HABLEMOS DE LO QUE NO EXISTE - Juegos Diabólicos, Brujos Macabros y Trampas Siniestras | EPISODIO 397 | Hablemos De Lo Que No Existe

Episode Date: June 8, 2026

El día de hoy, #QueridaFamiliaNocturna en #HablemosDeLoQueNoExiste César González, #ElNarrador nos trae una serie de historias que nos advierten acerca de los peligros del mal llamado juego de la Ouija; es verdad que muchos han jugado han utilizado sin que ocurra nada, pero siempre se riesgo latente que te puedo ocurrir algo como lo que nos cuente el protagonista de esta historia. Prepárate para conocer el Calvario de Sofia y desearás tener una amiga tan fiel como Bernarda, pero eso sí; aún cuando tengas un vínculo de hermanas con suerte no siempre vas a estar preparada para la oscuridad que a veces está al final del túnel. Todo esto y un poco más en esta #OscuraFogataDeHistorias en @hablemosdeloquenoexiste; yo soy El Narrador y te recomiendo que nos sigas en #Spotify dónde ahora estamos oficialmente en la #MarchaDelMillón y una vez cada 15,000 seguidores estaremos subiendo una #PláticaSecreta , nos vemos por allá. Por cierto, revisa que seas parte de esta página, porque muchas personas que creen que son parte de la #FamiliaNocturna, y cuando revisan resulta que aún no son parte de este canal. Ahora sí de aquí hasta que nos veamos el próximo jueves , coméntame cómo me fue en Hermosillo en la #FogataEnTuCiudad te deseo que tengas #DulcesPesadillas #ByeBye

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free of charge. BetMGM operates pursuant to an operating agreement with Eye Gaming, Ontario. Welcome to Family Nocturna to this extraia foggata of stories in Let us know what no exists. Today, we have a fogata very singular, because I want to say

that I'm not the narrator normal. No, I'm the narrator of all the days. I'm, I'm sorry, I want to know, because I'm the maldita anxiety to know exactly how terrible and how much

did you. Nobody has said, so if you know what you know in the comments. But in what you're going saying is, and if I'm going interring, permitte me

to say a day of today I'm going to talk stories that about the jubes diabolical,

bruchos macabros and tramps sinisters. So, is that first to start, if it's the

first time that's a first time, let me give for something to take or to come,

or to sitate and and come to come to be a good, but never

is recommendable that that you can't because you put to talk a vogue of

stories in a no exists. Initiamos. Imagine that you're going to the school as you normally you do.

And a day standing there, a man, a man, heca, and he's invited to to play, and that day

enbrujured and generated things catastrophic in this place. This story me will go to

Garza, and here we're going to a story. And me he said that when he was

in the secondary, his life was transcurient like the other adult. Dias good, days bad, doing friends,

peleandos a little with his parents, or other, tantu, with his brothers, but the life normal of any other than any other than you. Garza not was a type of mal. Tampo was the type that you say, ah, is the person more good of the world, but not was a man. And there, in that time, was

discovering the world. What is that if he had a garza, and it was that he was very simple, all. No, he had difficulties in the life. No I saw nothing like a grand tropeasso. And that

that was the matter. To what he was going to be going to I'm going thought,

it was still very little. Oh, yeah, get good not as because that that's,

that's, that's, that's, that's not has a important. I'm going to get a

day that I want to say a good news, that's the person, that never seen the meditaba. At some moment,

at some moment the people will be down to do fregone, of what good that I'm going to start. It was part of the ideas that I'd have in the head. His maestors, it had a lot of times in good concept, but in occasions they desperable much, because it was a man, muchachian, but

a ranado. A ranado, me I referer, like if it was a fron of a man-upuesto that it impeded to advance to a good velocity, and when it was that he had all the aptitudes to to get very well in

something, to show that he had great abilities for one or other other thing,

he never I'm making he he was he was he might be he ever he ever

to be and he always he was and it was a part of what I'm a

always he's saying, and justifical that he's not in serious. For that the day that came

a group of muchachos new, because there was a situation in school that

they had to have to have to have to have to be all the people

to get to them and they're they're and they manage the school of the

school of this group not will respect as not not

they're not a amount of the people they're

to do and the group of a and he came in a morrowado.

His voice has been very, very grave. It's like if you talk about and it's

always his voice provoked that all of her own, there was a lot of his age,

but in his cardet, in the act of the last time, it was

he was that he had a pertinent to start studying that that's

that time in the time. Much they they were they

were fascinated with them, chikas there had much enamored of this

type new and chicas, there were others that said, no, what a mancheting so that's, more than feo, that's more than seems like one of our because it was very grand,

much major, not only for altitude, but for aspect. That young, he makes a friend, he makes a certain way, like if it was to looker intentionallyly.

And when, upon two months, you're a groupito of four people, two chicas, two chikas, Garza, this manucho

and two chas. And, and standing yeah this groupito, the man of the

voice grave and they're saying, you're still being being

people, or, I'm I'm I'm talking with people,

and this he's again, he's he's again, then I'm so I'm

maybe I think, and they get a middle and it gets a got,

Garza is the first, let's, let's, let's, let's, What are you're talking?

And he said, no, the the children don't be going to understand. And no, I don't want to say, because he's going to give me.

The two two muchas, one enamorated of this subject, go and he he'll, and he says, ah, yeah,

dinos, for favor, no you don't you do that, and he, being very osco, he quitted

the way, he gets a manner like, desagradable, despective, and they he says,

no, I don't, I'm going to I don't go to work with the children. I'm going to

do a little bit and it's the third young, the she says, well you're going to

find other more than us to see talking. He's he's and he his

eyes, he's a mochila and he and he's and he said, if they're

to be to be to the last time, and we do you this is for great

not it is for kids. The three they put between rogers

and palid, because they'd never have seen a thing. And the whiffa

that I'm a new not a normal. It's a little black or so I hope you

you know, and it's made that it's made a man, the table was a monster

in the little the skinnions tallyed and in the other

the other also also it was like those were something something

like it's like these those games that are made to give to the attention.

