HABLEMOS DE LO QUE NO EXISTE - Muchos murieron en esa casa | @nomiresporlaventana | Ep 104
Episode Date: July 14, 2023Historias reales que creías que eran leyendas. En el episodio de hoy te compartiremos las nuevas leyendas de México y también algunas de las leyendas históricas pero con actualizaciones. Con la co...mpañía del buen Quique Huerta, prepárate para este recorrido por lugares insólitos, mágicos y aterradores. Te recuerdo que hoy es Jueves de 2 x 1 Estreno de Ep: 104 de @HABLEMOSDELOQUENOEXISTE Estreno Ep: 005 Se llevó a mi hijo Disfruta los episodios y comenta, si quieres el episodio especial de Pachita con el buen Quique Huerta. Recuerda la meta para el episodio son 3k likes en este video. Así que si llegaste hasta aquí, comenta, 3mil likes para el episodio especial de Pachita. Y te responderé: Gracias por ser parte de la FAMILIA NOCTURNA.
Transcript
Discussion (0)
Welcome to Family Nocturna to this new episode of
Let Me Let Me What Noxist.
The day of today, we have a super-invited,
very dearly for the family nocturna,
the good Kike Wirta.
Kike, how is you,
I'm going to have you here to govety?
My dearer,
well, the good friend,
so the gist's me.
I'm always content to
come to visit to this other
house where always
me open the doors.
Yeah,
I'm a real thing for
the family nocturna.
How has been?
Very good.
Oh, yeah.
The last time is that
we just we chamos a
talk about in your
channel,
it was a
very souros
very amen,
and from
I'm going to
that we're going to
this thematic
that for the
people who don't
have seen the
title,
we're going to
talk about
about the
legends of
Mexico,
both of the
Mexico Antiv
and the
Mexico modern.
If is that
I think
that's
that's a
good,
heke.
It's
going to
get a
very good,
the
and the
very,
yeah,
the
I said,
I'm just,
the episode
of the
whole the
family,
and not you know,
you know,
and this is
the exception
since that
you know,
the invitation
that I'm a
question that
and the
suggestion of the
theme,
I put to endagard
various stories
that's quite
good,
that I'm sure
that they
are going to
get to
get it.
Excellent.
Before the
the people
that we're
talking,
remember,
in the
platform
of YouTube,
we're
to have
some
about to
get
aderasing
a
little
the
question,
and if
you
you're
and califical us
right.
After that
you're
the first
if you
like to go
going to get
every way
so we're going
to get back
with this
episode.
Quike,
what you
do you
do with
this
interchambo
to talk
one?
Adelante.
Look,
me put
to look
to look
legends
of Mexico
and
of a
repent
and I
think I
in
in
mind
there
there
there
have
that
that
have
that's
that
so
that in
a
moment
more
are transformed really in
legends of our
city is something
like a little
relatively recent
but
there are places
that have more
than 100 years
that have been
years that are
that date
of the
and one of
these
cars that I
impacted because
there was a
fact that
was a
case of
the house of
the bruchas
in Mexico
the
house of
the
house of
the
is a
place
that
not
is not exactly
of where
he's
the name.
There are
some people
that are
the name
because in one of the
towers or the
tower
principal,
there is a
part superior
that has the
form of a
form of a
brahers.
These sombreros
puntyagued
if they're
here at
YouTube,
they're to
be the
image of
this
house,
and they're
saying that
they're
reference
like the
house of
the
house of
that way,
but also
there's
there a
data
historical of
the
place.
And is
that
that was the
place was the modelled of Pachita, the
Bruja Curandera of Mexico.
So,
no know if it has to
be with the sombrero or with Pachita.
At the day of today,
it's so much time that no
exist in those first moderators.
Yeah, pass a better life.
So, no-se-science-certainer-
for where came the name.
The situation is this.
They're that
there, there,
there are some
people that no-me-constance,
not I can't, not-de-
say that's-verd, but
they're saying that
are
many
rituals.
Not just the
question of
questions of
curas
that all day
of today
they're
this theme
about this
themeatic of
Dr.
Grimberg.
They're
there
were rituals.
And there
some
people that
say they
were in
the magic
oscura.
The
situation is
that this
house
takes a
level of
relevance
has a
lot of
much
in some moment and if you know,
I recommend that you look
in YouTube,
the man
peluda,
received a
call of a person
that said
having lived in
that house of
the bruchas
and that
not supported
to be there
more than
10 days.
This person
I think,
I'm
maybe I'm
think that the
name was
Claudia and
I think
that I'm
probably
I'm sorry
if it's other
name,
for a
question
but
this story
of this
chick
says that
she
he gets this
place
is a
place is
a
common
there's
but
then they're
to happen
to happen
a new
an ambient
a vire rara,
an ambient
and a
day she
to get to
do with
her a
friend
this
this
she's
in the
morning
in the
morning
she's
she's
she goes
she goes
she
the car
has
has marked
the ojera
she not
where not
he's
not done
and he says,
you have to
go to here
the time
you know
I'm going,
I'm going,
I'm going to
be here.
When she
he said,
he said,
he said,
but that's
going to
he said,
he said,
the chica
that was
rentable,
he impacted,
her her
her friend
that's
she was
she had
much,
these
creents
like of
the style
oriental,
of feng chui,
and that
type of
things,
then he
called to
a person
that was
that was
that was
go the department,
he's a
instrument of
radiastecetia
like a pendul
and other
things to
revisit from
their
and the
energies
that were in
this place.
Resulta
that at
moment of
doing the
revisions
the
she said
the
renterer
or more
than the
that's
rented
he says
there's
there's
there's
there
there's
there
I've got
with them
and
they're
they're
So,
not you
convoyen to
get to
here.
The
place is
very
contaminated.
This
chick
comes to
take
some day
on the
people who
don't
go to
get to
get to
get to
that
there's
a
and if
it's
not a
emergency
and
there
is
so
that's
that
she
still
there
and
she
and
in a
family
and
the
she
says
that
and they're
to appear
forms.
One of the
forms that
is a
man with
a man with
a sombrero
that
all you know
that if
the man
of the
sombrero is
a very
bad sign
of the
place.
Apart
of that
they're
to appear
to look
to be
those
and the
people
she
she's
she's
to do
this
situation
so
so it
and he
manda
to
bring
a
sacerdote
and
the
family
are
to
make
benditions there.
At
her
benditions,
she
comment that in
some moment
when they were
arrohaling
a water
in the
hand to get the
water
as if it
had to be
getting to
get to
her to
get her
to
then she
he made
so
but at
the day
next
he took
photographs
and you
there no
in the
places
there's
these
benditions
and this
intent
of change
of energy
and
this
intent
of
limpeas.
In
however,
he
accorded
that in the
room
not she
had made
done
any type
of rite.
No,
he had
done
any
different
different
of the
cell.
The
other
they've
done
on the
program.
And now
reveal
the
program
that
all
the
place
that's
full
of
people
that
they're
looking
with
much
she
she
she
that
he's
there
because
they're
to
things
very
things
the day in the day in the
day in the decision to
go. The temperature of the
place had to vary
drastically.
Of a sudden
it's a much
cold and of
a very much
frio and no
there was nothing that
was doing
changes of
climate.
Of course,
there were
changes of
the climate.
Only were
in their
department.
Apart, the
sensation of
being observed
to be able to
be a bit
to be able to
feel like
so abrumated
that is
when it's
when it's
after
After that, the
place,
Toma monoturide
and have
people who
have tried to
go to
visit them.
As a
place,
many have been
put into
but there
some few,
that are
some videos
there in
internet that
they're
that they
have got
met us.
And have
been in
people who
have been
there.
And various
persons,
various
persons,
many,
that in the
part
superior,
just where
is that
the piece,
that's the
techo in
form of
a sombrero
piccudo,
that was
where
where I'm
there's
where I'm
there's
where they're
the things
and that
the day of
the day of
the
nights,
they're
to hear
as they're
doing
like if someone
that's doing
that's
that's
not the time
so years.
Now,
so I'm going to
say that's
this,
I'm going to
tell me your
story.
Oh,
I just
just,
no,
not not
no,
no,
no,
not you
don't
because I'm
so,
man.
Ha,
ha,
ha,
ha.
Because
they're
a
little
little
my
little bit
and
enjoy
in this
episode
with
Daph
and
caballel
for
to go
the
voice of
my
name
the
narrator.
Oh,
my
my
este
my
este
this,
this
this
this
story
is
scalof
and
I
me
you know
the
thing
that
you're
a
time you
know,
now I'm
getting
a little
more
in all this
role
I've
heard
about
about
because
this
this woman
was a
woman
that had
some
power
and
that
in some
that
all the
things
that I
did
I'm
sure
that I
was
going
a
stela
of
energies
of
different
types
to
this
place
had
had
been
been
of all these situations,
no?
And,
and certainly,
well,
in the
theme contemporary
is,
it's,
it's,
the time of
the brujeria,
the chamaneria,
the chisceria,
and the
abilities,
like the herbolaria,
and to be
a lot of
not have much
to be,
and it's
a other
other side,
but me
remember much
also,
for example,
Pachita,
a,
a Maria
Sabina,
the sacerdotisa
of the
hongos and
many
other
other
me desvue a little, but oh,
yeah, that's where
are the rostas in the
piece. Figgate, that casuallyly, I just
I've been my mudance, we're talking
of that, and always
he gets one to the house new
with that, so, to be, I'm
that I'm going to move
the things. A lot of, a friend
even has to be talked to
here in the place where we've
that you're a milder of all of you.
