HABLEMOS DE LO QUE NO EXISTE - La Casa Infernal | Ep: 073

Episode Date: March 22, 2023

Algo te perseguía en las escaleras. Hola Familia Nocturna, nuestra querida audiencia del Canal, en el episodio de 073 "La Casa Infernal" nuestra invitada Rocko, nos cuenta sus vivencias en una casa donde sucedian cosas escalofriantas. Apariciones de distintas entidades, cosas que te observaban durante la noche, entidades que se aprendian tu nombre y querian interactuar contigo. Después de poner pié en esa casa, nadie queria regresar. Si llegaste hasta aquí: escribe en los comentarios Yo Soy Familia Nocturna y te responderé: Te deseo dulces pesadillas. y nadie sabra de que estamos hablando. Si te gusta este contenido y deseas apoyar el canal, comparte las historias con tus conocidos que creas que les puedan gustar. Te recordamos que ya están activas las membresias, donde hay mas de 10 horas de contenido adicional, hay historias que no se contaron en los episodios y estan ahi, hay hasta conversaciones casi una hora, que solo se pueden ver con la membresía, te recomendaría comprarla un mes y si no te gusta al terminar el mes desuscribirte. Ahora si te dejo con este episodio. "La Casa infernal"

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And sometimes, a smooth, silky latte just wins. It's exceptional but effortless. Like actually effortless. Simply press, brew, and explore. Nispresso, what else? Keep exploring at nespresso.com. Welcome to Family Nocturna to this new episode We'll talk about what no exist.

The day of today we have an episode very special, but I have to be clear, Family Nocturna. It's very special, not for you, for me. The day of today is with us in the studio Rocco.

And Rocco has been participle or victim more well, of many situations and her and her family, since many years.

But here you have to say that these stories I I was I know this one a third.

Very little because he not so he's all the stories. And since

after 15 years, I'm I'm I'm a minute three

three times that the person that was the that was the thing,

and the day of me. So, so I'm I'm so I'm

so I'm I'm heard that I know I'm going to be

in your maximum splendor. So is so Rocco good

nights how Hello, very and thanks for the invitation. Oh, I know that you don't you know you do you do

these questions like the question as you so I thank you the effort the effort that's doing,

but neta no you don't you know of the things that I had to hear of these stories

to your voice so I'm going to do you do this talk about that's

super bad. It's going to be a question. Okay. First

question. You creased in the paranormal? Sure. Okay. A raise of what creases in the paranormal? Well, I think

a raise of all what we was going to in the house, well, I was, I was trying

at the principle, like, no is going to that's going to that's not so it, but

conform me passed the time and I was more and more and more, and yeah things more

so, I'm, not physical, because if I know, I took so like,

like, see it but the feeling it, the hearing it, I think that with that

is more than sufficient. Okay, okay. Very well. So, I'm going to ask you.

I mean, me said, you know, that's that you're not? That's,

so, so you do you to be just in this interchamble of stories,

I'm so I'm going to one. Okay, very good. This

story me the They were told us, I said just a couple of weeks. I wanted to tell us before me I'm just for

this. The history me they were to put them these people, names of these people, that are the of their

security, but we're going to call them Martha and Manuel. Martha and Manuel. If they

were creillentes, of the fact, of questions spiritual and paranormal, but

never have been lived nothing. They they're, you know, they're,

yeah they were about the 40 years. He had passed on the 40 and he was

about the 40 and for situations of the time, they had to be the city,

but there was a situation there important. One year before they were to finish

to pay their house. So, so we're not we're, we're just,

we're going to get. And if they're going to get to. they were looking

during a time who they they were not a house so that

but also not a house chica so they were a so they're

for that for the money and if not they had been in that a

family was there was there or rond the house for

that there there the problem was that the

the the that they were to have to go. There was the possibility that even

were in four years. And if it was they're at them, a night

is in a or so. In that oration, in that they're that people, someone,

someone because they were to go to be to be to be to the

house. And as the that's they're in a question, that's

they're not a person, a person, a a man a man,

a very formal. when when he and he he and he

he goes, he goes, he goes, he works perfect. Me Funcione. That word,

to Manuel, the day of he said, since that he said, me did he made a no, I

did my intuition. I said. I could pay the things. The he was in

a very good vehicle, he was very well bestido. I'm went

for the appearances and he we We had been taken into ranta. We knew that it was a little in despoblado, but we'd want to send us

sure in case of that there were some type of inconvenient. No, he was a problem in paying it. Me, I should have made a lot of but no he did.

Really, in the first months, the pagos were normal. We were not focused on the new work and in the

adaptation of this new home. And this person, not had much communication with us exclusively

things pointual. Never a keha never a never a never a never a

never never a three years and a middle they're a little

a couple this person he he he he he no

problem of questions like when when when they're

in the house the house is intact practically they

they have with the things little details in the house that they're

in the inside of the armory if you you're you're where they had the

ganchos there had like a big a big of the big of made

a had a one of three rajadas in vertical not

notorious you need to be the but they they

knew that that was that was that the

camera above had a rascuos, poquitos, but it was a rare

because I in the same position in the way they had had been a base of the matter and it was

so it's not a lot was made, it was so not they were to be able to explain to explain to

explain to a certain the noise in the house. As the noise in the patio,

as if someone was coming coming the times, it was it's

in a colony private super secure. When they were they were in the bathroom

always, and that's very, and that's not a person that's that they're

not at external, like, I'm I'm being a badi but

it's a rare the way. Like if someone was there and

he said, I me was the same yesterday, but not you said

so it's so it made the it's like, it's it's not The situation is that one day that they're

having this ban the moment of the eye in the reflexes like of an an exo just not in the

space of the door of the crystal that they had something that something first he he was

he's he's that's all the nights all the nights after that

they've the ventana of the door always of three in three They have

They have They're They're They're There's There's There's Because when

When they're They've They've They've They've They're They're And then

The kids of Panacheer Because they're They're They're Very, very clear No,

no, No, no, there's That's a That's a That's something

That's That's a repent they're in the room and Marta

try a sweater, but they're at almost 40 degrees. He's when he

says, what you say, he says, it's a much free and no,

it's a supermement a cold, the place in the start, they're

to start, they're to be to get to get and the food and the

food is to get to very, very, very, very, no

they do two days, things that have have been to be

a second and they're going to say, is that this is that this is

very very rare. A day like and not they're invited a group

of people that much years after they know in

some group religious they they they did they're

the best of the thing they they not

they not they just were they they they're

they they they they he abrio of the other and said

Manuel said that the the point that was the detail that you yeah

yeah I'm not support more was that one day in the room

and they're at the start to hear a start

the right he he he he's he he's

you he's you he's talking he's there the

light there no there no there a respiration. And he said,

and there was a sense of like ase chancas like if something, and not with good intentions. Then,

Manuel, he arm of valor, he gets, and he says, but largat me house,

but let's be a good, you're the last, that was the last thing, in that house,

so they're on the camera, that they're to come to the door, when they're

in the door. No, there's nothing. The door is a open to open, the

door to get to be and the old. and the other, we're to be the old. and the decency to the person to

talk to the new people, with the new new doye. Never was nothing. And they'll say, that person something, something but we know

what we're doing. Now, Rocco, tell me your story. RBC Training Ground has discovered potential in over 20,000 Canadian athletes and counting. Your story could be next. If you've got the drive,

they'll help you find your path to the Olympics. Let's see what you've got. Sign up for free at rbc trainingground.ca. She knows. How? Did you blam? No. The devil wears product. is the movie event 20 years in the making. Honestly, can't with the secrets anymore,

so I think we just, we should tell her. Will you two please spit it out already? This Friday, be the first to experience it only in theaters. In light of the recent scandal, I'm here to restore your credibility. Oh, because we're a team now. That's a nice story. The devil wears Prada too in theaters Friday. Okay.

I'm already, I go, it's something like, because, I go, we've we've been there so five years that my

my father so I'm to put to make sure I'm going to live there about 28 years.

28 years? 28 years if no I'm equivocal 30 years for to be more

or less a little more exact. This of the all it was from

it was all before I started a little. And, of I actually, I said that I'd

say that and I didn't know, of the that's that I'm sure that. I'm

sure that. I remember much, that my brother, he's a year, but no I

remember of what was, but the quarter that was the one of

my brother, because we're parted that, I remember that they got

camas, all, putio putio the, no, they were they,

they were one red, for that the apartment had so like, it was like

it was like a little, the, the quarter of us. Okay. So,

it was a first, and the quarter we're tendido for all

to do because there were friends and my brother, no, we don't

consider us a family. And I I'm so, my house,

this, you're at the the receiver, a man right, was the the room where

is the quarter where are the stairs and then to the right there's a recamara and for the

right and for the right around the right right which is with the door

you be you see the the door the house has

a well had a door of the door of

but there so you are out so you're you're

to be Or at the reverse. If you were inside, I saw, I'm sorry. So I remember perfectly that we all all just like, the house pagged, yeah, all like, accosted, but the witty-wiri-wiri, Guara, all. And they're

the door abirted of the court. So they're not able to the port of the quarter of the quarter. And the focus of the cochera was preended, then it's al-casa to reflect all over, post, all the wall of the receiver.

I remember perfectly that we was it was a a sombra like of a revolutionary or so

was it was immobile because it was it was like a static but it was the

and so the vestiment well but it's not but it was when I

know how they're like like in the of the of the

ballas so it can't see see and I'm

I'm made so I'm is someone, is my tio, I said my

papa. And that I and all so my not have to start a sombrero so bigante.

So, all we kept with the other that way, that was what was what was

the first that me was the first of the house. Then with the time,

I said my brother and we we were we and we came

and my camera was a One that's the cochera and another that's a little bit of a So my camera just was, my, my,

my, my, my, my, head was, and was like, in the two windows.

And, always, well, first, it was, when I started, I was,

I was really, I was really, that's a quarter, because, I know,

but, so, they're, they're, I'm sitting on the people,

I, I, then, well, I remember, I never Voltea. I mean, I never voltiava. I mean, I always had to be a ventana, me tapable, and I'd start. Rezada, resava, resava, resava,

I was never, super-dormid. At the day next, at the two days, other times, they'd be to sit. But, every way, they were going to be able to be the feet, and then,

then the altitude, like the legs, and every bit more above, more above. And I every

that I felt that that's to be to be to be the time. I don't know

I'm not quite, but I know I know that if there any or no.

So, I'm to say to my my grandma. It's that I'm

not that I'm no. And I do you I'm sure that they're

in the camera. Nobody me I'm even that my

mother I think she was to go to go to his Cama.

