HABLEMOS DE LO QUE NO EXISTE - Misterios Siniestros , Descubrimientos Oscuros y Encuentros Demoniacos | EP 299
Episode Date: June 12, 2025Bienvenido a ésta Oscura Fogata de Historias de Misterios Siniestros , Descubrimientos Oscuros y Encuentros Demoniacos en @HABLEMOSDELOQUENOEXISTE Cada vez estamos mas cerca del episodio 30...0 y por eso el día de hoy les traigo historias macabras que ustedes, querida familia nocturna me compartieron y que me pusieron la piel chinita del miedo. Escucha la historia de la escuela embrujada donde estudio Monse , la Posesión del Pozo y el departamento fantasmal. Conoce a Marilú , la cascada oscura de historias paranormales que ha vivido , tiembla de miedo con los secretos familiares enterrados en la casa del limonero y con la verdad atrás de la casona de la llorona, así que prepárate , porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE
Transcript
Discussion (0)
Welcome to Family Nocturna to this new episode of Let Me
We'll The The The episode 299.
We're going to get to 300.
That the 300 is going to say to what it's a very special.
That's not going to say to what it's going to talk to live it.
And we're just excited because,
although we're doing recordings here,
we're having a foot and fear in the next episode of the 300.
So, well, today,
today I'll talk about the mysteryes sinister,
sinistros,
discoveries
very
oscuros,
and encuendros
demoniacos.
But,
before I'm
to give the
welcome to all
those those
those
that is the
first time
that's the
first time,
let me
let me,
let me
explain
that's what
they're going to
live.
All those
who have
been time
in the
channel,
know
perfectly that
we're
about to
have a
full of
stories.
And this
is a
sequence of
stories that
are from
from the
more
tranquilla
to the
history
more
is a scura. And in this
fogata, no I can't
promise that you're going to
to survive to all the relato.
So, if it gets to be a
realatue a little bit,
or that you assomber too, or that
really doesn't, subscribe
and give the campanita.
Meanwhile, before
to start, invoked the Family
Nocturna for that is
present in the comments and
put a narrator,
we're almost in the 300.
And one of this,
family nocturna,
comece us.
With this, Scura,
fogatats of stories.
Marilu
me
made one of
the
stories
more
those stories
more
and quite
and quite
and strange
that I'm
yet
a lot of
a story that
she has
had been
a person
to be
twenty-four
she
she says
narrator
I'm
I'm used
to live
things
paranormal
because
I've
many much
and when
they're
much
not it
not you
to
a
chisporoteo
a
a
a few
six,
six,
seven situations
a
long of the
life, no.
Is it
a lot of
a rio
a little bit
a cascada
a moniac
to the
situations that
not parrower
from the
11 years
until the
day of
that they
did that
for the
short-ed-ed-
not
had to
have to
have to
adapt to
adapt to,
as a
little
you know,
you're
you're climattas,
and she
took to
acclimatar
and all
it was
because
his pap
were to
live to
a
house
embruged.
His papas
not had
any the
idea.
They were two
people who
were very
unied,
but also
were a
little
distraided
of the
family
for situations
economic.
This
fact,
to get to
to live
a new
house,
a
difference
of many
people,
not it
was a
positive.
She's
going to
live to the
old
house
of the
old.
A
house
that she
had
many
had been
a
old
she did
in the
Buele
had
been
really
Summately
bien,
a girl and a
couple of
and then
they had
moved to a
place in the
city.
This house?
This house
was a
little
of the
teleranae.
It was
totally abandoned
and even
it was a
place
and even
it was a
time and for the
time and for the
time
of the
time of
the borgia.
The barrio in the
time of the
world, a
barrio of the
people of the
and so did the favors that
they needed to
but at the day
of the way
had been
embegecated
very bad
and what
pre-have-provoked
this?
That various
houses
were very
deteriorated and
not it was
for a
lack of
economy,
is that the
new ones
had
other form
to think.
It's
there was
maliants.
It was
said that in
other part
of cases
there were
there,
there were
there were
there,
there was the
situation,
we're
the way
they're
the
the residents,
the questionerable
those those
people who
were not formed
part of
their gremio.
It was a
situation in
that any
that any
that would
if he
are they
are in
questions of
giving us
a very
good education,
they'd
think they
in
those
barrows,
because
they know,
know,
they're
that there
is a
problem.
Why,
I'm
I'm
this?
Because these
little
details
make that
that's
that's
that's
very
distraided
and
things of
outside,
and
they'll
forget in
things
they're in
the
people,
they're in the
things that's
those things,
those
those quarters
suces,
that piece
that definitely
needs to
change,
the
the
little
that's the
water,
and that
it's all
that's
that they're
to start,
it's
that they're
that's
things of
that's the
thing that's
that's
that the
real danger
that's
that
It's going to the first year, and the first year,
Papa and Moma are 100% focused on the remodelation of the
place.
No, they're not even in this place.
They're in that place because Papa had
initiated a new business proper.
The business was very bad.
Termino with many debts.
And then the house that they had,
they had to vend her to pay all.
They were with a quantity
that small that became in some type of
a-hors to
to pay
studies,
to be able to
pay the
more basic
during a
year,
in what
Papa and
Momah
were
other
sources of
income.
For
that the
little
remodelations
that were
remodelations
that were
a-cuitous
very
pensated,
very well
consensuated
to buy
a cell
was a
bad,
but pay
and
mom
were
sitting during
hours
with,
but
if it
would be
the
pay
those
$1
$1
$1
$0.
So,
don't
no
so
They're sobara.
Well, look,
the same
and it's a
second
man and
not so
it's a
very much
very
and it's
a centona
but not
so
three,
four,
five,
ten
and they're
to be
to do you
or if
no.
That's
that this
house
would be
like a
collage
,
sillies
of different
types,
the
mess
with a
path
that
not you
get
to the
kitchen
and in
the
kitchen
there
had
photos
photos
new
photos new
posters
because
the
Paredes normal, the paintura that
they had, it was so fea, it was
so carcombed, that they'd
not even to cut them, and buy
a tapis, no er option.
No, it was an option,
to pay him a job.
So, if they were, they'd
try to put things to
distractle the
eye to the macho, as
they'd say, and to
give it a little
the mind of the
people that were in the
house, but
that's the same,
that this house
seemed a collage,
so that they'd
not invite to
anybody.
A, of the
brother of one or the
brother of the other,
in occasions,
was the abuela,
and not passable
and they'd
not because
there were a
normal or what
would be a
extra.
It's that
the house
really was
a fee and
and they were
feeling them.
And they
were just
they were
seeing the
receiving a
recivor,
how not
she would
be to be
the family
if they
were in
the
family,
and the
capacity
to put
the
people,
and nobody
to them
was to
give to
to exigued, so
so,
so, so,
so,
the family
was going to
alone
there.
That's the
entire,
the work,
and that you're
very strict,
you're in the
school,
you're inciard
and you
don't you
see, and you
don't have
to have
friends,
here you
don't want to
to know your
business,
here not you
don't have
to be a
relationship.
