HABLEMOS DE LO QUE NO EXISTE - Historias Paranormales de Militares , Ouija y Pactos de Traición | EP 263 | EL NARRADOR
Episode Date: February 6, 2025Bienvenido a ésta Oscura Fogata de Historias Paranormales de Militares, OUIJA y Pactos de Traición EN @HABLEMOSDELOQUENOEXISTE Tiembla de miedo con el infierno que desencadenó el Pacto de TRAI...CIÓN mas VIL que me han mandado alwhatsdelaspesadillas. Escucha de ENTIDADES malévolas y desalmadas que están al acecho, novias ZOMBIES despechadas y rencorosas. Descubre 3 aterradoras historias ESCALOFRIANTES e inexplicables de Militares que seguro serán protagonistas en tus dulces pesadillas. Y si no crees en lo PARANORMAL , tal vez cambies de opinión después de escuchar la historia de Arnoldo, así que prepárate porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado
Transcript
Discussion (0)
Welcome to Family Nocturna to this
Oskura Fogata of Stories.
The day of today we are about
about about things
that they're all over
about thematicas that probably
they're going to
to get the sunno and not
they're going to
doormit.
So, is that
we'll talk
about the brujeries
extrains,
of possessions
that aretipas,
of actually,
positions so
fursions so
great and conjures
about the
stories of
fantasmas, that
they're
that are
people
like you
and like you
in days
normal,
as like today
in this
moment,
but also
to people
that people
who have
people who
have been
and stories
of the
and things
that they
are in
those
so
so you
prepare
because
today
we have
a special
belada
of
a
a
fogata
that
that's
that
I
recommend
so
that
so
subscribe
and
and let's
the campanita.
And now
so,
we've
asked,
you'd
have asked,
you know,
I'm
definitely
always
respond to the
same,
no.
And I
respond to
no,
because I
have
heard that
I've seen
this type of
stories
that I
have
done to
there's
there's
Yoselin,
Rita
and Tere.
Jocelin
is a
little
has been
that has
been
when it
has been
the
problem
has
been
like it costs
much socialize
because
I'm a group
of people
in the secondary
with which
had made
made a relation
so much
it costed
because there
a problem
grave in the
situation of
Jocelyn,
grave
for his
eyes.
They moved
to the
city.
There,
where is the
little she
is the
little bit,
is the
little
with the
accent
rarrow.
The
people
they're
they're
they're
to be
his
spaldas,
they're
they're
and they're
all the
other
and all
they're
in the
she's
she's
not necessarily
this is
a
mal
intention or
an intent
to do
it's a
reaction
because
the
humans
are
not
they're
not
not
much
but
Yosel
is
very
little
Yoselin
even
when
she
when she
still
a
grand
adult
only
will
be
to
come
15
years
and
in
this
age, resulta that
sometimes the people
are very vulnerable.
For that's
in this age,
in the way
that it seems
they're going
to play with
the person.
It's there,
in these
circumstances, in
that you're
in that you're
being a
little re-legated
or excluded,
that the
reality is
that if you
could be the
situation,
she's the
same is the
she's the
is the
she's the
she's the
she's the
sameismand,
a little for
the
the pain of the
perdida,
a little
because not
know
to manage
these
burles,
a little
because simply
no
she's
that she's
a
place.
And that's
that is
that you
know,
to know,
she
a little
quite
strange,
a chica
that she
has
she,
and the
people
and the
people,
she's the
only
little
a
one of
his
15
years,
because
is of
the
major
citas
in
this
first
generation
of this
preparator
that they
have
Gena, no
are pictures,
no some
parches,
or peggostines,
not of that
are those,
are not of
those,
a child
a realte,
that's
a lot of
many,
because one of
those tattoos
is the
car of
a demon
in one of
his
her
she,
she's
satanica,
she adored
the devil,
she adored
in those
things.
Of certain
manner,
to see
that the
people
who are
that,
generate
that she
has
a certain
level
of empathy.
No, he has
No, he has
been a bit of her.
Never has
ever been
in two or
three occasions
he has
a lot of
a surprise.
I'm sorry.
When
all they're
out of the
preparatory,
and there
out of the
preparatory
and are
about where
they're going
to go?
If it's
the center
commercial,
if the
house of
one of
and there
are all
the groups
and
solo
and
and
and then
when they
they're
in the
parada
of the
caro,
sentadita
and when she'd
get in her mom
or his papa
in a taxi
or in a
carmionette
depends
because
since you
have taken
to the
city
have been
many
problems
with the
car
and it
sopored
so
the
way,
he's
that all
in your
family
already
is
all
in
that
she
he's
he's
right
right
he
and
he
he
he
he
he
he
and he says,
You know,
or you're
And then
Yoselin,
he regress a
smile and he
said, no,
no,
I'm not fume.
No, no
fum.
And Rita
he says,
Uy,
you know,
you're not
going to
go to
me,
you know me
to get a
so much,
so I'm a
big of your cigar.
And then
he says,
look,
that's a
and why
soly
soly it
and then
soelin
he says,
because no
me Ayo,
and you,
I don't
I don't
I don't know
I don't know
to be
with much
many
me,
you know,
I'm
back after
you're going
to have
like a
kind of a
kind of
kind of a
other.
Nobody was
all.
Rita
always
was always
that
was only
that you
were
when she
was
when she
was a
kind of
kind of
was a
kind of
kind of
that's
definitely
I'm
not perceiving
this.
No percivian
that Rita
only
was
that
that no
absolutely
nobody
and there's
no it's
not a lot of
she had a
way she's
a circle of
Rita
to say it
she's
not even
she'd
not even
he'd
not they'd
but it
was like
she
in front of
she
was
a sombra
and
it
was
pastable
on
she
not
she
and
that's
the first
lastime
to
yes
but
after it's
sometimes
she went
to come
she entente
to her
she
her is
the
my smacara, as if no existier and
he continued caminandau. And not-
Rita sonnured. It was a
game between them. Nobody saw the
amistar. Nobody saw this part.
Until that appeared Tere.
There is a chick a new
in this preparatory.
Tere is a chick
chaparita, morinita,
but the principal
problem of Tere, not
is her new. It's
a person very nervous and is tartamuda.
When it's a lot of
very, very, very nerviosa,
it's tap-tat-tat-tat-tat-tart
and tard-modear and
if they were lullough
Jocelyn, Jocelyn,
and you know
has no-tien
no-tien-
Tere's the
sensation of the
burlas, and in
her, in her
she's
been in a
way very
un-sagradable
the companyers.
The point
a purpose,
they're just
in the middle
of a discourse
or a presentation
when they
they're at
after the
and they're
tosusurr
to hear of
the ear,
and she
It's like a metraggardora.
Then, then,
Tartamode, and it's
trava, and it's trava, and setrava.
Yeah, they've
done to yell four times.
They're some of those
graceda.