And my the man chico me said, oh yeah, I'm to go to

to do to get to get to get in my camera and in the night and in the madrugated

then does, well, and I say, if they sit on your

and he I said, what? And I say, they're saying, I'm

can't do you, I'm going to you, well, And I'm And I always I'm going to my

mother. I mean I amnesty in my mother and I say to my woman, like,

why? I said, they're they're doing, she sat down in my camera. She, she,

she, a day in my camera and he, and he did I'm and I'm saying,

and me say, and I'm saying, you know, I'm not I'm trying and I'm

so, so that's some of the first so like that the three we're

took that coincid we're to sit in the camera. If you sent you

sent you where where's a day? Where is a day? I said

you know never always I never was I was really was a was a

carrava the colcha, me tapable the and resable that you could you

you could move? I'm a lot of a paralysis of the no was a a paralyis

of the passed that there's I dode or I'm or I'm or I'm

or was a or was really I'm really I'm really I'm like paralyzed but it

when I was when I was a person that is more let me tell me that's that is

great that I'm that I was so you could say that was I think

was I think was I was I was I was I was in the court of my

mom. I think I've had have been the climate of my

recamara and I put a colchon inflable in I'm I'm

an little a lot of the closet of my mom

so then you get to a to the

door and in front there was the other door right that

no the enter the room and yeah there's his

room at the end of the closet between the closet, I put in

the coldion. So, I was yeah, me and I had a

much frio. I had a really I remember perfectly. So what

I do, I just just had a sabana. So, in the closet

that me I was in the question, I said, my mom

guard all the car all the car all the closet,

I got the colcha, but at the moment that I got the colch I'm always always

the foe the foe the back and the door between, well, was inter-abier

and I had to get to the light because they had to get to get to

the house. So, like, for that so, so it's so it's so it's

so it's so where I'm a car the colch and I go to and I

to be up my, to stop me, I'll see a silhouette like of a woman

in, aforita of the bathroom. So, of the susto, I don't

go to but where I'm tap, well, obviously the curiosity, right?

I want to be to make, but at the moment that I do, I'm

to be to be I'm had to I'm here there, I'm

there I mean, I imagine that was the she was the because I not had just went to and I'm

to see the real-o-off, I can't see the but I'm able to move so I'm sure, I'm was still,

I was just I was just I was just I'm the colch I'll get the closet and here

he was and the only that I did was to start the eyes and I'm to rest

because always for all I I don't I'm going to I'm, I said, I'm, I

opened the eyes, I did the brinked to the camera of my and I'm there to

my mom me said, my mom and I'm and I'm and now what? I mean,

I'm I'm so I'm so I'm that I'm that's just, now that's you're

this and this and this and this and this. Me said, no, my jita,

you're all dormita, but my my mom if no I don't believe in nothing

no no A a past to have lived in that house? A

to have lived there always he's a reason, a logic or whatever. And that

time I was I was I was was a dormita was I was

I was I'm not I'm but it was really real because

then I when I move I'm I'm where I see all

the all the because where when I got I

was so it was where I to that woman in the in the in the

end of the and where I was the I'm sure I'm in the nose the mouth but I

just saw I'm was a little bit of then I'm so I'm I'm I'm

put to rest and where I'm I'm able to bringke to the camera of my

pap there with what you what did you what you did you think that

was so about about About some 15 years, more than... I mean. So, I mean, oh, so, I mean,

oh, so, oh, but it's 15 years, you know? But, but after 15 years, you know? Okay. There was some success

that your mom no, or so, no, I could tell it, but yeah preferred more,

how to let me know, we'll be this? Well, yes. I go, there, there was a,

when they were, all said that they'd be a woman in the escalars

of my house. That's, I, thank to God, never I never

was, but if was there was a sense a a presence there in the court,

so we did we did it the room, the that was the room where

is the stances, they're at the second piece. Um, this, when the first person

that me said, that, we saw at a a room, we was in a postada of the

and the faculty. And we were all and we're talking, so one of she said,

I'm going to go to the baio. So, so it's to go to the cell,

it's to go to get to the receiver, but when you do you get to

the back to the front the the of actually it was

and no passed two, three seconds and the the cell has had

in the well, we're in the commoner, it's an entry and for the kitchen

so she she's she's out of the commer not so how many

seconds have been passed and he goes for the but black,

blank, black, palida and he is in your house? and I

my my brother, not more, I'm saying, no, is that

there's a a woman, and I go, I'll and I say,

I'm a a woman in the escalers. And I know,

there's and I said, he was going the and he said,

my mano, let me I'm I'm I'm I don't

if you there is there there around. So I'm to be

to the court, he's the papas. And he I said, Oye, Toño, with who you is that?

With anybody? What happened? He was super dormied. And he said, is that said Laura, that he

saw a woman, to see the stairs. So how he went to he, he's no,

that's a start, he's going to say, no, I know, just that's because it's that's,

that's, that's, that's, so that a, so that a, so that

can't be there's no there's no there's then he

he he's he's he's he's he's he I'm

I'm there I'm I'm I'm a a person

I said I a long and I don't he's

not I don't he got to see a lot and he's some old

he's old old old and I he he's I'm

and he's he I was, I know, then to me to be to be

a lot of a lot of a group of pure women, and one of them of me says,

oh yeah, to my husband, the first the first that came to the house,

says that she was, and I, obviously, my face, and I, I'm,

me, but we've said, but not you've been said, I'm,

I'm, I said, I'm, I'm was very, was very very very

and then we're going, and then you're going to, no, no, no, so you can't even, no, no, they're going to be alone in the house, they're going to be able to get but, well, he saw, nothing more

like, like, I'm like, he was, he was a man, clear that no.

Clearly, no, no, no there's that I'm there. Well, well,

I'm, I'm, I'm not, I'm not my court. So,

then I go to , I'm going to get to my mom. He's

was, was dormied, I'm was dormied between my and I had,

a a pesadilla. She moved and she and I was I was going to get to do this I'm really

really a man, what you know I'm not I'm doing feo and I'm oh no nothing

no no and so I'm and then I never to be I'm and I'm never again

my mom soying and I and I you like you like you I'm

like you mom that's what you what happened no no nothing nothing

I'm so you so yeah I said, yeah in the morning, that I'm a, mom, that you're you're trying?

You're too? And I remember that me said, one, that, that, so,

so, so, she, he said, and he said, that in the dream,

she was a woman and, well, no, a one, more,

that, I'm, that's that someone on the part of the

So, So he Sobe And he He says That at moment that you

In the place in a corner A little a senior, Yeah, like, Sented in

the Pissor so and my Mama said in the dream,

of what you're what's doing here? This is my house. And that

the I said, no, I bet you. This is my house. And my mother and that no, no, no,

no, no. So, this is my house. Total, then I said, my name, I'm

and I'm and I said, I'm the same, it's the senior. Ors, it's the

that's the that's the no, no, no, no, no, no, no, no, I think that I'm

so I'm so I'm then we put us to think, and I really really really,

so I don't never know, It was a dream but I said my mom I said I was real

I was really I was really, I said no, no, no there's nobody in this

house. And I'm she, she, she, not she, she said, she said,

she said, she was, she said, no, he said, no, he was not,

the really, I never I never I never, I never me said

that I mean, the first thing to me to be in the case is the other

is the other, the and the I, and if you yeah, and if

really live there I mean, the because, I know, because a reason of the

my am I said, and then my other my other my other my other

my other her and the husband, that's that's the first the first

the last that never said, and then they've to pass to pass

to more people that they're like, to a a

person then they they were they're they're they're they're there's

that no, there's no, is that is that, is that, but who did you, I mean,

there's, no, there's, and there's, to be a lot of more notorious, for example,

in the escalers, there where was, we're going, we're that right, that we

don't we don't know, we're to talk to all the stories of what I to me,

to my brother, to my brother, a my my brother, a, my brother,

to the more my My Like the more chico, me said, oh yeah, you know, you? You know, that in the escaleras? I mean, you know, the matinee? But that window always was closed. So, me said, my brother, no you put it to think that? We always we asked us, of what?

Why is it? Why is it a person? Since, it's a serrated at the ventana. of that, ah, a little there's a current

of the way, it was the we're the we're in, you know, right, yeah,

we're the way, I'm the person who was the person who was there. Because

that all the day, the to the back of up, so,

never the of the never, it's always, and she always had the person,

that's always, from the always, since, since, I'm, so, so,

We didn't know, we said, well, it's the air. Ma, it's a little bit of the window. But yeah, after we're the and now we're to talk about,

we're going to be able the sameura, always the same were in the cellars, because in the house, a me

always has made that, that's a fact, a reason of my my friend me said,

that there was a one of the carleras, well, for you to go to the

door, you're, the way, the the quarter of the door of the

front and my my court was on the so I'm so I'm I'm not

I'm not I'm going to go to the head and I'm the court and the door of the

careras there was there was there was the room the stania

there was a a stanza there a cellita this the the

and and at the the door my father he has

my papa had all there's typical of the man that's there's there,

of all you, there's there's all there's always there's a thing, I'm going, so we're

we're we're doing, we're doing, because in the television, my son, my

little bit my little bit, the he's, and there doesn't know that's,

and we didn't know the tele there. Until we're always we're there,

but then that's that's always was never never was doing the

television, and just, it was to go to the second place, there was a recam, there was a

room, there's a very rare, because that's in the carsa, it's a recamara gigante, and then there

other escalars, and it was like, I think they called a tampanco, so it's a little bit of that house, I was, I

had been in all the other different, and I, and I, I'm parted a bitation with my

my one, my when has a little, she'd in the recamara

that we'd we'd that was where they were the where they were

so I knew to the tapanko me to that's that marro that

that's that I do you do a vibra horrible so so

I was it since you were up the the

floor of the stances to the second you you

see something you like like someone to someone

So, like, like, you know, oh, that's, and all a lot

and you know, and so, you know, you're so you like, but, but that

that's second piece, to the tapanco, is a kind of really,

I mean, I mean, of, well, I'm, the net. So, so,

I decided to go, I'm, that, oh, well, that's, that,

that's, that's, that's, that's , He used it for nothing. There,

I'm full of the power or all the we're doing to do that the court. So,

I'm propong and I put to clean to do, I'm going to do, all, all, all, all,

and it's, I'm a place, and it's, and it's, it's, he was, was a,

little, one had, the patio, and other was, to the, a, the,

a, a, but, but as in a, tapanco, it was a,

third piece that's very so you can't the arbohs

so you see you see you especially those of the patio because no because

no there's there the house the the the

the but you're a bit so so so I said

I'm who I'm who I'm not I didn't

not any nothing all all the night in

the house in the the partio that the partio

that was the was a a dog this all the days me chist and I'm

like that and you're so they're so it was a was a animal a

what they said that was a type lechusa uh all those days and I

and I at the beginning was like oh no you you can you can't because

you know well that you wasn't that was I was was not I'm

then of put me some cortinitas as improvised of that I bought a and I'm

I'm not for any of the two sides. But first tap the the patio. So,

I still listening the ch-ch but yeah not in the patio, in the

window of the where I said, I say, if I'll I'm

because it had to be to be to be there's chistam the lechusa because

there was the old. The arbor, the next to cross the street and it was a 20, 30

meters. It was an big, it's an old. It was a big, and I decided and I

decided to and I go and I'll see to go to be in the arbor,

not you're not you're in the partio, now you put a cortina also there.

But that quarter, I don't I don't a something is a tapanco

then just it's the two the two the windows of the windows this

you can't see a back to be the the stairs where

where they they were the but then my

mom a sometimes every every and with the

focus on the the second you was to I was I was

at the side in the camera you and then you know, and it was perfectly

everything so the receiver if someone would be a person and then so much

many times being I'm there and nobody in the house there

was that someone would open a door they they

they're they they put in the door had a

really a of the the house and the always was a

pegged, I was also also made a sound so it's it's

so I'm the only that I'm going to do it because he's to be

and I know, and I know no pass nobody, I well,

so it's my man who even to get to something, that we're very done,

that you have been, and you ask you and I'm so, no. And I

and the ratito again I was in the, more and then. And then I'd

talk about that were and all and all and I'm and I asked, I'm

when I'm when I went to the house, no, I'm sure. No.

