HABLEMOS DE LO QUE NO EXISTE - Pasado Familiar Oscuro y siniestro | SÁBADO DE SOMBRAS | 43
Episode Date: April 13, 2025Bienvenida Familia Nocturna a éste SÁBADO DE SOMBRAS en donde les traigo las historias mas escalofriantes de la semanaprepárense porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE ...
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Let's see.
Welcome to Family Nocturna
to this
Saturday of SOMBASS.
Let's
I'm please to
the team of
the Pesadilla
if anyone is
connected,
for favor,
share in
our networks
in the
enlaces,
to be
this Saturday
of SOMras.
For all those
who have
been getting
all the
family
nocturna,
welcome
thanks for
to be here.
And Saludcita
Hydrophobic,
dear hydrophobic,
and I'm
abracacus.
In the
Semana
I asked
about the
like the
words with
the more
me remember and
that's a
lot of
many people who
did a lot of
sooofobics.
Family
Nocturna
before,
before,
before,
if me
they're doing
the
if all
all so does
be well
if all
it's
good to
hear that
we can't
with this
transmission.
The day
of
we're going
to have
a
dynamic a
different.
during the stories,
I'm going to be
focused on the stories,
but before
the stories and
then I'll
read a little of
comments, I'm
interactual,
for the
time, if me
they're going
for here,
I'm going to
the page,
and here is
where I'm
going to be
doing.
Very well,
says that
all,
very well,
everything.
Before
to start,
then,
let's I'm
for a
time that the
family nocturna
and can
put,
for favor
in comments
a
banderita
to know from where
they're listening.
And number two,
if you know
you're a banderita,
put a foggito
for that
this foggata.
Well,
even if it's
a sabbado of
sombras,
this is always
something like
a foggata of
stories,
right?
And today
I'm a
very good
because
we've been
a week
a week
a week
in that
were going
things
things interesting,
encounters,
and I'm
so,
so we're
going,
hey,
genial.
Genente
of Mexico,
of
Honduras, Peru, Brazil, Argentina,
Bolivia, Chile,
there's a bandera that no recognize.
Because right, as we're moving very
rapid, it's Venezuela.
There was one that subio
that I thought, wow,
if there's a general,
that's a grand impact.
From where you're going to
and wherever you're going,
thanks for your time,
thanks for being part of this family
nocturna.
And in a moment more
to tell the stories.
But I have a part of
things that I want to say before
to start. The first
is that, you know, you know,
you know, that's the
Saturday of SOMBASS,
just at the
final is
where I'm
what's the
WhatsApp of
the Pesadillas
and to what
you can't
send to
the stories.
So, at
final of this
Saturday
of SOMbras,
is where
I'm going to
pass that
in the
last five
minutes.
The
next is that
I'm going
to give
all the
people that
is in
TikTok
that
this
time
contra
the
people
that's
copying
the material
and the
content.
Copions and
pirateria.
Thank you.
In the
comments,
simply
us arroba
and put it
for favor,
see the
channel original
of the
narrator, this is
the channel
official and
put in the
arroba.
There are
many despisado
that they
put in our
channel,
the
which is very
very graciouso
but
even a
so,
it's
he's right
because it
does
the redirectional
the
so
so
a week of
people arrobondon
in different videos
of different
channels.
That, well,
it's a
greatese,
she,
it's very much
now.
Now,
other pointito
that's
I said,
anecdotas
that me
came to get
of the
family
noturn
of closet,
is that
is that
is the
thing,
it's,
it's,
it's a
family
in the
that are,
so,
I don't
remember,
are two
men,
but there
there's a
other man
there's
a man,
but no
is a
The point is that is that's
very chistoso, because
all they had the
same gusto.
And then they're
a reunion-cita
of the end of the
time in the
that they've
had been said.
It was like a
dinner of
men, time
just of the
children.
And there,
when they were
playing the
platicata,
a one of
them,
after a few
copitas,
it was a
little bit
the language,
and he said,
no, no,
no,
right,
it would be
good
for some
stories of terror
of the narrator
and just they
they kept
seeing the
other people
and they're
a little they're
a little
they're not sure
and they're
they're all right
because they're the
same car to
they're doing that
they're part
of the family
nocturn
but look
quieted
me made a
message,
a maestra
no see
what's the
grade or
I think
that is
for a
question of
career
and me
said
narrator when
when they're
when they're
when they're
when they're
I took that time
like to
open to
open up to
get a
in volume
in your podcast
and you're
many people
that are many
people who
want to
do you want to
do that
a family
nocturna
to closet,
to all the
family
nocturna
active,
that we
recommend,
that we
don't
hear of
many
many thanks.
