HABLEMOS DE LO QUE NO EXISTE - Muñecas Embrujadas, Brujas Endemoniadas y Juegos S4t4n1c0s | SABADO DE SOMBRAS | Hablemos De Lo Que No Existe

Episode Date: October 24, 2026

Bienvenida #FamiliaNocturna a este #SabadoDeSombras en #HablemosDeLoQueNoExiste El día de hoy te traigo historias realmente oscuras; escucha la aterradora experiencia de una niña cuya muñeca ocultaba un oscuro secreto que cambió la vida de todo un comunidad ; entérate de cómo un padre y su hijo aceptan limpiar la casa embrujada de un tío solo para enfrentarse a situaciones escalofriantes e inexplicables. Todo esto y mas en este SÁBADO DE SOMBRAS en @HABLEMOSDELOQUENOEXISTE Además les cuento la increíble experiencia que vivimos junto a la Familia Nocturna de Saltillo y de la FIL de Monterrey ! Si llegaste hasta aquí, mándame un mensaje con #OrgullosamenteFamiliaNocturna y solo tu y yo sabremos porque. #ByeBye

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Explore OnStar Tech today at OnStar.ca and elevate your travels. OnStar, Better never stops. Welcome to Familya Nocturna to this Saturday of SOMBASS. The day of today, dear Family Nocturna, no idea of the emotion that I'm carrying

in my ronco, pecho and so I'm to tell you to all the next, thank, thank, thank, thanks,

thanks, thanks, for all what what you did in the Fairia of Monterrey. It was a thing of

a locura, the people that was in the fair of the book was quite a sustada. And we said that never

before had been a place so full of people and that they were in that they were one of the separateion

of the because they said they said that never nobody us had had been a sound for a

great for a conference and they said, and they're that they're not so you know, but not only so it

did you know, because you know not used they're not they're not they're not they're not

they're not but that that only was the part of the person to the outside. Aftire,

a quantity of exactly exactly exactly I'm there to make the thing,

and have the firm even not can't hear the story. The

heart they were all the floor. All the the house was the

family nocturna. They were all parts. He had family

nocturna and I'm left my left the Nocturna, me revisited the

buttons of the camis and I had a family nocturna here. Famine Nocturna? Much, much thanks. Because not only was that.

Occurried something especially that I have to say, because it's something that is the essence, is a part important of

this project, of this community, and is that just is that we're a family. Justly is that.

Because the people that we know, that you know they were the project, the

people who started to support all the project of all this, but that were people who were

people that were not they're people they're they're they're they're

reunied, yenando but absolutely a place and they they're we're

we're not a place that's so cold of people that's so certain and

it's incredible because were hours and hours and hours and hours and hours and hours and hours

of There was a muchima, muchima But it was our commitment from from the first, that from the first, until that it was the last,

we were the last, and we were to have those two little ones, if you're going one, because second-it-it- and multitudes,

you're talking that are hours and hours and hours of the family nocturned she's with the family and was

he asked, that if they were in that were they were they were they needed, that if they

had been, all the time of all the time of all the people, as well the family, nobody

no rachas we're just we're just the initial, all the whole the time, we're we're doing,

we're doing, all the glory and also the vicissitudes, but, you know, something? Aorgiously

family nocturner. Enter. All the people that produced in the fair

of the show, all those who participated there, as I said, they're

they're with the And now, so Monterrey is what is the family nocturnal. Much thanks.

And I've said one this, prepareens. Especially if if you've in Monterey, because the

first of December, we're going the year in the Rue 70. And in Mexico,

apart of that we're to go to the lunaria, we can't get an time. Because,

so, dear, family nocturn of the city of Mexico, there,

there's a one, there for a for a fogata in your city, but is

special. It's much very distinct to the other than the other than the year. This is

the fogata special of Naviida. And it's there in the Market Teatro in the

Mexico. This week, this week, it will the day, for the first of

your place. But I said one this, prepareate. Be and try to

take to take to something, but not psalm. But not it's a a sabbado

of sombras, today a day very of the dark, because I'm going to about, of moneques

endudubunied, of the bruchas and demonial and the jubes we're going with this sabbara's

family. Flore, although has 25 years, has very present a success that

lived just when he came seven. His gift of year's in a

time, was a new a porcelana of a cabo black. The

moe the oneue very, very grandotets, very very

the moneca. Apennon the She received her She said a vincal. And all of what I'm saying is a story that no

that's not because Floor doesn't know of that's a laps, it's a lagoon, has a little a little

her wayquite and is that's that's a mom of Flor saw her when her when she was that she

got her, she was he was a lot of time, and every day Tomavo a timecito to start with her

and start to to talk to her. No, you know, you might as imagine a one of a man who'd be

much fear. Because not you imagine that evens that were events that were that they were

to make, no. Only it was a rarro that's a little that's a little general

was a very calliated and could be plattica and platic and platica and platica and

talk and platic and she had a good addiction the and less when it was when it

was But she was so Aligh, to see her to be her that's that she would be able and

he'd prefer to leave those spaces and he said, with the age, with the

age, he's going going to go and going about, but right that's

that that's that they really that they're and they were going to so the

days and the times. The repent were to pass things a little raras.

Flor was out of the house, was was playing in the patio or

in the garden, it was to around a of a arborito that

had, or she put in the and the mom and the she was

that I'm about that I'm and then he all know, all I'm

and I'm and I'm and I'm going, and I'm going to get to someone

more. This is very rare because his mom even even know that

all the people have no never had never that facet.

The is that is that I'm going to the moke yeah. The muke in

those occasions the discover out of the house in the apartment of floor. There in a new

little in a little bit of a newke-and- a month after the two years of the

mother of her and she said, I'm going to talk about your little about your

little bit of the kids to the kids to the small you you have seen at the patio. And Flores and says,

Mom, I don't have my m'clock, you know, you're not you're not you're not you're not.

And he's, or with the person that you have you have a mom. And the

mom and the mom and the mom and the well, tell me. Who is she?

How you you know, you? And then Flore he says, ah, is that

she is the duke of the muke, mom. It's very little is very

good. But it much time that's much time he It comes because he says

that that moke he likes much and I'm sure since I'm done to get to the muke

and we don't know we're so they say your name, me says that's something

that's a but what what is she was that was aogated and that was very

feo, that they they're she's she's she's she's she's

she's she's she's so she's so she we've got amigues and

we've It's kept being because it's a rare to the story? It's a a story that

is a supermating. How a little is part of this world is a friend of my

little bit of that's about. Where does it? I've seen a program of television, I've got a

what you? And for more that does that make you another way again, the history is

very consistent. The little can say your name. The little she does

to play with Flor. A the little to be to be with her moneka, and she

really solita, and he likes that Floor's a little bit. One thing is doing pie to another. For one part, we have a Flore, that every time is more entusiasmed to be

a friend of this little bit of her mom, that now she has been with more rarisa. But here there is a question important.