The three
brothers,
standing in
the house,
well,
just they were
going to
they were
they were
not,
they were,
they were,
they were in,
the
When
when he
the second
year,
the
brother
the
that lamentable
it's
a condition
of the
what he
does
hear of
a form
very
disminuida
all the
sounds
all the
voices
any
type of
sound
is the
first
in
that
there is
a
other
he
is
so
good
but
it's
other
quote
when
I
talk
to
when
he
put
the
on
a
bass
in
in
some
a
instrument
and someone
is talking
can imitate
even
the movements
recognize the
sound
by the
vibration
has a
touch
impressive
put the
the
person
and can
detecter
people
in the
house
and even
even if
there
cars
that are
about
to get
to get a
quadra
has
a tacto
that
that
the day
that
the day that
put
the
hand
the
person
and
he
was
that
someone's
the techo, he generated
tantosacres
that had to
go to get
out of your
house.
No,
he was still
nothing.
He sentia.
She sentia
by the
middle of the
vibrations, and
the image that
was clear in
the techo
of the
house.
There's a
subject, probably
a man,
not a
woman,
not a woman,
for the
time, and it
can be a
little bit of
a lotron
that's
something
or something
because there
something rare in that
arastrado.
Of a
repent,
you know
it's
not a
of the same
distance, it's
like if
had been
a space
in the
that's about,
and it's a
one or two
meters
there, and
it's a
one or two
meters of
and disappears
and it's
a one and two
meters of
there.
And it's
back, and
go and
it's a
problem is
that that
sensation
it's
and now
in
whatever part
of the
house,
from
the
There's things that are rastran.
Lamentably, she has seen
found that not only is in the
techo, is debauch.
No.
She's the first,
the major,
has a character
and he's a lot of
the par of the character
that she has
because,
Santo,
God.
That is a-niña
that's got
diablos.
That is a
monster.
Peeor than
the the
of any of
any of the
movie.
You make
a lot of
you're in
you're
a terrorizes, you
you're
instantaneously, you
see the game to the
girl, because apart
when she's
a content, it's
an angel
that's a
beautiful that
never you can't
say that no.
The little
not has
abuse of that
but now
has used
very well
these
tools that
the natural
that's
her family,
the
environment,
and she
was doing
that she
had been,
these
things that
she has
used
very well,
and has
started
certain
things that
at
at the beginning,
it
he was
the alarm
of
Papa and
Moma.
A
one
collection
of
little
had to
little
a
house.
Papa and
Mama
I
thought
was
that they were
doing
a
and they
were
very
straasas
for the
place
in the
that was
a
second
intention
or that
was
to be
to be
a
more of
the
the
little
that the
she
was
that
she
was
that
not
because
Marilui
had
been
many
some type of casita for the mukees.
His papas no-pah not had to
so. So, it was to enter in them the
doubt. Marilu'ser was going to someone.
But no. Marilu is a little
a little bit. Angel, demonio?
Yes, but decent.
And she, what he did, is that
she was that she was back to us
them again, he said that
before, Papa and Moma
no, they could have given to nothing.
Yes, if, for favor,
they'd have any oneekeet-usad that
had been there, she'd like,
She'd like
She'd like
The only
Menteria
That's the
She said,
It's that it was
It was for
She was
She was her
Hermin'em of
everyone to all
Hermin'emps
To get her
They'd like
To get her
Mourkees
And they're
Mourin'A
So, look,
Marilou, one
That's that
Mom'i and Papa
Notarone
that they were
Like,
five, seven,
10,
15 mucas
when they were
to talk to
her, and
Marilu,
where's
that's back
to this?
Quintter's
is it's
done, and when
they discovered
the tactic,
even they
they were
they're not
they're not.
They're
they're
a lot of
the same.
The sensation
that some
that some
that was
she was
was coming to
and she was
being carcomying
for the
little.
It was to
say that the
little
was saying that
the
little bit
a problem
but a
problem
minor.
He said
they'd
not the
minimum,
no,
it was
that
even it
so in a while. Although Marilu
me says, narrator, what I'm
doing to do, is that I'm not yet
with them, abasasas, let me see in the
mochila, and I was there to be a
house with the mokees'est, and now
the new ones, it was made into
of the old, because she had them
all sated-at-com, in-filas, then
those metia, like in those wets, and my
papas no see-counter. For me,
living in a house so fea, because the
house was fair, and me'd never
I was just a little.
This situation of the
muckees was my
benetious.
I had more
than 25
moneques.
All my
my
friends had
had been
paid also
to be
primos and
for me
was to
start my
collection.
I don't
see if
that was
my
papa.
All
being
trying
that's
doing that
that's
that's
things that
were in that
house
had
and that
they
did
that
they're
they're
that
they're
that
we just we've
brought us.
Empeas
things, say
we're not
because my
brother was the
only that said
that I'm
a mal.
Of a
my
my brother
not was
my brother
was an
insupportable
was a
demonio
Tasmania
yeah,
you'd
get a
and I'm
the things,
and I'm
the other,
the lapisels
because I
went to the
people, I'm
even my
books,
thinking that
were in
Frisbio, of Bumeran, because
it was arrojave and it was
to rollar. My mucas, for me, were the
thing most atesorated at this moment.
So, the day that I attempted to
agarralas, I was gritted, and
I gritted, and I'd romew all
your carrits, and she'd
get to congelated, and
just said it from one.
Norrador, never had been
so bad with someone, and never
had been ever had been so much to
someone, but is that I know us, I
had to know. And if it was ever, I'd
never, I'd have to get pelons.
And I'd not ever to do it.
That's why this
this is a little
in the house
after a couple
of months or a
year because
I don't
I remember exactly
when I'm
because he said
that there was
a little
that was a
little bit more
that was a
game of my
little bit
but the
fact that
I didn't
get to come
to the
court,
that he wanted
to pass
all the time
with my
brother or
with me
even I
didn't even
anything
without,
without,
something else
something
something
something.
I'm
To this
little
exorcised.
That's not
so it's
so I
began to
ask you,
and I said
that she,
that I'm
there's a
little
there was a
little
hair,
but very
maltratated
all the
whole of the
skin has
black and
the
and the
bad
and the
little
those
have been
and that
that she
all the
time
is all
all the
time
he's
he's
he's
but
that nobody
nobody
that
nobody
does.
My
My brother-in-a-narrant, in that time,
I'd say-all-maul,
about,
and the R,
the A-s,
and the A-s,
and then-a-s,
and I'd say,
and I'd say,
but when
me said those
words that
said the
little,
no's the
one,
I mean,
me, he'd
feel free.
My
brother no
was a
un-n-
-n-n-
-a-oh-
was, my
mother,
and now,
was a-the-the-tere-
a-the-the-cere-
was-the-oh-oh-
that the only thing we're going to us
is that
we'd have to
let us
and we're doing
and I'm in
the case.
Lazange
sur-gilled,
Pucance
Moines for ten
minutes,
we're doing it's
their dojo,
ready to play to
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with Leo Jo
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After that,
I began to
tell me
that my
parents
were in
when my
mother
went to tell
those
socesos
they were
the
back,
and they
just moved
in the
head
and they
were they
they were
and simply
if
we were
about
they were
that
they were
they were
they were
like if
the
they were
I
think
I was
a
I'm
a
back
the
the
door and
it's
so
I'm
I imagined a person
above,
opening and
and I said
my papa,
because he
he said to
he was really
people who were
people who
he said that
and he
asked a lot of
but he said
someone who did
see a
and he said
no papa
he said
oh okay
he went to
the apartment
he put a
little
and me
he said
yeah
yeah
yeah
but when
they're
things
of ladrones
narrate
he not
he reaction
he
he reaction
like a
he
was a
police, he
a
a
a little bit of
the
people,
I'm
that more
people
were in
the
situation.
