more of the cases most of the other things but at the best that maybe

can't some of the phenomena that have been, this situation that I'm at point

to say to say it was about two years. I'm going to give data

specific because we're about a place a in the fact

in the day of today to be in the day of that they're people, but it's

very possible that the people who listen in this history identify and me say,

narrator, I'm going to this place. If you work you're not you don't me

say the number in the comments. Why? For privacy of all of you and the

people who there are just so if you talk you mention a in the comments.

There's there's there. There's what is what I have to the Mr.

Elvira and the Maryale. The The senior Elvira, has a new year, or more well, he had a year a lot of

a little time, to her but the little when the little, she did her little bit more that had some problems there

in the heartonsit, and for more that they were doing the doctors different things, the heart had

a soplo and the little bit. The senior Elvira from that moment, he made

that all his existence to go to turn to the protection of his creature. All, all, all, all of the environment that the little bit. That's all right. Mariala creceo. Of the most prognostics that

he had, passed that moment of the five years that said that very probably not going to get to come up to. And it was also that's the prognostico of the 10 years

and then after the of the 15 and was about the 20 years. The lady, the mother of Marialle and the Mr. Elvira, had had done, all,

even, even if no, there were to eat, no matter, but medicaments and the

not going to have to have been to her little. For other other side, that was

a level of the thing, he said, no, I don't do not justificated,

nor that is reasonable that has succeeded, but it occurred and it's that,

at the been, had been that I'm the time, and the after

the year, the The husband, he felt a rechazzed, perjured and he was he was,

he was a good, he was, and not a type so disinterested but she not was a part of the

family and he could do your life with someone more, I'd go back

to take those mieles of the youth and to love and to

get a story romantic. years after the years after he was

a refugeed to say. We interest the relation of Elvira and Mariala. The senior Elvira did all for her new, Mariali. For other other side, with the

past of the time, was developing a personality a little bit moreovero. He'd daveguesa all. No, it's a merceivorah. Since that is a little,

be that her mom is a duro, for all the efforts that does make, intentating that the little bit

so fast, not you do make that much care when you goys with your friends, remember that you

not are like the other. All your friends are all the time. And that

intent of really to do you know she was not a bad to express her was a

very nervous was a person was a person who's was in the place where

was her moma so so she was she sentia protected and

she sentia not justgated because where when if did

something that that her not would He cantable to all. The efforts that I'm doing, if for you,

no, it's about you your father, if you know, you know, you've been for you, for you, for a favor,

and the car of Culp, was a furt, this is a thing to do do you know, and in the life real,

and in the real, you know, to be in the scene, and standing there in the scene,

you have to do you make the thing, the mom of Marial and the woman,

the woman, the woman, the was doing the better that was the way she was in the thing Maria Ale

no culp never a mother, but these actions were developing a personality very marked.

I'll tell you this, because when when he gets to get to the age of 20 years of

a person extrovertida and agree with the life, felice of the miracle that had to

be that was a child, she was a little she could be able the

was a woman, was a she was she was she was that

if you were, if you were topavals in the callie and you'd say, good good after, because you'd ask her to ask her to-a-hour, or because you'd have to be able to, and she'd be able to say, she'd, she'd, yeah, sir, pardon, sir, and he'd be able to say, yes, sir, sir, and so

he was away from you. Because he had a fear, sentia that no was able to practically nothing, and I sentia that's in her mom, he was there, despite that's protected. For that, no you'd be surprised. That's the age of 20 years, the

Mr. Elvira and Mariala and they'd work together in an company. In this company, the mom, the senior Elvira, was the one of the manned, it was the that she said to Mariala, what iser and how do you, and, of course, he said,