I don't. I don't. I mean, my man no, to enter and out of every time.

Mm-hmm. And of no, no. And I well, who, who, who,

this, and I said, I said, I never I said, I, I,

at the more my hermina I used I'm going to like a person who

because I went to be because I was like I'm going so I'm so I'm and yeah it was a

but being a friend in the house I do I go I go I go

pastels so I sometimes I sometimes I had paid to pastels and I yeah

I'm doing but I'm so beganse so so I'm so you I remember

much that was doing a moustachon and I I don't have my amy my name I'm not

a new I'm a new I'm gonna you know you know you you know well I'm I'm for

yeah so I'm so I'm a little I'm here I'm a back a that's like

I'm like five houses I'm gonna I'm I'm gonna okay I'm well I'm

well I'm I'm I'm gonna go you My friend is out of the house agarrando the

door but like not want to not just like that's like that's like that's he says

and me I'm just I'm too my so you know but what you do you know

but that so for that so that I'm I don't see see with a key

let's let's let's let's go we go we're going we're we're

Rocco, is that you and in the receiver you enter, and a man right is there, no, pardon, the man left is there, the, the kitchen. And the door of the kitchen, well,

is always is open. If someone gets, go to where it goes to go to the passio, or the escalers, sal a,

it's, or it was she was in the barrita of the kitchen, that's just if you you're going to

the left, then you're the door. And the recidivor, well, then you said,

he said, he said, he said, he said, they're a little door, they're

they're they're to put the secure, and then, and so, you, the only

that I was, was, like, to say, who's, you're

thinking that your father, and you said, so that I, this,

he's, then, then he's, then he said, he's, he said, he's,

he's, and he I'm going I'm coming to the receiver to see,

to see, no there's no one of the first I'm doing and I'm staying in the door

and said because someone came to the door and said but nobody entered.

So, then I said, you know, you know, you know, you know, says,

you know, they're they're they're they're, I'm, and I'm saying,

and I'm also, a person, a person, or that someone that's that's like me

to be in the I'm like standing a little you can't you can't you can't well,

always we're we're the house of the convivence so then then all they and we

were in the cochera because there a bankita that's very so we're all

we're in the bankita we and then we're talking and

that's and a time and my mom a certain hour because

never us we to you in a patio enormous and never he's. Always

we're in the coacher. So at a certain hour my mom always always to say to

let us time, goy to go ahead. They're they're going to get to the

people, they're going to then. So, then I was I was

I was I was my friend, is that we're talking stories

of terror? Histories of terror. So, then then between the a platicada

that not, that's, things that's, things, that's things,

that's that's going to put to two stories. We're talking about and

he said, my my brother was, I'm my about,

my person, and in that's that's that's a person,

because the focus of the passigito where you're in the two,

you're, in the in the coachera then I don't even if I'd like to see the light So if my mom

I'd be to see a castie the recidididdle you know that's being so it was that I'm

talking about and all and my my friend I remember perfect that says there there's

what we're my brother and I'm to say that's the so that not we don't know

something we're we're we're we're and the two we'll

we'll be we'll be we of that, well, we know, well, then,

so we're going, so we're, so, the stories, and then we're, there's my other day, my mom,

and like, bolted us, and, well, because my mom always, like, I was,

I was, I was, I was, I was, I'm, we're, we're not, we're not,

we're, and, but my mom, always had to have to, and, and,

and, and it's very time, it's over, it's over, and it's over,

and so, and, so so, so I'm so on, so in one of those, other

again, of that's, that's, I don't I don't I remember if it was my no,

I'm, and I said, there came mommy, because she saw, where she

was, where she can't, the key, where they're and the three, like,

so, now we're, so, now we're, we're, and, and no, never.

I mean, never opened the door and it but we we were we were

where she was on the vitral or the silhoueta so the she's the key

and it so what we do is to open the door because it

was she was she was she she's where they they're we

we're we know to do a And my Amiga Blanca, my

brother also I said yeah I'm crying and I saw

you know, you know, I'm there's you're doing and I'm my mom had you

said something and that well in the in all the night we don't

we're to go to not to not the alcohol

was there was there I'm there we we

enter of the MEDO because if there was there was so, it was, so,

it was, it was the so it's that you're so that night, my

brother and I talked about, that's the first, I mean, we've said, that's that

it's that's always we're that's there, there's there's there's

and that he's, he's he, he went to the pass to the and

there or there over yeah, yeah, So, always we We always Like,

until that we did we're going to So, then we're going to be there. And then my brother, oh, yeah,

you, you know, you're doing, you know, you're doing, that's, that's the other,

and that's, blah, blah, blah, blah. He said, you know, you know, I'm going, I'm going

so much I'm going to, I'm much that I'm, I'm, I'm, I'm, I'm a,

I'm, I'm, the the room, the I'm in the window in the window in the

window where I had my recamara where I had the there was I always I always a new a manned

but the the little was a carrading the reja looking to the cochera

like trying so I'm so I'm talking I my brother to that I'm

that I'm that's that's that that's like, like, no-se

to go- or get, but there's and he's that, he's, and it's a quomadito. My

brother, and me said, no, man, boy, I, I,

I'm, I'm, I'm the same, I'm, and I'm going to get, that's

all the chit then, so I'm so, I'm going, I'm, I'm, I'm,

I'm, so I'm, so, so I'm, so I, so, so, so,

so, so, me, yorosos and all and I said, I'm sure,

that I'm the same I'm the same I'm in the one, the two, I'm going to say,

oh, what's the case, because, I mean, it's a house that my

twopas and remodelar. Or, so, no, it's a new.

Mm-hmm. And, and a reason of that I said, my mom, mom,

what, so, what, what, what, what, what, what,

what, and I, who, who, who lived before? I mean,

I said, because Tony and we sonned to know to be in a little to be

my mom always that I'm that I'm not, that we we're we're not,

we're the same I'm a I'm a dream, I think I think I was

every 15 days every 20 days, so it was very a year

one or two times a month and I was always with that angustia of,

I mean, I remember that I remember that I'm going to be a ventana because the

ventana me in the cabcerer and always I'm going with the that there

is the that I was where I was the I was I was exactly exactly exactly

in the same in the the same in the kind of kind of getting

to say I'm I'm thinking my brother when I when I

when it was when I said or coincid in a signer in a dream

to have the same so yeah yeah especially because the

the theme that's a matter is a a senior is a exactly and then

and then the of the the little and figure it in that

in that in that in I I'm I at I'm

I'm I got that I'm back to I'm back I'm

was a that I heard and I'd and I'd and I'd and I'd and I'd

and I'd every I'd get on the nights, I'd with a lot of I'm gonna

I'm I'm gonna I'm I don't go over and I'm no there's a

big to get all the stairs so the first to the second and the second to tapanco

was I was I was I was I'm I'm very angustia because I was that I

that someone to be seeing or he's he was going to and that's

that they they're never never said my will forget my

my he had a second on the second and I remember that

with a ex we had we in a movie so I remember

in the camera and we were in a Cilloncito, that is like

a camera individual, we're there's sitting there and we're sitting over and we're

sitting there but the escalars you get back there. So, me this chuchito

me says ohye try me I'm me, bring me water, no sagach

and I go, oh, oh, I'm, and let's say, hey,

and I'm and I'm and I say well, I But those that's

that's the way is that you're like you know, so the moment that I'm going to be a little

someone I'm and I'm and he was a a, like, a,

so I'm so much, so I'm back on me, I'm going to sordia like no

I'm going to the escalars me going to the kitchen I'm just all apagued.

So, I'm the focus in the kitchen. So, and I'm sure,

here atras that I was in the back, but for the kitchen, you can

get you, you know, you know, you know, you can't enter by the comedor and you

and you go to the kitchen. So, I said, I was coming down, I was

coming to back, I, he went to, he went to, here in the, in the

salon. So, I'm met to the kitchen to try it, I go, I'm a place,

so where I know the, the, how's called the calder for a little bit,

where I'm, I'm, then I'm, I'm, I'm, some of some of some of

some, some of black, type of I'm doing, so I'm so I'm so I'm

so, because I this way, querient me to be to make

the door to the door because you know, so I'm the so I'm

going to you know I'm you want to you're to get to you so I'm

so I'm so I'm the the cold the was in this then it was the

door so I'm so I'm I'm I'm going to do you go to I'm going to

I'm so where I see I'm so I don't I don't I know I I don't

I know if really is there's there or no. I'm going and I'm the garrafone

at the front of the kitchen and yeah I'm I'm going to go and

I'm going to go to be to be in the cell he thinks that I think that

I'm going to the cell so then I'm going to the cell and where

I'm going to go to the receive for the that I'm I'm going to to be a a fear of

that the that's so I'm so I'm to go to all the and I'm there's

so I'm so I'm going to go to the water going to the way and this

boy was like so like a palid palid palid salido and then

he's what mamon and me I said for I'm I'm why you

see you know I'm a lot of a bit yeah when it's all

about and me he said, Rocio, he was an back in back in the

and he said, I'm a not you, I'm the same, so I'm the same,

I'm like, he did the he, he had a tennis, he always always had in tennis,

some tennis those nice, grandotets, and he did you, no, you,

you, don't know, where are those so to start my one was to use

not, this guy had a tennis, and I, and I said, and he

was, I'm going on the escalars. And he said, I'm saying, I'm saying,

I'm saying, I'm saying, I'm saying, I'm saying, he's apart, when he was put a nervous

he, stardamudea much. So, I'm to tell to my mom, and me say,

my mom, he'll have put a nervous. And I, mom, is that I said,

I'm, like, I'm, like, no, like, I, because

always is, encounter a logic I said, I said, I saw that I went to go back into the escalars that someone went to me.

He said, but there was no nobody. I said, but I saw some of the zapato. I never quix to

think that I wanted to be that I was he was he because I did he was palid, palid,

palid, he said, is moreno, to do you know, he was black where, blank, where

me said someone he was I was in the way to get to get to to get to to get to to get to

get to my man and I'm the day next to get to my brother no guy, I'm going to

someone I'm like that's like I'm like I'm I'm back to me I said I'm I see if he was a

woman, this way no me he didn't even he said that just that just he went to me and I

remember that just playing and I said it was my it was my I mean, he says, no. He said, something like,

he's a little, he was back to you. Something. Negro. And you know, you know, you know,

the term infestation? No. No. So, it's that when in a

house, pass some things, the, that was the thing, it was a thing,

it could call a infestation, which is that the house like a infestation

of cuccarachas, but in this cases are of different things more of

this type like there's there there's there many

about the infestations I'm to ask to be to what is what is

what's that's that ruses that no do not

they're they they're there in the house well for

example the open and and that and that and

it and It was a serrated, exactly. Very well. Apart of that Rueyon other type of noise or was the

only? Because the window, but if the so it was it was a rubeo because it was a

person, exactly. Well, no, I mean was the the door where they'd and the door where they

were, or, well, so me took to see, where it's that opened to the

wallpe. That's about the okay. Objects that were, They're going

that's that's that I never to I'm not I'm that you to know

that you know no okay purtas and windows and they open and it's

yeah yeah so allores aromas fettid no no

no aromas extraos chemics no no no no

oh oh oh oh oh I is you know because you

know my car but because my Sofrey. So I mean, could be.

