HABLEMOS DE LO QUE NO EXISTE - La casa de las 3 Brujas - SABADO DE SOMBRAS

Episode Date: June 8, 2025

Viajé a México y miembros de la familia Nocturna, me contaron historias escalofriantes. De brujas, Casas infestadas, espíritus tiránicos y Maleficios enterrados.

viewing here the studio. But welcome to Family Nocturna. Diggam me,

for favor. First, hello to all of those who are here. Thank you. Thank you. Well,

yeah not so much this domino. But let me, for if all

if all and it can't be and tell me. If you see, if it

can be, if it's where they're being to be to be to be to the

family nocturna. And as just we're starting. Apenas me are showing

it's a little bit to look at the entire, but it's it's it's good

all good all right of the Peru of Chihuahua perfect

very very well yeah it's a family nocturna

thanks for here because the day of year because the day of

I'm not I did the precaucion to have a kind of

a media and very very very very it was impossible

the possible to tell us to we're going to move the Saturday of SOMras to day

of the day of SOMbrass on the day of SOMbrass on Domingo. But, well, thanks for being the

promise is Deuda. Let's I bring a very good of stories. You know what

is the better? They're verycent these saliditas of the trauma,

many of these because resulta that the last past I

took a Wilt Express for the Mexico a question of

collaborations and so and and being I know I I'm to ask

to ask these people that if some of any

had a story that could tell and they had

one they had various but well to that

we get to our moment in this Saturday

of Sombr on Dom But today I'm going to I'm going to before that's

a little not the context, but the division that we're going to have the day of today. The separations

in spaces are to be going to get in line to all, after that I'm so I'm going to those stories and at

final, I'm parted the WhatsApp of the Pesadias. But right that we're putting in

line, I have to try to say that I'm very emosionated. A right in

this moment I'm so like like, between nervoson, atariado,

because we we're very very close of the episode 300. And, of the episode 300.

So, is that before, since the day of year, I was with

a little things that I had to say in this episode, we're we're

about and alargando and a large and the list, because it's a episode

special. No I'm going to say to what it's to be

that it for that you have an idea that's the day a lunace we're starting the 2199 so the episode 300

probably or no not very probably it's pardon morning is the 298 the

the june the next the next the next the next the episode 300 and that's

so it will be but well well so well so now

now now now I'm going to tell us there many things that

you're not know, there's some things that in a moment they're in a

time, but here we're going to do be a episode very very important. And apart we'll say

the legado what has been part of the family nocturna. It's going to be a very

very good. One once said this, well, well, to all those people

that's the first that's here, welcome to the Sado Somras.

Normally the Saturday of SOMras is in Saturday, as a a week, but also we're these exceptions where we're going to Saturday of

SOMbers in November. In the Saturday of SOMbrars I'm back back in years, but before I

invite to invoking the night for that's present here in the comments and me say,

narrator, list for the Saturday of Sondras in Domingo. So, so,

for you you're first or if you're your second or 20th Benteeba Bens?

Thank you for All of that, for favor, in the commentaries, narrator, I'm ready for this Saturday

of SOMBras in Domingo because I bring some stories that are to be dark, macabras,

and densas. Let's see. For the people that me are saying in questions of, oh,

yeah, mande my story and you have said, remember, that thanks to you, the family

nocturn has grown much and we've got stories for montones. All

those days not decenance and not are hundreds of stories. And there we're trying

to take stories. For that's we're going to them to them and they write the story.

So, that when we're looking to that time we're going to this story, every time

every two months, put ansterisk and do make the under for that so I

go to put to put in the part superior of the stories. And

apart of that take patience, but in some moment, your story is said to be told here in, let's do what no exist.

Now, if, guys, as they're all, from their different countries, there in their house or in

their work, or solos, it's moment of that we let us do what we're not that. This story

that I'm going to tell, me the top in Internet, result, that is of a person of here,

the Montereyreye, only that I don't record how how she called this

creator of content. And she about to a great that

did a very very much years. When she had around

to 10, 12 years, her mom a house.

In this house they're to live mom, the

chick that the child and her and the mother.

D she she when they're going to get this

house and they're in mind that something there was very bad.

The first success that is a success is a a

fact that he has made a man he he

still he still that he is a more

because not he is he is not in the

camera for he is a little a new

but is a little he has he only he

simply he's a go to and even a little and if it's a little

a little bit a lot of so I'm a lot of and I'm going to he's

there's so he really that someone maybe his mom, maybe her mother,

he'll take for the foot this this area that's like in the

topio and that they're like they're like with the little with

the little they're doing they're doing they're in this part of the top

of the tithe in pein and it's very rare that agarre, not is an

agarre normal, not is a agarre that the form in the that your mom he says, like here

I'm in my time, tend to get to get to do you the little the little the

hand, this is this is so it's so much, when he when he that other

man, he's a other hand, he's another man, he's another man

he's on the one of the one he's the one he's the man he's to the that he,

that's after five hands, is to put to a point of a lot of

the man of the time, they're in the collar, they're in the shoulders, and they're

they're and they're and they and he when the eyes, he's is rodeado

of sombras that they're that's they're just being they're putting,

and they're on the person in all the person, and he's that parpadea, yeah is free

and he's running from that's a minute and he comes to tell you all this and he's a new to get

a year. It's a little year. Imagineate the scene. Any the can't verbalize that he

sawbras my agarer me agarer malos, malos and it's atorado. Are much ideas that

has the head in the case, it's difficult to put it in the words. For the

emotions are a floor of the and the little and the They're

going on things and he said that in that house there's many

success raros all the time I felt that someone was

that there was a feeling a very in many

the family began to have moments not emotions

to feel but emotions no good that that

that I had that they they had to

they can A day, after to pass various years, because this is

the lamentable, not they didn't have to have to have to be years,

to get to do a house, not so and it's when you have

paid it, is even more difficult. So, is that they have to live there.

And in that this house, she said that when she did that

when she a woman, a friend to the secondary, and the And, of a

when the chica is in a certain area, a companyerita he said one of the

one of the the chica go to the and then he says, he's, he says, I'm,

I'm going to go to and I'm going to get to talk to the mother's total that

she has to go, and she is there in the house and he's what you

want, what you he said, and he said, and he he said, when he a woman anciana, with a

a rostro, like, very enojured, and that he said, no, I'm in my house. That's after that he saw, and he gave a count for something, or for the rascos, or for the that lady, that that she was not of this

plan. In that house, as I said, so they'd in mom, her man, and her man, that's a senior major,

there was who was who were. There were sombers in the house, there had ruidos in the house, and finally,

a day, after many years of to live there, the mom the

mother was a surprise enormous I'm to spend the house and he's

we're we're never we're never we've never we've

never because we we're we're because we're there there

there there there so family noctur this this

chica this she know the name for favor,

put it in comments to live a situation very aterrower in some of the

house of Monterey. That, as I have said in some moment, here in

my country, in Monterey, there, there are some stories about of houses

enbruhas that are stories very very very fertes, but whose localization

not so easy to be that's story of Morocco, a locutor of

Monterey during many years was the company of the mole, the mole

this comedian, Ivan Femat and he he had also that's that he

had been there there were like spirits that were living, the spirits

of the people were that were being being tormented by the

spirit of a but and there is where there is where it.

