HABLEMOS DE LO QUE NO EXISTE - Leyendas de Duendes, Brujas y Bacá Siniestra | Episodio 422 | Hablemos De Lo Que No Existe

Episode Date: September 3, 2026

Bienvenida #FAMILIANOCTURNA a esta #OscuraFogataDeHistorias en #hablemosdeloquenoexiste El día de hoy en esta oscura, macabra y profundamente siniestra Fogata de Historias descubre que las bacas no son como las pintan son bastante más peligrosas; y aún cuando crees que son mansas, pueden llegar a ser bastante más peligrosas de lo que imaginas, sin embargo, tú y yo para este momento sabemos que no estamos hablando de esas vacas; conocerás los secretos de una familia que te llevará a tener cuidado y protegerte antes de la tercera campanada. Y me recomendación como tu querido y siempre bien ponderado #narrador es que le hagas caso a tu instinto no vaya ser que los #duendes te confundan guiño guiño. Todo esto y más en esta Oscura Fogata de Historias de ⁨ ⁨@HABLEMOSDELOQUENOEXISTE⁩  Si llegaste aquí y entiendes lo que te estoy hablando déjame un comentario que diga: narrador, no le tengo miedo a las vacas pero sí le tengo miedo a ... y ahí escribe lo que gustes y sólo tú y yo sabremos de qué estamos hablando Por cierto querida FAMILIA NOCTURNA de #Guadalajara , #Saltillo , #Torreón , #Tuxtla y #Aguascalientes prepárense porque Hablemos de lo que no existe muy pronto va a estar #EnVivo en su ciudad #ByeBye

Welcome to Family Nocturna, to this Oskura Fogata of Stories, in Ableton, in Ablemovee, Enableness We'll The History of No. It's a day of today, I'm going to talk about history and legends, of duendos, and vucas, and vases. But the vackas no-counterer

they're going to listen to my life, and today, or I'd recommend that you prepare you. Ponte comod, putte very a gusto, and at the final of this video you propone in a trot. But, before we get us

there, no you occur to do you because we're a point to start. A lot of

lot of stories. We've seen. Has heard about some other the three campanadas of the

braw? Because there a child that's a little bit of her and her is very

little, he's a little story one and other once the three can't

the three can't never you never when they don't even if it's my boss

or the of some that And all this, that seems a legend familiar, Almondra, is a anecdote of the abuela. It's something that lived when

was a little. Something very curious, something very strange, and definitively aterrador. When the abelita had around of 12 years,

in that time was he had to popularize this mal-named game of the Uiha. They'd about this, to contacter Spirits.

It was very the way the question of the mediums and she the abel had

heard of that's not much fear of those things. No I need

never to use a whiffa to have contact with the other

world because to she was there was a

house maldita that had been the house of

the and that nobody could support to pass

there the madru because after the third campan

the Bruch the the And it was a game of the house. For you get a idea, a house of two-piceos, techo of two-agued,

ventanas, and others more grand, but there were much repartied in the second plant. The first plant appeared a fortaleza. There not was the loose. A port of madera

disvencified, and that was that people continually entraven, because at times it could be able to try the entrance, and at times

was it was pegged to the a part. With the time, inclusive, it was a

little and the part of the door and the rest of the rest was there.

And the first was her first to see this house, he said he was

a that it was like the windows and I felt that's that

they're her imagination of the she had known

that had had there and all all things

different and I'm Hume that was a house of the

room of the there's there's there's there's there there's there

other place in the other those those those people

and you're never you're to get in the nights

and those were all old she had the

experience but he had much fear even even

a little and a friend and her convinced they were to

pass the night there. They were in that they were to go to the house of the time.

The one of going to go to be a night of the time. And in that time had much

confidence to the family, no, they'd see a problem. But the reality is

that one would say a one of that would say that would

say that his best her best her name that you would be to be in case

of the one of one of the one of something, a little, a type of help for the family for something, paint, re-saner something, something. Something like.

The three see-in-one-public at the 7 in point of the night, and then they're going to to come in a 7-4th directly to the house of the Bruch. When they're at 7.35,

and the place is absolutely obscure, and the night, the experience now is macabra. If the Buela of Almendra sentia

that from the night the night it was a place that was a lot

it was a tarantula that I would have to start his your if you

you'd you'd you but the man was the first that

the dark a light he he got a two times he got

a under under but the sufficient to that you

did you find that all there all were there, with a little as of a light of a

linturnita, with that was sufficient to dissipar those. The three enter in the house, they're in a house, they're in a house of a room, van caminandau and get in the second-pice. The first hour, within the house,

it's serve to frontar the legends. No, there's no room of spejos. No, there's any other pass in things macabras. All are all done in basura. No there are emuble. It's a house that's aqueyed. In

some of the abutations no there's no, there's no, it's all the water for the little,

it's all right, it's pure men, it's all the way they're all the that's the one and other are the

things, those things that's the matter. The meta is the night, those people, not when they're

not when they're an experience, and less with the personality of those three that are more Two hours

into the house, and it was a but a a inferno, but a fear of a desperation, what we're going to do, no,

we're not to get us, I'm, I'm going to my house, and she said, no, because if you're going,

you're going to let's go to the interna, and he said, no, because me going to to get her to get her.

No, then you're going to be the three, at the point in the world of the moment, and he's,

well, yeah, me going to get to get a little bit, let me do this I'm going to be interesting. And it's until

that gets to the room in special, that has a lot of the end of that they're in the part exterior, that when alumbra,

yeah, see in the reflection of the light, and where be the reflection of the light in the piece,

be sombras, sombras that no corresponden to her, and a that's in that's in

the light that had had been a spego and there would be there there would

things, a stateria, a person, and these project their sombra. She kept marvellousied, and something it was a sudden

the sunbrae and it was a lot of the light, and it's a little bit a lot of, and it's going to

and where in the passillo about them, his two friends, it's a first of the house,

a campanada just in the center of the second piece, and it was a echo

that was that was that campana, was something enormous, something like of a

church, but these of the chathes that's in many times I've heard of the I've seen

that they're that they're to tap his own and the other people, and the one of the

little bit of the other little bit to make a little and say it's all and they're

to look to all. The first campanada they're that nobody wants

three. Yeah we've one the two hours are the expectative. Yeah are almost the 11th of the night. And at the 11th of the