Could it. You'd talk about that no after the use of this cream, how time permanence was there a aroma?

Much time? Much. It's very very strong. It was very very strong. But I would say it

was that she was that cream of a sub. Yeah. And only in that part of the

house, yeah, only in the recamara. So in the recamara. But it was where it

but it was a okay. Bye. All right. Very very. Very well.

Let's let's like a point maybe maybe not. Uh-huh.

Of course of the but the nada down to the never a no

a quarter more than the rest. No. Okay. Mascotas actuando

or animals that were in the house? Well, the perros

ladandle to the nada to see, and ladrando and that no there

is the there. And much? Very very very I've been seened. And so you're

related to that a with a with the with the little, they ladrable in the

walled at the window yeah when I went to I'm I'm back in all the

I'm regress there a little me back to be able with me or any perr

or any per ralable and I said, hey, that's rare and my brother said

he's they're lading to the night and I say because I do you

all the two we pass it and we we'd that and we

were there. And at that point. Only that point. Okay. It's to see observed. Yes.

So, in the escalera? In the the kitchen of, there were

various points. In many many. Sombras? Well, yeah, the

that I took to be a revolutionary, the silhouette in the apartment of my

mom and the sombre that I was, I said, I was

a that's a of me. Okay. Okay. So, okay. So, okay. So, always. Always. Always. So, so, so, well, yeah, we know we just

we, we know we just about. And we thought we're there's a lot of, but we're just about, and decided, of a repent, it was. We said, and we're dwinds. That said, they were dwinds. Okay. And of a repent, they were in some of some of the other places, manches or ragsunos? Or,

or they'd resugnary? No. No. No. No. And thenxplicables and that then they'd disappear themselves.

No. Also, there are some that are not but are part of changes of humor

repentinos. If you're to the house, the things are sometimes not even between the

family. They're they're they're because, because we're or because we're not

we're doing so. That's how if you were to take a better of you to get a always, always.

So, always, there was always there's always there's always time longed in the house only,

the person presentable lethargos like a no, never, nobody. No, no. Nobody.

More irritable than normal? Yeah, of a repent. Of course, but if no reason reasonable.

Well, to me in the personal, yes. To you in the personal, what? So,

so, if, so, you, you know, to be to be to say,

to be a, I mean, I was, I mean, I mean, I, so,

so, so, so, you know, you know, you know, you know, and he says,

and, and, I mean, they're, I mean, they're, but, so,

I was going to be that's recurrentes and strange that are more more of a member. Yeah.

Mm-hmm. Only was the the child? The of the of the that I

know, so we've coincided and that we've that we've conceded. Well, I with

my brother is the of the little, but my brother, the more the more

the more the more chico, first was of my brother was the So, they've been,

like, they're done they're doing, they're it's not the same. They're they're

seeing that they're seeing that they're they're they're but they they're they're

they're they're doing and they're like someone that's like someone so, so that

then they can't that they they're those and I with the child

the child. How are the men, are the ones? We're four. So, you and three women? No, two

women and two women, two women, two women, two women, you are the of the middle? The third.

The third. Yeah. No, is? The more chico. The more. The more.

The second. The second. So, so, man, so, woman, a woman,

to do you to pass something? To, what did you? What did What was your brother?

Well, when one of when I was in the she made in the she did sit

to sit to sit to. This, not it not is much like to

talk about the I don't if it has happened other other

other that I've never I've asked. For example the

of the the the thing the then, then then

then then the the way of the of the the escaleras because I

I said where I was where you were you in the house you're that you

always to see well at me and I coincided with my brother

and with my two brothers that you see you are you are you see

we're so I gotram to the one of the one one one

being in the patio doing carnasada well he So,

I'll see the door, the window, the window, we're in the front of, we're in the

patio, that's very rare that we're there, then you you're and you see a

see the the window and the second the second and we were a talking,

we're talking, and all, and all, so we were like, and, and, and,

I, I was, I, you, you, you, and you, you,

you're, you, you're, you're, you're, all, all, all,

all, all, no, the more chico, Toño starts. Ah, yeah, signora, venghese.

Venghese here to sit with us over, because all, without, we'd like, we'd like, without,

in the plattica, but if we started to see, you're like, you're, you're, you're seeing

you're doing. For that for that, for that we're, for us, because all we're , we were there

over, that there that were that we, we were about, we're down, in the

carnasada. Yeah. And my Armano and I'm so, and I'm sorry,

and I'm a lot of and I'm very a lot of you know, I'm sorry you know to say

to be to see what and I'm and a and a and a and that the

sir and the that's total I'm the carnasada so that well

yeah to come to do my my brother to my brother he's

my man the more chico the novia she will be to

to do, also there and in the morning, you know they're in the

house. And, and yeah when they're they're that, is that

is that was that the night. And I you, you know, she, she went,

she, I, he, I, I'm, he's, and I, I'm,

to, I'm, I'm, to, I'm, we're, we're, we're,

and we, we're we're, and the , So, I mean, I'm trying And I'm,

I'm going to I'm going to to say, that's the I'm going to But I mean, I said, that we're

seeing, so my so my hermana, I said, I said, I mean, because she

was that day, and also, I said, I said, I said, but if we were catamos

of that, because, because, you know, so, you know, you know, that the

the window is the other than the and there's like, and there was like that's not there no,

nobody, we're not there all right. Yeah, but even those are all, all,

all, my sobino also, my son, there was, the coroner in that you

had a house of a house of an colony an security, it's, he,

he knew, that's not a person to get to robar, but it's a colony really

tranquina. It's a colony Very big That's So, of course Right, right,

right, well, yeah, well, Yeah, and there's remodeled, and a

new thing, but in that time that we were there, it was pure a people

and the that was that I was a country, primary sector. Country

First sector. If someone of country of first sector is listening and know of what

case we we're talking and the day of today of this place, it's interesting to know what it's interesting to

what has after after or you've been told? No, no, we've got to not, no, we don't know,

we've asked, what has what has been, or if someone has been or if someone or said,

I know, we know that's what you're saying that's the second point. The

reason is for the ones that's the infestations. Okay. Existing different

motives. The first and we're to see this occurred. It's because they're some kind of

kind of kind of spiritist in the house. Weha, a game of the book of

the book of contact spirits. Passed? Well, look, one

one of one of a whiffa but it was the wika the computer.

Okay. So, not it. The tablera. The tabler, you know, that's used

much that the whiffa in the computer but there's, and then you're you're talking about,

well, the other person asked, and you put in the response. Yeah, the idea

or something. If it was called, but it was like, but it's you're putting to the

response, you know, you're saying, that's that was the only that I know,

that's for example, of my part, that's that's not, no

with some Becina But where I'm going I'm going to I'm going to I made much MED

You know You know I'm You know, I Kise Keader And the And the So,

No, No, no There's a Yeah, no It's like There's Exactly The

Those Doeons The house Some Those Did you Have you Did

I? I think My papas Yes Yes Persons Marriers I don't

I don't Well, the Then you That's interesting That's interesting There's a There's a There's a

That's the That's the That's That's a RITO Before that Have you Had been

That's That's That's That's You know, The Remoderation is They're

They're You know If you They're To put So So I'm

To be That's It'd It'd Interesting To be Because in those remodulations, yeah occurred,

the first episode of of here was the of an amyga that I was that there had some stories that had been in your house

then I said, I said, I said, there's like, some of the story I'm saying, some of the stories, I say,

there are many house was inbruched but a canion. And when we started to talk to, he said,

you know, if you know, you know, you know, if there was a success maybe rare.

When the comp. My papas. They want remodel and they're

a little carto to make a new new piece and they top they're with a

unneka interrada with with boxes and so they're so they're

because because because they're they're this is a burghiria

when they they're they they're in that a little in

the escalers, they got to be more to see more than 10 people. She's

a new she's a little bit of they're talking on the second piece and the new view, he's,

no manches, someone's to get in your house and he's and he's no is nobody and he

he, oh yeah, he, I'm there's a other so, no me you know

me says that you know you know is that no is nobody and we don't know and then

he says let's let's let's go, because I think that's

I'm at she said X, we're going to come you're going to do you

don't know there there's a way of there's not there and say there's

there's the door the windows the windows not they're no, no

when they're he's like he's he's because there there's because there

there's because there's this case this case is this this car is the

and where it's that that were the few in front of them is the

commedor. I'm in the house. The the chairs and the messes

are very very bad. So, then they're both being like at the

commer, and it's a chair, it's a move. He's a move to

and he he's he said, he said that this house is this house.

So, he said, he never he never quis ever never to come in

the house. And there were infinity of People who They were And that were So she said She said

When she had Some of the remoderation They found Something probably Poovered So in your case, we know

Who knows? And I know. And figgated Where in the area Of the Scaleras

That is where is where she's the Because only is of the Descanso Uh Uh

To the second Piso And where is the the I mean,

where I saw the the room the room of the that's where it

was where it's because, the actually the stairs are in the part

where they were the part. And, I said, my mom me says that that

passillo, right, where we were we being there, it was a passigito normal,

typical, so, so, and so my mom that there had a car,

said, could get a car to the patio without a room and they're

the recamara and the room and the room and the door is where they are the

door but that's that part where they say they're saying that they say

well so there so I made that he said so I'm not not it

but but we know we're right what you is that

that that interesting also some sombras Negras. There's a story

very very very strong in the United of the house the house

of Chicago. This story was made very famous because it was a man of

a paluda. You did you did you hear a little bit. I said, I mean,

I mean, the program dured more of 20 years, until that in

circumstances very there was the Oh, well, so

me They've got them. Okay. If you know that, okay. Dentro of the stories that

there are, there are many many are very iconic. This is not so. Because no

it was a boom. For the story, this is the house of Chicago. A.

I don't remember, I'm a Claudia, Patricia. If someone's remember of

this story, put me here the name of the person. But

call and say, oh, is that I want to count what we is going to what we're

going to see we're we're a car in a super offer of the

bank and for us it's it's we're going we accept the offer

the house had been intestated because they were and the

the the old the old died they didn't

have made a testament so then finally he

the bank the he got him and he he was in a ganga we're in the

house a month and it was a great-old great-sion great-old great-old but a

day, but a new new our nito that still no has no year he gets

and he and he starts as when he's starting when he's to say much

so much me my mom yeah yeah yeah and he was

he was he's he's he he's when he's the and start and

start with with a fear to different parts of the house and my wife she had to have to

get to get a part of our life is a piece of we're going to we're doing

on the house, in the patio they were like as we're on a bicycle,

and they were in a carlions we're getting to be and there no there in the

patio in the door on the front we were we'd be, no, nobody.

So, it was the door of the entry. And this, with us over, and we were, looking to be out of the

doors pesasas. No, there nobody. They started the windows, and be able, and then my husband always

was always like, things logical. So, so it'd be some type of ventrown that we don't perceive

we, we're going to see, we're to do the air, and said, it's they assotarone.

No, no, there was a current so far to get in and say, you're

not you don't you think about in don't you're in the time. Until he was to make a

house, until that a little the and the daughter and the one of the

quarters, but no there's no more than her, her, the he said,

he said, he said, that was that was that was, and where he's where he

doesn't, it he gets, the The house, I'm going to the quarter. And no

the daughter and they're trying to open the door. Total, it's a time to turn to the door.