Resulta that after after the many we have

done and also the Mr. Pedro Amoros, Peter Amoros, he says about that

there's a certain type of entity that subjugate has a pression, so met to other

spirits. And that functioned like a type of tyrano that impede that

the almas abandoning a place. If remember these places that we

have talked about that the almas are going with

the time? In some times it is for the love to the

property, but it it's that it in other occasions, like in this

case of the spirits, it's because there's there's that they

don't let's that you want to this has to have to do a

little with what it that that that causes

that that a time that we have about

the brookery. I want to do a division here important. When we about the

brujeria and we're doing the power of the drugeria, no, we're recommendable, not, we

recommend us. Because we we're not we're doing in the channel, as I as the

team of the piece of the principle. The principle is simple. To my

my family I want and the family, I'm start to get stories about

that certain or what practice, or what practice generate a

kind of a problem or some type of a problem, I don't let's

recommend. It's a practice that not you don't do you have

the and the thing of all the colors and the episode 300

there they are to know of the thing of the um

marries are some things that not we don't

we do we're there there there Here this situation.

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we're going to put first the question. This year, me I get repeated, but in

some occasions 10, 15 or 20 the same question

for different people narrator, I discovered in my house

if I do do do to do going

to do or if the person I go

and I go and I go to I'm going to

do and here to be the response there There's a

suscriptora that of all the life, as you in the story earlier,

he was living in a place in that they were in the things. She said she,

they were so much they were somebs in the house but with the

time they were there there there there was on the

on one occasion to one of the one of the other they

was they and they hauled with a colcha with a force that he was disparated and

he got and he got a lot of the world, but there was like these phenomena, the mental of poltergeist,

the phenomenon of which is a phantasm gritton, ridoso, because he has things that call the

attention of the other. So, cutas, and cuchars, and cuchillas, tennedore, they were,

they were, they'd in the people, nobody saw that they'd get them from the cajone,

only were they were in the house, sonnabas in the house, and well,

a sinfin of situations that that's that was for them was in

bruched. But they were there much, much time. So, I'm talking

that this subscriber grew there, from his nine years, a little more,

a little less, to the two years, so, he, he lived all his

life in that house, she accustomed that not is a

custom that not a good but after the two, 23,

she she comes with a project in the whole to make

a good work, this work he has had a good

money, she is a person very very very very very

very with with He wants to share those. So, she's that she decided that will remodelar the house. And there is the first that is the first

that is what is going to make a man. And that is the patio. The patio from the life is a patio that's a little bit like with gerba mala,

that for more that sierraing things, no function, that the the walls that are in the patio continually are in the

that never was a place that to be asanteau how to be there to be there, I'm going nothing, nothing,

it was a place, it's a little two abations that were in the windows,

they were a lot of a door to that it that was that was that

never that was a good, I'm to remodeled the patio, I'm going to

do a place to be a good, I'm going to put there a lot,

I'm a piece, a pair of the piece, the piece, we'll have to make like plants,

something of naturalness. So, is that you know, we're going to start to excavate and make tons and montones

and montones of the but the project no advanced. The project no advanced practically nothing.

After a month when they had escarvated about the first meter, meter and

a minute, and so they were to pop one and other again the same

or the same situation. Bolsas negras of the basura that contained the endro

frasks, that were in photographs, and they were in the liquid. And there is where she is where she

is there that case, in a moment, know, when? Stubb a person

practicing grugheria. When she's enter of this, she starts to make

recommendations, I'm talking that this has been a lot of time. I know not I

know the channel, of actually, probably probably maybe it but this she to make

to their all-alleged that they ask them, that they recommend, and at the final

decide to what? You know, you know, with the people all they're in the

people, they're saying that for favor, with the hand, take them

those, and they all in a place, go and buy and a house

and it and preend fire all the mure. It's she was a

spectacular spantos because they were those solvents in

some moment the calor started to romper the video. That thing when I was

when I was a lot of some of the other's some of the other's like to get a certain areas

but then it was a matter and was with all the intention of the thing to

a carisor gasoline or some something that could be incendia the point is that

it's that's coming and chicharrando all it's a torbegino of a fire

but she in any no moment thought that has to with her with her with her a person, a person in a house that was

a 100 enbruised and she could have the problem or more the situation is that she

was ever that one once he had done to pass the things and they were

now in the house they're visible many of those somras and those

they were as they were as they were a situation horrible because

papa mom and no see who more more was who was people

that evitabit in the house, me said she, I rependee so narrate a lot of because it impossible

to be able to be in the bathroom, if you were in the kitchen, of a repent of reoho, you know,

you know, you know, and no of the presences, not, she sentia like a person

normal, they were like, people, and when you were you know, you'd be

that was something, you'd know, you'd never were humans, not

are people deformed, or so, they're things that are people, and the only that

can infundir is courage and fear. Well, the situation is that the child, finally,

has to have to people, to get people, and they get a place,

a house, a little, a man, has a pastor, he's

to try to back, he, he's he's and he after a lot of

people, the things, the things, they're calman, but never terminate.

So, contestant the question, if I destroy the bruggery, or me put in a quarry,

that's no. Normally, no. Normally, when yeah, he was vinculed

and he's very much time, well, no, no, not a rotund.

Dependent of many circumstances, but not necessarily will be a thing,

what you have said, psychologist, psychologist, and and then exorcists or groups of liberation.

Those are the recommendations that we're doing in the canals. Psychologist and psychiatrist because, because,

you know, and this is a thing very important. There are people who want, they want,

and they're that what occur in their home is, is a thing a normal.

Independientient if it's or was something or was something, consider it very

present, that are living in places with this type of activity affect your psyche, your mind, affect your

emotions, your form to see the life and your form of your form of you know, the people

that are people in these people who are they're they're not to be they're they're people

are different and not are people under their desire as part of the effect a

nocibo to be in places so in those contaminated spiritually

for putting their name. So, all start with a psychologist and with a psychiatrist,

you're going to start to give you know, because this has been a lot of many exorcists.

Part of what they are the things are to destroy a person. And to destroy

a person not is a act magical in that one day stay and other day

not be, or like if were these pieces of these or Lego, that you can't disarmes the

things. No, we're we're doing components, we're a body, we're a mind, it's also

about a spirit and of an mind. Independentimented of your marco of creencers, we have

components, we have the same part physical, one part are the part of the part of the

question of organs, also we're our neurotransmisories, our system, our our heart,

etc. are they're going into the organs, but at the

what I want to we're we're we're and parts. When we have much in this type of

phenomena and we pass us much time and the phenomenon is maligno us affects those areas. The worst problem is that

we don't know how. Because they're so they're so they're going to get in a way when the

changes are massive we're going us like we're not we're so I'll say

recommend us is recommend we're a psychologist, a psychiatrist, and after that after to be doing

continuously sessions, exorcist or groups of liberations carismatics. Neither the exorcist, nor the

groups of the groups of not. They're going to do not do to do genuinely for

to try to help to people to do this type of success. Well,

now now once said this, we're We're one of the first stories or of the group of stories that I'm entering

now that I'm in Mexico. This story was too good. I have to give a certain context. This chick, maestra of the theater, is a person very determined.