I'm going to do the things for you, and in the company, they were all those figures. A Marialle, here, tras bambalinas, they said the marionetta. No, they'd bullarses of her, but when they'd be it to Mariala, there parada,

and I was going to the mother, and then I said, Mariali, and at the moment he would be and trype there you know,

and Maria Le he was very rapid, so that he said, bette more lento, and if it was more lent,

well, it was it was going to some of the hosos, he said the marionetta, the marionette,

she'd be always they'd always they'd very well, to the sir, the sir, Elvira, he said the sargento,

the titillita was, and he had a million apodos, but also they were a bad person and

they'd know that this woman was made double, triples, quadruples turnos,

including things that not were permitted to them to give them to give them money,

because I'm the situation. Sabian the story. And not they were some chismosos. Sabian the

story because the senior Elvira was a person very communicative every every

every every every was the day, oh, how is the life?

You can imagine? One one day has a baby And, and, of a repent, they'll be told you,

and you were being participle of the history of Maria and the Sir Elvira, and it was a question that you'd be able to pop because the

lady had a memory, and was it was and knew perfectly in what part of the history was,

because if were two, three, capitul, and you were you know, then you

were you in the scene in the that we and we did you and we did it

was a time, the The Sir Elvira was a great of the story and you

you'd know that in the relato's that you she was a heroina that was

a person. For all those, for those those that are in the

company? It was very evident because Mariale was a woman. The

senior practically she had not even even to not she had

to be to do all, but I'm being in the place

in the place in the type of Hiro. Had accidents, of a

repent, had situations very delicate, that's, that's in an act, that's in a situation

comical. Those are two characters that were you're put up, and they

were to make a marionette had a little and her and the other,

because the woman, she was, that you know, one of the person that's

people, that's people, that's been a car and that has a the

Sir Elvira and with Mariala. This is, because Tras bambalinas every that has

had been a opportunity, has been to get a little to get a copia, to get a little to

get a lot to give them to do something, something that has a person with a person with a

person who does the other things outside, does the things in that the other

they're without the because the thing is being to make to the time is a

One day, this chico, we'll put him Manuel, Manuel, is a new a general, he'll say, he'll know these people, he's got in

some time in the place in the place in the company, is very insimismado, is he's meted in his pensions, when

he's got a that strident that's put bad, he's to start to all parts because he no

he's not the and in the second grito, for favor, that someone me help me

come, come, for favor. The pill is a put chinita and he starts to

go to hear of Don Elvira. It's the voice of Don't Elvira and he

had heard that Marial Mariale for favor reaction reaction

and he he's he's running as he's he a voice that

he's a carable and it is where he's the court of

a intendencia. He he's creak that they're in the door of intendance and he when the lady grita, we're here in the quarter of copiated.

And then it's the door and where he'll work to turn to a scene that he rompe the heart.

There in the piece is this chick with the eyes abirtos and no reaction. Her mom she has,

sustaining a part of his head and a part of the but it is anert

because it's all the piece over the hand of the woman's because no

the she can't be the maria le, it's a chica and then it's a piece of the

woman, and he says the manned the manned the manned me to getcha reaction

and he and manuel is far for the signos that she can the chick he's

he's imagining that he's but he doesn't know of no he's

no idea he's he's he's he's going to get so that

the first is to ask is to give that you do the course of and they're going to make

in the training after training after training after never will ever be a

woman and not not able to do a and so see how it was

the person the poor the one one one person

a one person is a person is a person the time of

the first the man's over the man and at the a muchach to make these

like these like these, as a maniobras of Marial, she's He died. Yeah, they're in that moment,

while ambulances, and are a lot of people mobilizing. The rest of the day is a chaos, operative and sentimental. Much of the body of Marial.

For when they when they were they said, they were going to do not. When this subject, the he is the maneuvers of

resuscation, they're going to do the protocol of security, and comment to all what he did, he did the

child, no there was no way to have had to have helped. Also, also they did it in fact

a good amount of a good time. This occurred a very good time.

