HABLEMOS DE LO QUE NO EXISTE - Pactos Demoniacos, Brujos Carcelarios y Gente Sombra | Episodio 404 | Hablemos De Lo Que No Existe

Episode Date: July 2, 2026

Bienvenida #FamiliaNocturna a esta #OscuraFogataDeHistorias en #HablemosDeLoQueNoExisteHoy te traigo una historia de un lugar al que ni por error, deberías de poner un pie adentro, un lugar que tiene prohibido que cualquier ente vivo se atreva siquiera respirar los aires contaminados e infernales que habitan en su interior; sin embargo, hay dos tipos que creyéndose los más listos y están avanzando directito a la boca del #demonio Todo esto y más en esta oscuro y aterrador episodio de @HABLEMOSDELOQUENOEXISTE yo soy César #ElNarrador y te estaré acompañando durante esta aterradora noche, porque si acaso no puedes dormir y tienes #DulcesPesadillas te recomiendo que vayas a ver el episodio anterior del #SábadoDeSombras porque trajimos un tema picante #ByeBye

Welcome to Family Nocturna, to this Scura Fogata of Histories, let me talk about what no exist. Today, in this arachnidah fogata of stories, you will talk about about aboutactos, mercilaries, and also of people sombre.

But, before to initiate, permit me to say something. The first, I'm sorry, I'm in my arms and my back, the family nocturna. And is that this episode,

I think, is going to be to more than the other but apart of all this, I've taken one good news. And is that exactly in a month, in a month, dear family nocturn,

of Merida, Cancun, Pachuka, and Puebla, we'll see, because the fogata is about to get to their city, and if even not have separated their place, it's very good moment for that it is that the obscurity not those devore. But one has said this,

permit me to say that it's very good moment, of that you goys for a bit bit of water or something to take. You serve as something to eat, you sit and comeode, and but not you occur to

to do you because we're a point to start an

dark and arachnida fogata of stories. There has a house that

has that's a something, something you say you do you

do you do you do you're so you're to be going to happen that's

this. The life does sometimes we're sometimes we sometimes we're we're

we're and then, we'll just do a moment another we don't know we're we're going to and we're in the part

we're in the part we're in the part of the last not they not really much promise of future. And in this

grand city, at the year to start, in a work eventual any one

any one that just had a pen a little some and they just to

be the opportunity to be being there, malvien said the word

correct. There there's there both and they're a lot was a

very chistos. But also we're also we just about the figures in

Johnass, he had a ladrillo in a port that was a dayhaw outside of the kitchen,

the pizzeria in the that was the laddry he put in a door had a automatic,

and he was going that he was going to that the little exponying

to the kitchen that's to get to get to a little because he

had to get a something legal but that that that aroma could

impregnard all the animals. So, I used this little pipa,

but if it was a tobacco, and he was there to give a moment of a little bit of

when the place, when the when the manmo is to get to the

he's doing that and he he chista and he says, what's what you're

what you're doing what? And Johnas only he only he doesn't this pip

in the box, avient a of humor and he says, well, what's you know, so he's to start

to make, he's a man, like saying, damn to me too, and the other when he

he'll know, and he's he's done that the tobacco that he's whatever thing, he's a

this is a good tobacco? That's where you get to you're not, but of a bit

but of my luchittes. What I'm doing what I'm going to do this and it's

there was a click because the two went with the not was all the life what they were

living. It was a situation that they were to get a sortier and they were to because the two not were there

for little things for tontteries. Pace the time brinked of that the job not are the two great friends, only are

known, but how is the life that after a year they're they're to come

in other work in other both being people they're doing they're

in the different when they're when they were in the Sala, both of different

persons. No, they had money to pay the alchlear for some of the same time. There they

were in great part of the things, and after the time it was not it was functional, and it's when

they've got to bring to a job, and we have been to be a time of those to know,

a year to know, oh, the two, yeah, they'd get a lot, that,

we'd not were the first-a- man, but yeah not was all remendada, yeah,

not it was had encountered in the street in the and they put it. No.

It was a rupah with little manches, but it was not a difference. The cabellos

of the two when they were in the kitchen. If you those had you

had questioned much what you were doing, but it was a

little, there was there was there the thing, and the baby of the

both was a very presentable. And the color of the when you

get the when you get to a bronceado because the

two were dedicating a little of time to get a good. They're in this new

work. And just they're in a part of months, Venta of cars. You have

the difference of the work, that's my respect to all, but it's an intent of

an scale to get getting better and to start working for the

that was what they were the money, that was in a kitchen of a

place that nobody had that I had had to have a

company to be and to be trying to mobilize and start to sell to generate ingress for commissions, is a change radical from their presentation and how they're

with the people and how we can't do that we're doing of what we're doing. But it's a grand brinko. Some of those who convivine there, the two,

it's not that are of the better, because they're growing, and growing, and everything they're getting only they're

reutilizing in to see-missom for better, to give a better image. And that's that in less six months,

first to Jona's, then to MEMO, they're like an increment, but not into the company, but not the company, but other company

does it, and it does a good amount of money, then the money, then it's they're very content, and pass a third year. When they're topan in this third year,

the two are at point to start a point to a new thing and they're in a platic result that after the

agencies of they went to the company and money so it was the brinko they're not they're going

to a commission but they're to contact to the people those who those that they were they're

they're gonna they're they're they're they're they're they're to start

to move negotiations so they're so they're to work the things and it's it was

a rissue because no they had been to be able to after after the time,

when a minute, oh, and if I do my proper business, I'm

not a little not so there's not the questions legal, the

things that were transactions rapids and that was a whole that

was a world, the point. The point, is that I'm that I'm

let me me know to memo, memo, mmo, he'd even even, he'd

even, he'd even, he'd maybe not not of this, but where he's

and he's good. I would confiary in that if he's going to sell them to buy houses, we'll arm something. It's a reason. Because when he says, Memo, he says, what coincidences? I was about to talk to talk. You know,

is the business that I'm going to invite. He also wanted to initiate a business of a business. It was something. It was just about other thing. In that business of the ventingas passed various things. Let's know, we know,

people of all type. They did all the type of transactions. never nothing and here I'm going to many commas

two millions of commies so illegal I'm because no they're doing that

but we're not doing but we're the rules they were simply were transactions they're