It's a type of person that one that one has decided to do something, look, that the sky, that the earth,

that the mar, that all tiemble, to her not they're to move to the much make they're in

that they're to get a but they're they're in and they're and they're all the whole the

time, he has to have to look for what he has because for one or other a lot of

things to have had been very not done forgeal. We're saying it's

their dojo pre-a- play to live the pleasure with the ho-o the casino

on-line that propose the the more recent machines a car in

money-a-sue and profited to 50 tour gratuys on Big Basinza without without the payments

instantane. Hey, I'm I've got to get to feel the pleasure play-o-o 108-on-and- plus,

first, expuant to 50-tour 20% per cent per cent per year, pay you to

play to be the condition's with this attitude and this form of things, is a person that's a person

that's a person who confiating in your intuition. And after to know her, I can't say that she has very

affinated to her intuition. No, it's an intuition that he does not because she. Some things

that maybe she doesn't, but that they're to get a in a point. Here you

go. One day, there, for his longs, 20 years, she,

she, she, she comes to have a a dream recurrent. In this dream is

in a place great with with the blue of the big, it's a place that never in the

life has seen. And there's something very strange, but it's a necessity tremendous,

tremendous, to get to to nap there. So, and then to go in the

sunn't, and then he's submerge in the water, and when he

can't in the water, appears a perro, that's natando from the

front to get to the but not a perro normal. It's a perro

enormous. And this perro enormous not he a but it is like

if the moment to be to get to her, she she

and she does she's she she's very very very

and she she every certain time the she

in suing in the same in the a beka for a study that needed a specialization

yeah of the career. So, so, he goes to city, and when he gets to the other city, they say, classes of natation gratuitous.

A she, another company, or other friends, because she's with a group, and where he says, yes,

for favor, because I have a fear, a pavore at the water tremendous, and there they they tell,

because I have many years, sonying with a maldito perro, that's me aviente

on the same and since I'm a lot of I'm in a water. Then he's prepare, go to a

shop, buy a car, because she has a lot of not a water of

water. It's the class the next. We're we're talking that you

was about a year, we're in a day, and when he gets the place,

and when he gets palid. The parades are sules, the alberka is a tremendously

great and that the place during two years he has seen recurrentently in the

same it's very strange. Because he's something, there's there,

that is there to be to be to be to know, to know, but one

part of she said, me dame a fear of because that maldito perro

me was the feeling that was to be to be being to be

to be to be over me, and I'm to that me

go to a day, for that's not a bit. I was a little the perro, me dabbard

the feeling the I'm in a hogar. But at final, when I was doing the

place, I thought, I thought, I'd to know that and I know that. A couple

of years after I'm going to a play and thanks to the classes,

I'm a man, I'm a friend. And since that that perro for me

signify two things. MED for one part because me I'd have a fear, but for other part,

like a type of guardian. One idea of the dreams. And me gets clear like a guardian or something, because the place was identical. I thought that was my imagination, and that was the place. It was a little.

This chick, is a chick peculiar. It's a chick peculiar, not for questions nothing more physical, is peculiar for her form of her, her form of talk,

her form of interactual. A person that can't in two seconds you can't but at the final genius and figure because one once that's

a lot in the case, nothing he will do you know, he's going a group of companions to make a presentation

to theater. With this group of the companyers they're going for carretera going to do a

time or a time and then she starts to get dormied and when she gets dormida

be to the perro and the a little he's a grunier and is a bigroen

you know you imagine you're a man imagineate something that's that's

that's proportions not corresponden to a per apart

that that that is a little a but not a

per this perr this per and she she

has a so she she that that emotion

in in the moment in the vehicle in the in the way, with the the way, say, backer at the velocity

yeah, and there's a very rare that maybe you have passed. You have a pass over one way,

that's that's so long as those eyes, the perpola are the pesters and you're

and you get to get to get to the instant, and you get to

in the sun, but so, but the front, well, he's a little

eyes with the and he says, back at the the velocity and p.

up back to and where where she gets dormita, other a perr, the perr,

but the little to get to grow up, so, like with an alarm, like a point to attack her.

And she she's up and she got to be in the velocity, and back to the back, and he says,

Narraud, I don't understand what was going, I don't me, I didn't what was

going to that was because I had to say, but I was a dormit And then the second

time that I I'm I'm I'm all the carcachad and I'm in my

I'm I'm I'm my son the the perro the he gets a

and me and it and it and it starts and I'm a good because

I'm going to move to I'm over the eyes and now I don't have any I'm

going to the chauffeur I'm I'm I'm and I go the

velocity in this instant and the type is this chica, that's a sonnambula, if she's a posseous, or if he's playing a drama,

but he a little bit of the instant. And in that moment that he's a zero, a one of the

middle, there's a curve, then they're getting to the curve and they're

because he'd a carmionetta that for a turn that he did a a type

like of trompo, that abarco the two carrilles, and if they'd have been in the same velocity, those envisted to front, and for the type of vehicle in the they went, none would have said, for no say to

that no, I'd have kept alive. She said, me I'd get impacted, because I don't know, and why he was saying, that backar in the velocity. I don't know was conscientious of that. I was a dormita, but it was literally what I felt like to say,

all, after that trombo of the carmone because imagine the curb and of a

repent you see that a vehicle is that reincorpor and it but for two seconds

or a second you would have been there and you take or it's or all

it would have done bad nobody says a word

all all they're all they're they're they're not

they're they're they're they're what they're what they're a destination final

like the movie that is very the movie that is a good. This chick

know that in this type of vivences. This chick that she knows that this

type of things that is going to understand because she doesn't feel any person

special in that aspect. Simply are things that are that they're

this per guardian. There a house especially that is not a

house that is the house of his abel. So, his abuel was a type that

had a character espantos. He had a character as general. What the abel

manned, it's a day, but not says to make, so, as the American, or, we're saying

in this instant. And no important that you're doing, no important, even if

you're in a situation to be a murder, if the father, if the moment,

actuas. It's both of general, is voice demand. And she odia that's a

this is a child that has a fierre, that has a personality in the whole their ideas are the that are that

dictamining their decisions and not is a person inconsient, is a person very intuitive. No,

it can't start to get to a while never, has never had been a

good. Now, it's a more, and after these experiences, is impossible.

