HABLEMOS DE LO QUE NO EXISTE - Me enfrenté a duelo con un demonio | ft. Maribel Treviño | EP 141

Episode Date: November 30, 2023

¿Estás preparado para enfrentarte a lo paranormal?Sumérgete en la oscuridad con éste episodio que desentraña historias aterradoras en la vida de nuestra invitada Maribel Treviño. Descubre los relatos más aterradores de un estudio fotográfico donde los espíritus se hacen presentes, un doppelganger que siembra el terror en un maizal; explora las experiencias espeluznantes que vivieron en el rancho de los lamentos; sombras inquietantes y premoniciones salvadoras, este episodio te llevará a través de experiencias que desafían la lógica y te erizarán la piel.Así que ¿Estás listo para que @HABLEMOSDELOQUENOEXISTE ?Y si te quedaste con ganas de más historias escalofriantes en @CronicasdelNarrador encontrarás 2 relatos inéditos que no se contaron aquí.

And me toped with a demon. I have, like, I have many days of that I see a somber behind you. It was someone who's a woman. Welcome to Family Nightourna to this new episode

to let us do what no exist. The day of today we have a super episode because we here, Maribel. What is I have to say,

I've seen a member of the Family Nocturna me said that there was a lot of stories and me I've got some. And I said, for favor, tell you that person that you've told, that vena the program.

This was in many years. The day of we have the opportunity to have here in front to the person who has lived in a situation is that in a moment more, so van derailed. So, Maribel, welcome, how are you? Hello, much thanks, thank you, God. Maribel, me said, for there, that you've been, there's some stories that I'll tell. Is certain, this?

Yes. What do you think? If, to give it to give me and to share just in this intercambio, stories, I'm going to you, quite. Very well. This story me, he was told Samuel.

He took this experience before two years and was an experience that has certain

touches but it's more bit extra it's more that's one of those things

that they do that they're that they keep to be a day a day

when we don't we say we he can't be the situation and

he's he It also a situation very difficult at a level family

a year and he was in the house, and during a week three days and he's

practically not could do not the first day was for questions of the time,

he went to the bed, he got to and it and that was a

one and the time. He's never has no he's and when he

the clock and the three 30 of the morning and the sun he was he's

he's he's he At the day next you can't imagine. It's a

deseched he's like a zombie but well, they have to get to get to

get a normal to do you a day down to get a time to get a time

to get up the night, 3.30 at the morning he'll get up

and the day when you get a time when you get a back to

the camera but in the eyes he's not could consider the I'm a

sensation very inco in him, asios or desperated, how he's normal in

the people that doormen in a little. He said, he's going to talk to

talk about the day with a little more more he's not in this state

somnolient is irritable more bit overreaction on and the situations

and know that he's good for the type of the time that

he has so it's we're with many precautions of their own reactions. When he gets that day to doorm, he's a kit of

things. Tess for to doormir, to do exercise before to start to learn things that relaxes.

He to the camera, it's super relaxed. They're at the night. He met

to be to get to get to and at three 30 the morning he'll be to bring

the eyes. No, he's no something. But now the

camera, for a second, be a little rarer. There's a little entry of the light of the light of the farros mercuriales of the street that

enter by their window. And between the lights and these images, I don't see if you've seen, maybe Maribel,

those images that you put in the cellar, that you have to get to just to get in your head. Well, it

does it. He gets to being that, those lights and those sombers extra- that not is normal that

are there, one part of him he's he's not because he's adapted to the darking of the

dark and when see the eyes he clearly a woman is a woman

of a white but and she in colors and with a

light and with a light and it is a fear he does he has

a and he he's he's that a image so he goes

and he goes and he goes but six of the morning

she has put in he, no do not he's he's he's a

point, he's not he's not he's not quite paranoid, he is totally irritable,

he's really, he's he's and he's he's probably, he probably has

some a kind of that's that's that's someone and they

say, he's there's no problem, that's that's something when he

when he's when he he's he's that someone he's that's that

But he says, I'm three days without to sleep. Is that so, I need to do something. He takes in his camera and he's that someone in the night

that he's been doing. And no, he can't be to be able to turn to the television and try to get to get to

get a moment in which I am desperate. Necess to go to go to consult to a medical or some

a psychiatrist for that me de pastillas or something. I'm so on the telephone.

And be so in the part of the right of the part of the end of 10 years, but not is frequent that they marken for telephone.

It's a strange. And when he says, Imelda he says, Samuel, you're in danger. No, is there's a only. There's a lady ruby on t'n't

care, they're and he instantly is a paranoid. Imelda is a person that in some moment has shown in his life that

has some type of power, telepathia or that could have things, nothing of that. Imelda is an amic that was a

friend who and they're to all the things, but never have been a time about the

thing, so that that's that's he's not, he says, Imelda, of what

you know, and he says, and say, call it, you know, she's she said, she's

to protect. You have to protect, or Pum, or Pum, or Pum, and he quere the telephone.

And then he's put very bad. Of that he has to go to the house, he has to

go to get a medical, terminate a pastel three days and he

he had done day of San Benito. From that day, by pure paranoia, the agar and I'd try in the box.

Fin of the situation, when pass on the three days, go and look and say, what I'm mark you?

Why did you? That's what you said, and that's the call and what you said, I'm not you know?

It's the call more the same that I've had been in the life? Why me you're

and why me did you? And how you're you know about? And how you did you

you did the woman, no. And when he said, he's, he's a your cellular, no

there's no email. And in the cellar of email, I'm not there's, I'm going to

say, I'm not see, if was a minute in that I said, I'm to say, me, I'm out of some

way of that's or it were a time, it really really reeled the law.

But one once you've told this, for favor, tell me your story.

Well, this, I, I was much time in a photographic very

very known here in Monterey and they were in a subcursal

that was a residential in the center of Monterrey and there were things

strange and me it was to happen that when we

we're to put marcos to the photographs to get

to the part of the back it but,

but it was functioning as a studio. So, in one of the recamaras of the part of

that was, that was like a room of the marcos, and there we had installable

the photographs so, so, and when we were to install there the photographs,

we were, we chistavs was, it was, but, but, there was no there,

so, in an occasion, a company that was in that was in that was

to be to be to go to the we went to, we're going to have been, we're going to be able to, we're in the turn of 11th, the morning, to 8, to start. So, it was, it around. And she went to be able to get to a part of the end of the client or something. So, she got a super-blanked and me said, I'm, jure me, that you've

asked to talk about me back to do you. I said, no, I'm moved to get to this,

I'm moved to get to because, I'm going to just here the reception. I'm, I'm,

I said, I mean, I mean, someone went, someone went, and for the mark of the

door, you know, you know, there's that there's a thing, so, like if

someone had had had been had been and she had put for the hand with

and say, and say, and to say, he said, He said, Jessica, So, and so he said, like, no, he said, like, he,

because, as far as things rare, there, no, he said, for if it was, someone who was, or if it was, then he was, he was, he was,

he was, he was, to say, me, jure me, you, he said, no, no, I'm, no, I'm, so,

so, and, so, and, so, just, just, we, just, she, and I,

and, this, yeah, major, that, not we not to open the

door. And he was there and the he was in the same. Nobody went to

the bathroom. Nobody went to only we only were us in the studio. So,

that's that's that's that you and the place? And the other,

it was a little bit to be a other, I was I was I'm a really, I

was sure to put the marcos and I was so like when when you see

when you sites in the back to And it was very oscuro, or not so, well

the lights were very calied. Yes. For the studio. But what came is

being saying the part of the kitchen, the part of the where they were the

marcos, was, was it was was very illuminated, so it was not it was

not, not it was like the light to get to have to have a

type of sense of the place. It was the of the we've got, we've been the only ones that we've got to, we've got to, or other, uh, other, uh, other

other reports of other companies that, uh, one, uh, one, he went to a, uh, one, he went to He went this and he, he, he, he gave the banion,

that's he had to pass to the so they they were very very very much,

yeah, are the time, even, yeah, almost to be to have

and they and there there's a man, I don't say the place, because

still still that's the place. And still he's a studio photo?

Yes, but at the people do identify. For this description,

yeah, there there there there a scale very

great that you enter to the studio is a the little

the caracol does it like a kind of a caracol and there

a there is a back on the so the the so the so

he went to and for the and for they were and

no, well not not and not not didn't and

then the other chica that was in the

person that was the person that was the He said, oh, well, go yeah,

to find out because the sir, well, he's not to see, what he was he took the

door, the sir, no, the door, and there was no there. It was a was a vacue.

It wascue. There was a, there's a lot of in that house also, so there's a sotano, so-and-

in the plant at, in the plant altar, in the plant-alta was used anteriorment

for edition. There was the agent of edition. And, And, no, the, they were

a team of edition and all of this, the people of there always was it was never, it was

so, he was so, no, no, there was absolutely nobody. There's a

there too, so there was to be to get the garden, no, there's absolutely nobody.