they're to all the people they're to them to come to some

mundito and they they're they're people who some doors don't

they're to do it's to do you, but nobody abitab in them. A great problem that occurs. When you get a think that you're the person

more intelligent in an room and you you're in a other in some negotiation or in some type of dispute and you

think that only for being you, nobody to get the ideas? No, you know, a few times

with who is a agonement, and that you get to direct errors garrafals. And you

you know for something, because MEMO and Jona's Peacred of that in two transactions. After two transactions, in those little protocols of security that had been made for them,

salvage their increases, and salvage, and salvage, if all were all, like in order and, and no, there were risks, they were, to be able to do the things rapid, all the cabo,

what problem could pass? Perdi-one, all. One day, they were in the sima, and less than 24 hours after two years, I had

a single centau in the accounts of their own money, they're a debt very

very strong, and they're a pair of people who they were to get to the carcel because they

they were part of the fraud. What they did Ponaci Memo was something

that's not recommendable but the fear he was done. And in the

other to fight this situation and go and

they're because had committed many errors in the process, but not had benefited of the same. And that, that maybe they had gotten up. In other than that, they were, they were. And they were you're going to and you know what is the poor. Ullero,

to goyre in those that had information in those that no had nobody. There was a house very strange. We're going to put that the dukeye was a Tom Roberto Mendoza. The The Mr. Don Roberto Mendoza, a type of muchissimo money, that had been made of properties and of more and more properties,

had a caasona, of three plants, and that media a quasi-quadda, that had inhabited since more of 20 years. Don Roberto, that is a type 100% of of the negotiations, has prohibited, that any person put in that place. He, Memo, went to that house, The carvised

for the and he saw things very strange there's a car that's a old old and that's

kind of a handixted an key in the caradura of the entrance that is

a a car of your bisabuel of those car of those grandotas

like of roper of that type of seradur also also also

see the also the mango of the car in the house the house

for the exterior seems is the limped. The windows are strange. The crystals were rare, because they were negrecisied, like enegrecisid, as if

had been ojin, like if you've had been abetado, something like of the cenylused, and it wastes, because no you could have been, to be back in the house. Aura, a presence, a something, a-al-al-a-oh, because the day,

that was to go and he went to open the door, ooh, and those the pelitos of the man so they're-er-eas-le-sler-eas-er-er-eck. He said, he-mech, he he, he, he'd more, he'd make the hand of the rea, and he said,

if not he'd rent out of something. But now that he had to go-in, he knew, the place perfect to be the house in the that nobody could

put a foot a little bit a house that has more of 20 years without that nobody the rents,

that's and the people who has proposed something, don't Robert Mendoza,

no, he's not even to get to things simple and simply is, no.

In this house, nobody will put a foot and yeah. That same time, get Memo and Jonaz. Memo,

that's know I knew the place, he's said, yeah, it's put to the key.

And Janas, when he's the hand, it's like if it's like a little bit of the thing,

like if something, like I know he's what I'm he said, and he's, he said,

no, I'm saying, I'm, I'm saying, I'm let's get to let's get to get to be

to get to get to get to you and the carcels, yeah, no say ridiculous. A Memo, you have been growing the comings, as you know you know, so is that John's, met the man and it's very rare, because what

then he's going to say to the rest of his life, John's, is that when he gotro the key, sentio like a man of an adult, he gotrava to the antebrae and he'd puttable, and there was another man that he had a pressure on his palm. But he, heira

the keyer and, when he turned to get a inchas on both parts, he'll open the candide without a major difficulty, like if it was acedated and engrased, a property that has more than

any of the time to keep, and that's that's supposed that nobody will clean a new, a new hand

that's a big, that is a little bit a little bit of the same, the can't, they're all

they're going to the point, and when they're in the door, Jonaz, he says,

Memo, he's me, he's Memo, to you. Mamo no he says, for favor, you know,

you know, us do you know, and he's going to be a little two times, abel to do.

Memo's he kept with a little courage, his man, he gets to the serratura and when

he's going to go to keep describing all his day of today and and you have passed

many years, he said that in the moment that he takes to the he's to do

the world, it's like if some those did have been made into

the and they'll to talk to the muscles. From the antebrae subient to the arm,

and conformed more time he went going to more and more and more. He led you did a

fear, because this was in millesimals of the seconds. Before that John As

he was he was he had had been to open the door, and the

sensation of the two of the center of in the central, in the center of

the center of the back, and the moment in the he did the

moment he he One of her smile with a car of, no, me going to be to be it, don't know, you're going to be able to doont, here there's a little, and Memo responded,

as if he could learn the mind, for that's not going to the house, and the other said, well, we're going to have

to have to keep to and the door, without saying that they've committed the poor error

of his life, nor per the money, and to lose the property , and

not the a menace to terminate entombados in the carcel. Nothing of that was what they lived in the three days that were there. They got it.

No, I mean to say, that's some people are the more intelligent, because none of the two thought in

that he was a hungry the next days. Ninguno of those two thought that probably was a house of

probably was a house of another, not going to be not even even a potable.

Why? Because the tuites were to be used to be full of radomber. The basos, those plates, probably not going to be able to be

nothing, and if there are something, probably would be full, but in the moment in the moment in the door, if they were in the moment they were in the things were going to be very bad, because that house was intact, perfectly limped, no had a single mota of polvo,

and inclusive, it was like if they'd have been read readd and to trapeer the pieces, but I'll say three pieces of the house. In the entry of the side left, just in the windows, in the cases,

just in the little grietas that had in this paintura that they were a picture, just there, there, there was a

cell, three sillons, the three of three places, enormous, and they were being little in relation to the place. Those three

sillons that formed like one, one at the center, two at the two at the costados,

had at the center, a mess that if you had had had yet had arrived to the roadia

of a made of a madera that was fine and and when they were that you

he said Memo, you're a little bit of you're not the house because he's not

more that's it's a house that's this house has been I'm gonna

I'm gonna I'm I'm gonna I'm this car nobody he's nobody he's

but how you can't be the centred, be the place, it's a little,

it's a supermating. And when they're they're like if something and they're

and they're and they said they're they've got to be inconscientently, or by the rabbi

of the eye, something, but not they're to be the adrenaline to the

thing that had been a lot that's a lot that's was over that

was over that had been that went to the Notar, and the silhoueta was disbanded.