So the husband is like that he's to doubted what the what's the situations in the

house are to make sure. There's there's the wind, but the windows are

the windows and the doors of the of the second piece that starts to

move to and the first to see a see a turn to be in a sunbe in a

big and it's move up so they're so that this is that is that what is

that's that's what you never was with the other never to get to

the house and I never I don't I can't go to the other

that's to go to you know you're to you you're to understand that

you're I said, no, no, no, not you're just thinking in tontaries. I mean, apart, it's important this. Yeah, it's a deal of many years.

Yeah, we've been, we've got to, you've got to, you know, and then my husband, but I'm

trying to a lapse in a last of three months, it's very rapid. And the senior, the son,

the sarah, the sacerote gets, and in the moment in the he's a car, he's,

he's, yeah. So, the, the, the, she's, the,

he, I, his abrigo. No, no, no, no, no, no, no, no, no, I'll go to get to court in quarter. No, we'll go to an or not. But he said, before, before he entered in the house, he'd be a super-accessible, and, after the day, he's the only

that he'd want to go to, never he said, for what. One day, contact him, the medium, the medium, he went, he said, he said, if not they're going to be to get to this house. They're

to go to this house. No, they're to get to this house. No, they're retentient. That day, I decided I'm going to my husband. I said,

I'm going to, I mean, I mean, really, actually, there's going to, it's a bad, and,

well, so, even, you know, you know, you're to get to, you,

I'm going to get to, I'm going to get to, I'm going to be at the two or three of the morning,

me said, I said, for the before, when I was, I'm, I'm,

I'm the next the day He was in the roomed. Something was He took on the He was down

And he gave He gave the Calearer And he He got to He had He had had been two

So, since then he He still going to The house To see And he's Every every

the other The error is But the rest of the time is eras And she is There is someone who

could do could do because you've been many people

and say they're not there because that that's because that case has has been

history. So, they're to investigate and and discover that there various

people were in different moments in the last 20 or 30

years that there there there there a doctor like a kind of

there's there was a matanzas and they're because a

of that that house, it's where the house of Alcapone. Cren that maybe there

entered on many of the other of the people. So, he's we've

been used and there no way we know we're we're this. This is

more than about the year, 1998 was this story for that if there

if there a person that not create that exist in these things the

thing in that house, the this thing exist. the only is that if they're going to go is under their own risk

because those things want to kill. So, that story is very strong. It's of Chicago. Oye, to you know,

I understand the sensation of the sensation of the sense of your sense of the feeling to observable of being to be sure, but in

a problem ever, you've been in a problem physical? No. Peligro physical or no? Well,

is that no because, let me. Your car. You know, right that you say, right that you say, it's a

thing you're a lot of physical. My brother had a new a new yeah

you know, that's that I'm that's the and all is like there's

there's something there's and I'm a novia I

remember I so I'm before this, not he

he he was there was there and was the part of

the top of the escalars but there was a bardita so you standing in the quarter of on the second

piece you you were you sawmabas the part or you saw the television and I was

but a barbita that a novia of him so went to to be

to get us the life we don't know because or she was

she was there and said my brother and said my manned. It's, my

brother always and if the she was the that he did he was the

that he never never never to be what was that was that was

that was I'm so I'm so we're so we're

but right that that of that of of

with with with we we we not but so

we so that there there there there there

an explanation so I don't I don't think that the case of that case of the case of infestation

are very related to possession. Positions are very related to demons. In many

cases, has occurred that there are people are people are very susceptible to these

places and they're to have a presence more strong of of that entities.

And a sometimes these people get in the head, they're voices in

their head. They're there's a lot of people who have done many

very fertes but that after that's that's or change of the place, are people

are different. And they're there's that there was that was that I'm a lot of

that this is an excuse. Because they're being being being

exonerated of what they're but there are cases very strange in those

in those they're a person totally normal and after of

that still still being a person normal and the that's not a runke that

was probably a was probably a rarrow, I'm not. It's, I remember that that day I was in my house

I kept to do not in the house in that

in that in the that was my nobio and I remember

much that I was I was I felt something like

I was like not I'm I remember that I

kept dormita but in that I was I

was I that obviously I know I know I'm sure that's that's

that's so you're that's so you're that's you're at like you're like if

you're like you're obviously you're you're you're still and I remember that in the

camera he was he was on he was and I I was I was

I'm very very un-tankina so So, the side there was

a super mini passigito and was a window and there was

a good space and was there was a so I am I'm

and in my I'm I see a two one one

on the other other other side but at the same

a super leh so super like the passigito that really

was was at my side, it was exactly exactly like the other side of

the room, the abetation, like it was a two sombras because were the sombras,

not they were, it was a sombre of people, but they were so obscura that are so they're

so forth, and at the way, the abitation and it's being little, chiquita,

chiquita, so I'm so I'm so I'm in my I'm a great to get to

this person for your name and I'm talking to talk about to

talk about and really the two sombers were at the side of me and

the other side of him and I saw in the some some

of those two people and I grito the

name again again and in that I just I

just I got I got I myself, I,

I'm a and, like, I'm like, I'm saying, what's the and I'm

talking, I'm, and I'm and I'm you know, you're saying, my name, and I'm

going to talk about, I'm not I'm a minute, or the day of the day of the other day passed and he was like, oh, I was

a soniating, and I, well, then, so, I'm, and they're talking to, oh, yeah, he said, hey, he's caught, of the escalars, or so, of the origita, fell here in the

mobile, be like, the way, it's no, it's past nothing. And I'm, to say, you from the year was, I was,

I was, not I was, I'm to know, I, I, that, I, I, I, I, I, I, I, I, I'm,

I'm, I'm, I said, what, is, what, me I said, it's like,

like I like I'm to do I'm sure to do you to do but I'm not in my

house. So, like I'm was going to something, it was going. It was going to

I'm going, I'm a sure, they're in some sombras. What are those are?

They're to get them to the techo? A little more down of the

techo. No. No. So, they were so, I mean, the silhouettes,

I'm going to, I'm going to that they're on men. Homs. Homes. Volteating to to be to

see? Yes. The two. Like conciency that you were there? Uh-huh. And so,

and so you saw the eye, a little color? No, but I felt like the two me

observable. The two I was, I'd just, the, the, well, like,

so, like, some sombers, but not they I saw factions or nothing, but I

knew that they were the same. Okay. I sawmars like when when you project a sombra or or was a

no, no. No. No. Plana. Plana because they were in the

orillas. Like in the wall. Like in the the and I go, they were going to

but as they were in the front of the closet and the closet and the of the car at

the point that's they went to they were doing a quadritor you can see in the

room. I was I'm in the door, the closet, and a person here and he

was he was still in a moment. And I was the was the that was

a dormer. One of the infestations also occur for spirits human

when one when a person is to go to the other plan but

but not can't because the form in that was was very abrupt

and that or that was a situation very violent or that there were many sentiments negative

as involved, a bit of sometimes it's stanked and exist those positions in the house

for spirits humans. So the lady, are the are strange. Yeah. And,

but, but, fiftate that there's interesting to what you're telling.

It's aterrador for raro, but not it's trying that they're trying

generate this terror of form that's a it's a I'm going to it's, it's,

it's, it's, and really they were, they're, and it's not all the days.

No, it was all the days. And it was like, I'm, for example, the

senior, they were to be, a raise of that my amiga her, but she

I said, I'd say, people, that I, that I was, that I, know. The

I'm saying, I always I always said, I don't know I want to be. I said, because the day I'll be I'm going to

get to the house. So, there was one, right now that you're talking about of the

sombras and the eyes and my son, the major, this, I think

in that then I had three, four years, I had a carito for the

that was a person, of those carritos I don't know what I'm the mark that's a red or so that's to get with your

carita for all and over here and back and back so I remember that was

that was that was no no there in the house only only

Bernie and I and my brother and my he was he was

he was there was there was there was so I

was much of being the tell and I go.

I said I know that I think I'm old I'm all right but I'm doing that I'm and I'm

in the room and I was pasted with her carito my mom my mom had a

the grandota the the queen and I got to that you go to one

another and not for the and I had my my my woman

had a penate of those grandotas and was there was I'm

just I was And it was a much, all we always talked in my house. So the

little was able and I'm playing because she's playing and he's going to be so I'm going to know how he

but enoched but enoched of the yeah, of what do you what's going to the television and

he's going to the tell you know, no, I'm not. So then Iviento the pelota

for that to get the camera and I know Bernard what you have you

and he and he said is that the she's the sheena the she says that I'm saying

I'm just because I can't I can't open the and I'm put here and I'm moving

and I'm and I'm she's the signala to the to the entry of my mom

that is where I that I see the silhouette of a woman of a woman

then so I said my Sobrino, the senior, signerating for her I said,

I'm, I'm going, I'm the the first of the old and the good, he

says that and the first that do you know, is to get to be to get to

the court, I'm there, I'm going with my brother, subo,

and I said, what happened I was, I was, I'm going, I'm going, I'm

said, Bernie, that the lady, the senior, Rosio, and I the

the of the red no, no, he's not he's a

he's and he and he's he's, and he I'm, so I'm I'm

he's in the court and he and he's so be for him so so I

know, and I no, no, no, I'm here me I'm going, let me

go, let me go, and we and we we're we're we're up

and and then he said my my my brother of that you

with you you're with the the lady. What the lady? The senior of the

woman is me forget that he said the the woman of the red. The senior of

those red. The eyes of the redos? You know, the woman? No,

I don't see. The senior and it's kind of like, like, like, like,

between that's okay. But, but it was so, I'm a quote,

but I'm always, but I'm I'm going to forget that I'm going to be a

lot of the man who he's not he's that he he was there.

There was a success that they did this house, that there was a

meeting that was in the patio, it's that's that's too that's

been in a group of people someone someone with a person with a

a capuch and something? And that has I don't I'm

I'm I'm I'm that's that's that's that's for that

I'm a carrito I'm a yeah, well it's that it's that they were all you

know, that's you know that's that's that's that's it's

so me that's so it's but it it's because in the patio,

in the patio I was time I'm a little I'm pretty And the patio is very great. And in the area that's

we're in the area that we've been this, well, there's the messita with their siguittas and all. And there's a way to docking. From this side of Isakate, the other side also, there's al-isakata. And in the front, or in the two corners of the house,

there was a there was a of an arbor of a ball and a old. And I I'm

so I'm so that when we're doing, I remember of that just right that you

said, we always we were we're going there, we were a trampoline my

my papa I and my my mom did we did a biga and my

did you always we're in the patio doing doing doing

gymnasia, in the trampoline, playing. And one in the night, I remember much that at the front of the

arbor of the little, there was the silhouette like a a bigita, a bigita

encorbada, so I remember that I saw that I was very too, my abuelita

that, not even is that's that's that's that in that it's

I know that's I'm that's a person an person encorbara

so bigita at the back the arbor the arbor the not I

know I'm not that you did you and I made much

me made much to to to to that a

to the patio of the when there when there reunions

or or something, I go, you know, you know, because the assador was there's but it

was a bad that's a bad a bad spina. Me, I was a bad spina.

