HABLEMOS DE LO QUE NO EXISTE - Historias y Leyendas de Pueblos Malditos y Brujería de Traición | EP 262 | EL NARRADOR
Episode Date: February 3, 2025Bienvenido a ésta Oscura Fogata de Historias de Brujería de Traición y Leyendas de Pueblos Malditos en @HABLEMOSDELOQUENOEXISTE El día de hoy les traigo historias que ustedes, querida Familia... Nocturna, me han compartido y unas cuantas mas que encontré por ahí. Escucha del Pueblo acechado por la LLORONA; conoce de la BRUJERÍA mas extraña, del maizal EMBRUJADO y la MALDICION de las lechuzas. Tiembla de miedo con la historia del AMARRE mas retorcido y sin corazón que me han mandado. Descubre la razón por la que luchaban las ENTIDADES en el accidente del pueblo y ¿Has escuchado de las 3 reliquias malditas de los Morín? prepárate porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado
Transcript
Discussion (0)
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Via Rai, the voice that we love that we love.
Welcome to Family
Nocturna
to this
new Fogata
of Histories
in let me
let me
before you
I'm
invite to you
protect you
with the
protection
that the
family
nocturna
me has
that
subscribe
and
call
the
and say
they're
that
it's more
more
to be
to be
to be
to live
to the fogata
because
we're
we're
about
bruches
brujeria, possessions,
dementoers,
phantasmas,
tragedies,
and casas embruched.
So,
so,
without more
preamble,
to do you
the good
to this
offcuro
recorried,
and you
want to
see the
people.
They're
to have a
lot of the
time.
To think you
think you
the same
to think
this
bellad,
I'm
telling you
something
about
me.
I
said in
the
Saturdays of Soms, that during
a time a long time
a stentz.
I went to places
that were quite
very long as
the zone in that I
lived, and we
were there
were living with
the people of
the other things
that most me
liked were in
missions, is that
the people
always had
stories to
tell.
And in
every
public and in
every place,
there
there were
stories about
the
the
other
and the
of the fantasmas, of situations that are improbable that occurran.
Today, to begin this fogata,
I've got various stories that come of these people remotes,
legends of the places,
that who knows how time have been ronding there?
The first is a story,
that I think is the most antivocal that I'm going to tell the day of today.
This people, that is in Mexico,
I know where
is, I don't
have the
no idea.
It has
been a story that's
been going
to generation
in a
family
whose
his abel
or tatar
abel
provienes
of that
is the
person
of the
audience
recognizes
that he
does this
story
let me
in the
comments
me
to know
where
is this
people.
Countan
that
this
is a
people is a
people
that is
a
a
question
of
a
A part of the
people, not
but a part
great,
is focused
to the
make of the
but there
a maizal
specifically
one,
the that they
have been
all all
all around
with a
certain
circle,
because the
place we
are talking
that are
in those
that
there are
there
no,
there's
there
no there
no
there
people
not there
is a
place
a
place
that they
have
there,
well
more
been
They're
free, except
that little
maizal.
That maysale
is all
all with a
barreda,
it's a
bardea
and has
some
levels of
protection.
But that
is not
because
they're
they're
they're
a lot.
The
maisal
is
protected
of that
the
people
are
because in
the
last
years,
probably
decades,
have
have encountered various
corpses.
The
theme,
the situation,
is how
they're
they're in
those are
like they're
absolutely
black,
like if
had been
the sust
of their
or like
if you
not
had been
and the
rostro
of a
person
terrorized.
Some
of those
are
people are
people,
but there
a situation
in
special.
In
the nights,
just
before
to get
a
cadaver?
They always
they're
in all
the house,
like if
outside of the
house,
someone
would be
doing a
silvido
long.
The person
that was the
story,
me said,
this what
I'm going
to say,
he passed
to my
abuel, my
father-abuel,
I don't
know what,
but it
was it
in my family.
These people
even to
that this
place,
was with
that protection,
and it
had been
had been
found
had been
They were out of his cabalets. Apart, they were
very young, apart, they were very young,
apart, not are so intelligent.
The worst is that the
man was the abuel of this family.
Or, well, the familyar,
maybe I'd say that maybe is a vis-a-vuelo,
for the situation, for the descriptions of the
people, and the fault of technology
that there, I mean me sounds that has been much, much
time this story. The point is
that he is the who decides that
he not going to have to be
to fear
to legends
ridiculous,
nor a
phantasmas,
we have to
have to
the people,
not the
dead,
saying that's
either two
start to
move a
little to
a couple
of the
maderas,
there are
some protections
in the
piece,
between
v,
and various
things,
they're
doing a
badriah
of the
piece,
and they
do a
piece of
a
little
to be
a
this
this type
want to
give
that he
really
really
is valient,
because
just
before
to
enter,
he did a
good raspon
in the
brazo,
and the
brae
he was in
the liquid
vital that
and it's
cool and
and then
he was
he was
he was
he chuped
that liquid
he said,
he said,
he has
to have
to have
a
fear, not to
the
thing,
and he
comes to
come in
the maisal
and
he's
to say,
if there
there's
a spirit
oral
I'm,
I'm
you're
going to
have to
have to
fear.
Oh, and you're going to
learn, or what?
That's a
manned
you get to
with those that
you can't
do you're
and while
he's there
retando,
vociferating,
saying,
grito,
stupidness
and media,
intentating
that any
he does
he make a
case,
he makes,
and he
muster to
him to
do the
valiant
that is,
one of
his
friends
he's
out of
Fausto,
yeah,
cacki,
and then
where he
he'll
he
Fausto's
a surprise
that he
he's a
little
atontado
he's
he's
under the
alcohol.
When
he'll
see a
his
old
he's
that he
that he's
that he
maybe
the same
or those
and it
and it
because he
starts
and he
does he
and he
doesn't
be nothing
he's
totally
dark
he
he's
he's
he's
and he
he'll be
to
and he
will be a
any spirit, and now
it's Gaston,
now is a group
of his friends
that's out of
Fausto,
that's
you call yes.
And then
Fausto
he's encabrone
and said,
what?
Then you're
those galleinas
and when
he'll
he'll look
to see it.
Detrace
of him
not he
he was
because
there had
someone
practically
pegged to
him,
the sufficiently
great
to get
to get
to
60 centimeters of
each
ombrough,
the sufficiently
high,
as to have
to have to
turn to
turn to
the part of
the head.
It was a
big.
Fausto
he was
he
that around
he's
see that
the final
of that
the
sunbara.
And so
he can
be a
longer
a
granero
that has
been
a
a bell
and it
he's
a
little to
a
that just
he's being
doing a
movement
of the
collar
of the
way,
and he's
a lot,
and he
has a
fear of
a lot of
he's
a
way,
and he
that's
that's
small,
that's
a small
of a
human,
he has
a
top,
he's
a
kind of
he's
and then
he's
he's
and he
he's
to hear
and he
just to
after he
after he
behind of him,
a scarce two or three
meters,
it's a
little bit,
it's a
little bit of
a bit of rexkebraha
ramitas,
he'skebrah,
and he's
to come to make
rapidly, and
then just
grita,
me's going,
no, and
they're
saying,
Fausto,
escapeate
for your
life,
and the
people are
on the
other
the other
those
the few
distell
of the
the light that he had Fausto,
they were
for the
moon.
And in the
moment in
when they
were with
his kinkets,
all that
was very
very obscure.