No, there's a good time. The company put in the piles and it makes to make

that all the thing that work, the person that makes, the person who starts courses,

and he starts courses, and he gets to say, for father, and I'm going, and I'm still,

and I'm going, to be the company, the company, the company, the company, Why? Because they

It's allue in the Alma. A member of the company had fallen. For that's also you

never to surprise. That even when it's a company and a company of a

company that is a protocol, maybe this is the only company in the that if

you enter to the car in the there's there's there's and there

photography of this chica with the different members of the company

there had bells and they were oncendid, and they were out of protocol, that was that was bad, but it pegoed so in the alma to the family, and not

I'll say, the mom. Because the mom, you know, there was, there a minimum two or three times all day in-cada, front of one of those altars, yorento, bidding for her wife. Generates, hefatura, persons that were known their

had their space, inclusive the company put a door, permittingle, giving the place there, a place that's so Firt

that was to get to get to the pain. The

people decided to get the copy and the place was

transformed in a place in a place he he was a

other world that all that all that they are

that and that is a miracle and that you have

to be that maybe maybe to you know that

is a idea is that that that was accumuling, because, because of a sudden

happened to occur to things strange. Not not paranormal. Coses in the

comportament of the people. Maybe there things paranormal, but not were not they were so palpables.

But, of a different, there was a new parts that's certain to the center of computers and

copias came here in the redos for the walls and the piece.

It's strange, no? But all they they all of them all right that they had and they're going to put in the rogues from the offices and they connected the hos to the point of the altar.

Then, there are to put an altar central. Fuerre at this place of altars, an altar with velas, an altar that we'll give the divinidad. It's that is very strange, this no debate to occur to an enterprise, but all those who were there were in this game.

It was something that was motivable, something that was led to simply do they're, and then they put them the altar. In the altar, of there were some bands rojas for the walls. It was a little

very strange. If you had you ever had yet a zone ritualistic extrana. Yeah, it would be the offices of a cult than the company of a time of the time of the time. The headents

they were to think that something that was all right. Tardarrow, because it passed more of a year and a half. In the moment in the time in which they decide that that

that has to change, they're, and then they're to remove the things. They're first to

start that was at the office of the office of the office of the computerers, and copies, and finally

all the records of Maria Le, the mom kept so that she'd be able to be able to

be there, and it's then when the things strange, they're not to occurrier. Resulte

that comes to be rumours. The person of the company start to say, that

don't want to enter to that they're not being that they're doing the copyers to another point of

the company. Why? Because when you you're you think it's one of two things. The first,

that someone to come a a part of your the body and you're going to that's tisting absolutely

nobody. So, you're just you the record of Maryale. Also, if you're so you

that's just Or so, Tal-Vest, you see a one that's a little

to get to your no, and if does that's that you, it's

to make your hair for more more that's that's

that that's very and invasive that even people

of people, and that have said, are pure rumors

ridiculous are they are they get to the car

palid with a fear. It's a man. A man perfectly, but you know, Mariala, was regortetta, but was chaparita, and his hands not are so great. The man that you're

there, is a man that no important the time of your head, practically the barca-to-do-toda, is a man enormous, and that's very strange, because the persons of different times that have lived in that, and with their heads different, of complexions distinct, all describe the same. It seems that the

thing that's there can be the person. It seems that the message is clear. Here you are, and I also. The place now is now

a second emotion. Now, not just is the tristice of the pernida. Now is the fear of

all. There's a strange. Since you you're going, there's but for some extraia

reason, it's that nobody see the bands Rojas. They're all the bands Rojas where

they're from the floor, and all get to the same point in that place where connect them

all the bands of the thing that's there's a sensation like of a vortex, like if

were a remolino of energy, a point in that's accumulated that's that's

that can't be supercived if you go back you're not you don't you know you're

not you're not sure, but if you you're to do you some extra reason, evitas that place, evils that point where connect them all, you

alias, if you're up to the wall, preferre selling to the quarter. If there's more than two people, the two are just in the wall, peterate to be more more than to begues or in a corner, but there nobody's quite to get to get. There,

if you're with your cellular, your cellular fares, there, if you put in the machine of copyators, the copies, are bad, they're start to start, manchated,

and the end up, and the worst of all, if you're all the light oncendid, more of five hours, it's a parpadeer, and the bombilla is quen.