night, the three muchachos sent in the basing, because you know they're not to be able to move to there, they're going to the second campanada. And with the second campanada, it's the visit, because

now it's necessary the lantern. Now, it would be a person out of the house that are alumbing with internas, because they're in little lights that vireenters exteriors. It's like if those

were to look at there, and they're going to get nervous, and they're going to our fathers, we're going to reagan. And the other says, but how do you know, if they're not, they're going to be ladrons? But what are they're doing? For the same than we're doing, when they're going to be able to the

escalator. If they're in a lot, they're going to a abetation, and if they're somers, one to the other, just by the the same umbral of the door, van vented this light, and just when it's a person that's over the

lantern, that's light is light is up, and there is the absolute obscurity. The man, the lightener with nervousism. The man, and

they ask, the problem, the, I'm the prendo, no, I'm doing, and he says, yes, because they were to them, but

we're not we're not, we're in candolated, and then, he's, he starts to the lantern, and it's

It's inciend into the room, see a little destellio, and when I'm a point out of the passel, there's a

woman who is going to to be in his hands are like styrated, and he and he's going to

them, but without the mind. The three gritts like the guys, they're

going to get to the room, they're getting to the second abutations,

and where they come there, and where they, it, because they're a door behind them, but there no

there was no door. And, and then they're just they're doing the room in the room and they're just on the same rhythm. Of that thing that was he was in the passillo, of that woman,

that gave a very bad vibre and that was a spantosa, and the worse, no, it was a heartied, that after much.

It was a older of the first that says, about us here, and her friend says, we have to

want to the three campanadas as if were a is a very important. In what they're owing for the second-pissue,

because every habitation is more spantosa the sensation. It's a over-cugement horrible, like if yeah those had gotten to, like if you

had been caught in the trap of this woman, but no there's nothing, but if you had put attention, and with the years, and the

record all the other, it would be clear, if you had done that the walls were changing,

that the sombras that were that was that was that was in that was there were,

there were there were somebras there were very marked and they were fixed.

The the were changing of the abatations and the three men,

and the people, they're they're to get, and it's when they are

on the escalers that they're that never they're never

they're not a one one one one these escalers, that they've had had to have a round, that have had to be in a

a break, and here are two waltas that are, and three descanses, and it seems, and it seems, and they're to go to, and, and, they're more of seven, eight, ten, two pieces, above, when they're so on for the escalars,

and they're there, the first piece, but it seems completely unacconsable. They're up, on the little risa, the little risa, the one and a woman, and a woman maliciosa, because it seems a risa

burlona, of someone that he had just got to do know that these kids were not even. They're not going to the lantern to arrive, and they're going to see how a woman

was going to them, their hair were, they were going on the escalers, and they were so, so long, that were almost

from a piece to when they put down with the light, this woman was covered rapidly the and saw,

and saw, how all the melina was up, In that instant, one of them came in the first Pist, and it's how to get to the first Pissue.

Toma of the man to the other, the other, the other take of the other, and when they're getting just to the door,

they're saying, front to them, with the door desvencigated, as if that was a way, and

there were a point out of a point, and front of three blows four. After the

three Gullpes Firtes. Each one heard a little the Buella of

Almendra she's she'll her her mother she's doing it your

two two friends heard to the those and they were they're

talking in the trap of the broga if if had

to tryver she's the she's the we're the we're going to we're

we're the one of the only the only that he said but

not to reaganer who and signale to the outside, it's over, and it's there when it's the third campanada. In the moment

in the second the carpanada, there's a sensation, as if an exercise, they're going to

marcher to the second piece to the first, and they're doing that what the only that

are that are those things, are they are they, as they're like, and the ball

never will that in scarce two meters, never in the life, has been to go back to get to

continue to every time, because for more that he was nearer, never came to the door. The manchch

was the light, the boyed two times, alumbra to the back, and see,

again, as one of these other of the face, and the people who get to

the people, they're getting to get us as if were serpients of the

head of the medusa. And in that moment is when the abel of the old old the old

the back, he's the one of each one of each one of the other and is how

she is like they're and they get to get to get to a little

a girl to come to give them longer but the day that the day that them

demolier the three and being adults parents of

family They were because they'd because they'd see how that's the little that's the

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when you're ready we're ready with a whole world and more There there

are more more more more aterraderous and dangerous of the last

I've heard. There's there's a American that has the tradition of the vacas.

I'll explain what is this tradition. For situations of security in this city,

the people constantly have to have been to be their people. In

however, in any other times, the families want on some

backations, start to do to do go to and they're to their

home No, no, me refer to that type of Baca. I'm referring to a tradition that has a name. Not is this

type of tradition that you're thinking that comes from from the Middle-O-Rient or from Asia,

and that has to be with the respect to these hermusos animals. No, it's something

more more than they're just they're not, what I'm what I'm what I'm

what's just the tradition. And is that the people to protect their when they

have to get to the , they're to the house. He does certain invocations, and then manda to tryer, yeah, either,

or the above, or the above, that's what they're, to be a spirit, that's a lot of your life. The problem is this. For those spirits

that the brucho that can come from the celestial, or from the infernal, but they're going to be protecting, it's a

fact that's definitively monetary, but there's a second cobr. One way that you're not necessarily it's a single that

they go. One that you'll the guard that's the guard

that's the place, it's the place, it's to get to to get to you.

And it's there where our our good Raphael. Raphael. is a

subscriber, and he had heard of that tradition with many families,

but not of their bestindario. He live in a vicinity that is

profoundly Christian I don't know of what denomination protestant

but are very Christian so that that type of practices to

them don't but it's a practice that all's been there's a time there's stories of the abel, there

stories of the abel, there's stories of all the family and people, people who have a person in the

family that knows about this Vaca and that has called a moment to these

spirits guardianes and they they're they're all of one that the

things don't have done have been done Raffel and he's

he's he's he's he's I heard that that's a folklor. How

will be to think in those things? Apart, practically they're

they're they're they're they're to be to get to the house, they

do you they're they're they're in effective and then after that it's

like you know he's he's he's many that they're

that they're and even they're havings all the family

no they're in this or no He commenced to before the university

because he has to go out of the city, his family decided that's the last moment family,

because his parents do you know what after this. In the second year, her mother also,

also be to enter at the university. Very probably it's very it's very difficult, that will

be very complicated that we're all all so we're doing this so much we're doing

so much vacations family a voyage for different cities. They're going to

pass incredible, They're going to start in family one last time and apart there's a good money to for these vacations because not is

something that's what's they've been planned the parents. They're in to places that they're going to

go to make things that they're going to dohits that they're going to dojitos as family and the

best of that time that's a moment that's a moment of the love to the lucho

for all. The problem is that even when they're in a Bessindario Christian, living in this

city in which there are many problems of security. And in the moment in the moment in the they're going

in the house, they're going to be going to be a door to have been

and there are going to have many their many their things.