So, so it's fumed the sir, never came. Never, never, never,

no. Oh, and a one ever did you took, any another

another another, that no. It was more more to

And when we were there that we were there, and when was all right when it was all right. Fugate that there was,

I'm going to read about there. But there's a little bit of a episode that's called Angel's

Caididus because the things that had been with angels but there was a

situation that was in a consultor medical in the center. She was a

workable in a pharmacy that had a doctor and said that this man was

always was always always. the problem is that I I'm going to I say I know that I'm

because that's the no no no no so it's not no so he's no he's up in my

car and I don't know because after to be in the car I'm going in the people and I'm

they're and I'm and I think it's the same and I when I'm I'm not

I'm back never I never I never to get to I'm the same another

again so point. But, in the center of of Monterey, there are many places that have stories and situations like,

well, the Barrio Antigo that we're talking about a little not said. What was, remember the

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Yes. One of them, I was very young. And my family came to General Terran. Yeah. So, we know, we're going to the rancho of my abuelitos. we're well,

like every year in Navid New, Semana Santa always we're going to our ranch our

our favorite my of my my little my my my family always

always that I'm for there and the family is very very that the

canas not not can't for all so it's you have to tend

or to, for, to do, in the soil, or in the

car, or so, so, so, in this occasion, to us to do

in the carmina in the , we, no, no, the of the

, it was a , it was, it was, so, so, so, so,

put one of the , put us, to put to, put in the , there,

and put the, the al-as, and put the, we're, we,

six hermases, my mom and my Papa. My Papa, right now, I'm sorry. Thank you. And so, and so, we're all,

we're all, we're all all over, I'm quite. I think, so, I think. So, we went to

do not, my mom, he said, my dad, how were all my Tios, and they were done,

they were, they were doing, and they said, my father, he said, I go,

I'm going to get to get to the carionette. So, my mom and he said, well,

here's, here's, the car's to the car's, and when you're and you're

and you and you know, and he went and he went to not even, he got to

the other in the, he's on the, the, of the conductor and of the copilot,

he's to get to to be a seat. Yeah. And we and we're in the tentido

in the into the the caronet. So, this, yeah yeah,

My my papa, yeah, I'm at a carmionette, he's up and she and she

to get up to do with. More to the time my mama and she a little my mom and

we know we're not we're because we hear of a word. And it was a

really a great. We we we're we're and we we've been

to my papa that that's with the part of the caronet.

It's at the the part of the a carmionetta and the the noise that is because the

carmionetta, you know, you know, you know, well, then it was because the carmionette said,

that was in mind that it was and he and he pegap and then where he had, my papa,

his pierras, his feet, and my father, my papa, was, then I

didn't, then he was he was he was done so, then the the camleta he

had, and he he had the way the he had the into. So, and

someone he had to have to be and the people were rectas. They were so rectas.

So, he was he was like, this was the end of the game. And so,

my mom she kept, then I said to my prim Fer, you're seeing,

and he said, my my mom, all the he. So, then he said,

help me to get to your then, then he he says, he said, no,

I'm can't move, so I, my mom, me, I'm just I'm a little bit.

So, I'm my mom and I, like my papa, so, he , he had costed vestyed, he had a suit, and then

the stouron. So, then it's, the stouron, to get to the carmina, to get to the carminted, and then my mom

and that then said, I said, many bad words, then my mom said, how,

how, chinkos to do you to do you to do you to do you, Higy, my father.

This, then who's who's my and my and my mother's

and my mom, I said, and I'm that I'm the whole and the he was, then we

we got him and we we're we're a little and we and it so

all of one of the things that we know, that's that's that

great story and with that you did you didn't in this time?

I think I think I think I think Okay. How, how you sent you after having

lived in? How did you do much fear? But my mom always me had a much tranquillity.

My mom of my father, the mom of my father, never been, no, no,

no, no, it's all all the all of all the name of God. And they

always always me gave much, much tranquillity. So, they were their character,

they had their faith and that had been like that was a time.

Yeah. The you You've got to see that movie that was very known at the finales of

the 90, well, the middle of my poor Angelito? Yes. Okay. I think the

grand majority those are going to be able to do you know? Yes. Well, all you all the

top of the peels chinos and barba, no? The actor is called Daniel Stern. And Daniel Sterr

and this actor that interpreter to a, that's a ladron tonto, for

so say to say he he's a story super spantosa that

right he's he's he's ranching for the people that's

you know that you know you know you you know you you know

you you know you know you know you know you're a time but a

time you get to get different destinations that's that so

so so so he he's he's I think he's I'm

in he's of I was going to vacations in Englanderra and he's a wife in a carrow

and get a carrietta. Yeah they're a reservation in an hotel, a hotel very beautiful

and a hotel very very rustic and like a couger, a place not like those that

are very ostentos it was more kind of kind of kind of kind of so you

know they're in this type of itinerary of the time in the

time and if they are things interesting in the way they're

to to have to be they're a letterer very that says white com and he

had like the letters medias and that white com said a back the

church of white com then so they're saying well we don't do

so that sounds interesting well we're total that the that's the

thing to get to the part of the not contrary but desvending

those much of the hotel that they're And, they're

with an image precious. You're talking about of an church, but of

these abadias of the single of 600, 1,500, 2,500, of the huge,

there are that are many cities. So, since they've this

place, they're they're wow, that's good, we're good,

we're going to get, we're they're they're they're normal in

any a little in any a city. There are really of the

same life of the people. There's a silence sepulcral. Well, maybe

no there's not of people, they're in other point. They're when they

come in the second socese extrano. Some a great quantity of people

those that are there, but all they're coming as the same rhythm,

like if were zombies. All they all they're bestied of

is the one of the situations that most it's the one of the way to look to make a

color in a other way and he said it's a good, 100% negative and the people

not we were not not even for it. Passed on the side of us,

passable on front of us one went in a one only

it was all that were all but it wasn't we're we're we're we're

to this point we not was normal. My husband is a minute and me says where we

we say, it's a me makes it we're going to and then those two we're going to the rest.

A person that's a major, he's a type of be a in the part tracer

of the head and it's a color cafecito with some colors

lightes that lightes that's those point light and that's color

coffee is a thing of the rest because all obscure. Well,

commenced to advance to that person. The person is a hand to the other. She'll be that's an anian

where they they're on the armor. Voltae the instant. It's one of the

scenes more aterrower that I've had been in my life and I don't I can

I'm I'm a person and the face. A face, a rostro

a man very very very major, very marked and his eyes had any color.

They're absolutely blankos. and when me be, because it's not that me be, because he's a look at your

eye, and he makes to be in a other way to my life, I'm going to hear of hear something,

espantoous and tetric, and he starts like acelerata. My husband me halla, and we

get her, we're going, we're and said, it's, me culled the little,

the keys, the I was, I'm put it, we're going, we're we're just

we're just So, that we still we still we're still in we're

to get to the hotel when exploded one of the and we went on the rin.

We're not we didn't get we're we're we're we're going to we're

and we got to pass and he and he with the face, he's like that

and he and he we're we're and he we're that's that's

nobody goes to that is a city phantasm and he says

how how He said, I don't know what moment, but it was in 1,600. There was a little little polditit. And the place

that you're the part that's pegged to the church. One day in that church, as a custom in those times, it was a

day to do the majority of people to their celebrations or rithos. And for a situation that no I

have encountered never in the history, they were the doors or someone the

closed. No, they could open and there was a torment as never never had whitecom rations for

all parts what they got to create those of there is that they're they're rations in the gillessia because three days

after when nobody had noticed of the people were the and the only they found were the

people who had assisted but yeah his their bodies that had been consumed

for the yams and from that said from a a quantity impressive

the people who have talked the people without the

and they don't with these people who are people that are that they are going

that's that's an story is per an ladron a ron a ron a ron

a tell me what's what I'm well well I'm I'm

I'm I'm I'm I'm I'm when she was when I'm

she was so So, we're We've lived in a house that never

never was four recamaras those of four quarters that one was the cell, another was the other were the

other were two recamars and a and a and all this part of the only was kind of

the cements that varia and so and other partit more a other partesita more

ahead that was to the the street, just only the terrain. So, in this part,

in one of the quadrits could say, of this space, my papa me's mys.

Yeah. That's here in Monterey. So, there's he mowis, and in

this time, the maize yeah, yeah, had grown, yeah, had grown, yeah,

there was, so, then, and, was, was, was, so,

I'm, I don't know because it's part important. So, in that time

still the people could do not with the door open. Sure. Only with

the Mosquiterra, the door muskiterer so we so we were so.

When Montreira was sure right? And in the part of this port of

Mosquitera the Mosquitoa no had, no was the musketer

was, it was the pure wweco. So, my brothers and you,

we we used to use to make there without the so we

met, we we're we're we're so in this day,

at the day, my, one of my primos that was that was in

our house, he was going to then they had a camaro and they

they were to use for the boda. So the Camaro was

failing So, they were all the night, arreggling the car with another friend, my two primos,

junior and Berardo, they were getting arreliable the car with another friend. So, we got him

my mom, like all the nights, that Monterea did a lot of we had a air-conditioned,

we had no, we had a thing, we had a bannician, and my mom in the cella and had the

piece very limped, and never us accosted with a al-a-a-a-o-a-o-a-sabomom. And, a sabanita, for

in the night it was a little bit of fresh and it was a tantito frio, with the sabanita we'd

so my mom and all the days, trapeo very very well, that no there'd that there

nothing, then we had to do this, and the mosquito was a lot of so that

myriss was out of the main was a little so I'm so it was a

so not so because the the mais was very So, the

friend of my he, he, he he, he he's went to the patio, because in the patio there was a

for the patio, there were, for the people who had to be to the house, there was a

house, I'm a lot of the part of the patio. Yeah. So, my Primo,

Verardo and his friend, he went to the patio, my primo junior, that was the he was the

he was he was He was outside and the equipment that they're using for the

car. So, so, so he occurred for you know to do you to get us

so we're so we're the house that has the kind of a kind of their of the

house. So, then my first is my friend, to do you to get a to get

to the other friend, so the they're back by the passio. So it was it was the

house of the house of the house of us in the house of us in the house of us there was the house

there's he's he's he's he's he's behind the the house.