Thanks for
the anecdotes
for
to share this
because
are very
good.
I'm
really a
lot
they're
a carcajada
me
make
a carcajada,
but
for
other
side, much
thanks for
help us
to make this
project
get to
more people.
But even
so,
one of this,
one of this,
today,
I'm going
these
stories that
they're
to be
to be
the day
of today.
I've
to commentarles
various
things that
happened
in the
time,
that have
to be
with the
stories.
The
first that
you want
to say
is that
many of
you know,
many of you
know
but the
theme of
terror and the
problem is
a problem
that I'm
a personal
I'm
consume.
A me
I'm a
adult and a
adulta
was a
a lecturer
empedermino
of the
books of
terror.
Then
there's a
moment
in the
I don't
tell you
I'm
a obsession
that I'm
an obsession
because
not it
but
I've
many
many times
at
the
point in the
certain
video clubs for the people
that are very young, the video clubs
were these places to those that were you going to rent
a movie.
A, has a much
time in a format of
scinta magnetic that's called VETA and
then BHS.
Posteriorment,
it was the DVD,
and then we're
we're going to be the question of streaming
and passed a better
to the best life to the video clubs.
But in
these video clubs, when
yeah was in format of
DVD, there was
a video club
close of my
house,
that I'm
I'm at all
the movies
of terror,
and if no,
well,
all of those
that were
interested about,
that were
much times,
every time that
they were
to rentable
and they were
at 10
pesos,
I was,
I was 50
pesos,
and I'm
about 50 pesos,
or at
three times
for a month.
Then,
to the
world of
a year,
a year and
a year and
imagine the
amount of
the
many of
the
point is
that I
was that I
was
how,
how they
were the
monsters,
the monsters,
the
Chirons of
Tram,
all,
all of this
me
really.
And now
with the
channel,
I had
a good
time,
that I
didn't
read and
not used
any
audio-librous,
because now
given the
circumstances,
has been
more the
thing
of audio
books,
and
I've
got to
and I
know,
that's
good.
I'm
not you
don't
say that's
the
best,
but it's
a
book of
many
anecdot
of
terror,
very concisis
very
but are good. The
book, there's
you know, you know,
you know,
those data exacts
not the question
to do we'll be
the question of,
we'll know what we're
then.
The book
is called more
or less like
phantasmas
Chileans or
histories
Chilean's of
phantasmas.
Something
something.
Something
that's good.
And there
was a pair
of stories of
that book
that they
made
a bit
impacted,
especially
one.
In a story of this
book,
it was a,
it was a
that I'm
something that
about in a
second,
because me
came to,
here's
in a story
of this book,
I was a
circumstance
very strong,
very
very dolorosa
that lived a
family.
They're
two persons
casted,
they're a
little,
the marid
seems that
has been
that's been
has been
time
has been
been
having
many
things
in the
heart
and not
is being
a
good
and he
has been
a very
good
time
that this
was
going to
maybe
he
did
say
and
his
she
did
and
she
didn't
because
I'm
not
a
problem
because he
has
a
good
new
a
day
and
the
good
new
good
work.
The problem is
that is in
other
city.
No,
I'm going
to get
to get to
a little,
but I
go to get
to get to
the way.
The
man does
his
maleta,
he's
and never
they're
to know
of him.
I'd
get the
impression
for the
history
that this
was there
for the
years
80,
70, or
the most
the most
time.
In the
the time in
the
time in
the
person
that was
it
was
practically
impossible.
If you had a data of the person
to investigate it,
to look at it,
not you were going to
have to do
if it was in other
city.
No, there was
the media.
Beavneu at
board of Viarai.
Embarked and
profite.
Embarked and relaxed.
Cirotay.
Bukkinet.
Oh,
that also.
And profite.
Via Rae,
the voice that
we love that
am.
Fan of soccer,
you could
assist to a moment
historic.
You could
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The reglements of the concourse so plight.
So this woman, all past some months,
well, you can't imagine,
first, the angustia, the intrigue,
the what has happened, will be it, be it's all right,
and passing the months,
accept it that maybe is a reality.
Or, yeah not is between us,
or we
abandoned?
For which of
the two
you go
because the
two are
really.
And this
woman
gets a
moment in
that's
much more
more
and has to
make to
the reality
has a
little
that
has a
little
and he
is a
new
reality
and he's
to start
the new
things and
and they're
going to
get a
various
months
that
he has
had to
adapt to
for complete to this, that's
that's taking the
things
ahead, that the
terror
comes directly
and if
appears in
his room.
Just in the
madugada,
when she
is dorminging
exaust,
for another day
more of
labors,
both of
the work,
and of
the
time,
I'm a
great,
and the
worst,
no is the
grito,
that is a
gritty,
is a gritty,
is a gritty,
it's a
gritty,
is the
person,
but that's
the person
voice, the voice, he recognizes the instant, and
he's a marido.