That sombra
was it was
covering?
That sombra
was it
had
transformed into
some kind of
of a
little
to be what
he had.
I don't
know,
because
even the
maisales
of the
were
impossible
to be
to be
one and
other,
and he
started to
get
to make
to make
and
and he started and came to
and caminor and
and he said,
and said,
please,
please,
disulpame,
disculpame,
and top of front
with the
door of the
house.
Casa that
is in the
other
the country of
the
the place,
that's
that's a
five and
that's
that's a
maisal,
casa,
a
that has
had been
in that you
have been
having opened first
the
barda,
crossar
on
the other
side,
bolted
and
to turn
to the
way to
the
is impossible, but what
is the more.
Because when
he's toped
front with the
door, and then
he's is
totally married,
atontado,
very assusted,
the door
the door
is open, the
mom of this
man of the
man of the
man, and
he says,
what is
that's a
very rare.
And then
the
she has a
look at
a little
he,
something
that he generates
that the
woman,
that the
woman,
the woman,
the woman,
the water,
to
want to
the
the arms and he put
and he apaga
all the
houses of the
house.
And then
Fausto
starts to say
who is,
who is?
Who is?
Who is?
Fausto
no longer
to see who
is doing
doing it
is doing
handotasos
and patas
and the
mom
he has
to be
to be
the house.
Callate
Fausto!
And then
the
she's still
paving
the
light and
he says
what you
do you
put the
hand in the
book.
For
your
life, Fausto.
Cierra the
boca, that no
see that
we're here.
The night
he's
what he's.
What was
that
thing?
No, I
don't think
Fausto
no asked,
Fausto
no eroded
that part
of the
family.
Fausto
he went
the last,
because
after his
mom
he said,
with a
time in
the
never in the
life
he had
been
had
been a
out
of the
house.
And at
the
day
one of the
friends
with those
he had
been in this
camp,
amaneced
into the maisal
with a
car of horror
completely
blanked.
You know this
this people
enbrugated?
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Never,
by any
circumstances,
you'll
say you
say you're
or attack
a
or you
can't
pass what
he was
to do
a
little
years.
He's
a legate
that's
a lot
that's
the family of
Marisio
is
that's
by bruchas
for
something
that did
his
abelel
Don Silvestre
was
he was
a
time
of those
that
had
always
a
cintura. In his
house had a
scopeta, and he was
to go to
go to
and that's
going to be
a man, that
would be able to
one of his
children, or
of his
his children,
or the
poor, to
give him the
other than
Sylvester
not he
had a
and he
was with his
pistol and
he was
a menaceable
his
his pistol
that had
various,
and then
a revolver
always
always was
he was
a fire,
and
he was
a
subject
Genio and Figure.
All of them
and not for the
good reason
and it's
it's a
manned
a new year
a woman
that was known
for being
a woman
that was
to marries
to open
camions,
to do
do you're
doing herbs
to do you're
all the
things that
you've seen
a brother.
Don Silvestre
no
required
his services
never.
De fact,
he was repudiable
and said
that
that woman
she'd gain a life
and chas
and being
pureston
tontarious.
But there
something.
There's
a little.
There's a
moment
in the
he's been
to fastidia
with the
pure presence
of the
house.
And he
was to
tupaba
to the
woman
entering in
the
house,
he'd
to go to
and agred
and to
say to
he'd
to say
that's
that they
did a
reason and
then he
was a
then he
had a
that he gave a reason,
any reason,
a excuse,
and he was to
tronar.
It was a
type not
very sociable,
very,
very, very,
very,
aggressive.
In this
case,
definitely not
is the
good of the
story.
The witch,
we know,
we know,
if it was
good,
a black,
black,
what type
of magic
used to
the point
is that,
if she
was a
person,
there was
a moment
in the
there was
a
one
there
and the
And every
that
he was
he was
a little
there's a
little bit
a lot of
clums of
some kind of
of a guyo
of a
guyana normally
black,
a little
a little
a little
a little.
A little bit of
the monticulo
and he had
talked
perros
mortals,
Gatos
this woman
wanted
to bring up
them
and then
manches
on the
part of the
windows
outside of
the house
and don
Silvestre
no she
was just
he had
opportunity,
separate
out of
the
house,
and he
said,
Enedina!
These
then
are for you
and he
and he's
to start
to get to
get a
little, don
Sylvester.
Pace the
time.
It's
a moment
in the
that
don't
Sylvester
and
a cause
of a
problem in
the
pneumonia,
pulmonia,
betto
to know,
it has to
have to
have a
time
a time
a
not can
go and
not can
go and
to be to be going to be doing those
games,
and your travesures
to be
going to
people.
To be in the
pistol is something
that's a
case,
it's a
very much
not because
going to generate
an accident,
no,
but it
because he
can't
give a
bad-and-
so it
is that
many years,
and Don Silvestre
well,
there's
in the
poor
man,
without a
man,
and that
that he
had got
that could
have had
much
energy
and that
all those
that
all those
vivences
or
the
to be
to
a rogos
to a
a
activity
So the stupuland and accumuland and accumuland.
So, the day that she sent it was very good,
it was very good for another
once, Don Silvestre.
And when he went to go to visit to his
grand amiga, Enedina.
And he was toped by something that no
he liked.
Arriva of the house of Nedina,
because it was a house of a piece,
in the part of the techo,
that had a part that was of
madera and other part that was like
of trosses of lamin
one or above of another.
of Nedina
not
a person
rich
he was
he was
full of
a lot of
little
he's
about the
little
he,
those
he's
those
and they're
like
bors,
but
peorres
and then
he
he got
and he
he
was
he was
he's
he's
nearer
because
Don
Sylvester
not a
guy
to get
to
get a
carracko
then
then they
they're
they're
saying,
what,
what?
What?
What?
They're
chistar those
pachist
these lechusas.
So he
gets to get
to the
door, he
took in Edina
and he
said,
me strahast
be a
brauca.
No,
there's
no need
to the
house?
And he
says,
you take
a
a ralit
a
and I
know,
I'm
so I'm
don't know
there's
no,
no,
there's
there's
these
questions
rare as
that
passing
the time,
your
enemy
the same
the
time is
the
people
that you
don't
you
don't
you
had
done
but
to be
a way.
He's got
he's always
a little bit of a
type that has a certain problem in the
carous and there's a certain
That's on the
Cabeza
Malsana of this
type,
but
getting to
the
door,
and being
that they
not he
back,
he's
a car,
he's
a
put to the
one of the
and he
and he
and he
and they're
to get
these
these
pachrackos
and a
one
he does.
To
some way
he
he'll be
alexe
because
I'm
to say
not it
not a
type
that's
in his
five
sentives
he
he goes
to
the day
the
police.
Resulta
that in the
patio
tracero
of Doaneedina
they're
a woman
perjured
and a
perjured and
a
ballas of
a copete.
And the
only type
that
he's
a
carpeat in the
area
and
that the
day
he's
where he
is where
he's
where
standing
in the
commisary,
and
when it
is when
he
is when
in Edina
had
fallen
the same
past.
And from
the day
that felles
there was
a lot of
lechusas
around
of the
house.
The
people
not were
because
they were
the bruchas
despidient
to the
friend.
And it
was a
one of
the other
the
family
of Maritina.