So he's is waiting to come where he he's he's she's an amulah

that's salem in the middle of the mais with his batita

black and discalcita and see Miriam with the eyes

into to enter to to the house. So Miriam is going and this then I'd

maybe a some years more or then she's going to the mice and my friend junior

was spanta because it was like the two and a half the morning and Miriam

out of the mais then then he said he he he said Miriam then

then one normally you , you'll when they're so Miriam,

no. Miriam, he, he, he went to see him to be

to be a little that he was a robot was so, so

he on some the only that he was met to

mehita. So Miriam then Miriam, again his another

his car and he Mets for above. The

Ports to the door to get down. So, he's so, then I

came my other prim of the passio with the and they're in the

they're saying, what I'm saying, what I'm saying, Miriam, then they are the

house and you mom, Tia, is that Miriam, we've seen us over,

revisel if no, so he did it came to that came that's

that's that's that's He's Depirted the light This

be a Miriam I'm sitting at his his his body was

his he said he said he was the not even I didn't

nothing my my mom revised the he did I did you

I'm so there there there there there like

that there there there there there never never

was everything Miriam never never What is a media? So, so

never to appear this little this this new? No. No. And it was

identical Miriam, for what they were like. Yeah, it's that's that's

that's that's she's also, she has had been a lot of a

much, well, in if we're, we're we're five, I'm,

I'm the major of the five, and we we're we, So, for example,

we've seen, when we're not when we're not we're in the house, and we're to get them to the house and

we're in, someone, someone was, because our house was very easy to enter. Our house

not servedia the door of the front of the so we'd we'd be able we'd be able

so. Yeah. So, my house always was very concourried for all my family.

So, a little that we'd a man, and had He had fallened, that lived in the rancho with my

abelitos, and at he was he came to get a time to find out of the animal so he was

he had to be a see, if we were, or no, or if not we were, if we're

we're in our patio, we, our patio with the time of the end of then I'm

so, so he was also, we're sometimes we had been, we're having we,

so we're he didn't, he's, he no, he's he, we're just he,

or when they were to come to my abelites because in that then it was like the

the telephones was like the was there so no there was so not that the cellul or the telephone

because I was called to the people but we're not we're not we're so when my abelites

they were to when they were they're less telephone in the rancho. So, we presentiamos. We started to bler and we said,

oh, they're going to come to my abelito. And we said, my mom, are going to my abelito and my oldita.

So, yeah, as we were my mom, I went to the road to the carterer, to be there

because they were in the bus. So, this, we went to us and we were just

we were we were to get them on the bus, my mom was and my mom

was and they would always come with cajas that if try them

the eggs of the eggs of the of the little of the and then they were

being being being carried so so we're we're presentiames to my abelitos

and to the fact that my my don't don't we

don't we're we're we're we're talking of them or so

we get a a certain the that is the there's these

aromas those perciven those are every other way or only? No, only one. Of, this,

every one, or so we're all just one or so, or every when we're only a little, we're all right,

you know, oh, you'llia my abelita or or this, or so so, yeah, yeah, yeah, no, no, no, no, no, it's

that's the one of the yeah, no, then the same area, in the same places, or it's, it's,

it's been more with, about about to, yeah, about them, or that we don't,

we're, we're very pegged to our abelitos and in those little

moments we're in we're in my own my my little my my little

those are those were not those were not but we're we're

a connection very very very very very a profound

special yeah yeah it was something it was they're they're

they're they're not sure they're not that anyone's I'm that

nobody's we We've lived much time with them. They were when they were to see with us.

My abelito, his own days, it was over his own the other we had to

Alzheimer. So, we were we did and noche, my mom were the were the

mother, but my mom always they always was like his papas. So,

they're they're very mutually mutually. My my mom and my mom,

my mom those adorable to my abelitos. So, this, uh,

we've always had a connection very, my abelita always said, to us

always said, my daughters, yeah, we know those kids. Yeah, always,

you know, yeah, so they're, so they're a lot of a lot of a certainia, and when

you know, when those you're, when you're, when you're how it's in a part of your

body, in the house, I, I, I, I'm, I,

My heart palpita and it's a little beautiful something like something something and it's similar to what you're when

your old or your old was in your old was when they yeah yeah yeah you know I've been

touched people that had like this presentiment that were to get to someone and that were to even the family

in this case your mom yeah so it so it was totally in mind for

doing it And this And not You know, you You know, you know, And you Yeah,

that this Yeah, that's your old was like, or your vis-a-oh, things of that

type? That, that did you that were That, that, never, never,

never, me, I think, my abelita was very receptor. For what?

And it was, and it was very creient of all this, that if did the that,

that if, to us We had, we We'd care much with their remedies or that or that

we'd cure a bad of the I'm I remember much one that I

took a time and I was me was done to get it to not

I was not no in that in this then so I

took it my was a monterey. I, it's, and she, I, it's, I, in the cell of my case made a cross

of fire with this that's that you say in lumbry. With with

yeah, and I vaguely I think I'm I'd have some of six,

seven years vaguely I'm vaguely the situation but if I'm very present

that there was a cross of fire and I had my temperature and she had

me, I was, I was like a crossed a cross A cross with you With you

I was out of But I'm I'm carrying And she And then she She was like She said She was like she

She said And then Like me She said She was a And then She was She said

In the Oh Maribel No, you know You'll be And I'm To tell you

I'm When I'm When I You know When I'm To tell you You know In the

I'm No, you go and then I said, I'm going to so I'm so I'm sorry so I'm

I liby you may, you may liby after after that's yeah yeah, okay that's a

that's a doubt that and not you did a wordita to a way up a more more people

no no no it was only only us only only us only you yeah

in this situation in those you you're in this family's that

you that a a kid just in the day of the he's

a lot quite quite quite he he went just before

to do he went to visit to his family

to his especially had much a he in the

in the in the he felt almost he was he

was a he was he he was he went to

he he was an impreviso. Nobody's he could imagine. A man a man. He was

a year. He was very, very young. So he every year, since he has used to get a

little bit to him and he and he he's still this lasto. And this year, especially,

he he recorded that when he was going to he was he took a moment and he

said, oh'al me come to visit at the night. I'd like to

talk to talk to you I'm having days difficult He went to

And he was that something But he was a He was a He was stuck And he was He was over the And he said,

And he said, What was he? And he was Exactly like When he was When he was He said Tio, but

you just you You know, you're And he said, Yeah, but me You're So, what happened? And so he He says,

Hey, but Rapid, because you're going to come to me and he says the he's talking there's a there's a

there's a one of the thing that I'm going to be my tio my tio is going to be able to

get to get to get to something and just me I'm sorry with a car like I'm going

or you and a one dark and a more gets and it's and he's to start

to get to get to get to geted to I'm got to I'm

I'm I'm it's was a very real. Tal-be my time my time

my time and I'm going to be in a little bit of let's see, what has been the success more aterrador

that's lived? Well, I think when when when I when I converted the Christianism

in the situation in Canada, my spouse and we were living in Canada. I started to go

to the Church Christian. So, so, of the days, I think

that's not the only, because only were not, because only they were

all the days, me to be to be there, but I started

to that they were, me, they were, me they were, they were,

and I had to my name, and I'm to have those so- kind of

that, it, not is that to call it like a dream because I

was like a question because I'm the moment of the time

and I'm a new a escaler an escalera an escalera where I was

going to I was something I was something I'm and I was

and I was for my name a a voice that never

see very a Like a demonio. Like a demonio. So, I subbed at these escalars, it was all too

obscure. I subbed to the escalars and me called Maribel. It was a horrible, tetraic.

And I, I'm going to get to start. I'm going to start. So, the force

that I did I to start me because my body is dormied. So, I,

I, I, I, I, I, I, And I saw my

husband at a side of me and I'm called to get a but I'm

could be to get a when I see a man a man to my feet

and I standing so I was I'm looking so I'm

and on the side of my husband so I was

I'm I'm I'm back to the so my husband I

had to the I see like that they were to be a not a

was a but he was a so the last the was he was an animal

a animal a animal a no say to what was that

was that was a and there much noise

much a so so a much scandal and I he was

I was the animal and the and the and the woman here

parado and I no more I could move and I'm like I'm so I'm talking about

and I'm my cerebral so I'm so I'm so I'm so I'm so I'm and then

I'm to make to make some so my husband so I and it was

and it was like where I where I took about yeah I'm I'm just

I'm just I'm you said oh you you're tired much and it preend the

the of I was to do a other or a and so I'm

going to pass all the nights. All the nights me so should

it's so I'm so the point that was like that you I'm

not was a more was a day that I'm I'm

I'm I'm I'm a big and in this space

there spots and of the spots that they were

so one the spots dava to the regadera.

