HABLEMOS DE LO QUE NO EXISTE - Los monstruos roba infancias

Episode Date: December 6, 2025

Hola mi querida familia Nocturna, hoy en este SDS (SABADO DE SOMBRAS) les tengo 5 historias que los dejaran pensando en seres que se ocultan frente a nuestros ojos.La familia SombraLos monstruos de la infanciaLos entes salva vidas

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Big Bas, Bonanza. Welcome to Familya Nocturna to this Saturdaysombers in Saturday. In Saturday, Famer Nocturna. There's, excuse me, who I'm moving

all these two Diliches. How are you? How much that are you here? And now that we're having the

surprise that the Saturday is a show, it's on your own day, for favor, let me ask

if all you see and it can be and it's all of this Saturday of Somas because

I have various notties to give us. We'll let us let us

let us wow um um saluda to all the those hydrophobic

and hydrophilics those those those who are morsando eating eating the 11 or

11 or 12 11 they're so you know so all those those

those those that are some people and with those syrofob

so I'm for the health but um perfect.

All all all all of course all and it see and it it's

it's good I'm to say a good I'm good I'm

let's say something that we we're we're we're a

good to be to be to go to go to the format

of the sabos of the summer the the change

really is a not radical but I think you

can I want and I and let explain first the Regals of Sabao

we're going to the Somme we're going to the stories and then after that now I'm going with the anecdotes to tell them to day to talk to the community and then

we'll pass to the lecture of comments. This because many are directly for the stories. Much of them

after the stories, you're going to talk to but they're specifically because they're in the stories.

So, we'll see with this, all we're we're going to get us Reglass, dear family

nocturna, are very simple. Number one, all the comments that me leave like are

like are to be able to last of the episode. Thanks for all your cooperation and

all the support. During the episode, I'm going to pay attention in

this time, but at final, all that we have to be

to do do that do. Number two, for favor, no do you

do you do you're you're or block, sanzone, during, sansonioning during a a period of time

because it's all a community that is here present and is, I mean, remember in family nocturna, is a problem

part of the family is also respect that we're in this entourno, and clear that he said, and all the comments that you say,

but the spam is to be replying one and other times the same commentary, one and other another

another time, for a other way. Third, the family nocturna We're a family, we're a community

that we're proactive. We're going to get to be in then if you see you think they're something that

you know, for favor let us one and respond to those moderators are going to be there respondient

but if you're a night sitet with that freedom of being this questions,

I don't respondas. I'm referring to if they're saying they're saying you get me very Pondell, we're going to, no, you're going to be

the telephone, you know, they're going to do the phone, yeah, I said that he'll be decided in the last five minutes. Coses of that type, so, things that so, so, things that's so, that's so that's so that insertion of insecurity.

Very well. Dich one of this, now, so, let's see, Famineaturna, comesements with the stories that I've today of today that are,

that are, that are difficult, extrana, but, for, so, for all, oscuras. So, let's the last time.

Let's see the stories that I've for the day of today are the stories that me result are some very

complicated because they are so rare, it's very strange what me made them

the first I think that I think I should be in a top five of the

stories more rareas that me have I'm going

to to try to give the coherence, the form to the

story for that could have been the I'm I'm I'm

experience in that when a person relata experiences and things

that has that has been anecdot or is more even

when create a story in all in all these

in there no necessarily there there there there a

there is one of those stories It's a story that I result like difficult

to mastic so I'm going to tell tell to you think you think you should be to put

attention because if what you're saying I'm this is to fear what he

is there is there is a part of the family nocturna this

person that is part of the family nocturna it could

say that he he they like the stories of terror, is very involved with this theme, but

at a level artistic that not is so habitual in the channel. He is a, he is a person that is in a thing very creative

in relation to the drawing, he does cartoons, and shows images, yeah, for, for a,

periodical, for revistas, and in some occasion, and I think he intended to work for a

company great that I don't see if did anime or comics. The theme is that he is that he's very involved and his

let's his side artistic more has been with the creation of monsters.

Those that see in the caricatures, in the series and in the movies, at

final, much of this surge of the imagination of persons and

that they are a quantity of time and a amount of effort,

there there are more simple, but with the time is

going are going going complex. Well, he, he, as a

person of the terror, he has put to create, and he says,

I'm a series of the different, I'm my don't

those I'm a vestige one of of them to be

to but I know the family sombra. This family

sombra were two sombras that were like were like

were a man, and two sombras small that were like a

a little and a little those some those really

were like a booket of a ral a ralions that

had a form of a person the person the

same he was one one or some a

and a and he put a one he

put a I I I of fear and it was a mannageable with with good techniques.

For those who not said, that's a is a new and for those that were impacted, and for the

mowers, the type of the tracer that's the effect, because you can't be so,

they're not that's the thing, and it was to be to be something but the

real not the not was that I never were that I had to be many

years, the Family of SOMB, I'd, they'd be in my mind. It's in the place of that I put it to create

those here to find them in my head, I had them and I had in my hand to

draw them to do you a piece. It was like a scene of some place and

simply have to play them in a o'clock. If you not you know, it

is impossible. But if you know if you can't do you You can do you do a form very artistic or very realist or very sobri or like a

boceto. There are many forms. There are many forms. Well, the family Sombra, I mean, I, I was a lot of me, because in occasions

had silhouettes very delineated of her cintura and his head. And I said that was the man.

The boy and the little was in many occasions with the two pointy agugous

and the a little with the ponte-agued. The little he was a figure out of a form of a

triangle and for me was a man, and papa. I don't inventive stories. They were

to me and were of my bocettos favorite. They were in a marker on a room

on my house, and the commed. And this, I have been years with that. For this

you have to know, that I have living only almost 15 years.

I'm out of the house in my first of my first of my first of and a part of it

never has never been a great custom that they're going to visit to you. My

papas are people that are the day of the years. No, they're not much

and I'm very much. And I get a certain time, me mud. I'm

I'm much very austere, no I'm many things. I love to live

asintos, me mud. And that my my papas, you learn the new locations,

the new styles of life, because I've lived in edifices in edifices, I've lived into the

communities of different of different, and well, I've lived in places in which no is a house

common, not is the they're not that they're not the so, what it occurred? That's

simply and simply and simply, simply, simply, my, my father, the situation,

narrator, is that a day, has a about a year and a half, mom will visit me.

And when mom me will be to visit her she gets to the house and then she gets to

see, it's like, it's nice, it's very beautiful to your house. Imagine

because it's something that I'm going to do you don't, no, you know, I

took in my house I'm I'd much time. RBC Training Ground has

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And profite. Via Rai, the voice that we love. But, let's that the works that I'm doing of the most me

felt I'm finally I'm in the companies that I'm to print to something

to do that work and they were people that for me were people important and I

had like if were quadros like photos like photographs all

all all in different parts of my cell of

my comed apart all the aesthetic so be it

is a image is like in color sepia the mark was an old and the

firm was a look on a tinta antiwa and it was more

like a part of a past but there other was a

futurist with colors neons the marcos of those

colors and that was because I'm in some those I'm

many locochones I had photographs with certain artists

certain artists certain these are these those those were in photos little, but as

very little I'm a manned a photographia that I did the movie of the way of the

form formal and the photo was in black and black and and the back was the

little was made for all the life and I always I'm trying I'm

I'm I'm always I'm doing the hand the and I intend to see like

a photographia an little of some the and then I'm they firm. Or, I have

also a walledes that I have with photographs of Polaroid. Because there are occasions in those that no form that I'll go to capture. Me, I take a photographia in selfie, the person comes with me and has a firm. And it's a

little re-quadro that I'm there. I'll say, if you get to my house, no is a house common. It's a house that is a place like a lot of records, of annoyances, that is full of good moments, but

at the same time, it seems a lot of you can't tell you. I'm a lot of what I do. Me to do you. And it's a lot of what I'm dedico. And it has a place very special, the family A sombra. Because, because, of some way, with them had beenculed.

They'd been to me. From the few times that had had been to do that. So, evocals, but only to get it, and I loved the the picture. It was so real,

it's sentia so real, they're a new, narrate, and you're talking about about the

drawings made by things, they're making new, they were, they were, they're not

to do you don't know to do you any or so but they're they're

they're not they're not they're not coped to know they're not cupavn none of

those that you talk about to know that they're a boss horrible, know that

her voice sonava, maybe like a yellow or that it's like aft of the ad or that ruging

in some part of some person is to put to to lose the life. The voices that had

in the family sombra had to be a thing to impact in the

brain because they're monsters necessarily monsters. It was like the

part most of the life there clasmated in little

trasos because I think that is the mal. I think the mal came

so. No, he's not to disfasar of things just simply has to show

the same the day that I came to the house and he's

he he and he to get to the wall to my bocettos

a a dark in the front there is a man

and in a one of the hands is a photographia the

the there's the photography of the family Sombra. No I've done many caricatures of terror, but the family Sombra is the soul, is the spirit

is the center, is the heart of my works. And when Moma saw the family Sombra, she was put pallid,

and it was to getalbousia, and I get impacted a narrator because not is the most attrador of my house, the monster

is that be yeah feo, feo, and I still he said Mom, I, Disculpame,

no I wanted to you have been advised to and I'm I'm going, I'm

I'm sure I'm my little I'm my a coffee-s a coffee- a refresco what I'm

let me say to get to you know me impact much, me impacto much me impacto much and

let me get me my mom and my my mom and I'm and I'm and I'm

and I'm I'm you know I'm you've been I've been not it's not it's

not it's not you I'm sure I'm so I'm a very much the work that I'm even when are an hour of

terrible my mom I'll I'm sure that the next time I'm my mom after the

time I'm I'm asked a tea and I put a friday because it's time

it's like if it would have been the sand to the piece like if it had elated

the same like if the suddenly perida all your

temple and he he's why those you have to them and I don't

and I'm and I'm and I'm my mom maybe I've told you know a work that I've

constructed with the years I'm I'm going to presentar some family a sombra

and my mom and the way of the form of the narrative I can't

I can't I can't I'm even I'm enoged with fear desperated to be

not you don't you know not those mentions, no those mentions, no, mom, me just said, no, no, those mentions, listen to me, no those mentions, no those mentions, just

tell me, because you know those you're there, but, you know, you're talking, the family, that cackety the book, for favor, no, those mentions, no, us, yeah, they, because. So,

so, it's a turbiar the voice, yeah, it's a normal, or it's distortion, or it's, it chrara the voice. We'll see if we need to retom it or all this is functioning well.