They're
they're
that's
ased
by the
brus
that
no
important
where
they're
not,
no
it's
even
even if
they
If they're
in a
place
where there's
some
they're going
to chistarles
and that
not they're
there
because they're
to be
sombras,
sent your
presence,
and the
poor,
susrots
of voices
of the
people,
that the
majority
are you
are
people,
you're
that
you've
you've
heard of
the
maldition
of
the
lechusas?
There
there
are
there's
there
there
might
that
was
a
finality
this of
the
I'm going to
tell,
saved the
life of
some people,
it's not
a little
a child
and it's
a lot of
a family
floresca,
but at
day of
they're not
the
idea if
is good or
mal.
Dame your
opinion
one
once that
you're
this story.
Yeah,
we're
talking about
because
we're
a
cutation
important.
Resulta
that in the
can't
in many of
the
stories that
have been
made
the
those
people,
these entities
that
are
people,
or these
people
that
practicry or the magic, in many occasions are the
malas of the story. In this case, I've got a
doubt. It's a little bit strange.
Let me tell you, because it's a question of prejudices.
More well, revise this story and give me your opinion.
Lisette has a credence personal.
She pray firmly in the
exists the brujeria.
No,
is good or is
bad,
pese a that
he's good
to her
and to do
a lot of the
family.
But,
he firmly
in that,
although
they don't
have any
kind of
that
that's a
reason,
that she
that she
says,
that she
that's
his papa,
he's
a day of
a
life,
with a
kind of
chisery
extrana.
There's
there's
the story.
Result
that has
many
years,
before
that
in the mind of his
papas, in the plans of his
or in the cuna of his
of his papas,
resulta that the papa of
Lizette
had a problem
of the
heart that not
they'd
not terminable to detect
that was,
the father of
Elisette,
the sir Theodoro,
vived in a ranchit,
a little
and a little
and if there
a clinic,
a clinic
a little
that of a
little bit of
a doctor,
but not
was a specialist,
and you're
saying that
this was
more or
more than
the
years 70.
The
Mr. Teodoro, there
his 20 years in this
little bit, he began to
have problems.
He started to
a sudden, a certain
in the stomach,
a necessity of
the need of the
thing,
things that were
to generate,
like a certain
uncertainty about
he was at
a point of
he was, he
was very
enamored to
her wife,
years,
after she was
going to be
the mother
of Lisette,
but
standing there
in this
little, he
had a
fear,
he had a
mother Lizette, the
that he recommended
that was to
a little
a little
a woman
that said
there was a
curandera and
that the curandera
was very
good in
what I'm
this man.
This
man,
after having
had been
his
other times,
he'll say
are other
system of
health,
no,
they did
a good
attention,
no
there was
no
no way,
and it
with the
recommendation
of her
know that
he'd
to the
boy to
go to
this
boy.
And,
yeah, to the house of Doña Ruby,
the Brouca of this
polding,
he gets to say,
Doña Ruby!
Do you know,
I'm Teodoro,
for favor,
help me.
Me recommender with
you, for favor,
help me.
Me, I'm moving,
Doe,
Oye,
nothing.
No, there was
no sound
in the house.
Teodoro,
really was
really was worried
for his salute,
so is that
he sent,
in the portalit
of the
entrance,
and was
there sat d'i,
satidito, and pass a
hour, one hour, two hours,
per die one of the time,
and gets apart of the night,
and she will be to talk,
Doña Ruby,
Do you know,
for favor,
help me.
I'm,
I'm here,
I'm recommended with
you, Doña Ruby.
For favor,
Do you?
My end up
murgien,
help me,
my end up,
my name,
my name,
Dr.
He was there,
nobody,
he opened.
The day
next in the morning,
Teodoro,
is dormido,
is dormido,
She despirte in the portalit.
Sabra, God,
is still this
obscure, but I can't
a guillito,
he'll be a-pourta,
Doa Rube,
for favor.
And then,
so it's the voice of a woman.
Oh,
let me descansar.
And, of a repent,
sounding,
some of those
passes rapid,
that get to the
door,
it's a
tela mosciterer,
that is this
tela,
that's a
little between the
exterior and
the interior,
and there
a man
chaparita, chaparita,
chaparita,
This chaparita, chaparita,
trai enwilt a chal
a black in the
head, around
of the coel
the chal
terminate like
some of the
kind of
material that's
like feldit
she be a
long,
long, that has
puttits,
black,
black,
negro,
a rupelita,
and then
he says,
oh,
do you know,
I'm,
oh,
my,
why,
I'm,
don't me
decalphusus
,
let's just
get you,
and you,
for favor, Doña Ruby,
that me recommend
with you.
I'm going
to die.
I'm sorry.
Oh, man.
Well,
no,
can't do you.
Let me
to get to
get to
where you.
I'm going to
do you.
And I'll
say,
Doja,
Ruby,
me said
that if
not you're
nobody,
take a
man,
take a
and help me.
And the
mother,
total,
and say,
pass,
and d'A,
a,
and it's
the door,
no me
Sientate, and there is a sillet,
and he's a seat, and
Doña Ruby,
try nothing more two
things, a vase
that seems that
has got a water,
a bottleitt apart,
and it's like
a type of telita.
And he says,
first,
enjugate the
and scupemela
into this
botecito.
So,
then you make the
water,
and start,
like,
enjugas,
let's up
in the boat,
and then
then say,
and now,
with this
paulo,
lavate
the boca,
and makele
it in the
boat.
He said,
and then you
go to
get to
get to the
house and
go to get
to the
time.
Oh,
but no
me going to
get to
the house
in two
three hours
I'm
he'll
think that
really
Dohruy
what
is
to get
to get
and not
more
just for
whatever
and yeah
but
you know
you know
the
yeah
I'm
there's
a day that's
there
so I'm
that's
so it
so it
is that
is that
back
the
end of
the
lane to
the
the
placeita of
the
placeita of
the
in a
arbolito.
No.
He's not
the relock
of the other
no time. It's not a
going to beckonement.
that's a year of, and he has been
doing things very vergoosa,
that's a dormit, don't want to be, do you,
Piedat,
Da,
to the
night.
This
type,
this type, no
cede.
Yeah,
in the
madrugada,
will be to
at the
madrugat,
and they
sonar the
pieces.
That I
go,
you know,
let me
to get me
to get
to be
moving.
If not
is you,
nobody
will
help.
The
door,
there's
the
there's the
signora
chaparita,
and
now,
I'm
like,
with this
type
of bolita,
the
the rop of the morning is the
same.
He says,
yeah,
Mettete, and
let's get,
and go,
yeah,
passate.
When it's
sit,
and where you
sit in the
chair,
a seat in the
bottlecito,
a boxit
a box,
a boxy,
a bit of
bachs,
abetable
to get the
bottle,
and then
leave me,
if no,
I want
to help
make me,
that I
do you,
do you,
do you,
do,
do,
and she's
limpia,
it's out of
out of the
come to make
to make a
morning,
tomorrow,
and I'm in the
time,
I'm going to
do you know,
but it's
in serious,
if no,
me going to
help you
get to
get to
some way,
I'm going to
go back,
and not
where you
see a
out of
you know,
you know,
you know,
has a
character,
and you know,
it's a
part of the
person,
and it's
that's the
door,
and now
just say,
and say,
you know,
they say,
no,
Postedoro, no, if you want to get
to be there,
but not be said
to get a
gendarmie,
and it's a
little bit,
a little
little bit of
a littleacito,
like out of
there's a
area that's one,
that's one of
a while,
he'll be,
and the night,
it's a
little bit of
free,
get in the
morning,
well,
you know,
you know,
you're going to
get a
time,
so,
so that they're
then they're
after the day,
he does,
it's a
It's near the medodian, and so on the pacitos.