So in my regadera there was a cartyna of these like some transparent but that

only are in the silhouettes so. So, I'm I'm going I'm going and I

hear in the door of the bathroom. So, I was doing palomitas and when I

met to a so I'm at so the door, so I see the

thing, but no me said nothing. So I'm saying I I'm I'm

I'm I'm I'm I'm so then so I I see

that it's a sombra for in front of the spot pass to the sombra

and it's like it a lot of the tina because it was a tina a tina a tina,

then I'm so I'm that it's I'm a I'm a sust I'm going to get a I'm

so I'm I'm so I'm so there's so no there's no there's so I'm

so I'm so I'm so he's he's just he's he says what he says what I'm

let me let me let me I'm let me You explain to outside. So I,

this, I'm in joaqued, me enjured, me involved in the toilet, I'm going to say, and in the

recamara and I'm saying, I'm about you, I'm just, I'm, was, you know, I'm really,

you know, you know, I said, I'm going to get a dark of you. You know, you're just

you're doing, and it's not you're in the way, you're in front of the bathroom to lavers to the

and did, and so, and I, I'm I'm getting rarrow I said,

I'm what I'm the past is that I'm I'm thinking it's because I'm

thinking I'm I'm having been having been having been going to the

he's he's more. So I I'm I'm I'm I'm

I'm I'm I'm to say I'm saying that I'm saying that's

happening to be all to come to come back to start to learn

for me and me and me he he he he was

going to go to he he came to he came to he came to him, he he came to

come to come to come back to him. So he starts the same to him. He's

to say, he's, so he so he no, no, he no, he no,

he no, no, he was, we're, we're, we're, we're, we're,

we're saying, we're, he, he, he, he he'd he, he'd

he, he'd, never went for or or us

get them and we not they were in there's a no way, so I'm

we're we've this time every that we never to the before

before I always to make a thing to make a sure if you

think is something you don't do my consent for

that this pass to this house in the name

of Jesus and I started and I had

the door no there no So then we We started And then it's

After a certain time We're just He was just With the Oration Yeah, Yeah,

Yeah, Yeah Yeah, Yeah, Yeah, Yeah, Yeah, Yeah, so,

yeah, So, no, no, no, I'd have been gone, I know,

I'm, I'm, I don't see a man, and the human, and the

but, not always in a time, I'm, I'm, I'm, I'm,

I'm, I'm, escalera with the voice. Okay. That escalera, how is it? You can't describe a detail? It's like if

were the escalera of a tower. Yes? And, and, and, and,

and, and, but, there's no, no, there's a middle. No,

I, no, I, know, I, so, I, so, I, so, I'm , I,

in, in the escalers, I, only, I'm, on the, and I'm going,

like, like, a circle, like a circle, like a caracole, , uh,

Yeah, but the These are, like, Piedra. Okay, is like if you're in a table. Yeah, it's like a little.

It's a little a little and it's and it's all very big. So, it's all very big or obscure.

There's a humid, very levy. Like, like, it's just, it's just a,

it's, okay, and you can, if this were a camera, the camera is like if were in your

eyes or it's like, no, the camera is if were in my eyes. Your eyes.

You can't go to go to look at the back or the other? So, I can look to

look like that back. Not so I can't go to look to the sides, to be around,

but for back. And you have seen your your sleep? My feet,

no, I'm seen the no. And the teach see teech? It's be teech

but it be like like over. Like that like if it is a way of a second

that's a vibra, you know, that you're sensible with the people.

I'm scared. It's, it's, it's, yeah. Okay, and the

voice you, you do you behind? The, of the right, I know,

I'm still, I never want to get to the final, because I know, that getting

there, I'm going to be that I want to see, yeah, yeah.

Has seen, there, there's there's some those progressives. The

sooignes on these where you start in a situation. We're supposed to suppose that you go to your

house, put the door and then you're the day next. The day's the part where

the door is the door is open and then then you go and you get to start and you get up.

The day the next you're you're doing the so you're doing the time is that it's

is that you're getting this? Like a a oppressive. Well, a time,

well, because, as I see, is that me not, it's necessary, for example, of that,

to be, to be able to a rach, a rato, and yeah, no. When, when, when,

when, I'm going to it's immediately, I, so, I'm , I'm to be able to the eyes,

and then I start, it, is like me, I'm, you know, I can't get,

I'm, I'm get to sleep, and I'm to hear so I'm going to

like that right like I've controlled more and it's

to hear to hear the voice then I'm I'm start to starter and the

same voice me says no me you don't you

say I'm I'm like you know I'm like no you're

you're you're I'm and I say I I'm I'm with

all my my I'm and I open the and I

I'm I'm going to I'm going to do a or so I'm going to be able to be able to get to be

I'm going to get up to get a new. And when you're when you get a problem no, I'm you know,

I'm I'm arodio and I'm saying to do you do you know I don't want this, I'm going to

start an oration yeah when you when you start you're saying it's not with forces and with

we're, like, you know, that capacity to talk to power, you despise instantarily,

you can't move? Yes. Wow, very good, very good, very well, not more

movement ocular, so the whole whole entire, you know, but it's a battled

a much, it's like, it's been that's been yeah, yeah, yeah, yeah,

yeah, the voice is of a man, is carasposa, it's this voice that is like

it's, like, it's, like, in the world real. Have you ever

has heard a voice like a no? No, no. The voices

have something that's not a intentions no? The intentions are that tonito

with the that can get to be a very demandant or it's a sarcasm

or something this voice what intention letton is temerosa I

I'm to me try to me me try to do I

feel in the wosos so she want to get

to So I don't I mean, I mean, I don't I mean, I try to say to him, I'm always no confirm that, and with all the faith, of that I see that

there is a God, and that God me protect. And, and always with that authority that I think that God me did,

in the name of his son, he was, I, do, I don't. So,

I'm I'm put to the and I'm to make a oration to make that's

that's yeah. This voice is the same voice of the man of the guitar?

No. No. No, the the guy has a voice.

No, only me and he's a smile. It's a bit of let me

you know, let me, you know, I've seen this story, you can't talk about

this of this guy, for favor. Okay. I have like,

like, like, I'm going to not, I don't, I'm not going to you can't

describe a little for an idea? I, when, some, sometimes sometimes,

I don't, not is like always, but also, it's like, not like, it's like,

it's, I'm, I'm, I could say like, like, a, a,

I'm, I'm, I'm, I'm, I'm, I'm, me be I'm

I'm dormida I'm I'm I'm I'm not like I'm

not going for the window but I know the door of my apartment of

the door of the street and I go and I'm and in one of

these that I have I'm this I'm I'm I'm

I'm I'm that I'm always is with temora to

to not I'm I'm I'm going to not put a because

I don't know how to do really only I'm like I'm I'm going and I

do you do it so I'm I'm I'm going and I go and sometimes

I'm a other house not I know of who are not who are

there but I'm that are some they're they're they need

of the power of an oration to to

get a demonio that's there, or something something I'm going to I'm

to get a this house and I'm a top of a demonio I know I know

I only know I know that's a I know I know I'm a

person very beautiful very beautiful very hair dark eyes

beautiful no not of color no are no eyes of

eyes oscuro but very beautiful this is a black

and has a guitar so I don't I'm I'm I'm

I'm do you do so so so I don't

that I have because in these dreams astral I

have these battles with this demonia and I

have I can't a psalm and And it's like I, I have these battles with him. And until right, I've done to get victorious.

How many times you have confronted to him? I think, like, about three, four times. Three, four times. And has been in Mexico, in Canada, in? In Mexico. In Mexico. Now, when you're in these dreams astrales and you're advancing out of your house,

what is what you name of the other case? I mean, you attract, you? attract, you know, no, no, I mean, I mean, I mean,

it's like I'm like, it's like, it's like, I'm, so you know, never, I'm going to

go out, I go to the end of my house, and then I'm going to this house. I mean,

I'm not like, Listo, okay. You've been to visit a other house that in

life, never, you've visited? The, the cases that I never has

in my life, never never has never, I've never, I've

seen before. Yeah. So, so, only are in the dreams and not it's a not that it's a a house

in the world is so. You have ever seen to see a part of the demon in a human, not

a spirit, not a nobody. Nobody. To nobody. Only there's the house,

is a mueblada, and when I, when I start to start this battles, it's like I'm going to

I'm to say, then this demonio begins to intonarmes the song. And I start to tonar me

the song, then I I'm to can't more more

and he starts to do it. So I'm like a form of authority, I'm going

to crep the mue to get to get to be the muebs? I'm up to the mue to get

more up to the more to be more to it. And with that, okay, and that your voice,

that does that do also has been in these battles is here in Mexico, in

a lot, has seen the possibility of that I'm going to? One

a but because I'm to feel to get a what you provoked a

fear of what you like he's me so it was to come

to and so he started so I'm so I started

I'm so I'm that he's that I'm I'm

I'm I'm I'm there I think was my first

the first first first the first time that I took this battle

and there was like I said I don't to have to you know to be a little

the mueles to have this this altitude to say I'm not I'm so I'm

God is God and I do you I'm I'm you're on these

battles and you you do you get or you're

to get to the battle I'm I'm I'm the door of

the car I do the And then, and then, and then I'm going to back to my

house, I mean, I'm going to my body, despirto and I'm like with much set, desganada,

this, I'm, I'm, I'm, I'm, I'm, going to take water or

so, then I'm then I'm going to get to come to come to think, what's

that's put to think of that's batalliando? No. No, no, no, they've put to think. It's that

after the I'm not think it. Like, how to cut it more the time? If you do you know,

it's a kind of like, you know, you're going to you're in this community, and you're in these things,

so, the same about the stuff, and the time, past, before you

can't, you know, I'm, past, I think, there, six, seven months.