That's going to know how much after the back to turn to the right, but in a mess a tremendous, for 16

people, you can't imagine the the size, that was that the most car that you imagine is,

100% pulida, brilliant, and very antivus, the sill, the sills,

as you can't do an idea, of these barrotes of the barrotes of madera,

that were they were that were done, that they've made a reduction for a time of a

time in a big. But with a one of the the No, there's no one. It's a little, while they're exploring the kitchen, with all, perfectly

limp, the glasses and the plateos in their place. Everything, old, but all pulcrow, recent, recent, limpied, brilliant, beautiful, the bombillas, bombillas antichismas

that function are at the perfection, of these that had this hilly, the lamps incandescentes, but it's some technology that, for that for that time and it was a

year- and not I am I'm talking still about about the foco-led it was

but that technology yeah was a old in the second the second

piece five apartments five one has two two

kams and the and the same made made made

and made not lavas no there nothing there

no there no there no there there's a one one

person, but then they're going to know that's there's when you're

in a third piece is all very strange no there

no there's a room, all of a little of a

black the are rare because they're all painted

in a color gris very tenue but but

it not that they're they they're for the

manchones that the Pintor is special incapier in doing to make various capes in certain areas.

And they were to look look at the pinceladas forms. And there were a pair of

things that is the imagination, is what they are the eyes in a part of

a part of the part of being taped with paint green, it has

been to be a something that you're like they're like around

a cross that's inverted, it has to be something that's doing around. It's much imagination yeah, are your nerves.

The place is so too you're just you're just imagine. No, can't be real that.

And Memo and Honas, talking to practically at the o'gid in susrots, they're

doing that they would be more to be able to be able to and Johnas not want

to be a cowardly. So, is that pass in the first night. One

one that, having elective, to be able to do not both in an

abetation. After to have been in a bathroom, that had things

so old a little, but so, so, that they don't

get to how someone someone to be a good, but a

banera a matter, it was notor that was for an

adult, a lot of a ragader the mosa so

those mosaic so such old, but there no no

no um no There are mal those horrors. No, there's no type of animal, eh, yeah there's a moment in the case it's part of what they're living there. Well, yeah no let me do more

vultas. They're done that a-mao, she takes care of one in one of these cameras enormous, they're atoposted there, and, of course of the 3.30 of the morning, there's a great-in-a-money,

and a gritty that then he's suffoced. If someone had entered in that house and had gone directly to the second the third door and he would

have been open to get a little he was he's putting his his two

hands over the mouth of Memmo doing a car and saying he a little

the door, no you keep to keep we're we're we're

saying just with a more with a man with him moving the

head to one to the other under the eyes and the

eyes received various mordi in the man, at the point that the day next had a various enchasons. No, I could even

for what he did, and memo, he said, pardon me, I was out of my five senses. Is that what I was something spantos. And I was about something very strange. Something that was he was a dream or if it was a reality, if it was

something that was imagined. But he was not a person that had a person that had a sonnors, not someone who would have seen not even to recordar those dreams.

Why demon's Reckonor Recurts To that That's A lot That he He had the

Caira With the Pumulos Very Marked and Acentuated but Catererical

In a Cervo So Delgado But too So Delgado And with Those Bras that

Largos That was more Like if were a Muneeco More than a

Cere C-Urpo So-C Movia And it It had Those Those

Those They were to the rodillas, but the pyrna, so large, that they were all kinds, that it made to two meters and a half. The head was small, and all was covered

in a trage precious, but it was more the trage with the person than a person than a a new rangerer than a run. The rostro of this subject was strange, because the first time that he saw, he saw rascals, after was, evidently, latino,

and when it was a little bit more, It was a rostro with rascaric very accentuads. No, I didn't know what was going, however, to passard of these changes,

it was the same subject. And the same subject, is a case. No, Jack, no Jacks, hakes.

And he says, Memo, I'm, I'm so, and after that he says that, he says a

voice aguda, and grita, I'm want to much! The problem is that more to sound as something,

in the head of Memo, the gritty was so atronator and that good, that first he was

he was he was really or burlars, but then it was two little saladros that were

perforing those timpan until that they were to a terrible, BORrible

to the grado to that he came to get to the moment. In the that Johnas

was he met the the boca, and Memo he was more the little bit for the

little that he caused because even when he had the eyes, he was

he was there at the haques there in the room and his maldito and the

bit more more more than he was he was perforing the brain

he was he was he was when he he was when he again the next

the morning next is when he was now he with a disconfiance complete. I thought that he was a guy serious,

not he had done with the type of a tonne, with the same he had been doing a new year. It's the dream most

idiot that someone he has told. Someone who has been a person who were a person, how

you'd be a that you're a little? Someone who's a new year? Why'd you'd be

a need to that? And you know, who'd that night? That night when Hona

was to go to after after after a day a sumamente too some details that

I'm going to to mention what occurred in that house. But that night, while Janace is in a

costed, after having amazeating, in two occasions to Memo, saying, that if

he would be to call it, and now if he was to make to get to him, and

if he was a lot of him, he was a lot of no, but I'm not for the

menace, I'm going to get a eyes abertos, hoping that the other to do not and thinking how to get

to help me to try it to call it in a little poignetazzo. And I was thinking and press the puns when

I'd ascending from the piece of the back, and when they got to the door, Janace

was just was just about there was to be who had who had to be that I'm

going to that person was a little and that was the most important not going to to be that

that person vienna the ross minimum that's a minute, that never he knew

directly to the eyes to do you to make it to be to be directly and then

he could report to the authorities because Johnas is supposed to almost

to do all to subscribe a person of this life know that's

that's not that's not ever to be to be to be when then

the door when then the door and be like a the a little bit to be it, a subject of some rascots, that has a body that seems more heathed than a person, and so they're going to move the brasos, and they'd be it in a

other, as if it was a-viento and he was going to be it again to get his name, and he'll bellow. The gritty, and is desperateed by the blows the he's doing the

while while with a amoe he's taping the area the

thing to make the that he's he cae conas no

support the he is the and the time

of the time he is he is he

he the rostos are these rascar and not these racos and you not are

these rascals and you not are those those rascals but he's exactly the same

person like if simply just just just the same sort

it only two minutes two minutes in which the voice gets very affected

and totally disphonic it has a very not only just for

that the garganta, but because Memo, let us we've been a little of what had

occurred in the night earlier. The two get to a second day. No, they're going to do.