In this
case
of the
window,
he's
he
put the
and I
did
know that
that
something
that
was going
going
the
time.
A
day in the
night
I'm
sitting
in my
room
and I
see
a
person
that's
just
in the
first
in the
first
I'm
I'm
I
say
I
say,
I say
you
And I feel how she
has got the camera.
I have the eyes
and I'm going to the
back.
And I'm going to
because it's
something very rare.
I don't
see the person,
not I'm a person
sensible,
not is that
if someone
is going to
get to be
a minute.
But she was
like if
emanar a frio.
Then my
feet were put
elados,
elados, elad,
and then I'm
that's free
and I'm,
I'm,
I'm,
I'm sorry,
and I'm
where someone's
up in the
camera
and I'm
my
brother,
but do you
get a
bit of you
just a
little to
I'm in my
piece.
And as I'm
not I'm
think that
that's not
normal.
So,
so I'm
like me
do a
ballita,
me tap
and I
do the
back the
she
she
she's
she
and me
and he
is where
I'm
where I'm
where I'm
that you
know what
she can't
because my
her brother
has the
little
the braos
when me
a
braus
me get more or less
like a panse
the leg of the
omligo
and this
that's a
brazando,
the man
me get to the
other coasts
and his
those are
even get to
the back in
the back,
when I'm
when I'm
just to open the
eyes and
I'm
and I'm
a friar,
I'm a
I'm a grito
I'm going
out of
my
father,
I'm
I'm talking
the door
and I'm
I'm
the door,
and I'm
said my
woman's
a stust, that me jugged
a drama, because no
I didn't know what
was the
room.
So, my
room is a
badger, and my
brother and my
man, and my
man,
are both in the
same room,
but are you
are ronkando.
They're in
dormitus a
lot of time.
I enter, and
when I'm
going to get
the attention
because I'm,
to me
not going to
be going to
you're
getting to,
you're
getting to
the car
they were
that they were
that they
didn't
that they're
not
they were
They were allstated,
and they were justed more.
What was that that I sent in the
room?
In that time, I know
but not it was
the last time that
it was
my father
were more demacred.
I'm going to be
to get a
my brother
said that he had
many of the
and my
hermana
and started
many reactions
alergicas in
all the
system respiratory.
You're
talking that
they're
that they've got
a asthma,
of a
they're
talking that they
have done
to do a
surgery
for the
tabique,
of a
bit of course
that they're
not really
in the
night of the
I'm up
an apparel
to get a
and I'm
going to
my
little bit of
my
my
and it's the
time when I
say
my papa and
he said
a little
he's
a little
I'm not
I'm
I'm gonna
I'm
the Ada
narrator
the Ada
how you
can't
do you can't
what we're
what we're
There's something here in the house.
I say,
I say,
but I can't do
do you know.
Because no
you know
because I don't have
money,
because no
have money,
you have to
have to be
a front, we're
going to be
not going to
and I'm
going to be
nothing if we're
doing,
and he says
that's exaggerated.
Like my
my papa,
something he
had passed
in the
head and
I'm going
and I'm
to ask you
and I'm
going to
my stoo,
I'm going to
my
abel,
I'm doing
a while
the day,
to know
what was the
story of the
house that
had been
because even
I don't know
of the things
paranormal,
my head
of the
little bit of
a little bit
a man.
And that
is the
that is the
that you're
that you're
that's all
that she's
and we
know that's
my
mother's the
person,
and nobody
is a
person who
that was
what the
little she
had said
the
little bit
the
she was
a part
of my
investigations
of my
that are
a girl's
to ask her
little to
the boyate
to get to
the
stilions
and the
house
was in the
same
infirm.
Of a
repent
you're
you're
listening
that's
you're
you're
the same
and you
see the
the
but for how
she's
a girl who
is a
little bit
a man
because he's
very assuptable
that I'm
doing the
time time as
like a
because me the
past about
all the day
If my papas
me were in the
house and not
me going to
to get a
not going to
keep the telephone
so it's
that I'm
making a
that I'm
a man who's
a man who
a man who
was a
so is that my
tio
was going to
my dad
and then
after a
time and then
after a
time after the
my dad
after
he was
he in
some moment
he had
to have to
he was
for some
document
or some
he went
to do
he's
he like
he's like
10 minutes
and
when
he's
but frio,
frio,
palid,
palid,
palid,
palid,
trembling,
and nothing more
and said,
I'm going
to go.
And he
he said,
he was,
he was a
little,
he was a
little,
he was
I'm a
he said,
and then I
know, and
then when
the little
in the
room,
he was the
face,
the
little maratada,
the labios
of color morate,
he's
he can't
a
but he
doesn't
we're
in the
house,
and just
the
just the
little,
Bette
here,
and he's
right of
his eyes,
the little
the little
she was in the
house of
my little
my tio
was a
bad little
bad.
What he was
going to
the next
years,
because we
we've been
six years,
it was
horrible.
A me
he started
a
problem in
the nerves
very
very strong.
Of
nerves,
not me
not I
mean to
be a
situation
like
my
status of
my
system
nervous,
I
started
a
fibromyalgia.
Me said that in various parts of my
body,
as the recubrism
of my nerves
yeah no
was and I had
a pain,
had a dolor in the
back,
had a dolor in
the back,
and the doctor
me said that
was a
thing that was
we could
control and
my malditos
13 or
14 years in
that time
we were talking
that was
talking a
quantity of
a
medical
my
mother
was
tartamuda
and
they were
they'd say that for
some type of trauma
she was having
this type of
tartamodeo,
they were
violence
intrafamiliar,
all we know
because we
know we're
not because we
had very insecure
that demon
of this demon
and she had
nothing,
all the time
had a
time was a
man,
that was gonna
she was
when she was
she was over
and she was
super,
super insecure
and when
I was
a book,
a little
a little
a little
the girl
and so it
He was so much
that
he
started to
generate
this
situation
of the
tartamode
my
other side.
My
brother,
he had
got wands
in the
hands and
he put in the
hands and
he said,
he said,
and I
said,
he was
not being
that
thing.
But I
gave
a conclusion,
there
in the
house
a tragedy.
And I
wanted
to know
that it was
so I
started to
talk to
my papas.
Let's
I said to say that this year was something there was a lot of time there.
My papa no had been in any one of these years.
He had a job.
He never had a much time.
He was a new business and terminated.
And,
and once was a type very exitoso.
And now all the decisions that tomah were tontas.
And it was because he had things very tontas.
Of a repent,
he'd get to the house with a tonnone of boles and with balsas of salshachiches.
And I said, I'm going to put a post of hot dogs.
My mom said, but first is the post,
then the post, then the food.