And he's,
I don't you, don't you, can't you?
He says, Doña Ruby, for
favor.
Yeah, I said that I'm still
moving, and me said that,
I'm going to be here, I'm going to,
and when he gets,
in the mesa,
they're the same as three
things, but are
changed.
The vase,
has a mengurge
super askeroo,
it seems a combination
like the Lodo
with Bavas,
with Beto, to
know what,
something askeeroo.
Now the bote is a
boat-negrow, and that has like
some circles, and the paio is rojo
completely. And he says,
Sientate.
As buches, no, you
goys to t'clock, even if it's a
t'n'toge. And he's
that's buchess, and not
you don't you traggis, even if you
want to venter in the boste-it-o.
And, you're going to
cleaner to the bocage with the pao,
all completeita and it
masticas and then you make.
No, you trages,
neither the pao,
nor you traggis the liquid
even if you want toad.
No, well,
I'm offended.
Three days passing
there's miseries
for that way,
apart what's the
that's the thing to
take?
And it's not
to do that.
But at the
last you're going
to be going to
you're going,
you've been
two, three
times that you
desbaneses,
and you're
you're coming
and then you
go and the
way,
you're doing,
so if
you've got,
you, you've got you,
and you're just
ideas in the
head,
he's the
buches,
and it's a little
rare, because
when it's a
little bit more,
they're much
going to trygarsel
but much,
no, there
was a
thing that did
more than
that'd
more than you
know,
and does
make much,
so he'd
get to be
being,
like,
like,
recordandle
no,
not you
don't you
don't you
don't you
don't you
a car
of a
boat rojo and the scupe.
It's a very rare. Because he
is sure. He's not sure
and he's told, after, to his
little years after, that in the moment
in the way he'scup, he
he's a lot, he's not a, he
rompe the boca, like if it's
garrara for the inside. And when
he's the boat in the man,
he seems that he's calient like
if he's getting a brazener,
and he put in the mess with
fear, and he says, the paoelo,
limp, and mastica-lo. And
And he starts to pass it for the
boca, masticle, and
Sient it's like if
were eating a platylo,
he's going to
dragers it, and the
bigita just
he'll get the
nose to his
that's a little
and then he
he'll get to
the eyes, he's
back to make a
and he's back to
and he's got a
to get it to
you're going to
getter's in
your house,
and if you
put it's
good, and
if no,
you know,
you'll work,
and if you're
when he gets
to his
house. He
not is
well.
He's
very
very
but he's
not a lot of
the air.
That's
very rare.
Entire that
that
that's a
house.
He's a
because
while it
had had
ideas in the
head that
were very
stupidas.
Echall
a drag
a
little
a mordidita
not
he's a
not far
he's set
tommat
and
those ideas
intrusive
those voices
that are
talking
a
Sometimes they sound as
a woman,
very seductora.
Not was the
voice of Doa
Ruey,
I'll
know,
and then
poor Teodoro
there's in
that conflict
internal,
no,
no gaza
of pan,
nor can't
give to
a dog,
or not
see if a
cabo
in a
caro,
no,
I know,
I'm
to get to
the way,
but
getting to
get a
little
more of
health.
Humillated,
and very
can't
but it
rare the
body,
it's
more,
and after
the
things
better.
Passed two
months,
no affection,
she's
cured, he
will be to
do you have
revisions.
The
revisions that
they're
things that
so basic
that the
same is
that the
time, in
that time,
in those
years,
the doctor
he said,
you know
you don't
have to
go to
six
months when
he's
again
to the
house
of the
house of
Ruey.
We're
we're talking
for
you the
the count that
he, when
he went
with Doña
Rubie,
now that
he goes,
he passed
between
eight,
ten
months,
a year,
a year,
a year,
so much, for
that you
get a
know where
is,
to come
the door,
and this
man,
he'll
a rame
of flowers
and a
little
of leech.
Social
not is
the
more
intelligent,
and to
get
a
woman in
serious
that
the
mother of
Lizette,
God,
it
jenne for
your patience
and carino,
and Lyset
me do it
with the
years,
I'm sure
not a
narrator, but
he's
getting a
objectio
of a
little to
have a
little to
give him,
and when
he's
toky
the door
there,
it's
like the
she,
and it
was a
special
of that
day.
She is
so,
no,
open the
door
fast.
As you,
he's
decided
until
he's
he has
he's
he has
there,
two,
or three
days,
is the
one,
the
woman that
the
house. No,
it's going to
pass the
first day.
Because the
first day in
the night
pass a
caroy,
and he
asks,
like,
what do you
do you?
He says,
no,
well,
I'm going to
visit to
do you.
She,
she's,
she's,
she's,
she's,
he's,
he's,
a
carcajada,
and this
man,
you're the
direction that
did,
was to
do you,
the
there's,
the
tomb of the
Rueuei.
And,
so,
So, put me very, Tristeeodor.
How, that's my
murieled Doña Roe-H,
no I've
time to give
to give her
thanks.
But when
check the
date,
Doeerui
has been
a year to
die of
this time.
This type
of brugheria
is good,
is a
bad, because
the day of
today,
Lizette
no know
and I
also.
Ten much
care,
if you
get to
hear
ever
the al-a-
of the
yorona,
because
you can
pass
this.
It's
very
interesting
when
receive
such
stories,
because you
you're
top with
patterns that
are all the
things that
are in
one and other
other
place.
But there
something,
there is
something that
that I
know that I
have been
talked.
If you
knowces
people
that have
been able
to get
to the
wats of
the
pastes of the
past
you
you know
that
the link
is
in Instagram
but
there
there
all
all
sometimes
if
you
like
the
thing
paranormal
has
heard
about
of the Yorona.
You have
heard of this
entity that
normally will be
to be a
black,
a be able to
black, and
there's a
sound that
seems to
make a
moment.
For one
a lot,
we've
made
that that
is very
very similar
to the
banshes
in Europe.
These
grits that
in some
moment
pronostic
in the
story,
there are
people
creators of
content
that
that have
about that
have
seen
that they
have
been
that they
have
heard
that
and then
after that
then
there's a
people in
a country
a country
that has a
fear of
the appearance
of the
yorona.
Asy
the first
story that
I said,
in the
that's
maisal
enbruched
and every
every
every
every
the
people,
there's a
people,
there's
every
that's
that
when the
year
the
people
that's
person
that's
what's
the
most
of them
are
many of
there
are
not
exerts, because
after
every
the lament,
always
appears a
murder.
It's
that in the
young,
the Yorona
is
no
we know
exactly
who's the
and the
moment,
and if
you take
to live it,
Persina,
and you
ask you,
because
no say in
that's arosos,
children,
ancianos,
women,
and women,
even animals,
whatever
that's
in this
place,
and
and he's
heard the
lament of the
Yorona,
have the
possibility
to be the
victim.
And you,
have you
have seen
the lament
of the
yorona?
If you
know,
someone
that you
do you
do you
do you
do you
do this
family?
After this
particular
of the
Yorona
and the
people
that's
a
place to
back,
I'm
we're
to come
to come
to be
the
other
about the
a
thing
related
with the
brus
and the brusheria
that is
something
that's
a family
nocturner.