Diggum, for a bit. If you see it's good, very well. For those that are giving a problem, for favor,

refreshe in the page, put on the refresh and then and then for the rest we'll continue super well.

And here is a great of people who do all all, all, all, all, all, all,

all, very. The sir is sent out, is very impacted, he's saying one and another

a little he's not even those mention it but that he said he's he's not

he's not he's not the menor idea of how that that that's a question

can't have any she because they're they're asking

of them they're not the things those those more things more

explicit that are a lot they're a lot of people know

what I'm a noctrum because is one of these situations

where the nerves are so a floor of the people that the person overreaction that the

head is the head that's the greganta is like a bit embud that you

satur the words not are very very rapid the garganta dole the

garganta so it's very quickly all the the heart to

don't know the language also also doesn't see and it

doesn't get and you start to mudian the words

are all the words they're as a level of the incommodity is altissimo

to the point that the silence reign in a moment more. The his boy

and try you put a little of a sugar he intentando as the things

are in some incisions go and take the photographs of these things of these

things of a little and so his mom is taking the tea

while the while we're better to go over We're out of

There, and a garden Padra in the building. Never have presented to the building. That's a

little bit of the sun, Mama, you know a little and the mom, and you're

going to have to explain. And he he says, Mom, no, I'm

I'm not I'm on the parts. Let me. Comepani me for forward.

They're going to the pass osos, they're to a area, they're

a zone common of the building, finally they're in a area

very beautiful sun. not a day not fresh, or so a day perfect.

The sir, at the time the same after the time of the sun, he's a sudden a little.

And is when he says, if you want to we'll go to the cell common, and we we can't

take a tea, if you want to talk about, and he says, I don't

want to I'm but I don't want to go and I'm I'm I'm

I'm I'm 30 minutes more. It's a moment very incommod.

They're both, as you can't do know, are people that are a way intellectual,

transmit many ideas at moment of saying the thing, but the two are the part.

When they're they're doing what they're to say, that reign the silence.

It's of the things more atypick that can be possible. That

his and mother, not have a conversation fluid of what it's not normal.

And that is incoomod and it's insic isisicisim. Because it's a

know, all the two involved, those two involved, that in that moment represent

multitudes of incommodities every one, know that there's a elephant in the room and

he has to talk to him, but in that instant not is the moment convenient.

When you know, that's a media hour that was a minute of both,

and to all the two more tranquillus, and the two despegated, the

mama he said, you you do you, you know? The diguant Mom,

no, is that, not that me agree, they're a grand o'rame.

You do you? You know, respondem for favor, not you go to the

ramas, no, with this thing, not with them. Moma, those

I'm, those I have in the day-a- presentes in all the not,

you know, not you know, you know, nor you know, you know, you know,

then then we're, we're going to let's, you know, those knew you

know, before, to be the do you, or no? You know? You know

about the Father Gabriel, yes, or no? You do you do?

You know? This seems more, a program of concursors, these that's that you

ask you ask you and you can't be because he he's not of what he is saying

a little kind of a bit of a sort of situation that the sir is

the man that's perjending the thing, and he's a facie, no. I'm a of what you know you know remember us. Mom,

a new a dialogue that's a little dialogue family nocturnal, not is

a question to say, I'm to say the next when you're when you're

a little, very, very, very, very, very, I'm talking, you're

about the six years, you're you're just you just in the building of the apartment

that we had you you, you've with them. The two chachos, one had around the

13, 14 years, the other was an other manor of the six, but we

were the times, they'd get them, they'd be more friends, no,

there was no, you, we're because you're someone really and with

you you're you're you never never we never

to have passed. The is that they're other times. We're fathers primarizos. Contigued those errors that after never no we're permitted.

For that we're so so much they're talking about a time of their life that has been that she

doesn't know that we've that five or six years, not is an age in that you have been old

and you're all the time. The point is that he's that he's to say

that one with those muchuchos started to do a game very

strange. With a certain book, like I had pastes of color rogo,

of a repent they were to make questions, and they were the pages and

they were to learn a book. The sir, it was

a person because she not a person of a spiritist, spiritual or

these those those creences. No creen of that for you

are a thing to be more with interpretations of the

And then, agarras a text, the same, you can't in a phenomenon that's called, well,

a phenomenon, a style of texts that's called as many or the words called civilinous. What means that are

texts ambiguous? Some words that are so ambiguous that can significing much things. How you

went? Me, that's could signify well. When you you, you're not much,

you'll work as things. It's an ambivou. Well, that's if any person that's going to

get to get to get a matter of the matter of after having to make a new

unforesavers a fracture, logar distance of people, logar to get a matter to

get a way, it's something that's a big that's a final

you're that you can do you can't but really you're when they

when they when they they start to ask things like who

you. And then they put in a little in the book and he says,

I'm the voice of the obscurity, I'm that's that's that's

in the tenebless, I'm the presence of the usent and the

woman says, well, it's a word, and that's a thing

that's the thing is a thing, so is because they're

they're interpreting and it's a question of these

people, and things that's that's the people are are very credulous but the things start to be strange because of the

book, this book rogo, it's a new old old and they're playing and they're going and they're very

extrano because every time that they're a question of the question of the question and the questions and the

questions and the questions and the questions and the questions and the response always go to what age

to occur to that two twenty-four is a year and a number

that you should you have to present attention because in this year Juan, I know

and you know that's part of the text but she started with a number.

That's strange. Tendres suerte in this company? No. It was

the first that he responded when he saw the because there's

a correlation because could be there something there that no there

that no that's nothing to be And, you know that the responses

every are more exact, like more directs, more directed to them. In

some moment, the lady, you know, the idea in the you know, you know,

I'm, you know, I'm still being a person like, you know, a good

thing, and to ask a time, and to make a question, there,

we're, we're, we're, let the do the little and then, and you,

then, then, when you, when you're doing to make me know that these chants not had our cuna,

our mark of creencies, not were where we're we're not, and they were, I didn't when they put

to get to when they were to go to the whigua. I don't know how time. I don't know

the same. I'm I'm going to do when you when you start to have taken

terror night, you're when you're to gritty. You're you're trying of a spanto. And when

we're in your abatation, you're still dormied. Before, never had passed. But you're dormied and you're saying, and you're saying,

and I'm sure not going to say, me juror no to repeat. But the name of that family, you did you know,

to your six years, that they were you. Ablabas a man with garras, about you

a little that had patas of yena. You know, and the demon and of the death

long and derada a murder, a murder that was a murder that was a demon that was

a mania and that was cruel there something else here now something new from

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episodes exclusively on Paramount Plus. Pesadillas, creensions raras, tanto to play with the kids. I'm a tont. And it's a lot of call the day of today. Because I did that the things still going to be going to beha. And if I had seen the wisha, the The fact is that in this time, no I believed in nothing of that and you would have done to

keep you've done to get you know, so you're you're not you're not you're not you're not

a person to see and what I said. Like you my mom. And passed months and

passed on months and and the things were bad. Of a repent, you were

someone you're not very aggressive when we we were to get to to the other to

the company you know you said because the demon, it's the death it's a

because the new she no do you know that's in the little to do you know of the lastime. When you

when you're whenceeser with a spalda, in the pants and the panza and in the the person, I said

that this was a thing to get with the psychologist and there with the psychologist is when

it's when appeared the thing of the white, it's when came to the

time of the book, it's when you when you started things

that Aterrador, so atroces, that I could believe what I was listening. The psychologist, the with the guy I was a person a cremating, me said, acercal, for

someone that's someone who knows of these things, because what he is passing to your child, no is normal. No, is normal.

No. I know what I know. The car of the man of the type, the voice with the voice with

the person with the question to me He said he he said he He said He said he He said he

He said a He said A two quadras He said a He said he He said he He said he did Menacee

He said he He said He said He said that He was a He was a He was a A little

He was a Biggered Reyes At this person And the And the day He's in the

Cases And I He said He said to He said to I can't And then That

family, that I'm going to mention never, he gets, he says, he's seen the presence of four spirits major. Here are four spirits powerful.

And in this house, he's been invoking much to things that not they'd be. When we went to the

edificio, he said the place was contaminated, that if not we were to not we,

he'd not be able to do you probably you've two persons very certain because he

he was notable in your form of that were two specifices that were very contaminated and that if they were in contact with you, no I was to help us. We moved to do an exorcism

and when he did the exorcism, your voice changed, you know, you started to say things to papa and to me that not you're going to say, but they were things that you

not could know, things that I lived in a little, things that your father lived in a child. And the father, after 15 visits, I said that you're

free, but you're very susceptible to that this type of entities to be molestate. When you you went to the house, your

papa and I don't want you we didn't remember anything. The father us admitted to that if you not you

don't you don't have to record you not. But today, at that photographia and that

that did you did you, now to have to I'm to say that's not the

imagination are four demons that are you don't you know you're not you're

but I'm clear that that you see they're so so my

family noturna that how the stories of the same

that's they're being so let's let's let me take

a pass because for for more that's that I've been in

these weeks recuperating me of the garganta God has been a piece

a presentit or recurrent if hydrophobic and allude to all

you all this story it was it had been very complicated

thank much thanks to those who those say

they're all thank all the people we're we

know we we're we're in that part. Aurita the people that come from

the stories that I'm going to and the Spotify and that's a minute we're going

to get a bit of a big little bit of the rancas. Well, you know, that maybe I'm going to

this thing, and there are these microposas of a minute two minutes and we're retomando

little to but a but a part of the next, the idea is that we going to talk to stories and

then we're to talk to you. But, well, we'll take us. Approvementment in what I'm with this pastilita. Quentern me, for favor. They've got this story

that you. What you guys came to? And you've heard the episodes of this week? Because I know we're just too much we've been abandoned us a month, nocturn. Thanks to all those that

those who sent them to make those moustras of carino. We're just having more what he's going. Thanks, to all. Thanks, to God. All right. All right. Not to the 100, but a lot more

recovered. So, for all those who are your in-vibo, welcome to SOUD, welcome to the

night. For favor, we'll let me get this instant. No, it's in

live or in repetition, revisit the buttoncito of subscription. And if you're in Spotify,

is to follow. For favor, see me, and give me, give me, give me,

five stars in Spotify. For favor in YouTube, subscribe and the

buttonate to YouTube, we're in the March of million. And there

They'll be there 20,000 subscribers, 20,000 to get to the million. In any moment, we're going to be prepared, and we're prepared, a super special of the million that they'll be to be in Spotify. Famine Nocturna, the next year, we'll get to the million. If we're so, with your support, then we'll go to the 2026, Spotify. And the 2026, will be things impressive, so in the

entire, as far as we're in many of surprises. So, for favor see me in

these two reds, and me generate in all the rest, but see this

project, because the 2020, the 2020, the 2026 is going to put incredible.