They're not the things of a value, and get to the house

to the family, with the possibility of that can be this, because those

families that are people are people and there, we're going to, we're also that's

a lot of people, or there's a little time in the city, is a prime of a friend, is a

friend that they have been much care, and they can't get in your house those 15 days. All paid.

A good a part, because practically they're not they're a kind of a kind of a man, the

house, and, well, it's a question of sopeas. After to put it in

consenso, all decide that the minimum is that's when we're doing that's when we're that's the time when we're

a few, because this is a prime is a primal of a friend's, and it's to get to get us in the

house. No, it's a type festerer, nor that has a person that's a

person that's or has a problem with people people people people very tranquil, no, it's in the city

working, is trying to progress in his life, but is a subject that has been 26 years, very centered, never has been

scandalous. But is in the city, looking progress. That's very important, because it's a substance in the

house, while they're in a park of diversions, and he, the days there, he,

he's passed in a manner very very tranquill mandating to curriculums for here and yeah,

preparing their food, but of a manner about a say, a measure

without using to use and use without using the living of the

people and then a baths salvin, lavacolches and put to see the things.

It's a time that has a time is doing exercise in the house,

he's being in form very lucid and only in the time free,

he put to learn to learn to do do want to

be like kind of like He wants that when When he gets a interview of the time

he can't talk about, apart of the things that he he can be like a person that really is a

really is a really to be and it's that's all fruit. Because in the day 8 yeah

he passed a week a day. In the day 8 they respond in a call.

There's a great offer of work, what he has been looking but

so is the destiny not in that that city that two cities of

there 14 hours of and he is that he's the offer of his life it's the offerta of you're saying

they're doing a little bit of time for that's but he's solicita the a plaza for maybe a time

to be oldgately after that they're going to get back their familyers very probably probably will

be to get the opportunity in this time so he's with the

the the people the are very friends of the family that live in that

house. They're they're and they're if you have to have with them. And he's

and he's and he's help with all this people. And the people of the group

Christiano, all they all they're all right. Disculp me, but we're we're

not I'm a person, but no I'm a person that's a person one.

You know what they're a person and they're to be a person who I'm not, but no

I'm able to make a part of the day. We're turn-tourn't to be in a car. Well, he's at a moment very desperated, he knows what to do.

He's out of the street, and it's there when a top a new an anunceo pegged in a poster. Protecte your house with the

Baca. No, he's that it's that's it. And he says there, we're doing to your domicilio,

try a guardian, and you all when you want you're going to be able to be a phone a back, buscue a plume

with one of the transseuntes of the place, he's a telephone in the palm of the

hand, and all the way of the way to the way to get to that you're in that's not the

sudden, that's not going to get to the phone, mark the number, and when he

marker the number, he contesta a person that's a voice and a person

he does a man, and he's he's a question about the service of the back,

what is that's that's a spirit guardiante, we're a spirit guardian,

Well, but what, what can real is? What can't confier in that? We're going to give proofs? That's not manifest.

But how can make you go to allow the house? How do you do you want to be to pay?

Much depends of that you. If you're going to be a great guardian. And that is the house?

Nobody. Nobody will go to get to be in that house. He said, but in

this house live in my tios. They're going to enter. The person have done

the person who have to respect. But all the other are not be welcome. To do that's a little, or to make the house simply only to go, and do it's like if no-huha-law and say, he's not going to be able to

those things. These things are invented, but when he did the cost of what caro, the guardian more strong, it was much less than what they were paying for the stanza. Decide that no has nothing to lose, but he says, I'll pay you, I'm going to pay, always when the guardian make a

Pruvas. Perfect. He goes to a subject of the most normal, a commis black of

a lot of a little about a little about the little bit more a little, and very unriented,

very amable. He said, he said, and he said, where we're saying, I don't have the menor

idea of how it's the thing to do you know to do you do you know to do do you know

he's the one of the you know let's see let's see we're we're

He's a whole the house. He says, ah, that's a cost to a little more. And he says, no, then you know, this is a fraud. Bette. And he's, no,

no, no, no, I'm not there. I'm not going to say that part of the house you need to you need to be more than it. And say,

ah, well, then you need one, you need to be a lot of this things, I need to be protected, and

me said, you know, I did a guardian that will be a much, and I'm, I'll say, no, I'm

important that many things do you do you know, it's manifest, that really there is something there's a lot of there's

no one I'm going to do you know, I'm going to know, but no it's not that you want to make

money, if the other he wants to get a lot of so he says we're going to start. Like if a manga

long, it's doble the mangutas and he put up some tattoos in those that have

a chalvel and a caravere. The subject has a something has written in the

nudillies and in the palm and simply to do a a game of

manos very extrano. And he and he and he a sobbing and a piece of

a sebo in the part of the part of the thing. It's a subject. It's a real-era. And then, after that he says, no, because the pertenances not you're going to be able to have. And the brujo, he gets,

with a face, yeah, really molesta. And he says, no, you don't you're going to be able to get to get anything. And front of him, he gets to all the rope, and he left in the entry. And if no rope puttta, commenced to comeiner into and

the door toop. Empeascair, it's a rude-aso in the house. The ruidazzo comes from your voice. But are rude-strains, the ruts, gutturales, sound like cantico rarous, but not in any

idiom, only are in any sounds, and sonos and sounds, and it's very rare, because he's standing to be out of

out of course, it was like if there electricity in the environment, like if something that would be

and the only that he's this subject, abriending the door to par in par,

most and so, without, so-s- suddenly-sud- and then then, then, they signaled

in the piece, and said, me the rope. He's a and when he's a he aggerra

he aggered with his hand to he's, he's he's got in he's not he said,

he said, I'm asking you know, you're going to make you go and you know that he's a

but he important, what he's a maldito timador that he comes and does this type of

things to he's what he's what he's the thing that he's the moment in the he's going

with very I'm very bad I'm I'm doing with the same problem that I

do you have to do that the vaca because no function. And, and while he's getting all these things with much enojo,

because he's desperate, because he needs to have a solution for that. And it's the option is to have to

the house only, it's the door of the house, when he the

the sombra of a subject, that comes starting a little chaperro and a little,

so it's being styr and he going to get a way totally menace and it

is the passio to the commed, the comed the comed in the the

I see some escaleras, and he he's a nodded. No, it's the sombre

for the form what does fear. It's what emma that thing.