This, a theme
of Poultergeist,
here in the Loma
Bonita, Cough.
is something
I'm going to
I'm going to
talk about
because no
me the
do you know
I'm in the
move and just
they're saying
because
it's just a
time to pass
this to a
a couple of
a couple of
the house where
we've been
where you know
I don't know
no no
I don't
I'm not
I'm not
the same
I'm a
man I'm
a friend
a friend
of the
officeina
because I
said that
is a
pretty
that is a
is a tia
so I'm
so I'm
I'm a
so I'm
so I'm
the
house of a
tia
here in the
mom
a manita
a
one of this
friend of
a man who
he's a
little bit of
the office where
first he came
you know
from the barra
of the
cocina
of the
the bureau
of the
messes
and they're
things like
very simple
it's
it's
to
that he
got to
there was
there
there
with the
people
the
house
in puchons
of
cabo
no no no
look
me
I'm
pretty
but
are things
real
are
some
are
things
And, and over
that's all,
that's all right,
these stories are
of the abuelitos,
things that
they're in,
but not.
Really,
in the
theme contemporary,
well,
also,
there's,
you know,
and in contrasts
of the
history that
you've got
to be
and not
per die of
this,
this time,
that's very
interesting.
I,
in some
I've
talked about,
because the
mestisage
and it
was to
the time,
no,
this,
was to
all the
things,
of the Brugheria. And fichita
there's a
in Veracruz,
maybe a much
to sound the
city of Cordova,
that not always
was a city,
in some
the villa of
the Borgora
of the
Cavalierors.
No?
And I'm
about the
year 1618,
where as you
did you
did you,
it's a
story and
nace the
legend.
There was
a muchach
mestisa in
this villa
of Cordeva
of
a number
Soledat.
Soled
a young
between the
18 and the
18 and the
18 and the
18 and
he was
a good
ability of the
ability for the
herbularia
and for
the
he,
he,
he,
he,
he,
it's called,
the
was the
car,
the meteorologist
of this
time.
Ah, in
serious?
Yeah,
yeah,
she,
yeah,
she,
she,
yeah,
she could be
much,
soul,
he was,
he was
ability,
also,
I'm,
astrologic,
grand,
great,
abilities.
And,
and also
posse d'
posse d'
posth
and she
was a
posthor of
a good,
she was
a little
where it
was a
woman
mestisa and
also,
it was a
bit hermetic
for her
personal,
private,
well,
not she
was the
parents in
that moment.
That's
what you
know,
and well,
this
this chick
she was
to do
the
being in
this villa
of Cordova
in
those years
1618.
but,
however,
as we
know,
it was
genera
a little
the envidia
of some
women,
as being
assediated
by the
people of
the
time.
And,
and also,
well,
they started
to
start
to
a soledat.
Because
there were
women
that in
this
affan
celos
the
they
had
he had
encounters
in
those
with
many
women
during
the
a week,
the
course,
the
course,
the
time,
and the
,
the
things
and situations
strange,
a
sometimes
a
music
tenebrose,
to
start inexplicably
to the
house
of
alled.
All
this,
at
final,
it's
the
attention,
of this
apparatus
religious,
the
inquisition
of the
new
Spain in
their
moment.
But,
never
they've
never
found
a
situation
for the
what mandar
to
call it.
It's more
if
he's
presented
the authority
inquisitoria
in the
domicilio
of soledad
and not
having been
found
nothing,
because all
was all
was a
little
chismes
in
this moment.
And here
is where
a
person who
a person
that
was a
person who
was a
president of
the
villa
that was
a
Martin
of
in those
years
a
man
a
person
he
he
started
to
a
Soledad.
He made
to get to
say to
the people who
tell this
story,
regalos
and he
did visit
repentinous
and repeated.
To what
Soledat
amably
always
he said
that no,
that not
could receive
these
and that
try to
to go to
less with
his visits
because she
not was
interested
in the
alcalde
of Ocaja.
These
negative
of your part
led to the
alcalde
to the molestia
as a
woman of
the time
sure a machista
not resisted
the recastos
of soledad
this
this is to
a de Ocaja
to denunceal
the new
count to
the new
count to
the
second
the same
who in
this occasion
acted
in a
different
and
obviously
moved
by the
power
of a
man
like this
and
they
accuser my
esteemate
narrator
of
brugheria.
For then
decide
to get a
soledat
and here
is where
the
legend
to make
a little
more
more to
make sure
for
our
people
and they
they're
to
do
the
fort
of San
Juan
de Hulua
in
the
Porto
of
who
don't
know
don't
ask
the
opportunity
to
is
an
important
is a
another
is
a
a place
summement
historical.
One of
the four
declarations
of the
heroical of the
port of
the Puerto
of San Juan
Deulua,
one of the
four
defenses of the
nation.
I'm
going to get in
the history.
I'm going to
do that
I'm going to
do that.
I'm not
your,
your love for
the history.
So is
that I
do you
do you know
to do something
to do
here,
that I
continue to
continue to
think
that I
think it
to be
to
I'm going to
to
be to
be a
little bit
how it's
it's a
lot of the
little
and me say
you're not
you're going
about you
know,
so I'm
like to do
give a santo
and see.
Well,
I'm
so you
went to
San Juan
Elua
is too
to be
near the
place
where I'm
the port
of Veracru
of the
north of
Wauhaka
are
approximately
two hours
and a
two hours
20
minutes in
vehicle
particular
and there
just in the
port of
Veracru
there
there
is the
Fert
San Juan
de Ulu
to the valor of Santiago.
Lugares historic
that also
represent them
orgoye
like I'm
for you're in
because I'm
going to go to
continue to continue
because I'm
disbio of the
story of Soledad
and the
alcalde
of Ocaña
of Villa of
Kordoba
is translated
to RIS
to the other day
me said
because he says
Ais
well so
so he says
there's
so you're
so you're
so far
so it's
translated
soledadadad
to
the fort
San Juan
de Ulua
in the
Port of Veracruz
presa,
where
receive,
from the
sentence,
and his
sentence is
that will
be being
in the
hogger,
to the
old
usansa
of the
Inquisition
European,
and
and
this
dark
destiny,
Soled
and he
starts
his
days
resguarded
in a
prison,
in a
prison
of the
Furt
of San
Juan
of Lua.
Are
places
really
really
are
some
celdas,
some of
two meters
for two
meters.
There's
a cell
quite
cruel in the
fort
of San Juan
de Huluah
where
there's
only a
person
of my
esteem
my esteem
narrator.
No
you have
the
possibility
to
sit and
they
were
put
on grillet
in the
coel
where
then you
can't
move
and grillettes
no
creas
that with
various
slavones
the
catena
not
practically
to
the
practically
under
cruel
that
they're
they're
impensable.
But the
history
us revela
that are
situations
real.
But that
Soledade
in this
carcel
was at
attended by
one of
the carceleros,
not,
one of
the person
that custodial
this
prison
of the
Firt
of San
Juan
of Hulua
and
he
and
that's
that's
that's
that
was a
question
a
very
very
for her
and
she
has
she
has
one
ultimate petition
she
she solicita
a person
that was
custodiann
a little
a cross of
carbone
and in one
of the
padredes
of her
cellda
she
she
she
a
a
a
a
barco
a
style
of the
barco
of those
those
those
many
navios
with
belas
and
conform
they
in the
only
contact
with
the
person
that
she
was
a
person
that
who every
that he
he'd
he'd
ask about
what he
he'd
he'd
and he
he was
saying,
then he
he felt
this,
that he
he's
a bell,
tales
mastiles
until
that one
day
before
to complete
the
sentence
of
this
mestisa
to
that
they
know
that
who
was
accused
by
the
alcal
the
city
of
Cora
and
was
present
in
San Juan
ululua
in
this
ultimate
moment
the
a lot of Cordova
he says to
his carceler
what he
he's
he says
he's
he says
he says
he'll
he'll
he'll be
he
he's
what he
mark the
legend
that he
was a
barco that
the carcels
of the
fort of San
Juan
of Hulua
commenced
to move
to
dispegand
to the
pereg
as if
it's
to try
of a
barco
of the
very
navigating
over the
on the
moment
only
the
carcelero was
a testigo
of how the
mulata
of Cordova
of a
little,
and it
gets a
barquite
and it
and it's
a mirabye
atonita
of this
carceler in
the fort
of San Juan
and the
Porte
in the
great
this is the
story
of the
mulata
of Cordova
impressive
I
I've
the opportunity
to be
the
cell of
the
mulata and
is
creem
a
place
that
you
he has the
skin
chinita.
Look,
right
I'm
I'm
still
and it's
incredible.
It's incredible
to be
what is
what you
do you
get the
little to
be the
little
the
way is
how it
is?
You know?
The
prison
are the
is some
of the
grosso
maybe
two
two
pulgats
corroroid
yeah
for the
salitre
we
remember
that
as
the
effect
of
the
water
salada
tiend
to oxidar
to
the manner
very
rapid
the
the yearro
so
so
you are
putting
even
because it's
pure
rock
no
the
what
they
did
these
constructions
are
very
those
are
the
impression
of
the
the
sound
the
they
they
are
metient
in
this
context
the
prison
in
these
ced
about
I
let
I
I
can
to see how the
same water
with salt
is forming
these,
these,
these,
this,
these,
these,
these,
the places
of the
places,
even that
have much
humided,
the,
the,
those,
the,
the,
the,
is the
same
water with
sal,
that's
going to
that's
going to,
it's a
thing,
it's a
little,
a good,
a good,
a lot,
a lot of
a lot of
these prisions,
there,
there,
where,
like,
you
count them
they were,
I'm
in an
area
common in
a
same
prison
to the
people
and the
people
and they
get them
and
they're
on the
back
to the
and
there
there
there
in special
in
that
there
various
like
picos
that
were
designed
for that
that
umed
that
that
was
got
got
that
was
that
was
that
they
were
over the
head
of the
prisoner
to
to get those
locus
of this
castigoo.
Gote about,
gotia,
let's
the gotta
constantly in
the head
not.
Recordem
that,
let me
the got
erosiona.
So,
so it
was to
generate
heriders.
Also,
the
umed
the
moreian
in conditions
in conditions
inhumanas.