If you were to have a little to a little, that for you, you, you know, you can't

dimensioning the the danger, you'd or no? Much of parents, after the lack of

not the person, I don't know, I'm not quite, it's for that you have been to be a

world. Here, there's something similar. Because at being this type of

spirits, that are very especially, if they do you do you, it's

there's there's a problem, it's that's the problem. Because the mom

comes to see with certain eyes, like of incomododid

of that relation. Platica with his husband, platica with her mom, the abuela of Florecita. And when he's about

these things, are opinions different. The husband a girl, the little. The little has a

little bit of a new new and my friend was a tortoise. And my papas never said,

and then the mom of Flore and said, I'm don't I'm saying that my sister

she's like this little bit that's something that there intervened to her mom.

He said to the Lord, Christ, this is mal. No, there are phantasmas in the world. There is to be a woman. He has to be a good aide to be a good and the

mom, he said, Moma, you're going to, very, very very, very furtive. The little is still going to with an amiguaing, and the mama he repeated. And how you know is that is that, and not a demonia? The Lord, yeah, for this moment, he had been paraded the mess and they had said,

I don't me going to met in these conversations. Those are of mother and I, and this type of sandeses are things that I don't want to save the game to nobody. This is that is that's that's my Suegare, no I want to be, but I prefer to retire me. I don't believe in those things. And she's-va. The mom-de-flor, she's in an encrocygada.

Her instinct no matter to do, present attention. Do something. But no know what you do. For one side, it's, well, are games of the children. For the other side, his husband says, definitely are games of children, and for the other side, her mom he says, is in a danger imminent.

And that, lamentably, is resuena also with a part of your intuition. And it's very confused to take a decision.

And maybe it has passed that you have done that you kept out of the time, you're getting a decision

of what the way to come in like that that part intermediate were to do that and not

going to go back, the days, the times, the years, the time, to get to the cabo,

he's to suffer to the lopecia. For this there are various reports that

no know why the sheena no has paid attention in them. The

little the new the new the new there are two occasions that have been two occasions

in relation to the conditions basic as going to go to do that way that's

there's there. There's moments in which the little the little

letters of the people who are things that they're a little black

he put a little little little little black and just

just the way What are you? He said, he's the calaver of her mom because he's going to to diemorrow in that school. You know, why? Because the sir, that night, he's infarted, and he was going to the Culp of the little. He said, that's a girl, he did so much to the senior.

And is that she's ever, that niagara, is that she has seen with a mirrored of envy. Pover, Carlitos. A part of there, he, he was to continue his life, and sentie a rechazzar, and he's a to Flore, and he was to show us to all the reclars

did the life pesed to the little bit of the little people, and they'd get a little around,

they'd be around, they'd get them to move the and if they were all over, and if they were all

over the back the basura and they were all over the and they'd have been and a day, Carlitos

he's, he'd after to get to make to do' directly to the

back to And Flore She gets very enojada, well enjuredata, and the mandibula, and say in both

a voice Baja. Andal! Aftel to him too. And where says that, the friends

of Caritus they listen, they'll turn to look at and they're and the only that

they can see that a point behind the and Carlito. And Carlittus comes to get to

like a little, Pidiento a girl that no he does anything, that no he does

The maestra of group goes out of the man, he'll be the intendant, between the two want to be the door,

the keys are they're in the door, they're going to get a disarmor and a martyel

and they're to dohuis all the whole the room, with all the roba desgarrated with all

the car marked as like by hands and moretones and say and he and he

and he don't only had passed the tragedy of his mom. Now the he had

a trauma and he didn't get to the school to the papa, see it. Virover, did a Flore that did

that did you, is a brouca. The papas of Flores, they have to get to get out of it immediately, because at the day next to it's made that

the fact that all the kids, they're doing the little bit of the place, they're not that's a

little bit of the woman, the mom of Flore. He said, I'm not I was a mind of your

imaginary, and had been past two months, and it was evident that had to have to

I didn't need the My husband I'm a and is a person who is a very precise

with the things that you have to take to make a decision and there was not that was

when we we were in the school and front my marid with many parents of families

to make we're in the we're in the car and we rancabes to be to be

never that that maldita school we we're to we're

we're we're in the we're of the carrow, it was a carcachada that we could

recognize of our daughter, and our little more just had the back after while she

was not a bit of the mandibula, like if it was a ventriloca expert and macabra

at the we're we're not we're this situation. We're to the house, we're going to

get to talk, that's all right that this is very strange, that's that's out of our

and he says, this has to have an explanation. There is to go with a psychologist. And, while he is saying that, be over my shoulder my own. I see that impalidey, and so on a portazer, detain, behind me. Volta, I'm agarre the shoulders and me and I said, no, volt, let's. Vomones with our

little. We're going to the quartercita, and where is Florecita, she's sat with the moeneke in the piernas, and us says, no, we're going to go. I'll hear. I'll hear, and she She says,

"'No, "'I like my "'my comigita, "'myvigita "'tam really "'and she does "'Yes, "'and she wants

"'if you "'and so you "'and so "'if you are "'and you "'and you are "'to be "'untas.

"'And while she was "'one of his mechon "'and it's "'one to "'and so "'and so they "'laping the "'lopee that

"'lone, "'the one "'of the "'Cad of the "'Catherererer than "'Cone "'Cionionion "'She's all

"'Costs. "'The Dientes "'s, She's red. She, with his deduities, she begins to push one to the and he's

a scene spantosa for her parents. The girl, and just the little, the little, the little,

the little she was a little a little or a voice aguda, but no is a voice human. It's horrible

the sound. They have to get around between the two, because with the partas they're moving

finally they can get to the car and they're going to an hospital psychiatric. In the

hospital psychiatric sedan a little they're in a question of their story and it's

there's a where after many questions of the doctor commences to have some more those

the moke the monega the monega that we've in the house, she got there

she got there she got to her the he's a little to talk to a macabra

in the moment that's stationing out of the house the the door

the door is He knows that is a trap and know perfectly that the trap is put to him, because while he sees that the door is directly the door of the quarter of the floor.

