HABLEMOS DE LO QUE NO EXISTE - Navidad Aterradora, Entes de Invierno y Sustos Navideños | EP 351

Episode Date: December 25, 2025

Bienvenida FAMILIA NOCTURNA a este Episodio ESPECIAL DE NAVIDAD, el día de hoy en @hablemosdeloquenoexiste en esta fogata oscura y navideña, escucha las historias que te erizarán en la piel, te dejarán fascinada/o y otros tocarán fibras muy sensibles. Te llevarán desde la sorpresa hasta terror tan profundos que ni siquiera sabías que podía sentir. Gracias por ser parte de la Familia más Oscura y más Chida del Internet, de parte mía, de las Voces del Más Allá y de todo el Equipo De Las Pesadillas. Te deseamos que este cierre de año lo tengas lleno de bendiciones en compañía de tus seres queridos y de aquí hasta que nos veamos al final del año. Te deseamos que tengas dulces pesadillas.@HABLEMOSDELOQUENOEXISTE es un canal de YouTube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Welcome to Family Nocturna to this special of Navi-Navit 20-25. Before to start in the special of Navi-Navit I want to

say this you're going the 24, the 25 or the 26, or maybe in other year, but thanks

for giving the time to share this moment to get these stories to your home.

This special, as many all the years we've been used a recopylation of stories

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Embarqued and relaxed. Ciroat, bookiné. Oh, so see. And profite. Via Rai, the voice that we love. All the people, we have some tradition related to the Navidad.

It's also no. That's another theme. But we have, because the feches can't in those days. Inclusive, there are people that their tradition

is that day to go to work because they don't know of the fecha. And so with a time so will be a

tradition. So, so today to tell the history of Lucia. That Lucia had traditions

from a has a much time. But it was a little bit of Lucia, a bit of a bit of a lot, he was divorced, and it's the first Navidate that going to pass

without her but I think more or less a little, because there were some things very strong between the two

that at the final, when they decided to finish, the actual, it was for good to be both,

that not were good that they were so they were they were so they were the the poor

of one to one to the process is a simple. Lucia has a

little little and the last you're the first she's the one of the because Lucia,

yeah, the time, you know, the reason, she's not a person in the world, with the

other lucy is a reason, you have to pass this end of year and he has more

five years and he's his brother Luciano. Oh, there's a problem,

Luciano always was quite strange. He had creencers always quite

rareas. He liked those things of esoterism, the and the other

other mother's the mother of him and she she was she was a

mother and she and she he was to her to her

people that was she she that all what did it was to be a scandalous and to

call the attention never he was a very he was he took in serious but Luciano little to

get into some way more more obsessive to all all the all the all the

that Luciano or not to not to share to be not to do you and for

all those things are family and even even have five years not

look not want to be not want to be not start sole this Fecha.

Consigued the number of Luciano, no you know, the problem that he significed to this woman. Conseer, first,

the contact of a friend of six years, that were an friend, to look, and then people,

and it was both, and it was a little bit of years, had been a lot of

the world. No, had yet pages that were to him, numbers of him,

no, there was not the way to contact them, that direct, no, I didn't

know where he'd any in the city and in what part of the planet was a

very interesting. She's she's the problem is that you know that you call it. The problem is that

the most strange of the world. Then it's going to know what. The point

is that when he doesn't know that he live in a little that's a two

hours of the city where she live and in this pivit are some cabins

a center vacational. Then she that's a certain way, the suitor he's smiling, because, if he's going to her brother, his brother, the chaman, the brujito, but he'll go to pass her well, in a place, in a place very, very beautiful. He's a

little, she's a little beautiful, is an angelito, lamentablely, Lucie, no always is the best humor or of the best, of the best, talent, to share with her, but there are to get air fresco. While

they're going to the cabana in Camino, Lucia has a thought that another and a other way in the head. Arrepentimientions. No, I've

been the best mom, no I've been the good girl, I'm not the good wife, take it, and

have to consider it. When the balance is so just just a un-asjusted, whatever

something is that's going to that balance and he was going to be the little. Bekeying

details, now it was it had been the piece of a entire,

cositas that quire that we we've lived in the day-a-day. In that instant, for Lucilla, they'd have a

amount of, and she was feeling very bad in the way in the way to be and he was that you're going to be

that way to him, he's that's been that's over the door and I'm always considered,

nothing more in me and I'm and I'm to get to make her that's all you feel,

that's when I'm when she was a little bit of her mom and she He said, he'd have a sonrishita, and he'd

lavasseys about the man, and this woman would have been in the way in the way, she'd in the way. And, de-repent, one, a boceit-intrusive, over there, that Lucia, that, is it had been very good moments, that lucy, that has taken

many carignes, of many people, and has done much love, that he said, yeah, tranquilla, tratate well, to be it to me-missue, try to your little, and she's never,

to relaxer a little, to cry, and so, and it was a road too tortuoso. Three hours to go with this type of rhythm

is can't for that when he gets to the cabas that were at the night

I was a manned and the way had preston at the nothing of the

place I was very content to get there even even

was so the time the time that was at the

he at having got to have a a brazo and saluders, that no

he didn't know of the cabin, and the form of the cabin, it was a little rarer, not was a rectangle with a pair of windows and a

door of the door of the more than it was a form more more than than a more than to make a circle

a form a little extrana ventanas for many parts and if had had been a had seen a

up you had done that you would have done that there was in the part that was of the

a t-a-a-chachauna, a rarer, a little-usual. His brother is exactly like she was a-accordable a little-sere.

Sal, he says a pair of chisters, that neither he doesn't the carcajada after all of these bromas

like if were the best of the world, she's the she's the I'm I'm a

because in the last I'm not, because in the last I do a bit of a and she's thinking, oh, this will be a night very long.

Then, those has to pass, and when enter to the cabana, what you see is kind of strange. She, she's an idea. Are you, the cabnaz, go to a place a little bit.

No, I mean to say that's the only motive for the place. The fact is that was that for his brother. But also

was a great motivant and it was he was there in the way, but we're there were in those imagines that's created.