Incluso
there
are,
I'm,
I'm,
I'm
honest,
I'm going to
talk to
and not
to have
not to have
the name
the name
but there
a person
historical that
was a
prison.
You know,
you're
the only
that was the
right to
have a
time,
it was a
camera,
it was a
place of
a small
a small
a small
a small
on the
planch
of a
disnive
to pose
the
the
case.
And you
tell the
story of
how it
he's
escaped
of the
cellda.
He,
he,
he,
he,
of
a
idea
they'd
they've
used
them
they're
some
these
so I'm
so
this person
historical
I'm
remember
who
he's
he
go to
be in
the
comments
there
I'm
going to
put in
when you
but
you know
the
idea
to
to
get
to
get to
the
bar
that
they
get
to
they
they
they
they
they
they
they
they
were
they
they
were
they
they
he's
he's
he's
he's
a little
he's a
it's a
place
another
you know,
it's a
that's a
classic
that's a
place in the
entire
that's
all the
front of
the forte
and you
have to
you're
to use
this
not believe
that you
you're
that you
get me
that you're
that you
all the
prison of the
thing
doesn't
and
even
even
even
even even
even
even even
even
even
even
even a
sensation
of
be a story,
not be a myth,
or legend.
Wow.
Wow.
The, if
you think
totally,
because just
a few
years,
Kike,
he came
here,
Andy Tabata,
that I
send him
a brother
to, and
he was
telling various
stories,
and she
me said,
in a
detras
of cameras,
that she
she,
he,
they're
invite,
to be,
let me
mark
well,
let me,
mark,
I don't remember if it was
2014, 2015,
more or less or
for those years.
There was a prison
here in New York
that they're
that they're
a day for another
the government
decided that
he was to
go to the
night where they were
a lotos
was a little
it was a
terrible because
the prisoners
were made
an motin
and then
it was a
great thing
many many
backas
a situation
is a very
violent
and she
they invite
some
a month
after
to do this
place to
that he
knew this prison.
And she
mentioned to
that as
that at
being,
these
places in
those who
were in
these
type of
things,
you can
the energy
the
environment
you are
to get
to understand
that was
a
place
that was
a certain
he was
he said,
and I
mentioned about
that,
it's
is something
that's
something that
more with
words,
it's
not more
what you
is,
you know,
there are the
the echoes
of the people
that were
the people
that are
the people who
did you,
the people
that they
lost,
and it's
a experience
enricheser
in the
sense
historical,
but aterrador
in the
sense
viviencial.
Yes,
in that
moment,
when you
are you
are at
these vestiges
of the
history,
all, as I
like you
all the
legends
start
to cover
sense
and another
of the
things
that one of
the things
is that
the places
are all
those
energies
as the
those
times
those
moments of
desperation,
of desensual,
that's
you put in
that's the
place and
you're
in the
time the
trueof,
of the
of the
longar
escape
of
all these
things
you
trance
transport a,
no,
the
the fact of
something
in that
it's a
thing that's
a legend
it's
incredible
these,
these situations.
And however,
well,
the great
contrasts
between
the
the bruchas
contemporaneous
and the
antivas
and we're
talking about
a rato
of Pachita
and now
we're
about the
mulata of
Cordova
this woman
Soledat
and
other tantas
histories and
that
enriquels
in the
culture
of our
country
of a
way
impression
and
the
actually
I'm going to
you know
to get to
you to
have been in
some place
that you
have done
some kind of
of the
kind of
like the
place?
Recently
recently
me
I've
the opportunity
to know
the
area of
the zone
archeolical
and I
know
in Merida
I'm
in Merida
in
my
esteemate
my
you've been in a zone
archaeologicalical
of the
way we're
we're taking
the name
and that's
okay and that
see what
look
look
look like
these
these
recorried
and you
are related
all the
things that
were going
passing
you're
going to
go to
the
places
where it's
permitted
because
no
in all
you
you
can't
you
can't
start
you
you're
to
Just when we
when we're
on those
areas,
you see the
places where
they were the
sacrifices,
the symbols,
how you're
going to
the why
of the
architecture and you
go and you
understand
a little
more the
things.
But when
you,
you're
there's
there's
there,
there's
where I
know,
I don't
I'm
not I'm
remember
of this
name of
this
but I
remember
of this.
In
Sempual
Veracruus
there
there
there's
there
a
local
can't
in Pau
is
in Puele
Cardell,
to Halapa,
Veracruz,
also a,
what,
that's about
45 minutes
of the
port, but
there are
an archaeological,
there are
pyramids,
and there
a circle
like a,
like,
has a
little,
a better
at the
height of
the
right,
the
one of the
feet of
40
centimeters,
that is
the circle
of the
gladiators.
The
guide
the
point in
the
center of
the
circle
and
has
an
acoustic
incredible
because
you're
you
your voice
you're
you're
you're
you're
like in
an ambient
stereophonic
it's something
else here
now
something new
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It's impressive. And,
and, also,
uh,
you know,
he's going to do you go to do this circle that's a diameter of one,
three meters,
no more.
You let's ask permission to the guerrero's
that per die of that circle.
Wow.
So,
so it's like,
like,
like,
the impression of,
this,
this is real, no?
This, this, this,
so,
this is all
those two
places.
Fidate
how the
places marked
for the tragedy
and the
people who have
been made
made as far as
the tragedy
eventually,
they're in this,
like this
energy that
it's not
necessarily
and this
also can
also come
to be
a level of
emotions,
not because
you're
not because it
is good,
the fact
the fact that
you talk
to be,
the fact,
you can
be in
a place
or
circumstance
that,
You need to
make a
work to
make a
there's a
place in
Guantuanahua
that's
the house
of the
laments.
This
house
day of
today,
the people
comment
that is one
of the
other of
the
people
and because
it has
a
story
that
very
that
that
that
has
that
does it
that
that
that
still
that
that
what
what
the
day
of
this
case
are
there
are
many
many
psychphonies
there
there
a
house like
if
had a
life
and I
would be a
a little bit
to get a
entire,
and not to
get to get
them to
make them
that they're
that's
that's
that you
put out of
the house,
you're
going to be
a
movement and the
house
because are
like the
people of the
people
that's
there's
and it's
because the
story is
tremendous.
They're
they're
they're
not I
don't
exactly
the
years
but
we're
we're
about it,
I think it's
more
more of
10
years, there the
duenio original of that
house,
he was very
enamored of his
and of a
way,
how it is the
good life,
the form inesperated,
the novi
enter in a
type of problem,
I think is a
problem of
health, and
then this
wife, the
wife at
the moment
of the
time,
destroza the
person of
the owner of
this
house,
and he
he looks for
all the
means and
doing
use of
his
fortune and
was a
person
very
for all the forms
that were possible
to think
he's trying to
try to
and to have
contact with her
and to
get to
this plan.
The situation
says,
or the
legend,
says,
that is
historical,
he said
he,
he's,
he's
to contact
persons,
say,
every
reputation
more
questionable,
of creencies
more
oscures,
of rites
more
tenebros,
and
those
He was
the
house and
he
commensable
to
get
a
different
books
books
that
many
know
those
know
for the
many
for
those
and
I'm
to
get to
give
a
know
a
that is
prohibited
in the
in the
what
he
eventually
to
sacrifice
sacrifices
of
women
of
of
men
of
the
people
they
said
that
the
moment
in
the
that he was
that this
man was
doing
tantas
things,
let me
not,
not,
not even
questionable
obviously
criminals,
that
they were
to the
policeia
and at
the moment
in the
they're
in the
time,
they're
many
things.
The
first,
decen
of
the corpses,
I'm
going to
do data
but
you're
they're
not
a
same
body
in
different
parts
of the
case,
which
corpses
used
in rituals in
the
different
quarters,
the
altars
with the
rest of
people
and in one
of the
quarters
they
find
to him
and
they've
had
understood
the
message
that
he
a
that
he
did
do
do
he
decided
he
he
as
his
only
his
other
find
to
his
person
to
get
the
life
to
the
other
the
other
that from that day
until the day
to the day
to be
this house is
enbruated
for all these
things that
there are
and that there
and that's
a person that
a time
to be a
because the
mal energy
and the
entities that
they're
eventually
or you
are to
you're going to
make a
part of the
house
or they're
to get
to get
these
these
stories
I think
that they
are
in many
places
car
no
I
I mean
I
not I
not I
not I
mean
I
not
that are situations,
as you say,
you know,
in the
criminal,
in the desperation
of one person,
the,
the locuses
that a
sometimes justificamos
as a more,
no?
This,
in,
you're going,
as a bit,
as you,
as you know,
did it,
for the
good and
now go to
the mal
and they're
doing an
water of
tolach,
no?
Adel,
as well,
many of
the amars
and the
things for
those
that are
those who
are
,
uh,
bruchos
oscouros,
justly it's for the
Amor,
between
commas
of people
people who
very toxic
that may
interpretan
that line
of filiation
that they're
with other
person.
Yes,
no,
and now,
this,
this what is
Guantuato,
no?
It's in
Guanyuato.
Also,
known for
other
many people,
but,
gole,
the,
the,
the,
the,
to have a
for the
the,
of the
fear,
the terror,
and the
mystery,
no me
I imagine
that
the
people entering
to the
house and
all this
I'm going to
no,
no,
I know,
I don't know.
Rests of
crimes.
Right.
Because one
know,
at the
quarter of this
that I'm
in the car
new,
here,
there's a
little,
because I'm
going to
not going to
get to
get to be
a rata.
Fidate,
Fikate,
that's
I'm seeing
a
a pesadisk.
A
me,
a me
has passed
too when
I've
done this
mudances
and I
have changed
of
domicilio in
repeated
those occasions
to the
long of my
life,
it was a
moment in
that I'm
a question about
this,
I mean,
what
history
had this
house,
what
things
occurred
here,
no?
And
there was
a
in the
I'm in
that I
really had
a vibrator
very
negative.
And with
the time
we got to
we're a
area
in a
area
there's
there's
many
tragedies
in
different
departments.
