HABLEMOS DE LO QUE NO EXISTE - Meditaciones Paranormales, Fantasmas Infernales y Duendes Macabros | Episodio 407 | Hablemos De Lo Que No Existe

Episode Date: July 13, 2026

Querida #FamiliaNocturna , el día de hoy los invito a que me acompañen por un recorrido oscuro y macabro en el que conoceremos los pagos ocultos, aquellos que están escritos con letra chiquita invisible, dentro de los pactos demoniacos.Te hablaré acerca de lo que nadie te quiere decir acerca de los duendes y conocerás dos balnearios en los cuales si tienes dos dedos de frente, no te convendría jamás entrar a ese lugar ni siquiera para pedir la hora, muchísimo menos permitir que cualquier parte de tu cuerpo toque el agua maldita que está dentro de esas instalaciones.Todo eso y más en esta oscura, ya abominable menté aterradora #FogataDeHistorias en #HablemosDeLoQueNoExiste Por cierto, te recomiendo que vayas a nuestros canales de difusión, para que vaya separando tu lugar en las #FogatasEnTuCiudad , porque ya estamos a nada, a tres semanas de continuar la gira 2026 en Mérida, Cancún, Pachuca, Puebla, Querétaro y Metepec; aún estás a tiempo no dejes que la oscuridad te devore.

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Wayfair, every style, every home. Welcome to Familya Nocturna, to this Scura Fogata of Histories in Abelemes. The day of today, dear family nocturna, I'm going to talk to meditations paranormal, phantas infernales and duendos. But, before to initiate with these stories oscuras, that probably

you're going to to blocker a new fear of so much, let me say to something. In three years, exactly

in three times, we'll see us in Mary, Dey, Cancun. So, dear family nocturna of Mary,

and can't a very good time, to separate a little bit of a fogat, and not to let the

obscurity of the night it's devore. Because there, in in the

history terradoers, we're we're going to know, and very probably after that

you're going to be to be able to be to be able to do not. But, between what we get us to the foggata and before you

have to give to give to a brief advice, especially if you're new on the channel. This

advice is very simple. In this moment, prepare to something to come and to come to

and putte very a good, but not even even if you think you to occur to

light, because we just the dark a fogat of stories. We're Let's

If you do you do you need to hear this story. Before to start, I have to

to say something and I'm to be very honest I'm not a bad

no, no, I mean I'm I'm in I'm so I'm so

I'm know I'm to know to know to do to the places

that are like a place I'm a another

I'm that you know that you know I'm so I'm

so I'm a until that I've this maldita history, that, well,

not is one, are many, it's one of the people, let's go, in America, because one of us

think they're in North America and others don't see if they're in Central and South America. But are

places where the people very very very very very ingenuement,

they're there with desire to learn and not they're they're putting

their You'll go to tell what is what What's the place? One of these places, during various years, permanence

serrated. The people had been to go to complete to a reason of a part of

accidents that were two two children both in different days. I know

exactly in what time because me they're they're there's

but the reality is that that's that too somebody had done

something had been done the classes, as the classes, all the classes,

they were all the place, they were in the place, after the after the the attendants, the masters,

and the conserges, had done had done all the revisions pertinent, they've

found, without any possibility of some of the one of the children,

and a two of the same circumstances. no, I had signos to have been forced to to be in the water. It was like if

had been to natar, but with the roba with that they were going to to get to and simply you know I could

go out. It's very rare because no he's no one of the time coincide in what they

got to and the time of the time of the rest of the the rest of it's very

that nobody or when you're nother and that chokin your arms or your extremities with the or the sound of the awo at the moment of traga the because, lamentably, so it was the desecis. But nobody

heard nothing. And I say, is that is very rare. Because in that place, just you're backgant and you're just listening the chapoteos

that are in the alberka. And it was in the alberka more circled to the entrance where it. It was something

very extrano. After the first decesses, the installations have been put to

a little lugubrous. The persons not were not much, the middle of the

students had had had been to do you. But when occurred the second

decess, no no, no the business, the last

after the time, clasur they, clasurred in the community, people were

many people, many, people more than in their moment, in their youth. Some of the two participated in Olympiades.

At the day of today, it was a form like to present service to the community, because they were classes, like,

asecuble that any person was they could take, and continually it and they were in schools. But,

after these two desses, the car was a case that's that they were not they're not even

that you're before you want to put your and say, but they've never been have

revised, it's the story that was the story that they were the data that they're the people

not were a person who the case was a very strange it was a community very

very all of all of and that that was the place was

so after that some some years he was

there again and they started and they certain rumors,

certain stories. It said that in that one of the last that was the place there was a little bit a lagerka,

how chapotia but in a way contundent and it was very sonora and it was to a little

to agate to give to the people enter and they were noty see a

it's very, very, very, very very rare because it's repeated one and other

the story. And the little the children that after they were something that

they were in common, all they're but the little little, about the about a

dweend that was a friend of you, and that was a man, but he was

that was that they were, they're a little really, and it's because we

have to give you the little Javier's that had been

at the time, four a-an- -e- that is a migra of other women that are there, amigas, one of the college,

other besinas, they sit down to talk while the master is in charge of the children, where no there's almost any possibility

of that occur an accident for two reasons. That is a alberka has a part that is a

part that is where are these children, it's where they put apart a part of a set, a type of

maya to be a part of the part of the part of all the all the muchachito they've got flotis.