But there a success, something, something that she has there, but no, he's all. He's a woman,

he's with a prima, and they're with two friends. Five muchachos. This house of the abuel is a casota, but casso, no, no, no, no. And she's

like, it's of two plants, but are plants of double-altura. So, when you are you in the part of the house, not a house normal.

The techo, the techo is altissimo. Necessits a escalera and a scaleer and a little escalar the

door to crossed the and she me said, you in your altitude, I'm my altitude, they're in

a scale of double altitude and in the part of the top of the same situation.

That house is a house like very an house that has a house that

ten, 100, years. The doors of the house are greatiss that

are that are they're in par, but not are the time of a person. You're talking that would have to measure the person

to maybe to make the person, so they're a little a door that that's a door that's in a construction

antiquis. Puartes of a form of a arc, and it has a door that is going to get to

something too, too, is where they are really the doors principal.

Each one of the abitations because the The abuelo no support the light, and maybe this I'll talk a little of the personality of the dark.

All the windows of that are in tapied with a pair of doors of madder that the doors are in pegged to the wall and impede 100% the

pass of the light. What he does that if they get to be closed and you can't a focus, you

are in absolute obscurity and you're talking the house entire. Sal, a comedor, or Cucina,

that are the large. She's a place. She's a lot of you're saying,

you're talking to the house mide a car is a big and so but no

me doesn't. I'm not I'm feeling. My abelel is a

type that no I don't to end bonar. So, standing in that

house is like to be in a verint and the light of the things that

I'm like the second the part of the attitude of my

abuel is that there are some relogues, those of these

of these of the pendul that every that they're at a certain hour,

they're to to-tun-tum tun-tun-tun- T-tun-tun T-tom D'n. And they

are very scabroos because my abel they're the scale, they're the plant-bacher

they're the plant-a- lot, they in the quarters. Oh, no, it's

horrible. So, when they're at a certain all the the

time to the Tum, Tum, Tum, Tum, Tum, Dice, horrible. And my abuel, I don't understand why, but he doesn't. Well, there

is going. She goes her mother, she's a woman, and two persons more. They're going to the

house of the and at being in the house of the abuel. Stando there. The abuel simply,

it's just to the other and those are in a room and you're going to be there.

at the 7 of the all the time of the all the little bit of the room all they're in all right

all they're all right they're getting to make a a little not he's not he'll be to make a

well and the old and the little you're going to do you to make a far rancho you can't

you can't get in the middle of the night you're you're to be

you're you know you know you know you know you know you is this

type of persons. His voice is general. What is what is what is you. You are

a peccat to my note. You don't have you. You're not a collateral.

The important is what he says. Part of what does that this chick has a little

relation. They're in that house. They're marvellous at the same time

they're a very bad vibra. The abelel he was received

and with the the habitations and when the Dice, they're

with those instructions of the 7. Well, horrible. Nobody yeah want to be

there. They're in this situation so kind of and then they're in the 640,

that is moment of that they start in the box, each in their room and

they're to be to be to be to be to be to change.

The three chickas are in two cameras. The camas

are of these kind of kind of the matiaster but a

matter pesada, of those maderas, that to move to two or three people, the pure basis in colchon.

And, to move her, you cruge all the piece, has a lot of rechinid and the

other room, the other room, the other room, the other bads, but very very well-

made-achas, that durer much time, but the one that is the, the child that me, tell the

history, and her one's her man are in a camera, the other chica

is in the other room, and in the other room, they're two,

the other people. They're they're to sonar all the relogues. The problem

is that the form in the sound, no is normal. The sound to the chica

put the nerves to put the sound, distortionado, it's and then then,

they're being on the second Piso, with the Teges of double altitude,

with these ventas tapioed, they're they're to razzuene the window.

After of that, one of the chikas, no-se- who says, that someone that's,

I'm a lot, I'm also, the other says, no, I don't want to put the,

I don't want to try the piece, because it's the situation

very fey. And then when he says that they they're to come to talk

the but not a spirit, are the people, and are the and they're in they're going to come back, we're going to

do, we're going to do, we're just, the chosos, the chosos are like they're trying to make a

signer in the wall, and if they're they're still on the carcajada of that they're these,

these, and then one of them, that's, that's the room fey, because

they've They've ever to sonar in that moment it's like this is much it's a little,

it's a light and front of the eyes of the people, they're in the people,

they're in one of the the one of the only she's and it

and it and it when they're they're being they're very

they're they're they're they're they they're not they're

not they centimeter. And this cause solo, is it's been moving without anything recine. They're held as the chick, the door of the

room, she's out, she's all, the door not can't be able, and the people are

saying, and there's there's someone out of the there's, the people, they're much fear of

what is there, but at the same time, they're much fear of the abel. The

abel no a good person. If they're they're they they're pass to something,

the things can put horrible. So, then they're talking in voice vaguely, but with much anxiety,

for favor, for favor, abern us. Here's, there's a person. They're just like some

the room. They're on the person, and they turn the lights. There, no,

there, no, more entrances, no, there's all and then then they're to hear

to hear to listen, and the ventana, open the window, and they can be

that one that a person pass for there. You're talking of something that

is a four, five, six meters of height. No, there's

form in that you can't the way, not have any kind of

kind of you can't put a place to you can a lot on the window,

is impossible. Tendry to have to have a tarima and there there no there's,

so is that they can be going to the little the children,

and when when when enter in the room, they're like that camera

pesadissim and it will be a move to get to put in their place.

All are in the chasels. The chasels, know, they're not, and then

then say nothing, they're they're to get to the camera, and they're two,

they're not they're not. The chica the little to the window, it's and see

that there there's a type with a sombrero, that is like a little bit aghached, being to the endro, then she's

assusta, and in front of her, in a parpadeo, two, the ventana will be to completely despegated. There no

nobody. The type of sombrero, it's all and they start from things raras. Dice she

that in certain moments, his body is a cold and then she gets to feel, and

the problem is that when it passed this, she commenced to to talk with a voice more gross.

And if there people there and they're to talk for her name and to say things not occultas,

not extra- but it's like to try to talk about conversation with that voice and

she presents with a person with another name and and then she's to tell a

story that not is that that she that is of that that is of that person

that were like the spirit of a man, that's met in she

in her and he wants to tell something. But this chica me says from the

home of the sombrero, since that they've started to these moments strange,

I've never to see to my guardian the perro. No know what

is the thing, no, that's he has some time, and there didn't

their vences paranormal. So, family nocturna, what all?

You're are are you are just going to be this stories of this Saturday of Somas in the dominole. Permitam.

