HABLEMOS DE LO QUE NO EXISTE - Historias Sinestras de Brujas y Embrujos | Episodio 339

Episode Date: November 6, 2025

Bienvenida Familia Nocturna a ésta Oscura Fogata de Historias Siniestras de Brujas y Embrujos que seguro serán protagonistas en tus dulces Pesadillas en  @HABLEMOSDELOQUENOEXISTE  Conoce a la abuela Fantasma, lugares infestados y descubre las aterradoras vivencias en la oficina de la Mala Suerte . Tiembla de miedo con éstos hoteles embrujados, brujería de viaje y escucha la historia del brujo más malvado y vil que me han mandado. Así que prepárate, porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE    HABLEMOS DE LO QUE NO EXISTE es un canal de YouTube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal  @HABLEMOSDELOQUENOEXISTE  , idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

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The conditions apply. Welcome to Family Nocturna to this Ocura Fogata of Histories. Today,

I want to talk about of the various of the things that we've been about here in the

channel. Since that I started, with this theme in special, that me

to give me to get to questions. I've got with the cases infestated. There are

there are places, there places, in those that may that are that can't occur in

in the media, in internet, in the reds, that have been occurred something special in the places, for what things rare occurren. But in my experience, not necessarily is so. In occasions, there are places that simply

have been a little bit of these places, me have been called the family nocturna of those that have called much the attention. We're going to put the example of a person of the family nocturna, that we'll give the name of

Ernesto, just for put him a number. Resulta that Ernest, me

he says that he live in a house, in the that the house

not is embruched. What is a place, he

he he's he says, in the house we have

a not not they are perfect is a

a space that a a a space that

you you do you, if you try things not

are going to do You can't for that we understand us. Ernesto has an brother

his father and his mom and his mom is a family very amourous very unyed. They're in a house

of two pieces and just the second on a area that is a side of

what they decided their parents that were like an area for

a game and a area, just at there. There's

a that has a door and it's like if were a officeina. There's a

little there's a little and you're even if you're to put it other

other other chair, you could have to and if were people

and they don't chock the back. So, although it's a

little because is relatively angosto is a long, so sufficiently as

for that be a space to work to study, and that that's

the that he says that he is a You can't be in any part of that house and you

you're going to go to pass great. Especially because they're an non-fritrion and is a family that has a

much cario, much sense of the humor, and he knows how does it he said a little he's

his mother, he's a little he was a little bit the time of the botanica. He's got to put plants

out of the house, plants that I don't even I'm going to venture to put the numbers

because not it's a thing that he's different, forms of of different,

forms of different, colors different, I'm going to imagine that some of these

matas, and whatever or the that's that's of that's that's a way, and

that's to make a part of the naturalness. The Seora started a garden

hermose and then then it was with matas more pecanitas, with plants more small, that no necessitar tantos and they started

to put into the house. Quenta, our new his scriptor, Ernesto, as we just put it.

He said, my house came to a moment in that you meties and it was a

jungle. It was all the many my mom yeah there was a moment

in the we, we know, we're not for if was a good or

not good, if he was to be macetas of all the different colors and all the house in the

garden, in the house in the patio, and for all parts in the piece of the table up of the messes,

and it was like if it had been a kind of a mania, in the that was,

and I had a little bit, I'd and then I'd think about that

plantita a lot that's that I'm that I had, and they was,

and I put in a tracable a plantita in the new, and

the like a slavit, like a mountain-valdio, like a lot full of plants, it would be a place where it was a lot of

the disorder that was over that you were to get to walk, and you were to get a little bit you met you a trancas

in the place, because if there was a maceat nine, in some point in a point in

you you're not you're you're going to be there you're you're going, the only

piece of the house in that can't put you plantas, because they were and they were in that space. Colocke, first, some macatitis,

that had some cactasias. Noticed to say, of what is narrator, but there were pure plants with spinas, and they were on the ventana. I remember to have

seen a day, and I remember that I go and me asom, and I no any one of these plants. And I go, of the that I said, because I

studied there, and in many occasions I, when I'm studying because I took to do classes. I alzada the hands ahead and leahmohmowing the hands, for that the day that me took to give to do classes,

then I'd be it as a person very expert in the theme. No you have any idea of the fear that I had, that you'd have been the plantis, and when I was moving it, I'd turn to spinnado. When I don't last I'd, I'd say, oh, yeah,

I'd have left to my head to my head, another MED. Where last has left in the piece, me last I'm going to top with the feet. And me is narrator, almost for

a time of a year ago, never had in my house, without any without any of my clothes,

nothing to not of the sandalias, nothing to not, because I'm scared that my mom

on the and I went to put to because it was too, it's a time,

the final, that the point is, that's not the time. And my mom put a massitita more

with a plant that caught in many the other like it's not like an enredderer because they were not like

they're in the plant, it was very beautiful, and when I said, that's the thing, that

thing, that's all right, that I imagine a little bit of a macee and when I was a

reason, but the problem, is that the maceeta, I think, no, it's a month, after the after the

after you, I went to my mom, and he said, I said, hey, Mom, where did you My mom made A Conejo Verde, what? And I said, no, the maca, the that

had the o'Rejita, like, the one of the turegitta, like a tonne. And I turned to, my mom, me ententeer, of what plant was talking? When I said a name, that I don't know, any qual, he said, and where I said, that, yeah, I'm saying, yes, that.