With Jocelyn,
no they're
with Roses.
With Tere,
to the
maldits
there's over the
motives.
There Jocelyn
encountered
empathy.
There Jocelyn
if she's
understood with
this person.
All ver that
the person
were to see
and see
to seeer
a poor Tere that
she ran to
her own own
and he
about the
class.
And he said,
no, they'd be to start
that,
they'd be a
a good
to be a
person.
And in that
they'd say
to bea
in the
other than
to repent
they're saying
they're
they're in
these
circumstances.
A few
young
are very
cruel
and Yosel
found
in Tere
an
friend,
a person
noble,
a person
good,
a person
that when
you're
when you
can't
be in
a
little
that you
can't
give
confidence
to
Tel
was a
supermente
intelligent.
You were a person
that had
a great conversation.
But there
in front of
the multitudes,
sin dendos
all the
time just
and then
because he
had been
in this
semester.
The things
were bad.
Teriva
Cust-arriva.
They
commis to
make a
un-a-
and a
un-stabinded.
They said the
and they're not
they'd
start a-and-
and then-
the form
in that
she externed
to the
Cerels were
quite
strange.
When
she
was close
with Jocelyn
he
had to
her.
And she
kept about
just
talking with
her
and she
was
she'd
make
make sure
she was
she
and he
said
where
your
your
matrietta
where
your
your
mother
to the
mother
and then
Josel
she
said
she's
not
she's
that's
that
she
I'm
I
see
that
is
invisible
for
me
and
she
it
was
it
like his
desplantes
extraions.
Jocelyn
is
a
start a
little
of this
situation.
And it's
then when
he said
to Rita,
Rita,
no
I'm
like that
you're
that's
that's
that's
that
for
favor
if
not you
don't you
want to
you
don't
to
try to
try
to
and
start to
and
start to
get
to
that
those
words
no
they
entered
in
the
the heart
derrita,
and it was a
small,
that little,
like,
compassion,
but at the
same time,
the same,
the same,
that they
were they
were in
the
certain way,
they were
just going,
that that
person,
that was
a little
that I
, I
know,
he,
it was
so,
so profound,
that's
he was
so
a idea,
a
idea,
a
so profound,
so destructor,
that a
At the moment,
that,
that had
been her
friend,
she transformed
in her
enemy,
but,
but not
he was
to be
to be in
a way
so much
it was
to do
other form.
A form
in the
way to
not to
not
that
they were
to be
not to
observe.
It
started
with
both
and now
he was
the
the
soul of
the
the
family,
always
I
always had
things
to
and I
had
that time he was
in front of
them,
of Tere and the
Yoselin,
and, in fact,
they were
in front of
all.
Jocelyn
did so much
a mathmatica
because
had yet
the conclusion
that his
words,
of some
way,
they were
in the
heart of
Rita,
and that
was what
was the
person
different,
a person
that really
was a
person who
was really
was a
person,
was a
very much
to be
in the
reality.
Resulta
that Rita
is to machinand
some
that's
working on
just for
a moment
very special.
Things that
are in
secret,
things that
are in the
occult,
things that
are all
with entities
oscuras
that you
are going
to make
that you
do you
do that you
did Rita.
Rita
commens-o
to make
that this
group
had a
great
that
had to
that they
had
that they
had
this pair
of chicas
innocents
no
did
not
when they
when they
was invited
a
week to
but there's
a week of the
but there's a
little bit of
they'd be
that they're
there's a
there's a
there in the
city to
nobody's
to try to
because they
they had
been assassinations
there had
had been
possessions
and in the
past
they've invoked
to a demonio
things that
are
so they're
about
the people
about
the rancho
things
stupid
that the
people
but Rita
connocea
part of the
history.
And when
I knew the
details of
the history
and they
said exactly
what
the path
they used
in what
type
of Rito
she
he was
and it
has
that very
similar
in his
creencers
in
his invocations
that
has been
that
the story
is the
little bit
a
first to
they're
they're
they're
they're
that when
when
go
to that
place,
they have
prepared
a semiremonia
in the
that they're
to show
their
their
they're
to make
that they're
to be
to be
to be
so they're
going to
and they
when they
the
house.
The
house
is
in a
state
in a
state
that
has a
am
very
am really,
and
there's
there
have been
there
has been
there
there
of lojuria and of
the locura.
I hope you can't
imagine the
place.
Abandoned for
more of two
decades,
aborted to
public,
in the
that has
been found
bodies,
and nobody
has done
any the
most
minimal of
the limpeas
in more
of 20
years.
A place
a
bad bad
and horrible.
A
place in
that the
moment in
that your
head
had your
house
you can
you
all the
life
in your
past
in your
place, Jocelyn and Tere
sentiered
but then
they were
heard, but then
they'd have
perceived, or if they
had percied, they've
heard of the second
piece,
about Rita.
Joss, Tere,
Vengance!
Yeah,
I've got prepared
all.
They were
on the
escalers, and
Jocelyn
said,
that very
probably probably
they were
under the
effect of
some type of
a broo and
not they've
had done
because
the
The abitation in
that they
was waiting
Rita
no
there's
in the
place
in the
place
the
clas
shone
power
for a
minute
we're
ready to
play to
live the
pleasure
with Leojo
the casino
in line
that
the
casino in
direct
profited
to 50
tour
gratu
on big
bass
bonanza
without
without
without
any
payment
instantane
hey
I'm
gaw
I'm
Hsuh!
Sonture the pleasure.
Play-O-Joh.
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One abitaceon,
whose
Pardes
were
perfectly
limpied.
But perfectly
as if
they had
recently
had been
recient
the
the
piece
totally
clean
too
at the
center
a
lot of
bells
an
altar
a
down
there
was
a
a
whiff
and
had
apart
a
lot
of
a
and a
navager
and
they
got
they
got
but
the
place
was
captivate
the
The place was for a scene of a
movie of terror,
that's going to
be to be grabbed
in the memory
for ever.
And they,
being all of
that they're
in a bit of emotion.
No, they've
what's at all.
Irrital's detour.
Wait,
if not have
no, we're
doing a lot of
aftricie
human.
This is because
I'm a
special.
You,
as to where
I see,
no creen
in nothing.
Not are
not some
the families
religiousas,
but I
have a
faith.
And,
from my
faith,
I want
that
we're
her brothers.
They
understood
that this was
more something
something that
was she was
going to
unil them.
Then she
went to
the game.
He was
this daga
and said,
I want to
do that
take it in
his hand and
so cut it
very little,
very
little,
because I
want to
make a
pact of
the same.
The three
we are
to be
together
for always.
We're
going to
our
our way
in
the
and we're going to offer us for the
bien of the other.
Then,
Yoselie, no
I wanted to do it, but Tere,
without thinker, and
like, adornilada, tontada,
only alarmed the man.