The braggers.
The
burghry
more retorsida
and extrana.
Today
I'm going
to talk
about the
amarrer
more bil
destructive,
retorsied
and without
a heart
that me
have made
to get
here to
the channel
and
I'm
I'm
I'm
that the
day of
were
affected
for this
are
between us
because not
all the
people
are you
are in
this
story.
Rosario,
at the day
of today
has two
years.
We're going
to go
in the
time
five years
after
that is
when
occurred
the
events
of this
that I
going to
tell.
In this
time,
the family
of Rosario
was
for four
integrants
practically
mom,
mom,
the name
Elera,
Papa,
the
name
Ephrain.
Rosario,
the
her mother
and Lourdes,
the
one of the
mother.
Lourdes
was especially
beautiful.
Although
it had in
that time,
we're talking
about between
14 and 16
years,
was a
little attractive
with her
but she
said,
they were the
little of
the family,
that was
the
her most of
the
family,
that she
had
never
had
known
in this
family.
Not is
because the
other
were
feos,
but is
that the
Urdes
was
Summante
Linda.
Rosario,
for
her
account,
was a
child
that no
they
not important
in those
banalities.
Ser
attractive or
not
attractive,
no attractive,
no
had
a
really
focused in
questions
of
study,
and
being the
right
and
the
right,
the
person,
the
mother,
she
was a
person
that was
like
very
the
style
of many
matrimony
to
the
old.
She
was
a
education
of
the
education of the
children,
no
had
a
job,
no
I'm
doing that's
but a
woman
very good
intelligent.
It was a
woman
that was
a good
good
person and
was a
good
good
character.
The
Sir Efrain,
the
senior Efrain
was a
different.
A little
volatile,
a
little
language
long,
a
little
captivator
of the
people,
but
yeah
had a
certain
historical.
Yeah
had
history
of certain moments of
of Muggeriego,
certain moments of fraudulent,
certain moments of person
inconstant,
of a person no formal,
of a person that not
to fiat.
Not was the
poor or the
poor being a
subjecto of defectors,
with virtues
too.
He,
if you were
the father
more felice
of the world,
the problem
at a
sometimes was
with Emilia,
no is
a lot of
a person
very recatat
From a, from the moment in which they took her own
her own children, she changed her form
to vestiges, to talk.
Now, it was a woman
and had to be able to respect.
That's sheca little,
that her result was attractive,
a few, and not had any the sombre.
And not had a good communication,
the two, no-platicable this,
no there were people that intervened
so, yeah, with the years,
now, after many years of
matrimonio, we're talking to minimum
between 16 and 20,
you had deformed
some of the
things.
And,
and in his
almost 50 years,
he was almost
a lot of
a moria.
There was a
woman of 30-and-and-tons
Candelaria.
More than
the aesthetic,
a person
extrana,
a person that
the most
part of the
people
where they
had been,
they'd be
the thing
of the
brugheria.
Sabian
that Candelaria
was a
woman
that was
a
certain artes.
The situation is that Ephraim
no knows who
she's not even
if she'll look
to him or he
her bused
her, the
point is that
he was he
presented as
an amyga
a family,
a friend of
her family,
and so
little,
he was to
involve her
in the
environment of
her
house.
The
repent,
I was
helping
his
husband when
the
spaldas
had a
morio.
And
of the
repent,
I was
helping
in the
place.
And he
said that
he had
been
he was
he
and he
would be
for a
question
of
things of
and
then
they're
that
probably
were
for other
intentions.
Things
that
are
in the
ruin,
in the
dis-coracon
in the
strange.
Here
I'm
here
start
something
something
really
really.
Emilia
the
wife
of
Ephrain
was
yeah
a
little
extra
not
celosa,
extrana.
Why,
you try this
woman to
the house?
And of a
question to
say,
we're
we're doing
activity
of the
family,
we're doing
in the
house,
come together
and learn
together,
because you
are trying
to this
woman.
Well,
because she
also
she could
support
with the
lecture,
and things
maybe
ridiculous.
For
other
other
other side,
Cande,
Cande
every
was,
past
more
more
more,
in the
he
was
he
She had come to go to that
place in the place.
There had been two occasions that were
rare.
Amelia.
Emilia,
no saw the background,
the trashondon,
the trajectory
of Candelaria.
No,
I was about
artes magicas.
No,
said,
nothing of the
brogeria.
What he said
was that was
that was
meading in
the
banion of
his wife of
his
and was
having
there was
the
peines.
What's
strange,
he met
in the
cajone
in the
caron of
the
things like broches,
things that were
like very in
contact with the
skin, broches
of the hair,
blotches,
but the things
that were
that were
sure that they
had been in
the same,
were the
things of
the major
value,
that was
that's a
thing,
not you're a
lotron,
it was a
thing,
this was a
rather,
a local,
a pervertida,
a person
a person
transformed,
what is?
Why is,
why is it
is coming
to the house, because if
not my husband,
force to her
to be here,
because he has
the house of my
and they're
many times
that I'm very
and he's been
and he's here,
and he's
he wants tommes
that we'll come
the causes,
that we'll come
a time.
This type of
situation,
in matrimonious
of that
time,
in the
there was good
communication and
in that place,
normalized
things that
not should be
for that
passed one year, a year
since quixier
Amelia,
Emily,
mother of
family,
mother of Rosario
and the Lourdes,
esposa of Ephraim,
and now
contrankante,
of Cande,
he was borns
to get back.
After a
year of these
situations,
she started
rarer,
but it was
a rarer,
incomodod,
the stomach
not was
also in
various occasions
had the
necessity to
deliver the
things,
but of her
not more
more than
gotits
of
blood. It was very rare. Yeah, she had
gone to check to the doctor. No,
had ulcers gastricas, and had been
gone with a gastroenterologist. No
had nothing there, and,
and, in fact, he had
been to feel bad.
The worst was in the night,
suinges'nows. There were
somebs, where sombras
were with her, and
began to orkarlah. He metian
his hands in the
zone of the vintry, and
they'd start to torture
all the nights
were an
infirno
poor
Amelia
she had
every
day more
disgastated
but
as
the
family
and the
woman
was a
roble
and no
he was
you're
you're
you're
you're
you're
well
you
don't
you're
your
work
you're
you
you're
poor
woman who
is
always
more
descarated
in
one
on a
those discovered,
both the mom
as the
children,
with Candelarii
sat in the
feet of Ephraim.
And he was
saying that
she was
doing that he was
doing to
a lot of
excuses.
They were
stupidesses.
In occasions
Candelaria
he had
put those
bestos
of the
senior Emilia
and
Ephrain
was enchant
and was
marvellous
his
children were
to talk
to her
and say
Papa, this
is a
this is a
caro
if
you don't
want
You said to be with mom, bette.
But, and the
man was abofeito.
A one and a other.
It was like
if were other person.
Emilia,
I was imporand.
Ephraim,
yeah no,
I don't care.
No, no, no.
No, no,
you're not.
You're doing it.
And it
he pyrroro,
rapid.
Six months
after those
first of those
achakes,
terminine in
an hospital
in emergencies
and two days
after,
and two days
after the
man,
part of another
world.
After that
those
two little
were
alone
in the
enemy.
Because
Candelaria?
Candelaria,
in the
other
to start
to make the
mother of
family and
to start
to cover
that area
and be
a lot.