Those, those things that are doing on the channels that are piloting

the content, we're also we also here in the Saturday of Somras

when we enter in the practice. Thank you. Many thanks for

being many thanks for preoccupation for the channel. There is a a channel. Recurrected that I have a project

secondary in the time up until I subbed a video. Probably for tomorrow, it's the second. That channel secondary, no, I'll say, you're going to have to find. And there I'll be talking of the themes. Can I BLEM, no those I can't talk. That theme of of the piratery is a thing that we're going to

be a way direct and contundant. There you can go to be. But well, now, now. The next history, my dear family nocturna is

oh, God, it's that I think that's of those things that

even they're a way and a mark. I've to make a

parenthesis important so. And let me that we have been different

stages. Tapas, the family nocturn as the service

as the person and the person of the personage of

Benom for who know there's there Spider-man, had a

antagonist called Venom that in some moments in collaboration, but in many moments are like the

hero and the anti-hero and the friend me the archenemigo of the hero. And Venom

is a being in the space that's fusion a person and at the final it's been

like a subject very strong and a color like a color like a

with a little a voice and a body point-agued and a long because at

final it's carnivore and it's sanginario and it's destructive but I never a

really a benom was in plural and I had about something like to us we know

much a much much a lot much reason so that that's that I'm me

I'm I'm I'm when I'm when I'm not because I'm not because I'm

because I'm feel of the people it's because I'm part

of the or in the vocations, I know of the part of the community when I have a message to give you to give a clarification, but I remember of this personage that I'm madame of the risa with this

theme of the plural, to talk like us, well, well, this, where I'm going to this, my dear family at all the time. In the stages that we've lived in the

channel, we've passed to create a theme of evidence, to create a, to create contact with people who have

lived in the time to get the point in that's a not an investigation and it's

more a time of the story. I've had been to have been with a

evolution. The point of the fogatas, stories that me are the stories that

make to the community with stories that they'll do you do they're not occur

they're not, no, I don't have a way to know we we're

to get the we're the filter that is is a very good story or not is a good story because we encampen the stories of terror.

Entendienting that, I hope that's been a story of terror, and not that is something that has lived someone, because if is something that is something that's something, definitely is something that's a lot of mark very profound. Dichael, that the channel is made

of stories of terror, permit me to say that in the community of people that not crean the paranormal, and it's perfect, there are people very sceptic. I think it's the rationally the most adequate.

Because you're going to question the thing is a reason. And, and it's a reason. This no exists because I do. I think much in ver,

to believe a situation to give a situation to give a little of an opportunity. The not living the situation is the,

well, no, but I think the part sane is that I don't think firmly because no I've lived nothing of

or any no that that's that's but it's it would

be able to it's it's not, it's not now. Now,

I'm the thing rational I think I'm more

more for the no. Ah, perfect. I think that is

quite honest, quite comod and a very said a

this, the chick that's the she does during

many many years, I'm talking more of 25 years

she me says that not a person of this point as a unoptic

like a kind of not I was more than a person that was a

thing that the thing of the thing of the supernatural paranormal and that

of that she was a person not any even of a

person a person so things. And I'm to be because when I don't want to

use the word terror nocturns because no pass even in the night let's

let us there's in the when when was there was a bad said that

in the house there was there was I'm talking

of an infancy of three and seven years the the

lady of day of today has got around of 43

and she she she years, when they were to visit the house that

not if is a an auntie or a woman, not she not made so she

she said that there was there she didn't but it was a mark

when to the day of you say you want to you want to you're to be a

family she's no no no no no that's just just that

just just is the mind of the stories that was the story's that

was I'll tell to what I live there. Permitam a second me a second and I'm

these pastilettas I've got to take those for the garganta but the chica is the

house of this tia, of the old and the house, an casano great, an old, the house

is in the United, is of the madder, tending to have certain unios,

like to crugier in the the escalers, crugier in the second

piece. It's a construction that was a a big when the family

no is at the house, the painting not is at the the maintenance not at

the same, there's some there's a house that not so not so they're

not so the fact that's the house is very functional but when it's the first

nights that's that will be that's because what you remember

is in fragments remember perfectly a night standing on

cost of her camera, that he's a o'jid like aub,

then they're how she is rascu-nating something, and when she gets

down the she like a thing, he has a kind of a

little, but that is very very that's like if you

get to get to the arm he, he he he

he and then after like some some like a raspon, he hasusts

that's just a that's going to be going to be a carrieing to the camera where they were a man

that were in this time and when they get there and then when she starts a carcajada

and he said, never I never to learn caperucita because he was saying the lobo

feros momah the loboferos mom he meto the lobo so then he

never to do ever to learn and she I'm I'm I'm remember

much a narrator My mom had a book of in those that was not he had the story of the page,

he'd have been a cartoncilo and there an image like very impactant that was a lobo with the

book and some dientotes and some eyes and some you'd as you move as a palanquita

that had back down he was the legua to every and I'd was very very feo

my mom me said that was that was the I'm going I'm going to I'm going to I'm going to

you're going to you're going to you're doing because you're a little a house not your house

could have things how you did that you do you do you're going to go and you

do a redone well I remember I remember very well another situation in

that in the the kitchen and I am my sandwich my

my my pans I was put in a comalito and in a certain. For me, my aunt had a small to make tortillas, but it was like individual. So, I put one in the comal, another in the sarten, those ponia calentar, let's dave the

other way. And I me was much, as to be doing vets and vultes, although my mom's enojaed, me said that if, I didn't know if they were a one solo a while, I mean, I would have done and vultes and vultes, for that not be quenar. And when they were in calentitit, I felt that, when put the mantechia, so it was more easy and then

when I was the cream of Cacuate, I think it was more easy. The idea my, because the cream of cacabate

when you're the calientas, I don't see if it's more liquid or no. But I remember that

I liked like that and always I was doing a sandwich so grandot of the mantecilla

and I'm I'm a point of mordered when I don't know, I'm going to

the time, and my t'er to the thing to open to a quarter and it's like a and there's a man

black that me begin to do that make a minute, no man, no you know, you know, I'm saying

to get to get a sandwich, I'm made a chosin' made a marranero, woyas

nias with the cream of the cackawate for all the stances to the cabs,

the sabana of them, me did a ragania a narrator that no me was that I

could end up that day but me regained and I said that there was

something I was there they went to go back the door is a car with a

car and not she could be going to get a key my tia said

that she had been in many people was the other of the few things that

not I'd have always so that were an narrative

horrible the the I was being I'm going

and my father my my had had had

I never I I was I'm and I was like, like, or likeations,

and I'm going to be going to be going to get a good, when I'm going to hear

about the bad at the barcajada but it's the carcajada of a braw, those agudas that are

like burlando of you, like, and I'm, I'm, I mean, I'm, I'm, I'm, I'm,

I'm, I'm, I'm put a toy, I'm, I'm, I'm, I'm,

and clarito I, I mean, in the reflection of the the space of the bathroom when I'm

going to when I'm going to look at I'm a woman a corbada

rying and that's going to be a door. I'm scared a sussed

and I couldn't in a room, no me could be in the other

room, not I couldn't put in the cell in the kitchen for

what I putt was to put to put the light to be the house

sent me outside of the car in a to visit me, because it was a person very close to my tia, and he kept with me until they were my papes, because me view very astustada.

Narada, I was about in a toaia. There, it was free. The sir, the only thing was put me like a sweater up. And we're going to be his papas. He, no separate, and he went to be able to talk with my papas. No. I know what they said, but my

my papas, yeah no me regained. And I know I remember to have been more there. From that occasion, I sent me with a lot of ravi and with a time that I'm

that I'm going to me myself that never ever ever in the stories for the that never ever I was

in the stories of the that never ever going to think that in phantasas because all those

things are imaginations of a little. I'm when I think I'm going to

get to visit that that house. No, I didn't go to my father never

did any, my tea, never did never to me. And I me I'm

you think it's your imagination even you think it it's a question

for more that you know that's it's your imagination and you

have a imagination very creative is the lobo feros you're

saying that that's that that's the black neneves

are are some are they're so they're and

they're you your imagination being real you don't

all the Quentos realist. That's what what happened. And if a narrator is so hard, to have to masticar that, because what I did, what was there, was there. But I had to accept

that was my imagination. I'm a mom of a six years. And this a little bit of a six years that always had been normal, with that I never I put things of terror, because those things

put in loco, and those things in that your head is in that your your head is a bit retorsida me he started

a second a second a woman that there was a little that he

was a little like a little, like if were an hand when he

he said, when he was done, he was that I'm the lastime of the name. Norred,

no I can't tell you the fear that I said, because

those were the monsters in my infancy of the book of of the stories that me told them because my

my daughter to have never had never had done of those things

is having fear with the I would be that just that just but

a few a few a man me percied a girl she she rio

in the barue and and I and I came in the

there are there two one or I or I'm or two really something

something I passed in my infancy and now he's going to my my little

my my dear family nocturn we are we're close of this

story of this fogata one one more one more I'm to tell

you're you're like this life you're this sababre Somsras. If you're

like it, for favor, degen your your manita up and if they're on YouTube, that here right

at this moment are in YouTube, but this also will be to be to be in a video and say,

is that you is that you get your like here in comments, even you're doing a repetition

and here in the en-vive and if you're in Spotify, come, for favor, what can

be a a phantasmita or a calaverita? A phantasmita a calaverita in Spotify and the

phrase in the phrase, we're the 2026. And here Venga like in YouTube.