And he said, how I'm going to be done.
if he had
got to
have
done that
he had
made a
decision
super
tontas
it was
like if you
just
it's not
so
I'm
go and I
say
yeah
we need
to do
and there
is where
me
my
papa
that
during
various
nights
the
last
times
every
that
he's
time
that
in the
moment
in
the
the
time
he
he
and
apart
all
he
he
would
like
it
like
a
a tree of lemon.
Ah, yes,
a tree of
a little
in the house
there was a
big patio,
but the patio
was all
seco,
he was there
before there
before there
was a little
in the house.
And then he
said,
hewele a
limonero.
I'mse
to ask
to all my
tios
about the
limonero,
and the
most
great of
my tios,
he said,
he said,
he was a
little
he had been
a limonero,
but that
with the
time,
he was
when he was
his
his
second
her
and
he
no
Stap.
Then I
knew that
the abuela
I know
something.
And I'm
with the
abuela,
I'm
need to
me
tell the
story of
the
limonero.
And when
he said
that's a
narrator,
like if
he had
put a
pair of
brazs
on the
feet,
because
they were
the
eyes and
he
started and
he came
and come in
and come
and come
you, it's
you know,
you know,
I see, that's
So, so tell me the story of the limonero, what
happened? And narrator,
I'm a Sherlo Holmes, and I'm going to say the
Fecha. Because if I had to be with the limonero,
and if it had to be with my aboela, and if no
was about it was a much of a vergence, and there
to go to what we discover us.
Resulta, that when my
abuela, it was a new year,
they'd have been in that house. That was
the house of my vis-abuelos. I don't
I know. They'd have
They'd have been
They'd have been
said, that a bardita
that had been
constructed,
peggedita to
limonero,
was very
mal-construed,
and that when
that limonero
crecied in
the raises,
they'd
not done.
No,
they were
that they're
more than
that they're
that they
crossed a
part of the
wall,
and for
the
little that
that was
a patio,
was a
that was
my
abuela
and her
her mother, because I no
know that I had
a woman
gemela,
they'd
be to get
to the patio,
to get in the
limonero,
subers and
up there,
subrised
to the
limonero,
and my tia
abuela,
the barra,
the barda
so the
barda's
on the
back the
instant.
The phantasm
that was
that was
was coming
in that
house.
It was
was my
tia,
because
nobody
paid for
his
and because
my
We started to dedicate
misas,
we've got to
dedicating accommodations,
we've got to
tell her story
in the house,
the reason
the house
began to
blow up to learn
and the
day to
another,
they're going to
pass things
there.
Monse
only has
lived a
situation in
his life,
but with
that situation
he was
to say,
never
I want
to live
nothing
about the
thing
paranormal.
Because what
was
very strange,
a bit
Confuso
but
principally
has that
have been
insecurity
since then
and here
at the
final
I'd
know your
opinion
of what
you're
doing that
there
result
that Monse
lived
in one of
these
college
that I
know
because
in Mexico
they
it's
the idea
to
say
ah
here
was a
here
here
we're
a
place
because she
did you
in this
situation
that in the
school
was
the
an ancient cemetery of a monastery.
And she didn't get a dud,
never duded of that story,
because the school
was at the side of a temple.
And a temple
very ancient,
so ancient,
that was more
the ruins of a temple
more than a
place than a
place. And it
had a hundred
of years.
She studied in
that school.
And in that
school,
he was a
school secondary.
You can't
imagine there all the
gritty of the
muchachos
in the moment
of the
recreos,
the salons
of class, even in many
moments with an algarabia
tremendous, it's much energy,
are many hormones in those
eddies, but she says
that in that school
there were rumors
not for the students,
but for the masters
that had salons
embruched.
That there was a
salon in the
that all the time
were they were
arresting banks.
The problem is
that that salon
not had a one
one single single
bank, just because
10 years
after, that
they started
that
there were
there's
there's
there.
They were
all the
place to
the
and they're
the rumours.
There were
other
place
they were
like the
salon
of the
laboratory
that the
day of
day of
he was
a
even
where they
had the
there
was a
tapia
a
whole
a
wall
that
that
nobody
could
get
in
that
somebody
because
a
reason
of
sometimes
it
was
there
was
a
person
that
the
problem
is
the
first time that that so occurred, the salon
was full with the professor, doing classes.
And then, in the middle of the
salon, sonno, like a gritty,
and all turned to all parts
looking where it went. But
there no-gmy-greting, and the grito
was heard. That was
the initial, because it was
a bit of a vez-in-quand-a. The problem is that you
put so nervios to all the
personal, that the directorer simply
decided, "'sire-mene-seller-mess-salon,
"'seyeen it for complete.
"'You can't see it, for any other
the windows
were tapied
also the
door,
no way
there's form
to enter
but the
great to
sometimes
she's
what she
does it
in a
moment
in the
which the
dichosa
school
or more
well
the director
of the
dichos
school
is
doing
an
open
there
there
one
there's
a
one
those
beed
those
was
a
particular
and the
part
superior
they
were
you
they're
there
to be brought water potable.
That zone of bevederos,
the students
were close
when it were
much cold,
they'd be
water in a
time free.
But with the
past of the
years,
you see it
were some
some time
to give them.
And there
were not
not complete
the
standard of
salubrida.
So,
so there
had to
remove that
and they
were to
do that
they'd
to use
certain
area of
a can't
but
first had
to make
a firm
what
sign
that
had to
have to
to do a
posse,
to get those
tubberies,
to y'all
well,
and to get
the water,
and then
a good
quantity of
a good
and then
to do it,
and then
put a lot of
cement,
total,
that a situation
of engineering
and architecture
that was
a very
good rato.
The problem
is that
one of
the time that
took them
those
and started
to do
a posto,
the
people were
to start
and they
And, of a
day to another,
they're
to get three days
of a
school,
nobody
and then
what's
and they're
in the
because
part of the
masters,
were part of the
people
that were
and for
there was
the information.
The above of the
bederers,
they've been
not new,
cadaver's that
had had been
many,
many,
many,
that not was a situation of a crime
for how they had encountered,
but there,
she had been able to reveler the
truth.
In that place,
really,
before, there was a cemetery.
Then,
dada this circumstance,
they imagined to the
students,
and they were
to get into the
posse and
all this situation,
and from,
and from,
to get to
start that,
and then
then they'd
get to the
other.
But one
thing was,
the other.
Between the
the lack of
the lack of
the money,
the lack of
the person,
the pressure of the parents of family.
At final,
the most that's
the last that's
the last year of
is that when
they went to
they found a bay
perimetral
made by some
burros,
which are some
tableons of
madeuress
in form of A
or D.
V. Invertida,
what they
had, that
all of them
had a
cinted of
a color
a ranger and
they were
doing the
perimeter of
the pozo.
What they
did a
some reason
they'd be
a respect
and that
nobody for
some
type of
error
to get
there.
It was
quite visible
because
also what
they were
that they
was a
cordon
of color
amaryo
was
to know
where they
had the
students.
So,
the first
days in
the
recreo
you could
see
the
marabunt
of
the
postos
and
and
a
and
that's the
She went
directly to the
Pozo, but no
he thought it.