Rita le put the cuthillo, and
she'll have put it with force,
says, there, and then she does
know that he has that in the hand, and
he let's the cuchillo that there is
the piece, and she has this
liquid vital rojo a little in the
man. He says,
Toma the
oja and mark
the way and
put it at the
altar.
And Terre is
like chocked
is a
affected,
his mind
like that's
there,
not there,
is a
sort of somnalinge.
I see
in the
record,
Tere very
very extrana,
not acting
normal,
as in
moments,
like if
were a
kind of
a somnambulism
but in
other moments
acting
in another
kind of
automatic
and in
other moments
acting
in a
manner
erratica,
very
rarro.
and see how
he starts
to come
to make sure
to
get to
get to get to
get to
and it's
and so
tambalienes
and so
he's in
power to
get the
hand
to the
piece and
there's
and then
Rita
he offers
the
cochillo
Joselin
for the
situation
I'll say
I'll say
that you
have to
say
he's
not he
doesn't
want to
make
to
he
he
he's
he
he's
he
Rita, and he
says,
this
also you
do you know,
and then
she,
she's still
more pressure,
as I'm
a little
little,
a little
a mueka,
and she has a mueka,
and she has
raja the
man,
to show her
to show
something that
nobody
should be
to do
do you
know,
you know,
you know,
you know,
you can
cause to
you know,
sheer the
hand, the
man, the man
kept very
very roe,
and he
aghach
how is
his
his
he has a
leg a
hand
on the
piece
and then
he's
to say
some
words
Rita
words that
never
can't
be able
to
get
every
every
time
when
he
this
storm
so
every
he's
not
I'm
not
I'm
not
exactly
the
words
but
you
you
have
a
idea
here
here
she.
You
I'll
I
give you the
I'm
in and
continue.
And finally
terminate
she's
the
hand.
Joseline
No,
no
has the
image
of what
she
is doing
exactly
because
not
she can
get
not.
While
the
other
she
was
like
if
two
two
men
have
posed
in
the
and
they
had
had
a
the
head
the
man
to
the
and
and no
he could
move.
After
that the
the chica
she gotch
he gotched
and he
said,
Timbok
to you
that's
present.
Here we
we're in
this
circle.
You take
my two
sacrifices.
Aste
present,
Dime
if you
are you
agachated
trembling
Yoselin
no
can't
see.
Sabe
that Rita
is in
the
week
because
he
says
how the
tros
of the
truce
is
a Rita,
sonreir and
to say,
if you're
present,
accept you
my sacrifice?
And then
then I'm
a while
many times
and it's
there when
she does
know that
something.
Because
the
while she
the plausos
of Rita,
she's
still hearing
a tabla
that's
on the
other table
the other
tablita.
The planchette
is
moving
only.
She's
doing various
questions.
The planchette
is moving
and you
know
know if he's
taking
no.
He's a
great
a lot of
it's a
sure that
after she
after she
has been to
put to put
to put in
there.
There's
there
someone
that's a
person
and it's
when she
does a
kind of
like she
had
a mordasasad
the
language
the
has been
and it
has
really
that's
every
that time
he
he's
he's
he
they're
more
like they're
in
they're
they're
they're
she's
you're
she's
you're
when she
right
right
not
to
tremble
but the
the
little
it's
not that
they're
not being
getting
from
the
tell you
it's
like it
but it
was
she
not
she can't
do
anything
she
just
saying
take
these
you
don't
give
what
you
do
what I
do
when they
say
they
they're
they can
move
and
they
they're
to
get
a
mok
tend
of
abiot.
And they
are
going to
get to
that
the
time.
And the
next
two
months
never
never
ever
to
ever
ever
but
the
life
of
the
children
in
a
total
infirno
only
during
the
one
both
both
they
were
in this
never
to be
not
to be
a
bad
and
they're
not
part
in
this
they
they
just
just
just
and
the
the
person
was
her
and
was
enchin
to have
said that
not were
the same
was the
worst
sensation
that had been
in the
life.
No,
they were
to get them
to be a
reoho
and they
were to
the two
those
and they
were the
cause,
of the
the
of the
the
pain,
the
second
time
was impossible
to
go to
the
university
it.
It
impossible
because
strangely
I
couldn't
do
not
When she was to
do to dream,
they'd
different things,
things
extra-as,
things media
rare,
I'd say a
bit of the
little
and they'd
to make it,
and they'd
to put it,
after I'm
to put it,
and she
was at
a point of
the
language
pegged to the
paladar.
The
language,
dura,
dura,
and it
was,
he'd
get a
something to
make,
some type of
for that they
can't help
like if
someone
to make
and she'll
get her,
and the
little
and the
little.
There in
the
night,
only in the
night
accused
for something
that you
but
after that
they were
on the
visions.
I'm
that
someone
was just
over
she
was
that I'm
just over
a
but
but
here
coming
with
his
and
she
she
she
And that was there,
impeded that
was the
but that not was the
poor.
The worst
that was the
really the
could be able
in their
room.
She was
because the
door was
a call and
a can't,
but she
was in a form
subtle.
But she
was called
that click
of the
serratura.
That moment
she was
she could
move,
she could
be able to
the door
not was
the door
not was
when it was
a sombra that
He was seeing from out of the
apartment,
from the patio.
She is in a
second-pisso,
no there's
no one of
a little
or a piece
intermedia or
teachito.
No,
there's form
in that
that someone
can be
that it's
that way,
and not
like if
were
that I'm
like,
and it
was a
at the
heart of
the
face,
a rostro
that
was going to
be
a
person,
she was
a person
that men,
but a
day,
a day in
that
that year,
decided that he would
go to
look to
see to
see
that he was
to make
that this
mows
it was
so he
was to
see to
see
to be
because
at the
other
side of
the
window
there
was
there
was a
a
woman
or that
was
with
a
vio
and
that
was
that
was
the
part
of
the
back
the
was
like
the
the
dint
pard
all,
sonriending,
and he was
looking
from the other
side of
the other side,
after she
saw her
saw,
he was
a little
and this
thing,
she went
in the
air,
after
after his
view.
After that
the
new v.
She was
started to
see in
his
dreams,
he had
to be
a day,
she
was she
watching
the television,
and when
the
pager
in the
picture
the
wife
after
the
a peor image that you
could you imagine
Joseline pegged a gritty
and the nerves
those were in the point
the mom and the
papa were
very much
they're probably
a week that
this is a year
not doerner
and when you
talk about you
when you're actually
grittando,
it's alterated
but for
complete they
they've
consumed things,
has consumed
substances
you've metido
to something
what you're
not going to
doceal and
doesn't
the menor
idea how
express it
and that
then when in a moment
to another, his papas
they say,
you have to
go to
a misa.