Okay. We're going to put this here. Disculper me. It's that here's a little

loco to the screen. It's never too early to plan your summer story in Europe with WestJet

from rolling countryside to cobblestone streets. Begin your next chapter. Book your seat at

westjet.com or call your travel agent. WestJet, where your story takes off. And, Diggamme,

let's be doing this Saturday and the time. You know, the family nocturna

always get in a good moment. Never never get a time. So, is that there are

a few that I'm to tell you that I'm that they're to get a I'm, but I'm,

but I'm you're doing me, and if you're just just things these stories, put a narrator,

we're going to the 2026, because you know, this 2025, okay, okay,

no, we're not we're not the last last. That's good that's

good, but it's already we're working for the 2026. So, is that if we're going

for the 2026, chico, remember, terminating this episode, those that have been

on Spotify, see us, give us, give us, give us, because in serious, with what

you, with you do you do you do you're doing normally, here in

YouTube, and we we're able to get to get to the 800, 000,

that's family But in Spotify, we're still we're very very long to get to the 400.

So, it's the middle. I know that you goys, with you that you that's going to do you guys,

we'll see as the five stars, we're going to grow in the Family Nocturn of Spotify,

tremendously. But well, ah, well, and with that we're going to 2026.

But, well, family noturn, let me, I do a tritit of the

and we go and the the next stories, because every this is going

more macabro. Very very. There's this story that I'm about to

tell us me the story in a circumstances as a very specific very

interesting. I'm in this collaboration. I'm going to do a little bit more to

when I go to say this a minute to see this video that we're

for this channel and that but it's really great but it's a little

little a little bit a little little bit but we're we're going to we're in this context.

I've known these people people very serious, persons very amable, we're we're having

there's there's and the little the person that the person that was

invited to make this collaboration me say I'm saying I'm you know to tell

to say a narrator and I said if you see what you

there there there there's I don't know of your channel. I don't know because I, well, I'm in charge

of these things, but I'm a consumerer of podcast. I have to be honest. But my my son, my son,

my son, he was going to get to get to get. And he said, how is that? No, no I'm saying,

look, I was I was watching an audio that you made to, where we're doing,

like the last pendent of the video, when my my son is

a little and he's my person who's the person that's talking about here.

And then you know it's that we're that's that we're to come here to the podcast

for that's and it's a person that's a person and says, no,

mom, no, not it's a person that is the person who I'm

so I'm put a colorado so a person a lot that that's

that they're so that that way that that that's

sentiments, a good vibra. And then so, I'm so I'm sorry. And he said, narrator, and here's where I'm

going to ask you to do something. I'm going to say, I'm going to do you know what? What is that? What is that of family

no? And then I'm from a house of this child? And he says, no, mom,

no, don't say, so, you know, you know, you know, and then the muchachach

was there was there a person, you know, is a person, yeah, of 20-tantos, very, very amable,

and I'm much, much, I know who's who's the know, you know, and he he's going to

say, that I'm going, that I'm going, that's a time of the family nocturner, the audience of this channel,

the people that get, terminate an episode, that are a show, that's a family

nocturna, a family respectuos in those that we've lived things, or we've seen people

who have people who have people who is a family very respectful and we permit us

that the people tell their stories, we just to tell what we've lived, and at the final we're

this synergy of the thing of terror, we're just in the story of terror, and we're those events

paranormal, as many, because as the experiences, we know that are thathrowers because

something, this this chico is all this. And then, the mom is like, like,

she's like, a lot, she's she kept with the sensation of that what I'm

to go to say to say to tell But, I'm to tell the context of the

channel, things that have happened, things that have happened, because he says, if you're

that in those things that you know, well, well, is that, I mean,

it's a word, a word, a lot of, I've lived, of this type of

situations, and a right of that I, I know, there can have phenomena very

strange, inexplicable. Now, what it was provoked, how are, all the things,

are a fact, well, that's no, no, no, no, I'm a way of today of but when I

start details, the lady's a start to find out. And conform we're going to go,

and she is a, but no, no, no, no, metida, metida,

metida, he's super, super, super, I'm super, I'm, at the point in the

when we're we say, I'm going to talk to talk to you, and I, But,

I'm sure that for this I'm going to do. I'm a little bit. But he was a person

very formal, very, very, very formal, formal in all the sense, super amable,

she was she was her more than a relationship is, oh, I'm not you're just

I'm going, it's to do you're to do very well, all perfect. So, this person

in the moment in the moment in that that, that profile, that person very serious, that's the

thing's a way of a point-in-law and I said, I mean, I'm I'm going to tell you have to tell you. I'm going to pass a little bit of interesting. And me, it's that you have to say. I'm I'm just going to the stories that you're talking. I'm fascinated.

And if so, you know, because I've lived all my life in a house embruchada. And, well, dear family nocturna, no less I want to say the emotion that I sent me in my ronco and oscuro

be it when I when I that's because it because it was tremendous let me

when it when it was when was so it was tremendous because let me

a second because it seems that it is that they're saying that's

not a message for me I'm I'm okay I'm I'm

I'm I'm here to be something that a person that

is that that professional, romp the scheme that's doing because it has a story to

tell, here there's a very contundant I'm saying, it's something but when you're like a person

that's been a way and then you use a certain type of words or a certain emphasis, you're,

you're not to do you're not going to do you, not was whatever something, are the

stories more strange and feas that me have been it's all complete it because

it's a story very, very, very, very, very, very,

he's, the house still being being being brought, to the children

and they keep and they're going, we're there, we're to do you

to see or if, no, I'll let's this question to

go to this places, is a thing with I

have a little my reserves, but there there

is the story. resulta that the the papa of this person is a

man that is a but in a question questions professional not see in architecture

or medicine or in question of a but a guy fregon what he

is a person that a person that made a point in the point in the

he's a fortune a great he He enameled in some moment of a house. A house that has his years, but since the aviote,

he enganted, a house very great, that's in a colony very beautiful, and then he goes, he does a cut a day, he does a cut out of the house, but he wants to the deweens,

they're going to be the house, it's a man sumamely a man, the sir, he says, he says, oh, yeah, I'm sure,

I'm sure, I'm inamorough to your house, for the day that I'm going to send her my target, I'll see,

I don't see, well, it's that we don't have plans to go, no, I know, I know, I know, I know, I, I know, I know, I see, and no, so if in a moment, you desire to sell it, for favor, mark me. And pass a certain time, no I see how many years.

This chick, the that she told the history, was to live there when a penas were a little. The sir, was to look at that house, from before that she was ever, then.

So, in some moment, they're a house, but there's a secret to the papa, he was guarded during much time and so

those reveled a secret a supermany extrano, but so I have to say yeah. When

he's the house the man, he says the man, the father, the

he's the owner anterior and the new. The do you say,

for favor accompany me, he I have to say a part of things. He's

he, they're to be a patio, and he he makes that in a certain

part of the patio great with many trees, a place a little

a little, there's a there's a big, enormous. Something that no, no,

you're going to be to get not, you're not a one of the one, and

that is a little, and that is there, never they're never they never,

and I, I, I, I, I'm my wife, my wife,

my person, and, with no circumstance they're going to give her. Never

he's never the piece of my spouse. For this, there was an encounter between the

two families, that sir, the owner anterior, with his wife and his three daughters.