None of them is really in risk. A person that's a chapotadier, you can't imagine the the children with

their footators in their because they're in all the extremities. As they're just they're just at

just a time, and it's more a situation like of interaction that of

the practice real that's they're that we're let's

some different in exaggerate the precautions that the stories

that had to have to be years back. Javier Cito is there with his four flotadores, he's been practicing with some children, the mom's

talking with some when, of a repent, he's got grittando the master, "'Nino, "'an, a water, "'in'a, for favor, "'aucilio,

"'one person, "'desd from the "'in' natation "'viener running "'as if were "'a, a professional "'in' salvar lives "'because he comes

"'a parted with "'withes' "'that's used to "'in'hhurted "'in' "'of a vinted a "'of a manner "'mere a position, the part

the part on the most on the alberka to see in the front of the water

was a gavircito the the man he's under the man he put up the little up

the water and it's the time the time of the man who put to the problem is how it was for there and Javiercito

told a story is that my amigito me said that me said, when I went to the flotators and he puttow

to the he was very enoched because I had said of the dweend and he not wanted

to be able and when I was about it I was I'm gothous and I'm

gotrard and I'm that this story was corroborated by a company of Javiercito

Javersito no back to never more never more and this history that it's

to diffunders between all the parents. It's that are those negligent.

It's how they could get the eye of the same. But

they're to look at the red, and the red is a meter

more above and the Elmerk and he got

to under down because he's flotators in what

moment he's he he's no no no no

no no nobody he no no of the

parents present that were more of So, then, even they're these fathers,

they're they're still they're in a good at they're in them quite. The parents of Javiercito

simply they have to get to get to get a little bit of the new fear of the because he

never the little bit I'm not that you don't know that's a time. But it's

a incident very similar pass. There's a little, the little bit, the little bit of Sylvia.

Sylvia, a girl precious, of cabello and eyes red, that have the two eyes like if

were a pair of emeralds, that just they've been, you get, and you get us to the little,

and you get to get in it. The worst of all, is that if you can't in the

encanto of the eyes of the little, you, you're you're going

to be a derretir. It's a sonrisa that a pretty,

that would like if it in you a person more the person That that little, Silvita,

had been abouted. He had a dweened a very feo, a dweened a feo, horrible and malo, that is all over

and that makes that he doesn't that he can't see that his mother, and what imagination you have you know how much

and has some courage and says, that no you're that's imagination, Mama, not is imagination! And the

Mama is saying, oh, Sylvita, that no she's meantieres So, then, no, are the same Tbilita

he pegas much because she's put to y'allelette, because she's saying the truth. But is that the children are too currentes. One day,

a mom of Sylvita, she'll don't know the flotators. What he has a salvavit redondo with

a little a cato grandota, is the one that he uses, the brother. That flotador has the part

of the middle like if it was a place in the but for that not pass all

the the body, we're designed for children very little. Silvita is a littleatita and is chiquitita.

So, a penas he gets, but she feels, and she's the when he gets

to make to do this quack, quack, quack, quack, quack, because it is a

part of the part of the back, it's like the the coel and

the clara and and then sheylita was making a car and for a

detrars two parpads that make those are very dark at when they're going to

and they're in a little and they're a little a good of the end of the end of the yearns,

he's kept to be a part of the way in the way that starts in the part more

on the under the topoteadero has that it's a way in the that is it makes a

parto. And all the people are making to make with me. Quack, quack, quack, and of a sudden, and

Sylvita's, and it's kept being with a car enojado, and the one of the car enojadoes, and the one of the back, but just the way to doack, quack, quack. The master no can't with the risa, and even they're calling the attention, so they're in the labrimes, and it's colorado, colorado. The papas, all, of all, of all the companions, are

taping the book, because no they want that the nina's that they do count, that they're too, they're much grace, it's It's very divertidissimo. And the friends of the mom of Sylvita they're going to look with a car of why did this?

You're just doing that's just impossible not to read us to the situation. And the sir was marada, morada, and nothing more than 100 voice and if you'd have been been heard you,

it's been those flotis. But the ladyora no had major cause than a little so that one of these burs that were malintentioned.

That's not malintentioned. They're of these anecdotas that in a future that in a future,

they're in a lot of this moment full of chaskarrillo anecdotes and images memorable, that is,

that's another when the master, grita, a new al-a- and now are two

people who are the back from, the front of the salon, but they're in a

velocity strepitosa, is something that would just to be a vertigo just to

the two enter in the water, one not the little because in

effect Sylvita was in the phone and it was a minute

because it's it when they're the other that's the

other that's certain kind of techniques that's to use the

that's the time is the mom is almost at

the end the the not put to the fatas because in

the men the second accident of this type. The little minutes in that recuperate the conscience,

they're going to directly the hospital to do a revision complete, and being there in the hospital, is when I'll tell that the dweened was very enojured, that no he doesn't like to talk to him. For that I'll say I'm a problem

with the doundas, because every time that actua, they're doing things strange in places different, and the problem in this history appears resolve

a little, because they're a few because they're in these two things.

I'm going to say the obvious. I'm at point to keep to the place.

All the people, especially the menors of 15 years, for those which

had had paid some that they're paying a

rembolso. Nobody wanted to see to a little.

We're had passed the voice, but like if were

a camp of a co-seca. All, all there had occurred. All there

knew the situations. And if one was speculable about about the master, the negligent

that was, and they were about about that there was more to be more of

people and one only only he saw, and he did

that the circle of plastic in form of pato that he was

to keep to the little the inside of one

of the banos. What was what occurred? Nobody nobody. But the little bit of the dwindle me made to go out of the alberka,

me led to the part more honda, and no me to get to get to get to be able to. It's all in offer.