And she said, well, is that I'm not, I don't know I don't know what problem has the place. Tal-bees not the light or maybe there's

much humidity but I do you know I'm sure that's so I'm really rare narrator.

I studied there I'd do you do it I'm never a a day

I'm a time I for this I'm like to this we're in

studying. When my my friend he gets there when he when it he's

he well He's like can't like if he'd like he was a moratada

the car rarro at the point that I'm amma mom mom mom mom he's going to

my amicito my mom he says he says you see you see you you're a feeling

you're a little no that no no that all right but he was so he was so

he was very very can't and as he was he was he was he was

he was he was he was this zone, we get them to the plant a back, my mom he prepares

something, and when my mom is serving, he is still another way, he's not a lot

rather. Pace the time, and we've got to not to things raras. If you had you

a paper a libretta and you those after a time, a month and two

two months, the the sohas those were durs, d' durs,

like if were years of years, and it if it was all of the humidity, my papa manda impermeabilize

that zone even if you're not a gotteras, it makes that the window they put on the refuersers

because my mom's my mom, what he was what he passed to the chico, what he passed with

the little, and then when they are doing these the people,

the person, the and it's very ral because he was a very

very much he had a many years when the person not you don't know that he's

it's not it's a because. Narrator, in that pedas past things very rare. If you

had been in your own, if you'd have been in a lot of time. In one a time, I'm smear

as idea in making a project of these, that are the volcanoes, that you put a

pastella for that reaction and it's a light of and it was made a lot of

a lot of I had got a beautiful, I said I had to get a

a little the same, the and at the the day the day next, when I get

he goes, it's all rot. Like if he would have rot to my brother. But I and my brother we went to, oh, and you're you're treasas' or you're

done to do you. And he's said, no, I'm so I'm so far. And when he broke, but who he's not?

No, my mom, and my father. They were a narrator. They're surprised. All we

had been that he had a little that. My papa to put a back to those days.

I think he said with the idea that someone to get to the house. But the only that done you did that

that was the volcano not really that I'm I'm presented and I'm in the other

I'm my job my job he's got the because you know nothing to

say you know that the other was that the time we're

we're that in the part of the thing that's under the thing was a thing

that's a little that's a little I'm the minority. Why my family

not with the other things of desoterism and gruegeria. We don't not us interest.

I mean me also the thing of the terror. For that the house, there have seen

that from they've seen a person that's a person that is over words. I prefer

for my sanity mental not start in that but that that space of the house is

rare, is rare. And is that occur things strange in the

house. And the cases that have something from the time from the

and then they're who are they're going to have a a style of that not necessarily

is the most habitual. I'm going to to tell the story of a part of the channel, that is

a thing but of the locoes, and they have done because if they're in

a place that has a, you know, you know, it's it's better that

they're better than the eye especially if they're the children. There's two subscribers, nasiered in that

house, crecied on that house, and they're in a family, like much, that is a attribute, that's a

positive, that is very little communicative, not is not their ideas, what they're in the

words, what I'm not a critical. It's more from the perspective, I need

to talk, it. It's The family not communicative. Every who has their ideas, of the

why and how function the world. The papas are of the type of people who are just

just to give a order to get to get to and then these two

years, they've a relationship a good great friends, friends, friends,

grandes, and are we're, we're people, we're they're when one

makes a time, the first to go and you're a little, you

I did this, and between those two are formed the story for that then they're going to to call them. The two are great, great, friends. And what I'm going to to tell,

no is something that's a part of children. Me, they're telling a pair of adults, that all day of they're going to

they're going, but this is what they've when they're little. So, these two children, now

have they're 40, and until now they're in this story. In that the house,

in the they were a house very little pizos. He had some escaleras

that were mortals, very mal-disignated, the escalons not were at the same level, and that was when you were

you're you're you're going, and if you have a little, because the escalon not was a lot, and

that was a way, and if you don't have seen it, you're you're going, many people were in those

escaleras, and they were those escalers that, for fault of economy, no last of economy, not they were to change. The parts of the house,

from how divided those muros, then, then it was the impression that the question of

the question of the present, you were the common, they were to enter to the same quadrant,

and it was kind of the end-in-in-a- the arista mid-recorted, and I'll say, to be a little bit of a critic, is

for that you can't be in the zone and you can't understand how live that family. All of you have been accustomed to that in the kitchen there was a door that no but, but, for orders of the papa, not so it's

valid that door is open, although not seeer. He wanted to be them pair of always. And that thing you'd want to want to because then, if you'd the door of the

entry, if you'd passable a carriending, if you'd be a while, for the gulf of wind that generated by the house, the door

was over the door was overed and he he had to get a unhojones who had opened to the

kitchen? Why the the sir wanted a door to the door? And he knowing that

he said, and he said. But they said, but they're part of the day

a day. The Papa, was a person that was very tensed, very stresseda,

not was a person that cariniosa. When he his moments were very

good, but the rest of the time was a person more being to temer if we let's make up a word. If Papa he had a tonito in the while he creed that

was doing a minute, but you did you know that in the first you would have two three chanclasos