But there's very rare. You have the camblero. The cableado the cloblo put it out of a second.

It's not functioned. If that bombilla kept on that's a place, it's going to

see or so. And then then it happened. The person that's the story is

Manuel. And Manuel me said, I said of that fabric, salied this industry. I know what

was going to there, but for situations personal, migra or other company. And yeah, they're going to

pass the years, I keep with that history, and it's a story very important, because I

you know to do you when you were to that you never, there was that you

never, there was there was there there there was there was the

I'm I'm I'm know, I'm I know the Mr. Elvira, and no

was sentia and she was like one of those. Something was to be a being to

pass by Mariali because many people when they said that they said, Maria Le, Descance in

peace, and then the things were more turvias. I knew that it was because the sensation

not was the same was the senior Elvira still alive, but as was her

that was there too and of Mariali definitive no it. I'd to say that all

there's but that I think that's all the first I'm going to start my

life out of and I'm a moment six years after that this story now I'm my

my life advanced my business a new business a curve of a

practice of me pletos here and resolve situations there and then

the life turn to other type of other time that momentable and it's not it was something that palpable,

until that one day, standing in a central, me toped a companyer of that's a job, and when

I'm a hand, he does a time, he says, you know, you're doing, you're doing,

you're too, you're very, very well, you're very very content, oh, there's many, you're just

in the company, and he said, but you know, you know, you know, I've got to

get to get to you because me got to you're, not you me did those

it was the first time that I'm the first I'm all the thing I'm the same

the same thing the light that was the focus that was all the all the other

the lot of the she had felled there was that I had fallen that I

did that I did not I'm and I started and I think she

she and she she and she she she said that you're that so that

you're that situation but it's that the they were put very very very

very we're we're we're going to see to get to a coffee because he

said that that's only me to tell to do you to know that you do you

go to because he's he's he said she that passing

the time they're going to start to be comments in the fabric

in the part as in the part they're that they said that

they're that they're that they're people about a

a little of certain like hermintals and zones of the things of

those. And there they'd have you see them to make the place.

In the place you know it's impossible to enter into the machine

imagine that there there's a kind of a kind of a

cartinilla every every that's the band passing products

for there the cartinilla so move to into

the one of one of the one of the one the

som. Narrator, you you get there and in less of a second, it's

a little bit. When the little the person that was out of was able to not it's a man.

No, there don't you get to get the space. It's impossible and the type of machinery

also does it is impossible. No, is the only person that told that.

This chica me was that were three or four reports, they've

had to have to but no. No, no, no-a-natured was good, the thing was continued, and the reports of the visions of the little bit, but after that we had a machine, type of press, and one day, a person, saying that, be a little bit of the girl just behind of the press,

intentathing her back to, and I want to be it, or be it's the final, but that person, now has no time on the day of today. reactioned by instinct, without the level of the level of the problem

me says this chick, that was something because never had had been done an accident of that type. If there had

been accidentes, but never something that never a bad part of the hand and part of the arm and part of the

problem, to resolve or not vital, rojo, just the side of the machine,

and that when they were to do it, and they were there, a narrator, a new

to the man opuously. When they saw, even when are people people, they're

people, they're out of and at resigning, and all clean, and there

nothing, you know, you get to you're a situation, more of a thing,

because they are five very lastimed without the rest of the body, a river a shark of a child.