It's really malevolo. It's very disagradable. It's like if

your body understand that if you top you don't be a

morning. So, he he decided that in that the house

got much very very even into and it doesn't

and it's the door the the money that I'd try in the bolstio, that was with what he was to pay the brucle, that was practically

the pay of the whole thing, because he had had got a lot of the money completeito and he was in the bolsa, decide to direct to

the central of auto buses, and he's a go. Regress a day before that the family

that he was a carco of the house. It gets a sustadiss and very very emosionable

the way. And it's going to they're going to have to pay those going to have to endemisar

and me I'm going to have to discused, but I'll get the job. I'm contracted. And the

next time I'm going to take two, three months, but I'm going to have the money to be not.

No, it's not, but your surprise, it was good. Because when he gets to the house,

no, no sign of that there's a person, and it's a when it when it

comes coming the first two escalones, it's, it's to open the door to turn the door

the door to the curtain of the ventana is moved and see a sombre. He does a spingo, two passes to back, and he says to goy directly over his tracer. But he to hold to sustain the equilibrium and he says, God, God, God, God, if it's true, if it's

really, and now what I'm going to do with this? Well, he's going to talk to, oh, mycino, excuse me, I've got here these days, no, pass over a woman. But the problem is that this is the speech, this is the dialogue that he wants to be able to, is what he prepared in his head that he's going to say to

one of the people. He's a door. They're at a point. They're at a little

in the door in the car. And no he's over. Why are they're doing that?

Why do you? With the other than the house, after the reason? And then it's a little the house.

And then it's people that practice the Bruchery, here no is a good-seye- -se-de-a-a- here. And he says, but I don't practic

the brujeria. Ah, no? And the baca in the house that they left her own a car? That's what? And he'll understand. That the bestino's probably seen the bruj. The day in that the type does all these things, and he's going to take the rope? Well, in what the case? Cabe? What was going to

be there? Some chismoso, there had been over there, and now he's quimed with all the barrio. No, there's any way to go and go ahead and to come back. It's a lot. It's the day. are the two of the time,

so is that so that's the door, enter in the house, and never in his life had been in

a lot of a lot of that were in three and three three-six degrees. The place is a

little like a tempan of the little, and then he says, look,

you know, never will be to need to any type of air conditioned

to be but that that's a reason. That's only is to mitigate the

fear. Why the demonio so it of the frio. And because that frio, is it a feel like if the temperature is it like to get

in the skin, you want to call the muscles, and he wants to that your body is kept immobile there for always. It's very strange, it's a sensation of that chance absolute. And it's when he starts to talk, a ver, I don't know who is you or who is you, but this

place also is my home. I live here, and just when it says it, Sient it's like if the house cembrara No is that's

not that's not that the foes and that's no of that that's just a sensation

like if the piece were a milesim of a goma and not

support your and if undier a time it's to

get a normal but it's a real that in the life

had had said that you know that there

not necessarily is very very very that he says, well,

I'm only I'm going for my things and I'm again, and the piece of again, he comes to come in the room,

he's not a moment in the moment in the that's going to enter, that's the thing, that that's the

thing, he's a detail, intent to make a mind, it's only a sombre,

a silhouette, and it's he's a little, and it when he's got a thing, to do the

thing, is like to make the the entry in you. And how it was to be able to be able to five, ten seconds? It's there that's a part of the right of the hand to the right has tirade. And there is

something that is that tryinging, because he begins to come in a carlark to the man, even if it's a little bit of the muke, the back with force, deviate the mind, and it's when you can't recover the compostura. And it's that there what he has no is anything.

No, it's good. Rapidly, to the maletta. All the time is driving the way to the way to

get to the mind. He's not the little little. The place in what I'm doing what I'm

going to get. Oh, God, what I do? He says, he says, the world, and it's

horrible. Because after the process out of the property, he's here in his

ear, a, as if something, like if it can't that's a

his presence. It was spantoso. It was what he thought, and another day he came to the head. No, you atrevas to go back to enter that house. No, it's your, and

not are you very much. It was his own but was horrible. It was more an order and a mandate than a suggestion.

No, it was a hypothesis, not was a thought, it was an advertencia that was saying directly

maybe his instinct or something. He's the family regressa. Don't you wish you could just hit skip on the worst parts of your life? You know the same way you can skip an ad? I get it.

I'm Siaiaa and I live in Ice Cove. I've made some questionable decisions that didn't end up the way I planned. And today I'm still figuring it out. Somehow things usually get worse before they get better. Apparently, that's how I roll. So bundle up and come along for the bumpy ride. Stream a new episode of North of North Tuesdays on CBC Gem. They're in vacations