two three centuronazos and he felt always very few little excuses for that were

so. My mom my mom no, no, no, not a time kind of

like sarandeo or a handett or whatever my mom had a a bocerron and she

the pass about grite and grite and grite, my brother and I, all the time, we started to be a relation very padre, because we'd feel we were like if we were just generals of the army that army, that's all the time. All the time in that house were puros grits, ordnets, regaions, a world, a great thing and between my brother and I had had a relation

very beautiful. Rises, cuchechos, to be able in voice bigita, that no us it was like they were like if it was just going to be able to be able to have us passing a good rato. What are doing? What are doing? They're doing? They're going to be doing some kind of having a travesura? And my mom

if you'd start to give them and give us to nothing? And because we'd have done a lot of tonteria that happened, something we've seen, the television. The television, always with volume in that video, that's heard of that the television, because the tele is premedita? What are that playing? What are you? They're going to

be able to beend to be anything. And always the she had something had to to be to beaux to beckarce to

no, it was very stressful for that we and I and we're we're we're

we're doing we're we're very silencios and no we're we're and mom

when when papa and they're not just was to make not much we're

they're they're they're they're going to be and they're

we're we're we're we're we're we're It was just, it was just

you're not, you're not, no, no, no, no, no, no, here it was, there's a, don't, do you get a lot, and then get a lot more, and then after

that's put up violent and, no, no, it was, do you know, do you, do it, and do you, do it, and you want to be

doing, because the things did you know, the problem is when you're when you're all, but when those are

you're the minimum, that we're never, then, then I'm, I'm going to say,

that the relation with my life, for the of the world, because you meantier. Tampo no we'd get them

we've got to but we're sulliams much and we're not we're not a lot of and we're very important

for you understand what was my brother and we're we know, we're the

idea that my kids, when the parents not they're not they don't you don't make a

to make to come the world the new you're you're the idea and there

there are things that simply are and are. Because if my papa, you're a man, you're pretty, pop, why this, and for this, and for this, look, two, three nalgadas was, it was the minimum that you were going to to get as a response. It was a person impatient.

It was a stressor-dissom. Then, there was a senior-major in the house. And this senior-ma-ma-law, if my papa and my mom, had a form of being a little difficult, that senior-ma-ma-lawed

us dothed. That senior had a that we had we had with a courage, but with a courage that

not you could be able to be in the kitchen and then we'd be a little some of the and then we

had got a little there, and there, there, there, without we've

seen that we've seen that we had seen that we've seen that we're saying, and nothing,

and since that we're having done, you you're there was there

You'd have a fear You'd be all the Pell chinita And you just Pardon, Pardon, abulita And we We'd say we're

Then we're We'll get us We're gonna We'd let me And with And with Moma and with We're gonna

She'd To give her to Another Other other Cause No, No creas That's

That's it Not you're That's We're the We're We're We're Because of

Because of Notta Mom' Because of We're we'd let us a plate soo that we'd have that we'd

go and we'd and my papa my papa and my father was like a man was a year, a little in the house,

was there was a room, she sent over the room, when we'd when we'd go back and we'd be able to get back,

and was always enoched, but enoched like you know a new day my mom is going the stairs.

That I said, that were an escalers, for me, for my brother was a one of an adventure.

Because we were on the point- those two flakos, flakos, and we began those two to bring

for the escalas and and to do you and it were like we two were some part of

changos, and we had some more movements to have backers, and then the other

was being being being in silence, and we had been a spectacle and we

used and we just was that my papas, well, you had been

caught and it was a very dangerous. So when when I was a man, I was

I'm trying to be there because it was a because the final was my mom.

And one day I see that's back down and it's a old little is the she's the

she's a and I just know when my mom is going to the side of

that this she's she's like with with a handotazes in the handotazes

in the I'm I'm I'm my mom, and I see, my mom, how it's oh, chingado! And she's a narrator, and

he's caught, but it's some trancasos, because she got, turned to get on the part of the back the back to the door, and I'm going to get her,

papa, papa, mom, she came. Mama, you're all right? And my mom began to talk with much courage.

For what you grittas? For what? Oh, for what you gritts? Isista that me caller?

And no, and no, and no, and no, because she I thought that I was coming very well

until I said. I didn't say, that how no my abolita and that he was

a little of this things were in our infancy. That that was she was

with a very invasive that always was there that was that was part

of the day to day in occasions we we'd we'd we're never about

to she not with she not to I'm I'm I'm just

I'm working, unty a dinerito, and two friends that had had been out of his house and were in

their house, and they were renting, like a quartito in a department. I said, me go and my brother,

no, I was going to be able to work, because he was not even of a discussion. When I don't know the

time, when I don't know, the mess, is that I just I'm going, I'm going to get to here.

I don't do you not I'm not I'm don't know how carhos live with that that she's

a woman that's he's the first time my mom in the place that's my mom and I'm

saying your your abuela your abuela? How your abuela? What's

you're talking you? And I just just no no no yeah this

house should be to change because we're we're we're to get

to be better more as family we're we and we the lady

and the she's no me can't you come you your abuela. You didn't know

to your abuela. Your abeliora felled before that were naces until that were you asked, how to your abuela? And in that, my brother, he begins to say, "'Pol the senior-grand that lives in the house? What's a-grander-grand that

is the house? Of what are you? That's one of those bromites. For that me chocked that you're doing always their bromites and that's being rarrying, because they're some rare, and think a very rarrow. How much you're a

senior-grand? What kind of stupidness is they're saying? narrator, no we're going to the talk about but as a year

two after I'm to urge in all the albums of photos that I'm because I

had one three, four but a few one day me I'm

a regana but I'm a let's let me say me

again but who is the old? And when me he's the photo

of the the mother of the mother of the mom of my

father not the woman that we'd the We've got it.