But they're going to get to go to go to Johnas and he says, what is

more important? Enfronted this thing that is imaginary or to avoid to be in the carcel?

And the two get to the same conclusion. Although no

doorm in that night, nobody, neither, and no force, nor no power, nor the

misnissimony, it will make that come to that house. And that's they're in voice-alt. And it

affirmed on so contundant that the day to say, that's what that I was, we'd, we'd

take it to talk to a rote. Terecerer night, none of those two go to

be to they're in the same room, and not they've asked for you

have been to have been to be you've done that you have

done the night, to that they're to investigate the salon of the room to arrive. In the salon of the room, there's a lot. Some of a sensation that they've got to a car, it was like a paranoia

repentina. It's like if, if you were you in your room, and you're in your there, but no there's there, but every time is more close. You know, it's that's in movement, and you can't see it with

the mind and with the body, but no you see. That's, they're seeing those two at the same time that's occurring in the plant, alt, at the salon principal.

They're moving Lentamently the escalar, suddened free, and the moment to get the little escalon and to sum up the table, the

the same is to the leg of the feet. Ambos no can't create what they're doing. The walled is that

picture of the paintura and now they have it. And they're these glensos clasimus

a viacruis maldito. Doce figures puttes around in the sense contrary of the manisillas

of the relog, that are showing the process of how two persons enter in

a house, They're toping with jackets, and little to a little are led to a one o'gare, in that each one of them those are a cross bolted and they're

they're in front. No can't they're ever to see each one of those drawings in the because there's a lot of there are

some altars and each one has a statues demoniacas that no recognize, and the worst is the

quantity of bellas that has that's when and in what when in what someone

someone quit the and he took all that so that they have done in these three days,

are more of a centenar of vealas that are dispersed in all the black, black,

and grises. At the center of the place there is a man that is that's

is a capuch black and when they they're when they're when they're when they

when they they're they they're not they they're they're is still

but is immobile. And it's like an attraction, like a force magnetic, like if

an iman enormous those attractera, because they are coming and they're and their

mind is totally apagated. Yeah, no are doing what they're they're

and they're doing to do this thing, it's a statue of a skeleton,

that he doesn't the same the same the same, the skeleton is

enormous and the His brasos are longissimous. The head is up, walking towards and it's an immobile. The problem are the eyes. The eyes are so moved

to one side to other, and they're just to pose the mirrored at nudo, and they're to give to the other. It's there, when the fear is such

that the that the feet of Jonaz, they're all the force, and they're to come back. Jonaz Kyi

of the roadias, and at the case to the case of that thing, and it's manning cold. And you know, that that is

live. In that moment, grita of fear, and it's something horrible, because he's got his gritty when he says, when he does his own and he does know that he's in the room of the two comas, and

his gritty is accompanied of the MEMO. The two both bolted to see, but they can't par to gritty. It's like if something those had possegid and those obligar to keep gritting, and they're, and they're going to be

abirt, the gargant to say, no can't to get to get to get, they're in the door, open the door

what they're to do you have to do you're to get to get to get to get to the little, and when

they're the escalers, it's a rechinid that comes from the room, and at

the table, and all all the chairs are all separated of the mess.

They're kept being the time sufficient, they're they're to be

the look at the rosters of they're not even even that has your

body. When they're the little bit of the table, and there

there's six people there. None of them they can look to

see in some a little facial or physical. All are like sombras

dark and they're and they know, they're not to not

to be never. She comes to the door, she

he gets the hands to the when they're when they the

up, just to the side of the camera, in the encemer that's in the end of two, that they

had been there's that they're the emergency to get in the night, he did you did it,

and the other would be they're at only two escalones and 20 passes, but you

don't have not the mind, nor the power to go. And it's there,

when they're from the third piece, that down the escalers a

speed, the maldited, the malditor of yackes, that's gritty, tremendous,

espantoso, and that's them are the up and they're going to the stuping the door and get to

the room, Jonaz, sent to and get to the little little grito apagated, and when he

is at MEMO, and when he is turned in the piece encorvado and just in his spalda

has two tarantulas caminand on the when he comes to runas and he

and he and he's pattea to get to get to the counter

the tarantulas salen disparas under a pere pegs and they're

the wall is a horrible it's a part of a peregris a place not the

place of the place in which have been the three days and when the

room the the room has has many many

has put a one on on on on

the water and talarra and there there there

there many things they're on they is a passillo that is a place to get in the

entire of the teleranares, because all there is all right of the of the araeas redis, and other

that are one over other, full of animals or envueltos and with little terraines that are that they're

being from the car that when they're all all over these but they're not going to not out of the

statue that was in the third-pillar. just the side of the door. There, to the

two keys. And Junas that I try in the man, just I'll look to be the

the man, and there no, he's not he's not. Emu, Mmo, he's

back to and when he's to be the feet of the little bit of the thing,

that this manning the same, he's always he was seen, and it's when Memo, he's the

little bit of the divinidad, maybe is the same God or his angel of the guard that he's a help out of because at the

first, he'll introduce the key, open the door, is the key correct. Salé cori he.

Jonas is back to him and Jonas not go to the same sure he the moment in the umbral

he gets a a palmad a a blow contundent in the noca he's

he's he's abriing the candle and when is the handado he's

the candd in man and Jonaz no can't you to be to be because the garganta

has been very lastimated but I gop the piece with the hand and he's

the hand saying to him to help him he'll go and he he the door

yeah is the door and the handado he's he's he's he's

like I'm he I'm he's he's he's coming he's

when he he's he's he's got on the other side of the reja the reja

the reja the reja is CEMO know in his regress for him, the house

no will be to let's say, he does a few steps back, he's up to his doors, a reja, a maldita

reja, so full of oxy, and that's crazy impossible to power to move, I'll see

to be the canded that's in his hands, and the two, they're

able to the barrotes desvenciching the reja, and in the moment in the moment in the

they're they're made a way and there there, there, there

there's a very rare, an image that is going to go to pursue after the inferred.