Casse to he's got to givelating the people that for favor confi in them. Maestro, is it's

out of the place. You know, why? For his reputation. being, not is

good. Yeah, no important how they pay them, the amount of salary,

all double, to the and the maestros are doing. Only those who are people

and with this, I want to be you know, you don't have that

people, they're for the age, for the time of the type of

technique, for the form to contact to the other, let's, we're

they're the people, are they're the only that they're they're

they're they're because, they're that future you're not to be going to

get to them to call them and that's they're in not a little bit of they're

they're in a lot of people who are people who are more experience, yeah with much people, you know,

and then it's a lot of the same thing, and it's a time, and it's a bit more afterecting a business

sir. If you you know that there is a demonio like the because no salv a new your business. And then the

do you say, for favor, you know, you know, all know that we did not. Not being that type of

legends. No, we don't talk of those things because are things that have been

in these hands and simply, it's been a just a good but we

don't we want to because really we're people people people

are to do you. And the sir, will gole to get the hand and says, for favor, now I'm you know you

know, that for favor, not is evading what I'm do you know. You know, you know,

there's there's a new masters as we are the we're we're doing, the other

to be trying to get a person, and the do you know, he says, very good, I'm going

to say this to all, and it's the last that we're the thing.

If we're will be mentioned something, like a dweety, a phantasm a mormia, a vampire, or any

maldito monster that you have seen in a little that you're saying, that's the

same day, I'll do his cheque of a and we don't talk about. And the

subject will be the man. He'd he'd say, well,

de one to me, because while he may be being coming in the

pass the I'm going to report because here there no

no here out of the cell, and right that he he's being he's not

ryan and he's not the question. When said it all the place

was in an place more than it was like if this type

had had had the door the because an

air went and that the air and that

the airs of those sensations that that not that

not the perceive the spirit and all all they

they They intended that they were in presence of something malewo, and the dims and the dirretes had been apart. The children seemed that had been seen, and, as many those say, the children and the years, can be a few more than. And it was that this man sawed of what he was talking. He despego the cell,

he kept the type in the sill. The dwean, yet no had said any word any. The person had started to start from there, after more 10 minutes and a silence incommod, where certain

carraspeos stornud, were the only that were the same to the same, and they were to put in the

no negative of nobody, and they were and they were to bejure the place, they were only, and it

then when the duke, palid, desencacado, and with the head, very revoked of the

and the pensions, he was very desperanceed. And, and at the guy, this man, we'll call him Don Aurelio.

The senior Aurelio, he said, then, Cavalier, will be a do something, or not

will be and the do you know, he says, what is what you're doing? And me he says,

no, I know, I'm exactly, I'd say that's a demonio, yeah, no it's,

he's, but, not it's a duend, it, It seems a woman, but also is a woman. And it seems,

it seems that this thing, he does, he doesn't, I know, he doesn't, I think, that if you

put to investigate the past of this place, before that had been a place of the burkas,

this place was a little that one O'Releo, was a person who was a

person who atation, for situations that occurred in a manner fortuit, he ended up being an exorcist. No, I sawed nothing

of the theme. No, could be able to car and he had a temple of the acer. Apart, Don Aureliu, not was a type

that versed with words, nor a person that were so that eloquent in that moment. So, so he was

he was he could continue indications to the foot of the letter. And it was a more to 50

exorcism. Of the 50, four were dignos of a film, and of those four learned many things, because he saw, he, saw, he was aterrower, and he was to understand how proceeded to the

sacrote. He took large conversations that, to call those conversations is be very benevolent, because they were monologous of the sastardot, explaining about the demons, the angels, the angels,

the cailed, the the sky and the Infer, but something he kept very clear. And to

those experiences, also cobra because after the fourth exorcism he was

to visit to Don Aurelio. And those malditos demonio since he he was

he can perceive with the sight to be to be not doing.

The second place of the albercas of the I'm

more a part or a balniary. In this in this place, there are various types of alberka.

There are parks deportives, there areas families, and it's a place that is abjointed to the public in general. It's a lot of times a small entry or a tariff voluntary. There are occasions in those that during the time entire is destined to

deportists of high-rendment that are in some style of competition. Because it's important to know that that is the place in special, not is made only for albercas.

It has also canches. Football, football, American, tennis, pista of carerras, there are various

zones of gymnasios. We are a great center deportive. In that place, that has

access to public, that in occasions it's the public, because

it's for things very specific, that I think, for this type of

things, is something of the government, in this place,

there things very strange. Louis he worked in that place more than 20 years, and he took of all the whole. As there are deportists of high-rendiment, and as in occasions there were great tumultuous of people,

no she was rare. There were accidents very very furs, there were desecos very lamentable, there was people disappeared, and if you had that in the nights in that place, ronded

phantasmas, that could you could hear from there or by yeah the lament of a woman, that were They'd hear them in

the way where no you're a single a single person, because

maybe you're there were there were almas. But it was a little you'd have been

there. After that that they were the lights, because it was that when

the lights were the place, the place had

that had the different, I'm the feeling that that

was that I'm observing and that if you discuidavas, you would have to castar, because it was that he had no good intention.

But Luis, me says, the is that not always was like, during my first five years, it was a place, and

with so beautiful, and with a bit of that you was there all the day. Between the same

other people, and the fact, and this, I don't do I'm there, and has

changed much with the time, but we we'd we'd we'd go to a verka that was remote,

and we'd were in the room, and we'd put it in freeing a little the feet, etchard the and all

we'd we'd have to do it, it was our moment. Luses upagated of the

place for not we're but a little internitas for there and there. Between there was

there were who'd people who didn't notoddard and they were some moments but precious

because as a team of work, rare times we had opportunities to convivir. They were days very accelerated.