He has the double of
fear. How he metio
this man here? And
why it's going? But
of all the ways, open the
eyes, he's sitting in the
camera and bolted to the
corner where he's listening to the
and he's going to be
by the feet with the hands
extended, vaulted into all parts,
grittando one and other
once. Help me, for
favor,
Sackame to
here.
Auxil,
for favor,
Sackame
here.
And front of
his
eyes,
she desbanes.
She
no know
how
to do this.
What is
what is what
has what
has to
occur to
there?
He's
clear,
for an
instant,
it's
so
the
moment,
that what
is a
alusination
is a
phantasm.
But no
know
how to
do it.
So,
no,
no doubt
of
she
myself. No doubt
if
was she
was a
a little
but
she kept
very
un-tranky
and the
morning
after the
next
after
he was
a
call
and they
they're
a
city
of a
city
that
know
that
that
because
months
after, there's a
about a
they need to
that she
go to
to know
to know
a cada
when
he's a
he says
in effect
is the
the body
of his
husband
or well
for this
then his
ex-pareja
his
ex-married
because
yeah
for her
he had
been
he had
been
he had
had
been
but
he
they're
he
the act
of
defunion
and
the
day
and the
hour
exact
of
the
death.
You know
what
the
first?
It was
the moment
just in
that the
phantasm
appeared in
his
room.
Coincid
at the
100.
Resulted
that
he
was in
car and
he took
an accident
fatal
and in
the
instant
exact
of the
death
of
his
spirit
was
and for
that
was
he was
asking
to
help.
This
woman
not
know
how
to
simply
he
happened
and
they
were
to
go
more in those
she will be
getting the
things ahead
because no
there's a
other,
now is a
actual,
his husband or
his ex-spos
now is,
but the
the new,
the new,
the new is
still having
necessities
so is that
no
there's
to repair
that you
that's a
time
that's a
time.
The time
is encarger
to putte
to work.
And this
this woman
is another
again in
the
labors
in the
day-a-
when
when
when the
kitchen
with the
little
with a
a scarce, meter,
meter and a middle of
he's in a
mess, and she
preparing him
and he's,
he a
his husband
between the two,
but I'm
a little
vaporos,
like a
little transparentos,
is her
his husband,
and at the
best not is.
It's like
if it
was the
spirit or the
phantasm
of his
and he
in the
two,
and this
phantasm
and he
comes to
come to
transpas
the door
that does
to the patio,
he
a soma for the
ventana and
see how that
man or
that spirit
is a
man or that
the patio,
he gets to the
house of the
house of the
person,
and it's
disaprese.
The
sir is
alarmedissima.
The
ultimate
that is
that his
son,
that he
has been
the abandon
or the
death of
a
now,
now
he's
there
is that
he's that
he's
he's
he's
he's
he
does
do you
do
tranquil and normal possible. And his
little he says, Moma,
if you've seen the phantasm of
Papa, and the
young, he says to keep her in the instant.
And he says to the
little, maria to make a little,
to change the theme. Two,
three, four, five days
after, he was, he
got to know a
sacerdote that said that he
went to the houses and he
had orations and benditions
for that they'd
they'd have to
pass
these
things,
he's
he's
and the
sacerdote
commenced
to do
these
he's
he's
he's
he's
directly
he's
I'm
to say
to
my experience
that
you
can't
be
you
he
he
he said
and in
my
experience
when
one
when a
person
has
over
bad
and
he's
really
repentin
and
he
he
does
the
person
the
person
is it was a
person
that
I'm in
your
place
apart of my
orations
he'd
say this
woman
that was
difficult
for her
but
that
was
that
apart of the
other
the
and I
had said
and he
he said
I just
I don't
I'm
I'm
I'm
because
you know
I'm
but for
me
part
you
you're
you're
pardoned
and
he's
that
the presence
of his
person
of the
simply the
life
still
the book
is very
good.
It has
many stories
very
very fertes
but there
one
one
a story
that
me
left
with the
skin
crisp
there
has
has
has
has
has
because the
history
was
very
little
but
not
not
was
the
extension
of
the
story
but
it
was
a
whole
that
there
were
they
were
very
Firtes. Permitamme to
tell us
But,
before that's
Family Nocturna,
tell you
for a
what you
tell you
this story?
It's a
Firte,
right?
While you
put it in
comments,
let me
tell us.
There was
a story
that me
did the
skin crisp
as I
said,
me
he gave
a little
with a
bad
a little
about
a
bad
important
that we
have to
have to
one
of the
things
that
me
that I
attract much or that
they're
that I'm
enamurated
of this
project.