And even
they said,
that they're
saying, she
come, no,
that me
say, then
so he went
going to
to go to
the poeso,
and he said
she,
that when
they were
all the
group of
the people,
she was
she wasomated
and he
wasomated,
and he
there was
there still
there was a
place in the
part of
the part of
the part of
the above,
she was
a woman,
and it
was a
woman that was
vestida, like with
a roppa
an
rop that's
a car with
a lot of
a little,
that she never
never had
seen at
nobody,
maybe in
a little
work of
theater,
but never
nobody in
the life
real,
that woman
was there
was there
was a
and when
when
were the
eyes?
This
chick,
this chica,
he's
for complete
the
reality and
it's
disvanes.
That's
so makes
that all
all the
alunus
the marabuntas
they're
they're
to us to the directora, and then, well,
a part of that instant,
they're going to pass to things
rare. When they're in the
school, there's a little
that's called that it's
that they're coming to the posse.
She has been noceion
of the reality every time that
the campana of the recreo.
They say that just
it doesn't know the
campana, she doesn't
ever expect that they'd
get in the salida,
she put to be
and go to
the pozo.
She has tried
in more of five
times to get her
like if it's
if you were looking
something,
between
the students
have to
have to be
last to be
this child.
This
child, when
they're
they're
to get to
get to
get to
your
kind of the
thing.
It's your
mind.
They're
that their
eyes.
She's
have to be
a color
dark,
so they're
to turn to
turn to
be a
color
and their
eyes
but
like a
person
major,
a person
yeah
of 40,
50
years,
I refer
a year
in
relation to
a
a little of secondary.
They're a little
one of a person
that has lived
that has experienced
and that's
not you know
in the
miras.
So,
your mind
a look for
the of a
person
major.
The color
of his
eye
can be
and the
other than
four,
five
intents of
she'd
to get to
the post
and people
that he
had been in
a moment
he's
a vociferate.
The voice
was like
a voice
that was
that was
that
was that
was that
was that
was like
you'd
more
listening a
vocina, all volumin and revented, that a
person, salient, they'd
from her mouth, alirited, of various
voices at the way, and she
began to form an arc with her
body. She assaulted
so much, all, that
started to rest her, the
little bit, but in a manner
very macabre, and
of a sudden, it gets
totally submerged in
some type of a-sue, because
his body, sootelte the
arco, golpe a counter the
piece, and he gets dismayed.
The parents of family, the
the students,
the students,
all of the
history in
in less
two hours.
The only
that are
not seen
are the
parents are
the father of
the poor
subcriptor.
When they're
the master
and the
directors and the
director,
they're saying,
without
what they're
saying my
subscriber.
So,
me
said my
mom,
with these
words,
your
directorer
me
said,
without
conviction
that
that you
never
to get
to be
percyattra.
And when it
said,
the mom,
the
little to
the
My mom had an
friend
a priest
and he
went to
a little
a little
he went
the
the priest
he said
he said he
went to
a bankito
that he
had had
a chair
and he
put his
stola
of color
in the
he
and he
and he's
there
some
when he
they're
that
and I
know
that I
know
that I'm
never
never
ever
I'm
to imagine
that
that
a
person
or to
to
to comport me
that
manner.
I don't
what
I'm going to
get a
potential in
over 20,000
Canadian
athletes and
county.
Your story could
be next.
If you've
got the
drive, they'll
help you find your
path to
the Olympics.
Let's see what
you've got.
Sign up for
free at
RBCTrainningground.
com.
I'm going
to tell a
story that
me
made with
a coadado
as my
abuela.
There's
a subscriber
Sophia.
Sophia
she cast
with Goyo.
Sophia and
Goyo
They were to live a house just when they had to have their first baby.
Resulta that house, that more than in a department,
was about embruged.
But, before to tell you this story,
I have to explain something in what I made much emphasis, Sophia,
for that you understand what demonious was there,
because it's something strange.
Sophia me says that,
to understand what he was there,
have to
understand
to his
husband.
Goyo
not is
a type
normal.
Goyo is
a subject
very peculiar.
It's a
person
without
without,
without,
but
more
with a
fan
to describe,
is a
type
very methodic
very
quadrado.
Goyo
does the
things
of a
way and
once
that
when they
do
the
things,
the
things
are
so,
and
a Goyo,
he
He likes to bestir with three colors,
nothing more.
Celeste,
coffee,
clear, and
black.
He got the
camisas
that are of
certain type
of a
certain
mark and
only a
certain
tally.
These
can't
have 10
buttons
ahead.
No,
11 and
not 12,
because
have already
have been
models of
those,
and that
not is
the
that he
a
goyo.
And
Goyo,
he
also,
he gets
to
bottom
to
above,
always.
always.
When Goyo
is going to
get to
the camis
first
in front of
the gancho
and he's
to get to
get the
cams,
he puts in
his can't
and the
handch
and the
always
without the
buttons
are in
because for
him is
efficient
he not he
never
to the
she's
that for
she
go to
she
not he's
not the
Goyo is
you're so this
because if you know you
do you do not you
doctombs is impossible
Goyo has
much difficulty
to adapt to
other things but
one of the
once that
learn to
do something
he does
and she's
a person
very intelligent
he has
he's seen
some some
some of the
things of
the first of
the things of
Sophia and
this has
done.
It's a
type of
a game
kind of
rare.
Goyo is
the
type of
person
that
that is the
human
is
over
the
other
species
because
He knows all expressal with
words. And he says,
the persons with
words, we understand.
But,
you'll say,
Entient the type of
character.
Goyo is so
quadrado,
that in an occasion
those assaulted
a man armed and
he was going to
talk to the
assaltant.
Amigo,
but,
well, why
you're trying
to keep
this money?
We're
not a
money that
pertenreska,
and just the
other more,
Sophia,
he was
Geroero,
Goyo,
give him,
Goyo, cackyathe, and he
he said,
Pardoninglo, sir, pardonen it,
yeah, give him the money,
and Goyo, no, but is that a
money that's of us of us
because we're going to do.
O'Igo, you, because
me is upunting with that?
Goyo,
he meto in the
idea that the person
is entienten
for words, and
he was to the
extreme to
not to not
that's risking
the life of
all.
I'm sure that
this point,
and you know,
and you know,
the level of
the personage that
you're talking
for the
car.
It's a
subject that
a
jacket that
has a
little bit of
little
little
the same
the same
the same
those same
the same
those
same
five pantalones
and three
and three
two
one or other
is too
to use
to use
to use.
Always the
same
the same
the same
is rare, but
always go to
the same
he's all
the same
every time.
If you
it would be
the
only that
you
would
the
attention,
it's the
day that
it's all.
So,
understand this,
let me
you know the
story of
Sophia and
Goy.
Sophia and
Goy
went to
a private
a
time.
Yeah,
Sophia
know
perfectly
to Goy
and she
he has
said,
to put
in
mode
to
programation,
I
I'm
to
I'm
I'm
going to
say,
how are
the
father,
because it's
the
way
he's the
way he
he's the
method of
and after
When they're living this
first step
Sophia is
to the ama
of the
100%
is living this
step in the
that's
recuperating of
the part to
is learning
to eat
that's
getting that
and goyo
goyo is
a subject
that sophia
he put
in his mode
of programation
to be a
good papa
there is
to ask the
mom
that's
he needs
and goy
all the time
he
He says, what occupies, what occupies, what occupies,
and he's the service of Sophia,
what has done a great team.