No,
no,
no, no,
no, no,
Candelaria
now was
in what
was for
her
his fantasy.
He had
moments
very
passionate
with
Ephrain
standing
in the
house,
no,
no,
that were quite scandalous
for those moments
and more in front of
the sisters of Ephraim
and to Ephraim,
no,
it was that
it was a
problem,
because it was
obligable,
obligaba the two
inns to eat
to eat their
food,
and they had
never to
any percent
to any type
of reason,
go to
a church,
contact to
any pastor
or whatever
thing that
would be
with religion,
and that
were the
stupidities and
that
they were
to admit
in that
house. One of the first things
that he did was to grab the Bibles and
quamarlas, when one of the way she was
in front of her, that place, it was
a little bit of her. This is
the problem. Because the
things stillsing advancing. You know, this story
of the last five years.
Families chapadas at the
Antigua, Rosario, and
Lourdes, had to be a
vinkul a very strong. And the
vincul, of those most
are the more
Furtes,
they're
the same
because Rosario
started to
get a chackes
like those of
the mom.
He started
had pesadillas
very strange,
things that
they had
done.
I had
a necessity
to vomit,
and only
just had
little
gottitts
of the
bloods.
Rosario
was being
a local.
So,
so
there,
I'm
talking
that for this
for this
were
many
years
from
the
beginning
of this
situation,
and
there,
and
decide
Ephrain,
the be that's
going to
the car
and he's not
to ask them
to ask them
to get to
him to get him
he's
directly with
Candelaria
to receive her
and give
a passionate
and Candelaria
knowing
all that's
just says
that you
let's
that you guys
that
be good
remember
that I
can't
remember
he's not
he was overdes
not even per
was ever
to get
to the
car
not the
solution no
nothing.
It was
ever
more.
They were
to get
to get
the
brothers,
with
sacerdotes
pastors,
with all
the prohibitions
that he
did
candlearia.
Finally,
they could
find a
person that
they
was a
first,
a woman
that was
the
was the
that was
that someone
was working
after that
a centel
to
help us
to
help us
of orations.
They
started to
go to
one to
other
other place.
Personas
that
they were
to have
their
and they
were living
during
a time.
Casas
of family
houses,
cases of
people,
people
that
know I'm
that
because
not
it's
un-perci
was a
bad
that's a
case.
Rosal
me
said,
that no
they're
not they
were
good,
one
a
other,
a chack
and that
the other,
and that
the day
of
they're
that this
woman
not
to
not
to
until
that's
to get
to get
to the
other
world.
Because
of a
way,
in the
way
retorsida
this
woman
not
to be
a
good,
until
that
Ephrain
only
has
and
not
there.
And
no
there
no
else.
And
that's
that you
take
much
care
when
when
you
especially
if
you
know
that
he
doesn't
that
you
do
do
the
people
you
have
to
hear
this
story.
One
of
the
stories more
extra
years, the nietta
they gave them
a carrow of these
cars that are
like deportives
of carreras.
You're talking
of a
town, of a
place in
the people
not all
those people,
and those
that are
vehicles, normally
are vehicles
very old
many old.
She
had a
vehicle
of the
year
for what?
Who,
know,
they were
bad as
the
cars of
those
paches,
much
baches,
baches,
baches,
baches
mal-echos,
and this
not is
for
to talk
mal
of the
place,
it's
because the
place
is the
and the
times.
And so
they're in the
way of
considered,
but no
they're
not the
this nieta
was just
a geno and
figure.
It was a
person
known for
to make
to make
to
and get
to be
a
person and
it was
a
scandal
after
other.
For
that when
those
15
years
got
embarrassed
nobody,
nobody,
of the
people of
people
no, it took
like a grand,
grand scandal.
Only they said,
ah,
no we imagine.
In some moment
it would be
to pass.
Uwe, I would
have created
that's
bad to be
embarrassed
before.
Things of
that people,
the people,
they had
not was
not so
she was in the
type of
education that
maybe,
but it's,
for the
type of
family,
but no
encahable.
And it's,
for
the baby,
perhaps
of the first
six
months of
a year,
a form
to
get in
the time,
but the
baby
still
not
two
years.
When do they
do this
car?
This car,
this vehicle
of sportive,
this vehicle
of careras,
this
chica,
this chica
he was
to be
to be
to the
people,
it was
a lot of
and the
night and
and it
was a
night,
and it was
there,
there was
there
no,
there was
there was
there
there
there
was
with
the
security,
and
but she
was
a
problem,
the
papas, a mode of
enojo, a mode to put her one
to put her in a lot, they said,
you know, you have to be a
responsible, and if you did it in this car,
no is for that you're not using,
so it's that you're not doing,
to go, you're going to
your nana, and they'd have it.
Conducsia, as
a little, as a soul that
this woman, and d'A.
and was in the carreteras, but
as if no, they were in
a man.
A little, the little,
in her seat, and
always put her suit on
security. That's
all the
questions of
the leas
all the
things of
all over
their
at 180
200
kilometers
per
hour.
Sabiento
that if
you see
a cross
a
cross a
peddita
you can
cause
a
accident
a
very
and it's a lot. I'm a lot.
It's a lot. It's not. It's not. It's
and he heard
a explosion
tremendous.
In question
of seconds,
there were
people in the
and we're
about that's
three of the
morning.
There were
people in the
people in
the tautas,
people in
salientes,
they were
to see,
what was
a struendroend
tremendous.
And they
said that
had been
in the
other
extreme of the
people.
I'm
talking to
where
was the
family
of this
child.
The
side
on
the
side
on
the
other
what
what
occurred
was
something
that
the day
of
the
day of
the
day of
the
vehicle
something
a
a
bach
a
animal
that
cruised
maybe
another
vehicle
something
something
something
saw
this
she
was
because
the
vehicle
with
something
was
made
because
he's
made
they're
that
probably
probably
he
She was
and at the velocity
that
I went,
he was to
roll and rod
and rodar
and rodar
and rode
and it's
the chica
in the
first
the first
the
vehicle,
part of
the
body
was out of
the
window,
the rest
is history
no
there
practically
and
they're
trying
to
the person
for the
vehicle
or
not for
the restos
I
think you
can
understand
the
scene
but there
a
situation
in
inexplicable, the legend that the day of today
today has this people.
What what occurred in that moment.
There was a music,
a song, that was soning
all the time in the radio of the vehicle.
The vehicle
was with the lights
with the radio-prenned-uprended
to all the volume,
and it was,
that were the radio,
that were the
people,
not were to get them
to get an ambulances
or persons that
were from the city
that were to tarrag
more of two hours,
and at a-ac-ac-er-and-a-all-and-a-all-er-er-and,
they did
know that in the
ascento
there was
a nana
a nina
that for the
cinturon
of security
miraculously
no he
had passed
nothing
rasguunio
and sarandied
but the
doctors
never
never
ever
explained
what
how
was that
the
she was
not for
that
that
was the
only
the
little
the car
that
still
I'm
intact
the
other
that
was
not
are puros
of conversations
that occur in the
days
the next
to the miracle
of the
first,
officials,
persons of transit,
including the
people are
not even the
people,
they're
impacted when
they're
what they're
a zone
of disaster,
they're
to do you
see,
the
the need
and the
car is
the caro is
the car
is upagated,
and the
people are
to ask us
who who's who's in the
person, the person
attracts the little bit of the
woman,
but the person is very
a lot of
because is assusted
because one
that one of the
one of the
and he'll
get from the vehicle
the vehicle
is up again
no music and
no there no
the thing is
that they're
not found
the battery
the battery
the battery
had turned
a month
in encounter
had been
had been projected
of the
vehicle
and was
almost
700 meters
in some mattollas.