Apart of you
the family
nocturna
that's
that's more
that's more
but there
was a
time before the
family
nocturna
because
not existia
in that
we're
a community
a little
little
little
little
little
little
little
little
little
there.
There were
not
there
no other
there
I'm
there
to be
talking
to
I'm
I'm
about the
three years
and I
did
that there
had
stories
that
were
repeat.
It was when
it was
the
woman
of the
hand of the
own.
You know
that you
don't you
know,
you know,
I'm
you know,
because it's
that you
have a
much more
time than
the more
more than
the first
the first of
the first
the first
episodes.
Subo
a TikTok
in the
experience
that someone
had been
the
person who
the
person
and
the
and it's
the experience
of Kika
Neto
a creator
of
YouTube
to day
to be
to be
a day of
other
things
but in
that time
was a
creator of
YouTube
and she
narrable
that was
an experience
directly
with the
man
of the
sombrero
and it
was
a
real
because the
video
is viral
gets
two
three
four
millions
of
reproductions
and
I
know
and
in the
comments
is
full
of
comments
I
also
I'm
also
I'm
too
I'm
also
That's my
a
attention,
because when
I'm going to
start to
talk to the
people,
that they're
doing they're
in a
experience that
it was
that they're
all the
different of
different.
They're
people
of the
Hispanic and
people who
were not
to even
do that
people,
people that
were distributed
in all the
people,
but others
not,
others,
they were
to have a
other continent,
and there
had this
vision of
and that
I just
I'm
really the attention. I said,
how can
it's this?
So, how can you
be that
are you?
With this
thing,
or with this
appearance,
and simply
not is of
a single
place.
I don't
me have
put to
to think
in this
detail,
but no.
It was
in many
parts,
or
appeared in
many parts.
When
indago
more in
these
details,
I
do you
know
when we
say,
probably
you
are you
are
you
are
Concretto. And I also.
And not necessarily is the same.
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There are some
sombrero of mariachi,
Others with a sombrero vaquero.
Others with a sombrero of Bonbin.
These are like the those of Sherlock Home
and Watson.
Others, a sombrero
of a cup,
alt.
Others,
not imagine the
man with a sombrero
probably meant,
but with a goron
a garra.
A sombrero
like the cockodil,
and things of that
type.
I did count
that,
even in the
descriptions,
when they said
the
home of the
sombrero,
there
people who
were just
imagined
more to
this
subject
with the
capucha,
that is
the icon
of the
channel.
to Ismurdock.
Then it was,
I made
of that this.
When we called
the Hombard,
not necessarily
is the same
experience.
And I'm
to ask,
what did you,
how were in the
eyes?
And if you
have said in
the
interviews and
many, many,
many,
many questions.
And many
me said,
you're not
to be
asking them
things.
But it was
because
really was
talking
data,
data,
that I
were
and even
things minusculas,
like,
of what
the color
has the
the size,
of what
the size
more or less or less
it,
there was an
some aroma,
changed the
temperature.
Those things
can be
like not
interesting.
But when
you're
not going to
do you
know that's
important,
because there
is where you
see a
pattern.
And we
look we're
a pattern
in the
of the
sombrero.
Existen
various
men,
the sombrero.
The sombrero
are
differentcian
of the
experience
that you
have
given,
that you
have been
that you
have been
that you
these sombrero is because
tell you
narrated a story of
him,
maybe he
did it, but
I came in
the conclusion
that maybe
can't be
can be
with the
time, but
that there is
a man,
that the
sombrero
can vary.
What that
not vary are
those
eyes,
are those
are those
light,
yamiant
that have
some
kind of
that they
that's
that's
the
somberer
where
where it
is a
sometimes
fuma,
a
A few,
not.
A
sometimes when
fuma,
nobody
perceives the
aroma,
but they're in
the aroma,
but no
in the aroma,
but no
in the
human.
And that
particularity
that's
that's
that's
that in the
environment
you provoke
a fear
absolute,
a terror
that's
that you
can't
control.
It's
like if
were an
absolute
amazza
and
you can
do you
there.
There
other
that is
for
that this story
me gave
scalofrios.
And is
that if you
remember,
also in the
first time,
we've been
a child
that's a
manned,
she had
participated in
Netflix for
a series
that's a
name,
my encounter with
the mal.
The case
that she
was of a
family,
a family,
a family,
of her,
the
which had
lived a
position.
It's
was very
interesting
the
case.
If you
are
those
the
of the
series, but it's a
series that's a
very strong,
not for the
effects specials,
but for the
stories.