The idea of a place beautiful, of people getting in carros, of her

and she's sitting out of the cabana in a mecedora with her and then after she

and she had to put a little bit the little bit that's being that

the cabna not that was a rarer, it was a sillionc longed a

a room a a bed, there was there, there were like many many

tires there some kind of some type of kate Xxle or

some type of entre-tegid that served to his brother to put ayes, plums

in different forms, colgars and let them in the paredes. But the cabana had a

vibrator not not for the theme of satireism but the lack of the lot of

parts, tel arena in various points. And it was that this man,

he was nothing to little to care in questions

in questions of the thing and all the post. All

it was that in the first place that it was there's the first it was a

order of the disorder that you can't imagine. And Lucia commences with her

vista periferica to do like a scaneo 360 and her car is modific

of a oh, God, Santa Mother of God that I'm

doing a place, an disorder absolute aromas aromas there,

that not you'd don't you don't feel of the limpeas, accumulation of a little of a suede. And then she asks, her man, where is the

bayon? And he he says, He says, here at 100 meters. The baune is a letrina. A latrina in the middle of a bush quite obscure. The cabna of his around is in a zone that's inhabited, that she didn't know because she was now very tired of him.

But no, there's nothing around him. All around him are, and arboles, and arbores, and arbores. And his My brother has taken the molestia to cut to some arbores, that not I don't think that this is good, but entiemming me the idea, to do some a comminit-to, that leave directly to the people that go visit them, to the

house, to the latrina. No, what you have to do you do, no to do you do, not pern't to do you, no to get to regress, because there no, there no any indication. So, her man, he has preoccupied for his know-sableness, and nothing more. When she has comein'-a-letrina, and

he's a little, and she's justada, because no there's no there that's there has got to get

to get a carbaing to make some little because no there lighterns and electricity

she go to the they're they're they're they they're

an encendendendor because she has a very legal but it's

a vice time you can't imagine and you have the apparatito

to to put and put the and then she's they can't

and they they're they're with the a little, and when the latrina, and when it abe, the sierra,

and she goes to the cabana. I need to describe you anything, but I think you can't understand that if you're doing

of the gas to get to get a and it's sufficiently horrible as to return, a description always is

going to get a carpa. To get a carna, only is a little he's a man, and

in the mind, there is a lucy, that is that's great to give me a piece of her,

and she's the way, no important to do to his house, a other city, to another cabana, to another

to the other world, to get to be that's a man, and he says, it's good that you're

not you're sure to be to do you the house, and then you see the door, and then in the

door, and then she does a kind of a kind of a kind of a little, and there's

another that is in parallel, in a mark a mark, very, very furt that he has made to the

door, the armation the he said, what is going to do you're going to do you? I'm going to

some problem. And in the nights, I'm going to get you're to get a lot of you know, it's a matter of

you know, it's a lot of this is a good night. And when just it's just that's turning the

and put the and lucy and lucy, and it's suede and no put the anxiety that's that's

you know, just be like from from the sky, that's in a little little

the lus the all of the all of and his brother, and he just comes to

the other and he does a bracito and he he says, he's a very amable, very subtle,

no, you know, you're going to get to get to get to the kitchen, he says,

he says, what I'm you prepare? You're a coffee, you're a chocolate, it's a

cargated, or you're like that? And Lucia is with the eyes abjured, no entient

that's and then the door to get a little, like if after would, no,

a little a little that's a little to push her. Because it's a real a realod

that's there's making like certain and she just to see that about the

point of up to look to look at the other other side he's and he's trying to

get a little to hear to hear of he's and it's really he does

and then he's going to he's you're sugar, no I'm you're

little little so you not to pese Tense Tense Tender, Irman,

me you can't explain what's going to get a he, he does a little bit

to do you know the he's not a voice little bit and he he's he's

that you know what he's a little a man the more more more

he's he's he's sit in the piece because before he didn't

the last the back to the there there was a

there there's a lot quite, quite, quite much And so, for there, I've heard in some part, that if you see tellarrains,

that are like very, like, much, but not detailedita, but made of a manner like aggressive, with much terlaraya like accumulated, maybe you're

a little bit of a little bit of a raia that is venerosa. Then she's and she's she's in the piece,

no, it's when in the techo, commences on some, it's, when I'm I'm refer to

six pairs of pasites to come in different directions. Passitos, not of persons. It's like

something that is also and then he's to razzuene a little and then

it's to razzueneer a little in six points different of the

teach that's that's taping the part of the window and it's

when I and I hear you hear of the person is a little

and then then he's smiling to he's up and

at the time and the time with the right and you don't

don't you you're you're you're done you do

prepare the coffee. Lucie is entreatemland with a pain, that in his life had seen, he seemed a little maried, has been much fear for the child, that has been a loter, that in various occasions, it has lived, there

want to flora, but at the best, no, she's in the situation more strange that any person could be able to, and the brother, then, he gets the coffee in his hand, that even has he has done, and he says,

"'Quirees that you "'withes to help with the baby, "'and Lucy, directly, he said, in a way in that he no, he did a

point, because he thought, Soro, no. And retom a little the girl,

and he he said, he said, he said, we're doing, we're doing, we're doing, we're,

we're, because, I'll say, the instinct maternal was there, in a way,

in a way, in the , the person, he had heard, a chist, a carcajada, he can be

a little another, he, he tried a coffee with the two hands, and he

, my brother, you're and Lucia Siente for the first that he has a lot of

a bit of having a little bit of his armament, and say, me explain what the demon is going to

this is this is a want to be it, it's like the way, like the

want to get to the a lot of the kind of the not prentes

that the mind that the minding that's actually and she is there there, containing all the way is sentadita,

to the other than to say, "'Begrolet him, he begins to say, very big, "'Beged in problems with some brujas. "'Is that, you know, "'leth, you know, I was devied a dinner "'and no less put to pay. "'Ah, and me has been "'molestating so since two years.

"'And Lucy says, and why don't you pay us? "'No, digas in voice, Alt, "'that not us listen. "'Ah, it's that I've been given "'hermina, but, "'but, well, there's that there's "'a've been other things "'that I've been to buy.

"'How what? Well, is that remodeled the And she's He made with Lucia with a car of you're going to You're going to You're going to

Why not you said that this was going to happen And that's Alucia a lot of words, It's a

good. And his brother You're very comprehensive No, he doesn't know he's He doesn't

He wants to He's a life, he's having a Iromiscida And he's And then the Ruhrows

Cesaan. after that the voice of a woman afuerna Luciano goodnors me you can't

pay and after the voice of that woman two voices almost the second like a

little more more aguda Luciano goodnows me you can't pay after

then six voices a way and lucy he says they're like she's but it's

trapas if they're they're not to attack. Better, if we're good.