Felices for the Union and not said now that their house pertains to a demon. And the demonio, first, they made them to get their defenses. When they came and took down the door,

and it's then that they're still that this primos and he'll receive, and nobody comes and he'll receive, they've ever said to have gone to some way They're looking, they're trying,

they're trying to localize for number of cellar. But it's strange, no, they're in the time of the

cargare your cellar apagated. Tal-be the battery. It's a time in that the

cellars are a first and a time. And the batteries, the batteries, a

time, a few, sometimes, they're not, and repair those costosososos

something, something, it could be important. Abren the door of the house,

enter, and they're, oh, how rich aroma flowers? The becault for us. Oh, and it's a good

good and good and good and that the time. The sun does directly to the

door and strangely in the moment in that they are the door it seems

that the light not comes for the crystals that all around

of the marco no there's not there's the absolutely

it's like a nuve but a new a new a new of these negras

would be covering all the firmament. They're to look at the family, ensienten

the lights, and the moment in that's the moment in the moment in the light, the lusels

start, and it's there when, the light, the light, the house is to another

back's still again, and he said, he said, it's a scene of a movie

of a story, and all all of all can't because they're are taking

very a well, they're going up the escalers and they're and not

know that their life is a point of going to get to get to the second

piece. When he gets the second piece, he all

the way, the probably is that he's that's several

and now the dimensions, they're little disproposionate to what he he's

the side, the side of the back, there's the back, the other side of

the fourth of westest, there should be to his primo. Then, decide not to molest it, only toca two times in the room of him, for that

know that they're going to be coming to his habitation, enter, see her the door, there's a little strange that you enter. It's like if the aroma of flowers when they were, like, lyrgyrable,

but no was nothing so impactant. He came cargated with a mallet and a mochila, commences to desacare the mallet, saca, all the thing has it's in the souvenir, the things that you've got to come, and it's there

when it's in the middle of the record of this voyage, the nostalgia, that's something like if, of a sudden, someone's had been put down to him, has the camisa of the park of diversions in his hands when he'll see

a silhouette that's parada just after him. So, rapidly, it's a turn, and there's no there. It's very strange, very incommod, at the grade that

the more, it's to make the door to the door to the door to the

door to get the door to get the car of the door to make, no, no,

no, he'll make sure that the door. The door is then, and it's

when he starts the door and start to say, Papa, mom, me can

help, no, but when I'm not that's nothing is nothing, no

he's not, no he says, no he's not he's not conversations, and he says, well,

maybe they're in the so you. And it's then when in middle of your room, he's a little, but it's a gritty of a gritty

a gritty, and it's a gritty that's an instinct, not the supervevency, but the protection, it's the

great of her mother. Her mother is the room, she's the one- the last, and

the gritty and the first into the house, she, and she's, Mary, Mary, where is,

where you're, what's, what's, what you? Mary! And, again, the gritty of her mother, the worst is the tone. That sensation

that he leaves, is like if they're doing doing a year to do your woman. He's a door,

he gets to get to make a lot of and then from the door with force, he'll terminate on a man.

He's a hand, he he's got a father, and he's totally uncontrollable and desorbitated. What do you

do you? What's got to? Why? Why? I got to go to the door and he he's

said, Mary, Mary! And then his brother he says, and he's, you're all right grittast

no? I was about with my mom, we're talking and we didn't know because

you're not the because you know what that's he's all you're kind of

kind of strangeed his he said, if you get to a man you're

you're back on the the man the man for this moment that you

he's a little more more more but no

It doesn't happen. It's going to the bathroom, and when is when you begin to batting in the regadera? It's like if

the o'iddo they taparan. Heja to hear with clarity of the sound of the water

that's that's the same a sensation very disagradable. It's a frio that is a

little, it's going to get into the little bit and it's getting that man lastimated

like as if by the maugulah also it's fere' but it's

a frio horrible that he starts the man, dura, dura, every time it's to retraer more

the hand and it really does much. And it's there when that's a frio is strange because no it's all

the room, is it's entering to in a little in a little by through the and the

water, the water the water the water the sea, the water, it's

more than a lot for the situation, it's envueled in a tawel

down, he's going to go to his parents and show them see what

what is what's what's when the man is and the way. a cocine,

when the toilet in a when they're saying, and his papas are, and they're going to be the form very extraia, and he says, but they're all right, and it's

being to be it manner like if if it was a little very rarito and that does a be churner

and much a very and her mom he says you can put you put a

something and it's when you know the that you get a little bit of back

and it doesn't get a question and it's rare but a sometimes when you

don't you're not you do you just like if those emotions were

also some some form of structure nervous and they

do And it's from there, certain emotion, act to be a manner extrana, atypica, and you decontrol, because for the

the arrogance and the nervousism, they're starting to make. He's going to get a little, and it's a more calliated,

the security, that was something that he'd that was a really, very, very, very, very,

very big, and more seems a person, insecure and nervous. That's the story that I've

been past two years. Rafa, the day of that of that's recuperate. But this not is all what they've

passed. His brother Mary, some years than her, a little very much, and that's if she, they're

the games of the language of the and is a child that's a woman acid. It's a

person with a humor that if if you get to get a because she doesn't

get a very much, she's being her person to work that that's

to start to form a that they'd be in risa, hurlandos of the problem, making it that the problem is a little bit,

he's up getting the escalers a few minutes after that she was up and she's going, I'm saying, that I'll

explain that when she went to a fraternity and with that's going to start to be to be to get to

and then then I'm saying, oh, oh, hey, but if me persigues,

remember that with me you have to bring a little a toe up and and above,

and with that's he's going to enochar more, and it's going to pass. And all those stupieres is all the

stuff you're thinking, because he's going to make a minimum a sonrisa. Or minimum he will

make to get to something, but you know he going to be the car that he saw a

little bit all patchurrado, all confunded, no he doesn't see her his brother. He's

going to Mary and when he a raffa that's going to go to the

house, camina directly to the back and the door,

and She kept in front of the Baio. And think that for what does all the other if the only that will need is to say,

Buh, in the moment in the time in the time he's going to make, and all the other no matter. So, Mary,

is that parading out of the waiting, and pass two minutes. Three, four, ten, yeah,

the hands are in position. The codos cancans, the shoulders too, the same to get to

relaxer, yeah, for the 15 minutes, better she sit at the side of the door and decide that when

when I'm going to get to get the foot to get to it's a more easy. 20 minutes she's

sitting at the door the tracero and then I'm a bad a media walk, come in the

passio pass through the room of the door is open and see a raffa sated

and see the and she she's he said when you when you're when you

said the back back and Rafferererer's the side to one side to another. And Mary he says, if you're going to be in the bathroom, right? And Rapha move the head to the other side to the side. And he says, Rafa, you're going, and he

will move the head, saying he's going to. Mary, want to enter in the room, but it's like if were a point to do a pass into, but he's something there. A. A. Capa that is so delgada, that seems that not is, but

the sufficiently gross, for that all the bellittes of his body begin to reactonar and do a pass to back. And Raffa, never to turn to the sierra, he knows what is going to be

the way, back the door to the mom, pap, mom, really, he passes something to be a gritty on the second-pisso, sub in the three

running, and Rafa is he's a man, he's all right, you're all this moment, it's always that they're doing the person who is

that while a scandal because he's talking to Rafa, reaction, reaction, reaction, Raffa, Raffa,

it's a little o'y good, well, it's a really to bring an ambulance,

they're to have to get to a hospital, it's like a kind of

kind of when he comes to he's like a rugs kind of rarrow,

like, like, like if could be an animal, like if they'd

do you're the mueled as something in it would be

it's the Spanish because no he can express in words.