Sophia has his husband and secretary
personal. So, so Sophia,
is the encaragued of the baby, because if
Goyo, be that the child
he'll say, he'll be able to say
what he'll say to, and Goyo, he
felt a little to have the initiative,
but if Sophia, he says, pass,
a pass, what is what has to happen?
Look, Goyo, it's in a manner
so excellent and so perfecta
that no has kegues to call
another. So, so it's that
It's very well this
cadena of the mando.
Bebe,
Pidiento and demand
something,
Sophie,
understanding the demand,
traducing to
the Goyo
Spanish.
Then, in this
sequence of
things,
Sophie,
is a can't
a little.
No, Goyo.
Goyo is
good people.
Goyo has
his things,
as we have
been a person.
He's a
first time that's
momas, are
many changes,
hormonalalas,
is a lot
that's a
part of
very intelligent,
but he
She was made of a piece with an integrity tremendous and apart with a
force and a vitality but enormous, but she's
that's a little bit.
That's what he did that pass are these things in the
house.
She also, she remembered that the first was a day that
they're with the baby and in the moment in the
that he enter with Goyo, and after being there,
there's about six months, the
door of the abetation of the baby,
So,
it's
front of them
and they
they're
and they're
some of the
one of the two
are you
think of the
two
think of the
chrine phantasmas
to goy
a goy
never they
didn't
and they
never they
called the
attention
of those
people,
in the
case of
I've
heard
but that
that's
other people
not to
she has
that's
that it's
that
not a
new, because
it's a
new thing
not a
not
a cutically
there
there's
there
they're
the
people,
they're
What are the
pathos
of the
other
and well
the
the door
the door
is open
because
it's
a
very
and they're
not certain
things
that they're
when the
when the
baby
when the
morning
because
Sophia
yeah
is
trying
they
in
other
she
the
baby
not is
the
day
she has
the
other
the
other
she's
she
in a
mind
she
is
trying
when the baby yore, in less
a minute,
they're toca many
times in the door.
The sound that you
have you heard
is very clear.
The sound in the
room is not.
Some various goltieos,
but sound like an echo
of a good
but she noted the patron.
After the seven nights
because the
the new has been
quite in quiet the
last seven nights,
all the last
the yand at
the less of a minute
she'll see that
has been a
person,
he has been
of the baby. Here, the
paredes
are like they
are the
paper and
we're not
we're in
a lot of
a little bit of
a manned
and he's
going to
make me
and he's
to say that
that's idea
but one day
he's getting
coming with
with Goyo
and with the
nene.
It's
he's cargando
when
of the
habitation
of the baby
a perrito
of pils
commenced
to get to
to get
to be coming in direction
to them
and that's
that's just a
that's
that's really
when it's
when you're
when you're
when it's
and it's
and it's a
but it's
well it
because normally
it's a
two three
passes and
after those
two three
passes
he's
the
side or
it's
and never
he never
to
never
he never
he's
he's
something,
he's
like if
two
hands
they were
they're
getting
and that's
what he
did
fear.
Sophia
knows that
something
that's
something
that's
because in
an occasion
that the
he was
a year and
yore and
yore and
yore and
he said
the voice
of an
anciano
in his
ear
that he
said
he said
sofia
the
but
with a
quantity
of
a
preoccupation
that
she
she
was
she just
and a sustada, not for the voice,
but for the baby.
And Sophia
now understands what's
going to be the
but Sophia
he has learned
some things
to goyo.
No,
it's always
in occasions
like when
those
attempted to
or more
when those
assaulted.
But,
but it's
not it's
not really
it's very
rational.
So,
so it's
to ask
to ask you
to ask
the other
who I
knew
here?
And it's
is entera of a story
a strange,
but it's
that it's
that it's
a house,
he was there
a man
that he had
been very well
in the life,
that had
had been
that part of
a family,
but that
was a
never to
live in an
asylum.
The
sir,
even was a
little bit
a little
little bit of
he moved,
he had a
he said a
he did the
favor of
and he paid apart.
There's a quantity of
money,
for the while
all they were
all the world,
he was always
he was a manable,
very amable, very
and there was
something that
all of all right.
That his kids
were to bringer
to his nietons.
He had three
niet,
a nena and two
menes,
and every
that were the
whole of the
father,
because there
was he was
that Don Gaspar,
to him
to him,
he had no
he felled
to him,
She rejuvenecea for complete and
And he was uproreder the lunas
Because there's, look,
he cobraped all the factors of trancasso
And then they'd listen all the
Becinos how of a repente
Hecajave and also
And also heard of how
Respirable to make sure
To be it'ser that
They're upendent of the
Sir.
A typo, a type of
A bit of a lot of
13 years,
and had been a very good time
And after him
He'd been to rentable
the department
But of every once in
when they went when they went and they
they'd have been, and they'd
because I'd say, what you'd
in those depas, all those were
all dead-dress. The point
is that they'd be able
because they'd be it, because they'd bea
and the people said,
ah, poor Don Gaspar,
because the form in the case you
was a little bit of a tryst. In a visit of
the netspars, Don Gaspar,
he'll get a much, at a point in which
they're just being a-repancy
He gets the ambulance and he's
He goes and in the
hospital
He died of the hospital
He has been
ago ago
He was a lot of
his nieptuio
but a situation
a little
tragic.
They're they
have to be
with that
after that's
that's offia
no she
kept with the
Ganes,
he's to
ask them to
ask them to
ask you to
the family that
where they're
that's
they're in the
telephos
that I
know that
had passed
much time
and total
that he
he'll get
the telephone
of one of
the children
of the
this time is a person
that is superior
to the
50 years,
he's made
a talk about
with him,
he's
a little
a script
that's a
goy,
and he says
Goy,
I need to
you know,
you know,
he says,
but the
phantasas
no exist,
he's,
but this
is this
we're doing,
you're talking,
you're saying,
how you're going to
do the things
most important that
you need,
in the form in the way you're going to be a good
papa and he knows that
to make a good papa
have to do you.
So, he's not.
Heisted.
So, he gotro
all the way.
Goy, he's very
good memory,
and he's all right.
And a day,
he gets to the
house,
he comes in
his son,
and the
kid, he,
and the boy,
that's put him
to him,
he, he,
he has put in
front of a
shillon that
they're in the
cell and then
Goyo,
he says to
Sophia, that
is the
that's
with the
little,
that the
little
put in a
other
in a
other
time,
we're
talking about,
and he's
in the
other
and he's, and
She was a manita. No, he's
like if he was
he and he and he
he learned, and he, he looked, and he
he's the way in the way
he can be a good papa.
And Goyo, he starts to
say, I know that
every time that our
neney
you know, you know,
he says,
Sophia, yeah
me said that in an
occasion that
he had no
he had to
get to start her
and that
so, so it's
me makes
of caballieros.
So,
so much
thanks,
Don Gaspar.
But I
want to say
to say
something, Don Gaspard.
I'm entered
of your story,
yeah me
I'm sure
of what you
know that you
know that you
still don't
know if
I'm not
to talk about
to you.
The father
of family
to father
of family.