The problem is that it's that it's a made that they're that they're not that's not a lot of macabro,

like something the man. The man of the voice grave those is waiting on the third piece, and when

they're the table there is there in the piece and there's there's there's

there. He's he's that before anything the first have been to be

best of the first and one of the muchachas, said, I went to Miss the end of

the end of the end of the end he, he started to then that that's a bad thing.

And what he did after that was to put the hand to his mochila,

to get a more or less of a time of great, that's

that's that was that I'm a part that was a much more

askeros and that's he's he, and then he makes the

put the the point of the black like it were a and with that with a pegassoza and with that on the deados,

commenced to make us all right while he's saying something in a voice so bigita and so guttural that he was put to the skin chinita while I'm trying.

It was like if it was an kind of a kind of a kind of a kind of, because of a repented

a rhythm more rapid and then he was with his tonos more lent but very very bigito.

And while he was saying that was he was marking front, Rostro, brasos, hands. And they asked

this is going to and he was to be a smile and he he was a not for a little I'm and I'm

saying that Garsa me said that that's so captivate that situation and I sentia that

intimidated that he he not took like the value and the power and he was

he he could I'm I was making of all I was to make to all

the day All of all going to know that he was a cobarred. No, he wanted to go ahead. So, he was going to the eyes, and commenced his type to pass up to his deados, by the front, for the rostro, for the brasos, for the hands,

leaving him those ignos gars, and he never those quissue because they were in his companions, and they were no symbols and some signos that not beautiful. He dabbas, but no he was admitted.

No, in that moment. This subject is of the voice grave. Se Inca, She put in the tableau and they say to them with signos yeah, that they're in the

tableau. They're all right. They're putting around. Toma one of the chica. Toma other man of the other

chick. They put up the planchette. And then to Garza he says that he says he,

the type of the voice grave, the one one of one of the other hand on the

other man on the planchette. And this subject and he starts to be and say, and now just see how

the chicas start to get to be nothing to what's going to because he only be that the

planchette, the triangleit this is moving and it and the letter in letter and the and the

and the chasas are all and the other but no says and Garza and he

what's what's what's the subjecto of the voice and he says he's a little

you're going to you're moleste. He said, me manchaste and I'm going to do nothing. And he's left being and he's okay, he'll be sockarse his sonrissita. And then, Garza,

is to putt to go ahead when the subjecto he says, no, it's not to come here. No, it's a partisipar, but if you go to go ahead. Hey, y'all, it's Kelly Clarkson with Wayfair. Ever order furniture online and wonder

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It's like if all had been orchested. It's a good that's called airde and has a silvido so shrewd, but at a bit so disagradable

and it begins sound an woo. The problem of that sound is that it would that all the

wind that is around the school specifically wanted to be used to be used to be in-the-salon, because

it's a pegando directly for a ventana, and it's for one of the rendigeas that's being by the pressure of the wind, that's

the sign-of- the window, while it's silvied, and it's so very, and retumbed that all, that all the

subject of the voice grave, they're, they're going to the vent-a- and, and while he still still

talking about something, and the two muchachas, will be to turn-off, and they're surprised. Garza, no

what happens, and there's a moment in the way he's a desperer, and come in the way to somebody would have

been to happen, in the entry, it's a boat that's the middle full of the water.

Garza he gets the water in the hands and it's and where it's to get a

little bit, no, no, no. And Garza he says, I don't go to play with

kids. And it's He termina to limpier the car and he says he, and he has very

clear, that a part of that moment know that something, because he were all the crystals in

the salon where he was going the wind, all the whole, it was a struend

horrible, bolted, the two chistels were being taken back, the

crystals were of that part, as if had been made about,

and this subject was was agrando the table, he was serrando, metient in his mochila, and no the mirrode to nobody. He was sostadishim, palid,

he's alled, out of there, coming and, after that moment, all of the water-in-the-cuitary-de-cretto. Quetta, there's a lot of t'-cuit. The garsas, and the chas, they're very confused, they're much fear, and no

they're not even if it's the fear of the the world, or if really changed the temperature of the place, because the skylo now is absolutely

obscure, and they're allude to sonar, some truens, that's a point to get to

a storm but it's a lot of water, but it's two of the truels and truels and

more truels. Never in their life had seen had been to be there so much, without the

storm, but there's a minute, it's a lot of and they're doing a little of

a lot, and they have been to strosed and in the second, will get to the

person, to the people that's in revisions or some maestro, to revisit, to review,

and they're going to call them. So, they're going to scaboo-ears for that third-pice. They're

on a house, and then they're in a second-pice, they're going to be the bayon of women, these two

chas-and-a- and the time that that's-a- and then he'll get-as- his things, he's,

he's, and he's-a- and he's- to get to the problem is that, the problem is that, and,

in the last scald, I'm a grasnido of a quervo, but it's

a grasnido that seems like if it's like a bocina here in the o'reja, he'll

over-salted and he's when he that in the arbal that's that's a old that's a

director of saying that you're going to do you don't know because it's very great but it's

there's many years, all the ramas, all, are all, are full of

the curbs. The arbor is saturated of these apes. Never-hast had ever been seen a quervo in that when he turned to the arbor and he looked directly to the eyes, that quervo that he grasned, all the curbs turned to look at all the way. He

started to feel much fear. He went to go ahead. He said just to put into the two chikas vines coming out and they're rar as they're saying, we're seeing fear, something's going to be able, no don't say nothing, no do you know don't have to

give us to nothing, you know, you know, like if you feel like that's not, you would be doing the

same, you know, we're doing, we know, we know, that's going to get to the car, and it's a little,

and is sure that it's a sudden, he saw, two sombrows that were that were in the bayon,

no, he's, he doesn't want to bring the eyes the but at the time,

he'll be there's there's there's there's is to be chasantly out of the car,

it's over the school, the truels are the and he's he's not the clasnids as much

they're in the thing, he's that something that's going to get to be

the eyes, because no want to want to want to see that the two men,

see that the people, they're pardas, palidas, and now they say, a somber,

and all the more, and all the of, cackence the boca, be hallo the stairs, and he comes

to goreys, after the door to be the door to the salon, and they're going to the same the school.