A your papa to get to a little in the house? To be my papa,

fiatty that my doesn't, he's much to, he's much of much of talk about to,

I think, and if he passed them, never they've never said. What is the

most Aterrador that you enterast that's what you did you in that

that's it's I mean to do you and I'm and I'm opened in the court

well is that that's that's two more more no no no no

and we don't go to I'm to do I'm there's and I

don't and I'm I'm that's that's that's that

me I'm that's I'm I did very very

I'm very I'm literally I'm in the room that I said I'm

my and then I'm when I when I go to that I'm

I'm yeah I'm I could I don't do with

with all apado I had to have always a

light in the court so when I I I'm back

to my brother and my So my So my So my

Sobrino me He had in the courtroom a lamp So it's the rio

McQueen, the lamparita So I always was I was I was I was I was

because the television was I was a lot so the lamparita and it

was in a end a little and then I was I was I'm I'm

so I remember much that was a end of a time

there there there no any my and my papas.

So that I got you that time that was I'm there's a I'm in the

court and they was that the people were really very inquiette ladri ladd

and I know and I'm and I know I was in the cell this

I don't I'm I'm know I'm with with something but I'm

with my Sam Ah was a group of Facebook this

the the more than that in Messengenger, there was a groupit, and there were all talking, and the perros were very inquietos. So,

I was in my room, I was the door abirta of the recamara, and it is a, of a

portaso, the door of the kitchen that the lavanderia, it's it's a, type,

that they're that'sot, or that the door, so, in the door, the perils enter,

They're going So so I heard the door and I

go where are the people I've always have many

many people and I know so who so so I'm

so I'm I'm I'm to go to go to

or someone so because the perros not come

or what what what that what's what I

to the the of the and the door was a

door in the house all the doors of the entrance to go

to go to the house the and they had a

really a very so so so I'm so

door so I'm well door so I'm back

to my room but was in the cell in the

And, of a repent the portaz and I said, this is not normal. You know, it's not normal. But there

is there see all the people. And so they're in the court and the door

was closed was closed. It was so it so I then it was Ikebo with the

and I did you see if she's opened and and the and if someone

is there then the only that did car to the perrots, I don't

I'm a door of the kitchen, I put I'm going to the court and

I'm going to my door to my court. Sinseuro, not just I'm just said,

I don't want to hear, I want to hear, not. And in that's it's

where the door of my door in the perilla but where they

the door of that the door of that you don't you'd you could

you so I'd where it's started to get to and then you you're going to

you know, you know, you know, it's able to the door. So, so I'm a peri yeah,

I'm a perfectly, to the door, see where the peria, and I get a

and I get to get a and it and it's not, then I said, I'm, I'm,

I'm, I'm, I'm, so I'm so I'm put to and I, and,

out of my, of my quarter to the right to the door of the room

was the door of the in the cellar and it's going to hear of

the so I'm I'm put in a part of where I'm going to see that

the door but it so it the rarro is that it has to a super pushon

exactly for that not to be because like it I'm it's atore

and I do the salto to the and then then I'm and I'm

no it's me dada but I said I'm atras the cartina in that then I'm

there's I'm going to I'm going I'm doing so I'm not okay no I'm toio

toio toio no no no no no no no no no no no I'm into

I'm put a key I'm not I'm and I'm and I'm and I'm and I'm

still so but yeah I'm I'm I'm sure in the group of all this

of that, Oh,gan, it's going to something something that's a lot of

a lot of the door in the door of the door of the car not the and I'm

going to be in my room to my room to be to hear to get

the door and I said, but the people they're so I'm all

with the perros the caros, I'm to the door to

my quarter, the I'm I'm a I'm there's

there's a there no there no I'm scared. I said, you know

two times that I'm open the door of the door and the

policeia that no the and I no, no, no there's no

no's not there so no so it's the window one one that

the other the cochera, I said, I'm going to go to go to get to

the ventana. Because the ventana no has a protector to be able to get and I'm

I'm I'm I'm, I say, I'm saying, I'm there's talking with and it

and it was called to see again, I'm not a hear of and there

can't that's there and I and I'll and I'm

where they they're like or like kind of kind of kind of or querientola

and I didn't no, no, my madres. I say, I'm going to see who is.

I'm going to then they the car and then I'm there's nobody. And I well, with the

permission, I got my things, me, I went to a be in a be I'm not

I'm to be in my house. Of what? And I so, so, so,

I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm,

there no nobody. I said, I said, I said, what can't you, if you're

you're going to the perilla, you know, in the bayon there nobody, there's, there's,

I don't where you can't you can't so much. So, I, that day

I was out of my house, I'm, no, with the I don't want to be here. And I

came because was much the fear that that day. Because I'm you're,

yeah is something physical. I mean, you're going to the door, you know, I'm going to.

Was it the last ones that you passed on? No. No. That was the of the

door. That was the what's the door? The way, I think, it's like about a

years. As a years. More less than. Yeah. Yeah, yeah,

yeah. So, more recent. There was like, I was like, I'm trying to

interact with to talk to , uh, uh, there is but I mean I did

much I'm sure why you know why you well the the

he's not what you is what is what is what is what who is who's who is

that's what I don't I don't I want to see a I'm saying the

the lady and the I don't have seen I mean I'm to be not if

was the same a senior or no, the that's supposed I saw I see that I'm that I'm a because I saw that

was a silhouette of a woman and my subrino coincidio that me said the she said,

I was the last time that I did the I did the eyes but was a woman. Tampo was

was it was not. No. No. So it seems to the that you've seen at the

house. In the Arbor. In the arbor. Yeah. There was a lot of that in the patio, I saw the and then the

recididivor, was when I saw when I saw a type revolutionary. Yes. And then in the

courtroom, a signora. Uh-huh. This. And, well, because the little bit,

was in a dream. Well, the so the so- those are those

those, the they can be, the I mean, my my friend said, they said,

they're some about those were not those. Bigos. Negros. I mean some of the

other people, but like if they were of men. But also they're not so they're not so,

some people, so, some of the people, so I try, he's, try,

he's he's, he's he's so I, and I'm, and I'm, and I'm

never try And it was much, in that time, we're more chiquitos. And it was much of the tennis and to be like, like, maybe a rapper. Yeah. Really,

I never trailed the chapatos. In, I think, I think, for your form of this I'm an impression that's a person sociable,

right? Yeah. You got to to know, to your people, if there was something?

Fidate that one of my my , your her own her own

she said a she said a big of her I always I said I said and I do you know

so she his cell her house was was like was like

the mine in question that he had for the recivor Entrada to the Or for the Salas

Entra to enter to the Cicina So like That's very similar This His cella

Always was Apagata So I Yeah, I said I'm sorry The door I'm

Yeah, I'm Yeah And I So far Platicando With her I Did you

I You know You I I always you say that

you that you that's you're that I'm I'm

and I know and I'm know and I think that they were

like I think in all the house to there has

I have I'm I'm with I'm that I think

I'm she she's they're more like of things

spiritolone or paranormal Uh-huh. Uh-huh. Uh-huh. Uh-huh. So,

also, also in their house was sentia like, is that all the houses that I

have entered to houses to becines, you know, a vibrator rara. Rar. No.

Not. Serca of the mountain? Well, the Cerro of the sien us relatively

but not so much so. Okay. But it's a colony a family and

I think if I'm in cases, that not is there's in the same a little a little

that's in the always has always has always things like this type of this type you know

you're you know you remember of some of one that I have let me

I'm I'm a memory but you I'm to tell

There's a house in St. Nicholas that that's that's never

never never never that's that's my my story and I'm

saying that they're that they're not that but in this house

during a time about 10 years passed things very

things that the father to do to question

to because he he for situations of his

He said that he's made many enemies. No, I'm in a question like, not legal,

but it was a work very competitive. And then always was, or the other or I, and it was

very competitive, he was very well in this work. The count that when they got

to this house, from the day two or three, they were to know, that

there were scorpions inside the house says in no no with nobody

just in that house and they they'd and they they'd fumigamos we're

we're we're we're we're we're that renomber international or

there one of special that were not they're not

we're not never they were the scorpions dismino the

plaga but they're they're and when when we're to try to

the people and they're saying, it's that it's not it's it's what it's

not not that it's not so they're so not so they're so they're

and they're and they're all over and they're in the cell the not,

but when those kids when they're very little when they're and

they're a man and they're a one on a old

of those that they have like a circle a the and the

sir was sitting with a baston vying to the door of the entire. And they'd

go to the escalaras and they were in the carrious to go ahead but that

not just they're in the one of the little the little the

silhouette of the but with eyes in various occasions they were they were

something that was in the bayon in the This was all many years

because it was something that were a thing that they were in the time of the room, it was like

if you were someone in front, and it said it was a sensation horrible, but in

occasions was that was a place, and then there was a other. And at

start of the door was it was a lot fear of the because I was

like if there's like a little the door and they're always the door

aberted. That house I know I know that that's not that's that was

that's because it never they they're they're they're very very disquired.

Then I think that's because all the there was that was going to that

I'm not. I'm when I didn't know in a quarter of the story

a very antioa that they had one of these airs

but they were for all the house. Like a central. Like a central. Exactly.

The apparato was very, very, very, very grand. And, that's

they were when they were just doing the construction of the house.

Passed many years and then then it was not was that type of

the appartats for the consumption of electricity and they've

decided to use but they're passing all the other other things. One day

he called a man an engineer known to say you know we're going to get to get to

who's a who's a time and who know what's what's has got when they when they

they've got they're there's that they're that they they're that they he's

he said it is a grougeria they got it they're they're not going

to pass In serious. So, I, in the personal, no me has been in the form direct,

never had a in relation to the burglary. But, I've told stories, aterraderas that you're

wow, this a year, this was a year, 20 years of different families,

and it would be related to that you? Oh, right, what you say,

like, like, like, like, I don't, I'm, I'm not very,

I'm not very, that that's that's that's like that Tarotis

this type of things my my woman's my was a right

yeah no I mean in the time he was much and I know

a much that the the of the of the yeah

medium a dividend and so exactly so exactly

so one one one this she she she

she she she was she no I I don't remember if

she was the daughter that was the daughter, the girl, and a through her, like,

he said the things, that's that's very famous. The girl is a little,

Auroraita. I don't see. The boy Fidensio and the daughter was,

well, so my my her man, that's she's a through a overerita

is, like, Auroraita he said the things. So, that day in the night, I remember perfect.

I had, in the closet, I was the trots, do you know, of the trolls? The parietes of the colors

and the rombo corasone. I had chikitos grandes, of all the time.