And there's also the door abirted, and the muke satedita in the umbrella and waiting it. No, they had decided the door had been closed perfectly. And the muke,

no record to where they had left. But not was that manner. They were in cargand the little bit, and they were taking pat-as,

and pushones and all. No, there was a way that would have been in the middle. He's kept thinking, looking at the piece, trying to ordinar and ask when I'll turn to the front, the mogeka is a little more back, and the door to the door of the floor is clear. And he knows that this is a trap. He knows that it doesn't

enter, but no knows what he does it, and is what I'm going to do. When finally he says, and remember, that there are three vicinous there that, he'll they're in favor. No, he's he'spare more. Tocke the to the door of one of those vicines, and it results clear

with your message. You've seen what said what I said to my daughter, and you ask you, for favor, that you know what I'm abelves? As well, you know, well, the little, chico, infirno, all. Everyone, knew that chisement, to all them had yet to the rumor. And then

this, this, sir, the papa of the floor, let's decide direct to the car. Well, I'll just be able to talk, but you'll ask you, but once you're What do you do you want to do you? You want to say, The sir said, no? I want to get you to make

to the house. And why not you can't you putt up? Because it's an droujada and there's a demonia. But me deves a favor and me will be

a favor. I don't know. But you know something? Something that just people? Septic. Sceptic.

But when it's all the vion and they see that all the Vacy is to get to give us oh, how can't

personinin some, ah, how come to make to do rations, ah, how they they're peree, because these three those three, that don't crean in these

those things, are for the kids, before they're going, one was for his spouse, and he pied to the other went into his house, and the other went to the house, and the other came to a roseo in every man, like if it were some type of artilucous, with which were to give you

a punnetosos, a phantasm. And they were the one, impaped, the other, and the other, with the other with the puneosososos. He met the three to the house, and then the moment in the

when the door, the door is to the door and the three are in the great. This type

does that he needs to act rapidly, the thing that is there in the house, and no can't make

that that thing has to have to be something to be a mocha. So, so it's that they

are going to get to to the room to the house, when they're they're

and they're and they're they're they're they're all they're all very omensitists, no?

We're going to pay the and the three they'll be but with the face to get a look at the

turn to be and they're to be in the head of the house of because they can't make more

they're more they're the door. It's like if the other other side someone

that's and that is even more atemolizant that's to keep to keep a bit

to a house they're they're they're in the house they're

the door and the the door while the while he's trying the

chapa, the door cede, the muke is up a room, the stateria, the stateria is all

full of new people, it's all just a full of and the time, and the other,

the other, the that was that was that was that you had to get her and it,

and they're going, they're going, they're getting into the other the stuff. He's got

palid, so, being to the whole of the mucke, the papa of the floor,

it's directly, he's all the mokees one of the oneke and the

oneke they're in the and it's, When they're in the hospital, it's one of the eventos that's the

other people that's the last year. It's been sufficient. It's in the car, the Papa

of Flore. It's very altered. In the moment in the way the

view the is the other is a one of the eyes, like if someone

would be a person, and be that he he's doing the minding

the mind. The eyes and at the time, they're a minute, that what does

this the he's the hector, when he's when he's the car is and he's

he's set-and-a-alleled but he met two the car, the carra and where he he gets a and he back and he back

three kilometers has to go in those three kilometers he saw one and one and other other way, as in the

three of the time, just at the Where no there sombra some some of somebs were

they were to form a way to make sure the pass he was in he was he was crossers the

he was across he was coming and come in and when was close of the hospital a woman put in the

hand in the home and he says God go to God, God, God,

God, God, but for your reaction maybe for the form to come and maybe

for the car that he had but in that moment he

He wants to turn to give you a fear tremendous, even when he's very determined, and when he's got to be there. Decide and think that is the divinidad, that is God, in some way that is his is so present. Tal-be is an angel, maybe a virgin, even when this type, no is a person a cremente, if he has heard of these things, and think, nothing more.

Thank you, much, thanks. Keep coming into the hospital, gets the hospital, he does the doctor the moke, and the doctor, without, agar the muke, the pression,

and he says, this has to be something to the he'll be, he'll be back, by the super that you have

a belcrow, and there's a little of that a belcuit, a box that's that re-enna. When they are they

they're all the they, are some a little bit of a little bit of a photo of the the little

the photo of and the box and a little a phrase, you'll I'll talk for that

you're going to that situation the medical says the matter directa I'm going to try to

the the people are set and you're and you find another type of

help if they if they're in someone if they're in God you I'm

this I need to being an expert, is brugheria. And after that, they started to do all, from all the impious, liberations, sassarotees exorcists, in their city, no-hieting, and

they began to look at one and other other side. They're muddhaping, but that's what they're just because it's nace, and there, standing in the hospital, during three occasions, more than a infirmary was out of the room of the

little, no, because the little bit of the little bit something, it was in a trance, of a repent was a normal,

no, it was for her companion, a woman tall, encorbada, with the hands very

blanks, and herrida with hernias long and socied, and with an aryent, a aroma

of the body, putrefacto, horrible, but the poor was the mind, eyes,

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and written and directed by Academy Award winner Martin McDonough. See Wild Horse Nine, only in theaters, Well, Well, let's I'm going to tell this story as

because me they were so in a row of a super enredated to what he see, what he see, but

me got super extra extra extra macabra, rara, right you say, what you're

what you know, but it's so they're so, we're all to put him to know,

to this chico and a father, sir, his 15 years, Lamentably has two a year-a his mom.

His mom has been related to some type of a very aggressive, although they were to

services medical basic, not they were not not even did it not even even got to

not the time deteriorated that they said, sir, we'll say that

we're going to prepare to the that we don't to do not

to do not to the father of Leonardo so deprimed so that the

sir pered the job. Malas decisions, no has energy, he's

deseched. And a Leonardo he to madurar. He to move, get a

job, for your age, is illegal, but, for your appearance, it's

for poor businesses that is he's between 18 and he's pretty

more more than he's a bit kind of too that's a bit

tup that's a rasgo paterno, also his body is a type is a type

old, a lot of and he has a good Leonardo, that that's just a

year after a yearn't after that his mom changed his voice. You know, I'm

these situations because they're in a declieve economic very very hard. The

job that was a job, was a company of a company grand, and they're

to be the Leonardo, the hours that his mom, even was too a little time,

and they were to pay them to pay them to pay them those, the questions of those noneraries,

gasts, things that not were they were contemplated, they costed a world of the

general. The sir, he's kept practically without, then after without,

and without a job and without the next months, the the world the

money, the money that was the money that's, and then, and then they're to start to

start a and get a moment in the you know, and there's a point in the case, I think it was

a new type of because it's that they're to desacare of the house. Yeah, in these

circumstances, the papa is in a crisis personal. Yeah, have been two years,

Leonardo, he's been very strong with him, and he has said, Papa, you know

you can get there and all over there. If you still you go to have to

because not we can't to make the both. No, me done a

job with that I can maintain to the two. For favor, if you do you have a

effort, if you're you're doing, if you're to go and you go to do, to do you do, I'm

we're going to do, we're going to do, but I need to confier in you, I need that you

get you do you do you know, and in that you the situation, but he

can't find not even where to start. His head is a cut

a Don't know how to do you know how to give his pensions and is there

when he a call a time a time but also not so not so you're going

to understand the Mr. the son of a side of a phone

the house pestilent all the things such and very

because what they were good and new he went there

there there there there there the telephone that is the

to contestant, is a family a farian a friend, a friend a friend, he has a little bit, he says,