And in that moment, all is all is in silence. When it goes to the salons, all the

salons have the door the door, the people are sitting

and where he's going to go and they're to be, even the master,

like if nobody would really as a present in this place and were just just were

not more hypnotized for the presence of Garza. Garza recorred all the

school and just before that's at point to cross the reja

even when they've even when he's going to put there there

there's there there has been a community and it's but the

three people are in front of the school and

are are parados, as the e-dos, being directly at the entry. The mirab, the eyes,

what the is the way of the very bad intention. And where Garza is about to get to

get to the entrance, they're to get us to get us and the subjects are to get a

way to get to the prefecture to see there's a person who I can put to

and to say there some there's a other And where the prefecture, be to the prefector,

that is a type very agarried with the guy, he has had been various problems for the time of the

time of and get to get to be to get to and things, and this subject is continually

tally the eyes and he's saying to a manor a

man, I'm going to be a lethargat him, I'd go, I'd completely.

The directora out of the officeinas commenced to the prefectura, "'Alice with the prefectos "'and pass the side of Garza

"'combe so he no he had ever "'this woman is a Doberman in "'in'bidden, it's the Doberman "'human human. "'A any other that we "'he gets ridden, he ladra, "'se leavened on top. "'No, he wants to

"'theirder desorden in his school "'and just says "'and grittar and grot. "'And there is talking "'with a voice "'than a man-tank "'that Garza "'and he doesn't know.

"'And she'll go "'one a little alumno. "'Pasue of him "'two-veces. "'And it was "'and it was fear. No, is that pass nothing more

things bad. It's that what you knowces as a while and he'll go ahead and dege and he'll occurring. That also is quite strange and not is a greatable. Inclusive, there are

things bad as in your environment because they're in the day-a-day. But in the moment in which they're going, but in the uncertainty, and with all what

is living, you know, you know, you get to a wall, the two hands, his palms, las pegas, against the mosaics,

intentating like to this, a sensation of firmness, has much pressure with the feet in the piece,

intentating that not because it's templand, but because you really that your reality is going to and it's

to hear mormulos and in a parpadeo, there's a amount of people, and you're going to

directly to the entry, and it's going to this marabunt of people, all the all the students

all of the like if something has had been as a way, it would have been a

situation, the sky the sky and nobody seems to see that the door, the three

people go back to goz, they're going to goz and it and cucklilla is going

and it's under the people, he just he just he doesn't where one of the

one of the people he wants, and he he's a armro like the

way, he's he's he's a way, and he's to let's try to carry a

one of the three types is going and Garza and Garza is a little bit of the devil

nobody nobody. Nobody. Mets the nobody's getting a count of this. He's going to

go and gore, he's when he goes to the way to introduce to the time the

time. Because I was going to have to get a second before the other

he was the other he's the first, he's the moment of the right,

he's standing in the other type is stamp a right into the door

Garza quita the and he's the subject like the guy, he's

he's trying to get him the hand the house. Garza is

impacted anonadad like very very bad no no, no

he's that's something that's something when he over the door

of the house his mom he says what he's he's he's

he's like this person that's this person that's Nobody. His mom

no, he didn't talk to that he a guy, he'll be in the house,

he's going to be to be in the time, without having provided any of a bocado

and the only that he he he got he was he was he was

he was he was a armuade a great that he had he had

he he was with with his he began to go to he

was a little, the body was to tremble, no said what he had done, no he was going to know what

he was going to occur to the day next and simply he was a question. He was

he was still being much free. When he was to move the man, intentating

to get that a sabana to cover us, sent you some hands that were on the some

hands that were some that no no he could get to get to gritter.

He started to the wall. He was in his body. The hand was the most he was at

the middle of the camera, and he's he's going to and when he's going to get to talk other things

that are there in the camera, that are like if they were people or parts of people that

are reposand waiting, and observing. Garza is a back to the door with the eyes

and the car. Because at the I'll open the eyes, no, all is totally obscure, pierre conscience

again, and he's up grittance, he's up and up and he's in the position in that the night

was to get, lejos of those hands or those things, the sabana of all the side is desended,

the camera complete is distendida, and the camera has the lodod. No, I can't

say that they were the man, because not necessarily were not like, but they're like if

someone covered of the Lodo would have manoeoe and had these rastros, the feet of Garza

also, full completely of the Lodo, like if had gone to be a madrogad

descalco, some place in the place in the place there's not, no care

that, no want to this pass, he wants, that all that all that ever into

that time, that was a game to be a normality, but When he gets the school, it's top a moon

a negro in the entrance, and is where they they're all that they're that they're invited to the community

to the house of a belation, something that they're very near the school, because

lamentable in the madrugada, the porter, the person that fungia as a child,

took a imparto and falleceo. But what Garz heard is what Garsse in Cuchiche

was it makes feel culpable until the day of today of they're

they're they're saying they're going to give him and when one of

the two of the two of the morning and and it's

a rifle false that no function and he didn't

do to try to help he he got

he he got a but he had a miso

the miso he no he no no, no

muchas not came to talk about the time. The type old, no he was going to

go to go to the school and it was like never had been written,

because nobody asked for him, nobody he asked to his friend,

and it was a subject, nobody was a little two two chas

and Garza until the day of day of the business membership built for busy business owners

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And if not me understand, then you're going to be a story of Sophia. Sophia and Bernardra, were great friends in the faculty? You're talking that for the moment in which she know them have around 20 years, they're very close to get, and the two, all of their lives,

have considered as two persons very nervous, medias mojigatas, much bonachonas, but at the same time not have permitted adventures, things out of the normal, no have experimented

or risked anything. They're people that, for lineements familiar, both, they've been a life like very

constructed, very delineated no it's not a bad bad. If not is that's

a sophia if she's that he has been a little a little a

little about a or there or there because his pap so you

don't have to you know until that you're not you don't get to

get that you is to get that car is a a woman

of and you When you can't you can't you say what you because it's

your responsibility how you're going to you're going to you're going to you're going to you knowvue and that can'talette she's like

from six of primary when in sixth of primaria one of the little of the school he gave a old olde

and was involved in a cellophan and she got she she was the cantaleta with her she was the

cataleta that was her had been a study and I've been years after. And, after that cantaleta, they asked her himself agar the

oocyto and he threw to the basura, and that the child no he didger more the word. All his life had been controlled by his parents. Now, it's easy to judge to the gentlemen when you hear this. But really, it's good to know that they were in a context in the way that you

had been made to do with a time to have been made, to get this casita that he were going to end up to pay in 15 years, and that with the the money that there was that

not that's the part of the so far they're to do that she could have a studio

and start to the job more more than than they and then a little patrimonial

for the father and her mom were people very responsible but were

from many problems not only not only economic but also as

also children, chikas that had been in moments of

schools that were mothers solter from many young and that they were very

repented because they said that in their time, they were to have not lived, and they were the tea of Sophia. They were all this

so clear, that were very quadrads, very strict, that was, maybe it was a bit of the man.