And I had a chor. In the closet. And in the camera, I had, this,

changos. And, were like three changos and a Mickey Mouse and an osito. And a

muke that had in the closet that me they had been had been very

beautiful that but had a voice of fear but a voice

so in few words I mean a bit a so I'm much

so so the day that I put the the the I

because I was because I didn't I I got the pile and I

did I'm very feo. But it's a little bit of the moly

and I'm I'm in the closet I'm I'm put it all the little

the little the closet that was where I put you

and yeah I'm do in the night it that's

that it's I'm I'm I go to Ibr of the

I'm and I'm I remember in the the

of the camera was my camera and in middle is the burrow,

and there was the despertador. So with the relojito, it's a certain light that is a little distance because

we're relatively very close. I go to go to and the two we're just we're just we're like,

what she she's heard. She's she was very a lot of so I'm not so. And of

the moke the moeneca about. So when the moke about there I

I'm I'm I'm and I'm my woman no has because the

my muke so I know I got the I gotro the I

all the all the and the little and the so I'm so I'm

how they came how they came and because I'm the

man I didn't I got I read a voice horrible I'm I'm sure that

I'm afraid that I'm scared that I'm so much so I'm my woman's really because

what I go to the I'm going to the black and I make I desago of all the

trolls because you know that's that I'm so I said that I'm the

I'm I'm Iviento all the trals the a muke this

some some other changos and me I'm with three monitos in Mickey

a one a a manna a one man and the other

was a changito me kept with those three and all those other

in the box in the door of doming the fourth of dominga

is the fourth that's the part of the second of you go out of

out of the day next then the day next to be my brother like me maybe he or she's

we're in we're not we're not the day the day next my my brother

oh yeah but because you're you the mom said the man said why

the my my my so I don't have a

no I'm there are so they are so I'm in my

I said so it's I said it's really what they're I said, you know, is that they're kind of like me diabolical, so you.

And I said, were those trolls. And my mother me said, you know, what, rossio? And I said, is that I year, I feel a woman. And me said, Auroraita, that is for the nina, that at the way, that's like, like,

to do you, me scribe-the-court. And me said that you had many monitos. And that I wanted to come to play with your mukees. He said, But I mean He gave And he

He said that no That no That no And he said But if he He said, It's she She was she

Tumbo the Mons And for So the Mona So my My Mora And I Why are

To do that So it's Because I Why do you Because I Did I was There

There was There There's There's There's When when my brother me platica and me said,

me described the fourth and said, you know, you had you need to do you know, I'm going

to go to go to do, and like that she didn't and he's like that, and then it and then it

and she went. My my mom was she was really really really because me

said, well, she was she she was she she was she came to get to with

with your monos and you so, then right that said if

if we had you had been So, right I I remember She was I was She was

She was She was She went to go much To go to To get into The letter And the

And then I'm And for example, that Auroraita I I think I said That me I said

I was Like a Like a In the In the In the In the Man

But you No You know You know You know You're You're Oner

The Oner On the On the On The And the Lapis

was The That was the Yeah So moved just. So, so.

So, I'm going to So, I'm going, before that my brother, like,

were to be all the things, yeah, there was, but right, I remember

of that story, but that was that was that someone was in the case,

in theory, I'm, exactly. And is that just in the infestations, a

sometimes you're, so that when there I have the work external,

it's envied a to get a a way to be a like it because no there's not,

no more no more. It's so and never, uh, but right I'm a of the aurorita.

De aurorita. What good stories. And right that you did the light, you know, a resplandor

and that's a little and that's well, a me me passed something in the escalers

so, but I was, that was that I was that I was in

that I And then, and me they're saying or the initial or the final of a voyage astral that I did.

But the other is that you always, you know, always, we've always has had me a lot of

the room in all the quarters. So, the quarter of the escalers

also came to do a carer and they got, they, they,

they, I don't remember because. And when I was in the quarter of the Tapanco, that I

didn't want to be there, I went to my camera to the court of the door to I don't know,

because no I was there and I was there and I battal much for the because I

had much fear, but because it was the room where it was the

there's the so I remember much that in one of all those

paralysis of the so you know was in the night. So it's much of to have to

have seen at the time. One hour and a hour and and then I'm

going to and I know that that way I'm I'm I'm I'm

I'm getting a dormita but that that paralice of the soo

I'm to start much a much me and

I'm and I go a light, a light that's normal and conform it's going

and it's going to the escalars, that light is going more grand, more grand, more grand,

more, more, more, grand, more, more, more, even,

the light to my light gigantesque. So, something that is something that's all

but where where it's all so, well, it's illuminate all and I

I'm a costada and then I'm I'm a place

so everyone me says that you're the light that was the light

you're going to you're you're you're you're you're to start you

you're to start the the really no no

so very very well those the the wayages astrales or me said it

or that's you're going to or that you go to start. And I know and I'm pasted much times.

That looks that has passed more than a way. When I mean when I when I said that it was

a way of I said, I know, what I'm me know because I don't know, because I know, I don't

know how it's not how it doesn't then then so you like it for a

moment when we we go of the house well, my pap's

they're in the house and I'm there I'm going to be able to get

to be to be I'm going to a house and you and that I'm

pasted me has passed like a three times that I see a

point so like a little a little that

that that and it's going and great great and the thing is

that that that's not going because it's going to

but at the moment that's me going to I'm I'm I'm

I'm know I'm know what I'm that what I'm

not the I'm not the I'm know how does the

of the other those other people, I think probably you know

and you and to what I'm to in this house where I know

I'm said I've done three people that have seen someone in the

stairs. You don't have you have been described? Well, one? Well,

see, two people. The first was a sobrina this

she shequita she she thought that was my Rumi I

have a Rumi and he said she said, I'm I go, no, no, it's

I'm going to see. Yeah, I see, I saw. And I said, no, I'm going to be nobody. The little the new year

and I'm saying that's saying that no I'm thinking that was, I was, that was being,

the other person that saw, that, that, who, who, saw,

a, someone in the escalers, then was, but, I'm, a person

a alt, this, that, the, that, the escaleras

and there was a like a cortina so it could say the well it

could say that the silhouette of the person not she as as you

like they were in country this the she said she said she was

she he was and then he was he no he he no he no

knew no there no I'm to come to my house

I was dormida. The first with my sobrina, I was a second

with my friend, I said that I was I was born he was he was a new year,

he was a second that was a person she didn't she not just said, she said

that she saw that he saw that someone passed for the and I also I also I'm

also I'm, I'm going, and if I'm that person I'm going to have coincided in the three

times? You're not? The two two, I'm not. The first no. The first

I was down and we talked about, and my sobrieneer saw on the side of the not in the

stairs, but he saw that that I'm going I don't, no, no,

I didn't the sensation you, has commented that in this house in the the

anterior, the that you've was this there was this sensation like to be and that's

in the other in the new house? And in the new house? And in the new house, no,

there's you're not you're not much, you're doing. There's just that the time

that I'm that I'm that's over that I'm there was a lot much fear but

much more a lot I don't know MEDA But because it For the regular,

I've passed other times that I'm I'm I'm I'm the eyes

I know I'm I'm I'm able to do and I don't know I

but that I think I'm I'm from I'm I'm from

I'm I'm when I came to live a lot I'm the

back into the backer So I'm just I'm going to the focus of the window

with the door, well, maybe a bit of that was a light. It was a

little bit of a little bit when I was going to, I'd the eyes, it disappeared. But in the

moment that I was to start another other way the locesita so I went to

and they was coming to be and it disappeared. I think it was a bit more

much, much, much, much, much, much, much, I'm too Mewit

to my Rumi and I said vent to my part to do and I'm going to go I'm going to go to

get to do with your parrita I'm no, I'm really bring to your I'm

I'm much I'm really there's a light that's there's there's and I'm

I'm I'm just maybe it can't be the initial or the final

of a final of a way I'm I'm if someone that

they say that they can't if someone knows it they're how they're going to do you

have to see it has to be a lot of this idea to be interesting to be if you're interesting

to be if you're on Spotify, beganse YouTube that here is where they're going to

me you're saying so then then you then that then I'm to come to get to

let's get the time I'm just me dorming with a perrita you know like the feeling

that there maybe there was there more there in the room me, he's He, and I

I don't see the light, I kept super dormied, I was the she was the she was the she was the

way, I'm very intranquila, I said, for the fear that you did you, I said, I said,

I said, I said, he said, you were, she was a super dormita, he said, and they were

being moving to all the others. They were being tranquil and I just, no,

but I, no, nokeated. Yeah. Okay. You have passed apart this situation of

a new, or something more in this new house? No. No. To Rumi also.

She says she's she's, of the actually, what would three days? So,

three, four days. This, we're getting many people in that house. She has

two perrita and I have three. Two are machos, then they're almost

always are outside. of the actually, they're in there's a one of my

one is a one is a ember, she's and when I get to get with me, and she

doorme with me. So I said, it was like three, four days that she

said she was, was like un-tankila and I was like one of the perros,

that the part they're not done that's I'm and I said,

I'm and like and, and like, and, had, I was, how's

how is jadeando? Haddian. This, and he said, well, it was a

little more, was doing a lot, but I said, no, I was, I wascuched the patty

that was, and waltas, and waltas, and waltas, and waltas, and waltas, and said, that she

she said, she's, she's, because really, the room, the lavandery. So, above,

the perros, They need two windows. He said, he said, he said he said the perr

that's he said, he's to go to go to he says, he's he's got

much more fear. He said much, much more more, he said, a

no, right not. So, what he said, he said, he said, no see,

I'm, oh, right, I'm still he, oh, I'm still, I'm

and as I'm I'm in the But the perro He's very Inquietto He said

He's He's like The real He does like the And he has Rasky Rasked The lavator She put to raskerna

Okay And me And he said No, I was doing Woltas And he He made

Much Mier And I He said I went And when I I'm back And so

there's There have There have There's That's There's There's There

They're They're they're all people. He's a lot like in the house

the other his court if it's a with a door but the

house of the house of the house of the house of she's yeah

has the person that was a was a child and

fell she the house has the has many

many she she I was in the quarter of the side, you know, because they're

a wallet and the really, I'm at front and I don't have this, this,

not a lot so, then so it's not really nothing but she she says that she

has been a much noise of the house. Like if were moving moveles?

Well, like someone and says, but the house is but the house is

yeah. There, There's a department in in the city of Mexico that the people don't want to because the departments are very,

very carous and say this would generate a effect very negative a plus valia but this story me came by the

guard is the that says there there is the department that all the people of here they're all,

they're always, they're always they're that at the three of the morning they're listening tacones.

They're that move in the muebles. I know are those people who

nobody know that is that department is a no ture no ture no

there's many years it's of a company that during a time that during a time

us was not but they're not but they didn't the immuble so so.

So every every that we make that this type of

the time at at the I was at the company and I got to get to get

in various occasions. And there's there's but all the people of the other, the other

the other the other they're not about that those people are very and they know that

there's many years. Well, fiftate the house the house that's a lot

is of long a long time. Uh-huh. And I think it that's that's the

year that they've gone to clean to and all they're going to use the

house as they were a car to do a to and then I'm going and I'm

going to and he went to because I let's I can't say that the cochera

as they're like so they're so can put to the car and not

have to stacionar lejos, we rents a woman, to the woman

of the manna of a man, I'm a day he went to go to

and I'm you can rent a carer. The yeah, I'm I'm

my car always. Yeah. So when go to this senior and they're

to start and they're and he and he present with me. Oh,

I don't remember the the name of the the name of the I'm going to

say okay whatever thing that need here I'm here

I'm I'm I'm a I'm a I'm saying that I'm I'm a

not a car black no I'm but it's a my roomy ah

well so and I see it and I like you hey oh yeah

and so and so a one a month two me I'm

I'm I'm I'm much to know I'm much and

and the and the and the say oh my very good and

you was going yeah And he said, Oh, it's much that's much that

I'm going to I don't want And I'm And I'm And I'm Oh, Oh, no Is that

You know, You know, I'm That's a And so And I What's What's

What's? And me And I say, you know, Sobe that I'm here

I'm I'm I'm And I'm And you How I'm You know,

I'm I'm The house is a It's a It's a little That's a That's more Chiquita

That's more The house Original So are really the Cascaras So are So I'm I'm saying

I'm in the recamara And front Uh Uh Uh Dice And I'm

I'm And I'm And I'm And so And I'm And I'm And I'm Various

I'm I'm I'm I'm Like if someone So He's But no

There nobody. He says, I think is the manchach he's, I'm trying

I'm trying to say, I'm saying, I'm saying, that's saying, that's doing in my

house. Because the house has been a, so, since he fellieceo.