Six, seven months. And in Mexico, you, after that situation, you've

passed something about something about that a same that's

that's that's only a one of the what? What was? It was it

was like, I'm in the person being me but not I'm feeling me

and the person being me and the person that you can you can describe a

person you can well? Well, it's a person old, robusta it's not I don't

say because his car no see. It's a dark. It's a

dark, ah, it's a dark, it's a little, but only it's always be a

hard, and it's always, so it's not more so, I'm always, you see,

the eyes, have a color? No, no, no, the head is

covered with something? No. Tampo. There's any aroma in special? No,

no, no, no. And what emotion to provoke to? The, No, the only is, it's like,

well, because, so, why? So, no, no, no, no, no, no,

no, it's not, it's like, it's like, for you're, so, you know, you're, so,

why you're, that's, I'm, I'm, I'm, I'm, I've done, to ask,

other things that I've been, I've been, to get, to, that, that,

but, but, but, like, is the, is the, it's, the,

it's very short the space between the paranormal and the

real that I don't want to enter so so when I've

seen I see I'm I'm I'm you you

you're with the person equivocal I don't you can you

can't someone I can't I don't I don't I'm

so I so so I so try to not not know, I don't

know. Okay, these people that's seen, how you know you

know that's a person real? What is what you say, not is real?

Because they're in my room. Tell me a story, for

how, how, how, how, how, how, so, I,

I'm, I'm, I'm, I'm, doing, or I'm doing something, and they're

doing, they're, yeah, it's, so, so, so, they're

so, so, then, then, it I see her I'm going to I say,

no, I say, I see your your way, I know, I'm not you know,

you know, I'm looking the person correct. I'm not I'm the person, I'm not

I'm not I'm not I'm, how can't how you do you those could do you're

normal, so, like a person, like a person normal. this no

I could remember how they're like I'm I'm I'm going to not present attention

to not not not not they're not not not not

not not like if they're as they're like they're

not not not not but it's a normal is

that's I'm so I'm so you know have they're

so that's so that's and you have seen men, women, women, women,

no, not me have talked. No, adults, adults, adults, adults,

and when you get to what is what, so, what is the first, you're, they're doing

to front to start? Yeah, me be in front. De front. And, his rostro

has any has any no, they're like, serious? Serious. Yeah. Some of them

have done you have provoked like the first time yeah, the first time, yeah,

but it's a spanto so it's like but right but right yeah it's like, I don't, it's like

it's like, it's like very, sometimes when I think I've been a five

times, so it's like, because I never, I'm not never any. That's that's a

that's, yeah, uh, this, even, uh, even, uh,

well, there are things that's that's have done Mido, but I

tell you I'm I'm always I'm so I'm really a really things

that I'm really a question to me. I'm asked us we're in the house where

we've we've been we're we're we're so we know a house in

this some of two plants that's that's a common cooking a

middle and the plant two recamars and a so so

so so so so Our recamara was where where it was the stairs, there was the

door of the entrance of our re-camer and then then the door of the room and then the door of the bathroom. So,

we, we had the camera pegged to the pad and it was, they were to the door of the

recamara. And at the door we had the television. So, I, I saw

much a somber. This, I had the door open to be a summer that

was a way to get to be the door and I'm going to go to the way. So,

I'm always using the logic, and always looking to you always say,

well, it's because I'm doing the TV, my my sombra of the

reoho or the sombros me are doing this. So,

so I'm always, I'm a moment that we we took to

the chapa of our door, my little my little didn't get a little bit and we did it

and we're doing much time without, so it was the redondito solo, no, of the door.

So, sometimes even even if it had the redondit the sunbara the thing,

the abhorred to go to the door, then you see that's out of it. So, I

said, are my eyes, because are the sunbras, So, I used to say that explanation. So,

we're remodeled the house. We don't know. We didn't have to go back from the house because there were much movement,

then we could be there. So we didn't go to the house. And the salvañel were a

sometimes there. I mean, so no, there was there. So, then, so,

then, so, so, so, so, so, I go with the

albañeles, the They say, uh, Oiga, is that we're going to, we,

I'm going to go, I'm going to because they're going to be going to be this situation. I said,

I said, is that, I was, I was, I was here with my companyer, and in the

area where was my recamara, this, we're talking, we're talking, and then we're talking

we're talking that someone was up the escalators. So, like, the escalars, was taken the

azulejo and all so it was, and there was all the there's a lot of there, there's, so when

subes the escaleras, when you're when you're in construction, it's called the ground, no, when

your feet where you was going to go up so much, so they so they're going to

the escalera. So, this, he said, and we've seen, we've, we've,

a, man, that, that was, where the the bathroom, because the banio, he's he went to

go to go to be so you, no me digas and me says, yes, we're saying,

so the house, no, I didn't have nothing, so that you say, that's the that you say,

it's the real thing, I'm, no. So, I'm going to talk to, I'm saying, I'm,

I'm, I'm, I'm, I'm, I'm, I'm, I'm, so,

this, so, like, I was like, I saw the day. Uh-huh. Between the 11th of the morning and the, and the next day

were like the 11th of the night. So, it's always, like, 11. 11. So, morning or no night?

Manana or noche, 11. And this sombra, se be here, the silhouette. It was a man.

It was a cubita, a new discubrieta. Descubrieta. And the, and the, the sombra,

it was a rope, normal. So, that was, it was, it was a more, or a

pantalum, blue, the camisa, I know. Okay, no sombrero, no, that's the,

no, no, and the form of, you, when you did, you know, they're

they're not, they're they're they're not, they're they're, they're

not, they've got to, no, no, no, there's a no, no,

there's form, no, yeah, yeah, yeah, yeah, no, so,

I, so, so, he, he, he went to and he's, they're

to go, They just They were They were They were They said, So they were There was

In the episode No. 140 He came here the Wien Pacheco And he

He said His family was a Christiana Another was Catholic But after they were

the new generations and they were with many Crencies Diversas

And this I'll I will in the episode really

many many many beliefs Degerses Pacheco discovered a religion

that he he was he said that was the santaia and he entered in the santaia

he he was he was he could say a lot because he had

been in a situation macabra here is where he's where the part

the part he was to get to all of that he had decided that

that not he was that what had to live in that religion was sufficient, that if I didn't have

a rumble defined of that he had to he had to that he was he said, he called to the

person who was a madrina and he talked with his madrina and he said, I'm

I'm, I'm, what do? And then he says he's about a practice that

he's about the depojo that is practically to do the process

that I have led to start to that simply he could fluise with

a sandteria. This situation was to go to a rio and get a vestige

of black to get all the stuff and some and a figure

with that he had represented a a a figure with

a that he was he did that because he

wanted and he he was with a person and

he he said when you go that you

see much attention in the in the environment. And he he said, for what you, prest attention? Something will be

going to pass. And you need to say to know if, if he passed this of the depot. Well, he was the place. He gets in that rio, he, he, he, together all his things outside. And, of a sudden, he,

with the testigo, are being at all the sides, and see how he starts to move something of the malice? And he's a woman bestied of a blank, radiant, luminoso. No, is rob.

That's, that. So, he bent a lot. he was coming and he's he's kept impacted he never

he has he has he never he has he said that she's that's that's all

what I want to that I know this because he lived very very very

a sometimes like entities that are like they're

like he he's he's he's he he's he's

in a new step he in a new time a

many a many he He says, Pacheco, me can't accompany, for favor, with an angelologist? What is an angelologist?

How you're you in that? Accompanyam. They're saying that is an angelologist that contact with all the angels and that all what you say is correct. Total, that Pacheco says, well, total,

well, we've been, I've been in various things, so one more no more than anything. And here was what he occurred, what is very strange, Maribel. He's going

He's been coming, he's He's ever He's The chica that he He's He's in the

He's in the He's He never He's never He's He's never He's And the

And the When he He says, You, you know, You You're You're

My enemy You're Bete here. And then he's He says, He says,

He's, He's, He's, He's, you You're You're You're My

Manemigue, you don't You don't You should be to be He, and then

he If you're Ferex-a you know perfectly that I'm refer to this bet you.

And then he's going to say, well, if it's something I'm in place, I'm in a part of the

I'm not, I'm going to because I'm a woman. And this woman, he doesn't the tone of voice,

and he says, bette, you're my enemy, no, I'm here, let me, let me,

let me, he's, he does more reason, total, that's a discussion

there's a little, no, and he's he says, you know, he's, And he said, well, he gave

a verguenza my actor, but then I was to leave. So he says, go, let me want to you to want to. No, no, it's all right, let me.

When they sub in the car he told him, Marrivel, that is one of the things more similar similar that someone has said.

But that me have said various times. When he said, I said, why you're so you're so why you're so

that's so and he said, in what you know you're talking? How? In what what you know?