For that Sophia at those 20, yeah was, that she had to be a frigate for having

a venturia for there? Her friend Bernarda, she was living so. His papas were very strict,

but she had no the spinita to and to be resgando for nothing. She was

a good. Look, to his 20 years, his papas went to her at the faculty.

The they'd and they'd and they were the because she was a manned to

manage. A change, a she was to be to get a when I

saw a people, or chikos in motorcycles, she was a lot of she was

she was a person to get to a I'll say, he said

it's a thought to adrenaline. For so, when he, we'll

put her name, a calvary, a type, that's that's when he's to get to

the little his perils, but without any more without, he inca, like if

this was a minute of a movie, he takes the time, and he says,

oh, oh, what a woman, so he did a love, and Sophia

is so much, because this type is a caballier, a and in the car and that

that's not even your father they're going to accept. Men's in this time that she's a time.

But it's a little a woman. When in the morning, she standing in the faculty, see that

he's a Calvario, and Calvario comes with a gancito or ake and then and then

front of her and he says, I'm going to talk my meal. Sophia no

think with, this really not is a good meal. You know should be almost

that's a good you are, and she's enaborando peridably but Calvario has very bad

fame. Calvario has fame of being maraud to be maraud and they're to start to get to

them, let's get when it's that it got to get a time we're that the

great majority of those that are I'm talking. Calvario is what was about, and I

start and the chikas of the salon of Sophia, that not have much

relation with they're and they're and they're and they're and they're to get a little about the

distance. Because even the fall adrenaline, not it's a little is to get to get a

motorcycle, and other is to the front of the second of the faculty

just to just to see the car and it's that there's a thing

and it that's that even when when he he doesn't he's to do it,

and to to reject it. And there's a problem, because although this look that I describe, maybe you liked, or maybe not you looked, of Calvary, the type was a galanazzo. To all the chicks, to all the girls, to her

let's get her, with those that he'd carey, allas, they'd end up getting with him. All. You're talking that, independent in the mind, of the level socioeconomic, of the level intellectual, inclusive, of the

good and preference previa of the person, they'd they'd have been And nobody, nobody was nobody,

nobody, nobody's a lot of and over to the type of start with fosophorescentes marked Calvary. And she says, you now what I'm

to doze in the problem that me metio, and that's so has to that you just to in a way more simpler, because if

if I don't be a little, it's not that my my own, and he's he's not

to do you know, he's not, I'm going to get a little more free with him. Until that

yeah, at point to to terminate the semester, Sophia thinking, of what way going to

make a way, I'm going, I'm going, I'm a way, a little camicasse

but can't work, and it's that he's to be to be there directly

in direction, that that can be the not going to be in the radar of Calvario. They're going to send out of your turn, will have to have taken practice professionales the next semester

and will be so occupied that this type now should be able to appear to be sure. And the semester is at the point to have gone to have gone to the time because Sophia

he said, for favor, no me dege a lot, this old man is he's looking me at every moment, he had got

two times out of the and when she with the hands all mohadas and was like a little insecure because no

there was a paper to secars he had directly, he hadrava the hand of the hands and said, Seca-te-a-k-k-ecky, and she'd be

secavae his hands in the case, socha, he'd have a little bit so much so much an invadida,

that no saw how reactionar. And when he was done that he had a brazada and he was going to

a man-and- and there was a good Bernardda. Apparcea and she, she'd be a handrava to a

man, he'd be to come to here, and you're back to come to the poor Calvario

but with a miration of aggression, like if there's a box of a buser over the

way, with a car of assue and disapprovation complete, and the poor Calvario he was

and he tried to get a look at Bernard was a mojigata but

that no you know you know that's because like you they're talking

in your not, no, no, he gave not he not the but the

eyes with the he fulminable he, he's that in the two occasions after

that he he quis to make to the mirada, better she gotcha, no, she

had to be able sottottos no, Bernardda he was he got a good, he did he

he did he the fois, the energy guard to this power cosmic to to defend a friend

because after this Bernarda always never nervous, but to try it,

and it was a whole a whole a goal of a so then,

in this am the relationship at a point to end a

time he to get to Calvario he is very

have compunged. Bernarda, he said to Sophia, as direct, there's a he's overactual. He's not caigas. And he,

he's being arastraining the feet, and he says, after that's he's a peg,

say, Sophie, is sat at in his bank, he enters by the door of

the salon, he was to say the master, and he he gets his

his body his and he and he and he and he the picture, not dedicating to the

mirror of the eyes, he's not in the bolsas, and he says, I know that you're not with me but even though

I'm going to have to accept that you're the first woman that me rechasa and I'm going to have

to live with that because you were the woman, you're the person more special.

Sophia wants to look to the eyes Bernard if she they're and say

oh, oh, oh, but far Calvario Saca a and he

says, if you you know you know If you you know

you want you want to you want to take this bolsa conserve a one

and never to go to get a mind but at the instant she let put in the

hands of Sophia and it's a month you don't you get it

and the time and the time he's down and then where when it

is where she oh my muggerra that's this is he's you can't

you can't you can't you can't you can't that you have you that you have in your armory

for that this type is there not a little back. And Bernardo has the box a little bit she has seen

like repudio yeah is too, it's too very invasive so, it's too a, yeah, yeah, it's too

the migacher of Calvary is going, Bernarda, the Colm she's also with her mochila

and sophia she's going to a little quiet to his house, he said, he said,

he said, you, you know, you know, you know, I'm going to get in problems. I know that I've got to get that box. No, I've seen. No, no, no, Sophia, you'll forget it. No, no, no. Sophia, you'll have to, I'm going to try it. But you and us maintaines. That's a thing is that cause.