Why
I see the vehicle
with the
lights and the
stereo?
Because it was
on the
car was on
the motor
not was
functioning.
So they're
the lights
and the
stereo.
No,
they'd
they'd
be
they're
to ask
to say,
oh,
but you
also didn't
see the
and one
said that
they're
saying that
not,
the
the
the child
the
one
one way
that was
the
little,
it was
like
the car
had
Or it was like if what
wanted
to save a
the
little
she would have
been in
the
place.
There's a
other
story.
There's a
person
that after
to hear
the struendo
he was
a covardo
he
felt
much
fear.
Sale
to
his
house
but
after
to be
seeing
that there
people
that are
that
there are
in a
car.
But there
there
something
and it's
the
area
the
area
or the zone
where
are all these
people
like all over
agglomerandos
no,
it's above
in the
the sky
the moon
is a lunna
it's a
perfectly
the sky
is very
and is
being
things that
are going
with alas
that are
that are
but he
knows
the murcialg
and not
they're
they're
they're
they're
they're
more
they're like
they're
like
they're
like
are
in the
like mussela-o. And also
there are musselagos
little people that are
and they're going to
and then it's
not a lot of
and then
this thing
of the arms
that's over
the people
and it's
that nobody's
getting
that's done
count.
For other
other side,
there a
one of
a lady
that she
said that
that night
demonios
and angels
and angels
were
and they're
playing
the
girl
of the
the
baby.
The
the
child
the
child
She said that she,
she said she was
because he
used to take the air
in the madrugada
and there
and then she
was there was
a lot
that she had been
a little bit more
and she
was she was
she was after
that she was
she was sure
that was an
that was there
that was
that she was
that she was
what was
what was that
that night?
How the
the little
Until the day of
it is part of
the legends
of this
place.
Quentam me
you,
what you
think you
know,
something else
here now,
something new.
From
exclusively
on Paramount Plus,
it's the
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scary as hell.
Everything here
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We're running
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Don't miss
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Saving those children is how we all go home.
From Binge All episodes exclusively on Paramount Plus.
If you're
the stories of Objects Malditos,
you've heard about the objects
malditos of the Morin?
No?
Here I tell you three of them.
There are people that are
that all its habitants
go to the tomb,
with secrets of obscure and sinister.
Los Morin are a family
that's made of much
money,
We're doing
trotos
that only
those
were to
them
and to
all the
people,
it was
not they
were in
they're
they're
they're
they're
they're
transformed
in prestamists
and they
started to
get to
get to
their
and they're
to have
many
questions
as a
favor
and in
the
people
in the
people
in the
people
not were
not
to understand
things
monetary
and
bankarias.
So, the
morin,
the night
of the
morning,
they were in
a fortune
tremendous.
They were in
a house
that you
can't
imagine.
A house
of a
house of
a
house of
a house,
a
place,
a
place that
had more
a
house,
a
area,
that
one of
that area,
that
that house,
it was
more
than a
manion.
It was
one of
the
land
of that
the
public
and
all
was
the
Morin. The
people
not only
not only those
wanted,
they had,
they had a
courage
that they
were in
and what
you're going
to tell
not you
know,
not you
know,
but the
person to
contact them,
they gave
three
articles for
that they
were to
their
and were
articles
very
very
very
very
the family
Morin
not
was
this
to have
been
victims during
time.
It was something that
was a
part of
their modus
Vivendi.
So,
they were you
see them
the people
of this
little and
simply and
simply
as their
small
his little
his
little victims
and his
people,
a day
received
to the
house
a house
a
a caja
a matter
and
about
about
about a
about
a
one
one
a
one
one
90
of
a
at that
is a
summante
pesed
and he
a
card
that's
part of the
family
Ibarra
who is
the family
and
the family
and they're in
that's
people who know
the time of
the time of the
person of the
person of the
merrero,
the hermose,
hermone.
No,
is a reliquia probably
and that,
yeah,
that's like
that's like
a decoration
in the
house,
or like something
they can
then they're
it doesn't work,
so is
that they're
that they're
in the house,
and that's
the initial
delin.
Because the
the lo-c-c-c-
they're-
they're-
put in this
car-grand,
it's
they're in
the
end-in-
and it's
then when
they're
when they
the activities
of the
family.
The family
Morin is
met
with the
questions
bankers, the questions of
the preestown,
they're people
to visit them
to the
house,
they're in the
public, and at
regressar,
the father,
the duke,
the duke,
the new year of
this new year,
the person
who came's
to do all
these movements,
no,
he took to the
loco,
the relo that
he left
in the morning,
and then
he said,
where you're
asking you
to let them
the relog?
And the
the reloc not
not it?
No,
they're,
they're going
to look
in
It was going
So, we've given
the morning in the
morning
of the house,
and we're going to
start robing
our cars.
Maldit-or-ter-
people who
mugrosa,
that have mugrosa,
that's hungry.
So,
so,
they're making
a car,
and the
clock,
no, they
can't,
but at
the day
the next
in the
morning,
just when
they're
doing the
revision with
their
personal,
it's a
cuckoo.
Suna a
a cuckoo,
it,
a movement
of pendul,
a
And the
And in that moment
in the
moment in the
there's
there's a
time,
there's a
call to
the police
they're going to
get to
get to
the business.
The pap
he alarma
and he
comes with
one of
his children,
go and
they're
directly
to the
city,
they're
they'll
get to
this
relog
cuckoo
because the
not
the
news more
the
first was the
part
or
the
assault
that
had
happened
in
this
when
they're
when they
they're
not
a
grand rob. But if,
if they're rompired
some crystals and
they're going to
some things,
and it's
when this man
he's molest,
and he's
to vociferate
mugres,
mortals of
all the
all that we're
doing,
contract a
herrero,
he's,
he's,
he's, put a
mental in the
windows,
refuces,
all the
security of
the next
the morning
has posted
a guardia
of security.
In the
nights,
two velators,
one,
each side
of the
business.
It was
a
quadra complete the
place.
So that
bodegon
had to
be able to
hour in
the end up
the way to
the day,
recal in
into this.
And the
lock,
cuckoo?
No,
they're in
the
habitations,
not have
been the
time,
and they've
been to
have been
on the
day,
no?
That day
soned
so no,
then it
has to
be in
some
little bit
so not
sometimes,
so maybe,
so maybe,
so it's
not even,
not
No, they've done
of where
is there,
and maybe
to be at the
view of the
day of
the next to
the morning.
Cerca,
near the
call on the
Rolk,
no,
they have
asked to the
employees,
where they
they're
on the
second-pice.
They're
coming down to
when it
on the
telephone,
a person
very
very close
to the
family,
we're
a
person,
that was
one of
the first
that was
the first who
was
introduced
in the
business,
and with
a
Deuda
Firt
Hecabed
to mark,
and I'm
a situation
very
very strong
of investigation
of part of
the government
and now
it's not
going to
start to
put to the
family
Morin.
I'm
understand.
The
businesses that
they were
not not
transparent
and
there's,
and here
he was
saying
people
in the
words
that
they were
on
those,
Nervios
in
all the
house.