I've
with your
niece and
I have a
thing to
say to
part of
her and
when he
finally
to say
these
words,
he
the door
of the
room
of the
baby,
so can
some
in the
front of
and the
sofa
and the sofa
the
Und. Goyo,
immutable,
as if it were the
thing more
of the world,
because he
is doing a
good papa in
that moment,
and he says,
his new
Karina,
now is a
little a
little,
her,
she's a
point to
enter to
the career,
and fiches
that has
a little
a nietta
a,
but it's
tremendous.
He's
I want to
say some
I'm going to
say,
I'm going to
make a
to start a orita to present the examin
to admission because no
I knew that I knew
to study. But she's
she that not going to be there to be a perisosa
in what he gets the next exam.
So, she's that she
met her to study can't do
and guitar because
he wants a band of metal.
And says the mom
of Karina, that has
she has a little bit
because even if it has
a voice of Angel, in
occasions they're much
fear the letters and the guitar
sounds like if a lot of
cables,
they're
doing
cantos
infernals in
the house.
But,
look,
so this is the
poor
mom of Karina
that you
know the
but there
is a
carina,
that is
a day of
a new year,
and is
almost
a little
his other
two
two
not
to
end of
the
career
of
and the
other
is
doing
practice
because
is a
good
a
good,
that is
his
he's
a
person,
you
that's
doing the
practice
and
they're
doing
the
And where he says that,
listen in the soyoos of a
sir.
It's heard in the
room.
There's a little
like if
someone major
was trying.
And Goyo
is he.
Don Gaspar,
I'm going to
say all this
because you
have passed
many years.
And we
have been with
all the
much chasches
and they
they're
they're
because they
have said
with much
carino
of you
but
since
much time
they're
they're
they're
going to
be
and what we're
we're doing we're
our family,
because we're
very grateful,
is that for that
you can't be able to
get to be able to
that you're going to
that's all the other
side, but yeah
that we're going
to be offering
some misas.
So is that
if you're
we're asking
to give us to
that you know
I know that's a
house, Don Gaspar,
but now we've
here and fiches
that did a time
at the time of
the fech, the
baby,
every time
that you're
close
to him,
he's put
very alterated
and he
he's
he's not
we're just to
the little
because that's
the child.
Where he
does he
goes to goy,
not more
see the
asien to
where he
he's
and he
said
sofia
narrator
I was
there's
there's
I'm
I was
the
the
asient
as
as someone
so
he was
he said
he was
going to
gojo
and
they're
on front of
me,
They dethroned a second in my
little, and my
little was so
like with scalo-frills,
and the pacitos
followed up to the
door of the
and it was
a little bit more.
Like,
as if
had gone
to goyo,
and Goyo
and Goyo is
going to
and he says,
right,
that's a good
papa, and
then just,
I'm just
I'm a
little bit of
my chamaco
and we're
to dedicate
misas.
Never
ever happened
nothing to
happen to
I think that Don Gaspard
he
liked the
so that
so don't
Gaspar,
where you
want to
you're in
all the
family
nocturn
we say
that you
stay
and be
back to
get back
and profite
embarked
and celebrate
rigolet
publiced
savouring
and
admire
and
and profite
via
via Rai
the voice
that we
am
the
dear
family
nocturna
as
here
a mal
a custom
of
his
narrator.
After
of something
so beautiful
and so
it's
it's a
very much.
We're in
the,
we're not
exist.
And here,
the stories
of terror
abonded.
And are the
that we
do this.
For that,
I'm the
more for
the final.
You have
put to
think what
things
do you?
Really,
what are
the things
that are
really?
Obviously,
see
something that
not have
any
sense,
it can be
something
that
can
be
to be in a situation in
where you know
know what you
know what
is a
thing you
put in
a problem.
It's something
that you
can't do
because
it's a
touch your
fibres
sensible,
will talk
your
naturalness
human,
your instinct
of supervivience.
But there
there's a
lot to
the most
profound.
A fear
that is
like a
gotita
that one
that you
see it,
it's
that in
the way
it's
a good
a
that will get to your medulla.
And it's the fear
of when you're
that you're
much time
living something
but you
know it's
not you're
not really.
And now
that you
know, the
reality that
you're living
always
you put in
a danger
and it
has that
your life
of normal
yeah
no
have nothing.
That's
that's
the history
of one
of our
one of
our
that we
we're
we're
to name
Fatima.
Fatima
She said that she lived,
like sitting
a child
very valiant.
Because,
for a situation
very strange.
And is that
she was that
she was
when she was
she had two
years,
she hacked about
that she
had a
that she
had a
because she
was in the
sameissima
house
of the
Yorona.
So,
so they're
all,
amistades,
people
people
people,
she was
she was
a lot
except her
family.
His family
she culled,
no
said nothing,
and he
he said
he said
that
she was
she
was a taboo.
And she
gave her
those anecdotes
that I'm
not you
don't you
want to
tell you
but all
the problem
comes
about
exactly
a month
when
he
he said
and he
talking to
she's
she said
oh yeah
that for
more
that I'm
that's that
about
me will be
to be in the
house of the
Yorona.
And it was
and I was
a family
that if they're
going to hear
because
even they're
not going to
give them
because they
lived in the
house of
the Yorona
and there
was where
there was
a man
to say to
direct
and to
the
head
that you
don't
not a
problem
for favor
let's
to record
us
that maldito
place
and
that not
that you're
that
not we're
we're
we're
living in
a
house
endemone
and there no
there was
no one
there's
a
there's
when he
he's
he's
he's
very
scandalous
very
a
demonio
was
a
and
and just
he
all the
people
and they
desvian
the
look
in the
house
we
we've
we
was
the
lament
of the
yorona
and
there
there
there was
a
woman
that
they're
they're
that you don't
you don't you
have to be
the
things
for that?
Fatima
no
you're
you're
not
you're
and she
and she
is trying
to record
and she
know
that's
that's
that's
when
when it's
recopil
because
it's the
only
that
the
only
that's
because
you're
not
there
didn't
because you
didn't
that they're
not
this time
they're
they're
they're
they're
they
all
here you go to the
history.
Resulta
that in
some moment
of the
infancy
of Fatima
they were
to live
that house
that
that was
not had
any
stories
that they were
people
were a
house
of two
pieces
a
a
houseon
because
had
a
lot
a
big
a patio
a
large
a
partio
in
the
there
there
six
arboles
median
there
a
one
a
area
and
also had a front, a garden,
where, if it were so
an ample,
cabian
after 11 cars
one at
the other.
Imagineate the
place.
But also,
if we were
a carro,
detrace of
other,
cabian,
and patio,
date the idea,
and the
house was a
casona.
No,
you do you
make an idea
false.
No,
it was a
house of
lusus.
It was
more
In some way,
it's
a
family.
No,
she said to
her family
were to
money,
nor that she
would be in
lucas.
Inclusive
the house
not in the
bestam in the
state,
but a
house
great.
A house in
that she
was a
because
he'd
all the
and was
she
was going to
she
was going to
they
were
they're
and they
can't
get
before she
could
make sure.
And one
day he took
to hear
in the
patio
to be
a woman of
a cabo
black
that was
that was made
that's
a little
and she
was a
little bit of
a tithe
in the
other than
she was
she was
she said
emotional and
he went to
his
brothers
and his
brothers
were
they're
a
because at
this
moment
all the
things
that I
want to
are
the
things
that
that
I'm
not
that
I'm
that
I'm
Resulta that in that house
they gave a very
very pesed to his
brothers.