Primo, you know, you know, of our Trio, and he says, yes, as he,

well, then, and we're and we're having a family. The the man,

he was in a house and was a place there without, he's in a

place, we need to be to be to be not to all the superiors

of the family, and then then the father of Leonardo, he says, well, you know, you know,

I know my has brought to the world in the last time. And apart, I don't have much relation with you know,

and they're to do it and they're saying this type, sin miramintos. Because we know that's

a bad moment. And it's he's very extra, the father of Leonardo, he knows.

Not so so much people, not so much, not so the time. In the year,

no they've not were not they're not they not they know their they're

giving part of an herencia. And they ask them, they're doing, of good a good cause, just to help me? And a carcashada, he contested at the other side of the line. No, no, no, no. No, how you're going to do you're going to be the person encargated to clean the house? If you

clean the house, we're going to give a 10% of what it's vend. You decide, and the papa of Leonardo he says, well, and why not is there yet? Because the house is too, for you occulted things? Better we're going to principle. No we believe

that you can't limpire. And also you know that if you get to happen something, we

don't want to cover any gas. You decide, and you know, you know, we did you know,

we did a bockita, we did we did a coperache, we'll a lot of words, more,

words, centavos, less, centavos, less, $,000, $1,000, what is

a world of money compared to what I've been having the last the last

he he, he doesn't even. Sure that I'm going to say. He says, Primo, Primo, you're going to even if you're

asking, where is the house. But the Primo, the father of Leonardo, knows perfectly

to where is. One of the time I've heard the and he's not, he's a little memory he says,

that's a right, he's there, we're going to see that. Two cities of distance, seven hours

of the time, that's not. That's going to there. He'll talk with his

and Leonardo he says Papa, my work is eventual. Me they're paying for a

minute less of the money. Let me get to do you want to get the same work in

all the parts. If I do you do you do the things, and apart

vigil, that no that's saying of the house that that's in brogated

that I don't I don't how the people can't how the people can't

let's he's your tithyr tititor so there's there there

jubgetes of madera and other things. I never met in their business.

But they said that after the business he came to and he made to do things of the bruchos. I don't

think of those things. I know because my primos but I said, but me they're

very in serious. What I say, is that I know that I know that those malnacid

and those malnacid not you don't do a centaos to a manrient

in the car. I'm they're they're offering a I

I can I live of two. That me going to discounted the $1,500 and that they're going

to say that they're going to be money, and then I'm then I'm to do you go to start.

Or, that really that house is that embrugated. I know what I'm that's

that's the do that we're in a little we know we know we we're not we're not

you know, he said he said, he's not the bad, in the badas, I'm

you're I'm with the I'm you'd you'd did you I'd like you

I'd say to where let me go on us no no pass nothing, what can

go to the one of the one of but he can get a but he's going to get to

get to and they're to get to the house the house has

the the buss and it's a houseon a parted

which would be a quarter piece but it's a a

middle a second the techo of the third piece and yeah practically the techo that's the exterior. This house has quite many quarters. And they're both

from the moment in the they're going to be, they're thinking and they're expressing, if the house is there's to turn to clean her.

And the his son's rye and he says, well, I think the same, but I'm because it's

very strange, eh? Talve this has passed. Talves no. But when something brillia

and it's so beautiful and it's not so easy to change to get a if someone to get to get

a little bit, if someone you want to make a idea, a sometimes you're doing and then

you're a and then you to make a and again and you get us thinking, no,

no, it's a good house, see, to get to there, and even they can be

they're doing to be house, you're going to have to give more time. If it's a good house

to live, to be the way, you start you're thinking that even if you're a time a timecett.

What I think it has been to the story, but it has been everything. Because when

they take the hands, they're they're they're in the door,

and the door, and the two cross in the umbrate, they're to be

and they see to be and the he says to the father and the father the

I said, no, I see that he has to do the job very rapid. There was something in the environment, two types that no believe in cases embojada, a man who has a manned sottes but well

and a man that's looking for a good image and for bolvers to build to build us with an opportunity unique, a little of the

house, a messita to the center, and a sobre with $1,500 dollars, puros billets of 20,

fajo Why? Because the idea is that they have for those bivere is what they need. The rare is what is the side of the on the sofa in that mess that that's full of polvo. Some wreaths of some that my hands are quite

great, but no they would get in some centimeters that midden around of 30 or 45 centimeters of the long. And it's like if the deados had been pegged the

mess and had arrased the hands. No, it's perfectly the form of a man that has more more

more than a maledita a rle of school something. Something that not he corresponds to

a man. You know, they're that over those wheyas there is a little

and then then once he takes the he says the money, he's

he's and the little he's saying Leonardo, no we're an

lot of this is a bad a lot not not they're not not

not they're and the he so 150 250

250 220, 320, 410. And then he'll look at him, he said, E. Epoquen us in the important. He'd have the fojo of billet. Countal to you, too, and they put to count as those while they're at the back to the mesa,

van caminandum to recorrel the first when they're gonna'nidant that's crispa the pill. A Leonardo, the lecali's a foe to beillette's to the table. The papa has the suiote, to be, ah, and this is

something that's complicated. Because when they're all this in order, but they're sure, sureissim, that the mesa was about 20 centimeters more to the left, tantito, maybe. The piece no

has marks, because no has much contrasts, because the surface of the mess, is, but the piece no. Deciding simply to give us a half-wilt. The his he said, and he says,

if he says, he says, he says, he says, he says, he's a 20, 40, 60,

80, 100, 60, 100, but if I got this fajo, aparted,

are two hundred 50, and it and he gets a , and he says, you're saying,

10, 10, and 50, and 50, are pures of 20, and say, cack,

he, he's, what important is to put to the attention to the important, and say,

and they they go directly to the car, they can in the fajo of billets in other mesa of the kitchen

and the papa and he gets to recuperate the respiration he's a really a he's stottisim all the

accounts not they were interested they were a question and other other thing and then Leonardo

he said his papa all right and the papa he says no but put an attention to the

important to clean the house they're going to look the kitchen the kitchen

the way in good in bad bad bad stuff that probably probably recently,

after 30, 40 years would have been super-lucous. Now, you've been a little menegrecisied, palidecid,

not with those more brights, capitas of grass in some other things like,

the problem is that at the barra, in a zone of the other

other other other and that and that nobody, to the nobody in the

maldita the land that would and they were, and said, the two,

they said, what you If I'm the floor, he said, go in the piso They're in the attic Because they're in the latico Because for some Why, for some extraia