But, but without to talk about and it was a time that we're a lot of that's,

that in the house, there was a lot of we were the was doing, and it was a phantasm

when you're a lot, when you're going to a place in a lot of a part of, in parameters. Here we're going to to be the paranormal and the

non-parnormal, so the not-parnormal, degett let me it as a normality, like what, although many say, Arrader, I

would be to be able to do you do you, I don't understand what you're what you're

what you're doing, is something that that's when you've done a life, and of the

event's paranormal, and of something, that may be to be to be doing, that's

that has You know, and you adaptate, and you know you're doing, you know, you know, you're not

a matter of when you're a adult, and during many years you're to learn this, how you

need to occur to do you do you know? A basis not you get to be call you. It's good

the communication in this effect and this time. For that, we're going with Lucas. And Lucas

has also also a viviency that's to be the locus. Lucas is a

person a very quite a new a new with a woman who he's

a way to have a very quite, they're going to visit the

city of and they're all very very very good. In this visit planiator

that for first they're going to get a itinerary but very, well,

well, well put. Lucas is a type relaxed for his job

and he has much stress in the life with his his family,

and what he want to to be to be let's get in the two felices. Look,

the job he pays the pay a stress, but in the house, what is the necessity?

Then, Lucas, never has plans, never has a time, and then that's the

cause for that your party's that's a question, we can't make sure you, me,

I'd like that we'd want to we'd give us some routine, and Lucas says,

no, is that you no, is that you can't more more things that that's

that's But this voyage, he is disposed to that is going to be an itinerary, go to certain places, with an

or an orario established, visit from houses, museums, restaurants, thingsitas. The voyage in

carretera have had hours of a point to the other point, to get to the same

or what the city, the second in the map that they have planned,

you, they can they're, they're, they've been a is of a bolsa abier, what he's

and what he and what he's but in this occasion is no. Because he wants to show to his

that he also is versatile. He not just, he's not much, he works and only

he's not he's trying and he also, and there's there's a plan. And Lucas me

he's a matter of, the fact that one is that one knows, I'm not that we're

that when we're that we're that we see a I'm a type, a type,

a very perfectionist, me will say, oh, I, no, I'm a lot to other version, and no, me will go to love your own. And I'm, I'm going to do it. It's a lot of the way. Because in that's what we're going, in that's a good job. And I'm a perfectionist, as well, I'm going. I'm a lottererer. I've got, well, we're going, and we're going to be a lotelitos, de repent in Airbnb. And I'm going to be, and to be a lotelitist, and everybody, and we're going to be a little day, we're a few times three, a sometimes,

a time interesting, of these vacations. In the first place, we were in a Airbnb,

we went to a hotel because it was in the house and then we're in a hotel

that we're in a certain zone in that there a one of the time we're we're not

we're in the second city of that we we're in the tower and I did,

I'm something, first we we're we're not. And the The city as we we came

we felt strange. I don't if you have passed but a when you get to

a city in the you've never you see things not paranormal of the

style of life of the way of the way of how they're in

other. If are more aggressive, are a form more fierre and they are

going to very rapid and no respect any regular of the transit. But at the same time you see that the other, neither they're

to be able to any way to do or in occasions in the field of the market, that they're and they're and they're

the thanks. That's this is very, very, very, very extra. But it's because there are there's

there's forms of manage- to manage- every place. And he says this place was very

rare. It was like if all the people were in the people were in the

other. You're in the field, you topavs with someone, and neither would have to

do it, mutel to get to get to, nothing. It was like if not it's important, like if

not they would be a word. And that it was a sensation very strange, it was

like, it was where we came to get to have seen in some podcast

that has been historically cities that that for the contaminants

industrial that have all the people are affected and that have been entire that

that's the world at level mental, at level emotional, even that after generations are with many problems genetical because there are

problems industrial there with chemicals, with substances that are using, etc. Me entered a fear and I said,

where we're not going to say that this city with some type of contaminant, all are all so they're

so they're like zombies? I'm I'm sentia very rare. day two, we have to move

from the hotel to an Airbnb. We're going to Airbnb, and when I'm with my novi, I'm going to

the mailets to the endro, and me says, hey, there's a ropero very beautiful in the second

plant, I want to use it for my things, it's a and I'm said, no, for

all right, and I'm and I'm like, it's all right, sure, that's, when I

Cargando the Maleta, Narra. Never had ever talked to cargara for the escalers, and I said, I said, you're doing, you take to the

middle of the house, and she starts a lot. And she's, no, that's very strong. I said, no, no,

I know, I know, I was about a bit about about this that we're saying, Murtos of

the Risa, me has to help her I'm a really, but the really to give a Renea

for making a Renea, for making the valiant, and we we were both sub-suited the

the second plant. I go agitado and she is a little bit more than a little bit more than I just ask enough I'm the door, because there's, like, the doortitas to those that we can enter. And me says the ad in-medio, and when I say it, I'm saying it,

I'm a little, I'm a little, the door is to be that burrow, cajonero, or what that she saw, that she, had two puberty and ones cajones above, narrator.