Then we'll pay. No, you're in. Lucie, is that he can't do with this situation,

and he says, I'm largo. No, no is sure. Wait a a mannese. They're not

to be the sun. You know, you're not I'm just I'm just I'm never,

I'm just to give a little bit. She'd have done but I have done all in the

piece. Like Luciano not is a person that you could be that you could be

that of him and he was mojillo he just made he's just he commode tanted he and with a

hand he's sparse the coffee for the simply for the soil because it was

the soil of the trosito of the piece of tierrita and then he said

he said he said he said looking with a car of two hours after that

the moment the same the caba sombras that were that's they were that's

is there, when Lucia romped the silence, and he's he's about Luciano, and he says, why not you know you

want you? And Luciano he says, is that they take forms very very that they're

going to do you. And why not tap the windows? It's that I've

had other other I'm like, but the let's the latrina,

and the her man and the she's he made, and he said Lucia Luciano,

Luciano, Luciano, Maranito, in what you're you're of a repent there people.

And, I do you do you do you guys and why not you do you know, and why not

you do you do you know to do you and say, and then you see, I'm sure, you know,

I'm not you know, my life, and my things. So if you are here to be

a bit good, and portate the good, lucy, he's mured the language,

she cory, he'll a brother, the rest of the night the next all the time, he's

many can't, because there a sensation that's a bad at the little that's in the

in spaces very chiquet. in the I'd risk to a new year, nor a nada more, nor a nothing any more.

He went to the morning, all the sonnids were to be unisono, and Luciano he said, well,

now if we'll go and I'll go and and I'm and the night we'll celebrate us, and he's

he said, yeah, you're doing, you're doing the door and one once that Luciano he's

he's accedo and very content, quito the cande the cande the carchette in the

carchette in the and he said, Nunca, never, you occur to to put in risk the life

of your son. Adios. She subbed the caminette, she regress-

and they do the things in the way in the life of the people,

because she all the way of the return something that he had

a great, that could be to be to even

to the end and it's something, and it was a

to have been the Peorneighed his Existency, he said, and then again, and the things

seem to be small. Oh, you know, you know, how you know the because I

see how it's a one, because I did it a little. But there something

that I'm going to talk, and is that many people think that people are that the

legend are not there. If, definitely there are some there are some,

but I to of the military of each one. I'm 56 years. And when I was a little, more or less I'm about

to my 10, 11 years, there was a history local. Don Remigio, a man of the localidad that during

a time he gave services medios clandestinous of the themes related with with odontology. Because I

just I'm talking to some ayerer and in a poulito very he,

in some moment perdi the and it's transformed in the borracho of the

people. This a little we we've been, a difference of what many people

but the people who people who know we know the people we know the people who

we're kind of or that are in our routine. What is that we all

know of the existence of the rest. I can say the number of

many people that I've seen a one one one one one of the

Pobleto. But I know who are children, I know, more or less where they live, but if one day, they're going to be able to recognize, until they're going to say, oh, I see who you're going to. This you know, because, for voices of many, me include. It was a story. Never me ever

toped the borracho, to don't remigio, that I'd never me had toped, but all those were all overrachito and that per die of the case, and they'd always always always the same

one and other once. Resulte that Don Remigio in the time

that was of the end of the end up and that he had to do the

husband and after the after you did it he got a mal an instrument or if

someone tried a or if was a problem is that the she

was a problem is that the don't remigio with the resources that they were

not they were not he did it the poor seora, after, like, six months

to end up and then agon agon fall, and it was bad, Don Remigio. There was

the house. And the house started all over the time. Don Remigio commenced

to refugars in the alcohol, and I had to the places of the people,

afora of the can't and the things started to that way, when I

came to come a year, I'm identified much with what

you have you've told that you've your narrator. A me it was that I'm going to

get a lot of doing the little bit of the old people here. The polder was a bit of about the people, and at the

four years, to get them to get me and I'd like to get me in the tachos of the casas, and not are

these places, narrator, not is like a city. The repent, I was over in the

people, that you get to someone to the person, and you know, you know,

you a coffee-cito, you invite a tascita, and it was for a situation, he metio. He was looking at his house, he did it do the house of the other, because there, all of us, I mean, we know, medium. You know, that the people that get in the house of the other, is, because if you know who, they're

and they're getting to others, because no-haw-lawful in the public at the final, for what you were robes in, and then you'd rather than, in this paviton, I'd like to make me in the casas, and I me met here for the techo. There was

a little a little a little and I'm and I'm going to be a little the family's

and more that if they're not they're not much, because that's much in a

place in a place that the people know, I'm and I'm and I'm about the

people, I'm a man who's a narrator because they're having a man who's

novi- his new my friend, I'm summed me for the the ventana because I'm

like a I want to I want to I want to do this You see that they were that they were to the window and that brinked to be back, Narrader, like two meters, 20 centimeters, almost me tron the rodillas, and from there, me promise,

I never, I'll ever end up with these chisements, never. And from there, narrator, but me lo, I'll believe, if I went for the texos of the casas, and of a sudden, I'd say, that someone was passing a good moment with someone else, ala-de-de-a-a-cassette of that house. No me would be accedentar, because I began to set up. my

Regles. You do I'm I'm going to do this. I see all the house

in one one of the town of the house of Don Remigio if it's there

was a very easy to identify not much that I was in a one of a

little burroso dentist Don Remigio well is he then then I'm

so so I'm sure it's a minute if has been that what

occurred or or no and I'm going to explore the house in different moments of the day, but me do you know that this house

is a car and it's a car and the door principal is the only that's the only that's the only that's when I've talked,

when I've passed to the people, and I'm asking, to becoulding, and I'm going to come to conclude, and it's not, you're going to docks, and I'm nother, when I'm coming and to get a little

time, I'm going to the world to the quadra and I'm a car that's Don Remigio and I'm

a little that's that's a moment a narrator never never had seen, but I

suppose that's Don Remigio and I see that I'm a one bottle in one one of a

other bottle in the other the other. The bottle of the one left is a bottle

transparent that has like a kind of a kind of the brevage

that it's right into, it's a alcohol, it's a wine, because it's a

very dark, and in the other, it's that they're a new and he

was doing sorbos, and the type, but in mal the quality, and it

makes a very, how and it's very, sob how it does,

that in the other the other right, why not he got the the and I'm

never passed, the man, the man, he had brought a

way, like, He wanted that he not he not even to get him to get afts and then

the other right, he'd get down a batheed, a badchita, a bitacito, and then he would be

the case, and then he had chas things mehas that had to do that had to be to do that

and I'm going to the other, but firm the hand with the bottle. It's

me made rare to the image a rado. Well, that's that I'm forget that I have to

get to get the house because I've I've got to and I'm going to what on? What do you occur?