And
in a
occasion
us
It was
heard
grits
in the
departments in
those we
know the
we're in the
people,
and even
we're all
we're not
from any of
our departments
or the
other of our
departments,
so it were
situations
very rare
as we're
adjudicamos
to the
day to the
bad
vibras,
this
passed over
but
so I
get clear
that there's
that have
in their
history and
that
could be
there
could be
there
some
the
cities
are
growing
at a
a
a
velocity
disproportioned
and we're
occupying
terrenos
to do
those urbanos
and unities
habitationales
colonies,
colonies,
fracionements
new where
we know,
this is
something very
common now in
all the
city,
the city
small,
the size
a big,
the size
and a
minddes,
now,
especially in
the
places,
not tan
in the
center
of the
Republic
and not
these
great metropolis,
like the
we know them
as we're in
Guadalajara,
Monterey,
the city of
Mexico,
but well,
there's
in the periferia,
no,
in the zone
conurbada now,
but in
the places
little where
your friend
and your
and we're
we're going
just going to
land
and the
landerals,
yeah,
so,
and the hegidal,
yeah,
they're
they're,
they're
to change
the use
of the
year and
there,
there,
there's,
there,
there,
there's,
but well,
there's
investiguen't.
But it's
going to
the use of the
land of
the terrain
and then
to do this
for other type
of things,
for exploitation
of the
soil.
And then
when it
a use
for a
house of
a house,
well,
then it
is a
property,
no?
This,
themes
there,
there's
there's,
but the
thing is that
the
thing is that
you know
that you
know
in what you
know
in,
in,
where
maybe
there
was a
entierro,
as now
these fosas
these fosas
can't
grandes
clandestines
for the
theme of
the crime
organized.
In their
moment,
massacres,
no,
of the
the tribus
that
were in
these
places,
we're
we're
we're going,
we're
not going
and we
don't see
they're
not
just that's
not more,
because if
they've
been going
to the
times,
the
I'm
the case
of Tuxtepe
There's a platanera
very
known in the
entry of
Tuxtepeg,
Waxaca,
that is the
north of
the state,
yeah, in
the limits
with Veracruz,
where has
some years
a president
municipal,
announced that
there was an
study by
part of the
ina,
I think is,
the,
the,
of the,
the,
the,
of the,
the,
of the,
the,
institute
national
of the cultures,
this,
to do this,
discover in
a city
of a
time
a time
rather
relevant
and
the
below of the
soil
because
they're
with his
equipment
to do
a lot
technology
to do
to
do you
know
they're
in a
city
a
different
a
sub
a
sub
about
of
the
ture
in
Tuxtepe
wow
no
I
know
I was
that
interesting
no
number
of
when
it
when it
when it
when
there
there
that have a deigno
that are
producing
a lot of
this,
it's a
difficult
desenterarer the
history
many times
and a
time you
you're going
because they're
going to
the things
that's going to
because
maybe,
because like I
a server
we're
we're still
a bit
nomadas
not we
get us
in a
city
for the
time of
the time of
the
time of
the other
you're
the house that
you rentas
that you
rentas
that's
in this
new
fractionment.
You know
where
is.
I can
talk about
to talk about
before.
Before,
if you
let's,
in Tuxpepe
in the
center,
the house
where I
grew and
was a
was a
house that
my vis-a-
when
when he
came to
Tustepeg
that was
a grand
indundation
1,942
if not
I'm
a mal
record,
was a
one,
a inundation
that
was a
city of
Tux-T-P
Waxaca
after
after that
Tutspeg resurgue and
Getsuble a lot of people to
live. Tuxtepeg is, is so
nutridden for much
people of the water. But,
well, the streets were
inunded, also, for the
water, after, when
he washo, for much
lodo and corpses, restos
that, unfortunately,
of some of those
people who perished
during the inundation,
no, my
abuela, my
vis-a-wola,
a year,
I had bought this
termed,
that after my
mom, that in
the moment,
wasur-
Depeg, no?
So, then
you're going
to talk about
with stories
like that
where then
then you
maybe if
you're
you're asking
you're
because you
talk in the
door,
why there's
that's
talking,
that's
saying that
you're saying
with this
person,
that maybe
you're
that's
asking a
an o'clock,
a bellator,
that you know,
to be
to be
to be transcending
to
understand
to be
quite,
this,
this,
are quite interesting.
But no
I don't want to
I don't want to
I'm just
just a
thing.
I mean,
I'm just
something.
I think
our day
of today
are the
are the
day of
the day
in the
contemporary.
In the
50,
70 or
100
years,
are going to
be the
years of
the
life.
It was
something
that you
made
all the
sense.
If
we're
going to
the
life
of the
past
and we've
many of the
stories
have to
have been
with tragedy
have to
have to be
with things
that occurred
in that
and for
putting
so
places
in
not
so
a
temple
in
city
of
Mexico
that
is
that is
like
the
is
that
the
and it's
because there
there
there
was a
war
between
two tribes
originaries
Mexicanas
and
it was
a
massac
that
great
that
the day
of
they
still
that there are phantasmas of
them in the
area.
Here in
Monterey,
in the
times of Calderon,
of the ex-president
Calderon,
there was a
moment in which
the situation
of violence
that was a
war that was in a
war that was
a gas
allasos
allasos
all the nights
they were
they were
incundiators
something
something
of the
time,
all the time
we're
with
places, like
you said
very well,
that those
transformed on
in fosas
common.
They'd
get a
zones of
departments
newas,
saccabban
to the
people and
some of them
and they
were all in
those places.
So,
there were
little cities
phantasmas
in different
points of the
area.
Yeah
passed from
that then
a little
more than
10 years.
And at
day of
many of
those
places,
the people
tell stories of terror
where they're
they're not
they're not
they're not
the past of
the place
what they're
they're saying
they're
people who
they're saying
people who
have been
you're doing
so you
you know
so you know
you know
your day of
your day
of today
the day of day
of the day of
so the world
and then
when you're
going to get
like interlims
and directs
like much of
the stories
that
of the past
not,
but it's
very interesting
how they
are creating
these stories.
But let me
continue to
here,
that we're going
to talk
something.
But I'm
to say,
let me
add me
to add
something more.
For
a moment.
They're
are the
narrate
of the
narrate
of the
talk about
to the
story of
the day
is the
legend
of the
manna
an
nottel
and
the
because that
phrase
is a
phrase
and
and
about
a
talking
retomando
this
phrase
then you have
the master,
as they call
much,
Juan Ramon's
signs,
no?
Sure.
The history
is recent
and yeah is
almost
a legend,
no,
and it's
very contemporary.
And just
outside of,
of cameras,
we're going to
say,
but before
to start the
graduation,
we're talking
this,
that there
people that
there's,
is that are
the legends
of the
abuelitos,
are things
that
are
some
so much
time,
no,
I,
I'm,
I'll try two more rapidly.
One,
that,
although is
a legend,
that is a
many years
of a
known and is
very,
very Mexican.
This is of the
state of Oaxaca,
what I'm
to talk to
here in the
city
hermosa,
that's the
Gellagetz
now,
for sure,
we've
had been
to have got
to the
Galagetza
to grab
to the
other year.
For the
other year,
for the
other year,
for the other
that legend that
I'm
a legend
a lot of
a legend
about a lot of
the culture
of the
state
very known
from the
region of
the valley
centrales and
it's going to
the mixteca
to the cani
and has
got to
now the
quenca
of the
papalopan
this is
a legend
that I
know
a little
for a
story
that me
a
story that we
in my
in my
can't
let me
let me
let me
tell you
she
she says
that his
Papa
he told about
his papa
came to
a community
precisely
of the
Mista
Guajquea
from the
region of
Guajua Pan
of Leone
for there
he was
he was
he was
a part of
his infancy
and was
a person
that was
a very
young
he was
so
so much
he said
a man
a good
a
one
a good
a
manna
and he
all
the people
all the
people
even
even
even
to the
to the
land of
the
lot of
many times
they're
to go
cross-as
I'm going
to get
to get
the time
of the
year
there's
there's
there's
a story
really
where they
they're
a
a young
a
young
a
how it
he's
a
he has
a
little
and he
and he
and then
it's
and then
it's
all
all
all
all
this
serrania,
subidas,
a badger,
a very dense
in some areas
like the
coenca,
in the cajada
the mixteca,
and in the
area central in
the valleys,
well,
it's arid
where
they're
these mats
richisimas
that make,
and make,
they're
in mescal,
that's me
in this
zone of the
serrania
between the
sierra
the hahaka
and the
area of
the area,
the same
the
father of this
this
this
young to
to go to
the camp to
madrugated
but
like a
little
they're
a little
he's a
time and he
he's a
little
meters
behind
of the
contingent
of the
people
that are
crossing
these
those
serros
to get
to
the point
where they
are
working
but
he said
that
the
he said
that
being
some
years
to
one
he
he's
he
can
come
and
we
we understand
that it's
oscuro
at five
of the
morning
still
no,
five or six
of the
morning
going to
the
sun
he's
he's
a
feeling
like
a
a
presence
behind
and
he
and
he
well
there
there
there
maybe
that
he
certainly
he
he's
he
he
he
he
he
he's
he
he
he
he said
he
he
he
he had
to hear the
voices of the
people,
no,
but as well,
as they're
some sub-subed
and back
down,
there's a
carvita,
another curvita,
because so
is the
sierra,
then he
can't know
what he
there's
then he
says,
well,
the people,
there's
I'm going,
I'm going,
and I'm
going to,
but of
repente
and then you
start to
get that
person more
more
and he
starts
the voice
the voice of
a
woman
that he
was a
woman,
and that
he starts to
like a
a time to
and he's a
camyner,
but yeah
and he
can't see
to see,
in various
occasions,
the silhouette
of a woman
and very
beautiful,
he was a
beautiful,
as a
person to be a
person to be
a youngsito,
well,
you know,
you know,
that's,
my bestime
Ais.