They're taking,
they're
to get a
church,
and when
gets to
the church
starts to
get to
get to
get to
get to vent
the things
that's
there,
and they
they're
going to
the
father to
you
to get
to
her
but he
he says
you say
confiased
to
your
p'r
and
he's
out of
the
papas
are impacted
for the
performance
of her
but the
most
impactantant
was that
she was
not the
voice
of Yoselin
was
a voice
rasposa
like
of her
and her
eyes
they were
they had
the ability
to
turn to
and
let us
all
all
while
she
was
came
when
they're in
they're in
she's like
sitting like
and he's
having a movement
like continuous
repetitive
repetitive,
he's
moving ahead and
back and after
back and
back and
they're back
and they're
they're trying
to get to
and they're
to get a
very decisisitim
then then
after almost
she gets
she gets to
she comes to
yearerer
and says
that's
she's like
she's like
they're
they're
saying for
please,
tell us what
what's the
church.
She's not really
nothing.
And in that
moment,
he's a moment
is a blackout.
So,
his mind is
what he says,
and when they're
their eyes
open and they're
very
very assuptable.
During the
past 20
minutes,
Jocelyn,
has come
to tell us
little
of your
life,
details of
your
when they were
when they're
solteros
the one
of the other,
when
not they
had
in relation,
things
that
nobody
He knew
and
they didn't
they were
they were
things in the
there's
not there
not
so that you
don't
feel like
that they
heard of
the
but with the
question you
but with the
voice of
anian
and with
the
eyes
and they
were
they
had
had
shared
to her
from
she
the mom
had
clear
we
we need
we
need
that
us
a
more
they're
they're
they're
they're
they're
a father that
is a
sonations,
that is a
father that
can help
them,
and then they
they're going to
the little
when they
get a
little
the child,
the
he says,
I said
you're
your
problem
of the
you want to
and then
she said,
he said,
I'm your
God
Padresito.
And when
he says
this to
the father,
the father
is put
palidid
and he
he's
he's
the
blood
to
the
because
even
even
he
they
they've
this
where,
Sanidad,
I never
had
had been
a
encounter
this type
with the
demon.
And he
noticed,
the
father
is very
very nervous
and he
say,
he's
I'm,
I'm,
I'm not
I'm
an exorcist.
Those
a
church.
In that
church
it's
supposed
that
there's
a re-nomber,
a
father that
every
certain
time
is doing
exorcism
and
always
is
and they
are
to do
the
community. But no
know what hour is. And the
little has been
many situations. Yeah,
it's a more than a month.
Since this situation, no
go to work. It's a
manasse for all. And she
is a lot of every moment
that there's a voice in her
head that says that
does that make a
a man. And to
any person that has
and that when nobody is
that, that voice does
that voice does to repeat
one and another other
that makes a damage
to be a same. Much of
Daio. Daio,
the damage of the
car no way of repair the
body.
I think you
can't understand.
Then,
with that voice in the
head that
every little bit,
without the
nights because
are nights
aterradoras,
in the day
having lapses
where there
something that
is a person,
and he gets
to go to the
car,
ryingdosing
like a
car,
and doing
many,
many things of
a person
that's not
in his cabals,
but it's
very strange
because when
they're
to the doctor,
no
It's the person
most normal
of the world.
They're
in a pair
of analysis
of the
whole
whole of the
body
is a perfectly
well,
they're
with a
psychiatrist and
a psychologist,
there's
a little
that's a
little bit
the thing.
Not that you're
not yet
of them
was in the
situations.
Nobody of
them,
view how
they were
the eyes
and they're
not of them
they're
listening
to say
things
that nobody
could say
that nobody
could say.
They're
at the
the church. In the
church, there is a
a priest, no, if the exorcist, he's
doing misa, and then
he says, be a commulgar,
and they're going to be a-nih.
And when they're going to,
there's a monjita, that is the
that's that doing the communion. And
the last of the communion, the
monjita, acerca,
the hoste to her, and then
she's a little bit to read in form burlona,
she'll rebut, she'll rebut, and
He's to go to the
Pisa and he says
That's what
is what is what
is what is
And more
The mojita
No, you
know what's
He says
He's over
And he
he'll talk about
And the
And the
Papas no say
I'm going to
Preeter
I'm
I'm trying
I'm
I'm saying
God you
And she
He'll
again
And he
He says
That you
But I
need to
I'm
And so I'm
So it's
down to
And that circumstance, the monjita
about with the sacerdote,
he was there, and 20 minutes
after, there was a exorcist.
The exorcist probably
lived there, but not celebrated that misa,
but he heard the case,
to come to this sort,
of this mother,
of this monjita,
he gave the level of importance
that I said,
and he starts
to get some rites of exorcism
with the little.
Here is where
the things
they're all in strange.
Until this point,
Jocelyn,
no,
he had told
nothing of what you
you know,
you know,
of that you know,
of that's a rita
of that's
what you know,
that's the
thing, because
not he said,
because no,
he said,
that's not,
that's not.
That's not
that he
never had
not for Rita
or Tene,
no,
was there in
the case,
the eyes,
and the
eyes,
full of asco,
of anxiety,
fulls,
it was one of the
situations
more difficult
to expresser.
But no
I didn't
why.
No,
I didn't
because she
could be a
Tere,
no was
not there
and I
didn't
because of
the things
that he
began to
to be able,
he had
not to be
to the
head
Tere,
yeah
not had
any
there
in the
exorcism.
That's
when the
demonio
began
to be
to be
to be
in the pact. The father
recognizes the rito and he says,
Bendiste your arm, the
devil. And she says,
but I don't vendy nothing.
You're not, but you
did you, did you. Is this part
of the ritual?
Let's have you
the doors. They're still in
you. He says, you know,
because the things that
we're going to throw back,
are very strong, and
they're going to look. Necessito
that canvies many things in your
day-a-day. Necesses to do you
of form
very
pointual
at the
letter.
You can
docelling
he said
and he said
and under
no
circumstance
you'll
have to
have
a conversation
with Rita
and it's
like the
father
that's
that's
because
three days
after
later
he got
Rita
to the
house
of
Yoselin
you
know
she's
she was
she was
she was
never
had
never
had
where the mom,
see a woman,
a woman that
a woman that's
a bit strange,
she be like
enlokecised
with tattoos,
although she's
not that's
those brasos
and then this
this chick,
with the rostro
with certain
pintarrageated
and the
rostro a little
pale,
he says,
digal to
his wife
to come to
her,
and he says,
and who
and she's you?
And Rita
and he says
to her name
to the mom
of Yosilin.
Yosilin
never
had mentioned
the name
of his parents, and Rita,
he said, and Rita, he said,
and then he says, I don't to try me to
now. He said, I don't know who is
you, and it's then when the mom
says, that's the woman, he began to
change the mirada. His eyes
were absolutely negros.
His voice changed, and he
said, Traja, my slave, now.
She has closed the door, and the only
that is, at the moment, to open to
A few of hours
after
a man
man chained
of
a
hand of the
house.
There are different
moments
where Rita
start
to go back
to get a
house of
Yoselin
he's
looking
to talk
but
there were
instructions
directs
of the
father.