And then
Andrea, when
I'm going to
interviewer,
my first
question in
that time
was,
you've
heard of
talking about
the
man of
the
sombrero
because
he's
getting
his book
in the
which they
were based
for
their
participation in
this
series,
and
in the
middle
the
book,
Saka a
separator
and in the
separator
is the
the
man of
the
sombrero.
I'm
why
you have the
name
the
the
sombrero
as a
name
he's
because he
was the
cause
the
position of
my
family
and I
get
surprised
so
that in
some
cases
he
would
be
that is
the
demonio
that
has
the
he's
the
apparition
that
anticipa
that
batisina
that
that
will
occur
something
Well,
it'sult that in this
book of
histories of
chaselis or
histories chelan's
of chiselares,
there's a
a pair of
a house.
I don't know
how time
they've been
there, but
in a
night they're
to feel
something a
strange, a
vibrator,
something is
there and
not is
a good.
A sensation
of being
an sensation,
a sensation
that if you
you've lived
you,
you know,
and if you know has
vivid,
I recommend
that
I don't
try to
think it's
something that's
something
it's like
it's like
to pass
to the
door and
where you
get you
get to
start it.
Because
you start
a presence
that not
pertenees
to the
place,
but is
more
more
more
more than you.
And you
you get
to feel
a little,
little,
little,
little,
chiquito,
and apart
of that
you
you know
the
intention of that
thing that
is good.
No is
good.
And damage to
do you know
to do you
know it's
something that's
something is
horrible,
a menace
imminent an amnace
imminent,
an amnace
under that
you can't
do that
this is a
moment,
other,
being totally
normales
in a
middle,
maybe of
a plattica
or being
a program
of television,
something
a little,
something that
has been
something
that has
no
They're going to
to all parts
like paranoics
no one
no one
no reason
no one
nothing
no
no reason
and
when they're
in this
order
a storm
a
front of
a
the
child
the
the
between the
the
child
and the
child
her
her
wife
her
her
husband
the
she
not
doesn't
see
the
the
child
is
taping
but
she
he'll look to be a sombrero.
This chico
see the sombra for
complete and
notice a little
that makes
that I'm
an terror
absolute.
The eyes
of the
sombra are
rogues
are absolute
are a
rojo but
it's a
rogo
no, not
it's an
ojito
that has
a little
is a rogo
that has a
proper
light,
it's a
rogo senteyante
so.
So this
this chico
is a
being
he wants
the
grito and, de
the sombra
is a
disappear,
and it's
something that's
something else
when he
he'll work
the chica
the chick
pegged the
the girl
in the
sky,
because he has the
red,
rogos,
but with
a rojo
that's
a little,
no is an
derrame
because
after
the various
parpadeos
regress
to the
normality
or that
or that
it was
because after
that starts
to change
to get
to put
aggressive
and
And he's to put her
strange,
of a
sudden,
he's
he's got to
her in a
time,
he's a much
time,
observed it's
not a
detenedly.
And it's
like if
when it
were the
other person,
and a
person that
not is
good.
He's a
person,
and says
that something
that's
something to
do you
to do you
a family
was a
person,
he's a
person,
he's a
person
to do a
oration for this
chico,
and it
result that
the
child,
the chico,
was in a
kind of
possession.
It's
been a
time in the
first
instances,
because
he had
to have
in various
occasions
various
exorcisms,
and after
of a
time,
it was
well,
and much
know,
that when
we're
a position,
a
very
exorcism,
not.
A few,
are many,
of exorcism,
and this
chico,
no,
in
a little
time
was
It was still.
But,
lamentably
it was
another victim
of the
man of the
somberer.
So,
so,
dear family
nocturna,
what?
You're
are the
stories that
I'm going to
the day of
today.
It's a
good.
The day
that I do
a promotion,
I'm going to
say,
abertament
or will
be more
than this
book,
I'm just
I'm looking
like,
something I'm
something I'm
got,
and me
to pay.
It's
was a
book,
a book,
like,
a book,
so,
is that if you say me says, no
you recommend,
yes,
but it's very
punctual.
I mean,
you know,
I mean,
very, very,
point out of the
so,
nothing more
for that's,
if you,
if you do
that they're
going to
direct to
the grano,
without
so,
um,
no,
so,
since a
kind of,
um,
and nothing
to what they're
going,
the book,
the book,
you're just,
if you
just a more
more like the
story,
met,
adentrater,
the images
in your
,
But, well,
So, so
is the thing.
Family Nocturna,
Discultures me
the day
of today,
for more
hydrated than I
have intended
to be,
well,
are things
that's the
and apart,
come to
talk,
I go to
talk about
the time,
and I'm
reseced a
quarteras,
and as
I'm a
lot of
stories,
I'm
want to
to get to
to the
final and
to tell
all the
stories.