You're going to have to keep in the rest of his life for that type not so forth to ever get to her car. Sophia, suelt the carcatchada, where, wow, much thanks, because he's giving the confidence that she needs. Bernarda, and he he'll forget

for complete because he kept thinking in the mentado Calvario and is doing plans. Now,

what does plan the way to do you? I'm going to say in the car, or what? I'm going to

start a part to get in a house to my friend macabelica in a facet

that nobody never had known of she, but Bernardda see that he's good

because all the time, is there is there inside how he he was

going to do you the next, if he's ever present to present to his friend of the

friend of because he's not a problem of the thing that he's not going to get to

get a molestal her. So it's she was there was a lot of

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moment. Old Navy's drapey denim wide leg. The problem is that yeah, when he was there in her camera, dormita, and they were about 10, 11 of the night, she's just open, the lights upagged,

but she's that there are voices in the house. No, he recognizes, probably maybe it's, or her father or her mom, to her brother with some amistat that occurs

frequently in your house amistates that are very very very

moddora recently not present a much attention he put in the

the place and it the back the the light

the light of the and it's very very and it and it's

going the saying the going to talk to a family

or a family and they was all standing all chamagossa, modra,

escurried, recently left, even when it's in the night about the 10, 11, the night. The rare is that is going to be

the voice, and any one light is there is a point. Talve it's it's a lot. So, so it's that

is that you say, Moma, and the voice that was talking and she and he

there are some that are going to the cell, and she she's going and she's

Mom, yeah They have been at the sonarer and then they're like other pacitos more, he's open a cajone and it's and she'ser. And he enters in the kitchen and no

there. And he says, oh, man, no, you know, says, ah, yeah, you're you, right? Man, so he said, your brother. Man, no, yeah, man, let me in pass. No, no, you know, they're

no, they've seened, and no, he, just he says, and she says, ah, now with what you going to be to be playing and in that it's to be

the switch the switch now now is preended no, no, the light was all the light was all over and it's all right

and she never he's trying but it's he said, man no, it's a much a lot, it's a

other way to the cell, it's a back and the light was to be able to but he was there

was there back on the switch and he he's there's gonna fannying this,

and where he's to do you know, the cajone the cajone's where it's a lot of the she's just a assuited, she

assom, because it's a caron where they're in things like utensil of the kitchen that not are the usually, that's the carhom

to make sure, he's the most grand, the most the most the most big, and that the same thing,

that's the same, I, know, it, he was, it's just to see, down just to make,

that the cajone, and you know, it's a rata, it's a little rata, it's at the Then he grita, mamma, mamma, come on, there's a rat, there's a rat.

And commenced to hear some those passes that come in from from the passio, and say, man, man, mamma, mamma, ma. Began, there's a rat, there are a rat, there's a rata, there are there. Prenden the light of the cell, and when

it goes to, no-n't-noburned. There, is it because when he looks at that there, you know, that someone's going to get that someone, so that's the cajone, so well, to have to have been with forces, and she's

going to go, soobacco, and when she's going to gore the room, says, the abitation of my papas, corre the habitation of his papas, just to find the vacill. She's going to the room and it's a vacill, and she's, yeah, yeah, no, not is that bad, this is a problem,

really, yeah, me started and when does that, the house entire, she apag, all the switch at the way, and it's heard where a car, where it's the car of his car, is the car of his papas, 10 seconds after, listen to the voices

of his father and of his brother, and they're entering by the door, when she is still in the passio, vying the front of the door that

they're going to get to get. And they're and they're they're saying, that good, that you've got that you're doing,

and we're doing, and she, digern me, for favor, that they're just a problem. Well, we're not,

we're not a lot, or you're to say we're to do you're not, no, no, no, what you're not,

what you're what you're you're doing you're, and you're there, and you're you're

you're, with your things. We want to do you want to do this. And she I'm

just to tell to what you know, his brother is a brother's not to do you know,

to the ratas you have to be doing things because you're very pesable and then she put

in this gromats, don't me want to do do you do this and she go to

and she but she she does know that she and the father and they're

not they were not being they're They're quite asconcerted for the attitude of her. Entra in her

apartment, and he gets an odor horrible, like if there's a perfume but super desagradable.

Of those that have an dark but so dark, that is almost a old old

that has a podrido and she starts to get to his mochila and when it comes

in a lot of moxas. No he's what's going, the bolsa

that was all rot and perforated and there The next three seven days in the house of

Bernardah all of all of the other he said, he said he said he entered

someone in his when he asked the the camera was to move as if

someone he was moving from the base the brother he

he's one 90 and he he's a 135 kilos his his

camera is a king size and the part of the camera,

get to the piece. No, there's way to get her down. That vibration

that they did he he's not he's not he's not he's not he's a little,

but he was a bit to be being he so bad so bad so far the

door, but you know, in the second, a rost he was over

back to the door to and he he was to start the door to a port-to-

that's so far to the light of the apartment of the her papas and his mom

started that's all he said he's going he's not you don't you don't you don't you

because I'm a person was a little his father all the same every time were all over dreams

of a subject full of tattooages that was doing things with some monos like the he clavos and it was

very rare because the dream was really really me my man's my panza and me the panza and me the panza and

me the person he said there, my, and he'd say, no, be, be, be. In the sonyo, I saw there's a-pancas. And be me the panse. Be me the panse. And I had like if he'd have clavoured two aguas, like two pickets. And Bernardda, and said, no, has been a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-certain, And Bernard, no, you're saying your

things. And Bernardda, nothing more, she gets a friar. They're advancing those days, and one time after, she topa Calvario, and she, and she,

and she says, how'd be going to cost to, that you'll do you, to do this to me and my family. And Calvario

he said, to you, to your family. And just, Bernard, he said, quit your maskas.