So,
so he,
well,
he's,
he was
and
going to
and he's
going to
and then
he's a
a little bit more
a little
an animalito
with his
correa
and he
says well
a lot
here he's
a little
he's got
the burrito
and he
he's
he's
he's
he's
he's
he gets
the moment
in that
this
he gets
to a
aroo
and in
the
arroyo
well
there
is to
cross
it
are
a
sometimes
of
two to
three
meters
of
of ancho,
not are so
caudalos,
the arrojos,
those are
and they're
in the
sea, that's
a little
a water,
and so is
an water
and just before the
thing,
is a woman
that's a
little bit of
the rower
in his feet.
His feet
not were the
feet of
an human
or a woman with the characteristics
that he had
his feet
were more
similar to those
of one of a
gillina
so the pata
the pata of
the legion of the
rodillas and
he had
to be a
vestido
long that
he'd
a lot
he does a
really a
rapid cross the
and he
he's a
little
he canst
to the
people
but even
to get
to
the campament
they
They start to lader those perros,
let us, let us.
Let's go, six of the morning,
they're going to laden
to the campment.
And one of the people
that's the campament
and he goes,
he gets agitado
with the burr.
And he says,
well,
chameco, what,
what,
to what?
Because he's going
that's like
all a papucho,
no?
And he,
he,
he, he,
he, he,
he, he,
he,
he,
and he,
he,
and a bit,
One time that
you just
he's
to say,
oh,
is that
me passed
this,
fifted,
I'm
I'm sorry,
I'm
the voices
of the
men,
I was,
I'm
to get to
get to
the burrow,
me was
and I
came to see in
the arroyo,
he was
he said,
no,
oh,
muchacho,
what to
what to
you,
he was
the bandolera.
The bandolera
also they
know,
like the
matlasiua,
and this
legend
She,
the,
she knows
in Central America.
This,
this,
this woman
of rascos
very
of a
indescriptible
that you
go see in,
in the mountain,
in the
arroyos,
in the
serrania,
no,
and he
he'll
and he
and he
he's,
he's,
that is the
legend of the
matlasigua.
So,
then they
say,
a you,
what you
was going
to be
seeing,
was the
and
the
thing,
the
was the
men have more
than one hour
that came
to get here
to the
campment and
even they
went to
work.
Wow.
Those voices
that you
heard that
was that you
were,
imagineate that
what this
sir and
not is the
only
history,
no,
there's another
person
also that
me,
he's also
about the
matlasigua
this
woman,
how to
let's
this woman,
that
I'm
the
same way,
he,
he's got
this
man,
that is another,
is the tio
of an
friend of the
officeina,
me he was
to chatteer
to a new
a new term
to be able to
be able to
live in a
community,
but this
yeah in the
area of the
area of the
area
his,
his terseal
when of a
when of a
person,
he said that
this woman
he was to
talk to the
name,
but he
he was
he said,
well,
but he never
Kis'
his house, he he'll
talk to his
abuelita, no,
you know,
you're
you're going to
get to
get a bandolera,
the matlacua.
What you have
to do is
that you have
to put a
offrenda.
When you
you're going to
you're
first you're
going to get
a cross of
made that
you're going to
a cross
little and you
you're going to
get this
offender to
the camp.
He was to
get a
fruit to
that so that
he doesn't
then he
he said, then
he said, and
that he said
that cross
when it
he wants to
you
you see the
put in the
petio and
she's
going to get
going to
so he
said the
little bit
then he's
he's
not he
he's
he goes to
he never
he never
he's
never he
never
to talk
he's
this
this
this man
he was a
young
of a
he
still
no,
he still
don't
in the
same
court
in the
room
that's
his
but
then
then
he
had
some
some
he
had
he did that.
Well,
some years,
better
that he
not,
that he
no,
that he not,
he was he
he was he
he was he
he was he
he's not,
uh,
this,
and this
he'll
he'll be,
he said,
he said,
he said,
he said,
he's
he's doing
with his
brother and
he,
he,
he,
he,
he's,
he'll
he'll,
he'll,
he'll,
he's,
he's,
he's,
he's,
he's,
over the,
over the
14,
15 years
was his
but the
brother,
as a
as a
eye,
with the
eyeed,
no,
entreddormid
and see
how the
silhouette of this
woman,
that's dark
to go
and then he
says,
he's going
that he
wants,
that he's
he can't
in that he
does a
he does a
he does a
he says that
he'll be
to be of
how the
woman
he does
like the
signal of
that's
like the
And he said that he
Suddhawn and he
He said he wanted to be
And he's he could move and not
He can't see
When you're going
When you're going
So like you're
The foot
The feet of the
Mugher and
They're those
Pies of Gagina
Characteristicus
Of the bandolera
That's just
He was getting to
His brother
When he
He can't
He can't
This,
Pega the grito
The people
The guy
Yeah,
Hega,
Yeah,
His mom
Aubelita
That's a
What happened is that my
my brother, my brother,
so they were,
then the people in the community
is all in the community
and they're looking to
and they're
at the road of the
road.
They're going to
the brother and
they're going to
the house.
But well,
resulta that the
brother was two
three months and
not about,
and not
about and not
about.
Then they're
they're going to
a curandera
and they're
and they're
to this
chamaco
to cure him
to do
of spanto. And
me surprised
this of the
of curate
because you're
says that the
curanderer,
he's a barra
and he's
a young,
to the
brother of this
sir,
he was to
the way
to the
place where they
got to
the rory of
the rory
the curandera
is to make
to the
water to
the
below
to the
right,
no,
as we're
a can I
know
how they
they're
a media
cany
a medium
chamorro
or
they
say
Well, so
They're,
met in part of the
feet to the
water
And the,
the,
the,
the,
the,
chaman,
the,
the cheeser,
this woman,
he's gonna
a sotar the
barra
contra the water.
Yeah,
says,
yeah,
let's,
let's,
let's,
let's,
let's,
because I'm
me do you,
I'm,
I'm soeltal,
and Iotan the
bar in the
water in the
water in the
water in the
car,
even,
so,
so,
after
he said,
he's
the
chomaco,
he
started
and in
that moment
and they
are
all over.
The
woman
said
that his
spirit
had
had
there
in the
water
because the
bandolera
wanted to
get to
crosser
this
arroo
yeah
a little
more
more than
this
story
was a
reachuel
so
then
there
he was
he
but
so
he
his
spirit
atado
the
matlasigua
this
woman
hermosa with
a piece of
a guy in
other
other
them
they're
a
not a
person
with the
head of
a
little
a
little
but the
head
of the
and the
catas
a
this is
a
legend
Mexican
no
that
that
is
know
that
is
that
that
that
that
that
that
the
woman
with
the
woman
they
had
been
they
are
they're
not
not
not
It's like the legend
that's
the legend that's
the day of
today.
There's even
people,
like you know,
there's much
respect for the
thing of the
time of the
job and that's
for this
woman,
for the bandolera,
they're all
their cargant
with a cross
of a cross
a cross
a cross
little,
that's a
little bit more,
because they're
they're
that you're
to get a
bandolera,
so they're
they're doing,
and they're
that's
bigas.
Oaxaca
is a
state where the
legend's
living,
my
estimated,
my
there's, it's,
really that's a
not because it's a
not because it's my
area, but, but it's
much,
much a reason why it's
there's a lot of
there's incredible.
There are
topas with
some,
with,
with
some
some,
there's,
there's,
there's
there's
a,
I,
from,
from the
Bay of the
Santa
Veracru,
you can't
to be
to the
year to
the
sea of
Oaxaca,
when
is a
very dispegated,
a
little
cascada.
I,
I don't
remember the
name of
the
place,
there's
there,
even a
video,
there,
I,
then,
then,
then,
I'm
to do it
here, but you
can't see this
place.
Well,
this place
is approximately
a four hours
of the city of
Playa Vicente.
Playa Vicente
Veracruz
is to one
hour of Isla,
Veracruz,
is like a
three hours
of the
port of Veracruz.
So,
to be able
to beacable
places
places more
more than
to the
Sierra of Guacca.
I'm
I'm
I'm
a place that's
a
cova.
This place
is a
sanctuary
that they
did you
to the
Virgin of the Asuncion,
that's much more
closer than the
caskada.
Well, I
get to three
hours of the
five that's
the caskata
supposedly,
and still
it's
a big,
you know,
you know,
you know,
the gross
chorro of
the caskada
to be,
but it's
there's
there's
there's
a car
and not
has been,
because it
is a
slba practically
or that
that's serrania
is selvatic.
There's
there's the
thing the tiger
that is
the jaguar,
no,
even
there
gotos
more
little
felinos more
small
smallages
tigrillos
and other
animals.
There's
one monos
well fauna
salvage.
The point
my esteemate
is that
are places
that are
these
stories where
there are
other other
more
in a
in a
place
well of
and so
for the
wayh
that's been
on the
side
over the
side of
the
sea
there
there
even
conventos
antivos
that
are
eight
hours
of
the
city of Pleiavicent is pure
serrania. If you're going to
go to a yearna,
I, I, I, I,
I subed with a carrito type March, no?
What I had I had to do
was to get toer and agarer
in the backada to get
the sub-uida. We're in a
time of seca and the
earth is put in a arena
incredible, no?
Or so, no, no, no, no,
no, no, no, no, no,
no, no, no, there's
Many are not,
cargated of material and
other things that
without a carmionettes
four for four,
but are places
impressive.
Cargottos
and of stories and
of the legends
that are in
bigentes,
are vivas.
They're going to
I'll talk about
that the family
nocturna
to do a idea
of what is the
Sierra of Guacaca,
no?
For part,
is a bird
speso,
denso,
incredible,
impressive,
and a
time of the
year and when
the seca
is a
colorada,
that's
it's a
gravita of
the arena
that's
really is difficult
to come in
those places,
no?
And plagados
of little
serrania.