Well, fiftate that the subject's in the subject to get in the door abirted.

I'm me asom. I go that he's going to a while I've seen in various occasions

because I think that when they were they were they were and I'm that I'm that I'm

that I'm here a cell a little whole, all, but that had marcus of

way's of the way's the place where he's the where I'm so I'm, I know,

I know that it's like to get to be with the really a really something that I'm when I'm

there. There's an altarcito. In the artacito is the photo of her

side of a little that's a little that's and then Don Remigio came

he's he quita the tap to the bottle he's it's he's

being the side like there trying trying to pass dispercived because where

where I I'm I'm a boy he's put a

and he and he's a know that he's he's in a back

in a kind of a sofa that he was the thing

the sofa and I have the and I know on the

part of a second there there there there there

there but a person there and don't remigio

and just say, how you I'm I'm going to and you're going to and it's and it's going to start to start to start off,

and more rastrable oh yeah, there is where I'm going to get a fear, something that never me

has been to happen. The point of my fingers of the two hands elads, but elados,

elad, frios, freeos, so inertes as, as I'm at the point that I'm

doing the mind of the and the other half of the other half of the one, when the

I talk I don't perceive the tacto with the hand to see if it's I'm afraid of and then I'm going to see if still are there and then

what I'm going is that the two are you know the back on the hand and the palm and I'm

and I'm trying texture, the cold, but with the point of the two are so I'm a russed

I'm sorry I'm sorry to be there I'm sorry I'm going and I'm all the year I've got

I'm I'm going to all the world I'm I'm going to Don Remigio, that there was a woman that was like a

he appeared a a man, and I'm going to say a narrator, I'm going to make a matter, that when I'm a man,

well, in the next was I'm my wife, and in the other there was a woman, and then I'm a woman who

had a personer and so it was sentia very beautiful. Nunn't me had put a lot of attention,

but I was going to talk about stories for all the and so I know how they're original

the A few is the other He's the other Camba and change andarradour. So, I was that I'd have changing and changing and changing and

but I don't ever ever to be able to I'm going to get to that bottle. Resulta that the other

side of the little bit of a book. I've heard of she's got of her more or less

about a three quadras of the place in the place in the place principal. That's that is

a brevahes that they're in bottles transparentes with and they're probably Don Remigio

and they're going with her for something for something that has been to get to be your wife. Because they're

that before that's a man he was a manned his wife's it's true. It's something.

Well, what was the matteror is that the year next, I go to hurtadillas

more or at the same hour to see it and then it's not notherador

that I top a lot of people that's all Volteying to to come to

house to Don Remigio and he getting to get it because they're not, I'm going to

what I'm talking about the year but I'm talking to a titipuchal of people. But titipuchal

narrator. Medio people easily there, all doing in silence when I was

me and I'm saying, a more back, we're back, we're we're going to

we're just and we're and all and they're well, Don Remigio came, he's

he's seen a silence but pesato, pesado, pesado, in the place.

Very a narrator. And then that's a silence of those that's a tension tremendous in the

area for all the people who's and it's it seems to do you know because he's going to

go to all the all the all this and you get to the I think you

I'm under the darking me and the sun I'm to see you we're doing. We're

we're doing. We're trying. And I'm also for something, but I'm Remigio, bolted, and it

where he would have to work and he'd his bottle of the other side of the other than you know, then we

went to get in the house, and look, I'm going to the narrator, like if I were the chief of the

tree of the I'm the first, I went to the first, I, I'm going to be a little,

like if I'm put it to the people me and I'm going to go, you know, go,

and so ma' you're going to go, and I'm to get to the head, and I'm if it's

been, I was cobbled a person in a narrator. And they were getting

with my money, and they were going to get into, and they're back on black, palid, palid,

and they said, and as you just said, that was, I didn't, see, that day had a lot of a sombre,

and a smearer and a sombra, and then then I was the second and the third and the

fourth, look, I think there were about about about a other, they'd be

more of the and he said, the murder so moved, the murder and all, but in bandada they were

going to be and what I'm to say, I'm going to say to the is that I'm a lot of fear, but

I, but I, I'm, he had gone to that a day, so I'm just that I'm

just that I'm just trying, like, to be, to make, to make, others that they're going,

to be they're going, they're, they're, they're, they're, ching, you've

seen the Count, Don Remigio, you, he's got like the burracher, and I'm getting to get

the armory. No, um, it's a crispo but all the crisna, narrator. And I put

mal, mal, man, where I put it more. No, there was nothing,

and I had a and I'm and I'm going, yeah me go, yeah me go, I'm going,

I'm going to put in the piece, and I'm put in the home, and I'm sorry, and I'm to get to

the house, and he's a in the people, that not is a town, that's a little tourist,

but when they go, and if they're they say, the house of the dentist, the house of the

Muerre Morrow, the Navidates of Don Remigio or the barracho enbruched, that's after the

people never to come up but they didn't say that's the he appeared to be the devil,

they're to come, to the she was and he he was to talk to one of the

and he and one of stories, what I can't say, is that I am part of the

legend of Don Remigio. They're that a sometimes the saliers are times. Ah, and

in these cases that I'm going to say, maybe they're they're the first

story that I'm to say to this moment is about a girl we're

to put to know Alicia. Alicia has a situation very complex and very

very d' and a situation that for those of the family nocturn

that's me living something of the team and of all the family nocturns, we'll send them those the best of the best

vibrational. Alicia, no-se-you- have three years in this situation and is just-experated. Necessified,

it needs to that to come to that for her his own, he has done that's a matter to a baby,

that practically his life goes around that. Alicia, yeah, not is that your

life is the life is for the fact of not the not. No, SINTE that the

Sforces Valga because if not it's not a mother that's it's

it's a very drastic in his comments on the point of decisions.