So, if you are like that so you're going to the next story, I have to

have to take a pastigieta. And for the people that got to get to get to

have to Sondras. This section is the section of stories. I'm going to the

ultimate story in a moment more. And then I'm going to tell

a A lot of anecdotes of things that have passed to me and the team. After that we're going to get to the

comments to the question of the other people who not are in super chat and super-gracies. And then that's all right

and then you get a very good time, you're a little bit more and then the rest of the line.

Dens me just two minutes. Recurred in this pause, is for a time that

I'm in a garranta. So, with much I'm going to talk about the story,

but while while you doing well, saludos to all those who come in the first

first time. Recurting that if if you're first time on Spotify, give us in Spotify, give us to

give us the cameraita YouTube. We're for the million of subscribers Spotify.

We're going for the 2026. Because in Spotify, we're almost 600,000 almost the

year ago, we've been with 40, 000 followers. Yeah, we're almost 600,000 family

no, I'm the team we're so we're so we've got locus of the of the

joy, but well, right we're going to get there. Meantor for a question

me here in the comments of this time what was the story that most

they most because the next time prepare me and

of the well going to be to be very to be especially

the last we're that we're that are extreme

or the voices of the And if they said, this was too It was a scoer. But well, Diggum,

please, for the story that most of the story that most you know, and in a minute to, we'll continue with the

stories. There's all, this of the garganta. That's fastid. Yes, for those who have to do do maraton,

much success. Tommel with a little and they've been little, there there were many people, and I'm doing a lot of

that was there was the 5% of the 4% of your followers because I've many times many minutes.

The next year I have to superar that matter. I have to be the 3% of the 2%

of the 1% so much thanks for those metas that's good, yeah, first your

health and then they're so they are part of that tribe that they use

in the channel for listen to you, who are they're they're doing

so they're also I'm the people the people of the peseries not

that we're not we're a much honor So, that's That's why These are the rest of

These are the lot of the minute that's that we're going to get into comments I'm many things to

talk. But well, we're going to the ultimate story. A be. Because I have options.

There are two stories that occurred in the first time that I want to be to be a

one. So, two things that were those first invited to the first people in the

can't, many of you're to you know, for not to say the grand majority,

me know a part of fogatas. No know the two years. Much have made

marathones since the first of the first to the majority, you've really had

many people. But much me know about fogatats and so they're not

not used fogatas. For that all we're all these stories

that are like of those iconics of the fertes and apart because they're a great enigma

in the anecdote he came a bit of a bit of a bit of a yeah I'm going here

here a a chick that she she she really in the thing paranormal

because live in a house in that that and that house they come

or well the they're they're they're they're they're paying

to all the life a little more between and her and her

and her and that and that they're not not even a month when they're going to

happen to happen. If they're in the patio it's that someone that says it's

that it says that it's that's a in some moment who can know

who the who the one of the two of the two because they are the

two those four of the two the world was a

person because he had a cell to a to talk with an instrument,

serrata acoustically, portas gruesas, adentro in our sound. The point is that cell acoustic, one of the door, the door no, there's a manner

that's over a solar. It's a pesadish and the cerrador is a surrador is a very,

a certain, but when they're in the cell of music, the the door the problem is

that not when they want, is, is, or so, so, so, they're,

they're, they're they're and the door. The door no cede, and the way, it's ever, and the nada, it's able, as someone the abri-a-law. When you impugas that door with the man,

you know, you're trying to, you're trying to move it. Not a port of any part of any other, but I can't say, that's just for a bag of paper, it's on one side or another. If you're put it to the end up, and you're you're trying to move, not you, no, you're need to put it the puno complete and push it with

the body. It's a porto-per- a door a place. No, there's a way that he

is able a way, and it there's only there there

when they've done that they're that they are being

affinated and they are they get that the

music I say I'll say, I'll say, I'm

a one of the spirit and in some occasions have

invited to a senior major and they say that sometimes they were

molest. For there they were not so if they're not so that's the music that

one of the other was a man who was a bit more than hermitain in that

time that that was that was in the outside of the

area and the mancha urban yeah she was he was he was

got been so I'm not centric but not was

in the afuras of the colony and was part

of the colony, but in the past or not. So he had elected to that house because he not was close to the other people. He was to live apart. Probably when they had reunions of people, he was molestable because

they were in enoched. In that house, they'd two years living when they're a man, they're living there, they're living there, all is a tranquil.

And one day when the nina comes, I think, two a year- they're They're They're They're

They're But the GENES If in some moment They're They're

They're They're a Curedor professional of person Athleta She said

She led Because this This is a Cuet And And it

And it And it It's a Cate rapidly You know And you You're

Yeah in other A Cylylas The Nia has The

Ries You You Mander The mom is a mom very a very much but is a mom primarisa

no visualizes all the those perils the little the little when she is the moment

more sagrado because look the the house has a vanier and the vanier

is a noner no no is not in a easy and apart

with water can be undier and there so so the

moment of the the moment for for her for

And it's the moment where all the instinct maternal is alex and one of those days that he's badiating

the car the seca he put his paulet and the put in the piece and where she

put in the person she has in the bathroom and then then he does

a media while he bant the tap of the taza and he's

in the bayon and they get a lot of messages WhatsApp messages

rapids rapid. Toma the WhatsApp, commenced to send those messages, commencing to respond, a group it will give to another, a member it makes to let's a lot to a carcashada, and so. Of course,

there's a something, many of you've been here, that is the absence constant of something is present in the time in the

Spanish? When something has formed part of your day, day, during much time and you know it's not you know, you know,

you're going to be in a time, but if you're saying, you say, you say, there's a little there's a kind of a revision,

you can't in the way it's, and it's a question, no, there's a little where the little, because the little,

then the little is a baby, between the yorikeo, the, to start to start to babbuciar when he tumbled,

that's, that's, that's, that's, that's, that's a or another out of the

room, and she top a scene more aterrower that has been

in a life. But it's a scene that she does

almost to get to get in the second on the second

barra that is, some a block a big a block gross

that if you get there, is a ballader that

you can see after the first the top the

house. So, you're talking of a carida that if you're going, not you don't you know,

it's a very very old. This chick mid around of a 60. She's

standing at the block he gets here and she can't go back. When she go to the

room and see that a little a little mur, that's the where they're where they're

where they're there, and with her nina up, with the bracito about the

mom and a paradita in two feet, is that that he can't believe it, almost he desmaya.

How time has there? How it's subio? That's going to

be resolved after the error more that's the error that's a lot of

a side of a wall on a little that is practically a artist

a Circe in potency was a great error. It was he was without

to be to be in the Carta, there was revisiting the content, he was going to put one to the other, pegged to the barred. The little, the little

she's not so stills for much time. The little no has good equilibrium. Cate a rapid,

or rada for here and he's, he's getting a lot, he's getting getting to

all over, situations of this type. How do time? How do you over, so,

how it's did the When she go and she a closer the more less lento

that can to be to be a little and there a sensation very

strange like if someone someone someone is the sensation

that she got a a she is the sensation of when I

got her someone he he was to let's get in

the sensation is desgarrador commenced to you know

you you know the sensation of that failed like mom that her

his little his child that's a point of a point of a whole of

a lot of a worry and and you're and you're but at the same time, there's a

little bit in the house she was her she felt perfectly how

she was she was she was there when it in mind of a

thing she no she doesn't and was so

how time had so How much time was in the barra? How did the world?

The Lord the God. And from this day we're saying we're

a one incline to be happy or is I'moj I'm so that thanks

because I've my my daughter. When me me

me made the little she's a person that I know I'm

and appreciate and that she and she was a thing was something that was

a man the day of and he still talking fibras very sensible.

But it was a story of the story of you know, you're a spirit is a phantasm

is a wild, and no I've heard of a lot, it would be a

thing that would be in a movie or something I'm going to be that I'm

not so not for the tone burlone but for the time and they

pass in a time and came a she came a that's

a And I said, that's a very extra. Tell me that's a in this

in Monterey in this city, there's a house that has been a car a car that's

a house of the first of the area, from the area, the area,

probably the terrain and those constructions, they're more 10 years, and they said, that they

they're just they've been like the second or third dwean? That the

first dukees in the house pardon me, as the fourth or the second

dupe because the first and the second and the second are the child

a child a child a house the the the man

the the place the is a very where it's a

family that's more of the two does it a part of the

second a other a where, of a family. The problem is

that this the man. Not is a person of many sentiments. When they're in the reunions,

he's not even to say to say to him. And in life, in a

type un-gradable. He's did a much money, he never,

he had to be to the point and he's about. You, I,

I'll tell this, because I'm a moment in the years pass,

and that tio young, and that a young, yeah, the years cobran

those factors. She, she is an abuela, the man, no, pardon me, pardon me.

Yes, here, here is a thing so very, yeah, she is mom,

no, this is before the that's the back of the case is where in the case is

where you have a and has a nana. Yeah have been things strange in

the plant back of the house, where she They're in a kitchen

and in that kitchen and in that they're in a car out of the cell of where they're where they're

at the cellarer and they're in disparated, tenedores, cuchars, vas, plato.

They have rote things, but not that's that they are that they're going to

them to get to them. When they're a new the the little

the nina the nina the little to give hands to the kitchen

one and another once. So, that space where they're in disparated

the things, and the little and she really a little and a

day in a real the house, he'll see a person, he's

there a guy, and this subject is someone is a little,

part, palid, like, of the 60 years, the cabo rubio, the

eyes, and he has seen that person. When when I look at the kitchen, no anybody.