For
so,
for those
hydrophobic, a disculpt. But,
but, meanwhile
with the stories,
here you guys go,
a situation that
me toped the day of
that year, that's made so
super tetric.
It has to be exactly
with the same of the
man of the sombrero.
There are things that me, in
the personal, to me,
Cesar, the narrator,
is,
things that at level
personal, me
They like, me
They're
much.
It has to
do with the
next.
When I'm
exploring a
thematic,
me going
doing to
certain ideas,
and then
then it's
new information
that I
go to
the
this is a
lot of
this is a
way, I'm
not I've
seen,
I've seen
these
data,
I've
not been
these
details.
It's
so much
in the
first
duels
of
stories.
Louis
Martinez,
or
was in
a
duelo with
him, if I know
I don't
remember,
I'm
not
I'm
there
in
comments
there's
there
there's
a practice
very
interesting
in the
that
appeared
a
person,
that I'm
my
person,
the
person of
the
sonrient.
If
you
remember
who
is?
If
no
I don't
tell.
The
anecdote that
I
know,
I'm
I'm
that's
a
anecdote
documented.
I
don't
have
in
the
diaries. But
there's
that is
of that
the city and
me said
that is
documented and that
the people of
the city
it's a
well,
it's a
old, it's
something.
There's
years
70,
if I
remember,
what I
did it
was a
Chihuahua
were
starting
some
the
train and
on
the
endenes.
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never too
early to
plan your
summer story
in Europe
with
Westjet
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When they were that by the way of the train,
he'd a subject,
vestigeed of a trage,
with a baston, and he'd be tarotinging a song and
onrying.
The people were waiting the train.
And this subject was,
soonriending, tarotiaeating your
and coming just in the middle of the day.
Then they started to getar.
Mewet, loco.
You're going to, you're going to get it,
quit out of the other, getate there, getate there.
And the type was going to beaaried her
song and acercandos.
All those were worried,
all what they got to get.
Much people about that subject.
It seems that there was
getting to the end,
people that were
to be a lot,
but it was called and
they were people
of the way?
Because when the
when the subjecto
is the move to the
way, the trains
get to the anden
and it's one of the
accidents more croentos
that have occurred
there.
something.
Something's
I don't
see if
they're in
the
fronels
and they're
not in
the
things,
but
they're
to be
a lot
of
explosions
and much
people
moved
that's
that
that's
that
that's
that's
has
been
has
appeared
in various
stories
and
in various
occasions
we've
mentioned
of
him
and
Louis
Martines
commented
about
a
subject
that
he
had
had
he could
be it.
And he had
done it
had made
to make
an indirect
accidents in
those who
felles
a woman
and a
little
and when
he was
he was
he was a
see that
he was
being
totally
of him
so we're
talking
as someone
that
that's
that's
that's
I'm
I know
these
stories
just that
we're
but
see me
a
little
the
roy
some of yers,
here various,
here in
Monterrey,
there was
a carcel
that's a
carcel of
the topochico.
I think,
if man
no
I remember,
that they
were going to
make a
reos,
they were
to get to
all the
reos to
other
point.
And just
in those
feches,
a day
before,
two days
before,
there were
a
revuelta.
And in
That revolt, that motinage that
there was in that Cereo,
was a situation
but a very,
but a lot of horrible
because
they were the rhodes
to get us and to
get us and to askers.
There are many anecdotes
espantosas
that you're going to
topar in internet
about what
happened.
In his moment
there were videos
and were
things that
they were
that were
really
there was
living the
terror more
absolute that
could have
a person
because there
things tremendous. Assessinators of
sangre, fia, a diesta, and sinister.
There was a child, that in
some moment, someone
he said that there, in this
place, there was, like,
an altar to the Santa Mourte, and that
there were people that
that were there, that in this
question of the, the, of the Murtos,
in that place of the Altar of the Santa
Mewart, apestable to
mortals,
like if
had been
chadberes
in a
decomposition, but
no have been
nothing.
And there
many
legends
about this
statue of
the Santa
Morde.
But
what I
did I
took it in
TikTok,
now
so me
he's free.
There are
two chico
that they
said that
there was
a person
that has
been
in various
podcasts,
that he
has been
in that
revuelta and that
there were people
that had nothing to
do with that motinage and the
only wanted to be in the escape, because if they were
to be victims or of the policemen or the
groups that were armed under this cereso,
then this person
went and so he's sconded,
and they were looking just where
where to be where to becky-dose, because
no had nothing to be with the war that was
happening therein. And
they've got to
see something, or more well,
or maybe
something.