What I'm saying is from a fan of that we we can't

we see that when when we're a situation the things

can be quite more than more than they have

in the case in the she she me said, I'd have been dispegated

the head to have been thought different. No, I've made the opportunity

of the thing, to make it, all the thing, the life, has been many,

it's, I mean, there's, I'm a moment in that he had a time,

we're going with a doctor, the things not working, we're going,

we're going, we're going to a colleague, but we've got got to

have got to money that we we're to get to invest in that, is there when my my friend me says that she

knows a brujita, that that her was the girl who's the girl who's her but that this brugita no she goes, she's, she's, she's, she's, go to the grano, according to the sapo the peddraada, according to your problem, is the form in that she

will be to help, and it's what you cost. I'll say, that no me important, that any other problem is the money. No, I have money to pay. No, I don't have yet

money to invest in this. It's very little what I I have taken. So, if it's that if I pay a million, and for that we'll get a

minute. I know. I know we need to get a little or a good price or that you can't

pay it to pay them to do you, but we don't you get the opportunity. And me convinced you.

We're to get a place, I think she and my am I'm put to because the

Bruchita back, no, no, no, he's my mind, he's

put his ear in my pancita, then you put in the and me said, no, my ha, my ha, no. You're going to

have the money to do you and also you don't have the character to support what you do you're to do you

do that you're and the narrator where he nubbed, I'm, I'm, I'm, I'm know, you know, you

know, and if I can't you, not you tryvass to decide for me. If I want to have a little, I'm

going to have a thing, I'm what I'm what I'm blocked a narrator, because the woman

put a cost altissimo, and I did, no, I don't I can't pay. And she said, no, me

going to go to pay him. Quintu, how can you pay? And we put him a quantity that not a badita, I put in problems

of that quantity. And she said, well, I'm going to accept. But until me termines to pay,

will be the little the time sufficient for the process. I don't I don't know. I mean,

I had picked in a fiber that sensible, and apart the the hope, that I'm thought two

times, me start taking the power, what he wants, I've put to do with my my

amy my with my that he no, is to agree but I practically I'm really I'm not

I'm not to do you know I'm not to I'm sorry I'm sorry but I'm sorry and I'm sorry and I'm

you're gonna do you have to do you have to and he's to be able he did so but a narrator the things

from there had been put focco-rojos the things not the force when we when we

came no I was I was I was I was I was I'm

I'm I'm I'm of me, there was an intuition that me said, it was like a shock that had of the two alicia's, the that said, yeah, for favor, there are more things in the

life, and the other that's I farrava and said, I'm going to make, even the other don't want, and that alicia had so power, tant a demand, it was an aggressive, that no leis perjave, that had more space to my

other alicia's of the head. My other necessities and my other points of view there, and they were there. I ferret. I tell this, because when I go with the Bruchita, and we're very close to Naviada, we're like

two months, she'll do a box and me says, I'm going to give this this new, God. I want this new, God, that yeah is done and you're going to put us there in his pecebree,

and you're going to the night, pittientole that you do to do a new, because he to do it, narrator. Since I gotre the

boxita, it was a little bit I don't say I don't say but it was like you're like something you're like

not you know I'm not you're all the thing you all about because a sometimes

I'm sometimes but that that ball in special when I got I was

like that was bad like maligno like a something I'm

a narrator and I'm go to the house and I'm put in the pecebr

and the little I'm I'm really was all all

all all because not were letters, they were symbols in different points of the bracitos, of the spout, and I put it there. Apenas do my

parke, the gritty in the sky. He comes to family Catholic, for that was he was so he was too for the things that we had this

and when he that's a burl, a insult, and then me says, this is the ultimate that I want to,

if that thing is that thing is going to go. I don't go to continue with this.

And this is much You're transgrid things that I'm I'm going to and where I'm going to

see that there's a I'm not if you're the other I'm not my ego or what you

want you want to put you do you do you do you do you not put it

not to be the only thing that I want to you're in the one of this

and I'm not even we're not done we're we've we've been for first

in five years we're we're to He's He's going to The room

Very enojado I'm I'm going to I'm I'm going to God, and standing there's

in the room, just like at the two, three of the morning, I'm going, I'm talking to

see a man, and the first that I'm doing a question, and say, what you're going, when I'm

when I'm a shadow of me and I start to me, and I start much, then it's like it's

vanece and to my eyes, and I'm I'm really of fear, but I'm

no voice to ask you to make a question to me help. And I'm like a zapada,

like all remolined in the sillion with much fear, and I see how

that was that was in the place to move to side to side of and it

and it and it is on the I'm I'm not I'm I'm I'm

I'm horrible. The thing most horrible that you could

imagine. Because it was a like if they were doing a lot of the stuiering, imploring,

that, for favor of you should be there and the problem is that the yanto and she's, my

partner no he's got, I'm the only that I'm the I'm going to me, me,

me's being loca, three days I'm supposed, day and night, I was just for moments

in those moments I practically me disconnected of the world, when I

went to to work, all, I was doing reports, they were to do this

and I'm going to go and I go and I'm saying, I'm saying, I'm saying, you're not

going to do you, you're going, and I'm and I'm going, this is part of your process? Yes,

first you have to do you to be a person, and I'm having a person,

you know, and then then you're going to be a man, more or less,

and he said, no, I don't want to do you're a daughter is a covard.

When I gave to the house, you know more yant to,

I know more nothing, and from I'm I'm doing what I'm doing that

I'm doing but probably about it was going to commit the worst error of my

my life. My last thing I have to do that has to do you

have to a way a way, but not necessarily I'm really

many bad's many good intentions but but with many there's there

two chiques that are amigas in the work. Very, very, many, very, amy- there are

a lot of very much a lot of let's put a name of Yolanda. And Yolanda has around to about

to be a four and then we're not we're a Emilia. Emilia has twenty years, 20 years

of difference. Yolanda has lived a year a year very difficult. She has had been two years

and around of the around to his kids and even the They should have been. But that year passed many

things. Falleces in two families. Nobody enter to the quitte for the questions of the payos and their

and their cost of the cost, which is an impact tremendous. The vehicle that had only two

years with it, they're just being stationed the second the security no, it's not because of

circumstance. They're they're in a time of litigio finally they're getting

without the vehicle and and between what they're reparando, the

money is going for complete of the hours of the money. They're some

they're in the tubularia of the house and resulta that year the house

they're to be to have to have to the house. The

when they're they're two options. Or you do do you

do you do this material that is like the cover and it is

over 40 years the other to do the different.

The sum, decide that the best option will be copper, and you know, because that's you know, because that is it's

what you know, that's the final of year, economically are desechos, morally, got beatied- -simus,

emotionally, very affected. And this Yolanda, that initial, the year, sonrient, with much

expectations, that had had been always the first things with that rope interior and with

also color a maril, because if the next year will be our our

now it was all the time was in a lot of constant. Povercita Yolanda, and not for

povertyearla but really that's a year has lived in all these circumstances accumulated in

a year, no you don't see to do you the point is that she's living her life, the thing,

she's her thing, she's her little her, it's her she has been there's a

time, she will be a couple of seven years this chica. Yolanda has the

life and other two years. But this she has seven years and since she's a

procured. She's always have been little little little the time. She's always he

has been the other things, and she has been a opportunity. This chick at those

27, has been a two posts different and is thanks to the support of Yolanda.