When I look to see to see the real of the reflection. He's, who is,

who is, who is, who is, who is? And in some occasion, viewing a little

a new a album of photos, be that and he said, he's,

he's, he's, one of of the one of the two years, you know, he was,

he died, he's, he was a year, he was a related to using many those

cigreels and he cobroughed the factura and so it's no so he's a little bit of the house, so that's just that's a that's very strange. Well one day she has a situation of

health in the case that's that's being narcolepsia. So, it's to get a repent of a little bit of the air and it's a piece of well, no, no, we don't put it, no, I know if it's one or other type of a problem is that, the problem is that

the problem is that, you're getting a a new repentino and she can't do anything could be in the

picos glucemical or well I don't know what is the problem is the problem is the problem

the situation that's occurring that is very difficult is that she she she is in the

abat the baby the baby she gets dormied she is a costada

and in a repent in the the way to be the

the baby also she do doer me. To a

repent he's that someone he's saying Imelda the baby

emmela the baby and she's ohgant and she she's in a sillioncito

despirta and he's to the end of the subject to the palio

of hair ruby eyes and that that's that's there and

he's saying the the baby is to ohgando help to see to

to be to the baby, is a medium I'm a little I'm a

back to the door yeah no I'm there's a little the baby the baby

she had had done a lot and she was over and the little and the

she was putting almost ignorated so the then the then

she's to try to try beautiful the the little and the

year and you're sorry and you're but there and from she

of that the old the house salvo a but it's a house extrana. Because in the

second piece he's a man who is a man, he's a man who has a

problem and not he doesn't try to do that the and so he's

and when fall yes there's things there's the grand the the man

the senior that was there there has a little she has a many of the

she has a person a and the Tio that is up that's when the

people go to the department and move things of the he he's

when he's when they're going to the department they're

they get in that someone they have in a building an

day and he he's a and he's he's he's I'm

something I'm a I'm a bad you're talking. Who is you? I'm a vicine of you guys. I'm in this

edifice here at the other. I mean, it's something that's important. But, I know any of how to express it. For favor, accompany. So, yeah, the senior Imelda, she'll get a person more. The two go to the building. No. Entienten

any, even with what they're going to confronter. Suben to the piece six or seven. And when they're in that piece, six or seven, comeinan to the cell of this person, us invite to pass to your department.

And in the room, and in the cell they say, Mere, for favor, be on being from here, to the abetation of the second piece.

And they're and they're to come to, and say, who is he? Is that what I have to ask you?

It's a very, he's a little to call to but it's so, who is he? And Melda

and he gets a, and he comes, he's my brother, the who had fallen years

after, the people in the type of the type that not a good person who is a good

well, well, I don't see if they have some kind of a problem or or something

that I'm saying, and then back, and then when the entry, when the

door is an man, a man, a major, of an old, of those

eyes, and they they're getting to get to that in the property, that in the

spirit of the people that have been falling into there. Lamentably, this story they've told them just four

years. Lamentably Imelda fellioio and fellacy and she said, and the chick that told

the history me said, I'm much fear of to go ahead that my tia not has

been in the house because also and with this story my dear family

nocturn we've got to the dark fogata of SOMBASS in this

Saturday of SOMbrass. Quenten me, for favor, if you've got to take a tracito of water, and then

we'll talk to all the anecdotes and to pass to all this. Demme a second. That, for a certain,

1,700 persons, thanks for to be here, and just 800 likes. If they got on

the stories, for favor, for favor, come to the like, press the line with

this, it, it, it, it does the algorithm to get to

more people and get a and remember if you want to the power of this project,

the time of permanency, the that's the time the time the time the time

that they first you like, but that is what we more us and to

do that that get to more people, there's many people who

know more more than more than you get to the videos

and they're to they're to do one Once this, for favor,

revise that they're in a lot of the time my way it's not much the people are the

people who not much of the people who are not even in those who are all the question to see if it's

just a question to be if you're on YouTube and Spotify, I think we'd be in the

million, but facilitos. Now so, I've said one of this, I've got

to tell to the family auturner. The first is that I want to say

that I that occurred a phenomenon this week that's a thing that's that's

this this time there many people that are sending me saying no,

I you're I'm my story in the that you

did you know that reposte on Instagram that you

that has that has you I'm going to put to all

all in context this this month, Spotify and YouTube, they said something that they called like the rap, as the resummen of your consumption of the

things that's all the year. In that resum, in a form impactant, as never before ever had occurred,

a quantity exaggerated, but exaggerated and for what all we've been very much we're all the

team, but it's a quantity that gets, is it's too. We're to postear

that we're a podcast number one which no idea of the impactant of the

good but they're my Instagram no there no there

no way to respond many the the I know what

was if I did or a little more

a little I said I think I can

can answer these messages to stories. I met. It was around the 6th of the

morning. Me went to message by message. To all the first, the first I think

30 messages, I put a message too personal. I be the name of the person. Oh yeah,

much thanks. Juanito, Juanita, Imel, Pancho, Yulisa, thanks for

to see me in serious, very very very good. I'm I think I was

more or more or about a minute, minute and a minute, two minutes, to send them a message for something.

Voltao, you know, when you get to Instagram and you have a conversation and you're waiting a time and so,

or respond, and in that you get to do, blah, blah, blah. The time well. I responded to one,

me appeared 10 notifications of people sending messages, respond to other, 10 notifications, he wanted

to give me because I had to make with the message to blah, blah. That's four the

morning. It was at 8 of the morning and not they were 60 messages and I said okay, they're at aulita

more of 200 and responded 60. So, you know, we're going to be generic. So,

much thanks, thanks for being part of the family nocturna. Generic, in this sense of

that I don't think of thinking to and write the life and the day. Family Nocturner,

pickandles nothing more, or say, the peg that message of a gratitude,

to do a like to the photographia, I'd get on the two of the day, and it was

I'm don't know the back to the end of the message, make the message, let him, make the

second, the double click, make the message, the call the question, get to the

second, another again, again, again, again, again, again,

again, without, without, without, without water, without the water, and the

catito was up me subio, me pe'd in the cellular, I

had to to get to the cellar. The most that was doing with the time was to have to evad it, because me solicit me, I had to be asking my attention. I

had to start responding. I mean, more of the 11.5 of the morning, and me still getting

every time that one, they were 10 or 15, 9, or 15, 9, or 15, 9, until there was

a moment in that I said, and they said, like, 1,300 notifications after having dedicated

mediod, six hours complete to respond to messages and I did this war I per die. And they're getting getting, and they're

getting getting, and yet. I'm gladysed, I'm gladys I'm gladysed, I'm gladysed to the battle, yeah no could contest. We'd have to grab it, we're other things. Today, still getting the messages,

what is, Demacieras, thanks, but I think, with all the team, responding, we'll have to give us to give them to

all of you, that one of you, that's made one of the post. was a quantity exaggerated so is

that's a night of the night of a night and a manys manys

manys manys thank you we're going to in the many many

us they're but but yeah something there was a situation

that we we're we're giving us because we know that's

I think that was at finales of the initials of this, that we

talked about the family nocturned of closet. You can't the family nocturned in closet?

That is the custom of many. I mean, I'm not, I'm not do the podcast, but when I

do you know, I'm nother and I'm know how the phone, nobody's... . . . . . . . . . . . . . . . . . . . . . ., in, in, in, in, in, in, in, in, in, in, in, And in the in-vivos, we've to give us that we're

that we're in family nocturned we're going to bea a-orgiously family nocturna and I want to say

that the community grew so and we we've made a family so strong so beautiful

and very much of so that's that's things impressive in the

in-vivos things that me me were in an I'm a good I can't

explain that I let me let me go to part of Guadalajara there

well no in San Luis was one and that was the good so I told

there there is a man and and he and he

he says yeah in the Mid andry narrator you don't

you didn't I want I want to say you're a

person that has been like an icon, no, very important for me. Well, a lot of things that not I mean,

I'm sure to get them to get them to watcher because it's a, yeah, give me a brother, no say that

I don't know, that's quite to answer to thank you thank you much, but me, me,

I said things so many, that's, that's, blah, yeah, I'll get to go to

another story of terror, that's what I'm a person super-linda of much a person,

but while I'm saying that was a phrase that is me made a little little

these things nice things beautiful, of how you have served the channel

the podcast and how he was an illusion to know to know what is

something that is a normally that is a great honor that I know,

I don't know to say I'm normally and for me it's an

honor that's part of my family but I'm saying

and for so it me to get a lot of my tangry. And I'm like, I'm going to, and I said, then you're getting, okay? No, no, no, no, no.

How you think? No, no. I mean, I, I'm, I mean, I'm, so, I'm super family no, no, I'm not, no, I'm not. I'm not, no, so much thanks, but then, no, we're, we're galsalsed the

letters, they're no letters, to me, to me, to my, and, well, I was there, a chick, and, well, hello, how you're,

and, well, a photo, no, so who, who, who did the book, and me signaled a, a little a chico that's

with the bracitos crossed looking to the little and he you

you know you're you give you give the give you the

really very very very um like um no

man let me thank thank that what gesture that

so that so it's a thing that for this person

and not I don't I know I was but for him was a

person very important and that moment was a moment important. So, that someone did a lot of

the bullet, he's that's a carlough. It's a badron. It's, it's a

big chingwon. That, that that's a good. And so me to ask you

to ask to be to come? You know, you're that you're did that? And so,

you know, no, no, no, so it's oh, no, then,

so, no, then, so, who are these chagueness. Ah, ching. I said, no, then then I'm per'd, to see, to be how's the thing. You

did the bullet of the Mit and Grit. They did you're going to come. Yes. Yes, exactly. So, then, so is that I came with three friends, and the mother

me left alone. At the final, there was a jubb and you didn't get from the job. So is that, well, yeah, I was trying, I was very

abutated, and he sent to the side of me, and he said, no, no, no, I'm going to

to be able to get to my tangerid. I mean, I'm sobred dos and if I was did. And I'm a lot of the risa I.