There were many necessities to cover some type of percance, situation, to attend to someone,

of all. And we'd see you there. So, there's about 25 people who living a

good. But in the fifth year, after that there was there were there were

in some people, there were in an very rare, a fibrous, a form of that I think

to use the The word of obscure would be the first way of describe them. After that, the other

after the other And, poor-sita, kept in the gymnasium, he gave a a drop contundent in a zone of the coo'o

and not they had been a little bit because during a time it was a great idea to have put

a lberka of olas, the qual had the controls like there, faceless of access

for the public, the chica the and when they are to pay them, because it

had been hours prendid to have a or the person there, to the person there, when they they're in the

poor woman, awagued, you know, they're not not quite that's accident after accident

that occurred in that that's the place, that in that that's the environment was that

the can't, because there had many there were much pleats between the families,

and with you're on an occasion they've they've not arms black

two families and a father of a family man to the other world to the other. The families

not could have cried to them were to get to grits, but the two were both were desaforated. None of the two entered in

reason, and lamentably, as you say, I'm in a situation that you can't remediate. All those months,

it occurred to a little negative. Enfermos, for there, persons that were coming continually on some accident

and not those were seen, people, people, were to they were to end up

much until the life they were the life's termed and it's an an ambient

strange. It was like if it was it's a because the the

tragedies passed, more the more vivus when the light was in the

day, inclusive there some of the other people were

that were that were that were the same They never encountered any animal

for there, and to enter that place was complicated-isim. But it was a grunied like fury, like odio, like anojo. There were some that said that

in the zone of albercas, when no there was a one one one of a person, and you had you

and you had been a attention, and you were especially sensible, you're like a

burboteo, like a like a that Kierpn't where provenia. That if

inclusive agusavas the o'id, you could hear then you between purbugeos and the

sound of a boca that is a drag some of a water, that with a voice aogated

you they were your name and the people were in

there despour all all could would be in dimmes and direttes, simply accidents and things that

that pass in the day to day. But Luis me says that when he did he did not 15 years

to be in that year, he got a new companyer. A young about 19 years,

very very delgated, chaparita, and it was like a person that not had been

many many had been in car and she, she was a She was in charge of many

things related with the part ashtetic of the places, between paintings, but all what was visible,

that certain were new ones, things like, the chick had a mat of artiste and a profile in the

which had very good ideas, but not was expressed well with the voice. It was

good doing, it was good to putting concepts, and strangely

it seems like in Louis saw a figure paternal or it was a family, because always was always a refuge with him.

And me says Louis, look, the fact that she was that she made like a little little

a little little bit that in any moment I saw that I was always me made

like a little that I was there and was just never more I'm just I'm

never made in Entred and I, and I, for that moment, was that I was the time, that I'd have more like a little bit more than what she was. The young in what she did. Renov-oed much of the place. I'd turn to tell me into the talent that had been at the side, and I'd say, if me had to have

done the talent, I think no he'd have tried it. I'd have been my sobriena. It'd be able for complete that she had a jeffatura, and I had the scale more back into the organization, and she'd had two, three places around of this scale organizational.

The seniorita me at the first, as you, and then it was to because I think the

I did let me I'm to talk to much familiarity, and I thank

because she was the she was the she was the she was a certain intuition

and that there in that before before to enter to work

for I were they had that for me

I was I was telling stories of phantas and I

They like. I like much. Me, they're they're always in the day they're very atent. So,

is that I'm going to talk to the story. I don't think. Those are not.

I never ever seen anything. But I'm to say what me did. She said she never

never ever ever ever ever ever. Maybe I have mentioned but

never, like, I've seen photos of this place, and never never never

nobody had invited to come. But that in dreams, a voice, a voice very

beautiful, very sweet, he started to call her name, and he he said, that the

camp of the and I mentioned about the name, that no me would be to be in a

place. I said, I said, well, and what was I was I was I was

from the the sky how was I was here I'm here I'm the

the albercs, the canches, and I the gymnasio and

a sombra black, very delgated that was moving over there, and me dothoombe and I perceived, and the moment of the moment's at least

and in moments there, standing up, I feltia that that thing that was a way, me attractia the force and

me desperta more to fear. It's very strange because I never had seen this place.

But one day, looking work, me appeared the convocator of this place.

And the first photographia is a photo area where I was having what in my dreams perceived one

and other every time. All the divisions of the alberka and the canches, all exactly

how is. The problem is that I saw this place. And he said Louis,

when I said, I kept thinking a narrator, well this is he

had other colors after a many, when those subjects

entered, more or more or more, than the A year two, renovated the colors of the place.

They put them with some tones more dark, more feos. And she began to describe the

tones of the other. There no had photographs in internet of that was

so, it was so much they had renovated, and the page the page

principal has the photographs actual. So she she me

said that when saw the the same little but

with other colors and I asked the colors

and me described the 15 years. And I don't me was able to believe. No, he said that me had surprised. Just I commented. Well, if I did it, I'd have

so, I worked there's then. And she said, well, with much me to come back. And I'm going to say that the first day that I'm, no see if you told them, that they're saying for here that I'm very nervous. And all

that is a vile, is that I'm waiting, I'm waiting almost two hours in the stationation into my auto, and they're that it was because I'd nervous

present me because yeah I'm really a lot of and I'm really

much in the moment in the time I'm that's that's that's it's

not in the dark it's a very black, that was

a lot that was a person a form he was a loo-liso, and no he'd ever a single prended on the same

and me was waiting, and me was amazing. Two hours in what I could be, I'm,

and that thing was very long, there was when I decided to enter, but a part of the

cross the umbral, me commenced to continue to get to the so. For that I'm

neveriosa, because he is here. And you know what is the Peor, Luis, that I I'm thinking that's

that thing. That thing is a problem. He has provok it, but it's glotton. Not is

a ser normal. He, every that comes to do his things and he gets to try this

mal suerte to the people, every person that has a accident in the

albercas, every person that has any problem with other and this thing,

this thing starts to be to that change. No is Delgado. It's very

gordo and his head is his eyes. His eyes are profound. He has a look at one

of his eyes and he has two querns like if were a bcerro. That

thing is is a little and every that is the moment more more

when we know we we're a incident mortal. That that

that is the problem. And I think is the thing there.