The have in the heart you can't imagine. For that,

and because she not cre in nothing. He started and asked to

help you know, he was in his friend, not could be in money,

because also because also because that I'm that he was the cost of

the money and the way, but I wanted to give a significant and it's

that you, when certain certain people, they said, oh yeah, then, then you,

then you can't consider, or that she things that she wants, she can't get,

those metas that desire with a desire with a idea, is that you your friend, for what you're saying,

for the way of that she's she's in a lot, she is to intentioning the things, is to decretar,

is to ask, how to say to the universe what is what it's the way, because it's

me'll be without you know, let's see, with a brother, I'm the person in the this person in

this is the person who's not, I see, how she's she's a woman, but I know what's

a that he wanted to help a Yolanda, the company of the company of the job. So, that person goes with a lady of Yolanda, they're going there with a brookita, and the Bruchita, he says, oh, yeah, well, tell me a little, what is the case, what is what has what has been salada. And it's a

salada, it's much salation what they've she has. Talves, there is we're talking of a work of santaia, or we're talking a job, maybe, of the Santa because this, yeah, me's one of Bruckery. It's much salation for a person. We're going to have to have to do something. I'm going to do with the God. So, I'm going to

work with the new God, and we're going to do it. But, he's going to have to do the things as well as we'll have to do. This chick, you're going to be in Chinese, Mandarin, Italian, Polaco, because no entient, a frigate of that. I don't understand. How much will cost? And tell me how will help her, and tell me what has to do. It's all. And the Brucho, the person that he'll attendio,

He says, look, damn $3,000. And they're in two months and you're going to have a little but it'ser

to be a part of that you can't, I'm going to do this, but what you want to be? Well, that's a

place and that I'll reese. I think that with that's a problem. Two months after

after having paid $3,000, he's he's a figure a little a little

that's all a top of a color black, covering him the car and the carpec't

and he He says, it's intentioned. It's too very done to work. They're

to get him to get to the repop to the car. That's the man he was so. And one

that's going to get all, because in the Newt when it's when it's when

when it's to make it and it's only she and nobody more, and then after that

he's that's all what he has to do it's he's all he's a little bit

she's that she's look, yeah, it's a psychological or magically just the mom's the

money, but the time he goes to a little bit more a little bit more and he says, Yolanda, you know,

she's what, and she says, look, I know I don't you can help you know because the costs that you

are very hard, but you know you know much that for me you're a second mom.

So I'm I'm looking forms and I'm trying something I'm going to find something that maybe

you're to write but then and then he says it's the robo the robo

and he says, and he said, Dishalo with his ropeita as it's because you to respect.

It's what they're in your house, in your pesever, in your naceable, and reza

every day and he do some of the few days, all the days, all the days, and in Navidate, perele to

your desire. It has to just to ask you, and that never let's get in your ropita

because you have to do you, me did you do you're and they're much, and then

and then this is where you're where you're that you're that you're the next, you go to a pantheon

and you're because it was what you did you did you know, my my friend, me said,

he's going to get to be a new. He's not, no, man, if you've seen the

car of Yolanda, I'm going to that thing, he'd try to get to get to my bad,

my name, I'm just you do you do you do do you know, that's just that's really, me important,

me costed $3,000 costed $3,000 cost you really not it's bad if you it's worth,

she's she's I kept with a car of, I interpreted after you would have

done the $3,000 and I'm kind of that's a moment kind of a little

but she at the little he's got to the rupita and then it's it's

like it was like whatever or whatever move so the

little and me and me say oh chiqued you're too you're

really look me do a man I'm so you give you

so he's there And there's terminal of the company. We just to see a about a

week. A semester complete for the post that we have been if it's permitted. When

I go Rolanda is very serious with me. But it's very serious. Yeah had passed a

new new. Seria, serious, and when I'm going to do I'm about the word,

but apart of that is changed. Pallida, he's much fear, and it

will get to the year that year that year that we don't not

the other. We're in different areas. But one is much time. Until February, I'm atrebo to go to to talk to the elephant that's in the situation, to tell you to tell you what I say, but that, for favor, no me treat so, that me tell me what he said, and the narrator,

until the day of today, me has terrified. I don't know what I, but Yolanda, no is a person that's that you go to what happened. Me said that she gave, that she got that mono, he put in the pesebre, he put Pais, he arrived,

and the people asked to put a a boy of a new to get a child, and said, no, that this year I'm going to that year, I'm

that they'd put it in the last, and with that's all right, and with us, she had a pinno of Navidate,

that was a pino that was a lot of a ronrodor, that was a little bit too too too too

too, they were decor in family and the things were relatively tranquillus. For there,

nearer of the Navid, one of his that the act of good on and to tranquilize

to his mom was and he cumpro a new of the and he put up just

in the lastimient and he he said yolanda that when he was he put on

the pester that's like a form of rarro he he has

he got to get a there he's got there and when he's

there there there he's he he's he gets the

repon of the car for this to this I'm about a 23 or

24, no me clear in the night, the family is in the house, he pegged the gritty in the

sky, the little the little he discovered with the roboncito of the car,

he had all the eyes and they were they were in different in the

different from the head, the fear, de fear, like if

they were injected something that he's something that's that

he he's the thing that what kind of what kind of

this is this, it's in the mono there. The little man is that he's like the man who is kind of he's kind of he's kind of

and then they're talking and Yolanda and says, let me, let me come to all the cocina yeah and he's while they're preparing something of a water for a little

for that can't and then you know and then you tell the story of the mono when he's going to tell you well well, well,

well yeah for something that did a mire and it's just to just it's just it's just it's a trancasso in the

wall. But a tranceasso like if you had strelation a little, a door, a pshaw, a little peser, and they're very saddestadish

and they're and they topan pegats to the door, I mean, is, pinno, then,

naces, and thence the entry to the kitchen, well, pegated at the entry of

the the kitchen, the pin of the part, the all destroyed, and all are doing

that, and they're doing that they're that's there, the commed

that had belittas, but they were all right. All right. The area of the area where was the nation. They're all who they're not

put in here this. And it's around the house, like if there's got something,

I don't know, medium a tonel of something, because it a good that the videos simbrate

the video that is in the kitchen, it's reskebraja, it's all all susstadisimus and the foe of

the clomod and the foe the foe of the commodore, it's all the house, all the house,

all this all over and they're they're in, they're like, creatures, doundes, what you want,

but things chiquita that are coming into the somras that generate the llamas and all

all the people are when the papa and say, and where they're to start and they're to start,

they're all the bells of the house, and then after that's the house entire is sent me

with a frio so horrible, horrible, horrible, and never encountered a little bit of a man. I'm tired in fear of my

amy, because he's that since in the house, there's there's a really,

there's there's there's on the other on the other than a

house, it's that's that's that's that's coming into that you

there, I'm, I'm, I'm, I'm, you know, I'm, I'm,

you know, that you family. For favor, no you'll go over.