Because it's transformed to the anecdote like the more chida to the other that's more different than

that I've said. But that first anecdote after is like if it had made

echo because in Puebla in Guadajara and in Mexico the family nocturna

of those that you not could be to have been to regalers

those boletos. In Guadalajara there was a situation that me impacted me a lot of

a child that's a lot of a hour before before and it's a

time. And me say, oh, for favor, is that is

very important for me, no I don't the long, my novi

and I want, we, we we're we're we're but yeah me

said my knowio that no he's a personal, I don't I don't

want that's a desperdice. What do? And he said, you know, we're going to

overpassed us in question of logistic. For favor, imprimed your bullet, get to the tachilla,

they're going to do you do it's not using two and say, and they'll give them to give to

give to do it. Well, pass to the show. This chick she can I'm

I'm just for the detail and for the gesture, ben and at final I want to

know to give the last and also to be They're the time and they they're the importance of the

money to give the bullet to say to a person go to get a person so, well, I'll

do that. Finally, never he's present, no, I know the know. And at

final of show, he says, I want to say, I'm going to say, I'm a

how you live you're a miracle? He's, there's going to invent the name,

Augustine Peres, the which he's that I this that's the

day of my my ha nothing, nothing, for favor let me

like if never in the life we've seen us and as I'm like I'm

if I'm there's much I'm I'm saying for a fatitas

and monitos and and so you start and me say yeah yeah

fithate narrator that I'm came to my I'm going to

to be left out of the show because not us could not we can't get a money to buy a second

bullet. So I had said he was to be here in the taqia. The

little she had a little bit of a minute and grid. It was to be four hours

and a five. And the she was to get to and the little she was

she said no, no, you know, you also you also, and he gave

the person had made put your man, what I do I'm angel, who knows, who knows, Peres, Peles.

And the chick said that an angel was the guy did the bullet for me was,

no, you pass the lance. No, they don't idea, the orugue,

the carino. Passed the same in the city of Mexico. Someone, no see

who was, there, there, a senior major, that she gave, and

said, I don't I don't have a way of my bullet, but I'm a ram of flowers and I'm

to hear of the narrator. I'm going to say you in the life I have received a ram of flowers, in

the life. No, I see how receiving a ram of flowers. Not so, or so,

or with this man, or with the other, or to say, it was something, it was a

person a major, that's after the final of show. It's of the last

and we have been many hours, since that had been termed the stories and I was

salivating of one in one. This lady, and me I'm going to give the ram of flowers, and I'm impacted, and me said, me did in the miracle. Me, they're permitted to knowseater. He said,

just for you know, that you come back to the day, and I do a brazo to the sir, and she back. To me me he left, but with the heart, a

flower of Pils family in the octurn. And me did that the family nocturned and this it was

in the invivus that the people were in the middle and then they were in the

family passenle what you're on this when you know right right

right right right before when they when they're they're they're

they're a family the people in the people in the people in the people

that were a family that they never had taken that they had taken very beautiful,

a form of to be super linda, yes, there was one or another kind of disquised that was in the

plan, but it was people who were not pertain to the family nocturnal. They were

passing by the 99% of the family nocturna us made a lot of us

made feel a something, and I was I was, I was I was

part of that family and they were part of this family the

staff was content and every every that termed a show, me

they said, is that we're doing, we're a family for that this 2026 is an orgoy, well, that's going to

start soon. We're going to the 2026. And it's an orgoy to be a night. And now

that we're to start, dear family nocturna, yeah the kittas in the next, in two

months, in two months, we're in Mereda, and is the ultimate of this year, Merida,

Thank you, the media, prepare because that show to be to be able to start brutal.

I'm going to get a lot of stories, things that have heard, the good, the

things of the things of the place, in the place that's we've said,

that's the story, the story of the family nocturna and so,

Merida, prepare and for all the other them, let's I'm

that the team we've been talking much, and the to go to 2026

will attract surprises things new things that never have heard of and we're going to try because we

know how to get to go to that's but we're going to get to more more places we're

we're going to go to go to mexico but we let's go to let's

get to get into because if we put in problems of that the

the bullets are we're probably more more more features

if those don't their time to spend well,

we'll to plan to a tour and that's going to be the tour of year. But yeah we're going

while going to get while they're getting getting a lot of the money, so when they're going

to get to get to get to get to get to the time. I've got to tell us something.

Yeah, is another thing. The first is to be to give to thank

you, because it's a good, it's a partner, so you're a narrator,

and you are your family is something that me has changed, start and to know has been other other thing. What happened

of the rap was no, no, is that the day of this is a lotura that I'm a great with all the heart of the

that they do you that the people have that's people that say, I've said, I've

my fears of after to listen the podcast, I've learned a lot of things that

me have permitted to come to my mind to not to be going to being

being that I don't I'm I do I'm I'm a question of characters that

you have said, I'm a question in those I'm going to be my time. Others say,

I don't say, but I relax your voice and I'm doing this. And others, you're my

companyero of the family, is that you're my companyer in house, I'm

my and I'm all the day I'm I'm listening and I'm good and I'm

and I'm good and I'm part for all, thank for let me be to be

my day that's a good, that's a I'm in the heart of I'm that's all, all,

all the effort for to get them the best stories, for get them the first anecdotes, because I know my

family nocturna is exigente. They just they're those good stories, and we're

we're doing to get to and that's, and that does it. And that happened in this year,

that's the story, that what happened is that in Mexico, family nocturna, no

if you just you know, because I've been in the time as I've been in this already, I'm a lot

quite a lot of, to be quite to get a time before, not, so I'm like,

because I'm about end upado and still very very very far. The problem was in Mexico.

There was a carida of climate and no me was prepared for that really that really that's

really that was all the thing. Passed in backstage about two hours and and three

in the that the place was a supermously frio and I went in a long and one and it's a

great, so is that we say that's that's not a can you. The problem is that in the presentation

is that energy, as being the energy, that's that's a backstage,

it was eladisim and it were done there were two there. We're

we're on the time of the hotel we went to a dinner to

even was still I've discovered. The Cenda was practically the airy-liber. Three Gullpes of free. At the day next, I came-a-connice with problems of garganta and gripa. Very levy,

first symptoms, but no, I'd have a rope of winter, and the day was so fast that me forgot for complete, because in the day no, it was still in the night.

It was going to do the second presentation of Mexico, because it were two days continuous. I'm the presentation with the garganta a lot of

a cold, the other was a bit tronated, in the madrugated was made done,

I'm after I'm very few hours. The next three, four days was to

survive her and being in Mexico me were for the paliatives,

so like certain medicines that are to get the things, but they're

this is a thing thing, I'm they're real, so I don't

do you just can do anything, but I'm just and no back, no,

they'd the garganta not so a gargant and it's a good and he's a lot of, and I'm

doing the good verys, oh my own that's of the time of the time I'm that's all the

thing that's it's a thing that's so much and so I'm I'm dopidiss

and exaggerated that day I took a kind of I'm a lot of I'm not done and I'm

never done and then then they and then they like like the trope, me I passed

incredible. With the trap for many to the people of the group of the group of the time of

Monterey. But, well, the point of my great family nocturna is that

yeah we're super-enfermo in the gravation of the video I'm

that day I'm that I'm done, I'm sure, I'm I'm sure to get

to re-enfermar because like I was coming yeah of the syndomas

and now now is a infection bacterial the infection bacterial

has been with all the team is the same in that moment not for me yeah they're not

infermando for your account we're saying that there's a lot of virus but we're

saying that's vital we're a problem more infection in the garganta no

because so that no we're that total that all the

people not we're not we're not we we're we

not calibramed well we the day of today but

now are so now It was a level of Cansio, a lot physical, etc.

What happened? Because we had the presentation of Tijuana in Monterey. The grabations were impossible. We tried

in one occasion. I was to grab it and at the less of the entire of the history the garganta

was and it had to no doubt. So, there was a moment of decision

of the the presentations yeah are. So, those have to

do the videos also, but no me the time of one and

we did to go to the presentations, but you're talking, but people of Tijuana and people in Monterey, I know that's the way that they're doing it, but we're trying much the pendent of that we're trying to get into the kilo, because we're being tronadoes. So in Tijuana

and Monterey, desechos, terminate the Monterey, and me they say, you know, you? You're recontagest, you? And you're strontagicim, and so we're and we're going, until that for the end up to do years. Of course, I'm feeling

much better. now, it's that there's no way no more is molesties in the gargat the rest of

the equip until a year, me said, like, I'm like, like we're like we're

getting more tronados, and so, then for all the people who were in this absence

of videos of a time, a second, but really, we can't do that we're

not, we're very, very, very, very trunos, and well, as, as we're

we're just we're still we're in back. And you know, and you know, we're

that's Because the stories that we've brought, from this time, that many of not have been, but if they're

going and they're going to be the episodes of this time, and the same time, you're going to talk with stories

supermently extrana, totally macabras that I think that they're to love. And the last.

My dear family nocturna, um, there was something that me happened. I was

to tell us. I'm going to as the narrator. I think they're not a image of me that's

I'm really. I have my moments, and when I do my moments are my moments of the old, to be the

ridiculous, of, oh, oh, no, chinked. In those if someone

me know he's going to this car, because very probably me will see in a situation

so lamentable, and deplorable, that not you're going to be to say, I,

this image the narrator no, I want to be. I have to say, because you have to be at the reason of this situation, of that was all

very lamentable. When I was there in Mexico, justly, a day after of the Channick, I was maddened, and I was too, and it was too,

but at the time so long time, so I'm glad the time that we had to grab, there's a thing with

that I'm, that's here I'm going to give to give a excuse, we're seeing this episode since

more of a year, but for things personal, for a mal, for a maladmustration of time, I was still applazant to this episode.

Well, no, no, there was a bad management of time, but it was a situation that we've been to a studio that's a row, and, well, passed a million

things, and that's two things, that I'd to place and a place and a place to the after a year,

yeah, or so, so, that, it was, it had to be a, so, not to be,

it was an insult, and when went to, and I, I, brutal. I came super well.