There are five people that you know you know that you I see that you have

you know, but they're a chain dorated, like that that thing. They're not they're in

they're in they're in they're in he says, it's, are five people who has

said, because you have a little, you have you're sensible, and you

have passed to go to go pastions that's that's that's you're

you're to be and you you've seen do it, but I've done,

but I'm He said that, narrator. Oh, and if I'm assuced, because they're of the manias that I've always that nobody know but there's a pair of passillos when we're

when I'm going to be able to be there, that's I've been absolutely only, but also I'm also also that I'm getting more opacco

to me. I've got to believe that's catarattas, but I'm that thing is that's close, I'm pego to

the page, and then I, like, like, it's like you I'm, like, it's a,

it's like, how you know, she never me has never me have seen, and what she she had been to say,

is that was the person that that was that was going that I was that I'm I'm just that

I'm I'm sorry I'm the fact I'm I'm going to get a new

work, I see a new you're doing, because they're you're doing because they're they're they're using

and something, and something I've said in my intuition or, perhaps my angel, that very pronto you're going to

to say you. To the serres of the infamundo is he recognizes and today I'm to talk to that's known as the titiritero

of the devil. Moncerrat, the day of today of today, has 45 years, has been 25 years

lived something that has been absolutely and completely repentida. Since 25 years, all the

days of his life, has been Pidding Pardon to the and I have been

imploring that that's a lot of and he permit to dis-vinculars of this

demon, that seems that he doesn't want to go. Monce committed

a error, and no mid- the consequences and now

twenty-five after after, and he is the day-a- and this is his

story. Resulta that Monce, when he was He was close of his 18-19

years. He was a roce family very a lot of a situation of discordia

that gave to separate practically of her mother, of her and the mother-of-negra

of the house. She's was at point to terminate the university. Logra

to get the things a little along but a person rebel.

The rebelry in- the problem. And is that it would it would like the people

want to be submissas and bollegas, but that's good. No, no, no, I'm going to go. I'm going to go in the case in types of rebeldiah. There are rebellions that have been to be something with which not you're at least, it has reflected a decision to continue your own own

that maybe is contra-corriente, maybe is contra-culture, but you are you, you're not part of you, know, that he will find what he will be able to do that serve to grow. But there are other other other

can't the case. There are the syndrome of Marty McFly,

in the which for certain things, you know is you're

not your decision. Simply and you're to do

the contrary of the certain of your other

so if a if you're not you don't

every every every every that's you there's there's

there's determined to your response and your comportment. And, being more specific, if they like that you're a person of studies, that you logres something in the life, and you put it to the other than the other. It would ask you to where you're going to turn?

Because there are rebellies that you're going to be able to the freedom, and there are rebellions that you're going to be a prison very obscure, of the which you're going to be able to be able to belledies that could be able to beckxionation, in those that nor the person

that has taken the decision, is free of his own decisions eventually. This is the case of Monse. The disaventience

the problems that they've made to simply be transformed in the rostro contrary to the things

that were his parents and also people, the fact common. Not was not so much

special, but they were very very exigentes. There was something in the history of the

family of Monse that was a father and they were to do two

families very dysfunctional those two had worked much to romper the patron

family, to make a part of the family, and now that their children were going to

a time in that they were to be a time, they were the way, they were to them

their and the sun and to learn, they're that for more easy. Tal-be

the ways the ways not were the little more more than a little more more

more more tact. Desenfocarses of that meta and to understand that they're talking with persons and not with robots. There were many errors. Talves, not just a good intention. The methodology is questionable.

But the problem is that never was the intention of any one of his parents that Monsey's transforma in this Obeja Negra, that they'd give a contra in all and that commensar to take decisions in their own

detriment. Monsey he has the studies, even when it's about to terminate the career. She will be out of the house. And he's

to look groups of friends every that are more scandalous in all the people,

the people were chasas them, the people that they wanted to get to the

other again, before before, before, before, you can't put you

any idea of offence, no go to there. There are people who

nobody see because have prejudices. But there people with that

nobody is want to join because are because they're dangerous because for those times for the things

they're in a same and the other and those are the people that the person's that they

were people who those of those of those of their people were people

with those those not their not even their not ever or so their man or

they were to say they're they're both and they're profoundly dangerous

people, people that perhaps and some have been committed deletals, persons that had been

out of the carces, for situations that in the day-a-day was there no, there no

there was there were they, taking bad decisions, and now day-con-day they were

to be going to pass two years, and Monse, he will learn much about

the substances, he, will learn about many of many that the simple actual

of the simple fact of the do you do it's a whole of the people are to see

and that's that she she'll get to get to power, with force the people

are all people are so she's but her life is still still

the right she he he he he's one of

those work's not of the Tattooages, no no no matter of but it's part of this

scheme scandalosso. No, they're any interest in learning to do you do you,

no, interest in the people, or in the environment that they have the

people, the other is very sincere with that was that it

was a person around, it was that in those moments, in

that time, almost they put on a bandera of criminal

for being and she and she liked all this aura, this mystic of the mythic of the way. The patho, the esoteric, it was very easy. Not you, I'll talk to cliches. You know, about the experience of a person. Tal-beau-all-be was an client or an