So, that thing there, the doors are open and they're in two hands blackas,

blanks, like if were some some type of botarga but wessudas and delgated that's all

to the part of the back to the two are the two upunt and a back,

and a rostro of something that's a person. It's more a different

of Halloween. A Cousousous a large, largeata, of a color between black and gris

eyes with some with some little bit of like the and it's like out of closet.

I'm going palid and he went to my novia and she says, you want you

you know, you know, and then he said, it's a problem, right? It's a

problem. And then she's she just just, no, so, you know,

you're not to put my rope, I'm going to my rope, and I'm to go, Narcourt, and there's no, and now

just me left and I'm like, and I said, and she's me kept doing, and she's, what, take the

hell, that's, I'm doing, when I said, that's all the carcacage. But I'll and I go, no, and

that's serious, for favor, the court, the other to do you, how did you that?

And me said, what I, so, how I did what I, and I'm, and I'm,

I'm, and I'm, I'm, because I that is a brawame that she made

and when when I'm the room, the doors are in the world, the

I'm in the I'm in the I'm in the I'm you know, you know, it's very important,

it's very important this. And she and he said, okay, yeah,

I'm sure, I'm sure, I'm, what, what you do you're doing, and how you

you're doing, and you're not, don't know, tonta, I mean, you're, I'm,

armatoste, me you've used a brough, no, she's being being and she's talking, I'm

not, no, I'm talking about. With that's you're doing, I'm sorry, let's go, let's go back to do you,

to do you? Help me with the malet we're going to get to the way. We're going to the middle,

just he just that something that from the front, from the front, to the door,

and she's that's that's and I'm to do, and I'm to do you, I'm going to to do

your malet, let's do you, I'll say, Vente, Vente, Vent, Vent, don't voltes, no voltes, no voltes. We'll go to the

house, Cerell the door, and it's going to get to get to the carlars, and me is she's

doing a drama, and I said, let me want to hear about this, and I'm going to that thing that was that was there,

but it was like some guardian or something of the house, and no I was to get to

to find it. As you the initial, not necessarily the things extraness that are in this type of

places, it has to have to be with some a process of the past. A

sometimes we have to accept the situation that we're going to do with what was the cause

of this type of the success. But also I'm going to do because

there's there's there that it is a very clear that was

what that was that they are going. We're let.

Daniela. Daniela me said that she during various years, visit with much

the house of his abuela. The house of his abel is a casona, because, I don't know if it was

his-a-a-a-a- -a-a-a-a-a- had, he, had a business very great that at final,

he ended, with that he bought various terra-a- and the principal in the

he lived-a- was a-a- car-o-o-a- six-a-vit-a- nine-a-a-a-a- was-a-n-n- when-a-a-n-n- when,

when, when, when, Passed the years and the his-a-saint-a-vuel, tat-a-a-vuel, commenced to her part of the fortune, many of them

are to make to make of the herence that has because one they're very very well, then they're to cede

the house, and finally, the last that's that were the abuela of our suscriptor and

the herman of the abuela. The abuela was casta, had kids, but the house is so great, that no problem if she was parted with her mother.

Her mother, she was a child that was very very good and very a good, a person a little recatada, something

not was much to have like to have like relations social, but yeah, when the daughter of

that's abuela and this woman, it's a person is a person well, let me be a person,

because she is between his 50-and- and the beginning of the 60s, that with that not you

I don't you say a little in style of but I'm he had done a

life, he had a style, a form of living, he was that he

was and she had posted to the solteria, and he had been much conformed the

theme of his things spiritual and religiousas and

thanks to those two two have been been in group

religiousos I know the denomination so they're Christian and

They had like much affinity. For that was something very extra-when, when, of a repent, she left to live to the house, yeah when our substcriptor

existed and had years to know her, he went to a house, and this he was a newho.

A subjecto very rare from the vestimenta. I want to you imagine that you imagine that

a little, a place, and more of nine banos, with spaces tremendously ample,

for the common, the cell, the zone of a house, a

garden, and a part of a patio very good, in a house a little little bit of

a lot, things that in the moment were in the money, has cobrated

his factura, but no there's the economy to give the money,

then there areas of the house that not even even in

functionamation. All they they're all they're the more little

but there are things that not that you that made a special, that pesed

much and now it was a un-rescicated, but it's rastraining against the well, with the past of the

years and years, because if it needed to have been to the place, the matter rechina,

the marcoes were rechewraching, certain the cabas and cheroom for the humidity, that came

to the root of the the techo where it was to find it and it was

so costo to do all the reparation of the techo, that's the best way of

affronted this situation, it was putting tinas above, that would be the gos, but passing

the years, well, that's the yeso, and so it and it and it's a lot of

all the view of all the parts in the house, the barillas, this part of the

cement, and it's to be so they're inruin run, that, they're

to make a little, That's not going to serve for nothing. Necess it impermeabilize it. I don't have how impermeabilize all. I can't impermeabilize a part.

No, I intend to put in a cellar or something. And those discussions, year-con-a-one-on-year-sone-sone-sone. At the final, you're going to be a tacho painted-and-all-the-cuit of the rest of the techo.