One day that
they were all
together.
They were the
doors of one of
the closets
to one of the
seven
abetations,
but there
were all
they were
all the
sunnors of
a woman
that at the
moment of
the closet
he was
to make
the colors
of a
a pill
very palid
and cabo
Necro, no
they were
to see them,
it was a
that all over
that's prunnered
that
all over the
that was the
very much
to say that
that house
not the
house.
In the
passillo
for the
nights,
if you
were to
keep
long you
start,
as I'm
something that
was a
little bit of
the
direction of the
arraeus
went to
where you
were, no
central and conform
if it
was
and the
velocity
is accelerating.
The
worst was
you get to
you're quite
you're quite
you're very
too.
Conforma this
thing more
he's
more you
more sent you
there was
there was
an instinct
that
he'd
he'd
not.
No,
you need
nothing,
no
you need
to see
nothing.
Dentro
of you
it and
there was
a
man who
said that
all
they were
a ball
of
co-bardees, because there no
there was nothing, that
all of something that
even used to,
he was made in the
passio, and all
saw how, of
a repent, he
went, and in
the chachetes in the
car, had a-nazos
in both, and
they were
sandraining the
mehillas.
There,
nobody saw what
was what he was
the arra-n-o,
but both
mehillas
were done-
his mom-
and his papa
the next
she gave a
great-a-
for going
to be
so violent,
and poor
brothers of
this type,
they've got the castigua but
look, all of all, because that
just was the beginning of all.
When they were to dream,
soniabed with a woman,
a woman that was there in the
house and that every
that was acercable, with his
in their unias,
they'd doignable.
They'd have been in different
habitations,
sentados,
accosted, dormidos,
but one of this woman
entered in the room,
the room in the
that was,
they'd get over,
and with his
her hair, because they had
some of the
long,
large, large,
and negras,
many ponteagudas,
he'd start
to do you,
a little
a little bit,
a little
a little
but they'd
know that
she'd be
a little bit
a surprise, a
smile, a
smile that
was to make sure
that the
more sufferer
they'd
and she
more they'd
like,
because they
could not
they'd
move to,
but in
those
eyes
they were
they were
and she
she
was,
the problem
is that
every
that this
it was in zones that not
were evidented
like the
arms,
the piernas,
the marks
if they were
only when
they were in
front of a
spego.
In more
a occasion,
the other
went to the
back to bea
not saying
nothing,
and at the
day
the next
always the
people
were
in the
church
to raise
rosarios
not the
family.
In that
house
they were
to have a
a
a sassardote. A
certain person who never
went to get a
manned to make a
water bendit. Something
he was made to make sure
and he went to
outside of the house
and he was
disparated to
out of the porch
and they said,
I don't know
I can't be here
and it was
it was the first
that the
first time that the
really
was topable
with a demonio.
The house, in occasions,
without that they knew
that he was detonable,
he started to
dispelied some
ol'lores putrefactos.
The problem,
what they had
a fear of all those
brothers,
is that theolores
not be concentrated
in a place,
but when
that was going to
that was,
it meant that
that night
nobody would
be to be able to
do that.
In the
abitations
were to
move their
camera.
There were
sombras
that were
Entraband in the quarters and one
that they were going to be
great, grand, grand, grand,
grand, grand, grand, grand,
the worst.
is that in occasions
were like if
were in the silhouettes
of some
another, of
some familiar, and
they were
in the moment
in the
when they said
their name,
there was
where it was
where they were
and they were
to formable and
those things or
those serest that
were not put into
devorarlars.
In that
house,
nobody could
do you're
be the other
any
that isier
a oration
instantaneously
they'd mark
on marks
of the
in the
mukees in the
question
and that
night was
to have
pesidias
espelunants
places
in those
they were
in those
people tortured
people
assassinated
etc
they've
started
they never
detectar
nothing
until
that one
day
the mom
that had
seen that
all of
those kids of
people
with
much
light, much energy.
Now,
they're people
that all the
time were all the
time, they're
like they're
very bad,
he said,
he said,
it's that
something,
and they're
to tell you,
they're going to
get to remodelar
the house,
that could
have something
in his
muros or in
the
house of
the
idea of the
time,
a good amount,
good,
the sufficient,
to be able
to be able to
make,
to make
remodations
in the patio,
and in the
moment in
the moment in
the
moment in the
remove an
arbor,
above
they're
an
bunch of
work of
and there's
where the
family
is a
little
that in that
house
they're
not a
demonio
but
many things
because in
the patio
are
interred
pactos
and
things
that have
other
people
in an
time
to
do
to
they're
in a
medium
and the
medium
is the
this
there
And he practiced brookery and he's
practiced santaia and there are
alliances with entities oscuras.
In the house, there are three.
The woman,
that is the major of the demonios,
and two shirrissed of her,
two subordinates
that are all the
almas of who
this house and die
here and of all the
people who are
in the patio.
My recommendation,
because I don't
to do not to do
this is,
and say,
and pittance to
give in one
that they don't
them do you see
because
it's
that they
like it.
A
part of the
medium and
say these
things in
this thing
about,
our
our dear
Fatima
is the
that's
that
has to
have
a
sometimes
in the
abatations
and
I was
to say
to all
them
and he
said
to say
little
secrets
things
that
to all
those
was
to
all
they
was
that
was that
was that
was
that
one
of
every
in the intimacy. The poor
Fatima, in occasions, was very rarer
because he'd goreed for all the
passillo, and when they were
rescuing and they'd, they'd have been
there getting there to the other extreme.
For the construction of the
house, that was impossible.
What they were persecuting with the form
in Fatima, it was
that it was, or maybe Fatima
was having some type of
evilocation, but no
of a form santa, but more
well,
been to
a
manor
a demoniac.
A
more of
a
man who
was to
do you know
to do
and you
remember that
that I
did you
to make you
and the
problem
was that
when they
were
under the
bed
and I
was
there
was
she
was
a
little
she
was a
way
that
she
there
one of
that
she
without
without
a
person
around
fatim
was
fat
she
was
that
camas andigua that
pesed about
Fatima
her
and they
put him
for they
they were
they're not
they're
they're not
the problem
in the
it's a
way that's
the mind
of Fatima
he block
to do
this
and what
she has
she's
that she
says
well
me get
a exorcism
to something
no
we've
we've
we're
we're
we're
that you
always you're
you're
you're
And Fatima, the day of today
I think that
maybe,
without
is a posseid.
And with this
story,
dear family
nocturna,
we've
yet to get to
final
of the episode
299,
so is that
Family Nocturna,
all those
those who are
new,
if you get us
here,
subscribe and
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the video
300,
the episode 300
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aterrador
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Music,
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remember.
We're
we
2026. One
once
said this,
we'll
see the next
next
for the
episode
300,
but before,
in the
Sabbath
of SOMras,
prepareate.
For the
other relato
most
those in
live,
you and I
will
we'll
and you
will be
the stories
more
scalofe
that me
have made
to get
to get
to the
Wats of the
pass
and the
episode
300
you
I'm
you
want
you
have
you
have
you
don't
Thank you.