And really, I mean, he did, well, yeah, I'm, talking, and I'm

saying, he said, he did a infartto out of his house. So, he was,

well, I was still to be because when I said, I'm going to see,

I'm like, I'm there's when I'm that I'm I'm, I'm the I'm the

I'm the car in that house, in the day I don't have no problem.

I get the car I, I'm the door, and I'm going to the

car, I'm going to the house there to I, but in the

night's when I I get I'm I'm stacioning a reverse always, always,

always, more easy to get in the morning and they're and they're saying you know,

when I've said my people, my father's that you get a to be whatever

whatever whatever whatever. So, so I'm so I'm so I'm so I'm

so I'm used to reversea and the car has a camera of

the when I when I when I when I'm when you know, I can't see

the window the door and the I'm sure I'm a I'm sure I'm at

I'm going to I'm going to I'm not going to because I'm like a kind of but it's

always I'm going to I'm to start you I'm I'm in the nights not going to

not to be a that someone iste but I think a that one day someone

will be a summed so much I'm that some someone someone will get

someone's some more or no so I'm so much I'm I'm not prefer I'm

preferrotear the real yeah there's the story of if you know that Marty

Gareda and Jordi has a podcast no okay they have a

okay they're a yeah they're they're so they're to start

much they're gonna talk stories paranormalas but there a story in special that is

of Marti Gareda me if I'm I'm going to I'm the I'm the that I'm the

that's the that in the house of his abuel or of her a while there were a lot of

a house that was an kind of and there was a many things rare that were but

her but her not of that so then a day they're in the

scene and it occurred something that and the mom and

he says that It's clear that that's clear that they're doing the ideas.

So, that day, the mom she kept to to be to get to be the house, like,

it was the more recent. And she kept to do not with Martha. So, so it's

that's the two in the court, and that there's a point with a car,

with a car, a barra large, that has to take to move to to be

to be like, like, that, tat, tat, that, that,

so then I'm to do that to make a mother, and he's that's so we're

so we're not so the mom came to the door and Martha and he says,

and so then you don't they can't be able to be, then you're doing the

car and it's to be and it's and I'm and there and the mom

and the mom's put psalidid. And then then says, oh, where are those

things of of those that we know we're that we're saying, then you know, they've

passed out of things like, I said, say, I said, they're in this house,

so they're in this other than the other than I'm just, I'm that, although we

have got that I say, this is, I mean, this is, this, yeah,

it has no, it's like the door that's, there's my person,

oh, so, so, so, it's so, so, so,

it's, but, And I then I go And I'll go And I'm going I don't know You know, I can't No, and if

Correarer the The sound of the Passes Exactly So, So, So, the other Yeah,

And it's like Like, there's like, There's like, You know, I'm going to get to be a chorro So,

so it's been So, I'm, No, this not is too Not that There's a There's a

There There's, In the Yeah, in the It's, not is something

that aterrador a success there. Passing various things very

terrible there. But there one that not aterrador the problem

was how they're doing what they're going to a house two

children and a little and the part of a person yeah major. It's

for a way but other another person that's very very

very active and very lucy. When they're at When you were you getting to this house,

the, the mom of the two children, see that in the entry of the house and it is a very

very a man who a man who a man who a man who a very very advanced of a

sat down in a mecedora. So it is very strange because he's this person and because

he's there is there goes to the skydeas and when sub the last caro

no I'm saying, and I say, yeah, past the years and a day a little on a

over the one of the woman, the back, the she, the two children. And then she got the

thing. Oh, I think that I've never the I've told us, but a

me me was a very rare in this case a time. For this you have

passed a many things, no. And there was where she was to enter

that not the one of the said, oh, lookate that when

I never was renting here and never I never to

ask you but I'm a woman in the meced in the meced

over and the other and you're an person super super major

and all they and say I'm I'm I'm that I'm

and the other and then then they're to know the problem is that the little bit

to get a much free in the madruada so it was about

that was about a 30-tant-tantos degrees. So, the free no way. And I'm

to feel to get much, much, much, much free. And like for inercy

something he says, that's that's that's when it when it's to get

the to get the window, that's mecedora and see the mecedora and she

and she not a because she is a little encorbada that's a person yeah

major, but she he gave too me know because then he was

the little bit of the person. So, he made a minute to

the court and he said me that I'm made to get in the house

and the mom he said, we know, we're two light light and they

don't you get to do you get to do you get to the math

and I'm doing the buser but not but I don't put the

sensor of the I'm I'm don't be the

brother of her, the son of the son of the young a little one day he was playing

a he's because up there was a mezzedora with someone sitting there. But they said in this house, no, no, we've been there. No, we've rented.

And no, for where he gets? The way of entering the house is impossible for one of the person to imagine. So, that day, they were an habitant more in the house

of the river that nobody has. Exactly. Because the the lady of the house. So that house

not, no, it was an terrain and it was but of the And then, it was to get this new visitant.

Oh, I, I'm, I'm not I'm not. I'm not. Yeah. So, I

say, I know, I said, I said, I said, I said, I said, I said,

that the man, had fallen to, I'm saying, so, for what, not, don't go

a lot. And, and as a woman, that I'm going to get a to do

and that to get the way, to make that I said that I said, with a

more reason right, now I'm but I'm but I'm so much that's how much

a real what is the story with that we're going to let's let's one.

A bit. That's that's that's can say that were that were almost

of the first. Ah, yeah? I was I'm was so me that

was in secondary I'm in We were in the house In that I still was in the

quarter of the where they were and they were and they were exactly exactly the same

there was a friend in the house and I said we going to get to do you I'm going to

what we're to do we met I to be to do you to do and I go to

go to my mom and I hear to my friend that is

talking with a and like he's like he and I and I

was I'm my woman X, he's I'm someone

and I'm and I heard that was able and I and I and be

and and I talked and I know to I'm to come

to do the and I know well normal or I

said with who you with someone with And I,

I said, you're talking, I you're talking, and I'm saying, well,

you enter to right the court, and then just I'm to do you

do you so I then I'm so I'm and I'm I'm not for the room,

but me gave a fear so of the eye

yoros pale chin and you know you know let's let's let's

let's I don't I'm not I'm not I'm not I'm you you were you were talking with

someone. The way, I said, no, you're trying to be doing, you're at a catacada of the risa. And of the

no, I said, let me go, and we're we're going to, and I'm back to do you, just to be to dinner,

the tiends or something, but I don't want to be much fear. And I'm too, those, I'm kind of

those, they're maybe, yeah, more than I that I was because, because,

it was like in the secondary, more, the more, that was that was I still had in the secondary.

And there's when, because I was because I was talking to someone. So I went to say, no. He said, well, so, you know, I was, I went to the bathroom and I went to the room of my mom. And I used it, but I never entered the quarter until that I said.

And I, no, of here we go. And she, or so, te viewed to you? Because you confunded to you with something? No, well, And then, I said, but me

did it. I said, I said, no, I, I mean, I mean, I said,

I said, I was, I was, she was, she was, I was a postada. Vision periferica.

Uh, and, and, just, I mean, and yeah, or, but,

me says, if, no, I, I, I, I, see that I,

so, so, then, so, is that, there, are, there,

are, there entities or creatures that have appeared one and other a reason

of the stories that are the people. I'm the people. There are some of the

voice, like in the case you that's listening that you get a place and

you know, and you recognize the voices, you know, and you know, or the

people are that are so they're not, no, we're we're not,

we're not, we're not, we're not, There are others that imitam the body of the person, but here is where it's where it's interesting and there are different types. There are ones that are like in a boucle, that simply

are doing the things that I'd say that person in a day normal in their routine, no? So, it's has to come people that people that get to the house and they've been to Papa that that's he's

his his room and he he's he's to be in the room and when I'm there's nothing no is a

in the bathroom and there's not the doors like as they've had been

the vision of someone of someone there there's that simply

is like I'm there a story of a a chica a chican that she

has been with her to rent a rent a house and then they're they're in

cargating, they're in the newio goes to the newio back, the novio back, the newbie

is a little more less less less less than the she's a little the pass

and when he gets to the second piece see where she's where she

makes the the final of the passio and so then he he's he makes the passage

where the where the where he's totally vacill and also he a sussed

and in this he's a lot of the he's a woman, he's the he said, why you

get this we're in the first and he's you said I've got to get to come to

here. No, I'm to go to to get to to another. So,

there's those that are like like a but there but there other that are

imitators more tetricos. There is the history of a a chico that here,

of this place, he went to live a time at the house of her brother, for situations

between work and the economy and in what was to be a new place. All

being there, there was two success very other that was a question. The first is, a problem,

is a private, very beautiful, and I start, how it comes from, from,

from, a woman, like, you're doing, he's a a and it's a little bit of the sound, but no pass to nobody. So he's a sussed and says, that's it was too, it was

he said, I mean, to say, he was there. He said, he's there. He's there. He's not, he says, be a to see what happened? How he lived with her woman, then says, so it's she says that's up the

stairs and conformed to see the door to go to the her second to get to get a lot of

and I'm going to say, gette, salt at the house, salt at the car, don't you

get to get to get to his intuition. I'm coming into the court and he says

that the front of the fourth, be to her her mother, like looking the

way and I'm using the but he was a a little it's like it's a

kind of a kind of like she was a amelica like she not she not

with the hair different more more more said then

then then then and that that that is my thing is like

and it's and it and he and he and he he's and he's

and he so so with the sound no, no, does match. So, so, no,

I don't know that that thing, probably never is human, and me I'm out of the house, and me

kept out of confunded. And then at the five minutes, it's a minute, and he said,

no, you know, I'm going to start to the person, and he's, oh, and you're not

you're doing. A, time, the one of the one, he said, I'm

the same to the house, but not you're there's a like some imitators, that one's imitam voices,

others imitam but not interactuant because it's in a boule, but others are like they're like those are like,

and they're some, with the people, and they're they're doing that for you is important. So,

that's, that's very, that's a, that's a, that's a canion, eh? To me, well,

I want, I'm going to think that I never I'm an an imitator just a

one more the voice the voice that I'm that I'm that I'm talking about with any

and I'm so like I'm like I'm my brother my no I know

there's there there there there but there but there

there exactly exactly and I but there there there

is that there there there there there there there

has much in the in the first relato that I'm the this type someone

said, ah, you know you know you know those are those are contes

but those are a type of entity that not no, no, no does much match with

with this type of situations and if there many different these people who

people who me is listening. If someone has had been people, have been

many people do you get me to get to get for the WhatsApp would

be interesting to see this type of stories to start to see

that more the other exist. But well, Rocio, much thanks for for having been been to have

been to be the day of you. How did you know? You got to those stories? Yes, very good.

Yes, at the end I know the stories of your house. Thank you. Thanks for having to

the opportunity to tell me. No, thanks for invite me. Dear family noctuna, with this

we get us to get us to the final of the episode remember if you want to

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