They're not men, when the seniors are a little bit more. They're not other type of decisions because, no, no, no, no, no, no, not it's such things

that they were when were young. And that's to make sure that the house is a little bit of a little bit but the house was very beautiful and was very comod. And there, our subscriber, when she was a little bit of his first

years of adolescence, she had passed very well, until that he toped with this type of gruho. I'll ever say, for that you imagine, desentonabre for complete. A house elegant and bonita, a little bit of apsychada, maybe, yes, but

of good gusto. And this subject was dressed a manner very rare. I used it as a part of a part of a trage of those that are to them call like a cola of penguin, smoking for some a trage of pianist,

for others, and has many names, but this part of the above that has been a large of a color very rare, because it was a color between rojo and indo, between morado and indo,

they're others, medium torna-sol, of mangas that were kept, short, adjusted, and that's socio, and that not even a cordon

with a capisa that not a button, is a camisetta normal that I'd here the impression of a group of music that he liked. Very rare. That thing was more of a

dresser of Halloween than the roba normal of a person and the type he had. For him, according he, mustarse,

to a manner as a altitude of the place. The chapats that had been bottles of caskillo and that they knew

because the part the bottom of the bottle was that was a castaway and he

was a and he was a little like he was a cabado of black and he he said

you know these bottles of black were bottles of caskillo

that went with this frack that he had put of a

color that had many he had much things but not

was elegant and the man that it was that was

never aghlerated of the rodillas and the subject always with different

types of clulgantes with symbols in occasions he'd paintable the rostro and he

had the other occasions just a marcus that said that were like

were a picture he'd a that he was a type

was a thing was he he meant and he didn't

because the tia bora she had had had

and a zone in the place in the library, that was a a bigloteca of those that had stances

enormous, that were all all the books, books that even the abuel

don't a great part because knowing that not they were to care and also

that these books, for the past of time, can terminate in very mal

state, he was don't don't don't those to public, schools, and universities,

but of the four paredes that were covered, only two were two kept up of the

book, but with the time, the humidity and all, many books have been had been

had been said, the he had done, and the those that were those that

were in certain, those other is the place, and I'm a part, the cases, the boxes,

the things, they were in the little different different in the

little in a good state or they were in a He had He had cuted part of the

estanteries and the estanteries he had put artilugios and things be you and you're

you're in bottles, like pieles metied in a type like a manache and the

piles had things written something something that's aterrador

extra extrano excendrico the the subject had a sofa that

he had tried the sofa very rechin feo pestilent

and And in front a television of these antivos, that were enormous, nor even were a color, the television. But he wanted to see the television there, and he was separated, his ascent, as a meter and a middle of the television. A raise that the subject was going to

live in the house and capture a certain part of the house, they began to pass things strange. Dice, no, this seggidora, that the first that she saw her, was that in one occasion to a woman that was help with the clean of the

house, that was a woman, that was a matter, but I did do a lot that he

could be parr, trapeer, limpear some some little but it's

that the house and it was that a one one and there a

other that were that I had been that had been to be to get

with this man, he's saying that for favor not do

that mother that when when like a hand, the garra of the chungo

and he stira the woman cae at the piece and he begins to get to get arrasn't.

No, he was the rest of the body, no view of that man in the air that

she was that she was just that she was so that that she was that she

could not even express it with words, he'd he'd and the

other way to that one and that poor woman that was that was the the last day that the chick

that was helped in that place was in the little day she was out of the same day that's And it was a sensation that

any other that was up front of that was the space, it was a sensation that something that something that I'm to be able to a detail, and with an intention

not very good. And that's the space, what most he was made is that in the part of the bottom,

she marked on the little, she, when I saw the marks that were so detailed

that, that in more of one occasion she was going to the a kitchen,

agarrable a drapo, it was a little and he he was in the

little bit of the whole, the hands were there she'd make that

the idea that you did that the day of that there was a because

the wets were not they were not for out.

For you you could you you could you barra

but the ways that were they were about they

they were they didn't they caused because no there was in

that way, more than she and her and the and she didn't coincide with her and they

could be to be able to get back. I'm that's out of the mirror. How

occurred that he didn't I think I'm I'm a fear tremendous.

It's that that's that's the cella in the show that was

a little a little in the the person was like being

the little to It was, a little, to start to a disnive. It was

where the television. The Brucho was in this sillion and was the end up.

And with the time he was never and it was a moment in that the

television was more not I don't understand because that

was that that's that's it was, it was it

like if if there had some there was

hauling the piece for there, because it was all the little the

end of the end of the type of a piece in the that part every was more

summed. The problem says, no me go to never, because the adoquin

those mosaics that were on the piece took the form curve

a narrative. Never never never were never crugier, never so

it was like the situation would be so you

saw in the the corners, they were curveing and when you'd be able to go ahead,

those that were there, as formando the border, they were they were in some time they were to be

a little bit of some type of and then they were to get ridgid, the thing more loka that I've

seen, that's that was a little I don't see if they were, they'd

call it, or a more, but when he not was, that was rarestim. When he not

he was in many occasions I and my primos we got to see a person who

was in his sillon it was for the body that was a little but

was all all a a capuchon of a coffee so

he was that he was these cinturons that are like

a kind of that when we we were we pooch. That

that was, what were, that was a vestyed in some occasions, when the Brujo had more to three days,

he mobilized for the house and we would have to pass to a quarter to another.

I know that not the kids, we could be the adults, never saw, he had to me terrarra.