Only are ruts and ruggled. And the mirrored, is there there. There's a there.

And never he's the mind of nobody. He gets to the hospital. At the 15 minutes

is it perfectly good. He does doxychological. They're to ask you. And for the

moment, it's when they're they're going, what you? What's the problem? They're

to mark one and another other time. The cellar of the cellar of the car. No, contest.

No, contest. No. Contest, no contest. No. Raff, they say that's

that's night for the time, he's a mother and a his wife, to the

wife, that, he's going to get in the house, that's going to be all the all of the doctor,

and he said, that it's a good a inconvenient, a state emotional and exalted,

a raise that's a point of getting to start a that's a question, he's not

that's that's a same time he's very nervous, it's very strange and he

he's continually of the Mano. In fin, moma and hisa, she'll end up going to the house. They're going on the escalars

when someone isom by the window, a silhouette absolutely obscure. Something that even when he does the light,

no it is the light, something that if that's that's the tone, and is a tone, and it's a

tone that no project a little bit of a light. It's all that's a It's something that

like if it was a good movement but it's a much solid to do. The two see that

with a spanto tremendous are to the door of the house of the people. And the

people, the most are the most of them who are the people, they're not only only

they're not they're to do and they they're to say that you are very

very preoccupied for you because the person that they were a person that was a

brookery, how it's occurred to leave it to do you. The chica and the mother's there's

there's where you, and I, my dear family nocturner, we're we've done

that we have been a error. Because how they were they were they were at the

vaca? Because they've seen a person that had cuted the

roba, no. Vieron the the back because the second day that

this person was to the city, after after that situation, they were to

robar to the house. Three subjects that were very very well armed, they'd

all the things, and all the things, and they'd want to and they

were a carion to get to get us the percent of the person,

they got they're, they're to get the escalones and they didn't

have got to have force to hear nothing. This what I'm saying, the people who are the people who are and do you do with this type of atraco

are they're doing to do. For that, no is simple, simply if you see that, to see that, to find them, because you're putting your life in risk. All those of there know, but what is they're doing to

call to the police to a manner continual, passers the voice between all the and make that get in one and other other be reports, one and other

other be reports to different guards of security. If someone has a system of alarms, also also, they'll report,

and they're doing to make reports continuous for that they're a patruly. What is what you

what is the thing? That's the people, when they get to the door, the door

is like if it had been perfectly abirted, because the people in less

of two seconds, they're going to the house. After that they

enter in the house, the the door they're they're

when they are the obvious, they're going to to start to recollectar things. First, the major value,

and then those of men, for the camions that they're there of mudansas, pretend to leave the house absolutely vacuous, that's a caron. So, the people are saying rapidly, they're very alarmed, not all the time,

are in the ventana, mark an one-vecine, and another, they're in the house where they've had taken to the son-in'noh, that they're assaulting, well,

where's it, no-imported, now, after, we're, but they're metying. Pusieron camions of mudans. We know that they're not to move. There's a time, y, jam, and they're going to, jammy, yame, when, of a

scandal to the barrio. The police has received a quantity of tremendous of all those, and there are very unites. Yeah, they've said to all right, that's a report that you've done, that's a lot, that's agorough, let's have exaggerated the situation, as well, not you know, no, are two camions,

are five camions, no are three people, are 20 of those that are people, they're want to robes? No they're with tools to robbering the house. They're

armed. They're practically a army. They're done such a

situation that they're being moving a grand quantity of

the but the scandal not the syrenas and the and

gisia because they're that come from the house of the

people that are using to help help help

help help help back back And help, Baca! And no

paran to grittar that. The people are in their houses, and only

that they are the windows, that are the windannes, as they're being a house,

the gritty these people continue on one, other, other, and other and other

again, the door of the door of the entry and they're and one in one

completely rasgued with the robes chiro-as and so fast that the that's in the middle

it's going to it's going by the escalers, and he's a situation graciously, all the

people are absolutely aterridden, all presenti- the same. Dentro of the house, all the

both the focos, and they were a light, an illumination that were that was that was

a light that had had a little bit of the house, a lot of the

sombers. Sombras observant, sombs, totally menaceant, sombras, sombras, that now are the new doggies of that place. Because that house, you know, that family. There, no, they took any a vaca. There they did it in the

place, and then they were in a house of demonios. The ladrons, they were up as how could they were in the carmionettes. No, they'd have-lavened the keys, yeah. They were out of their own, and they were aflover, piling

the people were to get into the same they were in after the patruies, they were

getting to all the people, the ladrons didn't even they were they were aterrado,

palidos absolutely, piding, to help to help you for a while they were all the

other than those horrors that were there, the police were there, but the people were

never got to ask. And there there's the mom of Raffa, and there's this aterrados.

For that's not us contested the cellar. For that's it's over. Why not did this? And the

things are rare and they're bad. Because the things have a cobrough, they're they're

the money. The cobrer was to be another. He was gave the house, and they

don't respect too the essence. The family committed a grave error and it's

my father, and it's my pap are to be to be the

house that they were the house. It's the home.

I went to the time. My parents and my brothers were all the

days were a place of the things we're the problem not

were the you you can you do you can't you

are the those those that are that they're that's

there is that there is there form that

that your system nervous des never that was

that was that do not do so much. The repent, my papa, they found in all the book, caries, amas no

power, and they said they they had to extract all the dents, he had a nada, narrator.

He had perfect hygiene and vocal. My mom, I was a cancer in the center and

going to start all the chemotherapy. My her man commenced to have a problem

in the column, and she was she, she, he had to start to

start to If we all we have to work, we'll work them, but they're going to know what I'm going to I'm going to see in those things.