What is
what
is what
is the
next
days is
a
paranoia
in the
place. Corren to all the
employees.
Only are the
family.
We can't
get to take
contact with our
vienes,
yeah,
either the
money, or
yeah,
the papereries,
that no
deemes
indice and that
not they
can't
rastery.
And they
start the
family.
Of a
repent, it's
there in
that second,
third,
quarter,
day that's
when they're
to be
a bit of
a time,
they're going to
they're
to be able,
it's all
that they're
that they're
there,
they're not
And it's there in
this
disaster, this
boragina
of things
that's
you know,
there's no
there's
to get to
the car.
And there
out of the
house,
a car,
a meter
50,
an ch.
When it
he had,
a moke
a preceosa
a newke
a porcelana.
If not
knew it's
of porcelana
would be
a person
but the
man,
but the
man,
he had seen
that much of
that time,
but never
to be a
thing,
It's like for
Cuechews
Manos,
and boas
and boca
those try it
with a
cord
very strong
probably
probably it was
a way
to make that
this mokebrajara
or not
not he would
not have
the other
so it's
that it's
so he's
a little
they're
to make a
car
they're
they're
they're
in the
cell
and the
and the
child
and the
little
she's a
one of
a
one year
gets
enamored
of
this
moe
she
put in the name
Lulu and
all the
time is
talking with
Lulu and has
all the time.
And the
Mr.
Morin is that
arde and he
says,
for the
call you know,
that is a
little bit more
and you're
talking about
and you're
talking about this
and not you
don't you
get to
talk about
things,
I'm going
to be
and she
and she's
amenerating
the new and
it's like
a year
after a
time after
not have
been done
there various
days,
start
to be
the end of
the
questions of
that,
of a moment,
others
they're
to be in the
carcel.
Because these
men are not
they're in
a lot
they're not
a great
collar,
that they're
not at
a lot of
the bigotest
that is.
So,
the family
is that
is a
little
what is the
thing,
what is the
thing,
and then this
moragene
of
things,
in these
situations
can
chaotic,
the
the
thing, the
ranca,
without
to give the
reverse,
he was to
go to the
wall, and it's
a star
against the
and he
did a
point that the
poor
little
she was
in front
just of
the vehicle.
Just
between the
car and the
wall
the
wall, the
she never
had the
opportunity
to do
a gritty,
but it's
very rare
because when
they're
they're
they're
not over
the pap
is a
person, the
family
is
destroyed, the
The little
has
been marred
of the
hands,
even the
book,
like if they
had been
been done,
like to be
a little bit
that's
like they're
being a
and they're
all the
suspicions
that's
about the
family
they're
done
to the
they're
doing
and the
you
know,
the
the
time
the
the
is coming
to
nobody
want to
the
to have contact with the
business of
a person
that's,
if not a
family
and less
of that way,
apart,
he's got to
the chism
and all the
people
know of these
things that
this family
had been
a culta.
The family
Murin
has many
frontes
that are
being
attacked.
The
Mr.
Morin,
after
the
situation of
the
little
she's
in the
house,
he
had to
have
had to
have
to be
a
little
and there
and there
is
trying
that
not the
come
all
a
pedasos.
In
what moment
these
mugrosos
mortals
of the
people
are in
those
many people
so
they're
not they're
not they
have done
all the
city
entire
he's
he's
he
he's
done
the
the
man,
the
man that
is
soborando
to
the
person,
the
the
man that
he looks
the
the
person,
this man
that makes
that the
thing
he's
the
door to
the
car, and
of Medi-Dia,
and have
passed two
a time
from the
tragedy.
Mama,
the mom
of the
woman of
the woman of
the
mother of
this is
that's
little
not the
whole
all the
days
it's
like to
be there
zombies,
and the
Mr.
Murin
yeah
can't
with a
midodian
the malditor
loco
and grita
and he
grita and
he
said
and
he's
a moro
he
encounter
that mugre
and destroy it! And at the instant
that terminate of
the call, he's
the sound of the house, and he in
a rancke of cholera,
open the door, and he's
coming down, all,
all, all the terrain,
until that gets the
entry. There's a
carmion of service of
paqueteria,
something that is
like very lusos
that many people
know that even
that existent.
There are three
two people, the three
cargare in a quarter
a quadro,
a protector of a
quadro gigante,
and they're
He's the question,
that what car garages is that?
Why do you
bring?
It's a
gallery of art
that's one of
the most
renombrated
in the
city of Mexico
of the
family Ibarra.
And this
man,
that's the
name, the
family
and barra.
Who,
they're
and you
remember,
are the
people who
were the
carerer
and I'm
sure that
the
moeneka
came to
name
in the
family
and then
the
children
not they
don't they
say
they're
they're
the
the quadro,
that's
sure,
sir?
Because for the
pure
time and the
record of the
quarter of
should be
barroed to
be able to
be able to
say a
very car.
And it's
there where
the codice
of the
sign of
the
man.
Then,
and it's
true,
what I
do you
do you
do you
doces,
and they
say,
get them
in the
house.
They're
in the
car
in the
in the
car,
it's
in the
night,
just to
midnight,
when
it's
sonar the clock.
He, when
he when he gets
the house
full of humor,
he goes to
his wife,
his wife is
profoundly
dormita.
Tard,
much time
to get to
get to the
woman.
He says,
we have to
get to get
the house.
The
she doesn't
reaction.
It's a
life.
He not
has done
but it
so that
has been
living
ultimately the
woman
that you
not are
in the
cabals.
Logra
to get her
to the
car and
he
gana the
codice to the
sir Morin.
His
his
his son
men are the
men who are
the house
and they're
not reacconated.
He,
he gets to
see a
little bit
and then
make a
calculation
so I
can't
to make
this
car to
make a
fortune
I'm
back to
my
time to get to
another
to get to
another
to get to
the house
much time in
to get the
quadro
for when
it's
a lot of
the
times of the
two
and when
it's up
definitely
not it's possible
he's possible.
Intent to
talk to
the bombers
but you
have no
the line
telephonic
not
not
it's
probably the
fire
and
it's
not being
doing
on the
vehicle
for when
when they
the
bombveros
there
there
there
can
there
there
there a
never
will
be
going
to be
the
same. The
consoled of the
boy,
because the
type codicious
and he has
nothing of
love in the
heart.
Abre the
and the
and it's
an image
very peculiar.
It's the
house of
him incendiated
for
complete.
Firmada
Lus and
three
objects,
three
little
of this
people that
they're
to get
to the
Lord
that they
did you
to do you
and the
family and
the
only that
they
were the
I'm a record of so veracity and his codice.
TEN much
of your enemies,
more if you
regar them
and they're
and they're
going to get a
night we've
got to get to
this foggata.
Family
Nocturna of
Spotify,
all you're
that are
different
networks of the
different
music,
D.C.,
let's ask
for favor
come to
Spotify.
Rapid, in
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Abran Spotify,
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Strelies. This year
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We'll do
we're going to
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It's a
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but we know
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to get.
And if this
meta,
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do this
we're doing
a surprise
tremendously
good.
One of
said this,
you see
a good
time.
We'll
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next on
the new
episode.
Recuerda
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stars.
With
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those
Meanwhile, I wish you
have a beautiful
semester and that
you have a
nice little
and that's
bad,
bye,
ah, and the
Saturdays
on Saturdays
on live,
Saturdays
on-a-sombras.
Bye-bye.