No
you'll
talk to
you know
there
never to
have a
conversation
do you
do this
I'm
to do
the
letter,
the
the
orations,
the
exorcism
all exactly
like I
you
did you
and
he cat
that's
But as if it was the ultimate of the things and the most important of all,
no there was nothing more in their day-a-day.
Seven months after, the liberation concluded.
Lamentably, in the obituaries,
at the day next,
they found a tal rita morta.
But there is a thing here.
Tere, what happened with Tere?
Tere no regressed to the preparatory.
Tere no gave signals of life.
Josilin has been clear that if
has been 25 years when
passed this, the
not took those parents of Tere,
not took on the precautions
that took on
his papas with her?
Difficilment Tere
at the day of
today, will be
being to us.
And it's for
that I don't.
No, I'd recommend
to play to
play to the wheyhaj.
Biennue to
via Rai.
Embarked and profite.
Embarqued and
celebrate.
Rigolet.
Publiet.
Savourer.
Admire.
And
If you're skeptical and not
If you're skeptical and not crees in
Nara normal, then you recommend to
listen the relato that me mandoardo.
Arnoldo is a person
that no creed in nothing of the paranormal.
And nothing, me refer to
nothing.
No creole in the supernatural,
nothing reference to
any God,
nor any contact with
something with something
preternatural,
no type of contact
with entities oscura
or things that are
in the infirno,
None of that.
No,
I don't think
in the
phantasas
in the spirit
or in the
soul,
or as you
don't know,
I'm not
he was
a little
really
strange.
His abuel
was a
man, and he
had a
little bit of
that's
when he was
a little
was like
his second
papa and
a great
master of
life.
There was
a bigontes
a limonero
in the
patio of
the house
of Arnold
and there
the
abo
he
was up
and he
subied in
the
ramas
for
to put
to get
to
give
limones
and
while
he
he
he had
he
and he
was
he
and he
and
he was
always
he
was
in his
adventures
but
at
his
little
he
said
he
were
to
and he
was
something
he was
a
so
a
abuelo,
as
a
other
in that
he's up
that he
was made
a little
never
and then
when he
he was
always that
he was
he was
trying to
something to
make it
to be a
something.
The
way,
he's
that the
old
is a
man.
Arnold
he's
destroyed
and
you know,
because
because it
is clear
the
diagnostic and
no
there's
there
is a
very great
but
yeah
is
very
very
to get to get to papa. And Arnold,
he's sent, full of rabies,
and yet he has a situation
in the heart, has been a stilla clavada,
has more than 10 years of not
to go to the house of his abuel?
If he's seen, he wants it, but
he has seen in reunions, and it has
seen more in his city, the
house, that's where
this, Arnold, is where he, no, he has been
more than 10 years.
All the family is in the hospital,
and he'll be there to the
The abuel,
Pied,
for
far, the
father,
to get to the
world, he's going to
get to record these moments.
He'll ever
to try to the
mind.
Here we sat down in
the hands, I mean
he was called to him.
The aroma, the aroma
of those perfumes
when it opened the cajoncito
in the that they
was guardable,
was something that
it was remonted
and he
was going to
do a
little to be
a boy
and the reality of
the top of the front.
The abel of
the hospital
and is
convolence
and then
then they're
the preoccupations
and then
the courage
and how can
be it?
There's a
person
bad
because you
you're
you're a
person
so good
and
all you
don't
all right
and then
Arnold
said to
he said
with who
he's
with whom
he says Arnold
no
does
that
stupid is that
many people
that's in the
ultimate
moment is when
you know
you're going to
you know
it's
it's not
that's
that you know
there's
that's not
there's
not just
not more
not just
and it
and it
and it
and it
is a
part of
it
it makes
that he
connect
with
something
with
something
that
he's
saying
that
he's
about
you
tell
to
tell
there
there
nothing of that.
Of those,
it's just
purestupices.
Enfocate
in the important.
Be with your
abelro
to start your
cycle, be
and he'll
and then
that's
going to
that you're
in the
mind of
for a
infirno.
Because
they were
to have
those
mules
that's
that's
there
and that
had
that's
that you
know,
it's
because when
they're
when you
enter
the
sentiments
a
sometimes
not
not
not
getting
to the
night
not
you
know
if it's
going to
the
But then,
it's a
record
tremendous.
The last
time that
he saw
his
year,
it was the
old were
much the
little the
time,
not he
was put much
too, and
he was
sitting at
a meceder
just in front
the television
and he
was meciending
and there
while
was Aernold
talking to
him,
the
abuel
began to
give to
some
his
songs
that he
was
he was
a few
a few
a
moment
a moment
magical.
We're
talking that you were an adult and that had a baby.
So it was a moment
precious and he quissor
he didn't know.
No,
he found in any moment
duchameseedora,
but the television
stilled there,
he sent to a sofa
and he attempted
with all his
effort,
like to ever evoke
that image,
to bring that
record that
was alive in
that instant
and even when
it was in
the night
the
the place
the place
and was
like being
by the
video of the
image,
he was
being
there to
his abelel
He was sitting there, he said, he wasying to, he washington, he,
he was to hear of the mecedura.
And, standing there, was something very, very, very, very,
my, very extrano.
Because, being that so real,
he said to the abuel,
Abel, much thanks for all the time that stood with me.
And he sawed how the abelowulfedle,
he smiled, and entered an air of the lad,
tremendously, strong,
at the instant in that house,
that had doors and windows
are in the air
alas
and that's
yellow
in the
place in the
place
in the
temperature
at the
instant
and that
magic
that he
is a
thing that
he's
in a
second
all
all
all
all
all
the
television
is
in front
of
but
between
the
there
is
a
there
is a
front
and he
and
front of the
the
temperature
regress
to
the
normal
thing
but
something
that
he said that
he's
he's
he's
he
when he
he's
he's
going to
go to
the car
the first
he said
was to
see the
hour
12
15
at
getting
to
get the
hospital
he
he's
he
went
to
he
was
at the
the
moment
in
he
he
saw
the
he
he
was
he
he
he
he
said
and
then
then
arnold
me
said
he
no
I
Now, I think, and I
like to believe. I think that I
agree to speak to me
my abuel. Eliasmercham
has some stories
paranormal in their channel
that are very tetricas.
And here,
I'm going to tell
a pair of those
that I
that I'm
really that
was a lot of
the militia,
but it seems that
has much
knowledge of that.
The
Excerito National
Mexican,
I think is
where I
think it's
going to be
I'm in the comments.
And there are various anecdotes
that he's
he says.
It's a way,
it's a form, but
there you can.
In one occasion,
there's two
soldiers that
go to a
sea.