And the person who was and attended the accident in the moment in the moment in that was the subject

they described exactly what they were and this type said that the one of the doesn't

because the press no reason but the charco of the same in the

place is in the place, for what are what are what are what are doing these things in the

I know but I think that that situation of Mariala attract a little and it was now in the company and now embroho the house. And I me would

like to ask you a great family nocturna, what you think what's going? RBC Training Ground has discovered potential in over 20,000

Canadian athletes and counting. Your story could be next. If you've got the drive, they'll help you find your path

to the Olympics. Let's see what you've got. Sign up for free at at rBC trainingground. com. If this program is called

Brujitas Histories of the real, this would be one of the stories top of the

channel, because what I'm going to say, is the locus or of bruchos. Resulted

that's in the 15 years were Mary Louisa, Joaquin and Alejandra. Joaquin and Alejandra

were a pair but they were found that both were seeing

a certain in detail. But a good day they're they're have a relation polyamorosa. And they've been a

gusto so. They've been there certain months but then Maria Luisa starts things a

little bit more demandant with Joaquin, he's to have certain attitudes with Alejandra that they're not

to get to get to get to get to in a disconfiance until that gets

a moment after after two years of this relation of a relationship of

a relationship He says, Joaquin, you have to decide because I don't know I'm going to go ahead. Joaquin, after to give him much vult in the relationship

that we're also really the attraction that I'm from Maria Louisa is a thing more carnal and with you compaginamos to other levels,

I'm going to talk to the situation, he'll talk directly with Maria Louisa, Alejandra also also about

with her and Maria Liza simply and simply simply simply simply and say it's just it's okay I don't

know, No, don't know the relationship, but no for they're going to make them there's a

group of people, where at the long of these two years and from the time previous,

in the they're they're in common. So, when there are reunions and there's

this Maria Louisa and there's there's no problem. They're they're discretos. Nobody

knew that they had in this triangle amorous or nobody knew that they

really the three practically were a part of the I'm

I'm started to go to rather as after six months

in the time in the time and Joaquin are the people who's those who were

Maria Louisa is the she went and very very I'm I'm do you know

what you do you respect your decision but but of a

repent he's a question he's a very very very very very very delgado

that he used to use he used a shirt always

a camis a capisa of the general, the tray-abird. This type of delgado, that normally is someone gracious, is someone that if you top as in the car, it seems very serious, and he will

be saying, a burrara that you're going to a carcachada. They're like a type of charism, a type of angel that's a good. For the other other side, Alejandra, is a a chick that's very guatem, is very eloquent. She has a lot of the pietas.

They say that no there's person that can't be able to talk about if he's in presence of Alejandra

more of 10 minutes you have she gottive she has something she has but is

another different the Joaquin Joaquin is like a bohemio a music that

and he Alejandra appears more more more some kind

of some person a very formal very captivator a

an is much what has to do with with the things of because the two

are the trying to try to work the world in the relationship of the relationship of the second

the second the and they're not terminated the career so when they were

when they were in the time in the business because the curriculum

not could position in positions in a position a little but

they're they're they're there in this moment that where they're going to

happen the other things strange. Decided the two that even they're

going to live together and they're many years since they're part in their way, and they're

they're they're they're going to live only one house. And in this

house, that's a little little little they're to get to the

things of a second man, they're they're not they're

not opportunity to come other in the van and put in his first

mess? Look, Joaquin that is a bohemio he was to get

his dots of a carpintene because a part of the thing,

it was that it wasn't that it wasn't going to people and

people and people got to repairer and with a great

and in that mess with a one a part

of a particular but that that house, Joaquin si was doing of things that

he was getting in a barzard, in a place of second man, and all it was that it was very good.

Oh, that's good. After one when they were on the sillion, that was

a sillion that's felt like very fluffy, they were some animals out of those recovecos that not

didn't do you really, and it was that's good, that was that after

that they were all the cast, and they're all intoxicated, well, part of the

that when they were painting, they're trying, all that's emuble, and part of the mess, because they're not couldn't cover them because it was the air.