I'm with the I'm going to cost to, how to do you to do you to do this to me,

and says, six months, we'll see. And during six months, the

house of Bernardda was completely embrugated at the point that she said, that she

did it, that's, that's going to to live with some the idea of plagues,

and they started to fumigar, and as they were things raras, Bernarda

but after the first of the first month they were, you What is happening here? And she didn't know how to explain to them. But there was a moment in which they were so,

tan, soosted. That his papas, who were in persons religious, commenced, a pastor, went to the house, and he said, and the pastor only said, what is here, never me had talked,

but this is brujeria, and is brujeria and it's a friday. Someone from Bernard, behind the case. Six months after, they were to pass the things. Bernard had to give more explanations.

And Sophia, she enteroed of this one year after that they were from the faculty. Because I

thought he was going to feel very culpable. And of Calvario from the little was there.

And every that was she was she was to be to be and to see me

not she needed to sofia was to not that's

no that Calvary had had made a very

there. There are two people that are from the in an environment Christian,

or not of this type. They're in an an environment more like chaman

spiritist. His papas practicable these type of creencies that when they were not even

they were not even she and they were to define as a different, more or

less. To have an idea of what they were in what they're they're

they're we're we're two people that were two persons that continually they offered services

to help us to live to people and to clean them to make them

like a mal karma or mal energies to be but they're not they're

not really per se I'm going to be because she me me those

they're with a lot of details I'm going to make this

she consuel and and he's my narrator my

my papa and my mom I think that comes from the

but not I'm sure. They used they were many things with herbs and plants. No, they used

resos, not they used cantos. It was more well, they were like that the energy

we have we can't transmit to another person and that sometimes the people are in

the environment or energies that have they're not, you're they're not they

they're not they they're like rituals using signos raros and so

just yearbas because they're much to maintain like a equilibrium, but these

others are to make a barrier. This type of yearb with this type of the

little to help you want to make that part like, yeah, of energy

great that you're much of the energy. But I know, that they when they

went and they were going to come over some then they were they're

they never they're they never with the what I

think they're they they're they're their own methods, those own forms of their

things. But I think it not is a good because they're not in a situation

to invocated an energy external. They were much of that they had to do it

to get to do it. The Reiki, I have heard, that's invoked a energy that

come to say. They're not they're their energy. And they did you do you

do you do you're doing very time, they were a certain quantity of time in the sun, buscabing always

to have good pensions, intentable and were always good people, and they would be able to my brother,

we're going to our family, and for us, that was the normal from always when we're all that people,

that were that were that that Christ, of that crucifio, or when when they

were some people, it was the power, we were, we were we're doing, because we

didn't, none of that none of that. What I think we're going to we're going to my

brother and I'm going to understand to angels. No, cackety. My papas were the

kids. We're the we're doing things that were malignate and maleguoles and we did we

know, from the perspective me and my my brother, that they were

looking things for the other and in that we we're and I

learned much to do this things. Never as services never

those we've beened always were with people that we're in we're in the head,

is that I'm think I'm going to do your really bad. There's a way you're a little bit of a little

me accompanied a little a carpott and we had a pair of the yearbaes and they said that they were

a yearbaes and they were a lot of flowers, that were a certain rio that intents to consume

certain things that did this routine of life. And it was that we would say

that we're like a manned naturalists. I think would be the best way to describe

us, because we're not about that's this type of or invokes this type of things,

none of that we know we know people, we're so, and I can't

say that I know I've known a bruchas and bruchos. No compaginamos.

No we're in the same not we do the things, and my

my brother and I, no we don't we've been a new but what I'm going to say, but what I'm

there's a rachita. There was a little we're in our 25, 26 years, that we're

we're doing a part of my business of my papas, that they were they were all right,

we're not we're not we're not we're we're just we're just they're so they're

so they're but for the other other side we're like we're like we're like were the

magus the fiestas. Every every day in a fiesta, oh, yeah, but we we're going to

be a thing that we want to be a new energy, and we're going to be we're

people, we're and they were in folklorical we're not, we're not the

thing, just we just we used to use black, but because for us

we're much he, like, we're like, being like,

not, yeah, more than all this power there, is to say,

that in that that when we when we took between 25, 26 years, we gotra certain popularity

in our city. We'd invite a fiesta of a chero of people of people who people who did a

money. Of those sores with money, we never we knew we did we said,

and we said, and we just said, and we're going to be going to get that that's a like,

something of us were to usecied, that we'd be to be to be to give that energy for me or the

we know, we know, we know we're doing, we're doing because we're doing it, and the fact it was a

moment in the thing we're doing because it was doing too, and we're a good. It was in that then

that's that's a person that had a very bad a family, but it was very

known a person, and it was very chuecos. Nothing of the thing that has to be

with substances. No, it was to do you he'd a business and over that not were the, the prices

real, the other, the other, frauds for here, for a lot of people, he had been quite

cases to various cases to various people, I'd have a very mal-fam, and this person came and

he's present directly to the business of my papas, my papas not want to receive, and the

he's, but I, and I, and I, with you, I'm, I'm, I'm,

I'm, I'm, I'm, directo, he, I'm, I'm, I'm going to

do you I'm going to do you my time. My papas want to get the gritty in the

skyolize for the situation? He's like, that's not a case? Some of their ones are allquier that's going

to be able to be doing. And the sir, says, no, I'm saying that I'm going to

pay a but I'm they're going to make you because me have said, and I'm a really important.

They're going to do this and in this the subjecto to be a man to a other of

the They're in a maletine, and I don't know how money was, but my papas, if they were, I said, and he said, and this is the middle, this is the middle. My papa me and says, oh, yeah, that's this

man, he has been much money, and no-nose-oldeateness. I said, my papa, look, you know, you know, I don't want to talk to that money, I don't go to receive. She those I'll do. You know, you know, you know

that's bad have been in malabiding, but you decide. You are my papa, I, I I respect, and you will support. But, Papa, with this person we have to have much care of because we know

who is. The type, nothing more, when we see, he says, Subance at the camionette, or right the

same we're going to do a maletine. We're going to the way. In the the way, we're sent me

very amazasas because there two persons more in the part of the caronet. This subjecto is back

with us. The two subjects of they're armed we're in we're we're in

how they they're like some some new those microphon and audio phones and so that are like a

security private and they're more like the court and the phrases that they used them

the the things that were very very sickes very very much this

type all the way never I never tried never we

we're we're we're we're we're we're we're going to

they're going to do the limpia. With me come out of things, to me not to be

to get to the clean we're in the we're doing we're doing we're going to we're going to the

house. I'm a person that I'm really bad that's many many there's

many many things no I'm to be to be to be to us

no no no reasons they're going to do sobrate

I I'm saying I want that you want to

you We were getting in a problem. This subject was guarded the cards behind the man. No, I had said to my papa all the

but the truth is that you were there my brother and I were men's, we were menaces. Yeah, we had been to

the fanggo. From the moment in the type was the house, we didn't we're not other option.