And I'm going to get a minute to I'm a remitia but I'm never my intention to do it. And with this

story of the Nocturna. No, they're going to because I want to this Christmas.

This story that they made a story like, well, it's more, it's a two one, I'll tell

two stories to start. Some two stories that they were that they were they're

so they're so much I'm is of Mark Twain, of Benisere Scrooge, a story, and when when I was a movie, I'm

talking about that that was a movie, I think you know it was a movie, and I think there's new, but you talk about much

that's a moment of recouping of reflection, of power change in the life, and as I was so I did very

little, and not it was that me were in the movie, I impacted. These stories that were

made, me brought the nostalgia of when was little because it's something that's something that makes that you put your life in perspective. There are

situations in the life that are very complex and nobody is who is who's just going to be a couple. We're going to let's call them Enrique, Juanah, and they're just a little a little bit of a hitta that's called Sarah.

They're still another that this isha we're going to put to name Perla. There's a situation very difficult. Sarah has seven years. Perla had, the day of today, like one or five, but

Perla, in his second year of life, and it was a second year of a year, and it was a lot of time, they were all, but Perla no survived and fellacy. Desconosco details of the circumstances. The

Sir Enrique, he pego this situation of Perla because he was something that he was a a repetition tremendous, that he felt was something, that failed like a

father, that was a moment in the time in the two, they need to decide the two that they need

to be able to not you know, I don't you think that they they're not, but in the moment that they're doing with pleats and

destructions, and that's they're doing that's the problem of the second, the two if they're doing to

their own And the little is there. And the Mr. Enrique is to know that he's done when he's when they're doing

a problem that you can't imagine. He's got a little bit more. He's not he doesn't know what to happen to

but now now he's not a and well, now he has to be front of this situation. Because father is the... He still working and

he does more than any type of pension that can get to their life. Their life is they're in there, but yeah

not can't be he's not really he's not he's done. It's not doing a lot to do all and he

does it. Juanah, at a time, at the year of the two years, he has a

couple, they're a family, they're children, and the young, and the other can't

that he's he doesn't to deposit mes with money because he still thinking in her ex-spos and in

his wife and the things never turned wrong. This new new pair of Juan is a typas-a-sus. And the little bit is a other father and a little does treat a tremendous, the little bit and this type he does very well his place to Mr. Enrique and

all their way are still they're very much years, because I said seven, but not is so. For when when it occurs this situation this re-enquendro, Now the new

has more 13 years. It's a personate, it's a woman, it's

a lot of the story. There's the way to go to what you did.

Not had been many because the father he loved in those

times to be being like that the family it

was I'm it's a thing that he's a lot so much

the thing you did it was very very very all the job, but he was

other person. He had paid for complete. No, I would be that Newmitted nobody near him.

Tal best he could be able to put it, but he wanted to be little. And it was many little

the past of those years that were to visit them. It's always he did this

little that in the pin of there was there, there was two one

always was farred and when she had he was he was he to

other always was discovered and she he was recognized. It was one of the jugetitititos that she had to when baby and was there in the pin, it was very rare. But now at the 14 years, I'd want to ask, why? When they're going to pass the Navidat with the Lord, they're going to the house of his

papa, he goes to his mom-a, the new husband of her mom, they're going to the house of the Mr. Enrique, the senior Enrique the one received, he prepared a dinner, he's been a lot more animated than other years, and other in the pin, there are the

regal for her, and the other regal of the scuberto, the jugetito discovered, that is a juggered to be. She'll get a moment that you're going to be a man, that's a man, you can't say, for favor, what is? Or, why you put those toys there? Because, since I'm a

little, I'm going to be. And then, he's incommode much, and, better let me ask you other thing. And he's incommode much and no care and he's a man, is very prudent, and he says, yeah, leave them. They're just, they're just, they're They're things of adults, if you know, when you're as adult, you'll

know, and will be insisting, and and it's important, that fecha of the 13, 14 years, because when they're back to his house, her mom, he says directly, "'Iha, the juggette that you asked, "'It were the jugetess of your mama. "'Tu's hered last. "'But, no see if you're

"'you're very great, this past so much, "'but your mother's just in the "'and says, yeah, ma'am, if I'm sure "'much, my mom, if I'm sure, "'you know, your "'Turmanita, Perla, jugged with that, and your papa, until the day to do you

don't super it. He affected much. To me too, but is that the life

still. And your father so I think it's to record her or I think he

is a giving a little to your mother. He's a really a

really really. It's a thing with he's a lot. Narrate

to me me made very clear that that time with my

family. And after that it It's started more frequent that we're a year-on-a-

yeah it's my house or to the house of my papa. When we we've been to the

house of the same, and the same, and the same, when I

do you when I'm two, papas a new mal and the year and the year

and this is a very complicated narrator because when fall yes there's there,

there there are many there and he and I'm giving me the

pardon for not been been been have lefted the family, that he wanted,

that even he would be to learn, he had to be with my little, because he

sentia that my motherita and never he never he could help. And for me

was a very dolorous but also I didn't know I was not a mom

in that time. So, I was that was something, he was he was

not he Because, a part of there, narrator, I started with a custom. Put a little bit of a night for my papa. What he put in, was a photographia that I took that year

in something special that was, and I'd have a message to my papa, and he was left in the pinnito. And from the first year that I was

to start, to the morning the next were the next there were a little a little bit, a juggetititit

for a baby, the same that papa and at the a little a limpae pipas, and I he

he didn't know. He's a place that he had a psal and we're in he was always a little

pipeas at a little bit of a pippas and when we asked him, we wanted to do the time. That's a

pipa papas appears there. And I I was a good when it was when it

when it my mom me said at the hour of the food, ohie,

what beautiful altar you put to put to your and to her manita, that's what

you're going to what's the what you do you know, and then I think that's that you know

I'm not you know you're not you're not not some form of these things and I'm

to say what you're going to a tanatologist because I had to make that my mom

to be because he was to pay that that I think I was taking

the that I'm when she she's when she she's when she she's

that in the Apparicee the limpipas of the juggete, that never, never super. Who was it, I'm going to say here, and not is something that I feel I'm really sure. Those gave to turn in some years, and at the year's next

and it were. Those things, never left any of there. I know what I was going to me was clear, that was a message of my my brotherita, of my papa,

that were you still. And to start this beautiful episode of a Christmas, I want to tell this story that me enchanted.