That's the place in the colony in the street that you have been seen, there's

all the dark, all you see the light of a luminaria. Bajo

that there a little a armch, and the top of the toproro and the

whole the body has been amarrated as by a cord black

that's that's all the back. And this subject, is agarranding that

cable, styrandol with one and the other hand the other hand is the same. The form

in the that he came in like if any any even even were to get to the way, you

even know, know what you know what has to do it. It's a way, down to the

trajectory of that the same, and the cardado the more rapidly that could,

he's he'll put in the man that the person that's the

moment in the the still and go and to the house and he

and he and he and he will turn to the lumines not that

the light and they're not that the way is visible and

know they're not they're not they not when

she was not when it was not when they

got again again again that again they heard

that a and gritty and millions of people that

the entire that's that this that's probably it's a morate of

the mormeus. If never you have heard of the the people,

you've to hear this story. Barbara and Connie are hermann. She

get the one to the other around of seven years, what does that

so they have certain union but also they're different

they're in different that in many many things can't

not they don't get. Connie is the major, Barbara is the minor. Connie, for the moment in the case where I'm going to tell you, is a child that's a point to start to do you know her career university in medicine,

while Barbara, in that moment, apenas was the middle of the primary. One year more, a year or less, but it was over there. They're living

like different processes, different stages, different types, different types of different types, but in many moments, in the house, they're like these

spaces of conversation, where they're one or the other that they want, that they're important, that are apart of their mothers, as much, understand this context, that year, in Semana Santa, the family has decided to that they're going to sender to the two.

Papa and Moma, they're going to deser of them, they're going to have a time, only for them, no last year, but not they're going to suffer. They're going to send to the house of a Tia, with the which has a very a little relation, because it's a tia very rich, but who lives in

other state, is one of the five grandas of mom, the 20-unica that's left, and still not only were the city, but she was, out of the state, she lives at almost 11 hours of where they live in these chikas, and the

place in the way he lives, is a city, says, she's a legend, that's a place, a lot of a no, no, no, no, no, no, digna, for that be the set

of a great movie of Hollywood. Never have been there. When they've talked about with the

Tia or when they've called to them have been to the city, and is in the reunions

familyaries when they've had been to present in repeat occasions as if were a

person totally disconocid and they're they're they're she's a Tia Imelda

her, she's my Meldda also she is the out of the but also is her tia.

Always is the same presentation. And, and after that presentation, one of the Tia Ila, she goes, after being said a little bit, she's a woman,

and says, for the bottom, and is rich. He's much money, so is that not they're going to make molestate.

The two not are people like fasteriousas, but the mom, no, you know, she's, she's,

she's, she's, her mother, now, since that he has casted with this type and have made a fortune

the two together. But well, this year, the things are clear as that they're not like

in the house, they're going to get to other primus to the house of the T, and Melda,

because the Tia and L'I. The T.M.A. has two have more to 20 years, not are the kids,

and are the most grandes of the family. What it to get to that they were the

most isolated, to the that they never took a part of that they were of the

city. We're going to the time. And it's a whole with a problem.

The problem are the classifications of Barbara, the minor. It's reprobated

in a pair of examines. Never ever had passed. The

director of the school, before a year, but just a few days before,

he called the mom, because are a family and he

he's going to talk something, but I'm about I'm very bad qualifications in these two materials, in these two

assignatures specific. I'd recommend that, even if it's a month, contractal a master external and that's put to give to classes because no is it. Although that no will affect it in the promenough of general, you want the best for your daughter, and in serious, contractal a master and that better, not that I'd say that de-dies, but minimum that

I'm more low, very bad, and your child has a capacity to to learn. After to have said that's all the mother major,

she went in a bus direct to the city, and went and it and it and a

second after the mother, the mom of the little Barbara, they're in a carmion for the city,

but let us this encounter was very very very much. In the

central of buses, when the mom of Barbara is there there

there a car but a auto but an auto of much a

little Sale of this auto, the hermana of this woman, the Tia of Barbara, and the mother of Barbara, she says,

well, you know, I'm going, you know my and I'm going. And a half hour after was going to

his bus to go to his city. Barbara, is in silence in that auto, and she,

and is absorbing all the information visual that the city is so different.

She lives in a city that practically is a city of concrete. all are edifices,

all are houses, all is something that's all go done with the city in the city, the nature and the city and the city

were funionate. And there are much naturalness, and there are mountains, and there are animals, and there are some beautiful,

but all the casas are reds, not for color, nor for picture, nor do you, but they're

inredavers, they're inrederats and different maturralitos and plants that are there are there

are there is so so beautiful the and so a placey, and she's so much it's

a little to be pastime, while she around the road in the way. Without

their way, they were going to a passyel that she was a property, and she's

being when express a wow, what a house that's a great, who will

be here? And the the tia she has she said, Barbara, she's, Barbara,

well, and she's he's a little, and she's you're here, Tia, in this casota, and the Tia is made to read, and nothing more

he moves the head of another, probably thinking that a little bit of a current, and he says, yes, here, too, live in your primas, here is your mother, and here you're going to pass this week. Barbara, is a-bachery, but like atravanked, without, and

she goes, and she parramp front of the house and begins to see her all the parts, and is it impacted. Never had seen anything so great, but, something in the can enter,

and that be a family, and that's so much, and she was imagining that I'm

trying to all the houseions and I'm thinking all the mysteries that I'm not the

tetic, it's a be a precious, it's a place, it's a little, and the

little, and the tia is a carcajad behind of her, being, how the little

the bracito abirtos, like if were a point to get to a something

and the head to go to the other in the woman to Barbara, he says,

hey, she's like your woman, and she's she's the woman, and she's

she's very rare. She's very she's very very little and she's and she said,

she said, and she'll get her back and she she's like, wow! Now, now if the

her mother and the woman and they're to let's get a little, and in

those moments that this a week, will have to all. Barbara commenced

to do the work for the house. Salah after salon, tracalon,

tracalon, a lot, and then everything, and then everything, and she asked in

some moment, past those 45 minutes of his explorations, that not you know

a guide of tourists. Barbara had to here, and a house, and a

same room, and it was come and she were all and so he's

sum up, he said, oh, the techo is a very high, wow, that camera is that big great. And, a lot of times it was the same apartment, but no who he said to nothing. When he entered three times to the room, in the

that she was making her her mother with his primas, they said, you, you know, but it's that's that big great, and it was a rapid. Barbara, like

no could. No, could with tantas situations new, standing in a place that great, and that so so that there were

like much chispe in the environment. But in some moment, he's the I'm going to get.