And so, you that woman you pass something a very

when you're in she's a they're going to they're going to they're going to they're going to the same the car that she's

the car that she had she said some some expressions very strange and when you you were you're looking at your

person. And then he says, I think that maybe he's the depojo and that's what they said,

maybe not me desvincul all the when she went to the little she was she was the childologa

he gritted. That's what you're a sombra that cargas and you never you can't

you're going to do you have to there. There are situations in which it there are

there there are But these stories that you're telling are you're in the day day your techniques to put them

not to be not to make you more in that cut them as in an oration mental what other things do you

do you do that's in my house no I like that that's that they're that's

I'm not about the thing this is of Right, this is of the Pocas That's of the Placus.

I don't see anything of things like related and then more with so with oration right

I'm not I'm not I'm not I'm not I'm sitting to any church this

for questions personales of ideas but but I'm but I'm that I'm

good communication with God and I'm in a book of a church that

I'm sitting in the time that we in the time we were in the church the word is that was

a great family was a family a community a community a community that I

have never never in any church in a

in any what I was that was something was a good

was a good the pastors the they were some people

and they were some people that were people that they were a lot and they'd really a

guide. You really sent you that was that was the person correct for

to give a word to give you a word of a not not

more biblical in in in in and the confidence to to say,

it's like a father or is like an abelite or is like someone who he's like and he's that's

in Canada in the church was in the thing, like that's like, for example

at the moment we had, we had we're the Marches of the alavance and the

two days of alavance he was something so it was all it was that was

all the family and we're just because many countries and we had family and they were

our only family, there was this union. I don't if it was that one of we're in

all the partes, that was the Marches of the partes of the partes of

all right that all right that's in reality it was that there there was in reality

to me to get to happen when I had my eyes and it was only

a glance ala alas and to me they'd get to move the

the hands and the arms and the hands and the without I want to they were

but it was there and here I'm not a one no a

sometimes when I'm to sing alaanzas I only to have this community

with God yes but in the in the churches when I

go you have you don't I remember what name

I have the denominations Christianas but is the renovation carismatica. Has heard of that?

No. That are like, the alasas and that are in petitions in voice-alta and are those where the corporality has much to be.

They have simply to be it. So, so it's pretexts that people applaud, and others, wail,

and others can't. It's something? Yes. Perfect. So, so, so, so,

so, so, so, so, so, so it's, it's is known as a

rena the renovation that's something. And has been some of that's here in Monterey? Yeah,

but... No, that's a sensation. No. No, not that's a sensation.

Oh, yeah, that's you've been this, there's there's a different

phenomena that occur when are in this type of of orations. Uh-huh. About in

languages? Yes. You know to pass to you in person? Yeah. Tell me. I don't

I don't want to say a word because I don't think is the word that more the more situations have passed in this type of reunions

or orations One one was an friend my other I'm the I'm the I'm a

that I'm that'serco at the church to the church Christiana she now is

a Jewian she has she casto with a so per orthodox and right unfortunately

I don't have connection with her because the Jews super orthodoxs you say, they're saying that you

know, you know, you know, so, so, only have in contact with more Jews and yeah?

Yes, okay. Because, not with her family. And with your family? No,

so if she is, she's, with her mom, like, to know, to know, they're all

and so, but, not more, it's, yeah, his, amistas of past,

so, yeah, not if someone of the community is judy,

and us is listening and want to to come to the program, mandem me a message here

and we'll have been a interview here but let's me. Well, then this am I,

invite us to other a other friend, that she is super Catholic and so,

but we know, I don't I'm I'm a but we're to us, it was to

the church. It was, in this Marches of this martes of oration there, she,

I know, of a of a a She was a She was she She's not She's

She's She not She was a She didn't She's a She's a She's a Like in another

language In other language I said And I'm And then The pastors and all over

So it They were Like they They were Like that Not you know And then it's We're the

We're We're gonna And we're We're And we're To make a Orerererer To ask

Oration For her And I And he Yorrava and I would have and and

I was I don't another leg in the but never we never we're so I'm

so then it she she was after that she controlled she controlled

we we're and then she passed with the pastor to the

officeina to to talk with what was what was what was

what was I know she had had been a

problem spiritual that had had the fact is that she

she didn't not know I think was, I imagine that was something that was that was

then she she had to go to go to but so, but we not,

we that that me a me, I'm I'm, I was

the first that was a church was a partes a of the

so I'm invited because there was I felt something

like a presence that entered in me. So, I, in this

time we we've in this time we went to another friend, we'd

much, we've been much, but it was almost the days, not the Monday, no.

So, so, so, so I mean. I go, well, I go. But I go and I'm going to get to be with my other friend, because we're going to go to the other andro and I see what.

Okay. So, I went to the church, it was all very beautiful, me used it. I, I heard a,

I, I heard a, I, I'm, I, I'm, I, heard a, one, the,

the, the, the, the, the, was the, where I, was, where I,

this presence that I brought me and he didn't me so he's but a

presence good. So, yeah after he was to have to have

to have a convivio and then I'm going to I'm going to

get to because I did. Well, it's well, then

I'm go, I'm going, I'm going, I went to and I see a

but when I went to and it was so it was like oh that

oh, no that way I don't want to be here I don't want to be here I don't want to start here so I'm an anthro that we've been

much this is an antro Brazilian so it was a much music so much a tuckada yeah so it was that

we had to we're just we're of that I'm they're just yeah you yeah yeah I'm

and I'm and they're they're doing and they're so they're they're like they're like oh no

no no I don't want I don't want to I want to I mean I feel like askiated can't

and I think my am I'm like I'm like I'm like I'm like I'm so I'm

so I'm so I'm I'm got to another and so so I'm so I'm so I

not it was like what I was I I'm just I'm I'm like to

go and and after and antro and after and I yeah I'm so

but also but also but also I'm made flogering to explain

what So, then me said, so, we're going to so we're, then we're to get to

my house. I'm going to my house. So, then I'm so, well, so you're

well, you're tired, and okay, me left to my house, because I had a car. So,

I was, I'm going to my house, and I, and I'm this sensation of, yeah, I don't

want, I mean, I'm, so, so, so, so, I,

I'm, I, I put in my pyjama. So my husband and

we'd share. He had had gone with a friend and he

had got out of my friend. So, we'd we'd put us

and we put down the thing. I got the door, I met and then I'm

going to put a and I'm going to let's the but

I'm I'm I'm, I'm, I'm, I'm I'm to leave

Abierto, you know never to get to get to get to because it's about the

time. So, I'm not I'm going to yeah, I'm, yeah no,

I'm, never to get to get a door to get to the house, me put

to the pyjama and in that I hear the door, I hear that

I'm very fast, but never I've never I know

I'm out of the recamara and I'm to my husband in the

in the mess with the hand in the front and then I said I'm what

he said Mary if you no has left the door not I know what

I'm what I had happened and he said is that I said I

said I I was I was in the car in the carmion in the

auto bus and they were some some And so, me, so I mean, so I began being being seen, so,

I said, so I'm back here in my parada, they're behind behind me. So, he grittarone, give me your money, give me your money, give me your money. So, then he

he, he, he was supposed, to goreire, but like these people, use the pantalons most grand, then so they're

complicated more the course. So, this, they're, they're, they're, they're,

they're, they're behind of my spouse, then I said, I said, I was thinking of, how it was

going to be to be a little to get in the and then it's because if no,

I mean, I'm, they're in they're they're they're they're so,

if you have you've the key, I mean, I'm you know, I'm just,

I'm going to get a time, and it's, because the thing we put it put into

a little to a little we're just we're just and we put down to the boat

of the of the so it's it was to make the the nudo, met her yeah,

I was a yeah, it's so, I'm a so, I'm a so,

I'm a I'm I'm going to I'm going to like, like, all that all this

that I started, and I'm to get to you know, I'm going to get to I'm going to

never to never to see to any at any no other. So, so,

I'm sent like I need to protect to, no, I'm, something,

and never I don't ever I never I never I never I never that

that's that's that that's and I'm and that I'm so I'm

so I'm and I'm have you have been the door abirta yeah yeah

yeah yeah I'm yeah I'm yeah yeah you

you know you you're some many great stories doubt

when you can't you still still in serious okay

let let let's let let's what of what you

Is that how classificar you the stories that you have? No, the truth is that how have

so said so, no, no, no, I don't know how class them have

been said, have been to me, or have passed to me, or they've passed to my one of

my, one of my one of my one of my is the third, it's

called Daniela. In sensibility or what in sensibility and to see,

and what you have passed that So, Tantas things, but this,

but see, ultimately, then they've been passed to be the he said, he, he,

he said, he said, when my brother was a woman was in bad of his first one,

the little bit of my mom was a name, Daniela. This, she's the

third. I was, he was going to be the last, but then were two more, stephan and

Brenna. The pilones. The pilones. So, because, like, it was the last

they put Daniela. So my mom he said, if it's a child, I'll put Daniel. If she's a girl, I'll put Daniela, because yeah's to be here. So, it's a little, he put hernia. So my my mother was embarrassed when my

father fellacy. My papa went to a way very repentina. No, we were to go. No, we were to go. No, he never had ever been far. One day, he's a thos, and he was to go to the clinic.