They're
coming on the
two and
are very
too much
hungry,
they're a certain
quantity of
money that
has had
given their
group,
his equipment,
his
people, and
they're to
get to a
certain
zone,
yeah
is past
at the
10 of the morning,
they're very
very
very can't
and they
do you
and they're
a man
up a
little bit of a
he's a
surahe
a sombrero
great and
then they
they're
they're
they're
they're
run
a brachita
that's
that's
that at
there's
there's
the end of
then the
then the
he's
they're
there's
there
say to
buy
to come
a
and the
sir
don't
in this
town
there no
there no
any
Tienda
there's
no.
The
people of the
people of the
you're
going to
is all right
and it's
it's all
a little
but there's
there's a
there's a
and for
favor
if they're
a man
come me a
pannesit
I'mma
I'mma
these
they're sure
there no
there's
no there
no
go in that
there
no way in the
but you
go back
you're
going to
go to
you're
more
but they
they're
to find
they're
they're
they're
they're
they're
they're
They're going to sit down.
They're tired of
Cansions.
They're
taking a
moment to
take a
time.
And when
they're in the
person of the
tentajo,
after they
they're
they're doing,
where
they're from?
From the
sea?
Ah.
Okay.
And there
they said,
you know,
you know,
we've been
that the
tinder not
you've got
and we
we're not
we've got
a cup
and then so
the type
of the sarap
and the
sombrero
and they're
how
you know,
he's going to
have to
go to have
because it's
the only
way,
he's the
only thing,
he's there
not they're
because
if they're
they're doing
their pan
or they
they're
to be
to come back
to the
people,
that
is abandoned
there,
there no
live
nobody
and those
that are
not
they're
when they
they're
when they're
when
they're
those
two soldiers
are
people
are
an instruction that
it's quite
very strong
and these
situations
not are the
great thing,
until that they
get to pop
to pay the
type of the
sombero and
the sarap.
And there
something,
and they intuien
that they
don't have
to make
back,
you know,
bring me pan,
young,
you can
come to the
house,
here I have
in the
publicito,
accompaniment,
and they're
they're coming
to come in,
they're
the end
the spalda,
and they
the next
time
don't you
If you don't get them,
young,
or if no,
me going to
have to
accompany.
And so
a carcatcha
macabra
to the
back of the
back,
they were
in the
they were
to be
back,
and simply
they were
coming into
their
group of
militia.
But there
other
situation
that
were in
other
other
other
people,
and this
correct
also,
that when
the
when the
people
is
they're
to be
a
person
in
a vinclude,
like if
were a
duet,
that are
to cover the
back to be in
one at
the other,
that one
has to be
the other,
they're
to be the
person,
and then
then there
a person,
a cadet
or a
military,
that has
this
group,
this
the pair of,
he's
taking a
list of
reclutas
that are
in X
parts to
know
who are
who
are
there
and he
comes to
take
all the
those
that. Who is?
The regiment, what
that, etc.
And then,
he goes to
his antiquity,
and he says,
these are the
persons presentes
in the
court.
So,
he gets to
revisit, and
where you
get a certain
name,
he says,
this name,
who's,
who was the
this,
you know,
no, no,
let me come
to come to
a, let me
call,
one, two, three,
four, five, six,
that's the
, he gave this data,
and they're
they're going to
there and where they're
they're all
except he.
And he
he's going to
ask that
he said, he
said that they
said that
no, that the
camera was
a little
is a little
frio,
is a little
little bit of
the information.
They're going to
the
room, and
he's,
you know,
that you're
playing a
one of
a romewad
I don't
because you
don't know
that's
saying
that's not
no, it's
there was
there a
man I don't
say because
they said
that they're
that they're
they're
they're
they're
they're
and it
and conform
I'm
going to
the
antiquedat
his
company
he's
to put
every
more
more
more
he's
my
old
I'm
this
I'm going to
say
this
these
are of
my
past
antiqued
and
they're
in a
combat
and
you
me
you're
you're
and the
description
coincide
it
and
it
apparently
and
Alan Machin
I
had
other
history
that
me
that
the
attention.
Resulta
that
of a
little
in a
little
a little
a
person who
the
person who
there is
a
man.
A man
a
one of a
man and
he says
what
what is
what he
said
that he
said,
I'm sorry
that you're
saying
there's
there's
there a
child
that is
a new
a new
a
companyero
and not
see
you
you said
I think
his
his wife
and she's the
the
not he presented a guardia
and we said
that had been
to visit to
his new year,
that's a
he had been
in a car
more more
he said,
no,
yeah,
no,
he's not he
don't know,
he's going to
how you're
talking, our
friender,
he said,
and say,
if you're
any other
my wife
for a year
for a
year,
and you're
and you're
not the
first who
are the
story,
never encounter
to the
ones,
one once
that's
that's
that's
that's
that's
that's
that's
that's
that's
that it,
those
disappears.
He says,
I don't want to
ask them.
And it
doesn't know.
If you're
a point of
rent or to
buy a
house,
I recommend
before
to hear this
story.
Raquel and
Carlos
are family
nocturna.
They're
they're
even though
they're a
couple of
they're
married,
and are
many years
in matrimonio,
they're
they're
as much
family
nocturn
of
the closet.
The
two
heard
about,
let me
that no
existed,
but
no
they're
They didn't. Because
every
everyone
was with
audiophones
in silence,
assuptated
and not
it was,
even after
a day in
the
they were
doing a
little
they're doing a
thing, it's
a reason,
it was a
reason,
this person,
I don't know,
I'm a
realtor to be
akeel
Carlos.
The point is that me
is that I say,
Narrator,
we want to
what we're
we're going to
do we're
not we're
not going to
do you
know what you
know what you
know,
but we're
we're saying
that the stories
that are
they're saying
are fathulas,
are fantasies
are,
but yeah
we're not
a narrator
and in
seriously
if they're
in serious
we're
we're
we're
we're
we're
we're
we're
we're
very well
since
years
we've got a
house,
normally the
houses that
we're going to
we're going to
make a level
of investment and
then we're
more
more than we
know that.
Because to the
families,
to the
we're the
lot of the
house that
is that we
have the
we're just that
we're just
we're made
made made
we're just
we're
that we're
a house
we're a
ganga
was a super
good
price.
and we'd be we're going to
get much
money because
you know,
not was in
the house
was very
well,
it was there
had a fault
tapices,
to change to
some good
because they were
many things
were many things
antivus,
like some
of the first
dweens
like it
had some
that was
that the
house
conservable
we're
we're
we're
we're
we've got to
let's and
we're just
once that
was that
was in
our power
to what we
we've,
and also,
as a
new new
the new
more rapid
and better,
rather
better than
more than
more than
more.
I'm sure.
I'm going to
this,
narrator,
because
it was a
rare in the
moment in
that we
we've been
we've
had been
to have seen,
we've
checked,
but yeah
in the
moment that
is our
the
house is
like
if it
was
that we
did you
make
a remodelation.
Entient
that we
we're more
of 10
years
in the
rubro
this
that
I'm saying,
no,
we're going to
not we've
ever been.