But we're going to we're in the place. And when we're a week, the caries of my papa, yeah not were,

they're visible, yeah, not they're not my mom no took over the chemotherapy. When I went to

make a second checko, I'm not there's like no, and my mother, the place,

the place, they were coming from them. When I went to the university, my manor regained the normality. No, I'd say that I'm entomied. But that if I did, me became sensible to my presences.

And now there are places, and there are persons, and there are things that I see that I'm part of the essence. And I don't even, but not for asom, the curiosity is something

that here no cabes. It's for supervivency. No, I'm afraid nearer car me. I've been with this story, my dear family nocturn. We've got to the final

of this obscure fogata of stories. But, before to be I'll say, if you're going to say, if you're going to Guadalajara, or Mexical and Tijuana Guawana, Guawas

Calient, prepareate, because we'll let's do what no exist, and we're going to to be a place more

nearer to be there. So, I'm that you go to the page the principal, and in the part of the

page and will you see, what is the future, so that that night in the we have the fogata, not to

consume the obscurity. Ditch one this, if you get to get to keep your and give to

the campanita and share this video for that every time we're more in the family

nocturna. And if you're seeing us and give us and give us five stars

because this year we know, we're going that year this, we're doing the next

Saturday of Sombras but here, until we're we're on the

next Saturday of the Bye, bye. Diggum, you know what you? Mandi. It's necessary, really, that you know?

Me you're going to desire those good days? Me you're going to offercee a coffee, you know? Yes, but after that's going to tell us a story.

Oh, so it's an interchamble? Yeah. You're a interchamble? Okay, so I'll propose. You're going to tell a story,

but, because the things gratis, not are so much in this life. No, there's not gratis.

If the story they're just a time we're we're doing if you're going to be the

day that's the first of the question. If you're to the next story, including your voice-sit, and you subscribe

on Spotify. Is it just? Because the story that you try it's good. So, then we're

going to be. This story not they're this story no they're just when they're stories super-strains, that have

certain elements that sometimes me result them to find to identify me are in captivated. And this was one of those stories. I've got to hear of almost five

because every time that I heard things totally different and said, what's going to? After that yeah, in a consensus, I've got to do do that other person,

we started ideas and say, I'm getting this story. And I was the local. Resulta that there's a person and we're going to put the name, a verbosecita,

you tell the name this person. It's a woman. Ombre? Robert. Robert. Resulta that is Robert, creen the paranormal, but he

does much fear. The podcast to serve to him for, to be to some way, he's up to get to be able to and he's like,

trying to boxer tantito, and is the end fronting his nests, because what he lives in the real is something to what really the

question a time. He's a person a little nervous. No, is a new bit of a new bed,

but that's a reason of a encounter paranormal, of what he no has memory, because he passed when he

had four years. You know, I'll say, no, he doesn't do you know, the menor idea of that event,

but his papas, because it was something something that's, it was a day, Robert, is that in

his house, normal, like any other day. They've been in a good bestindary in houses

very very certain to a area of camp, also there also there are

the other, the people, they're they're very separate those one of

others, and, And, of each, there are covertisos and there are bodegas between the same houses, who are the same owners or the deweensers, understanding this and understanding that is a very secure, that Robert, to that age, is curious, but is a kid who plays

always in the house and not come in company of his papas. And his papas have put those superiors in the doors, for that Robert, not to go out to go ahead. For desquido of them, are the 11th of the morning of a Marches, when the mom is so scared, that is at point to infartarse because the

little bit of the part. Voltear on the house debauched in the closet in zones that even are in a part in that the that the mano can't

or can't or not get because the little thing because the little bit of a age in that is developing

all these abilities motrises but no there, no there's signos that there's

in any part, no there there's there rope that's there over here,

there no they're she's talking, Sustada with his spouse, is talking

his stature with the people, he's not the people that they're not the people,

they're in all the windows, all the windows, there, nobody came out of

the house, it's perfectly rematica and serrata, but the little in the

lavendaria in the bots of the no, there's no, there's

any of the only that the woman, is a girl, and it's a little bit of that has that

the little contact with the little because he was a accident. But it's a

person who not the they're not really to be in the way they're they're

and they're that they're not that he never to get to get to get to

get to five minutes until she he said he's he's and the

perrity and the perrito yeah so it's then then you know the no way

we're we're not we're not you're pesados. Suen't. No, no matter

an anomalous. None of the other of the other. One of the other than the child

in the house, the husband is in the little they're all the

all the part. They're they're all the all the t'y all right

you can't be back the refrigerator to be in the never, whatever

whatever you never, no it's when they're when they're they're

a bocino of these megophonos and And he was talking in voice Alta,

Robert, Roberto, I'm a bigafano help you know to get to the people who's

we're we're not our new people we're the number 112 for

favor if they know they're no no know no

no no no you don't and those both

are more angupti than they're more they're going

coming around the one when they in a

cover a that is very is very is

very and they're coming to the when they're when they're the reason why the man

she's a romp in yant and agar like a loga going to and the

rissita not like if stuier sound a pere a sound like

she's a time and she enter on the little in the you can

imagine the the worst terror that can live any the

the mother and the over and he will hear

out of the hangar of this the place that has

a The door principal and two Ventanas is made made made. It's a little, just of a

piece of a very-sysysicisisim Listen to Robert, that's getting into rindus and they're talking those two.

Hilo, come, but it's that the little bit she does. She gets there and

the husband and the house of the house of the house of our little bit more we're

going and they're a house of the house of the person yeah

major, see to the father of Robert totally enugated. This Mr. Mayor, he said,

what's the past, what's the case? He says, how? What's the Lord? I don't know what I'm saying.

He's there. He's there is there. That's the his little. That's a bodegon is of my little.

He's more than 10 years that we're not we're going to be your child? How will be your son?