That's the picture, are things that are having their sourcito in the relation. If they were so many

relation, why they're now so, because they don't have time to talk, because they're

in moments with a certain level of the odio, because there is a resentment in the heart,

and it's alexandra, the one day in the I'm while he's sepillating the

the end of the thinking for one part, I'm going to get, I'm not I'm

in the this is a cutitril. Apart, they're those cucachachas and I

don't the other day I'm I'm I'm I'm and the back and the

back and the ideas they're being to be a much, but

on the other side a voice in the her interior maybe her incoient maybe

his angelito he said he said she and you don't remember because

you you that moment was very strange, because not he had a present.

And when he was going to try to make sure you know that he did know that he had used to

access to it, it was like if someone had put into in some type of car hermetic

and those had been in the part most obscure of the inconsient

no he could not not existian in those moments very confused

with the the top the room, comes to the a quarter where is to Joaquin

and sepillandos the dents he says with the man of front, no me you know, you know I'm a

doubt, I'm a doubt, I'm still, I'm still, and then Joaquin he's he said, what was,

now with what you're going to you're going to attack? Joaquin, you know, you know, you know,

because we're we're and because he's kept thinking, he's a question, you're just a

question, you know, you're like, you're in serious, you you're you're

you know, and Joaquin is going to back, up, up, up, from the other. Alejandra, with the sepillo in the boca, he's he kept a vending,

and he says, no you do you know, and Joaquin he says, how not me going to go to get to get?

Is that you are doing? And he's he, he, he, okay, , don't you know, don't you know, you

don't you can't remember, no me can't a moment that we've been being a she had been with the sepillar

and it's is, sepillating the dint, is, he's just mordy the other, and he's and he's not a word, and he's

no, I'm a quote. And Joaquin says, I'm very good with the memory. I'm

I'm a little, but no I'm I'm a question, I'm not, I'm that I'm

that I'm don't know, that's a good, not that's this is a and he's and he's

he's no, well, if we're going to be going to be the things,

some people, they're some they're they're, No, Tondent, in serious, no, not is, not something of brugheria? Yeah, but for what Brugheria? Well, for Maria Luisa.

And in the moment in which mention the name, it's an struend, a tremendous in the room of the two. The two are coming into his room, and just to the side of the camera, there's a picture in the house,

the only quadro that had in the house, a quadro that was a very good time, but it had been in presence of Maria Louisa, and he was taken out,

crebrado, rot. There's a problem. That's that way that's that you

think you when you're when they're painting and they're doing they're painting, they're

all the only that was that one, because first they were the first they

they were they're they're a good, and they had a man that he was a

moment of that the mechanism that was that was not far to the when they

the quadro tirado, they don't they're what's what's they're they're

they're a little a new bockete, an an agueger is like if someone

he would have got or he had runcated with the force decomunal because that

is made that's cement and it's all destroyed and when he the

wall he's a little a piece of a back on the part of

the part of a piece of a block there and the two don't understand

what but he'll then Alejandra with Joaquin and he he says Brogeria and he says

me makes that she go out of the house and they make them to make these things not have many but now

now all the thing is she's she she's doing something something they're looking some some work on

where she don't even and it's when they're that she'd that she did because she no one of

any way to nobody has seen the last few a time of the time of the day in the the day in the way in the while the car. The personas going and limpian the house, one after other,

persons that they're doing a favor, persons that they're doing a certain time to pay them, well, in fin. The things seem to be quite and they're going to get very well. They're just to get both very good job. He's being that's chants that the angel

of those, the charisma of both, the is the cariscus of them that they're going to, and they're starting to get to work. One as a vendor, the other is into an enterprise and is starting to look as to sender in posts, all right. And reappearce Maria Luisa.

In a reunion of friends, totally inesperado, after many years, there is she's a very strange because there's a little rarrow in Maria Luisa. No, they recordant so delgada,

tan guapa, and also vestida. But the roba that is strange. A little bit of familiar. When they're in the house, Joaquin and Alejandra, the first what they do

without the two putting into in the silence is going to goreying to the closet where you have

the roba and they're doing that they're two clothes, certain blus and certain pantalon

those that was that was they've to understand that this is a strange.