And he he'd, he'd, he'd, he He was a lot. He was he took and fumava much. So he had liquid in his pulmones. He's been abogando and he let me

and he got he went to the first day that he gave to the clinic and he had a heart and he went

so we've the opportunity to give us to him he he was not he was with the eyes abertos

but I know that he he was he and he let me my brothers my brothers

were two of my her brothers are married, my Daniela. And, um,

they were. So, so I'm my papa. And then then the next year, this,

was, they were, my son were my son, the little, he put Daniel, for her and

for my abelito. My abelito, the people of general they were, but my

abelito was Daniel. My father, Daniel, that was the man, Daniela,

and my mother was Daniela, or the herena was the herencia.

He took to my brother For de facto So my My son My brother Bea my momna Beia my papa

In his Casa As a Like, with His sombrero And so My My

She said Papi If you You want Say you Apress Dimmel in a

Sue Dimmel in a Sue Because me me He'd I'm

I'm I'm I'm I'm I'm He's He has She's

Dora But my She's She is sonamula. The who was unamorra was Miriam, the that was the

that's the that's the that's the same the time that's the kind of a time,

so I'm never a but my my coonado my coon my my coon he is,

he is this, he is ateon and he is, how's how they're how they're

these people like they think they're much like, those energies no, no, no

metaphysic in the metaphysic so he then he's very septic but he has

to have to be my brother she's she's and she and she

and he's on the eyes and he's like soya so yeah she has

she says what you want to you want you my my mother

my my coon he said with with who

you talk you because is here to someone and not's he's not my

coonado that's my coiffing that's my person who's saying to be what's going to

what you do this then so then my my brother and then my eyes and say oh,

no, nothing and he's and he's never, my my coonial and he was

and he's to come and I'm and I'm saying, oh no I'm say,

oh no, I'm here there my cuneado the grab. It was,

this yeah, there's one night, of a way, to do it's

like, there's, there's going to enter, yeah, he'll get, it's, it,

it's, let's, let's, let's, let's, let's, because, it's,

going to be in- the, if, if, if, if, if,

if, if, the light, they're going to to say, is something good, is something is a good,

it's a little, it's a lot, prend the light, because they're going to enter, and they're going to enter, and then my coonado

he said, and then I'm and then I'm and said, yeah, yeah, I'm the first, no it's true, no, it's

not the then my cuneid, so, my cuneer, it's all, the recamara, and preender the light, and he's the right,

and then they, no, preend them, yeah, bring them to bring them to bring them down,

Prendelazes down So my Cunyado and then they're here, yeah,

he's going to come and they're going to enter, and then my my cuneado

all the lights, and my brother said, yeah, they said, yeah, they're going,

yeah, they're going. So, yeah, my cuneo, yeah, he's then my

cuneer's, then I said, what, so, what, so my woman, no, she doesn't,

so, those occasions, my cunyado la grab. And there's the video. This, and if you do you do, when you do

do you do? How do you? Dill that you can't you can't and that you do you know, not he'll

not want to not me to do you see? I'm not you know, I'm going to my cuneo

and he said my cuneo and I'm but my my brother no no, no, no me

don't know what you do you do something and no has been no have been moustras

of that there someone intends to enter in the house or

or something? No. Well, that I go that's to do you and a my

father, I'm my father, my father, he's got in the kidder. Right,

my son my son, he's in the primary. Yeah, but right

he was in the kindergarten. This, and and my my brother

said that in the was, he, he, he, he And my coonado

he says, oh, you know, we know, we're going to to visit the tomb of your and to get a

little, and so, no, we say, we're going to, we're my father in the

pantheon to go to the ranch so, so, let's say, my mom, so,

so, okay, so, so, so, so, so, so,

so, my, my, my, he's, the, and the, and the

the kid, and the the, and the, he said, the, I said, mommy, a little,

that we're going to go to the rancho? We're going to go to see my brother? Because you're saying, why you

say, who you know, is that came to my abelito, v. He came to my abelito to

see in the kindergarten and he he said, that I was to go to go to go to the rancho.

He said, we're going to say, well, the old abelito? And he says, well,

my abelito, well, my abelito, the sonbrero. And he said, my

this and he he said the name of the father of his husband's right and he

he said no, my abuelito the the sombrero the of the

rancho so so my my my one of one of my

one of my one I know because in the house we don't

we don't we have no no I'm not my

photos in my my photos of my pap called so

the the little, I know, my my papa and had died of my son

when the little I've never never seen. So the he said my

brother, he says, a photo that I did the day that my father,

you know, this this this oration in a cartoncito long

with an oracion or a song or and that came in the photo of the person that so, right?

So, I made to do one of the so you'll do the people that my my

my my my one then then he's a

and he he said the and he's then he's he's and he

he's this is my this is my abel is the he went to to be to be

to me he said I'm I'm my my my

son and my my cona and my my coon then they're they're they're

in the rancho and there my tea my t'u Vald of right

yeah and is my Tio Valde is a brother of my father. So,

they're in their way my Tia Lupina, a wife of my Tiole Lazar,

another brother of my dad that's that's that they were in the rancho

then they're and the little gets a my abelite and where is my my abelite

my brother to say he said to he said he said he's like he said because he

says well he's not my man you I'm so So he said, no, no, no, my abuelito, my abuelito, Daniel, the of the sombrero.

So my armana, yeah, let's explain. He says, that Daniel, is my, my, my papa, that he went to be. And he said, he was going to be. So, my tia, goyette, he said, Daniela, well, we're going to, then, so, they're going to, then he'll get to the panteon, and he said, to the boy. So, then Danielito, he says, no.

No, how, that's there, my abelito? where is my abuelito? Is that your abelito is that you have to be in explain to

get to be so you know it's not no, no it's because my oldie me went to

and I did a my abelite and he and he he's that he was a

man he he came and he he's so he has that's that's it's a

so he's this it's this it's this is this not how you know

what the sensibility don family that that's that's

that's what Daniel well in you case, also, and of the

five women, has seen, experiences of this type? Right, that I know.

Are you you know? Daniel and you are the that we have seen more, yeah.

Okay. Daniela says that has seen things or no? Yes, has,

for example, my papa, that I said, he has his sombrer and

he's a he, he's he's a and he he's much. And he

he's too. And, and that Daniel he he saw, this

and he I'm like, I see as in somebras or my abelita or like.

Of the stories familiares that have occurred to you and your or even

that have been there have been there's there's something you say,

this me made very very very very spel or this is very

spelant that that I'm that you are the things marive

are they're they're they're very very very We're, well, this,

with my brother, Daniela, well, me, so me so me's so my cuneo that's,

that he's, that he he's, that he, he, one day, went to and campar,

uh, then, but they're, but in the ranch, I think, it's a, it's a zone rural,

it's a zone rural, no, pavementation, the houses are of doodoy, so, rancho, really.

Ranch, ranch, so. So they're to campar. So, they're their tiend

of campaign and they're there and they're there out of the hacalito.

So, they've they've got to my other Iram and my other subrino

so that my cuneado to be to be to get to the so that

my mother's noj and my mother said, if my father or

my my abelito or my little one of my two me is

me is listening to be to be Assusten it. To us not. To no. To no one of

us. No, no, to us. Because, not this, because it's a pony, pon,

he was he got to, and all that was to be in the tent of the campana, then they started to

the umbra to my cunyado. I mean, or someone for the company, no,

there was nobody. No, there was nobody. So, then, I said, he was, that he was

that he took on the ombr. And then my cune like, you assomable,

no, there's no, and he would be to, he was, he was,

so, then, my co-u- daughter, so he gave him, he

put to the side of him, and he he was in middle. He said, he said,

he said, and, and then so, so, so, my brother,

did want to go to go to go, so so, so,

so, it's like, it's, it's, a he, no,

no, no, no, no, it's a normal, it's normal. But the latrina then?

But it's too so far so far so much, so you're to come in and you know, between the

obscurity, because no there's no light, so no there's no there's nothing, so there's all the

dark, you have to get a lamparer, to see, then they're to be a so, they're going to

get to a man, so, then at the so, I don't know, there's no, there,

there, They're very much. So, then I began to hear the lamentes of a woman, ah, and I see, a little bit more

and my brother, he said, he's all right, so I'm put the pill chinita, and said, my cuneado, no,

my brother and she'll get to the tindita of campaign. So, another, another,

one, a sobrina had, acampado also, also, also, he put so

the tient to the side of them, but they never did a movement of nothing, and they,

they, they, they, they, they, in the morning the

sonna my brother, oh yeah, in the night you know you're not a woman

that's a manned oh, oh, yes, I'm so I'm we're like we're the

only we're so we're so we know apart to an woman, to be my cuneado and they're

talking the umro. And those laments of a bit of is habitual is habitual to hear it or

no? No. I'm I'm various of the family yeah has,

she has told that's I've never I've never been to me have to be

to talk about? I mean to talk about? No, I know, in the ranch you've never seen

nothing? I'm never a bit of my this, that we we're in

in the parades in the circle of the limit of the property and then

then I see the way to get to the pantheon as other ranchitos

and so we're we're talking and I just in the night with the the light of the moon and the stars, because I

don't know there's there. And we'll hear of the long. A gallop. A gallop. A gallop. Like, the gallop. Like, the barop.