Maybe, perhaps, Start the more Deco's the first Is the more in the moment All the Casa, that is certiorated

that's sererated That's ardued That's aroused, door in the entrance, and those to I do, because recorriar in the

passillo, regressable, buscabing They were the next level, they were the one and

another way, and in the other piece, and the adalatic, suben for those escalaritas,

levanting the door just for start just to be just on there. You're not the men who are

they're how demonios the way. they're not a little bit of a little sort of and the papo's

and he says we're saying, we're just going to do you. and Leo says, Yes, Papa, and we're to look at least what important.

Voltean to their hands and their bolsas not bring in the money, and the year's got to go to get to go to come,

no you're to get to get to get the limpeas and let's let us let us let us

and while they're talking that they're they're in an emmacent if if you want to

see you're there's there's all parts, rotos titteres that they They're in a brazo, titres with the

face-kebrated, titteres of made-a-d-pricelana, of plastic, things compradas, things made-in-bosses, and it's spantos. Because in a moment in the time you you have a lot of

different different, that all have no-o-o-o-os, you can't get to play in-contra, because it was there where it was there was a attack of panic,

all sentirees to be things that maybe could be to start those being that maybe

they could have had something they're in the I'm in it's a very much,

but it's it's they're they're not they're things they're not but it's

they're they're not they're so they're and they're when the papa to responder to hear you

hear that the plant back she just to have to the

door, but of a portas a a little a lot of so I'm and they're

and they keep in one of one or and they listen there something,

not you don't I'm, but something, that that's that

is a way, and while he makes there, there, there,

there are two sonnids that they're a one on those escalone, and then

a crugido, like if they're at point to to be able to be able to

bebrars the problem is that the problem is that the things just have

remates of mader but the rest are the

metal or another material that but it's a

point to start a one a crujid another

a grugid boom boom boom boom boom so

they can come that they have to get

to second-pice. Because now I see-cuched a door that's open, if it's a-golp, other passes, the gulfs, the crujid, ports, if it's-as-a-golpe,

another door. And Leo is good, contando. In his mind, it had grabbed, that were four-pourses of the second piece. After the fourth movement, of the fourth-pourte that was opened and

the door, the steps advanced, fast. Boom, boom! They're going to the escalar, and they're to move as if they're

a bit of they're up at the third piece. They're in the passio,

and in the passio, they're start, open, and then they're they're

and they're barren just down of the trampilla of the latico, and

they're like something, like if something that might that might be more of

two meters and could alzz the man and with all tranquillity

and with the trampilla three times making that retumbe

and they see how commenced to move to that trampilla. They're

a fear and the father of Leo know he's a moment to act his

his boy he's a man he he has a he has he has he's a man who's

the man he's the not the he's the that's the he's he's he's

he works he and act to he's to safeguard the good

all the his father the valentia that was Capas, I spoke with

with a voice uncortated because it's something inaudit what they're living. And he's

we're going to clean the house. Nothing more, let us for favor to make. No,

no, we don't do we're doing anything. For favor, for favor, no,

do you do you want to go to the door, but for favor,

let us not we're not we're not we're doing a something, give us whatever

whatever let's let's let's let's the the things. Nobody does want to do. So,

so no no's do anything. And just he'll to talk, Pum, boom, boom. Three gold in the trampilla.

The sir voltae to Leo, he says, Bucca-al go to get a maniky grandot and he does

a little a piece of a piece of a matter that not you can not want to any a single and a

power and that that thing that's that's heard that's always that's the top of the papal

he kept to see a that thing, could understand, learn his pensions, or to understand the insecurity

that you're , he'll go to work three times. The Papa of Leo, he says, I'll be

to bring, I'm going to be, for favor, we're doing, we're doing, and where does that,

it's a trampilla to go, the trampilla that's, the door, enter a

great, the wind gelid, horrible, with a sensation spantos there up,

but in the base of the escalera and in that piece no there's absolutely nothing.

Baja the stairs and when you get to the first piece just

front of the escalers they're a manique more or less of a

one or a one with the car that has the the

body it has a little roto and is a part

articul is spantos does he has and it has

there that are like arrancados. Leo and his Papa, see that. Salen going and get in the

money and get around the money and they get to the house. They're going to come and go to come something.

They're not in all the way. They've done two refreshcos each one because sentian that the

sugar was to back. Necess they're to get to do, and do you

do, and do you know, and the mind that the mind you're that the paper that

he said Leo, let us to do not at the hotel. He said, "'Manyana, we're going to "'to work to day.' "'And Leo, he says, "'Pap,

"'tapok, "'tapok is a "'uner in "'in' money "'in' "'in' "'not we're "'to give more. "'We have to

"'And he says, "'But, Leo, "'we, we're in "'he, he's, "'he's a bit, "'what's "'Quid this "'Done?

"'Now, "'now it's "'What, "'what, what, "'he's what you "'that's just "'lure, "'and, if,

"'C, if we've "'Card we're If you do they'll cover, we're going to get in problems. Mejor that thing.