And she had and she was a lot of the little to a mochila that was a little, but now that's,

I was there she was going to her machila and her direct to his room, and when

he was going to go to go to go to what you do, what are you

do you go to where you here is there here you are here is there's some

of enojo and he said, yeah, and Barbara and I'm the problem

is the camera. In that place, that camera are two two camas that's

more than more than the camera that's that's a house, and it's

a camera, Barbara it's in the camera in the one of

the there's there caben eight barbaras fast easily.

Well, her one, the one is the woman more is beltsed the world. And she'll be

seeing the brother and she's left to see the woman and she has presented to her with them, nor has has saluted, and nothing, and they'll be, and think, they're like six barbarous. Here caben two, you. I see that put in that camera, and I'll see to be her another again, all enojada. And her

her brother, and he says, well, ben, ben, yeah, tranquilla. And she's her left for a passio and he abl an abetation that here, any, whoever had suspected that there's that there's a gato enshrado. It's the It's a little

more beautiful that I've seen in the house. It's a

house a house. The room has a little I'm

a little that's that are around of the and

they're that they're to cover the the light the

vental that is enormous precious and and have

apart some part to some shortions that are so

they're so they that you that any other looes in the room.

The camera of the same of one of those other room and the other room. And the

space between the camera and the the one of the one of the barbaras,

what would be a a room complete of barbara between a room and the

room. But you know what is the better? The best is that there

is a point in the moment in the that Barbara enter, like if if it

was the was the owner of the place, be the camera, brink a room, come over the

other than she's over the camera and go to go back to the door, and he's

saying, wow, never I've seen a big, the bathroom. The bayon,

the bayon a three bachasas a enormous, enormous. Nobody needs a

time, and she doesn't, where the latrina and where the legger and where

she could put to exercise and to go to and to gore and a space so, tan,

tan, great and so that's a black and so that you can't

be able to see of the person, but if someone he has a

big, it's a big, because it's the time, that

the wall that you have on the front. and

the other other other there the there never had

seen that they're Puerts of Crystal and are some those Puerts really,

super-precious that are making in a princesses, in a caricature that you

have seen, and it's that you have to be remates that it is the house

of a house or a multi-million she she's very,

and when comes out of her brother she says, so she's

so contenta? And Barbara she kept looking, while he moves the

head of the other and he says, Vienn't to be the first of the little to be

your mother and he's a little with her and then she's going to the door,

and she he's a time. Barbara, after that moment, does of all of

the camera, and he's to move her his arms, as if trying to

make this post of the angelito, it he's he try in the

prognostic and whatever thing you can imagine, is to put to run to see a same time,

it's a little bit of that you're there's a way, and when it's about the camera,

they're the little they're in the and say, I've been never had been a big,

and with the and the feet, he's and I'm about, because Barbara is Barbara

is Bavara. What I'm what I'm doing? She did she's she'll

get to the time, and she's I was getting a ballita and went to rowing the side of the camera.

I was in the room and came and I'm in another when she did know that he had had been

his maleta, and had put a proper, and when it was so I'm going to be a lot of the space and that was

thinking that how she would be living in that house and she was just yeah illusioned she went

caminandos, the curtains, it was able, and she saw all that the place of the city, and no he was going to think that in

some moment if I was to start, and she was to do that was in your house, or in a

hospital, because this not could be a time. And the the house, they were

to get to a place to come to not elegant, comidates like very typical of the

city, but comidas very rickas, savors, that no is not of the place in

the where they those proved, they were there were so Barbara as her

her mother, her mother yeah for this moment that had a lot of a lot of a lot of

a great amissat with his private, and even there was a difference of the

difference that they were a time, then they had a good connection. They had

a good about the experience that I would have to be that you care of

that she because the two chics, they were people, and were very involved in the other

and errors that they had committed. So it was like a time of the time of the time.

The Tia was the was the most had a contact with Barbara and was there and he

started to say things, but I'm going to say the real. The Tia not

like the person not the most talkator and the more more than

she was good attitude but no there had conversations fluid

all the every this is a quote a 100%

until that was that it transformed in a story of terror digned of the channel, and we'll be able to what no exists. Because it's exactly the day before that Barbara and her were back to come to

all. I don't you want to tell details of when went to visit the museums, the parks national, when undubiered in the plasas,

when they were to the classes municipal, to those that only were going, say, people of certain Tirkurnia.

No, I'm going to not of that what I am to tell you Tantto Barbara, as her brother were made

in a little no, but the time is time, no, in the house, they're going to go to

go to the vacations, even when they're not so they're not so much, and they're not they're

not they're not they're not much, and there's a family, yeah, and it's

not the there, no, there's any of the time, and the time, and the

in their stances, none of the two is said alluded to a lot, simply had commented in three or four occasions, oh, and it's

very good, to give us more time, and it was very different, because they were in the same tone of voice, all the same

time, as they were, as much, and that the primas and the tias soltara in the carcajada,

but in no moment they said, they said, and it's more time, that it was moment of

changing ways, and maybe in a future they were to come that that's that's

after that after that after that after that is a time. And you have passed

more to be 20 years. Ultimate day, all the perfect. Tantas

things rich that have had been many and have been there.

Barbara enter in the room at the night there there

see the time and he makes to do and it's

that he's he's he he he's he's I'm

I'm to be to be standing to the face, he says, you always were very bonita with me, he's got to

the camera, he gets to be to get into, he starts, he makes, like, to try to move the

and say, you're going to extra-mast more than I to you, and then you and then she and she'll

get to get to and it, and it's like it's like three or four times. Because she

in her mind, is she being a person and he was a dispeinando. It's the imagination of Barbara. Nothing more she thinks like

her. Because, after that's carines, she starts to carisier, and they say, You're always me vared on very good vista. Oh,halla that me still stand-dando when regrece in a future. I always will be a lot, like if the objects were alive. When

he enters the baio, there's no superpo to talk to nothing, because when he entered, and he saw with the cabo, for any one side, all full of the the room all removed

for all the whole of the head, and he fey, and he knew a point that was about that he was

saying that he said, he got to a duch, he had all his things accommodated and you know,

that the day's going to have got to be there. But it's something that

even this moment to cover relevancy. In that house, apart of the tia and

the primas there was a perrita, and apart of the perrita there two people

that were the that were in the limpecies that they were one or one or the other.