The encounter was very well. But the children of the Lord, that is

that, that is, the house, the children of this sir,

they're about the children, they're that's they're very very extra they're in

they're a way of they're something, they're a kind of in the form to be in the

form of the form of so so in this in this we're a context encounter that

was in both simply you're not going to get to find out probably

they're probably they're this type of this scene, this reunion, like a form of

giving us to give us those ones to the other because the They were with this theme of the

Entrega of the That result that They're gonna That the house The house The house that Construedue An architect who

He lived incredibly Well, he built He built The place, And well, He has a Sposos And now

The new Dweeons, say that the other Dwee'all there's a There's a But it's

But it's Yeah, no But it's A bitererer And never You never And ever ever.

And he's come to get after I my mother. Well, since the

family is going to the house, but no no no pass nothing in

relation to time. Three or four days and me this woman. This

woman, the day of I was a day of a person to do you, when I'm that house

and no passed the time. And all we know that the house is too

we're there's a doubt. I'm I'm with my pap, my mom

and a brother, I'm in the cell or in the room. And we're there's

that I say, it's that not it's a construction actual, it's a construction

of the first, they're some they were that the people, they were

not for there, not for the entry for the first, it's a house,

many, many, many, many, many, many, so, then,

it, has passillos, esconded, pasillos, into a lot of abitations,

it's a mansion, really, pegandol or is the idea that me gave with the

description that I'm doing. But it's, we're in the cell or in the commedor.

So, they're in the doors, down to the passillo, in the

people who were the house, and we have been some somebers, and

they're the door and the and they just we're like we're having, like, we're having

people working in the house. Of course, no say it's going to be a plan or no. They're just to be able to

move into some things. And there were three people. The three persons that were women that were

that were like a service of this a new that's over that's made to color black,

that is like this type of mandili. You know, of what I that they were before and it was a

little bit of a new form. So, then pass these three women, bestied exactly exactly

are the silhouettes, are the sombras, they're they're in the paci- and the house,

and the house is perfectly serrata, there no there no any form in that nobody in the

nobody's there may be there but they're going to another day the family reunied in the

cell or in the area of that to do directly the door number two, that's the of the entry of the house,

it's the door and then it's the end of the door and it all of the end up. I'm talking that this is in

some years in those that's in the questions of effects of special. This is very good

time. Very, very good time. So the family are impacted and not

doesn't say nothing. No, they're going to be going to do you they hear you,

some passes, some of the second or third piece of this house, and then when those they're all that's all of

the world, that's all in the family entire, the zone of the garden is enormous. There's five cars stationed

there, and that's not that's not in the other zone. And then they're in the other zone,

that's all they're going to start to get to to come in the colony. When they they're going to

come to the colony, a rise of this sensation of fear, one of his

one of his he's top a talk with them and he's a resident, he's the

no, for a come back here, I'm going to you know, I'll say that the

subject that was a person, he had made a career, he was a person not public,

but is very known and very renombrated and for that had generated

the fortune the the the the he he also

and also in the have done various works, like not of carid

but so of the new things of some some parkesito things that have made much really

because they've been like a type of a divoooo a type very good

good. The point is that he's a person to a person to a

person to have never to say, he has to a person that was the man who was a

good person but his wife was a mal. And the nines were raras. They're much careful. And then he

he's he's pretty, well, but no me saying, like, say, do you know,

like, how they're to what they refer? He's, he's not, I can't say,

a science certain, because I never entered. But all those the people, and ask,

to ask, to be, to ask, to the last the years, until the

until the they were they were to them, to them in the madrugada, in that house, in the part of the room and there were

not any the husband or and the kids. All those who we've we've seen that that

that woman and those are bruchas and that they're they're doing but not we're

not the grits of women were clearos in some occasions we've to the

policeia never they've never never. Oh yeah well this

this has the new to new, and the family, because it's

he's a very impactated, not, because if are going things things

things in the house. You see it some of some some of the doors.

It's something that's something. A part of that that they

revela this, the things not going to be there,

there there's there. There's not a really you're not

you're not you're in the pass you you want to

you want to get to just you pass for one side.

No, you're going to not you don't want to feel like someone that's not to get a

feeling a but you're going to be sure of that's and the family know that

not they're those who have been those who have been because they're a sensation very rara

without, since ruidos, without, and sensations in the circumstances around. How carhos

you have to be so someone so you got to get to the way

the way. No, they're in saying, but when they're a person

external, that will make to make them, and they're to get to get to get to be

going to and you're saying, and I'm made, and I made, and they're

all, so I'm then you, then you also, and they're seeing, that's

that's a sense, that's seen in that the passillo of the other, and all they've

been doing the person, the person, the person who to do you like, what he's what he's going to do. Because he's

he's going to do you want to be very simple. Oh, we want to paint the the wallers.

The are very obscured, not we don't know they're very much time.

And the subject that will start to start to start to do a little very

first of not a because it is a part of a part of the painting

you do know that something that something that something that is a

tapis, a tapis that makes a place on a walled and a part of the way, then, then, then, he says, oh, yeah, me they're going to check out. It's that it's that it's a piece. How will be a tapis? Yes, it's a tapis. This, me an opportunity to despegars. Well,

yeah, man, because we're talking to you think you, despeg, all of this. We'll see the wall of it, and then you're then it's just a pint, no, it's no, it's a lot. Well, it's to get to and the Lord is He was a

Mired of that And at final of of that day he says no,

no, I want to work and here. It's very strange

this house. To him he was the person to the

person that's the person, he's but what top in the

wall he's he's not. It's is a tapice the

they're they're 16 tapices one on the one over

the all the topis have been been going to

trussing one after other. The problem, because I think I

think the thing, the the the last tapis, because I

know if it's a not no has no it's

a part of it where are these things of the

other the other is like a in this house but

something I feel that I don't want to I

don't a woman, the person that person that told the story said I was I was it was a fear, it was

like if it was a forest with a monster with monsters encantated or the my papas at final

painted and and they painted and they painted and and they painted and they painted and they

because for more than the picture was like it was like that it was like that

was it was something in the patio was that there was a

big But but the more than that was when my papa decided that was going to make a remodelation

in the sotano he was to be a change complete, he would to change the azulejos that they

had to revise for some questions of the and well he was he was a little

he was a time he was in this time and the first people

after after the those those those they come to

start part of the the thing they're they but they're

going in ball, they're they're in the they're not going to work

because they're because they're not my dad. My father was a type

very decent a guy a guy he's, he no he he's

no he's not that not about the person, he was directly

to the police and he report he I've to just

I'm we're we're in the sot I want to want

to come to person, who my papa, they were, they're in

serious. They're going to the house, narrate, they're doing all some

some of a revision, and they got three hundred the the

three hundred the two was, not a one like

a skeletal were many those were there were

there but we didn't no only problem legal

because the those were of animals and in

those then for the animals to to find that no's preoccupy, something, something, but,

but not are persons, so is that not they're not so they're not they're not the

people, but there, when they were they were the people, they were, that they

were the workereria, they're in the house. Then, they're, they're going to ask them