That thing, that thing, if we're going to be able to do you know about that's part of that thing not we're

looking, because many times the people when they're living situations very complicated they're they're sure they

they preferring inventing things. And there's where he's where he's a little bit, to inventors things that

to do things that they're to do maybe it's for the he, not know that the

he's one of the things that he did you say, you say, he's a brute. Talve it's someone who comes to

protect him. And the father, he said, he said, he's right, he said, without really

absolutely nothing. But, knowing that his son, he's doing the major act of valentia

that has seen in his other person, he's deciding, for over the two, and for he

himself. For some, it would be the major act of stupidness, but here the intentions have much

to be. Leo and the father and he are far sat down on the escaleras,

almost for three hours, they're at point to enter when when a resident

when a person, you know, they're in that case they're in the little, and they're

they're to get to get to get to and get in there, there, and there,

people, there's there, not enter in that house. And the the father of

the person, we're not we're just we're in a situation of a situation of

the resident, but no, no, so they're they're doing in the person, is that

we're going to clean We don't want to be in the way we're They say no, you know where's they're Meting? This is a port of the Inferno, that house. No, they met. If you're up in a while I'm sorry, For what you want, if they're

in the day of the above, they're getting In the terrain of the day above, no Entran to, he gave a half-wilted and he He's going, and he's suading the hands, but has all his force of Voluntal, it put there in-jew, is the first in put-upon-pon-pon-pon-pon. And he says to the

Papa, we'll just be, Papa, okay. Voltae to the when see that there's a rostro that's you know, you know,

he's the thing he's the idea, that he's the idea that he's not going to be nothing, if I think

nothing to do that's if not they don't know, and the papa and the door,

the two enter and and they're in the second piece, they're in a bitation

they've they've they're back, upon us, they're just they're in a bit of a bit of

a lot enter, running to goriending to the door the door

that's there in the one of the door with the and the two

get in directly to do get in so much so that's that they

don't know that they're even they even to do

a way to do something that we do

get done so they're not he he's he

he he's he he he he three three and

the the side of the camera. No, so he gringo, he he came to his papa, he wasthemed to a little bit. He said, Leo, what happens? And he said, inclinated to the camera, the manikie that I've seen in that moment that came to say they were in the house. He's there, as observantos to the two, with the car came-a, with the body, medium rot. The

door of the room, serrated with a key, the door of the baio, serrated with a key, and they're soothed much. The papa of Leo, let's car, of the house. We'll have to be

to the house. I'm going to get to get to this house. In one day, we'll say, yeah,

he says, so, Papa, and then the two, they're in the door, and they're in the door to, and

get to do it. And then we know what's the madrugat. But then then you'll get in the morning, the

dolele the mandibula, he'll be and he and he's revisable to the back.

No, he's not the car, no, he's not the father, but

he's been a bad son, it's a bad be a lot of the what is real in this instant is all this all the same thing,

and when you know, it's a moment in the moment. It'somandel to be, of the room, some passos that after after the matter crue and then

he's move another, retumba and cruhe, retumbed and come directly to the door of the

bay. Leo, is a lot of fear, he's to get to say, Papa,

Papa, help me, Papa, come back Papa, I'm in the back on the ba'

when the door of the room in the moment in the moment in the time, Leone, he's

never really even that malignito wind desagradable that enter.

If he the door to turn to the to attractsela to receive it with the good days. But he'll listen to gritty and then then, well, all of that situation. Leo he said what happened to the baio and the papa

he says, no, we can't support it, but we have to do something with that. Enter in the manikie is in the place in the way of Leo and he was he got him, carren, corren for the passio, busk in a bitation because the day anterior, when they were opening the doors, saw it was in a that was full of objects of articles, and

as if it were, they abent, the maniky, for the inside. They're Agarrable a silla and they put in the cerrador, that thing

not we're going and we're going to clean the house to rapidly. The two are talking about where we

start this and the father, we're doing the things yeah, the limpeas that they're

saying, I think that's that they're saying, so that's that they're at point

to enter to the court, the two are front to the room of the

house. When you when it when it when they had been been with the

maniqui the the door is a door. The door's

that I'm going to run to the door. They're both, they're

absolutely nothing, but they'll hear the pass, the clugido,

the pass, the retumbo and the crugido. And now that that they

can't be, it's a very very very much because even when

when they can't see, the two are the thing a thing enormous,

pegated there and the umbral, giving a step into the room. And after to do that,

they're in the room in the one of the car in the maniky, the sill, front of those eyes, because they're

doing to make and it and it's a move and it and the door. The two doors are

those two asosted in the room, only to see, it's sufficient,

his head no, not will tolerate that the house really- isembruched, and they're

not put in this situation. They're going to from the second Piso, get to the door,

they're at the door, they're in the door, when Leo, he says, his papa, not I'm

the paper, and the papa, and I said, I'm not the kitchen, they're they're going, to come to

the cocine, and get to when they're when they're a sombra opaca the crystal of the other

side. It's so great that barca all the part, completely, from the

up, the crystal that's of extreme to get to totally negreceded, they were

and then they decided, without to say a word that they were to say, and they were in the world,

those were to make to enter to that place. Now, so they said that they had known a house,

that was a subcursal of the infirn. And with that story to my dear family

nocturn, we've got to a fokata and stories. Pardon, this is Saturday of

SOMB is that family nocturns here, and in what we're in what we me, and it's me

a little bit to be my uniform of work. Because for those who know they're this is my uniform of the work of the Saturday

of SOMbras. There are many people who are new and I'm to explain to the concept. Saturday is the moment

in the time in the community. Ultimately, we have been able to have been in the but even

we're not we're going to and I'm to tell us things apart to the stories. Today, I'm going to

talk to what happened in the fair of the book of Monterey and a day before what happened in the

firm of autographs there in Saltillo there's first I'm first I'm with the firm of autographs

of Saltillo Family Nocturna of Saltillo many thanks very thanks it was a moment

of the locus let's tell a little how it was we're

we're we're we we're on what we're in the

person human or normal no boy in my attuendo of I'm notar-dor-dying

for the life, no, no, no, no. I'm sorry-a-old for the universe. There, tranquill, observing,

contemplating the beauty of a festival of terror. And I'm thinking, illusamently, that nobody

has recognized. Decid, that is the moment of to get to be to be where we're

to be the set, in where we're going to do the presentation, because it has been

more or 40 minutes. I've all this very, very very rapid, and I

do then I'm manager, oh, why not? We'll do a little to have a

whole of the end up. I'm not I'm still not I'm recognized. And we're not a little bit of

a while. And me says, that's a good idea, because one we'll be probably

maybe we get a because we know how people are going to go to get,

and you get in a question and yeah, so it's all the we're not,

we know, we know we're really how much people they're going to come. And then

I'm on the backstage, in the which had been past five minutes that's

there's and I'm going to go to the door, I'm going to go to go to

a little I'm, you can't sign a narrator this libretta and then then I'm

sure that I'm a little the book of the time Docturna we're we're just

we, we we're we're just we're just and we say a part of things

that I say I I'm I'm fan of this episode and

I'm much I'm going to I'm exactly what I did. But I said, I'm talking about

two, three phrases. Termino with her and I'm going to go to go to the way. There's a

little to a line. But when I'm a final, is that it's the place in the next

and it's and then I'm going, I'm going with me and they're so far the way to

the field of where they're doing, and I'm and I'm okay, you I don't go to

My manager, he says, is moment to be a professional? You take. Me, I'm going to go and I'm putting my Rop to narrator. Yeah, I'm in Mood Narrator, and when I go, I'm not where it's the line. The field is, and it's, it's a lot of the

and it's, not a person behind, it's, one, three, a lot, and so, and see, and, and see, and, see, and, and I, what is this? We know, we'd have to be in family nocturn. No, no idea of the quant.