For that there was a moment in that I said, I know to go to my

mother. My abuel said, I've lived in discussions with her

her mother. His hermana, hermala a little. One day the brucho hered to do, and after that my abuela, they're they're going to be and then they're trying to and then my t-a-wela

fallece, and the brucho she kept with all. The family yeah no care of him, because they said that was much better than what they're going to be the initial. Some stories that my

family didn't even tell a-narrower. Things of those that are are avergoncados, what they see is that he had been in

a lot of my tia because my tia not was he was there. My tia was just about there was

like to do the things that he wanted. Look, Air Canada did a sold a world. Super,

an offer for the assort, station thermal, volcano. Parlant of Volcan. You've

seen the price for the Japan? Mm, um, Eparg and sushi. Wow, the soles

are good for May York also. We could go to the plage and find a roundone? Or,

it long march on the border of the sea-sile I love the canolies I'm trying to decide it's easy this sold and dinsury

limited reserved to air canada com or or at your agent of voyage the conditions apply. And it's what

I'm saying there are there's that there's that there's a situation super specific a situation

that situation so obvious of the why they're in these things there's one

that they're in something very very rare Let's put her to name to Andrea, this chica. And Andrea me says, you know what I'm trying to understand

narrator how I'm going to understand why it's so strong what I'm if there's a person in the world that's suennyocet and swine with places of color pastel, rosas, and azoules, that's I'm. A me

to have dreams beautiful. My life is a life all of color of rose. I am a person very dulce, I took a family very beautiful and I consider a person with a very

good luck and I'm going to be good. Now, that the people, not malinterpreted.

No, me consider more than nobody, only I like much my life. I've

enjoyed a person, me feel a person like very very very good. I'm very

and I love to have much relationships and much and much that I want to

that I want to so. So, that is my form to be. Because

is important this? because in a narrator, since that I have used of reason,

since I remember of all, until my 23 years, never had lived a

bad idea. The most most so near a not I, I, I,

I, that was in my camera and that I could be there, and that

was my time, that was my so I'm my thing,

that's the never never seen we didn't know we don't know anything. My papa a lot of my mom. I was super enamored when he was about us. Now, right, yeah transcended. Yeah, it was a better life.

But my papa was so enamored to mom that when when he'd of those voyages, the first that was ever was to get always with a little bit more, with a little bit more, put a music, and he had to be to dance to my mom and then

me was to make to dance to do that me, and we'd a relation very, very, very beautiful. My house, all were risas, all was a carino, and always was like. In one one occasion, when I Cumpo 24

years, my papa, I had two years to have been felled. There, I see, I'm going to go ahead. I was much, and me was down to, too, I was going to go ahead. My mom is the that you say, "'I need to superar to your papa.

"'Deghalo, for "'Discan't in peace, and "'and he's put to agree with "'in' amy-a-court to "'in'a-cure there. And me he said, during three months, no,

I want to pices the house, vases you of vacations. She, a tia, and apart of

a money that I had put in a month, and I'm putting a year, and I,

my family is, my am more than to say, you think me going to say,

no, but she was she was she was she was she was she was

she was she was she were that I I want to understand that. I don't have my dreams. I'm a much of a stress because I'd say that we'd say that we'd have to be a lot of yorentra. But that's a pesadilla. That's that I was that I was that I'd

I'd like much. Well, a narrator, we've started that we'd go to go to three places different. One, we'd go to a carreterer, and then we'd have to fly in an avion, and then we'd go to the third the place and then we we went to the air. The carreterra,

we were going to go to our property. We were in cariompson, but all perfectly well. Lugares very

very bonitous, things very beautiful. In the last place, I've happened the thing more

rare, horrible and terrible and I have lived, and I want to that I'm going to

say that what's a thing, that's in serious, no, no, it's all

what you're to be the thing We went to a a house of a little that was

transformed in hotel. Not is an Airbnb, but also is a hotel. It was a

concept of rare. The person the house was a house was a house

different, and then one of the house you went and it was like you're

like you in something in a lot very elegant and they were a salon

that before, maybe it was a commode or no-se if they were a lot of not I'm

the story of the place, but in a commedor very great like for 70 people and there

were in scenes thematic it's it's badrissive and they were in a

little a particular function of the in the that of they were

that they were people, they were they were on the people, and they were

people, and they had been the beautiful that had lived something

so bad. But the second day that I'm in that I'm going to be passing so much, in a quarter that we took up brutal, because it was a bigotototototot. That no says if it was like, but it'd be stuck there,

you'd sit down to grab us and you'd be able to get dormier at the instant. With some almoad of the more rich, I've never had been some rick as like those that they'd in that hotel. And it was a hotel very caro. We'd

had to be there, like, four days, and still we'd still extend them the things for five, but in that there was a ventanal that was

there was a little bit of a lot of a lot of a lot of you know, I'm not to explain,

how beautiful and the beautiful, I'm I'm go and the other day, that I'm

a little when I'm doing that I'm really concerned that I'm in a sunn't

my my hands I can see they're all and

before in front of me is all dark, but I see that is a passio, I see that

is a and it's a dark, and it's a dark, and they're in the main, like marcos of three

doors, that in the center have a cross-roha one. The cross is made that

made that the liquid of us, with what I'm with the hand, and I

can't be able to there. There's there to be to be to come

to come to a one of the one of the I'm sorry. My dreams me led to live the infirm.