to the people, and it the second, a pair of and the same knew that had a woman of

a ruffer and that's sacrifices with animals and that there were people who people who were people

that were to visit her but very pointual. There no there was a little a certain

time but the sir was a little to that's not to be with that but she

had got to and she had a parted her family and they were their

children and they were a good person that was not manage well

the things. So, so it's that this woman and this woman

practically was a woman. It was a woman. There's a moment. There's a

man. After a very good a lot, that they're very,

very, very, in serious. That they've done, like, do a

house, and he to do and he's a And nothing functions. The things

increment. In front of the orations of the conversations of these people, the windows and they're and the doors

and they're and they're every more sombers. This chick one day was in the kitchen and

then see a mom that from the place you, the where they're the people to get

to say, and he says that he says and he to do a through the ventana

to the mom that she's out of the house and is there's there's

there to be a passillo and see what before her mom is a somber and it's a matter. He's a lot of fear and when he's going to

that's the ultimate detonant. We need to do something to do we need to be here and get to and get a person who

does a limpia. This person not is someone who is a little as a limpias.

It's like a person that has a certain don of medium that he knows or the

family because no see if it's a woman. And when they're they say he says

that she. No he absolutely nothing, that he will go to the house.

Then he goes to the house and from the says, here there's something very very

very strong. I think that's here where he revela that there there's there's

three entities are capturing to a much others that have that they're that's

a good that's a thing to try to try but that he can't do

do you do it's what he's he's there. Comeienza to clean the place and she was impactant because I

had some jervas and they were and they were they they were they began to venting a

venting a lot of humo he said no no this no no this no no sir no not this

he gotto he was he got all and just did do not more he did do need to clean us

the the middle of the house, neither, nor a me, nor a a one, nor a one of the

two, we couldn't clean. No, me did the circumstances, but for something,

but for something, and you're not to visit. He says, that this is the moment of the

Alba, in the moment in the moment in that's getting the maximum light,

part of the ritual. And it's part of the ritual. And it's the last four in the

morning, because the five have to start start when they're going

to go to get to when there's a nothing and there's no way of explain it.

He's like the family is all all right. They're in the cell and in the

commuador because even they're three, the who are to get

to make to all the family will come to them

and then they start to they're they the the

papa the door of the house and is being as

solito without that nobody is a way, the door of

the cochera that you know that's a that's the

that's the redire that that's that after the one of the

cars because they were put one on one of one of

the car solito and starts to get to get velocity

and and without send to the motor go

and the house the second the second car

One time that the first the second car starts to advance and he's stamp a car against the house of other

and the third carro, the same the same carros said she was she had in this moment all you

all right after after without without a without and they were in houses of

different vicinus what imping that we didn't we're that

we're making to do the we're in the we're in the thing

we're we're we're we're we're we're Never could

do we do the clean. Never. When I went to I'm to get to the

house. And something I'm going to say the day of my my son, my son,

remember you, he said, he said, he's a family nocturna, and he was the

he was the time, I'm here all the Saturday of sombras, me reune to see,

I've to be to be the and he and he said, yeah, I never

have lived nothing that I'm going to I'm going to be but I'm going to be

because in the occasions that I've went to instantaneously there's a or someone that's

he goes and he's he presents a little in an image a sometimes with a

thing and they my primo is like if I had a house not he doesn't be

there but when I do it's what I'm so it was a little after

of you know, is that I started to have been a dream,

and in this dream appeared a symbol and it was a P with a lineas.

And I said, that's a single, but also a part of me, and I

said that I'm a little another other way, I was in my head,

but I said, I'm I've seen, but why it's in my father? My papa,

my papa falle yeah ago, and we're some years and we're going to to get those things of him. And where I'm moving a robes of him,

above of a camisa, there's a medal that has the symbol that I was living in my dreams. For me, my my papa was saying that me protectia, he got me, me it was. And since then, the manchew, like in a medall, in a type like decadina. Me it was there, and I think,

I think that's the symbol of papal. and result that that Medea had a story that the father of he had been just to

not see, to Rome, to the Vatican and had been a not see for the pap or for

obispo, but that was something they were they were that was that was very benecid

for the family. So, since then it has made that that medallita

for him is like his protection. But, well, dear

family noturn, what what you did this Sombras in domingo.

They were the stories? I know, I know that they had promised a sabbado

double. Some there are many stories and there's other of the other. The

next Saturday no we will have a Saturday of Sondras. Oh! And the the

Piedra. Pardonem me, pardonen me, pardoning me family autunner, thanks for

those that were the question of the question. There is, because the

Piedra has much, much to have to be. At the day of this man, the father of this child, the father of this

person that me told the story, too, he's the father, he's a man who's

the man who bought the house, I'm going to be able to if I'm, if I'm going to

make a excuse. But when even they all the family, before this person

to be after the people were all the children, day you'll get to the

news that if the actually the owner earlier had failed.

They got for a little or someone. In less of 24

hours they were they're when the new the new the house

is the person that the person that he gave he said he

he's that I'm that I'm there a there

there's there no there has no my importance, but that for me me remember a

my spouse, for me, I'm going to be here me the way, I have you, I have done with a quadrilla, and he said,

no, the piece of the house, I go to the house, the piece, the piece, the person,

the woman, instantly he changed the semblant, and to be a person as a person, like,

a person, like, very enoged, and he gets to say, that peter is my and me pertainse,

and nothing has to do you have to do you do it, me la I'm going to

get to and he he says this not is your property and she enter

here to I'm not a I'm not going to get and they get to

and he's the door the door the car. After that they they're

there is where there is where it's where they're

that they're that's those three entities that subjugating

that are subjugating or amarr spritos after this

situation of this encounter-nazzo, that that woman no those will be to look at

but I'm there's a thing that was doing like a job of the point is

that it is that a sombra recurrent in the room. And that that

discovery, it's that's that was a story longisisis with many

many details if were a conversation casual so

there there there certain there are right me

are Medium, that limp is posterior to this situation. Because the medium says the

sombra that has seen the same thing, is a person of the same and they

are describing the own to be to be he's like to be the place, he's a

person good, like he want to be here, and in a little occasion

they got to be because it was completely visible and the

old the I've arrived this house if I had been there has been there's there's a

place that there's a entire of the things were and then the day of the house still still

being being being brought so so good dear family nocturna we've got to

final of this sabbado of sombras the next summer we're not we're not a day

no borg because I'm going to be out and where I'm probably probably probably

you're there may no have no have signal of internet good

then not it's not the time to start, to get the transmission

and they're to know that you're not a time that's not a time I'm a time when you

have passed more than more than 20 minutes. If I get to do that the algorithm

makes a dispapage and then it's not it's convenient we can't do it.