Never,
and we've been
been a
can't,
we've been
almost in
a centenar
of the
places.
No,
we're going
to be.
When we
two,
we're going to
talk about
about it
here, we're
to move
here,
here,
change the
techo,
does some
repinted
in this
part,
this
part,
definitive
go to
with the
piece,
the piece of
the piece of
the
little,
we're,
we're
we're
to put,
we're going to
create a
contraste
of this,
a room
is more
profound, more
grand, then
we're going to
do these
types of combinations
of colors that
are going to
help.
And conform
we were going
about,
the air
of the
house is
going to
dense,
dense.
Of actually,
we
did it
that the
day of
today,
I still
I'm
making the
idea,
that me
imagine it.
But I
do I,
I'm
sure,
when we
came to
that house,
it was
at the
10,
11 of
the
morning.
We're
at the 3 of the afternoon. You're talking
of four hours to make plans of remodelation,
presupposts well-eached
a detail, and if, if there was one
or not there was a other, and things of that type.
And, narrator,
I'm sure, that conformed we've
talked about this and advancing,
the house was over here. It was
like it was the night.
In the moment in the time that I
see the sun, I kept impacted.
And I'll then, then, with my
husband, and I'm going,
I'm in the house
was dark
when we're
when we're
darker,
but no
has persianas
and no has
no we're
going to do
our ideas,
we're going to
go to
our own
we're going to
get to buy
things,
things that
are basic
that we're
going to
do you're
in the
way,
he's saying,
oh yeah,
he's
he's
said,
I'm a
rare to the
house,
and I
see,
I sent it
like much
pressure
and in
some
moment
me
Narraador, a
part of
remodelar
that house
was a
a pesadilla
to do you
start.
We started
to paint
a page.
At the
day
the
day after
was with
marks of
the
paintura
in the
piece
there
had
there
had
had
had been
there
had
to
have
in
cameras
and
narrator
we
we
saw
how
they
were
there.
No
we
We don't grab us video, no,
because no
us interest,
no it's
our business,
our business
is remodeled.
My husband,
when you're
only in the
house,
me starts
about about
about a
oldiegita,
that has
seen a
many times
reflected in
a speckos
a big
and that
and that's
very
enoched.
I'm
a narrator,
I'm in
serious,
I'm not
what I'm
fronted
these
things.
I'm
a bit of
a day
next. We're starting
to come to mount a
thing because we're
a lot of the
kitchen, a tarja, or something, and we're
on something new, and the day
next is that tombed on the
floor. We're doing this. These
things don't pass.
We're doing revision previously
of the madera, the form in
that we're trying to, we're just
doing. Someone is it's armando
a purpose. So, I'm
I'm a corded to podcast, and
I said, here is a gato
encirrado. Here is
passing something. And me
put to ask him to ask you to
the description of the biggita and I'm
going to ask us, we're new residents, we're
on a new business of remodelation.
And as the fifth or sixth
no, because nobody knows did nothing, information
of the place, much was new,
many never had convivied with anybody there.
Others of those people, no-nors-shear, no,
not even to bring. But there was a
person who was in charge us of
remodelation and we bought
that house, Silvoh, and me
said, ooh, with that no one of
power. Donirmia, never
has never done that
can remodelar that house.
Who is, Doner Miliya?
The first dwean.
The first dwean.
She, together with her
house, and she
started her, to be she
to be she's doing she
about there
the 60.
So, you have
been to various families
and pairjas
and they want to
they're going.
And then she said,
but the
she was,
she fells
in the
house or
or something.
No,
she was
she was
and she's
15 years
after she
but it's
not the
she's not
they've been
not to
that house.
It's like
if she
had been
a
little
and I
did a
so I
did a
make a
man I
and I
did a
father,
I'm
there's
father,
in the
house
he's
a exorcism
in the
house
she went
quarter
for
quarter, no
no,
nothing,
nothing,
except a
detail of
of which the
father
no percibi.
Or,
maybe
if you,
when you
was going
when I
said,
I didn't
see nothing,
no perceivable
nothing,
but the
benition
of God
and is
in this
house,
and you
know,
even
more
brilliant,
it's
more
more
and when
I'm
don't
still
is a
dark,
and
I
did
know
that
I
know
that's
I've been read. And,
narrator, but
so I'm
sure.
After that
no problem
with any one
of the
remodelations.
All we
could be
changed and
we're
desicings
of the
house.
If you
do you
want,
the
exorcism,
this is
one of the
most
oscurs
that I
have
heard.
This
foggata
of
stories
started
with a
story
of a
thing
that is
very
very
so
what
it
are
like
invocations
and
possessions. Well,
you want to tell
that I
told that I
told me top
in this
time.
Stories of
Lord.
The
Padre
Amort,
the
Father Gabriel
Amort,
was the
sacerote
exorcist
and he
was an
apprentice
of the
Pad
Candid
Amantini.
The
Pad
Candid
Amantini
was a
subject
very
peculiar.
It was
a subject
that Gabriel
Amor
was
a person
with a
don.
He
said
that Candy and Mantini,
his maestro,
of exorcism,
at the moment
to see a person
or be a
photographia,
he could determine
in seconds if the
person was
posseed or no.
No.
He'd
a major
proof.
Gabriel,
Mort,
he was described
as he
was a person
without a
person without,
the only
way he was
he could be
to do
a person,
was that the
devil
was to be
because of
there in
out,
he not
he was
and he
said,
he said
that many
people
and they manifested
to
his fourth,
fifth,
sixth,
decim,
exorcism.
The father
Candid,
no is the
father of
Candid
had a
bad for the
mindini
did the
father of
his father
Gabriel
he put
photographs
of people
and he
said,
well,
Gabriel,
tell me
for
who of
those
people,
who had
had some
had some
had some
a problem of
possession
or
he's
a
and he
said,
he said
he
never
he's
not
he's
no,
be a
detail
and
Dime who
of these
people
is to
or could have
been a
posseidate.
Father Gabriel
Marr
sign a one
and he says
this,
because he's
a car
of enochate
and he's
no
Gabriel
we're
not
not he
not
he's
with me
this
this is
this
can't
make this
this person
not you
don't
you
don't
they're
people
are
people
by
through
by
by
the
time
he's
the
person
this person
is
endemone
but
but
father
how
And it's with the time that
the time that's
the father
Candidio Amantini
what we
very normal
is a don.
He perceives
that the
father Gabriel
Amor,
no.