They're
subidas
and bad to
do you're back
to doves.
And more the
people have done
to live that
are not.
They're not
I'm doing
much publicity.
Oh,
yeah,
not you don't
you work for
some of
tourism,
a company
because
it's very
good, Kike.
Yeah,
this is to go in to know the
place.
Oh,
is that the
is for that you
imagine,
how this
people have
had been done
there.
Of a sudden
you're going to
the mountains,
for example,
for a Wautla
of Jimenez is
a place.
You're going to,
you're up.
You're up?
You're
a serrania
and you
see how it
is a
car going to be
the river,
and the
river,
it's incredible.
It's incredible
are things
are very
beautiful,
so they're
very bonitos.
And,
and also,
for those
certainly
are plagated
of stories
like this.
Who knows
what things
could happen
in those
things are in
that spiritus,
at the final,
we don't have enough
in the rest of the republic,
can be able to live in this world.
It's where these legends,
cobran, cover, all that's reality,
There's,
there,
in this
place,
I think I go,
the Santario
of the Cove,
in the Assumseon,
the cova,
there's a
place in this
sanctuary that
says,
much thanks to
the men's
for their
cooperation for
their own,
to get a
place,
no?
So,
I mean,
to say,
that were
people,
that were
to be a
person,
you,
you,
you,
as a American,
caron,
I'm,
I'm,
I'm,
I'm,
I'm,
and,
because in line
right is,
it's there
rightyto,
they're,
they're,
they're in my
world,
but the
can't be
complicated.
One,
that's
very,
no,
they're not,
they're
so you're
not going to
visit and
get a
marvellous,
my esteem
narrator,
of the
things that
are in
these places,
of what you
can't
see in these
places.
I,
for this
legendas
have much
of reality,
no?
In this
case,
the matlasigua
or the
bandololol
it. Fugate that
mentioned
something that
called much
my attention.
In
the endro of
these
places,
mentioned these
conventos
that for
questions
historic,
it's
that in the
church
Catholic,
in the
single three,
more
or
occurred
a phenomenon
to
the
people who
were the
parents of
the
desert was
a
movement
as
contra-cultural
in
those
those
people
that were like very devotes or
very spiritual,
within this
crevency Christian
Catholic or Catholic
Christian,
they said that
in a certain
way,
yeah had
contaminated much
the creencia
and it
had transformed
in something,
then the
people, the
temples,
the sacerdotes,
the followers,
although
they were
in those
creences
of a manner
profound,
really at
the level
of
practice
not occurred
nothing. So, so it had
transformed as
some type of
a symbol of
distinctive, but
no in nothing
that's
a realqueous
spiritual.
Ante that
this critical,
occur this
phenomenon of
the parents of
the desert,
in the
which they
decide to
get to
be to be
to be a
kind of a
social
very profound
in the
soledad
and they
went to
the
deserters
and there
and there's
where it
is where
the phenomenon
of the
abadies
that
after
the
the conventos.
And for that
the day of
today of
now, well,
at a day of
a year not
there's a
time of the
other than
the cities,
in the
places that
were totally
despoled.
In the
Santuario
of Guadalupe
in Mexico.
I've seen
a story.
That's the
place has
many many
many
many things
there are
many experiences
of persons
between
miracles,
apparitions
that have
been made
moments
as
of contact spiritual
mystical,
mystical,
a
very strong
with God,
with the
Virgin,
with angels,
with santa,
but there's
there's
some data
historical.
There are,
they're
a bomb
where they
put a
ground,
where they
have the
yate
of the
virgin,
and they
were not
lefted
the ayate.
I don't
see if
did more
more
studies
on
the
respect
but it
was a
nombrado in his time and has
30 or 40 years.
Then,
then it's a
study about
the yacht and
I don't know
in what it
but the
part that
was called
all the
attention was
the part of
the eyes
of the
Virgin that
said that
there was
there was a
time in
that it
was a
that could
make that
that's
that type
of
that's
in the
type of
material
that was
in the
in this
place
there was
there was
a
story
that I
took
before
I'm
that
they
they
they
like a legend
because
it's a
decade
occurring.
He's never
he's
he's
the phantasm
of the bela
perpetua.
Never had
heard of this.
And when
I was
I'm
really the
attention and
I'm
because I
want to
know if
the
people that
that has
been there or
has been
this legend
and if
is certain
they're
they're
that in
this
sanctuary
of Guadalupe
during
the
nights in certain days
of the
month,
we can't
see in
the sanctuary
a veil
that's
being conducted
by a
woman.
The woman
see with
a veil,
nobody
he has
seen the
car,
and
guardiers,
velators,
and persons
that have
been
even
in the
temple,
they have
tried
and when
they're
they're
they're
they
they're
they're
kind of
something
is a
kind
of
kind of
transparent
is the light
the way
it's totally
physical and
she doesn't
she doesn't
make sure
with the person
but there
people who have
heard the voice
of this woman
have heard
their resos
that all the
time is
with this
type of rhythm
monotono
in the
which is
that is raising
like a
kind of
a rossario
also
some people
some
have seen
the
there have
others
that
have been
that have
heard
his voice
just in
his
voice just in
the
question.
Not a
terrible
no do
any
kind of
more than
intrigue
and some
some
people
even has
had
done
and that
some
have
to
this
figure
to this
woman
of
this
and
that
and
that
has
coincidid
with
moments
many
many
and
that
the
after
has
been
the topado, the things have changed
for the bien.
So I wanted to
this story that
never had
heard of this
central to the
people who are in
some time,
it's not that
they're trying
to be in
the society
and now are part
yeah of her
like many of the
conventors.
But well,
me called much
the attention
and also
I wanted
to share this
when you mentioned
this to the
conventos
that were like
are they're so super
alejados
you're repito
this
even though
even part of
those conventors
has been abrassado
for all the
the mancha
red of these
this serrania
no like
what I
and you
you're going
even
conform you
you're going
you're
going to
constructions
as antivas
as
like the
most
monges
in the
most
sacerdote
no monge
the
same
the moment
missioners
were
constructing
to be able to
you know,
and then you
put it's a
to think
if you're
with all the
facility of
the way,
it's a
much work to
get to
get to the
area.
No,
I'm imagine,
my
estimator,
in those
years,
I,
I,
I,
I,
I'm going to
be a
place,
I'm a
carable,
or of a
capia or
a parroki,
I,
but I'm
I'm not
I'm in,
and I
there,
in this
porton,
a porton,
a,
was in the
entry of
this parochia
that had
a inscription
graved
of the
year of
1671
to be
if I'm
the photo
guarded
still there
are there
are not
these
my
my spouse
me
my husband me
said
we're
we're
we're
we're
we're
even even
the water
of these
water
that's
water that
you can
put a
you can
you
there's
there are
there manantial
there
there
there
places
of
sparsimient
there the
people is very
common that
that's
very common that
that's
but I'm
not I'm
going to give
me I'm
regresso
the other
the
these
these places
there in
these
in these
serros
are of
difficult
access
with the
material
so
that
the
time
I'm
I imagine
that
I'm
a material
of
the
the
piece
they
they're
they
they're
they
they're
but
so
there are many photographs.
Of the really,
I'll cause a little
of curiosity
at the question
how are these
these places.
I'm a reto
now.
I'm imagine
in the
theme of the
desert.
I've never
had been the
opportunity to
start in
one.
In the
north is like
common
this zone
arida,
no?
But no
me imagine
with the
colds
so many
and then
the descents
of the
temperature
for the
night,
how it
is to
how it's
to
and where
you
you're
you?
here,
here,
many
things are
of the
sand,
because there
those arboles,
the maderas
are very
are very
and they're
not natural,
but there,
no,
so,
the way,
and try it
to make a
more the
matter of
the more
more than
a matter
and they,
and also,
this,
for the
histories
that are
there,
the people
that many
times
that many
that's
people,
they're
going to
other type
of legend.
The
casas
an
other
have this
characteristic
not,
of,
to,
to guard much
history
between
his muros,
that,
that,
that,
again,
with the
great,
the first of,
the
first of
the story,
are the
stories of
the day,
I'm,
I'm,
I'm,
I'm,
telling me,
a casone
an
old,
in the
port of
Veracruus,
me
I'm
a
little,
what I'm
to
to Wauaca
and
to the
world,
to all,
to all
all,
to all,
to all,
the
all,
important for me. But there's a
casona very antigua in the
port of Veracruz, where
abitow a pair. It was a
pair of condes, and some
yeah, they're doing royddo this,
of Condes and Casona and
Veracruz, because
there, in this
pair of Condes, well,
certainly with the problems, as
any of a situation
quite grave, delicate, of
abandon or the part of the
conde,
to
his
husband,
what
he
was in
a
little
to get
to make
a
lot of
a
question,
and
they
know
that the
conde
had a
reputation
to
a
person
a
bad
and
uncaste
and
arrebat
of
instit
and
imagine
another
and
an
situation
of
infidelity
how
react
a
person
to
this
this
led
to
these
these
encounters
amoros
of the
Condessa
had to
be called
to be
a way
quite cruel
that they're
a
little bit of
the
Casona
of the
condesa
where
the day
of today
many
people
still
is a
testigo
to
to say
of those
of the
gritos
of the
the
glitos
of
the dolor
desgarr
that
come
that
this
this
history
about
this story
about
seror romantica
of that manner.
To be called
the rumors,
the chismes,
and that never
get to the
condoes
manda,
a,
a,
a, a,
a, a
subdits,
to his
decals,
to the
people,
to the
time that
they were,
those encuences
with his
amtes,
they were
rebated to
the life,
and for
that their
bodies
were found
were taken
to
the
fososos
of the
the caimans.
The
way the
Condessa
of some
makeyjave
these infidelities.