And all of the team I'm much to do this tipasos all, so all, so all

tipos and tipas but me quittance a carg on the on the camera on

it's got it yeah, so that I know the same thing that I've been having this situation I've been

without that car and I'm very, very tronado and I think no, I was going to go. I was in a department.

I'm I'm very bad. I'm going to go to and I say,

you know, you're a badger, the car of a more palted, the eyes,

the of any little there's no there, there's a person that the head and

the head and I'm saying, being, God, me, it seems like if you had taken

during days and I'm in my tap back in the rasaka, and for not you're the more

long, I'm decided that day not will be that way, that's that I'm

to make to get to that I'm to do to get to that, and I'm there's

that I'm, I'm going to get to get to I'm going to get a over, and I'm going to

get my something and And, standing in the Uberitz, Pidiening some of the was and things like, things for the gargant

and blah, blah, those things. It's a moment in which me appears the legend. No, not was calibrating

well, because simply I could have done the more simple, but not I was calibrating the

things, not they're not doing the notification. Your is the point to

get to get to receive it, or be to receive it, or encounter at an

something. then I'm I'm tired in the room and in the other of that my cedar me say

I'm sorry take a man't a mano visthety and he back because the people

in the lobby they're and then you go you go no I'm not he

was calibrating and my my cerebral me he said you you urge

not not you don't ask that person be you to be

back as the So, rapidly, I put a pair of calcettas, me put those tennis, I'd try to

some shorts that fungian in that moment, let me say that I had been to have been

and I put, I have to go, I'm going to be in Monterey, one day

he said, he'd three canes deportive, and I came there with a termination

BT, that I didn't know that was, I gotro the cams the when I puttick when I put the camisahe, in Monterey,

I go with a voice from the Maaselah, because me had a much risa. That was a commisca, so, not was a camisca a, this, of course, vestido, but it was a, a carmissed a large,

three-quarters to the right, because I go with the voice of the Maas-A-ya, and I do, what does my camis vestido? Because the Camille was so long, but so, so, so grand and so long,

that me kept so, but floating, and me was getting to the back to the knees. And it's my kept seeing the voice of the

more than that those eyes spectral that has, with that movement undulante that has, like this entity, this

spirit, and he's kept being the feet and he was up giving the mirabing and he said, for favor

never more to use that that's been horrible. Ha, ha, So I said, Nah, not so much

Me said, never, no, no, no, in serious, no. If you want to do that, but you want to do that, but you never

you'll use not in public, and I, but I, but I, no, no, no, no, no, no, no, no,

no, no, no, no, no, no, is that, that, no, no, no, you're going to do you, don't you're

to use, and for a moment, the voice of the mass area, it's transformed in the voice in the voice of

the music, then the voice of no, yeah, it's fine, I know, I'm going and I change. And I don't know how that camis

came to get to the maletas of Mexico. And I'm in the camera, putting me my

shoes, my tennis, the tennis not are not being the shorts is a chorrabon that I

use to do that I'm, I'm going, I'm not, I'm not, I'm not I'm put,

and where I'm, styrs, styr, styr, styr, styr, and me there's down of the

roadies. And then I'm a shirt red, a shirt, a little color,

tennis of other color, the tennis, the leguetta, one is for the other, is over

out of those, they're not put up and I'm so troughed that I know,

I think me be so much, and I go to the door, or rumored

the elevator, me met the elevator, there a little there's a man,

CABron. If I'm very bad and me a reasoned what I said, I'm in a light in a

face with a camisa, the trai and no, no, no, horrible, horrible,

espandosos. I don't a person much of the theme of aesthetic, or so, for not

say, but really, no, it was like me had put a box, a box,

a box a buso, jumbo. And I'm in the person, no, what I'm

what I'm doing? What I'm doing and other part. Yeah, just me get to get to your things and you're going to get to go back to get your way, I'll go. I'm going to get your attention. You know, the voice of the way, no, you know, you're going to do that

chingadet. And it's an elevator. There's a person with a person with a car that's me kept looking so. And so is some of the elevator and I think,

good days, no, no, no, I don't even me regressor the salute. And I'm go coming to the entrance and then

I'm going back on the escalars and in this they're in the motorcycle and I'm doing this

going to be a very quick, this is going to get to be down the stairs in my floor of the person of the

motor he's like the thing that's the person and me says narrator

and I no the the worst moment of my life and there

me know I'm know so so I'm I'm going to

nothing to say he's really bad I'm more beyond my aspect, me feel horrible.

This person that's I'm saying, because he said that I said that I'm in a belud no idea

I'd say you're I'd like I'm sorry I'm sorry you'd be a lot of the rest of

my life but very amablely after I'm after I'm said in silence after I'm

three times thanks, thank you thanks, how you're me he said, no,

you know, not so and I don't so much. And I'm really good, I'm going to pay a

photo. And I know what I'm made, but just me said, and just said, and I'm

I'm back, and I went to the room, and I did you know, I'm going to do this,

I'm going to do this, I'm still I'm there, I'm there and you want to

you're thanks for you're to be the question. Reyes Monterey,

I felt super bad. And when I'm in Monterey, the voice is the last year

the that you said, you know, you know, me feel more, and I'm to be a

more, we'll be strontas, and I said, no, and no, I don't, I'm,

I'm really, very, well, very, well, gripa, understand us, no,

no, no, very, very, very, mal the other situation.

I don't, no, no, no, I don't put her more levels of those that are, but those, those, uh,

gripas, tumburros, that no, your cerebr, no, process information, you dole all the

body, no, no, no, when we're, when we say, no,

you know, you know, you're, first, do you, because, you know, you're all this

line, you're bad, and I'm, no, let me, let me, let me, let me,

So, I said, well, minimum, well, and you know, a garra malpuesta.

I mean, here I'm here I'm but imagine it's like it's like and so, no,

no, no, the, the camis like me abirted. When we we're going

in the way, I know what I'm there's a but I'm but I'm with a

manche in the camera. No, no, no, no, no, no, no,

no, spantos. Spantos. I'm to the clinic. Saludo the chas

that are there, I'll say, I'm a question, okay, probably

it's a but I'm a lot of I'm a really, I'm a good, I'm doing

to make a second, perfect. So, so, so, so I'm, I'm

know that I'm doing that I'm a new that I'm that I'm know, and the

form in that I can't in the sillon, yeah is like a

dispoho umano there that's you can't like, just with that box,

just with that So, so I was. And, he's a voice that I start to say,

Cesar, Cesar is here to take to make some some of the kind of I'm, I'm going to,

I'm going, no, not like with the box of Mexico, but let me think I

want to compete that scene. All tronado, all, I'm I sentia

fatal, mal, bad, mal, the chica me I said, this data, this data,

this data, I said, you know, you see, you see, you, and then and then

you're like being like that, you're the narrator, right? And I'm, because,

thanks for the night my little me said, my little bit

that, but out of that, but I said, and I'm, she, right,

we're, there's, I was the only that was the same, then,

they were the people. I said, I'm very very thanks, but if

the family nocturn me was clear in that that's in the times,

there's in the good and in the bads and the and so you do you

do it with a feeling me did a really a lot of because in the

photography with that she when I went to I'm I'm

I'm something something I'm taping the match that

I'm the Camisa. Oh, Goddustles me, Familiar Nocturna.

You're present in all the moments. And I know, it's about

a hour. I'm I'm with a trinies disarruched with a garra

desaliened with a carmisa with a suadderer that I know that also

that's also, but it had got out very quick because I went to a

part of a thing to a convenience. Then I then I remember

I'm a detail that I have to do a the zone, that were

like some video games for something to get to and I'm a gachachio, and where I'm going to be

a gachio, and I'm for you, why? Because, why not you're at those two those are the moments

more vulnerable that a human can have to be and I'm really, and so they're two people,

those are the ones of the family nocturna that they're you, yes, yes,

I'm, so I'm, we don't we're, we're, we can, we can, we can't

talk a photo and me I've looked over and I you, God, God,

me, God, sure that we're going to take a photographia, but I'm to talk

a post, a postura a kind of and they're not in the risa, and I'm

too, and all that we're a little bit, but for the night of this,

that's I'm a understand, I'm I'm a good, and I'm going to be

going to a time on the time, some things that they're that they're that they're

that they're that they're that they're that they're that they family notcturra. Much

thanks for these moments or moments in moments in the moment those moments that are in the other

times of the time in moments my family we've got of the reason and my family and my

family, I see. Because you know, I have my moments. The good family noturner, bich,

one of this I'm going to go to the super chat and super-gracies to learn and then

we're just we'll let us a pair of commentaries for a couple of commentaries for getting to the final and well, he's the best worderator and me a little bit more than

the sabbos of sombras is Christian is a good to have a good and look at a few and look a day of sombrass in sabbado as God,

it's man, very well very well for here Oscar Corral Oscar gas for the support you you mando a barraught of

Nelly. A bit of Nelly. Narrator, disculpa the question. Manded a WhatsApp from the

6th of September and it not was no, Nellie, it's very simple. If you

did it so, any other another more Nellie, if they they're not and they're

saying that they're making and they're saying to the to the Instagram is going

to see the messages of WhatsApp imagine that they're, or so that they're

mandi, man, and mande, but people different, there's a moment in the list is so long,

that you know yet you're not yet you're not when you're new and you go to go and you'll move

to move to and then it's very simple put an asterisk a word, then the enter and every, no,

say one at the day that they want, they're doing a refresh mandating that signet or the signet or

the narrator, here's, you're going to get the story and a part of there, take the

patience, because are much the stories and thanks for that in some moment we're going to get patience and while sitens

to be able to get rid of the stories that we're in the fogatas but if it's that's so practically it's so how you

know if we we've got to the message thanks for your story you're archivamos and and that

moment it's a time you're and when we say that it's not it's gonna it's it's gonna

it's gonna we're we're gonna and we're yeah that's yeah that's yeah it's it's

considerate. Now, so, it's, oh, that also, you know, because many of you guys don't know what considerate. Much of the stories that are not saying, the grand majority,

we'll change many those that we're saying, because here we manage them, so names of the people, the eddies of the persons, places, and all of those, are things that can be that we're going, we're going to be. We're