It was a sentia an ambient an ambient hostile, an ambient of a solidity tremendous, an ambient like if no could you have contact with anybody, like if no existier any carino, my love, nor sercania. Just was soledad and a trestice and

much dolor. It was horrible, horrible. And I don't understand what was going to. And then I went to the first door and I'm the abro, and what I'm in the dark, is a black, but no is a nebrina very dense,

and it's a lot and a trestess, espantoso. The nebina were formable rostroses in it, like if, de repent, there were people invisible, that were, like

if the nebrina were a part of a latex or a maskra, and it was it markable in the rostro, it was so aterrador. No, to be

spick. And grittable and they'd like and they'd do you're in a way that I felt that I'm going to move, I'd get to get me

and I'd no say any words. Elada, was suede and frio and me sentia very, very

bad. My companion narrator, that we'd have been not we'd not even to

rentable in that's the room, two quarters, we'd have been not more, but we're

all the two in the camera, and we my company my comeper my comepita nokiada

No, count said about that I don't I'm able to you know, and you know, if I go countas

I think that I'm doing about to eight or nine, 10 hours, but she felt like

if they were been seen 10 minutes and tired, drenada, with fear,

asphyxiated in the center of the be sure, I'm like I had put

some some some because so I being sitting satid

or partada and that that that that that

was that I was pushing to into and I sentia much pressure and many

and much fear and much fear, but a need to you know, but the next

narrator, for the things that we've been because the place was a work of theater,

because with my friend we about other things, it's me'll

forget what I know I've never, I'm to say, a final,

a new my life next night, I'm doorme, me I'm,

I'm I'm dispirited in my I'm conscious that it's a I'm not move me, I'm again in the passillo and the

door number two and caminandos the door number three, but now the the passillo has a little light.

I don't you can't explain because it is a part of the wall, and in the the wall

there's a person that is a person that is going to come down to see, I don't

say how I know it, but I'm they're passos. It was also a sombra projected and it was a little bit of a lot. But I don't decide to where

in my head, my hands of nothing. I'm going going to go ahead. Voltao in the second door. Abro the door and I see a lot of women very similar to people of my family and all are in a state of putrefaction and they're in situations

very deplorables. Amarras, one to a a chair, another marrada, a man. It was a horrible, horrible. It was like if it was a quarter where someone was doing a time when I'm all around a minute.

And with his eyes, it's like if me grittarant, sacan us to get a lot at the and see many people and I don't to move me, I've seened

such a frustration. Of the pure frustration I'm going to get riddened that that they were of the tensed that was my

mandibula and then then I get a narrator and I'm not even I'm put a

my pulmones I'm in the camera I'm more under than the day earlier

but undied now really undied and and could

get to that cost but it got I

I'm I'm I'm control of my body but

was like I'm I'm like I'm under the

I'm that if I was a third, no me to start. Something was going to be going to be very nervous when

when she's a manned, I'm going to get to the door, I'm looking to be going to be inside in me,

me, I feel encerrada in that there's a day is to come me, and he says, and me says,

Tranquil, this night this night, all about and I just before more fear than more than

this passing. My is like of a person that's a point of to lose the reason. I'm going to get a lot.

If something more does, I don't to be able to maintain. My friend is very preoccupied for me. That day

me is like in blackouts. I'm conscious in moments. In moments, I'm not too, desgaste,

I'm a pressure, I'm going to get to get to worry, I'm much fury, I'm much

sensation of that I'm feeling, I'm little, I'm little, I'm little, it's horrible, horrible,

no, I'm what's moment, something, something, I'm going to go with to get to

the quarter, I don't know why, I'm going to raise, and I'm said, I'm

and in automatic, I'm that I'm a lot of my hands, of my muckees

and my hands, I'm going to the camera, but I'm much a lot,

I'm a first in those days, like a bracito the heart,

something something I'd go the almoda, that was a little bitiousa, the saco, the flora, and in the amuad, marked as there, with the liquid vital rojo, three cruces in the part of the above of the amuad. The only that I was very notorious,

because he had a supermeadabird, was all full of plums negras. I just saw that, and then I'll call to my companion, I'll say, I'm back, I'm going to come to her, and the face of her,

me the He was pavit She kept being, she kept viewing me

and me he said what is that you don't know you I'm going to be

bad days I think that's for that we're we've we've

paid four days we we're we're three days we're

there were there were to us came there

were with us we're we're we we're with the

the aerolina and there trifulca and a farrancho, because it was antipical what we were doing, while being there with a pair of of maletas, three days

complete, because only us had a dinner for food, but not for to go to the hospadege in any part, and me'd have much a very much of my mom, and still like, like, the head, no end up at the end of the end, that the airline, we're taking for a day the whelowl, since major cost,

we could returner, we're going to say to the conclusion that I I came and I was I'm trying to even if I were some seconds in my but I'm

put out of the infirred in the end of the story, we've got to the final of these dark fogata of stories.

So, my great family nocturias, tell them. Those got them? What was the story that

most of you know to get me in the comments and a question? If we us is

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that surprise. Now, said, said, no, this is this, no, my great family nocturn,

the day of the day of Mexico, we're going to be the Wednesday and the

Saturday, and for you, to to you, to see us to be able to be able, it's

So we're on the And for all the family of internet, we're doing the next Monday. And from here, to the next Monday, you'd want to be a newsts'pessadias.