Abel and Sophia were an a pair that had four years of casasas. They were

the life in a way of they were they're they're they're not really

experiences that were to be much adrenaline, know to go to

go to excursion people people very very, very, very,

very deportists and they were a much movement economically

they were very good they're very good in their professions

and they're very very they're always they're both

when they But derramed milk that if you were coming down by there, you'd be done to get us per sugar. It was pure carioes, pure carino, pure love,

abracos, bezos, comments, beautiful, they were pretty. When they were on the voyage to anniversary,

and this, we're very near-est, we're in the month of December, they're going to their city,

that's going to pass in the house of the familyaries of her and are in that discussion,

when, when, Sofia, she's to get a lot, and a something,

it's a little bit of the hospital, and it's something because it a two months and at

two months fall yes, and they're never knew exactly what it was, between problems

pulmonarres, problems cardiovascular, them in the blood, never never put

done exactly what had been in this last the last time, all the

photographs they had taken with the cell of her, the

day that was it was a morning in that she went to the

phone to make a cell and it's the car to the cellar to the and then it gets to

get to the hospital and the cellar the photo the video the

and it's disappeared and after that Abel was that was that

for abhorros so survive that a year but he's

the time the all the all all miscar for complete.

It's a who had expected to receive, she was so young, was so good, and was that all the one moment,

and that was, he was in a year and a life is a bad idea, is a deseched, all the time, it's made,

the first few the first pictures of her because it was a torment, to be to be in whatever

department, not, no, no, all, all, all, was a lot, so,

he was a to look therapy, he started thanatologists, and he's to look at things to do you

know, things about that was nothing to do you to get to the tristence was the

type of that this type was being going to go to he back of the but it

was like it's simply the going to have just the and she was

the love and it was when he's a year when it

when you get the the feches, of Naviard, I'm talking about two,

three days before. And there's a about a lot of a situation. It's a really the way to be

not the way to be here. Forget about of the family, you know, they were more of a

year that they'd know that that's about to be able to get a time to work so,

it's for it's not to be the way to do it, but if no there after,

if after this is after this so it's a end up and there's a situation that's a

very much that's a way to put a lot of your life in perspective in this instant.

I'm going to get to I'm going to make you and I'm let go that you have the

that has what that has what has to pass what to be talking to talking to talk about

and that simply the destiny would be and it was really and it's really bad

and it's in that moment when for a second he he says

he And, standing he, he says, how me encantarie that you could be able to help with this, because always me you'd help with your points of view. But yeah no you're not,

you know, you know what to do. And just that phrase, during the next few days, we're going to put 22, 23, and in the the end of the 24th of

December, there's something that's a case. There's a sound, a sound like of an alarm that that's on the first

the first he's the first that's a time that's a alarm recurrent until the

moment in the he's desperer and and say yeah he's the maldito

cellular and then after that's it's a he's a a he's a one

and he he's a again that's you're that this next time you're

too very much metid in simism now now has a little more of

energy for the enoooo and He starts to come in the department, and he begins to think that, how is with the residents that are

too incompetent, too inuitous? Pure eno, pure anger, no, and I'll say here, because what he's is all that courage that's got to get riddened, and he's putting caps,

and he's been looking like a fugue, but he has been done a little bit, but that day he has moved more than the

last than the year, and it's being the day, being the garthikas in the piece, and he's And he's saying, maldilions, but it's moving, is doing exercise. No, he had

done. And he's done. And the day next to the day next to the day. And the body is doleering a lot. Just when he gets up here. He says, oh, oh, hell you're just here to give me an abrazo. And in that, it begins to sonar the maldito

cellular. And he gritty, contested with a frugada, and still on and still sounding, but here is there's a situation. Yeah, no in the other quarter. Now is there in one distinct. and that

that's sound there's a little in the room and it's it's not

after the minute that's that's sound and nobody and nobody and he and he's

the the apartment the residence where it's not my cellar my cellar my

my cellar I have to that's that's like that's kind of he's

he's he's he doesn't and it he's to get to make to

get the the colch and say what I'm saying what I'm He's, he's

prepared something to do you, and without it's a dinner, he's going

going to something, he's doing what I'm going to do you do you

after. After that he's a man, and when he's the day,

where I'm and it's a and it's a thought that's a bit of a lot of

the room, the room, the burrows that were in the car, also all desmantelated,

part of the sills that were there, the me's all those bolted as in any side of the night, when he was

he got to be dormied, and at the morning next totally dormied, will be to sonar the malditoral is what he gets

and now see, no gritos, no nohoes, no nothing. Where is you? And he comes to look to the 24 of December

when he does know that in a repis of books, this is the book that was reading, Sophia,

just before to part. And from the book the sony, open the book, he has the

cellar that had a year, the day in the she was the

situation, the cellar with a camera a camera, the

only is like the is like that it's a because it and it's

no, it's I'm talking that that's a time, so that

cellar had a time, it's it's a time, it's no

moment it's the the screen, and it is cargand, he's

cargators, nothing does it, go and it and it's a computer, to the night, and

about the time, that makes that I'm that I'm that I'm a lot of your

other video of the last time, it's all for the computer and the first that

is a video of it, and he's where he's he's a little

he's a copita, a beer like champagne or or something. And he is saying, my

love, then in the life and the murder and the answer, no, no, no,

after the you're going to be able to me, and she starts the video, and Abel,

in three the labrism was, I'm going to she was she was with him and he

had to continue and then. And with that story that family do you

have gone to stories. My dear family nocturn, no more than to say that much thanks for this year. I hope that's fun fun funices fiestas. I wish, Feliz Navi-Nabiding. The part of me, of the

team of the Pesedias, very happy. Bye-bye.