client. Tal-beau was a little bit. She didn't know what he said, because those two years, her life is full of blackouts. Recurrect to be in the work, remember to be passing the night in the house of some disconocides and a disconocid. remember fiestas those

which are not can't mention here because we're demonetized from the initial of the time, and he's

and he says that now many years after they don't they remember with that's they make sure,

they make that there was a time of her life in the she not was in

control of her decisions. One thing, it left to another and he did it

and it in actions esoteric. Since that entered and he came to know about this world

spiritual, she was the most aterrador, the most oscuro, the most scandalos,

all what was absolutely prohibited. And there learned that there were the rites, the

simple effect of there were a lot of those would be the same they were

the same stories so crudas and too big, they'd that one common and corriente

trembler, at the part of this world, that is much more more of what they

can get to imagine even in those the worst in the past and the

day-a-day, invocations, pactos, brugheria, all, always thought, in affect

to the other to a way negative. And so, in this context,

we've got to a, about 25 years. As a more or less 25 years, Moses was totally

submerged in this world. It was part of the day to be that the people is a Marches, a

a weekle's, and it's to make the world not you see as well, and she nerved, and she seemed that,

that she seemed, that, to do a little bit more, and sof, and so-it- they were the little more than

other, it was the title that had the and for the world, they were she,

a woman supermante be she, of the pale, and of the pale, of the

that he wastable to use batas black as and for strange reasons, she'd

always had his consults or in cemeterious or in cases abandoned, but very

specific as the places and the hours. It was the day that was the day that

was to the first of Sophia previously he had said,

I would would be that your consulta be in

contact with the Muartos, me let's You can't enter in that door, and when her, our dear Monse, he said that she, Sophia,

she said to extend her the hands, and when extended her the hands, Sophia, making his hands, like if were an some type, like of triangle of pic, he made that the picke, while unir all his fingers, to pointar to the

sky, then, scooped up, making an ademann like if were to get that salivassos, he went to

the man, the mantoo in the air, and then he was in a little a velocity rapid,

and it and it clavow over the hand, and it generated, a little

of a little, he said, he said, it was a thing, that was that was

he was to get a hand, clandoled in the unus there, he,

he, did the same a gesture, he went to get a little bit of a little bit of

a little and she had a little another man and he was a man, he was a very strange.

It was a very very subtle. And I say, for the circumstances, this

it's a record, like, between the light, and it's that are,

and not are in the imagination and the reality. But it's something that once that once

the sensation, of that there something that there, subjecting the center of his palms, never has been to do today of today.

After that relation with Sophia, passed on some days, and they were in a house,

a fifth piece of an building, the world was absolutely abandoned, and all person prudent,

no, he had to get to get to get to there, not even in the night,

and the time, and the time, when you this place, the the other than the ambience that

captivated, it had to be chranias in the piece, distributed in all the plant on the cranios,

there were vellas. No, me preuntes that they were, only were calaveras. It's the only that

we're going to talk to here. And when she saw power, sentio that that was

that was an and in some way, to some form, sentia that she

had been one. It was when it did She found out that, front of her, a one of five meters, a penas illuminated,

was Sophia, down the back. Sophia, was at a foot. Front of her, probably there was a tree, because never he went to

see Monse. Monse, he was coming and when is a small a two, Sophia,

with a voice very different to that she had been a voice finita and a good.

This, more, in a voice profound and a tronator and he said, the moment. Detent

not you permit to advance. The voice no he pertinacy to Sophia and had a capacity of mandate, a force at that made that made

that all the body of Moncerar's and would be able to and the voice he started. Here are,

we're they're in a message for you and he started a movement to

the front and to the back and the back. The back the Sophia, no

was extended to the little the world and I'm recogied like if

she front of she was putting the hands on the atryl that you mentioned, and they were

in the arms where they were that they was a moving, but

sonable a sound of a something, it was like if was

that was that waspating a lot and I'm to verbalize letters.

It was very rarer. Because there no had microphones or not even any

any type of bocina and he gave a thumb an sumbid electronic to the

monserra that he generated a little a when he back

to go back sofia so she is talking constantly

but it's like it's like it's not he

doesn't he he's saying but he's nothing of he

he's maybe he's something you or maybe, at being there the nervio, something was what he provoked

but no he was sure. And, and in a moment, she was sure, that any all the

bells at that were in light, the profound obscurity that was involved to the two. But it was

like if Sophia had a own, because even the place was absolutely

obscure, no it was there was any of the one of the belas that were

around of those crannies, it to Sophia, giving her the back, as if

there was a reflector, I'd care the light over her. And Sophia only he

said, you're fortune and you want you want, you're that the

people, and the way, and the way, and the questions too

formulated and so exactas that pression some some circuit

internal, some emotion internal, a some desire very profound, because Monserrat contested, without having thought, no one-missima,

contested from the front of his entrains. See, the voice was a seca. The voice was was incontrollable. The voice had from a zone where she not knew that he had access, something in her own to me, and was yes. And when he said,

and when he said, he said that the place, regress to be illuminated. Sophia was sent to in the

piece, he went to the man, he did the end of the head of the and he

said, Bette, Bette yeah. Monserrat was, he felt strange,

but that voice, even that had a great, a great, and he

went to a marching. The sensation was very rare, because the

movement of his hands and the feet, not was normal, not typical, not was the form in that yeah was moved. Sentia that that was

that was sentied, that wasntive, and was the part posterior, and the left away. And the feet were exactly the same. It was like if something, from the part superior, from the techo of that place, had been lifted, literally the

hils, and he made to move as if were a little soldadito of tel. He went to his house after having been very strange in some moment of the

caminata he was to return, and the life still normal? A successor a rarrow on a martes.