These two people who were in the limpeas they were with much respect to

Barbara to the mother, but of a certain way, she had had done

a mother and they were at the time. In the night, they were in

the room, and this always were always were when they were

that they had a little to be to let me not to be

with the strato social. were the only that invasied their privacy and that's

not the perrita was a perrida was a pyrrida only was always was in his and when they

she was she was the perrida was the emperor of the house and was in a other and another

and another and another and another and she was back and the he was he said

not she that perrita so farbara never tried to socializing with her because

after two three intents that the per perrita the ladro and they'd give a more

Now, no, I can't do more. That perritte and I don't we'll have to get it. Now, so. All the pieces are put in this tableau. I'll tell what was the maldita Hugada Maesta of the Terror that passed that night. Barbara, is she wastied to

be able. She's got to be seen the camera and they're the eyes open. Every 20 or 30 seconds, his brasons have changed to position. Of a repent,

this man or contra-man and his man does have done behind of the roste and is the side, viewing the ventana, and in other occasions, abre those arms as if were these slas of Angel with the

eyes aberts, like if intentar or to arrasar the techo, but pegged to the camera, and it begins to be there. All the place, all the beautiful. In other occasions, is it, is a lotteeating the head a little biterick at the

door, we're going to go back, but with the head up frontada, and the back, and the piernas have been doblades

to the way and they're trying to do this change, change and

the anxiety of the nervousism the fact that yeah she's going to

be in that it's but it is in some moment of these

that she she she and she and it and it and

there there something there there is that this

he is he is she of dormice, only that not

he was in the moment in the in the way she was going to get dormita, first he had seen

the eyes, he had a mind, and so that was to get the camera, serrara the door,

serrara the curtains, the and then the door, regressar to the camera,

it was a way very extrana, because cruzable the the

and he were in and he kept combing the techo and

was a posture very rare for Barbara, but in Barbara, that's rare, the her real, the fact. She got profoundly dormied after having done that. And something in the madrugada, it's the sound of the door, and he abre the eyes and has a kind of a great-goonied. There is a little bit there.

No, it's a position of the braces cross-grossed. He has his right on the backer's over his head, and the brazo-de-dole because it has it that it's a normal, that's He's barbarous, is barbarous, even when is dormita. And, standing atosted, and the camera,

hear the door, grueh, bolted to there, and then, as a bit a look at a minute and that get directly in position to the door, be that the door is starting

more, more, more, more, more, more, more, after that he has, more or less the space for that her mother could pass by there. She assom, see that enter an ass-de-lose,

that no has-de-lossed. All the time, when these chicas they were somed, the passillo was the passillo is apagued, here are the

light, and it's like, I'm, they're so, they're so, they're so, it's a look like

opacada, and he'll call the attention, because it's instantaneo. It's like to

move a more streying the quillow, and up the little the eyes,

opening much the eyes, when he not, that in the room, there's

a somebody, there's there, and it's the person that's the person that

He says, me going to do, Salte, the door is going to start. And in the moment in the time in the

year he's a little he's over unyed, he cruises, he acuester on the side,

only to see that in the docel, the barrotes, there's a sombra

of the eye being the that's that's not a woman, it's the

body of a baron very an churn for shoulders, so it

very musculos, and there something, the energy that emanate, no is of the people of the house. Barbara, commenced to breathe in a manner agitada,

is a bit of the sombra, he wants to be to see up, and that sombra is to move, lently, from the docel that is the

side of the cabcerer, to say it that's just in the base of the feet. When he gets there, Barbara

is incorporated, sat down, in the camera, and see that that sombra is move to the side of

the right, and when it's just in the center of the camera, does a pass to

and see as if if it's looking someone that's that's going to

get to get to down she's she's what you're what's what's

she's something has a much, much, much, much, much,

and it's a when that that's that was that's she

is that's being that's after the car, and when

when he's when it the area, the camera is to get to get up and gollpear contra the soil. Levantar and goleap into the soil.

Levantar and golepear against the soil. Barbara is a sustadishima, neither does the gritty. With the sabaana that has been,

it's tap the head and and preets with much, much, much force at the hands and and he gets

to hear a campana that is going to turn, tun, tun, and at the the rhythm

of the campana, the camera a little the piece, he's a counter the

piece, he's like, he's, I'm a moment, in the he's, and the other,

do the other, he's a little bit, because he's something on the

side, not on it's like a little and he and he and he

the sambra that's like the under the the camera, but if the camera

the camera has undied, but it has done, and it has the eyes, no

look when he sees a light that he's a light that's a lot of the

side of the side of and then it's a mind, he's a little, and be

that in the room, the lights are the door is the door is abir

and the the problem is where? Because Barbara at the light

turned back to and then then he regress the miras to see that

the other side of the other side of the the feet, it's again

to turn to the piece and he's a kind of a kind of a

guy going to go and go going to go and it when I'm in the way it's

like it's like the door the door and it after the other back to

the barbara is all the night in the court of the hermina

all right all right all right they're even even the if you're the same

the abrasa the her to the day next in the morning,

her mother her mother she's doing this you're doing not you don't me you're

to get us to get us to get us because this woman not is no the night

and the time and the she said, it's that happened things and it's

that happened the things and the and the they're they're not you

don't do you don't not of that you don't not don't

say not you don't say to to say to to say to to say

to say to come to say to the mother Barbara she's seeing

with the eyes all of the impotency and the courage and they

say for your good, not you don't you know you

say you don't you don't you know it is she

he's not you when it when it when you get to the hour of

she she can't say in the little little indirect Mugrosa, in the night you're in my

quarter and you met this you're in my car, you know, he said, and that was because he'd be the sound of the

perrita. This perrita was of the time of a chihuahua that only pedia-brassos and a penas could be to

maintain in the that perrita that were in the carbara's with all the tosceles of metal,

for suppose that she. But Barbara is a a little, and Barbara, what is to give her tranquillity mental. So, is that

he said, and she took a carrague that he got to because, that's what what he thinks, and