How is that get to be met him? I'm going to look at the key, let me. And then

the sir, the father of Robert, he to be this type so honest, so abired, and

with this situation. And the sir, is out with a cajone complete, that took to get that's arrancandum of the kitchen, all jenno, of javas and he says, sir, honestly, no I know what these will be to serve. We're going to-school season. Real Canadian Superstore has everything

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And they're one of these candidotete Antivos that have an entry of a key to

and they're there's a revisating with the even the man is so nervous that they're

so they're so they're and all the stuff and so they're insertar and so and so

they're and they're there's there's and they're and they're and they're but that

thing that thing there's that's so hard that's where they're one of the

things they're all the few pieces of the and they're in and they're they're going to

make to make a make a marty-and-you the sir goreying to his car and they're

going to get to get the candor until they're they're they're the cardado

made the and very very very very sputasely that's a lot of

you know that's all right immondicias insects purest things of redomber

if that that one of those things of those of those and they're to get rightchito to the hospital, yeah. And the

the worst is that they're seeing the reason to the rizabeth, but it's so tirade and taniano of things that no they're going to move one and other things, they're in care of them, not carters, because if not this will be to terminate in a tragedy, you know, you understand for this type of

infermenaries that pass for cartes, with gerr, that have been oxydo, and then those two are moving things, the senior major, so he met to help help us when they signal and says, the risa, comes to yeah, It's from there. And when they're going to

they're going to Robertito, sentadito, vying to one of the the end of the little, and he's talking and he says something because he's a

percent. He had problems of diction and not was an idea what I said, apart, is a little and he didn't know how

order all his ideas. The men don't know the people are the men, they don't know never will

forget that the the young was trying to have to people. They're going to have what to have to give with psychologists,

they're going to do a part of the police, and there's a lot of investigation because there's a great question. The door

was closed with a candor that's able to have been in much time. The windows are oxidated for the

things are that they're ten years or more that's when they opened, they were,

they're all and they're getting used that they're getting to the time, if someone had been over

there had been a little bit the little, it would get a minimum a hole in the santa ranares. No, there was a week of

one. The piece of the end up all of the polvo. No one single way, nor the little way, and not even the door. No, there's other access to parted of those windows and the part of the floor of the way. The techo, some hueco,

some of the lamines that can't move, nothing. All those clavos that have the techoosidimous and bigots, no signos, and weighes of that nobody had to talk to the structure of the place. A maldito mystery that never were able to

decryorough. And the child with the psychologist described the same. My friend, a little

chaparito blank with a quern. It was the way in the he said. And Robert will be

to be to know to know of that's a family, maybe for the troters of the

father, perhaps for their experience, but that was the last one

that was the last time that's so content. They said that the

psychologist he's a little information and that said that the little he had to offer

things, he was a good, he was a good at and he going to he was

that's to know, but he from he he, he, he, he,

he's going to pass the years. And Robert the nervousism never

never will be going never never is never situation in that he not he's not even being

sitting in their own because he's that in a moment, someone someone's it's a

maybe they're they're going to they're all the time, that was the that was the even a even a

even a great of a part of those his parents and he he generated the same all of their houses are

exaggerated of security. So, ventanas of security and a part of Apart, each one has aggregated of security,

like portacandados and other things that are practically impossible that a person can enter there if not is because someone

that is probably, that is a house of three-pice every piece, every piece is thermatic of the other. And he,

doormester-the-ter- the third-pissor, the most lehano of the soil, the more difficult access, and only

there are some those can get to the front- the third- piece, only is one,

and a rea for the other and has a rea right.

That is practically a bunker impenetrable. And those escaleras in every piece,

have the security with a door of metal especially made to that nobody

that could have made. First, he's got to a cat.

The catito is the only company with that has been

being a good, this catito has been on

the company in the day-a- when is in your house. He no needs to be working all the days, live practically there,

pere services to do miscarriage, he gets all the things, all very tranquil. But only let him enter and start in the house this catito. Since he he'll adopt he, he's not out, he's there, and he

and he's in his apartment. A year, after that he took this companyer part of his day-a-day, he will doorme to the third-pice

and he has a same of the most extrano. There are four subjectos that are out of the room. It's a sensation horrible, because he sent you how they were, from the house,

entered to the first piece, and as if no had no security that functioned with them, simply were passing door by door, subbeds, and the escalars, recorrivedon the second-pice, abitation for a bitation, as to get to the third, now in the third piece, are just out of their own to the

house. The four subjects have turned, and are there and he's and he's he's he's going to get to get to get

he's he's going to go to work to come in the door of the apartment of the room and when it's

like if something is like something to do it, like if something to do it says something you're going

the door to you're talking and he has to do you have to do his force of his own

he's not totally dormied and is a but a part of him something

is very primitive, he says directly, if you get to open the door, they're to get in you, no you're going to get to

get to where they're going. And the the fear, but as come you know, they're going to those

in the walls, and after those in the wall of the thing, something that's something that

he says, if you want to let's be we're we're going to do so every to

their force of their power of their when he he says, he, he,

he, poor-sito, how is he? I'm not just going to him. And then, he's a mordid in the

hand and it's a mordid a lot, and he's a little, and he be that his catito he's mordi

and when the gato, the gato he's not the galtion in the life real. And be

that the catito is paralyzed from the cue to the mother, he can't

be able the he gets a little, he can't make the son-sonding, and it's something like a

paralysis of the dream. For some that's a reason, not a kind of a

little bit of attack at the cat-tito. He's not that you're to be because even you

still see seeing the four presences out of your house. You know, you know,

you have the way, they're not to be a bit of the the camera, because he

he's not the fear going to be, going to go, and the person going to do it, and

there's there are, there to make that's going to be the light and

that you don't to have you know, and for a little reason, he's a

poor catito, he's in the back in the little, he's

getting to get done, probably he was a kind of stress, and when

the catito he got got done, he's when he got to the

eyes is day, the gato can't move well, and yet is the sensation of these presences. It's very strange, because one that it opened the door to the third piece, there is polvo that no should be there, and there are there are ways that no

there should be. But the rest of the house, all over the story? It's a very strong, right? Family Nocturna. I hope that's been enjoyed this story. And if If you like it

subscribe Tonsor on YouTube as a Spotify That's the attitude Ditch one of

this is this I'm going to this month we'll be on the Saturday and we're on the

Saturday you know I'm I'm you're so bye bye bye bye

bye bye bye bye questionable decisions that didn't end up the way I planned. And today, I'm still figuring it out. Somehow, things usually get worse before they get better. Apparently, that's how I roll. So bundle up and come along for the bumpy ride.

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