I'm going to say, I saluted one person, I'll do another, come in the people, the people, they're going to people,

we're up, we're up, we're all around the car, we're not, and we're not going, and we're a question of the, you know,

what I'd do, the , I'd like, and those that only were the photo, too, and those who were all the

public, and was a minute to do you're nocturna, the locus, because of a repent, they'd have been

40 minutes, the field was exactly even the same. More, the first, but not more, because it was to go to the

front and then I'd be at the line, but no could be anything. I said, and I said, and I said, and I said,

a person in a podium and say, it's the narrator, for favor, pass, for you know, give me two

firms of time, I'm, let me, no, I'm a photo, a photo, a photo, wait a minute, I'm going

to go, when I'm when I'm down, the end of the end of, oh, there's

there people I'm waiting, and I'm going to go and I go and I'm suvo and I'm going to have a lot of the field. Volteau and it's all the part of the back front of me. All the people, well, good on, and so on, it's put to applauded. And, illusely,

I think that are people of the Terror Fest, that simply had happened for there and said, oh, look, so it's up here, we're going to go and I'm going to ask, since I'm ever, I'm sorry, they're, um, some family a nocturn, and

And I said a gritty a tronator. And I said, a la fregada. So, if I'm doing, you want to hear stories,

and all the time, so I'm going to tell stories. I'm going to tell stories to the night and so that

and they're to get to get into the pastiles because here there's really impacted. I'm talking

to the stories, while I'm going to and just going to be going to how the

the and so you get in the room. And so it's a lot of it. And so on the manager, that's supposed to be in in a know-upon-a-upon-to-day-all-a-pocket. He was all-sat-trued to dole of people. I'm potholded the stories that little more that's made that's malo commensar a gritty

another and then I'm going to and I'm so I'm I'm not I'm manage the time

and I'm an cargated of this thing of the presentations in vivo and me says oh yeah

you're saying you're saying I'm saying another photo they're in other

story and then they're they're to tell your story 50 minutes

talking, but it's the family nocturna. The family nocturner and the problem for us.

We don't know the problem for us. So, I'm a story more, I'm despid. I'm going in the field. For this

this I'm talking, that I'm more than two hours there to brinkale, brinkle, move, me, move,

it, firma, firma, firm, film, , film, photo, photo, padrissimo, padrissim,

partis, partis, tell stories, I'm, I'm going to start, to firm, and firm,

and firm, And the field and the field and still until that he had to get to get to get to

say, sir, this, this is, so, yeah not, because there's a group of

people who bought a VIP to take a photo with me. I went to go and go and

come and come and come in to come in it, well, it's to be a little very, very little

but I'm there's a way, when a chica me intercepted me, me say, for you know

a photo, and I'm going to see, we're going to photography. I'm going to and two chikos. One photo and I said, but we're going to the

movement and we're taking the photography. Cuis, Cuis, Coole! Coole! Coole! And we go, comey, camille. Geree. Geree. And where I go, is it a salon repleteau of persons. No. So, I see. 35, 45.

Gents. All right. And all them tell you. I'm going. I'll tell you stories there. They've heard. See? So, then. They're just

they're just to make a lot. Otta. Otter. You want another story? Well, yeah. Yeah, yeah.

I'm prepared, the and then. And they'd have the stories that were the complement of the book. And these

stories have to be with the book, but are the stories that not putier in the time.

And it's the task of the book that they're that they're really, what they have to

get to these stories. And it's very interesting. After a hour

to tell stories, we we're we're all of those photographs,

yeah for that point, they've had passed around of four and

the sensation physical thermic were like the the sensation of

the team and we had to and we're going on the very good at least very good but it's a little

cobra the time and we had been we're just we're just to get back to the and I'm saying

and I'm saying my manager ah yes so it's right because tomorrow

we're just to start at the morning at the year of my oh my

oh my God I'm I've oh my and tomorrow is the morning is the

event great and then it's the little Well, we're there in the Camino, and we're going to

do this and this. Total, how people more will come to come to Saltyo? In Saltillo, there was much

people. No, we were much more than 300 people. It was much more to 300 people. For this,

I have to talk to a little. This is what you know is what you know what passed in the

bambalinas. Very very time, a person of the team, was to the free of

the book, he was with the the chica that represents the Fairia of the

book and she's a sheke is she's a really nervous the fairia of the and says

is that they have been in a house of a single never ever ever that's it's for

a lot people is that it's that normally normally they're in 30

people so what they're there's no there's there

a problem because uh uh a hour there there

there there there there five there is there

will get vacous will be to no problem, but well, we're just going to be.

The person of my team, he says, that's rare, eh, that's rare, and see that the people get to get in, the same out of

the cell. And he says, but for what? Just let me to go to the cell. He's, and he's just

he gets to the eyes, it's over and he said, it's to be the house, and she's,

she, no see, how we're going to get she's, and they're just to let's just

you know, and when it when you see see what the person of the team was a lot of the person of

the cell was a lot of the people that went to get to get to the time and they were

with your family and they were going to get the places because they're not going to

get to the morning not for exaggerated because in the file of the firm

one of said I said I came here at the last the morning

because no me I'm so I know there there was there there

And there were all the well, the 70% for situations that there were in the film Monterey, that's all

the organizers of the fair of the library. It was something was a little the day and the

day it was saturated, the cars and a chaos, a good chaos vial or for

a very good reason. I have to stacionar so much the so much

then we're practically running. My career practically is you coming length, but there

I'm doing an effort enormous. And I go, come in, camine, camine, with the camisas, and I'm going to be there going to get, we're going to like 40 minutes for the people. No, I think

there's a lot of people. No, me have advised us that the case was almost getting, to the third piece, where it was in the hall of conferences, we're talking, we're going to be the person, that's the person, and we're going to be able to get us and we're topos, a group, like, a one of ten people, narrator, and another group of ten people, narrators, and another group of ten people,