It was if we had to get the money or not it was another question, but it was so or if.

Stando there I'd say to type, that, for favor, we'll just on in the

carmionette, my hermany and we're in our carmionettes and nobody, and I'm just going to

talk, my mother, my sister, me make a sign of the saying how we're doing, how we're

then they're so I'm in a susurro, prepare, it's a very strong, no, we can't

go, until that we've done, we're, we're we back from the

camoetet, the both we're very concentrated, we're like the most emperated and strong that we're going, we're in a finca very great, the type not sent back.

The place had a bad, but so fee, I never had been in a place more feo than that. I'll say, this subject in the other things that were in the type of

frauds and bankarios, money for money, and to goard of caras, too. He had to guard-spaldas, clear that you

could be menace, but the amazza more more the other were the abogas

they were the cargap not the he was not a money, I'm he was

an I'm a I'm was a I'm not that you were to make a

pum pum no no it was the house and I had cuted

cars and I went to the my her and I we

understand we we're we're we're we're very impover

we're we're we're we every every passillos that you were passing

for one central and if there were an abutations enormous, like if were allas salas of rooms, zones for

dinner, but groups extensos of persons, places, like bobedas grand, in those who could be there

those people and there were not not of mobilearium. But I'm talking about people,

that was people, that were a lot of these different. It's like they

were bodegas with bodegas, but some very fine, many fine, all adorned, others

vacias. Well, Every place that we were passing conform as we were to go,

it was more the environment. It was a thing that's an sensation horrible. The most more than

is like you get to get us a place in that you get a that you all your body

iser and all your be you get used and you are

very un-tank and nervous because you know you you're

you're you you're you that you're that you can't

that you That was the sensation. A peligro imminent that in any moment will be to come to us. A every steper. We're going to most enter as we can. And

when we get us to an room, vacill, vacuble, no has a single mobile, more than the center. A chair of a matter, a man, more or less of our age, I'd say,

one 26, 30 years, very demacrata, all vestida of black, amarrated the sill, and around in the

place, the place only is the little bit of the when we're we'll we'll be

the sir, because we don't know we're what we're and he say, no,

you know, you know, put you to work, and you your time that's a moment that

you're being just in the moment's that's the world, the the bellas without

the matter the they've got it. And my and I just we'll turn to to see. And my her mother,

I know the girl, he brought the eyes in the way that I saw that I'm starting to

feel like I'm trying to put it with forces like saying, here and it starts the well,

no you to take us back to all, all what we try them. No we never

had been a situation so, no, we didn't what was what was what was

what was I'm a box that had some yearvas, I'm to bring.

She'll pass to this much I'm and where I'm going to it's a voice of a little

little bit of but is that the sound narrator. No, they were not the book,

and the little the room. It was a sound that no is a good

kind of a gargante human, and it sonable a a occult in a cavern a

kilometers of here and we'll hear him to hear him. But retumbando no you can't explain to other manner. It will be a lot of way. It was horrible, horrible. And the voice of the new said, no me gusts that game, but we're going to play. And

after that, I feel like if someone me passer the hand for my brazo, like if someone would have talked, I'll look to see my brazo, no there's nobody there, and the

voice of the little bit on on the room, and he's a little and he's

and he's like it, it's like if it's like it and it's he's he's

moving and it he'll go to see a my her my her

rapidly and he back a other other of the things that

he got to he and he and he's a little

and it to frotar and the a muchach in a movement, hevant a seat of the goal of

the and then he's going to my brother directly in the my

hermany back back back, is very confused and very very very

and I said we're we're we're of energies so so I'm

so I'm so I'm that my energy that that's that has that has

that you can't be in front of me was a circle enormous

black, that was absorbing all my light, at the point in that I'm going to be a lot of after you know,

I'm sure, I'm felt that the body was, and the voice of the new, but now

was rarer, and it was very, very maliciosa, and just just you don't want to go,

and you're we're gonna we're we're not, we're not we're not, we're just

we're like, It was like if we were very very much of that we're even when we're physically. We're doing all the paraphernalia

to quemar the things for that the Lord vire that not we were to end up and then it's impacientar

the muchach and he and when I'm cruised with the eye of her it was horrible horrible

imagineate that it's some eyes that you're being in a manner that can't be

They just have perforer the craneo. The mirrored, the eye-traveece for complete and has a force that all that all you have of what you

was doing, disappears at instant and I came in a vacill, the which it never to be to

start. Frio, solo, and totally aterrador. So, I felt. Dentro of me,

all so was a free, me kept being not more to the eyes to the

she, sonrio, and she he gotchaed. I still quiming the things, but yeah,

the body entire me trembled, I know it was a little, my mother,

I had had been to tell you, I'm sure that she was she was directly

the eyes, when we we're we're we're and we

have to say directly, no we can't do you do this other thing.

And he started that with a voice of a woman that was a voice

like very grave, very very disagradable, very violent, a idiom that we

don't know the same, the man, and he says, Well, I'm going to let's go to pay a lot,

and right that's your house, I'm going to give up the money. And we say,

we're not we're going to do this we're not. We're not subing to the caronet.