So, if I'm in a place in a place, I know it can't get the

signal and then it's going to make the more the better to do and medias. But

the good is that the next the next end of going to be quite a second time

not. Because comes in the episode 299 but after that's the end

a week because it's a day, because it's the last time for the

episode 300 because will be be what you be that

so that's a now now so for to be

so for you send with much patience with much carino and if

you're in audio for favor make a little description to know

to know that the story for that when we'll give us

the story let me to pass the WhatsApp of the

pesat $1 $1. 81 35 67 6757 54

go to more more 52 81 35 67

67 54 and if you go to write

also can't pass the Correo that's contacto inexistent arrogimele.com contact

inexistent arobgmail dot com now so. Dich one this, I'm going to

review a time of comments that I have made for here. First,

these comments that were the people that were those people were like this

super thanks let me let me let me uh a very here

there top chat and And he's here. Well, first the

good Felix Sigera, Felix, much thanks for your support. You know, I'm a super

super-abraso. Kirito says, first time that I came to a directo. After

a year, Saludos narrator from Mexico from Mexico and you get a a bros

a superabrasote and sort art online I think that's the name. I think this case

Kati, much thanks for stories that interesting and

with grand quality and sensetees. Oh, no, no me have been said sensato, eh?

I think my mother to hear and I would say, well, what you're saying,

you're saying for you say, but well, Catea, much, much, thanks,

thanks, thanks, the sense, is a word very very

that one that's the first time, that's, thank little, thank you, Rosi-Gonsal

Oh, hello, I'm got to all the sadado, bestos from Argentina. That's good,

Rosy. Much, much, thanks. I also, I also I'm going to ask you. But, well, Cositas were in the day. There were various pendenties with

with those we've to live and, and lamentably I don't have the precaution to bring a media of communication for the

which could be to report and say, well, you'll have to be to be to make this time. But,

well, yeah, right I've been the stories. I'm that's been to go to some more.

And I'm please, for favor, that's terminando. If you've got this Saturday of SOMbers, if

they've got these stories, compartan the video to people that think that they can like to get a person who they

want to get to get to talk about it, subscribe and give us the five stars. Because we we're going to

the 2026 and we go to go to do that we're going to get to make a better you're going to

do you're going to get a 2026. That's look the money premiums are,

premiums is that I have to something and I think I'm going to think that we're thinking in doing the

fogatas in live. So, that's going to be a little bit of a little bit about the

family much more grand and we make that Mexico tiemble. Or, well, because not all the Latin America

or there where there is the family auturna, that the terror, that the

stories, that the things, that the events, first time, first time in vivo,

after my cell after my tardy but sure. Exactly. Family Nocturna, never comes to time. Exactly. That's the final. It was for that you listen to the telephones and right in the repetition

you're going to hear the stories. You don't you preoccupies. Dice. Kenney Jimenez, Kenya, much, much thanks. Thank you. Thank you. Thank you. Thank you. Saludous of part me and of my, of my, my daughters. We're a very and I'm very

I'm afraid, but no, not they're of Monterey, but no, they're not from the Monterey. But, Angel, to you, and your in your little, a brazote. Anna Maria Ortiz, for favor, the number of the episode that

about the abitants of the Bosque. Saludus, from Columbia. Look, Anna, Maria, what we've made that

question, but with a little more of description, because there are many of the abitants of the bosque, mandamel me

with a little more description in Instagram, and then we solicitamos that the family nocturn by

medium of the channels of the news of the episode, because they'll look it's a quick,

and we'll reposteam in the stories. Because, yes, to do you know that I've told

in the channel, from the episode one to the first of two-one stories.

So, it's a moment in that for thematic there are much in the catalog,

and there others that honestly I'm I'm I'm I'm so I

know what I'm, I know I don't know that there are some of them. I don't know what I've got to have gone to. Yeah, it's a very good

quantity. So, although I'm hackto to have not so much a memory of times, yeah, with 2000, look,

I can't confiard but if in the memory of the family nocturna, that is a family that's all of

allas. Now, saludos from Panama, this and Dania Jimenez. I'm in your programs. That's,

yeah, I'm a super, super, A superabraso. For here, you have my five stars in Spotify of Henry.

Ah, Henry. Thank you, thank you, thank you. Much, much, thanks. For here,

the Piedra was a protection of the house, no see, no see. No me that impression,

eh? No me impression that that's a impression that it was a thing, I had the

he was to get a more power or I was to start to something, but no me the impression

of the protection. Talbe see, but at me that that impression. Rodrigo Gogh. Saludos,

from Guatemala. I'm from your first episodes. And now my partner, too, family nocturna.

For all those those who are family night or those who are a family night of closet,

for favor, remember to make the proof. Pongan in any of your WhatsApp or

Instagram, in any of some stories, a photo of any episode, yeah

say, of your service or of some partada or the ice with the triangle and see what

they're going to know that's around that's there's a family nocturnal a family nocturn of closet family nocturna

that's a condidia for there that one accept that they're part of the family

more dark of the internet the family nocturna for the last I'm okay

that says I'm at some moment I'll let's I'm some of

my papa yeah I'm a taraxia good day family noctur saludus

from Guaya Ecuador Alex, in the moment that you do you want to just make it. Only my

recommendation is that one from a way, oh, from Turkey, a brazoe, a braus to Turkey.

So, this is Turkey. This, my recommendation is that when you send your story, for favor,

manda to because there people who people who they're and say, oh, if you

do you do me and you want to you want to want more stories, I'll say this

I'm I'm all the stories. All the stories me interesting. And when

you have various stories that you have lived, you or your family, and they put it there, for me, me, you know, a vivance much more, part, because one, I brink, or other, and I know this, and I know what I'm going to do a little more your context, and I've seen the type of people with those people who lived, or who

are who are, so, and then, mandem me all the stories. Me, it helps me much to understand as from who, from who's is the people, and so, it makes that the stories, when those count, they're, like, much more, that can make more connection

with the people because they did much connection with me. So, so, I'm also I'm sure, I'm much

stories, but without much context, because I've lived many things, terrorificas the movie,

you, you manda the stories, you manda the stories, what you have lived is super

well, tell me, you're about your anecdotes, all very, very, very, very

very, very very, very very, very, very, so I'm, my podcast, in Instagram, with a ril

real a gata- story, this story, that gogetta. And yeah no I've got to be wow, that's

good time. Thank you for putting a good year night night this. I've done this and

having yeah a hour and a minute of this in live, let me I'm a great,

I'm very, very well a brus to Sabrina of Portugal and a the people of Ecuador,

of Colombia, and well, Mexico, States United, Chile, Orlando, all parts

where there where you're there, where you're thanks for being my family, thanks for being part of the

family nocturna. Now, that I'm going to start to start. Recurred, you know, to share this video

with someone that's that's not that's just to be in repetition, and get to Spotify,

subscribe and give us the five stars because we go to the 2026. Now, now,

let me a braus that they're very beautiful in the time, and the day of the

day of the episode 299 that's the 298 and 299 has been lost

that you're going to love to now so. Bonito Domingo I'm a brazo

thanks for having been here