Because
he
called in the
catrine
and they
have been
the legend
of the
catrine
in the
motin
of the
Cesar
of the top
they said
there
a man
a
vestido
that
he
had a
baton
and
about
the
lotterin
identical
the
the subject
was
silvando
a
song
and
he was
sonriending
and
a
tararer a
a song
and
he came
in front of
all the
people
that were
there
and they're
there
and the
subject
was like
deletting
of the
situation.
It's
that nobody
was
more than
who were
looking
refuge.
But
many of
those
who were
looking
refuge
about
about
that
the
catrins
they
disappeared.
It's
a
very
to the
situation
that
also
that's
the
situation that
was
the
description of
subject,
although it's
a little
vaguer
because
no
there's
the
real,
the
color of
the
maybe we're
talking
about the
same.
What
me
was the
thing is
the
name.
The
Lotteria
Mexican
no know
in
what
did
the
but
that
has a
time
much
much
so
that
maybe
someone
in the
past
had
seen
this
entity
because
the
name
it
said.
The
Katrina, there are
people who
think that
have to be
with the
reference directly
to the
death.
And the
Catherine,
his
companion.
No,
is the
man elegant.
No,
you're
talking to
the noble,
he's
saying the
Catherine.
So,
there
another
cotation for
Katrina,
the
which
means
another
thing,
but
maybe
they're
not about
this
entity.
And that
me
left
the
So,
So,
So,
so,
what are you
like?
What are you
like?
If you're
like your
like,
let him
go to be
listening.
No,
it's just
in YouTube
or in
Spotify,
Apple Podcast,
in where
you're
you're
that you're
your subscription.
Recurder
that's
your
campaignita
in Spotify.
Siggenos
and give us
to five
stars and
come
for favor
to like.
Acuerns
also.
all the
Reds,
you can't
your
question, your
commentio,
and we're going
to learn
because we're
going to be the
most part of
the most of
many people,
but they're
a great can't
a great question,
but it's
much possible
that in
a moment we
are doing.
Now,
so,
what you
are you?
It's the
first time
to the
first time?
To all you
all of you
just this
Saturday
of SOMras?
We're
going to
let me
let's try
a good
a quantity of stories.
That, well,
and there we've
some
advanced.
But here
there's
there's a
situation that
that's the
time that's
I'm going to
give you guys,
you know,
you know,
we know,
we top most
there in a
restaurant and
it was an
experience
very chida.
Let's
I'll say
how it was
the shop.
I'm
to a restaurantcito.
In this
restaurantcito,
I'm
just sitting
when I'm
when I'm
He comes coming,
he says,
you are the
narrator.
And then I'm
getting to see
a sonrises
like complicity.
I was
expecting something.
And then
I said, and you
are you
are the
night?
And I said,
I'm sure
that I'm
sure,
I'm a
good, we're
a great
a brazo,
I don't know
he had
known before
but I
start to
say,
I'm a
family
nocturna
but of
those
colorados,
colorados,
colorado,
I
you know
before
you were
10
capitulos. And yeah me
I kept so like, like, in
serious, that's so much
when we had 10,000 followers,
not were any 10,000
followers in YouTube, and in the other
races, also, also, so there are
people, of actually,
if there are people, in this time,
here in this video, that you're
being, for favor, pongan,
I'm a family nocturn,
first generation.
To know, that are
of the veterans, veterans,
veterans, veterans, those
that are, the episode
of the day's
to be the episode of
back.
Well,
me
he said that he
he's
he was
he loved
the stories
he was
that he
had to
people and the
things that
he was
he was
all this show
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But that there was a moment in
in the
he was
very impacted,
but very,
very impacted,
because he
heard a story
in the podcast
and more
or less two
months after he
he was
he was a
free.
For this,
Juan,
you're saying,
that is
family
nocturna,
I'll say
Wesso Colorado,
we're
he's a
year a
project,
and I'm
really
I'm very grateful for
for that.
But me
told some
details that
me result
very
very much
not quite
I'm
know the
things that
we're saying
and he
said,
is that
that's
that's
about that
is better
that all
that's
that's
a
experience
that
I'm
clear
so I
also
I've
taken
the
precautions
to not
do
marathons
too
long
and
I
need
to
take
a
day or
I
do
a
so
when
when
me passed this,
I kept
very impacted.
Because,
before this,
I thought that
was pure a
psychology
inversa.
And then
I did
that no.
That's
that is
better the
legend that
occur.
There's
what you
was what
he was.
He
heard,
not you
remember in
what episode
was honestly,
because
it was a
good
time,
but I
heard that
I'm
a story
of
a
woman
that
received
a
a
a senior in
some type
of establishment
of the
securities and
this sir
is very
very worried
because he
paid the
policy.