I go, wait, wait, wait, wait, wait, right, we'll see at the sale conferences, and I'm saying, but is that

yeah, it's that yeah, there's a yeah, there's a yeah, and then the

time, I'm saying, yeah, there's a group of people, and I'm there's a little we're

we're doing to come over, but is there's there's there's for the questions of the

security of all. Okay, no you don't you see, yeah no there's

and he's and he said, and he well, then you're there's there no problem

the Silla, many they're in the story, I know, those know,

those are my family. I'm going to ask another, to go ahead and I'm going to

so, we're we're going to the last of the time, I'm

quickly, I'm going to the we're in the room of the group of

outside and in the moment in the I'm in the moment in that you

get to and when he's and then applauseos and applauseos and put the

the skin chinita, the quantity of persons that saw the place, the place was tigurrower, persons pegged at the parades, persons parades, were all the

ascent, salvo two or three that they had separated for people specific for people organizers of the fairia, salvo those

two or three, all over all. We're going to the chick, what is, and it's me kept

looking with the eyes over and me this is very impactant. we'll start

the platic it's all incredible and terminated and I'm saying, you know

des indications the indications those are we're doing we're doing because of secretism there's the

same there's the same quantity of people that they don't enter, and I'm

where there there's a world of a world of people and all right and all right they're

they're over narrator me they're they're they're a little a

place to that's and in less a minute all the salon is full of people are fulles and fillas

and filas and and fillas and I'm not I think and impacted and the chica me said never had

ever ever seen this, never had passed and I said this is my first book so we are the

same conditions Ditcho this both we're we're doing we're we're saying with the and I'm

thank thank you they're they're they're they're they're looking what is the

not any other any way that's a level of respect, that form of the way of

that's a good that's the place that's the essence of the family

nocturna and at the final me they were people, they were with me

and I said we're we're we're we're got it totally this

is an environment is an environment incredible, it's a lot,

the people are much what is this? What is this? How can it be that stories of terror

that the people are the people are the people that the story of the story. It's the

family nocturra. So, family nocturna of the heart. Thank you.

It was something that got to that you. And if you were the day earlier you can't

this, this, I don't want to be to be the thing. What he was a purr

evented in the piece, and saying that all this efforts, is a effort and that

it's worth. Much thanks to to all of you. I've said one once this. We'll see the next next Monday.

And from here until we're on the next Monday or the first of December in Monterrey and in the Ryo

70 or when you know, what is the date for the special of Naviate that we're

to have to get a place to a new in your new in a fecha new

that should this Monday or this next this week. And then we're to see

in the fokas in the ultimals of the year or the next Lune's I wish

that you have a goodst bests passadias bye bye but but I'm

I'm gonna one another another Boceita you too you too

you mean is a chere yeah but in the final me said oh my

missusit much thanks for pyrotas is that I'm here here I'm

family I'm I'm just I'm just here just quality of conditions, no,

is it. How can you how you can't how you're how much? No, no, no way to justificing.

No, there's a way to do you do you? Oh, I'm also, I'm one, you also,

me, you know, a part of me, you know, I'm going to I'm going to but is that I'm going to

get to go to and the other, and I'm, I'm, this, ratherita, middle, and maybe

shortita, but very very extra, there, a chica standing perra. If mal, no, I remember, he was in the

grand Javier IP, this program of television. She's called Monica. Oh, Monica, Monica, I think. Escobar or Scovedo? For favor,

correct me in the comments. You know, you know, the numbers are super mal and those confond. Of fact, there,

I, I mean, I told you those stories, the people were to look to say,

and I know that that means to I'm going know there's some mawana. But,

well, the point is that Monica, this standopera, that is of the standoperas, let's

the first with all this movement in Mexico, has some some of those stories. First,

he said, he said, he was a house, and was a place, that's a thing that's

a spant tremendous. From, from the time, movement of things, his papa

was a person completely septica, and he took see how a he moved

and the only that the sir is he said to be your brother when no there's been nobody in the

place. I think we don't know that's a immorosimile. So, it's a good that

is a good because are things that they can get to that you can't remember

a new that's I'm a timegis I'm put out think you can't

be more, phantasmas more, but you know that's that's

for you an anecdote. But that a man who a little bit of a moke, a a muke a newie

a newie, that is the novi that's the muke. You know, that a new a new a man, that's

like a harron, a vessel that they call, the boudoo, in the

whole is the man of a person, the new the new her, the new

one of the womanita of the womanita of the hair, and after there's a

if they were observing, and occurred in various occasions, that there are movements in the house, there are movements of objects, there's the sensation of that there

there's a but the incommodity that generated that was a moment, and she had it was a

time, and in a occasion, and being a very good time with her time, he has been much, much

fear, and they have the muke there. And when the muke, the muke, something something is the that the

little to the moke, she part the half, without the nobody's a lot of a man.

Her wife says, I'm going to go to you know, to be there practically, it had to get to

the job, to get to the house, the work after the workable in nocturn, after

after that, she has, she she can't a little she, and he makes to a ritual with

a while that's a man, that the to the piece, and that the next

the next the next the and the and then it and the one of the day of the

things are quite a little quite quite. But it was very notory, how that that was

a little. But there a event, a event that was a one of Monica, that's

that's something very very strange and that's a so

so he's his son, he's his family was, but it's

a infant, a man, a new a little the second-pice of the house, is there being a

a space completely in blank. And then he's a photographia. And then we'll have a space

in the that's not, signara the photo. And the they say, is the bula, is the

bula. The bula was the boughla. And it was in other part, he was the backations.

So, so they're being seeing what is this little of this is the person, and the way,

and it she she was the she was the is a family. That when they're a place to

the little to get a little bit of a little that's a little bit of the old, it's a

kind of a little bit of a little a silhouette that's that's that's there's

a way, and if I'm a idea, it's, it's, it's, it's,

it's a kind of you know, you know, you know, you're to get a silhouette into the

side, there's a separate, and it's the silhouette of the And one

that he's got to look at the silhouette it's a piece of the temperature

is to be to be at back, he put in the place elated they're

to get to get to be a little that they're a little that house something

that's something that was, you know that's a other

dimension if a d'upt Ganger, some other spirit what what you

know, is that is something probably was a probably Oh, that's being loco, right?

Yeah, that that's a trage of camouflage, I think the Tio Hancho if you know if you know if you know

you know you know you know what you know what you're in the going to do you want to try to but well

Mrs. Much thanks thanks. We're we're we've seen in Tuxla this is the

Saturday then you're the same we're going to see the next next we're next next

the next the next and Rio 70 and in Marke Teatro this same

this time we're for the special of Naviad. A fogata in your city that we're going to

have to be in a city of Mexico. Now see, a good fun of the time of the time.

That's that you're doing those Chevrolet.ca.