But,
my
estimator,
in one
of these
quite
peculiar
encounters,
was
surprised in
the act
by the
same
condo
that in
this
arranke
of
zeal
he
cuted
the
life
to the
And
and
casually
one of
these
one of
those
people
who were
before the
before
being
trying to
find out
to
solve the
he
he said
to
the
condo
how
were
the
confididid
the
condes
and
in an
ultimate
moment
desperated
to
think
that
this
was
going to
be
that
the
he
said
he
he
he
he
these relations
extramarital
and then
they disappeared
to his
amants.
Sin embargo
this not
was sufficient
and the
condo in
this arrebato
of ira
and it
about the
mother and
his
now
defunta
and then
after
a rebat
of a
lotcura
he
took a
this
did pass
my esteem
Ais
to the
legend of
the casona
of the
condesa
where
the day
of
today
still
still
still
can
to listen these
laments
of the
comtes.
One
thing barbar.
The
love, the
love
according,
no,
us has to
do you
think I'm
just a
little bit of
this legend
there
and it
was a
little
but one
one of the
other.
But well,
at final,
these
these constructions
antivus
guard
many
stories,
many
mysteries
inexplicable
and
well,
well,
maybe one
or
another
secret.
you know,
the actual,
fichate
that this is,
well,
one,
one, one of the
one of the
question is the
house of the
condesa,
where is the
place?
This was in the
center of
Veracruz.
Central of
Veracruz.
The day of
there is,
no,
yeah,
no,
yeah,
were constructions
that were
going to
go on
some vestigues
of a
repent,
this,
there,
there,
there,
there,
there,
there,
there,
there,
there,
there,
um,
in-
the port
of Veracruz
and not you
can't
talk for a
theme of
protection
legal.
This Institute
National
of the Culture
this
those decretes
monuments
historic and
some even
were rescatical
for that
when you
can't
you can't
you can't
you can't
you can't
you
find you
can't
a pair of
different
that
architecture
this
nobo
Hispanic
no
it's more
there
was more
there
very
that
this
name.
Then they
they're
and actually
I think
they're going to
be able to
do you know
I'm going to
do it's a
not I'm
but it's
a legend
very sonata
and very
property
of the port
of the port
Harocho
but
but if
was it was
was
located in
the center
of
Veracruus
recordem
we're
historically
was a
city
murgated
when
when it
when it
started
the
port
that like
all
the
cities
antivas
was
there
had
to
defend
because
the
theme of the
conquest
very recent
no,
even the
preetos
between the
same
the same
the same
those people
so that
the cities
were amurallied
and all
this
murgated
the port
of the
Bera
Cruz
was
being
eating
a
little
a
little
for the
manchurb
conformed
the
city
was
was
was
need
to
expand
to
some
so
many
many
of
these
don't
they
can
can
but the
the
edifices
of telegraphs
and
the
things
that are
in the
heart
of the
port of
Veracru's
some
the
man of
the
Forte of
Alu
the
Valorte
Santiago
and
this
this
is part
of
certainly
many
many
other
legends
that
we
can
in the
center
of
this
beautiful
in the
okay
I'm
I
think
I'm
I'm
I
thank
the
very notorious
your love
for the history
of the
world and
the love
you know,
and the love
you're especially
about the world.
exactly for
exactly for
your story of the day
to do you,
a little bit of the
story of the day of
the day of the morning
there,
there in Monterrey
something that
as well
it was
in the
years,
I think it
was in the
years,
I know
in the
years,
many of
those of
those who
they've
used to
the stories
of
terror,
they have
been
the
story
of the
house
of
Arrambherry.
But
this is
a
situation
very
interesting
if you
you
know,
in the
years
60
there
there
there
there
was a
story
a
house,
in the
a
guy was
a
engineer and
And a day when he not
present,
they're
a wife and a
his wife and a
daughter.
Encouncrant
an
scene of
an
atroce,
totally scandalous
for the
time,
something
ripilante.
The
engineer
is gone.
Then
they're
those
assassins.
Resulted
that was
a familiar
and that
had
had
a pair
of
carnicer
that
were
just to
a
two
just to
And all for a question
of money
that the engineer
had been
a gooder
this engineer
was a funder
funder
was a
a little
a lot of
a lot of
a lot of
the city
gave a
year for
a lot of
people but
also
it was the
place of
various tragedies
and
there was a
I think it was in the
years
also
that between
the 60 and
the
one of
the
ornows and
murgues
and it's
many people
and in
these two situations
in those
in those
the engineer
was involved
in the
fundidora
but not
in the
explosion
of the
orno
these
these two
tragedies
pass on the
years and
they're
and they
in that
in that
house
of Aramberry
the
people
are still
still
the
people
I've
to know
I'm
to know
that
me have
said
I'm
I'm
I'm
I don't
hear
nothing.
I mean
no me
consta
but you
know what's
you're
it's a
question,
you know,
the
walled
the door
are the
walls
are the
little
those
little bit
lias
in the
which
no,
no,
no,
there's
access
to the
house with
that
the
construction
and they
they're
to
have
to vent
you
get to
get
what
who
who
there
is a
there's
a
commencing
to
rocker you
say,
you're
like they
are in
any
little
and if
you
abstin,
if you
get more
time,
you're
to get to
get to
get to
people,
people who
say that
are
people,
they're
that's
that's
that's
this story,
the first
that I
know,
honestly
me
sound
ridiculous.
But
you've
been past
20
years
since
I've
heard
that I
heard
that
has
never been
never
had
in mediums of diffusion
grand,
but I know
people that
were there,
and all of
all about
exactly the
same.
No,
I used nothing,
I sent you a
different,
Iventable
my vipers,
me haven't
pires,
me haven't
pieces, and
I meant it
people who
were the
people were the
and they said,
me,
I was,
they were
at the
nothing,
they were
like that
was like that
was a
materialized
in the
middle of
the air,
and it
and it
was,
and it
was a
zone of tragedy in the past
and only was a note of a
periodical and it was
probably the moment
that destroyed the
life of that person
and the families
that had in relation
with the persons
that were as
the crime
the day of
day of it's a
place in
that's a
landings of
and in the
case of fundidora
where was the
explosion of
this orno
when the
plant was
in the
plant was
many people
started to
do the
back because
they were
the
phantasas
of
fundidora
and they
were the
grits
that's
in the
night
in the
areas
in the
there's
no,
there's
there
and there
was
the moment
of the
tragedy.
They'd
get
to be
some
infilated
by the
escalas
just in
the
or when
was in
repairation
this
was
that it
was a
that was
a voice
and
not it
was
not a
people,
all
we know
the people
of the
people of
some
people of
a
real
very dula and
also not connect them
not connect them
so much they're
because their job
is the time
the exigency
that they're in
that they're
to have been to
make a certain
way insensibly
so they're
not some people
that are
so stutas
not as
they're doing
they're doing
that are not
that are people
that are concerned
in what they're
in fundidora
the type of
work of
that was
and it was
the type of
the perfil
then that
that are
that
funder
were
partied
in
fear of
not
it's
anything
so this
these
legends
that are
here in
this
only
were
notas
of
tragedies
also
also
many
years
in Mexico
and
here
here
came
a
part
that
me
me
me
a
back
and
there
came
a
and
a
story about
the
in
the
other
things
is
the
episode
of
the
the house, if I remember the
house,
it's a man of the
house where during
20 years
his family
lived in the
family, it was
something horrible.
All the time
appeared in sombras
people,
there were
in the doors,
there were
voices,
there were things
that were
things that
were something.
The situation
that me
impacted
more of the
story is that
when I'm
with his
brother,
his brother
me says,
fiftate
that our
house not
the
only case
where it
They're all the
Casas
of the Colonia.
And the
not was the
poor.
I'm in
various
houses in
those
in those
in the
other people
that's
that's
because
never had
thought in
phenomena
of this
type
as far
in radios
so
in various
houses
in a
colony
complete
well
it
result
that
now
I'm
top
that
that
that's
not
exclusive
that
in
Mexico
in
the
Colonia
Roma
is
where
we
history where
is the dichosa
house of
the bruchas
this story
with the
story with the
podcast of
day of
the house
that has a
piece in
form of
pointyaguda
like these
sombreroes
of
a brouh
that's
these
images
classic
so that
that
that was
the
story
of the
man
peluda
that
they can
be
and it
is
incredibly
good
in that
this
chica
not
not
not
still
still
still
still
there
in the
colony
roma
but
the
colony
Roma,
also
here a
house
that eventually
no doubt
that will
have to have
their own
their
stories
that's
the
house
and it
was that
the
Cism
of the
2000,
no,
I recalls
2019,
1919,
2017
but
they
they've
had
inhabited
an
edific
department
that
they
were
that
they're
getting
the
people
and
people
and
things
and
the
thing
that
got
totally
totally
dead
the
Edificio
and only is
the,
is the,
it's a
place,
it's an
place that's
in a
bit of the
people,
there have been
many times.
And there's
people,
the day
of day of
today,
that they're
that they
do it to do
that's a
new ture
in this
place.
And all of
the colony
in the
colony of
there.
There's
a place,
that's a
day of
day of
today to
to go to
do
to do
do
to do
to
do
it's a
try
you're
in a
time because
they're
spantos
the vibrator
the
the virus that
the
thing that
they're
going to
this
place
called the
house
mondragon
and also
in the
colony
roma
so the
house
mondrong
has
a
long
long
time
this
house
was
used
as
a
refuge
for
the
people
that
had
a
a
type of
a
type of
a
Even
they
related
much
as a
kind of
a type of
a
kind of
a
kind of
if it
was a
manned
the
devil
then
those
exclude
them
they
they were
they
like
as they
were
that
they're
that
they're
not
other
use
to that
that
that
that
they
incendia
with
medics
and
there
don't
have
time
to
react
many
Much of them.
This is a
data
that the day
of today
some of the
day of the
one of the
history that's
the book in
this case
and part of the
traditions of the
places.
Not all
all this is the
tradition oral.
So it's part
of the
history that
the story that
the car
of the
case.