No, there's one there's one of the time to the time to the time

to the time received a time received a We heard this. It was the only that we're we need to

the type did he. No, as you know, as you know, they've said that the pacto not you could

desacare, and I also you had said that you know that you had that she had that had that

other, to get that other inutil, the little of the son, no,

that's the way, no, that's if you did you have you've done to have

in the pacto, but you you've We got to the house in a silence frio absolutely because we had understood what had

happened there. I'll say, we'll tell us and the brusory because we know people who are in that we're in this. We're going to

the type of and when he's back, now more says, the maletine, those inutiles don't putiering not,

my papa and my mom are seeing but we're so bad that just my mom entra and without my

he re-rererele the malletine and he says, it's a complete, and my mom he wants to visit us. No, we'll go back to visit us. No, we've got to do the maletine, she's got to be with despise my mom, but moved the head of the above, as well

saying, it's fine. He's up to the caminette, and never we've evered to be. And of that moment, to day of today, we've not been to connect us with that energy that mannabes, with that

we'd have made, and we know, There are things there that we know we're not we're not a force tremendous and what we did we're like

to expose us because that cause that day practically us devoured. And with that story, my great family nocturn, we

have got to the dark of the but before, but before, I'm to say you know, that we're

that we're on the March of the Million in Spotify. So, if you even not un-as-

they're in a very good time, because they're to come very I'll ask you all the plattica secretas. And so,

before to go, my dear family of Cancun, Merida, Pachuka, Keretano, and Metepeg, I know that

I'm still there are there. But enter in the links that we're in the radio

to show for that we're going to present and not you know, you know, you know,

before, before, before, what, what's, what you do you despise,

Remember that I mentioned that various Family Nocturna us said that they're desuscribient Ah,

he's right Family Nocturna The Vida is cruel And of Rewitness There's much people that has done

And it's Familiar Nocturna Pronto they'll But there There are But there many

family Nocturna that is in the channel And the Algorithm

For some Why has Has been Has been Discrivien And

And I'll say because us has got a quantity of messages of people that said,

oh, when you did you need to we're we're not, we're

we're not, we did ushributed, and this week, and this time massive,

desuscrib to get to many, because the algorithm no, the person,

but you know, know, know, who's got to who the family

nocturna is there and the family an algorithm. So, so, for favor, in this instant,

revising the button of subscription, and revisem that the algorithm not has desuskits. Now,

so, I'm going to be this? No, wait, you know, a lot of the family

nocturna always want a extra. I said, you know, just I said,

and I'm one more. Okay, one more, one, but it but it's a shortita

because I'm still getting without so, and we're getting to be

this story is very beautiful, very very when was the pandemic? A six years, it was there

in the pandemic. There's a family that they, for a situation that lived were, they were to adopter like

many people in the car. No, they were the resources to give us like the good,

but in serious, that they had that they were that they were they were there,

I don't see if associations, but veterinarians minimum locales, that they

they were they were they were they said, you, they said, you the next week because this

summer being being a pretop. Not you can't do a medication gratis and so. But, well, they were making many people who

those people who were doing the best of the different attention and all of that every second. Every two or

three seven years, there was a moment in that there was more the husband and a spouse and all of

the work was their pern't their family. There were perils of all type. Perros that

no less auregita perrits in a patita many because Nancere As they're so,

others because the Kaya is very very d'n't they've tried to have to

have gotten to get to get to those there's there's there's a perrita

that's a girl was all black, black, but he was a manchon here

black the manchon that had to like that they were like they were had to be a lot of

the directly, and always that they were the two men were the they were in the tallyinging that they were to

get it, it was like a, no-se-comer like it, like a costum- so, so they were in the trompa

Lulu, and Lulu there was a moment in the he was a turnp. It was Lulu with the

was a little, very, very, very, Rullu lived in the house, with all the

other perritos, when the two are in the house, all the doors are in the and they're

and they're and they're and they're and they're and not it's like the house they have been put in these portitats for about and that's

they're going to the parrits of all those people. The residents no, they're not any type of problem to them

because they're so clean to the house and too good and the people are too trained that that they're

that they're to nobody, and they're people who are people who are people who are people who they're doing

but they're they're doing what was what was what was just in the pandemic that Lulu was the most

tranquil of all the people were the always that they were the perrita was taken a little

to the door to be when they were when they were never more was a not much a fiesta

but they they were you know that they were and then lulu he came and where

he was he was he went to and he was sitting down to and he's sat down at the

principal the sir because, yeah, that Lulu I'd want to do know, the custom of the time was to go

it's a good, not used to do you, not loud about, no grunia, the only the only way was a day

that was a problem like, in the pancita, when the days, he curate,

and all the things are things raras. A sometimes in the morning, sometimes in the time,

at a time, at a time, but they were just the days that were there were to be to be glad

to and he was to come to do in circles and it was a bit of the corners in the house and a

sometimes out of the but it was like laddry ladd and then it was like to see someone and he was and it was very

rare because many of those things or of what he was or of what was going to and it was going to

and it was like if it was going to that later later and then he was doing like all a whole

a record the the people they were that they had something that they were something

that they were It's been the perritte, is there in the perrita, will be a pass that again to happen to be to happen to until that

there's a pattern continual. Every that Lulu has been has been the days

more or in the same hours that some of the one of the most may have

been that's a family. Like was like the like,

or the spirit or the soul, or the kind of energy that

they sprened but it was very rare, what for them was for them was like the moment

confirmatory of that is that is that one day is a day to play the pader of the patio and they're

laddry, ladd and then he's a turn to and then it starts to turn to turn to start on

side, then he's later, then it's later and then he's like to the door of the

entry and he's laddra to be there, they're something something something

something had been to hear and they started and they house of the

moment in when the when the little was at the first they're

in the moment, coinciding with they're a person, they're a

little bit there, and there had a there and the hospital and

he had to then. So, then it was to come

to this. More or the family to that the thing,

that's socese that's about the four five times. Not

always were the recine inmediate. They'd because they were to investigate after those ladders

like, like, where they were like they were to be in and a little six quadras and there were

a house in that they were just putting in a moion. So it was like it was like that the passadera

and Lulul was able to do you. The Lulu The don'ts of Lulu. So, so that Kavit of Femianna

Kounton me for favor in the comments after that after they after they after they see if

the story that most the that's, I guess I've been the chisement how it

was the world of hermose now. Now see. Thank you a boss

little thanks thank you for the last next next but of

here to see we're to see the next time you you

I want you don't be bad Let me introduce you to fans. And they're here with me on Spotify.

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