that's what he really, and it's that's that's that's the that's it's

a lot, and it's that's the environment has changed, because there has a problem,

it's all the part, as they're in a mess partied, a

Then she is the tia is that she is the that she is looking directly to the eyes but without with a car, but is that point to do with her and is to be a bufo enojado. In this house,

no us got it, but you're doing that type of that perrita no put to have seen and she meto in your room. No you're saying

those things. And the sheora to be up to the sky or to the In the Inferno, because no stop to say and get to say

and get to and get in the man, and he's in the man. Come back, Nina, come back. You're going to see that per rite

not was the little to get in your room. And it's a door to the little bit of the little bit of the little bit of the

little bit of that's all right. The parrita no enters in this apartment. No, you don't get this house, not

you're saying not you're not saying, not you're talking the lady, and go to the girl, and it's a pyrrata,

and the pherrra, and the two mordidas in the bravo, and Barbara is that, that's containing the lachrymins and is to beckoning from the girl, and she's going to gorethew, when the lady, she's got her to gore d'arra of the brazo, and says, the perrita, no, she met in this abatation, here, no digas, menirals to talk to that, and so

he's a media-wilt and she's back. And Barbara, he's ta-temlating all the body. No, they're any what to do, he's all over the vibre, the labyrinth, the labyrinth, he doesn't, but at the same time, Sient that the woman is going to

get more a lot of then she's not quite, you know, one of the primes she aghach

the braza and she he gets a cargated into the court and he starts and he

says, Barbara, you're very chikita to know, that's your tia no

has a contra you, it's a going to let's let's you know,

you know, you know, you know, you're what you can't be more that you're

better you, you're going to pass 10 years. 10 years of a maldito trauma in the Barbara,

no says if the most aterrador was what was the night, but never never to

her never she was she's she said, and never he never went to her

many opportunities. Her one her one a one,

say, a reunion family nuclear, where was the father,

the mom, the Yeah, is a person that has a person that has an adult. There's a time that's

from the same long time in the same in the time in the way he's a moment. And Barbara asks,

and more and more, why my my aunt reactioned like a and what did that

and why you think? Because you think that Barbara is going to get with the

time of all of those years? I'm never to but the responses

were contundent when when you do you want to you're be a major. That is an idea of the family. They're the idea that when

when I was sufficiently madure emotionally, and were like this relation that they're, for that they've put the age. But, it was worth it, and the day of his birthday-a-year-day-days in those reunions, where Barbara it was over-vents, but bocaharras. Me going to say what was what waso, and here

there's nothing that, and that's chiquita, and that's chiquita, and what happened, and what they're , prepare-te, because that's the reality of the story of terror. What I'm going to say now I'm just a

little bit of a little bit of the family, the vivance that they've ever I'm sorry what I'm in that that case and

I'm going to a situation but of part my of the people of the pesayas and of all the family

nocturna and we send us a little and it's something with all

respect of the I can have to say this occurred a tragedy very durer

in those years after and And, neither the primas, and the tia that were that almost nobody of the family to enterara.

To be clear, if not you did you know, in that house that was built in that pair, never is about the pair of the

and I want to get clear, the problem is what was the person. Resulta that one day, both the

little the young, and the end of the time, out of the city, a little,

a little when they're when they're a house, the door principal is open, all the

lights are the lights are the light of the things that are all the whole of the

thing that's not the woman, the mom of these chasas the time, she's the

time, they're not so they were that were two years before the time,

but at the end, for the eyes, always someone will be a man, and they

they're saying that they're not they back in the car, no, the senior enter and

and so top with the scene that that's never, absolutely nobody, no important who is, you're going to see a little to this.

Because the moment in the human brain, in the window, there are the whiteas marked in liquid

vital-roho. And it's clear, and it's a problem not more are the wayas, that this

at the instant make the that the person that's the problem not is

that, is that the side of the there's there's like a charco

that's there's was rastrauding. And see in the lines where someone's stoo was rastrauding, and advance, and advance, and advance, and at

the side of the charco, there are markers of wettles of man, that also did with liquid vital-roho. Itwele so a-erro the place.

It's a lot the place. It's something very strong. And she is a name of his husband, and

he'll be to get to, and it again, the fifth the voice is the voice is kebrada. No

you have idea the quantity of the liquid vital rojo that you see that is easy

to intubing what it when see the the wayas there there's a door

of a first plant and there a man out of the

hand that the liquid and that second that she

she's that no no important that that the

many they put she she she He was able to open the door,

he went to go and the car with the vehicle, he said to help her he's not

he's, they're in the policeia, get there a ambulance, and get to the police and it

and it comes that they're in the investigations. You know of two people that

entered in that house, they did a time, intentating that this

person had a person there was ultimately they're They were, lamentably, for desuscribilt. And he luched his

his last moments, in some way, attempting to get to the body that had in the coo'e. But, getting there, it was disbanecy. And that so

had occurred the night before that these chikas. The problem is that after that, various people

that had had been in the property, about that they were and that in the room that

they were, one and other was, it was the the room of the docell, the camera that had those barrots. And it was very

very strange, because even when not it was the custom of to talk the campanats in the madrugada for these misas

of the gaiyo, in the calls invited all the people, for the day, the morning, the

madrugada, of the day, the morning, the Christmas, the Pazcoa, no

he had that custom. Sin however, this person had that always had every year,

to go to a little to do a little And it was just the Fecha of Pasqua when sonar the campanas

in the madugada, when it was when all of the sunn't, when all of that were only had been much time,

just that had much was in remodelation and it was the only abatation and was the little bit of any time, hermoney,

her mother, no, she would occurring that, but one that was that occurred,

then they knew, no how to confront him only with a acted to

like a way, because she could be that the woman of the person,

not still and she was there and it was a look to think to

and when when someone was that that was a

woman, she was a very very time of

a time and they manage. And that is the story of the house of the campanadas of the

mortals. And with this story, dear family nocturna, we've got to the final of these

Cura Fogata and stories for respect for cario to the family nocturna and how

the thank me of the team and to all the family we're to just

those seconds of silence for all these people that in life

have have lived something have because they've been contact with your

celes that we're in this moment or in a future be in the plenitude,

in the glory, and we have been in the Saturday SOMras, you see

a bonita a week and that have done those and that thank