What if is
years
after the
new dowean
if I
no record
now is the
family
Mondragon
the family
Mondragon
live in
this
And they're
about that there
are sound,
there are
sensations
extra.
It's a
good not
so much than
very much.
But not
for that's
being a
piece of a
piece of
a piece of
the history
it's a
level of
psychology.
And that's
what is
what does
have to
have these
sensations.
So,
they're
in the
house.
They're
a rhythm
of a
very stable
and then
one day
the people
the
The owner of the
house, the
Mr. Mondragon,
no
came to receive
those,
not they're
opening the
door, the
husband
also are
signos
of her
and they're
not even
they're
they're
they're
they're
they're
they're
they're
they're
to the
house
and they
they're in
the
second of
the
two
both
two
two
two
two
and
both
and
to
the
children
and to
get to
Nobody was
because they said
that they'd
hear that
they'd
shan't,
where they'd
they'd
they'd
they'd
to get back.
Apart, the
sensation of
the place
was abrumator.
At the day
of today,
is a
place that
not is abitated.
Afwera,
there's taqueria
there's,
there different
posts of
the people of
the postos
impide
the people
that enter
in that
the world
for fear
to eventually
they're
to
to let's
these things
that have
put to
and that
you have
a certain
time there.
But what
is that
there are people
that have
been in
inside, and
not have
been able to
get a
time and
just right
because it's
one of
the
other
more
embrujated
that I
also in
the colony
Roma in Mexico.
And it
apparently
will be
being
being
more of
the
time
if you're
a
community
Roma that
is going to
that corrobor if
are the only
three places
that are there
or if there
more places
of the
people that are
in the day of
this is there
what you think
what episode
that's so
that's
the real
the fact
and certainly
there are
many many
stories more
now that
I'm talking about
about
the city
of Mexico
me
has to
in
some
occasionally
to
hear
and me
transport
talking
of
the
things
so
things
so
so that
of
a
tragic,
what do you
say you
say you
tell
me says,
the telolko
and
those
phantasmas.
Wow.
I'm sure
that
after that
tragedy
that's
episode so
that's
an
dark
so much
he said
Paco Arias
in
some
moment
terminate
and
the
legend
no,
that is
that is
a
one
a phrase
alternate.
Ah,
very
good
no
he
had
heard
I'm
heard
a
good
pal
pal
pal
How, how you
I said?
This is the movie.
Termina the tragedy,
and the tragedy,
the tragedy,
he does a pass
to the legend,
no.
This,
I'm sure that
there's many
stories of this
episode so
so much of
the life
of the Mexico
not,
not so much,
but well,
me,
me so it's
something,
right,
you know,
right,
I'm,
but I'm,
I'm,
I'm,
I'm,
I'm
a thing,
I'm
a great and
beautiful,
but don't,
just,
only,
just,
to do a
pause
because this
no I
had prepared
for the
program,
but I have
a story
about the
oldco.
The people
know that I'm
curious and
I'm
so I'm
many of
the stories
that I
know I
know,
are literally
I'm
I'm,
I'm,
in his time
I was taxis
now Uber
Ditties and
all these
services
of transport
and me
to talk to
people who
people who
had to
you're
there's
some history
of
a story of
something that has
passed to
your family
since
that I'm
using to
reason,
I'm sure
I'm
like the
people,
I'm
a taxist
a lot of
many years
not I think
that the
day of
today,
but I
was a person
a
much more
in that
time and this
occurred
over over
20
years and he
he said
he said,
I said,
I'm saying,
I'm
said,
I'm in
the way
in the
Tlatelorco
and he
did
okay
and
where is the,
I'm,
I'm,
where are the
phantasasas?
And me
and he said,
I don't
in the intervention
military.
I'm in a
base military.
And in this
base military,
that was a
base of a
place that was
a place that
was a day
for another
it was a
day to
it was
a body,
it was a
big
in this
place,
in this
that I'm
that I'm
talking
that's
tremendously
spantos
after
after the
after the
people,
to be
to be
to be
to be
to be
to do you
And
he says,
no
you know
you're doing
that someone
you're
and in the
night me
took to be
only,
it was still
where the
people were
oscillated
we're
we're
with the
with what
we're
to have the
time we
there were
there's a
time of
a time
and we're
that they're
that
somebs
the
the corpse
cold
of the
techo.
He's
and this
you know
as a
member of
the
man.
I know
I know
the
he's
he's
they're
saying they
have been
alient
me
and they
were
hands
held
when I
was
I was
the
only
that was
he
said
after
I
never
never
never
to
never
to
and
the
day of
I
feel
I
I'm
I'm
I'm
a
really
a
really
sure
is to
talk fibras
super
sensibles
because there
are children
there are
there
are parents
maybe
after after
after all
these
years and
that are
that they're
waiting
or that
they're
that they
have
a
and you
and you
certainly
they've
been
re-encontra
in a
place
both
but
I'm
I
think
there
have
many
many
there
many
there's
there
some
also that much
people,
well,
not,
not it's
dolorous,
it's,
it's penos
even for
one,
like one
because it's
a story
that transcended
frontiers,
in the
country,
not only
the Tatelo
Tukstepeg,
Wachaka,
he had,
had a school
normal
Superior,
where there
also situations
quite
very much
my esteemable
narrator,
this school
normal
superior was
a Tuxtepeg,
Wahaca,
has many years when
all the movement
studentile was the
most new,
contable with
a bosa
for clavados,
canches of football,
basketball,
volleyball,
volleyball,
a ball,
and ball,
and there
was a lot of
high school
is an school
incredible
that today
did pass
to two institutions
educative
a primary
and a
secondary
where I
could
study.
There's
the quarter
of machinaries
still
of the
alberka
of this
school
normal
superior
and
think me
that
that
Quinerias, one, when
I went to the school
to the secondary,
he thought a
one to enter
there, because
there's
many agrarerators
of the
same tenor
than the
that you have
done.
There are
there,
there's
many people
teachers,
my mother is
jubilada
of the
magistrate,
companions of
her,
of that
generation.
Much of
them have
to go to
get to
my mom
his normal
superior to
other cities,
a Lism
of Tewantepega,
a
Guaca
capital,
here in the state,
to other
places,
the state of
Veracruz,
this normal
superior of
Tuxtepec
was in
after that
episode
so much
not only
was the
Telolco,
also was
also Tuksepeg
Wachaca
and I'm
sure that
also
other cities
and that
tragedy
does pass to
the legend,
to the
legend of
terror,
of fear
of sure
all those
spirits
that were
being done
after this
desgracy.
Justice
Sure many
people
Pied,
Pidio
and he'll
keep a
Pidient
history.
Yes,
yeah,
sure.
Firte,
creem
the double
this,
it's,
it's,
it's a
little
because,
so are
things
very recent
and I,
I,
I,
I,
I,
in Tuxpec,
I'm
born in
that I,
and the
listening
to voice
of my
mom,
even,
this,
the say,
the person,
no,
so,
so,
they're,
they're
They've never
They've never
They've
They've never
They're
They're
They're
They're in
Annihanes
My
dear narrator
And well,
a manner
to a
respectuos
homenage
to the
more and
not only
that never
never
to never
to make
the voice
and this
could
hear the
light
public
in the
measure
of the
possible
and that
not
do
to do
the
people
that
that
are
affected
that
so
so
so
tragically
that
so
no.
Incredible.
Quike,
what
to start
the episode.
You
thank you
much the
participation
that you
have done
the time
that you
have used
with this
catte
of historical
and with
this
data and it
I'm saying
in serious.
I think
I think
this
apporte
that's
valuable
is something
is an
incredible.
I'm
that the
people do
let's have
to do
what you
don't exist
not a
not a
documentate
a
but if it's a
place in
that we
we're in
that
that's a
seed of
in the
that's
in the time
so you're
going to
go on
you're not
to the
the channel
of the
good Kike
Huerta
because
how you
can't
in your
channel
the data
and the
data
and the
little
going to
get flour
more
more than
is that Kkeke
very
is good and you. It's
but when I'm
to see your comments,
his comments,
those are,
I try to be
metiches,
and I'm sending
them to send them
and abrassus
and all my
great thing
for this grand
family nocturna
of what noxist
and for you,
my esteemate
that's the
major of the
success,
as yet we're
that we're
going to
stories of terror
during much
time more.
Also,
you know,
your channel
has grown
impressingement
for the
people that
not I've
seen,
go to
a no mides
for the
window.
It's
incredible the
stories of
the Kiki,
the
people of the
people who
I'm
a little
to do you
and it's
very good
to do you
and I
think we
we have
the second
channel
of the
here we
know we
that's
that's
called
chronicles
of
narrate
here
there's
about
the
the
arroba
cronikas
of
narrate
for
that
you
want to
on
the
content
exclusive
that
we
another dynamic
that I know
that you know
I'm
a lot of
and the
actually I'm
you know
to get you
want to be
one of the
first people
of the
channel
of the
channel of
a car
and there's
a propuously
to lete
let me
I want
that we
we're going
a
question
now so
a little
more
a fomom
and we
let us
we're
a patchita
this
brauch
chaman
that
that
that's
that's
yeah
yeah
yeah
yeah
yeah
We'll do that compromise.
Oh,
so.
Thank you,
Family Nocturna.
Diannors,
what we're
doing a comment
in chronicles of
narrator and
no,
mirs for the
ventan,
to see,
if they want
in the
episode in
that we
let's
let's
and if
this video
gets
a 3,000
likes,
is an
actually that
we've been
to make
those 3,000
likes to
get me
taking
the time and
to do
more than
more
more data,
in this
episode that we're going to be
a Pachita.
But,
well,
Kike,
thanks for
having to have
you done
the time.
A great
brother's
brother.
Well,
well,
and he's
received and
back to
see a
morning
and that's
nice,
and that they
have a
bye-bye.
Oh,
okay,
that's a
good,
keep,
I'm going to
get me to
get to.
Yeah,
yeah,