Of those many, that's many have been people who have seen people that those are totally

dark, of those who are those who have seen the people who look at back, they change

the voice, and they start to all the people who are there presentes, and those

that are presentes in the place to attack, they're in and say, for favor,

now tell us something to him. A market's in these circles, a day more.

And they're many days, until there's a new. A dream that you

know, standing in the time, recently and the time to get a

time, are very confused, so but Monce has

never never never never he never, he's she

she's she is coming to where is Sophia. Sophia

he's not going to the spalda. And Sophia levanted the hands, but it's very rare, because when I'd be being the dorso of the hands,

yeah that's being the hand, they're going to the hand, they're they're doing the palms, but the codos

not those tines to the right, it's like if were the other side. It's something really a

very very much. But she know, and there's a thing that he says that that's what is that

that's a little, then then it, like if an isle invisible, movier the the body, and let's take a pair of postures,

that if that were a person human or normal, would have heard the reskebrajard of all the vessels of that because not

are postures that you can't take, no, without lesionart or kebrate in pedasos. And Sophia is there

there, and is then when the obscurity complete in that the world, and it's the

voice of the or, more well, the voice real behind of the voice of a voice

that hasper, a voice that has been much air, a voice that you talk to be a malice

and that he says, Poher you'd, I'd do something to do a little

that's what is the most precious. And in that moment to Monserrat is

a little to be in the case, and there's a new a new

that has done a he used it because he didn't he was a little but it's a first

aniel that was the first money was the mother she is that she

did, that she didn't live in the misery that was that they would ever

would be that and that that is that is the only vestigeo

that has that you have he he he he's

repentiment you. You know that something decided well, but is a goodyos, and that's all has been a reflexive, and

yeah are many years, and many intents of her family, to want to give her to get her back, that's all the devil more than one and other other way. No, they're in their style of life, not cap'n't

what is important for her. For that is there in the occult, in where you know he he doesn't let, and there in that when this voice said, the anew appeared

her, and the anillo he was now in her hand. I'm a dream what I was living. But the

aniel that is a minute it's covered by a little little

and it's rare because when that that is the hand he's

a little, he has inserted a hand and can be perfectly

the body, she's no, my moma no, and when when he says that

when a penas it's something that is something that comes to the most profound of

his heart. The voice aspera and said you, you know,

I've said, I've been absolutely obscure. And as if

were light, as I had passed with Sophia, there

a a chair very similar to the little

that they use to send to other world

for through and the other and the the

and to this as the light that illuminate, but something very extrano, that has to feel much free and fear in his dream. There is front of her, a line perpendicular, inclined, that is taping her vision. It's delgated, and then there's other line that makes like a cross front of her, and behind this cross is when he there

the image of this stella, but there are there two corse, two pales, that are impidient that I'll see, and is where it comes the second more strange, because no he had done that he had done to control over his

body, his body is like if it were a manned a little the body he'll goel,

and is the little bit inclined to get to and it and for more that he has

done it, no, he's doing, and it's there, when those two pales

to start to start to be one and he knows like, and he looks, like,

that's the a cell, a great, that, all the thing that was

seeing, they're seeing to come to make, and after of a matter of

a horrible and askeros, there are many of them, in the

rost of what looks of a person, but with the part

superior, reen of the eyes, and they are the matter, the matas

of the hair, the language is horribly large, and it's

It's be full of little ponson and spinas, and there, between the sombras, two manos grandes, they're taking, they're coming, they're coming, the cruzant, extreme, extreme, like if the part more large of the brazo, stood in the part superior of the and the other part of the other

brazo of that other, he cruiser the above of the barbilla, aprietytan the head between the brasos, and then they're to contraresel one to other, Until that both palms, one to touch the mejia and the other is to talk the eye-ed-dog.

And with all the force that that is a cause is capable, he'll have been to this little, and as if his body was a little, like a muck-de-trapo. He'll get it for the ares and he'll sito in that

silla, he'll he'll marra the correa and she sent a fear of which never in her life had believed that he could ascend. The

body entire is that he tumbled in the entire. He has

to die to get to hear because know he is in a problem. All

his his body is being ever before ever before someone he'll

help. And that that thing seems that it's then when

after after after to start the again again again

again again the right the back the the head, the coronilla and the barbilla

and then they're to cross. And when she sees those palmas horrible that they're talking their own side, the mejia and for other part of the head, then she gets something, asper, and at a base humid, that he recorre, from the pommolo

to the part inferior of the barbilla. It's the language. The language of that thing, he'ssaboreing, he's probing, and in that moment, she's up, she gets, out of her stupor. not remember where it was about, but

remember that the sensation is spantosa, and the only that does, the first is is go directly to the

space, and from the day to the day of today, be a mark that nobody more can't be.

Aena a little visible that comes from the pomeulow to the barbilla.

The next days the the suno so they're again again, until

there's something that in the of the way of the that's the that's the that's going to that

they're you know he's that you and it's and it's in the when the when the

first first and a in the after that that's that's front of her a

there's a a bus a a little that's all the one and then it's a in some type of drone.