In the reunion they they were they're allude all over everything

but they were in the eyes that she was there was

they were they're but now, but now they'd know that they'd in the

house, blusa and pantalon. The things are going to be good. Commisance to be

more people that are doing new and then, finally they say, go to them,

they're going to talk to get a kind of and they're going to talk to and there

and there things are better to be just to let them. Really the

great majority of the things come and the better but in this

case not the a better option. Because that dialogue in that they attempted to make the passes with her and to say that you know the brouperies that were doing, that, for favor, parra, all, all right.

Maria Luisa, with another blusa and other plaza and other pantalon, that was of Alexandra, was tombeau for surprise, Alejandra reactioned very well, he commenced to reclamarly what he did that Maria Luisa was put up and finally that was a farrancho. One week after, they're

inviting to the Casa, for that, for for a favor, Maria Lise, I'll go to visit, because from the day that they're sure they're in the passio, that not is a

big, it's a small, in a house very little, but in the area of this cell a commedor, every time that when they're

to enter to the bao, someone's a feeling that's a good, and they're going to this woman. If they're

not the robes, they're doing it, and they're in the house, well, you've been trying to

have the cared, they've put the and the Ropa will be to disappear

something. How can know? The point is that they can be used to talk to her.

And they they're in the house. When Maria Louisa gets to the house?

Yeah, the house not that I'm the I said, that mess with

a pata that house that house. That a sillion pintarrageated of the that's

came to that's also, someone he's he's he's he's

and now there's a other, there's a that's very pegged to, to be a little biter to get to drink,

the seyon grandot. But at the final is comod. There's a tele-newva, not very great, but is comoda. It's all good in that house. The painting is new. Yeah, not is the picture

the first time that in the first passas of trapito they're all right. No, now it's a good quality. The quadro and the boquet.

Now is it's a reparado, the bocete, and it's, another way, and it's, Maria Louisa, this new house, this place,

and it says, oh, you know, I'm a beautiful place, no me he's like this.

And he and he's to be a carhones like if it's not they're in the question,

she's she's she'll be a way and it a moment in the that they

are you are you are doing every that's the part of the kitchen, is having

the sillion almost millimeter per millimeter the other and the other

the other the other and then the question, and it's there where they say, no, yeah, wait a minute.

They say, they know what happened what happened. They say, that, for favor, the things terminate that even, that even have much esteem and much

carino, like, and then they're they're saying, I know what they're saying, no-se-de- what they're doing, but after that's just

did a half-wult, and Maria Louisa's and it's very rare, because the time, Maria Luisa us invite to

go to your house, to go back, that the thing is there has been there, and it's

that all right, it's a there's something very rare. Maria Eliza, has exactly the the roppa that wasa the day that Alexander invited Maria Luisa to his house. And the house of Mary Olisa

seems a replica of the house of Joaquin and Alexander, the same two sillions, the same television, most utensil to be the kitchen, all accommodated exactly

exactly, all is painted exactly, and there is a picture in the room of her with a camera that is equal

to the and when they see that they're they're they're strange. This is very and rar, is invasive, it's

des cortez, no has no, it's de-send, it's of the locus, and she says, is that I want to regrecees and we're together, I'm here, and that you're sitting as in the house. Joaquin, voltae to

Alejandra, Lechandra, volunteered to be not, this woman, is what he crossed for the head of the two. They're going to be in the hands, and they say, well,

we're going to think it, and they're to get a pesadilla. When they're to the house, They're all they're all right They're all right now. They're all right now.