But maybe
these things
occurren for
something,
or maybe
the don't
know-a-
or
maybe was
de-novat-a
because
the
father
Candidid
Amantini
Lamentable
was
victim
of a
type of
a
kind of
that
he was
a final
he covers
this story
is
told
by
an exorcista
that
was
alumno of the
Father Gabriel
Amort
and in
some moment
he's
he's
directly
of this
story that he
passed to
the
Padre Candid
Amandini
I don't
see if
it was
in the
first
years of
the
but it
there's
that it
is that
the
life of the
part
with
the exorcists
the
exorcists
are
on a
part
to the
demons
but
but
other
part
to the
bruchos
to
the
bruchers
and there
many
that
not
in the
brughery
and it's
it's a
good,
it's not to
open the
but if
you're not
a good
I'm a
recommendation
that in
serious,
many people
that are
in this
time,
even as
have
experienced
this situation.
If
you get
to top
with a
work
with a
workerer
you
never
you
go to
you
to talk
it with
a
pical
and move
it,
there
people
that you
say
that you
put
you
recommender you simply
to takele the
world and
continue to
your way.
The
Pad-Candibamant
is in the
middle of
a situation.
There is a
person
affligated,
affected,
and he has
done to
know that this is
through the
workerty.
They can
be a
place that
the work.
They're
they're
there's
the person.
And you
know,
in a
pao
in a
body,
there's a
moose,
and that
is a
person,
and he's
generating
much
affections.
The Father Candidumantini is of other
time, is of other time.
Recurrect that the Father Gabriel
Amort is the
the person of the exorcism
and are being reclued.
They were trying to eliminate
the exorcism of the church.
The Father Gabriel is the
that is the person
and thanks to the
documentation of the Father Gabriel,
the exorcists
are to enterer of details
of these cases
and they're having reunions
before that no existia.
before
they were
they were
they were
they were
they're in
those things
raras
as far as
the
church,
they're not
they're
they're
they're
the
the father
Candidomantini
is of
that time
in the
exorciste
is a pester
and even
he's a
type
very
very good
for many
for the
cardinal
and for
certain
sacerdates
not is
a person
that
has been
a
information
of
more
people
of the
that
that he
does
that he
maybe
not
knew
that
he had to
talk the
brogeria
with the
because
he gotro
the muke
Boudoo.
And from
there,
he started
to develop
one
after
other
times
different
types of
cancer.
Directly
related to
that he
took
that he
took that
it was
that
he had
actually
not had
absolutely
nothing.
And
even
if it
were
some
even
finally
it
was
that
this
was
the
was the
thing
was the
malditions that
that's
that's
that's
the
father
Gabriel
Morrow
has been
very clear
for the
story
of Rosa
result
that Rosa
is
a point
to
his
husband
has a
little
they
in Italy
and
are
decided
to
that they
are
a
life
together
a
matrimon
a
time to
this
the 80s
and
the
80s
so
you
you can't
use
the
time.
Then
Rosa
go to
the
Father Gabriel
Amor
and he
he's
the exorcice
to her
a woman,
and the
father Gabriel
Amor
he says
Rosa
what you
are you
you're a
woman
you
your
your
and you're in the world. I'm, you're, I'm, in, in, in the world, and
it's done. It's not
protect.
The
what you
you
and Rosa
he
says one of
the
stories
most
despidated
that
he's
the
father
Gabriel
Amor.
Resulta
that
just
before
to
get
to
get
his
time
before
that
he
has
his
his
his
son
he
is
about
to
get
to
get
to
she
is
decided
to
give
to
give
that
and
they
are
something
incredible
together.
But
all the
families have
their fichita.
And it's
very important
to understand
that the
lasto
family has a
real of
a real.
And in the
brogeria
is a
poor.
He has
a mano
that is a
type that
is a
good
good
a subject
very floe.
And he
is very
molest.
Because
he's thinking
in casers
and
is just
getting
money
for
that
his mom
commenced
to
give him
his brother. And in an arrebatto
of courage, of cholera, because at final
it's a very good person, but not
he'll be a man. He exclimate
and enoched, I don't he will be able to be
giving to his old gasant.
He says, this type is good. And it's an expert,
even if he's a man, is an expert
in buskare excuses for not to work.
The brother no, he's offender,
he does the world, and he's
but the mama,
here is where we're trying to
get in things very delicate.
The mom,
not was a mom
that was
like
so
he was
he was
he was
he was
he was
he was
he was
lamentable
this
this chico
he was
not he was
a
favorite
he was
he was
a character
they were
to get a lot of
and he took it
and he was
to make
the other
those
he was
he was chasasas
he was chasasasas
him too
he was
the type that
not
that's
I'm going to
this
because what
his mom
was despiated
and without
his mind.
His mom
the
poor
that he
threw to
the
back in the
instant
seeing
that they
did it
that she
had to
her
and he
he said
he said
your
brother
he's
his
and that
his
infirm
and that
he's
and you
you're
going to
you're
to be
she casera, and you're talking that that was two
two months before the boda.
Before that she castara, and one day for
another, perjury a mobility in the
feet. Commenced, a chaque-sentered
the body. He started to go,
a doctor, to psychologists.
No, there was nothing.
He was able to move the
body. Then, it could be a lot of
affection psychological?
Tampocco.
It's been to try and no
advance. After that conflict,
there's another type of problem in
health, and is the type
almost invalido, no
has force in the
body,
the car,
the things
better,
and the first
new, and
he's a problem
respiratorious,
and the second
new, and
it's been
two years,
10 years of
the matrimonial,
10 years
of the
matrimonial
tremendous
the children,
the
children,
are four
occasions
in that
they're
they're
a tumor
maligno,
and when
they're
going to
do the
operation,
after
after
having revised
all the
times,
the
radiographies.
One
that the
children are
in a
chirofano
and you
have been in
the surgery,
it's not
there's
there.
But when
they're in
the studies
a couple of
months
after that
that thing
back,
and this
she's
poor of
Rosa
is just
getting
a lot.
How
it's
that's
that's
because he
he's
he's
the
bad
the
situation?
And
very probably
it's
there
when the
father's father's father. He said, this conflict
that lived with his mom.
Pasa the time.
Pass in these situations.
And one way more, he's
going to be a man. He has a
question that aroused, that the
mom says, that the cancer
is come to your language.
And he's got of him there impacted.
To the day next,
this man has cancer in the
language. And it's there
when Rosa goes directly to the
Father of Mort. And it's when he says,
father, we're
being bruging,
I've
understood.
After the
time,
I'm quite
and it's
the strange.
Because this is the
man,
after the
years of
affections,
with cancer
in the
language,
after the
exorcisms
continuous during
a week,
he and
his family,
he had
perfect a
health.
Disapparcied
all of those
things.
No,
I'm saying
that if
there's
a
disease,
you're doing
that they're
specifically
had been
victim
of a
maldition
family
explicit
from
from the
mouth of
your mother.
And with
this
history,
we've
got to
this
dark fogata
of the
story.
So,
is that
is the
first
that you
get you
at the
fogata,
let me
know it
in
comments.
If you
have you
have you
have done
to the
story
that's
that you
must be
and before
you
know
in the
next episode
or in
the
Saturday of SOMBASS.
Revis,
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