You can see how it's about, little, little, little, until that transpas

the the carves of the bus, and be sent out in the first line, a little

a rostro known, yeah, quite, quite, entered in in a years,

and it's a rostro, and when it's the most dolorous, and the

most profound of his heart, it's a word, a word,

a never can never never never never say, the moment,

the to have to have been during years. It's very rare, because the day the next year to have contact with her family. He wants to know what he has happened, but something he impede to do.

His orgoo, the odio, different things that have done the time, the verguenza, with what car will get to say to to say, all the final

all is a perfect excuse to keep maintaining the distance. And the life again to take your course.

But it's rare, and she doesn't so much, they're trying to start to all these things.

No. know exactly to what? There's something that there's a little bit of retomers. He has passed various years, and when it retom it, he's taking a job of a practicant, and now is working to mecer on one side, and is that having jobs eventuals of one and other side. So, is a change in circles of amistades. It's a person that's quite isolated, and not parted as much as, but you want to say to all that. That's what's so that's that

that you have been in the dreams, it's in the day-a-day. That, that has got a grabada of the hands, that

that was the thing in the thing, he was a way to control it. The sensation never has

had been, and it's like if were a titer of the ra'an, like

a a muke of her, and the life will be to turn a

less gris and less dark, and a little more bright,

and she, and she, he's going to they were advancing, and they were going to pass almost seven years,

until that she will re-encontra with his family. But in those seven years have passed things rare, in one occasion in the faculty, was about

to tronar a exam. Yeah, the maestra and she had had been given, and it was to get reprobated and for their circumstances

not were convenient, if I was retraser, maybe another semester, for that material he blocked a lot of

more of things. But what I see, is that I need to pass to come de-l-locer, to how do the

place, I need to pass her. And that same night, standing in his house,

he said, for a favor, please, please, I'm let me make you,

and it's very rare because the day next in the morning, he gets the

offices and he doesn't, he he's an assistant a one of

a child who never before, he he's he's he

assistant, a line roger that comes from the pomell to the and when she see that line that has a

little bit of the assistant she gets seeing with a face, and she does a sign that never

will be able to be able to the mind. The two arms of this woman of the assistant they're

moving to move on side to like if they're something they're in after they

in the middle of his palms they're they're subjecting the the head of Montserrat,

how occurred in the dream. The chick the chica he's a little to make to make a

office of the office. Moncerat he kept in a silence absolute and only

he makes how in a computer she has been a question

a no-approved to a qualification moderately good. The signer at

the door, he again, have been more things strange.

It's has been a deal that he impide to

do do you do and it She's feeling totally suffocated. And, that maldita

phrase that comes from that's not control me, you know, you've got to do you give us to

give us and the day next, standing coming to the faculty, he changed of the

way, it was he changed while it was that I'm trying to the same

his own and his proper form of and he passed a house

that was that great and the and without why, he detue front

to porton, no took timbre, no did not do nothing, and 10 minutes after being there, parade, and care of move, but not understand why the body, he waspon't, and it was open the door, saw a subject of more or minus, some 60 years,

had a boinita like those that a few uses here. The rousseau was very demacred, but there a signo that she had, and then began to recognize, a line rauc, a penas perceptible, that came from the pommolo to the barbilla, and when

the subjecto saw the subjecto, came to the entrance, abro the door, he went to the house, he went to a little mochila,

she was to the foot, and only did a sign, that for this moment, you know, a new bed,

a brazo of the other, and they were to then they were in the time, he was a

little one and other once, and from a old chief in a

job, just before the ascens, he was, he was reveling that line,

people who have been in places strategic for that she not be there's and it's that came in

the encounter with her family. But there was something that she he made,

and he made a distance a lot of that he had been before after a

time telephonic of having year and have had done his mother the other

other side the line telephonic and that her other

and that was a pardon for all, and the other, they were done for all the things that were done in the years earlier, decided to see one day. The papa and the brother were contentious, but not were the people more than the people more recanas.

It was she was her. There's a situation. Because the first question that she has the mom, before to see that day is, "'Aun conserved that anil. She never was "'I never was to tell you that "'that's a dream,

"'ha'amal the day "'that they saw her, "'apeas opened the door of the house, the mom of Montserrat, and what Montserrat saw that serrara the eyes, and mordiatings the labo and he were a half-wilted and correa

to gore to there. What he saw, was the same rostro embegeciful that had her mother in that the same night Montserrat soigno something. The bus

stilled on the car now now now now notable, she was worried, and of a A sudden, a vehicle of color rojo in a visite in the bus.

Acto-segid. There are many persons, Rostos-conocid, in a vexedito, and she not want to be the fetro.

You know who is there? At the day next, 7 of the morning, there is a morning.

His papa he's called in the madrugata, her mom on a bus for a situation

related to the health of her Her abuela, there was an accident in the road, and now they have to go to to despid in a funeral. From that day to

day of today, Montserrat vivor in an absolute repentiment. He knows that no important that has solicited, and that the vienes

could have done. None of that would have been for the co-beer that that thing latimed, he made,

and finally he was the most precious of her, and no I could do anything to make it.

And with this story, my dear family nocturna we've got to the dark of the stucura

of the stories and before before that the voice-sitting me. I'm a story

more. I'm to say, I'm going to say, but goy to see,

to be a day, or tomorrow in the morning in the platform that

before only was the only was the video, because you

the part the secret and it is a point to

start to nocturna, from here, until you see in the Platica Secret. And in what you go and separate their place in the

fogat in Meri di Kankoon, I desire that I'd desire you want to be the story that you did this episode, what was the story that most in comments?