We'll be anonymato. Yeah, I think you've been explained why, and if no, me, they're saying, there's a

there. There's a question, for a lot of here in a commentaries, if we've been saying,

hey, the narrator, there's a family nocturna that I want to be more about you. I'm not

to me, like that that's kind of, I think they're here for the stories,

not so not so for me, and I me me me me and I'm the time

of the things, but me because no because no because no you don't in other channel,

you know, you know the new project, that I see that's going to the roma, but in other

channel, something that's more in your person or in the same Instagram, and not more of the

story, then if if they'd interest would know, to know, more, to ask them

to ask, a dynamic of questions, and then to make a video, and then after the

question. For here, he says, narrator, mandare les to my idea, Fai Mejias,

that has been her cumple and is a mega fan. For her, me, I've got me a octoberra. Very well. Faymejiaz, you desire that you guys a great of the family

night and thanks for being your mom. You send a superabrasote, I hope that you have passed an incredible and when you're those fulettes in vivo, if you can't

be a lot of luck. You send a brazote. Bye, bye. Ah, it's certain. I'm a new fun funeroying with sweet

funsies, you'd I wish that you have those sweets Pesadillas. Bye, bye. Dicre, Dic,

only two months being family nocturna, two months in family nocturn, in time of family night, is

practically a life. And so, and so we'll be here in the family of nocturna

is an orgoyo. And for me, I'm I'm so I'm really so I'm so I'm

still a family nocturn, family nocturn, family nocturn? Pardon me, because that's the go to...

Here's it. This is my first Sabbath of SOMBASS in vivo. Clarita, a good. And for all those who are your first Sambrasn't a big brazote. Camilla,

much thanks for your support and these were all the superchats and super thanks. Now, let me go to chat in vivo. And let's see. they say, narrator,

you know, narrateau you know, there's those three can't the three can't, they're

the only, I'm talking to YouTube, and I'm doing, so, YouTube, the channels we're talking, let us

what that no exists, chronicles of the narrator, and there a third project that not let's

put the name, no, I'm going to put here you know but it's a project

that has to be with stories of terror, has to be more with with telling us that has to about with me.

The things that I've got to have been in let's talk about. And in Cronicas, is a space, and Cronicas we have a surprise for the

2026, that's going very good. So if not in cronics, I recommend retomar cronics because in 2026

will be to pass things interesting. And this is another project. TikTok, there's the channel,

let us, and let's do the channel. We'll never 3.5 million of subscribers. I know that is pirata, but let me

of what you know on the YouTube has a million of the followers. VET to the followers and from it

the channel the quality audio, video, you know, you know, you know, you know,

the quality of you know, and it's all really, it's a pirate. Those, no,

we're not we're going to do we're going to let's go to come when it's when it's

when it's really, very Prud. Now it's saludos from where

we're going to we're the stories. The stories you can sender by two medios.

If you want you want to send you send you to the mail you that is

contacto arro ablemos of what no exists point com contacto

arro about letemos of what no noxiste if me you

can be you would be that would that are all those audios

that need mandar me, but that the maximum that dure every audio are in five minutes. So, if you're going to the story, the five minutes short, and me, you'll have it to give you to the five minutes cortes, and sit there you'll get you, until that you'll tell us all.

That's all right. So, me, you know, you mandas up to the Pesadillas, and the WhatsApp of the Pesadillas, and the two, one of three, six, seven, six, six, seven, five, four. Most, 52, 81, 35, 65, six, six, seven,

five, four. There's, and list. One way, you know, one last one last one, you've asked a month, not we've heard. Mandar us

a signit or send us whatever message and patience. We get many stories.

Thanks of the family notuna every we're more. 3.5 million of

followers in TikTok, 1,000 300,000 in Facebook. Yeah we're to

a million in YouTube. We're almost 600,000 in Spotify. We're to the

300,000 in Instagram. So, it's a family a constant, as

you can to get to all the parts us they're

all the stories then patience and simply every one

every every every every 15 days I'm a

message to let enter for to the comment now

so narrator or this okay Kim Chris no

know that's a act of then then send me

a message me an act of a question

to do primary, secondary, preparatory, or maybe a licenseatura or

maybe a masteria. And if it's so, that's to be able to in these those moments

that's so much what grade you've got you've got you're but, but,

benicians. It's needs a world very educated. The education helps much

in the life and and felicities. See apostand in the education.

Dice for here, I did you've Falta Narador. Saludos from Chile. And you guys me did not have

my family Nocturnal. Well, also they were on the worst moments. I said, how.

This is too very good to do that. Salus a narrator. I'm a rasked of history. Saludos

from the Veracruus. What you're when you know, when me know, when you're

saying, I'm really is very rare, family an officer. At least in the stories, it's pure fear and pure I mean, it's so rare.

There's a water not potable at the Tinaco, and, well, are the things that occurren. Narrator, in my recap of this year, I was listening the podcast, 249 minutes. This year, let's pegs the podcast.

Hey, that's chido, Sam Ratoo. Much, much, thanks. And to be, with what percentage

you got to you're part of the what percent, and to be to get to the rest of those that said, I have to

get to superer that the next year we're going for more. And so, No, little, we'll go go to go ahead. We're going to be a family more obscure and more

cheap to the internet. And we're in the new thing. And what is it. And what is it. Because the en-bivus, family nocturna, was an

exitonant, impressive. I don't I thought that I was going to get many people because never we've done this.

Genes totales. I know, we don't say, Calted sold-out, but, but I mean I was sold-out

and they were all-d-d- $10 bolet. 7 boletos. eight boletos. In Monterey, I think it were like 15 boletos. Faulted the people that no

can't go. That's just we've got to happen that there's a lot of people that they've got to be. But for a vote of the circumstances, no, they can't go. But Famia Nocturna, wow. Wow, it was an

exit. All the team, we're just, we're marvellous, the theatres, the attitude. You're, no, no, no. They're not, no, they're making that the So they're

that's that's all all the whole. So it's that's so many a new time

and the night of this this is the little yeah, this was in

Guadalajara no didn't the lens because we were doing there some

there's there and I know where they're to be to be to be

to be all the narrators that they did me did or no that's

that's I'm going to try probably probably for when we

came the because I think we should be I said, and for there,

remember me, that I have to show who is Almedra. Recurredemel the most later when it's I think

the year, because the year's the year's after the time and that two years, and then the

time, and then the year, remember them to show, let me, to show, to the

integrates of the first, you know, a story, me the one- you know, and the time

52, 181, 351, 367, 6,7, 65, 4, narrator,

I would like So, pardon me, I have a question of my question to know, I'd

know more about me. If the response is if the response is no, no, no,

it's a narrator, when you're a San Luis Potosy? 2026. Preparensse. Because

the places that we've wanted to we're going to go back and we're new new places.

So, so, for favor, for favor, queism. No, I'm

know that is a chism, but for si. Okay. He says, a act of grado where is when

you receive your title university. Ah, brutal. Brutal. Receivist your titular university. Felicides that you graduated. And, ultimate, for here. It's my first foggata, but I always see all those those videos in the

job, a job of security, and a sometimes I'm a nervous in the night when those terminos to hear. Look, Victor. Always I'm trying to with moderation. First, your your health, your health mental, that is a good, that you're going to be

going to be able. That's the principal. And yeah, and then after, and then-after, but, that's all, but, you know, with the foggatars, never you're going to sometimes. Vendrathes to Monterey.

Cros, or you're going to be in Monterey? Or you're referring to the foggates in vivo? The foggates in vivo, yeah, there were two in Monterey. 2026? Sure, that we're going to present to the Monterey, but

And I'll the dates, what are we'll be able to be going to be going to be not the not we're

going to get those things. It's a time that we're going to but thanks to

all those that's those who mention in the because well, it's very

the fact that we don't make sure that's that's there's in all

the in all the enivos there have been in all the in the

Montreye had been three Mid and Grit and there then says, if I'm going to

a Puebla another way for you and the first not you know, ah, with all the good good

sure that me would be to be in the Argentina, we're going to you know, you know, you know,

you know, the accent that seems the accent more of Argentina but I'm the accent Argentino

and the people say, but what? The fact is that I'm the word I'm, I think,

I'm the parteo with other more, but are all. But I'm the culture of Argentina. I'm reading, I'm just a time. Or, well,

listening an audio book, a book that is of terror of an Argentina. Oh, and I, that's due for the next Saturdays. It's a good

and dense, so I'm recommend. It's, well, it's a good, but it's very, obscure and so. That a, a father that goes with his and the father is metied in an old cults very strange. I think, you

know, because it's a book that's a lot with a con-de-corrations ago. It's a denserical. And plasma much the as a

kind of the idiosyncrasia of the form of living of some of Argentina. And the best is that is that's

done for talent, I mean, you know, audio-librous for the voices, for the interpretations of a talent

that no see if it's Argentina, but has the accent. It's a delis what I'm like I'm

super-encored to the Argentina. We'd 2026. Acca, we're many of those

who we hear of from from the Alexander, from the invitation. Auxat

an honor and an great, much, much great. Yeah, questions to go back to go to where are the foggats in

live. I saw the commentary of a book that you recommendastes in Amazon and me

took it when the state failure, I don't know what is that

recommend you to Amazon that I took when the state failed that's no

I'm I'm not I'm not recommend that I don't recommend I'm no more that's

so my first direct Salvadore in Spain a brazote after Spain you know

I'm I'm piqued with the stories now I'm not I'm

not I'm all I'm all I'm all the other reds for please please

that's subscribe and if you doing, give us the five stars and here press the the campan

the time for that you get in the notifications. One of the last I'm done this, I'm

despid, this is a good thing to see a week, we see the last of the time, thanks for

having to be the final of this episode. And for first time in all the stories of

Saturday of Somras are more likes than people being. One once said

this, let's I'm very beautiful time and this this

we're here. Until we're have done. Pesadillas. Bye-bye.