So, passing the pantheon more along, is a rancho that's where the, and of the family, no,

that's been to know, that's a lot of the old barrieta. That's his apea. Like,

like, like, you, you know, the name you, the sola barrieta, those s'a-barrieta, those Elisond,

and so. So, I'm, oh, the more are the barrieta that are

going to go to be going to pass to the ranch. So, we're not we're going to be

we're going to and we're to say this a little, so, so, then when those

we're going to we're we're up to a rome and we passed on the and they're there

no, there were nothing, it was just they were not, so the so, the

so, son, but no there nothing physical. No, there

nothing physical. The The earth So we were Oh, we know Oh, so it's It was Yeah, and

not sentian the polvo So that Yeah, I said we We were Like the pasted the

Cawalloy So the presence The the Rue of in front but no

There was That That Tremend So I I'm I'm I'm

I'm I'm I've I've I'm I'm I'm There

C Coup And this I'm I I don't know, because when they're in these

stories, they're like, when you live it's supermently impactant. Let's see, Mariver,

because now right we're going to run to two hours, then we're going to be going to and for what

I'm doing, and for your points, I know that there's a that's going to be

to another of these stories, but there there's any any other with a

a question? Let me, because it's to me a me all

I mean, all I'm when I'm going to be, when I'm going to be, when my father fellowsy, this, I'm going to,

I'm having, I'm having, I'm, when my father in that moment, my papas were all right, and I'm

so, so, I, I, I, I, I, this batuta to have to be that's in the

papelery of the hospitalization and all so that's so I'm very pegged with my

father in those in the practically so when when I my papas I was

I've said my my brothers before to get me to get a

my papa I had of my many things that we we've to

to do things not very personal so And when my papa

suffer the infarct, well, I stood there all the time, and then I was called my hermases. Me, they say that has

been to pass the night there to be the evolution. So, two of my two more chikas

than I, that are that are in my Daniela. So, these, my

two, my two, my father, me I had my new my daughter,

you get to your house to get to your house and you're in your child, that Daniela and Miriam

then they're to go in their house because they are in their they're going to pass here the night

and Brenda are still still still little little we're not we're not we're not

we're just for care to care to put to your and you're in the my Tio Liyazar, that in peace, he has died.

And my Tio, Juan, they're kept, they're with their spouses there. And my Tias, because of a rata came to get, my father,

also to get us there to get us there. So, I'm spied of my papa. Before to go to my father,

I'm going to my doctor, I'm going to be to be a, some consequence if my papa if my papa

get to pass the night, if he recuperate. So, this, me say, that my probably my

my papa have one. a, a, a, a consequence no, a

paralysis or that he can not be or a thing, my papa

was a man was a man who was so, so I'm

with my father and I go a or a and so I'm so

I'm so a voice alt and to that all to

all me I know a voice a voice very

and I do so I do sir, if you're to do a miracle

to my papa, do. Do you do to give me to give me without any

consequence. If me you're going to do so I'm not I want to because he

will be because he is accustomed to be in a time or to be

he's going to be he's and he and will sufferer to see

to be to be to be to be your want to do you to be

your I'm I I said, Papa, remember what we what we we're going to

you're in I'm going to I'm going to I'm going to go to the morning I go to my house

recoo to my my little, I'm I'm I'm I'm I'm

my baby and my husband was and I my our room

was my back down and the final and I'm my cellular so

I'm my eyes and I I'm my Papa. Vene my

father and me say I'm here I'm I'm I'm going

I'm never my eyes and you but here I am

here my father was a phrase that said much because

we we're we're we're much when we we we're

to we're to he's he's he we're we're

we're we we're here I'm here I'm if I don't me go, here is I

where I'm going here I'm going so so he's he said I'm

I'm going I'm going I'm going I'm I'm so I'm but here I'm

so I so I'm so I'm no God no God no me don't me

you don't then in that I'm timbre the telephone

and is my my tio y' your your papa said my

He's He's He's We need to We need to Vennas For the Papers

So, yeah I'll get the telephone Well, I'm I'm I'm sorry

I'm my husband, I'm encarred again to my my and I

go to the hospital and to do And I for me for me for

I'm very because I did you So, that's one of the thing for me

that's that's that's that's Because really he was. Really, I was, I was with, I was with the eyes

but I saw put in front of me about me. And I was not, I was not even, I was to recosted and I

had to have the eyes. You know, the confidence and the partura of your heart of your

person, I always remember the family nocturn that is the audience of the channel.

When they're here They're listening the life of someone

and in this case you're a great much, it's a story that in

internet and it's a little that's that you have been the

opportunity to be there and to be and could be and how how

you know how you just after after this impact how

was this how was this that that that that

something beautiful something that yeah no I don't I don't he

always we're always we're always he's he's I'm in moments

that I he's he's he's there there are there there's

there there's that he he made much a all the humans

we commit errors and we're we're more of the errors so I learned

my papa of all the good and the goods malas and always he's that

that I was to go to he he went to he said he said

he I've I'm here so he's he's always

he's with my because my hermadas also have

said. So, he, he, we've, always, we're, we're,

this, this, this, this, this act he did, he did

do, to do make me, to do I, I, I'm, I'm,

I'm, I'm, I'm, I'm, I'm, I've, I've, I've been,

I've been a lot of this, and, this, yeah, I was more this

more more in that I took, if me would get to get there's,

there's, there's, there's, there's, there's, there's something, so,

so, so, it's a more, I'm put a sensible. Yeah. What

is, is that there's to refer you to do you? Yeah. Something or

someone? No should say to okay. And, Entrasted and passed For different

Quarters In the In one Is it More than In other? No No,

No, no, all is too It's like It's like It's like It's like A place

Yeah A place Okay Okay Okay Bajo The sensation Aumento

No, like me acclimated You're You're You're You're You're

Yeah It's There Oh, But But, But, that

Rado. Yes. Yes. I want to give you a story that I'm said in the

day of yer. In Uruguay, in your capital is Montevideo. In Montevideo there is a Casona.

This casona has a story very very very obscure that I will be for an

episode special but has a past tragic. At the day of that

Casona has a thing very very that, that's lamentably

have been situations of maltrap and the problem. So the state

does do a place and they give them and they they're doing and I think

I'm that they do they some some some families or do they

do a career after they're a place. Well, that's

the I was, I'd try to the mind in this studio photographic in the work in the

work with, I'm with a woman who has been working there and he said,

no, I can't say that's something that's there but it's like an

energy and it's like, like if there were some, some, some things

that maybe were not sometimes were humans, but they're

in that they're in the first that I did, the place.

It was something that the majority of my people gave a minute for me no.

It's only was we're not. We need to we're in order, that all this clean, that

all this care, that all this guarded. Revised that the kids are not that

they're done a vigilance general of the place and we're we're

the lights that need to be the things that they're on some

whatever on some the rest of things we accommodate

well in one of those rondines all I went in order all over everything and they're

to get in the lights and the televisions of the first so they were my

people and I said that they're to be some of the people or of

those or one of us more than more personal he and he

back and he top with she she top with her For that's our

two companions. No, there's no way to get there. It's not

for the way in the way they're in the time. It's when he's

a cell and a light, and the light, and there's no, there's

no one there's a way that there is a place, it's a question,

he's, it's that's that that's that's not a minute, and it's simply

it's pretty, so it but they're the switch, the buttons, and the

switches are moved all. He said, well, I don't give a importance.

Passed some months and in the second situation that he made the place that

in the place, there was there was there's there's more one. There's a

kitchen. In the kitchen we have a type of a wall, a

very longed of a big and that area, the video is

removible. It's the connection between the commo and the

one we we well, it's a commercial and is a a corner and it's a

one of the morning. I'm going to the window the man of a man of a man of the position

I said, I know who is. And it's the little that we're the little bit of

the kitchen because he's not I'm going to do you know to say, I'm know that he was going to enter

He went to his court. Well, I'm up going to the room and when I'm going,

the little he's not a and he's hot and it's hot, he's not he's

he's not he's not he was the he back on. I'm doing a all the people,

and then someone me said, you know, he took to be the man in the kitchen

right? He said all us has been and it's when we don't know the

round. He's says, so it we know we know that

No, does nothing more. Only see that man of that man of that man of that little, like to talk the video. He said, I've been

understood that in this place things. Never had been passed something really so spantoso. Only a

day. Nobody wanted to enter in a zone that was like a type of a bodega that was

in a third piece. It was a very dark, very lugubre that was like with a

A vibra media extrana. The quarter not was the major importance

but my people are so like I'm I'm not there. And there there

things that we need to get us to get to get us to the other so it's

always, but if it was a time. When I had got a

confidence and I had got to some I'm going to start

to start to a a Rewood Repetitive. A Chirid

that came from the bigas superior of the techo. A, mm,

like if something se that and I remembered the sound like a cord of the

matter. I'm that's that I got I was literally there was

the silhouette of a person in the text. When I was

just me said for back and I the eyes

the eyes there And me said, the colgado. All knew and

they had been top in some moment with that image. He said, when

you know when you're not it's, no it's not it doesn't

it, but no don't because you're to get a start,

you've never has never that that he back,

or something, but it's like that literally the record

colgated and tambaliennose of this tragedy that maybe occurred in the past there and not know why, but it's repite

this morning nocturno will be an episode special about this casano but one once said

this, Maribel, much thanks the day of today to thank you. How other passed?

Very well. How did you do you feel? I'm just to I'm like the energy. I'm a little

good to. What do you do you do you for another episode because I, I mean,

you know that they're many, many reports and they're very good. You know, that's,

so one of this, so one of this family noctur and that's a good week and that have a

sweetas and that's bad bye-bye.