They're all right now. They're trying to put in the Pankas in the door. There's nobody can enter. Revised in the armory, the rome of the day in the last of the Rope Lisa, there'stta

the sesto of the rora Sucia. The day of today it seems a replica, but no, didn't, and it's met in the house. They're there are

so they're sure and so they're going to do not, and in the night of they're going to Some Passes. Some passes that

They're like if were the tambour and they're going to first on the

lot of the house of a house of the house, but for other part also they're

some other things when they're those of the house in the passio. A passio

a little a room that makes a a timor, a rhythm that a time a constant and when for

one when one commenced the other, when for one commenced the other when for one

commenced the other, The day's the day The next second are so can't can't that's

going to get to the house a time they're going to get the little

and they don't know to be to be to the father of the

one of the two. Alejandra, he in the night. Joaquin he

he said he let's let's get a little and

he's going to get to be a time and it's all

they're all good to play in line and do

they we're a has to be with cars, a monito with bigot, and a sombrero rojo. I think you can't understand which. And there are doing a game in line, and they're talking about things. When then, Alexander,

they say, oh, again, here in the house of Papa, are the three gattitos that they've taken since much time. Dechen me to see what they're going to be, they're in the room, and when comes to the room, and when it's out of something to pass something, because it's a bit of voices in the game.

the voices are both of the pariah, as the prime of the pariah, that's saying,

Alejandra, with what am I'm she's in the house? She says, no, no, I'm

not I'm not I'm gonna listen, I'm, I'm gonna see, I'm doing the house of my

woman, and I've just to be there's a place, and she's that's, and she's,

that's, when he's that's the house in the house in the videohue and the

and be, as I'm despidio of some a tason in the the food

the catit and he fall into the house. Voltae to see, I don't see if it

he went to one of the gats, and they said, clearly, that no, the cat, and they're

that door, and when he goes, he does get a back to be in the house,

the room, down to the room and he was sitting sat down, and they're sitting the

door to go, and when the door to the door to the door the door the time of the

house of the house of his papa coming down from the he's going to get to get to get a little

they're going to there's a there's a something here, there's a thing, come back back the two

the prime and his wife Joaquin van directly to the car

and are going on on a time of a cellar he said he's he'd

not you don't they start in the while it and it's a a rio horrible in the

room in the room in the room, they're in the question, there's a lot, and there's a little,

and there's a great, there's a other side of the door, there's the way in the little bit of the

call to the call to the first, they're, not partied to the other world because they're having an accident.

When they they're in the house, there's there's the words of Elhandra yeah they

they've got to the quadra because no par to be Quakin has Loweckin has Lever, he asks to

all the people get to all the person who are the people who are there's a hand to get to get to be the

car to be in the publicia or an ambulance but that's he's waiting and in the moment in the when he

comes to goriending and she is going to the cabos and she's she's me subioes

some some of the things, it's when you when you're in the chock nervos

the poor woman is saying that in the the abitation of the gaitos, they were up to be raeas that were going from the techo, that in a moment

he was called, how those passes they were to sonar, and it was when he was able to the door and it went to get to get all the arrains

that were going to his hair, and it's where she was going to get them, and get her, and quit and quit, and he was where

he took to the front with Joaquin, the problem is that there no, and there no way there no there no trai and there no

there no nothing, and they'd be able to I still Scheck nervous, a attack psych-notic,

something. They stabilize. It's just normal. They're that, for a Joaquin,

have a good eye with her, because this could be the initial of

a problem, that for a way, he'll get to other type

of things, that's that's something. A part of that moment, and

since after 10 years, every that Joaquin and Alejandra

are together because they decided to separate is it is the better. Every

that's they're together and they're in a sombre in the passio

here there's a thing. The sombra has been going to. For Joaquin,

I, see a man, but I'm a man that's a somando. When she,

you know that there where there's there's a there's a there's a and it's a every time that every time

that's a time of the we're going to get to be this dark foggat of stories. So,

my great family nocturna, for favor, put on narrator, we're in

the march of the million, because every time we're more more more than

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the audience of the community All right that we are going to be here the poster,

where are you where are you the feces in the for the fogates in the view, that for who are you

what you have you do you know in the video. From here, until we see us in

the fogata in vivo, I wish that they have done those little and you

see that you