Some of
you know the
story.
If it
know it,
if you
know,
in the
comments,
do you guys.
The point
is that
Juan
me says,
I want to
what was
what was
two
two
time
after
after
that anecdote
and that
story
of
a
story of
I'm
a call
center
and
me mark
a
companyer
a
companyer that is of an assurator
and me says,
oh,
yeah,
Juan,
I'm here
a person,
the person
is very
very much
because you
have paid to
your polisa,
you will
to give your
number,
for a
favor of the
paper and it's
in order.
Yes,
my,
no,
sure that
give me
those numbers.
He comes
to do the
number,
he says,
okay,
we're going to
do the
corroboration
to that
the person
that's there,
peterle
this data,
this data,
this data,
this data,
total,
when they
confirm,
well,
the identity
is,
They've accessed the archive,
has a revision, and I, and I,
and say, no,
tell you to the
lady the
lady to do you.
The money,
they're all perfectly
well.
And, yeah,
if it's the
person to her,
and all this is
correct.
Ah, very
all right.
All right.
For this,
I'mtient,
that they're
access to the
photography of the
chick or
of the
and the
other side when
the other side,
when she
is the cliente,
all correct,
all good.
What is
what
that, more or less
like two
two months
after that
situation,
that coincide
the situation
of that
when I was
when I'm
he was,
no I'm
because I'm
because that
type of
revisions
are relatively
habitual.
But two
months
after this
she's
and she's
and he's
she,
Juan,
I have to
talk to
something?
What was?
You
do you
did the
she was
that was
that was
that was
that was
had
had been
that
had
Well,
today
has been
a family
to cover the
police of
the security.
And Juan
says,
no,
how?
Fallece
the
woman.
He said,
yes.
The
Fecha,
Juan.
What has
the date?
The
woman
has been a
month?
How?
How do you
a month?
He has a
girl?
I have
a girl.
I've
died.
And then I'm
said, then
we've seen,
then we
didn't
but I
don't know
to say
to
nobody and he said, Juan,
me quay the last, because it was the same
that had passed in your story.
And then I said that those
stories, some
that sound like
being discombated,
pass them.
So I'll sulted the carcatchada.
We're in a restaurant.
I'll say this context.
I'll do the carcashada and I
say, yes,
is that the channel
is very great in an
initial and the day
of today,
because the people
manage their stories.
I'll say,
no, see,
are reales,
there's that
definitely not
are, or for me, not those are, but they're
good-simmas and they're all right. But
there are people,
there are persons that
affirm, that what they're
narrating is a reality and
is a fact, and it's a lot of, and it's
a lot of them, and then
when other person says, that
also, that's also, that's pornating
interesting. So, well,
we're doing it, so, we're talking about
to you. And resulta
that Juan, had a pair of cards
under the manga that no
I mean I said
a pair of
stories personal
that were
very good
very good
from the
perspective of
his humilde
narrator that
me used to
narrate stories
of terror
espantosas
horrible
and not
desied to
neither
from the
perspective
of that
that was
a vivance
but
unfortunately
Juan
just had
lived
and he
me
he said
that for
him
the
thing of
the
paranormal,
from
little
has a
little
has a
real level of
because he
lived a
little bit of
a little
when he
was a
mother,
or maybe
in the
house of
his
house and
he's a
house in
a
room in a
room
in a
little
there.
These
can't
be
two
levels,
not
of a
normal and
one
to be
a
level
and a
another
a
normal
and a
more
more
more
more
are near Nancy the
tachio.
I think
you can't
understand
what are
them,
right?
He's
in the
part
high and
and it's
that's
some years
in the
house,
there's
something
that's
that's
that's
that's
very,
but
they're
they're
doing,
like you
say,
like you
do you,
make
like it
not,
to do
to do
to do
like the
thing,
and
simply
to pass
to
pass the
long, not prestable much attention, that
sometimes is the better in these cases.
What is that's occurring in that
house is that there's a noise
in the night.
It's a lot of if
someone was accommodating
platos.
The problem is that
is very demadrogated and
that's so stridently
that's the person
that are in the house,
including a Juan.
Juan, when
I was had
been a bit of
a little and
not isomarse to
who's doing that
Ruiz. Suppone that it could be
Mama, the
mother or her father, but then
see that, yeah,
yeah, say, Mama, the
or the boyla or the papa,
they're going to revisit, and
they're going to beacquist, and
they're going to sonar
the plates.
Who is it
those plates?
Preferring not
about the
thing, preferring
not to say
and they're going
to pass various
months,
until that one
day, Juan,
he's up
very can't
to the camera,
is at
point of
to
dormice.
And be
that
mom,
pap,
and his
bula,
they're
from
they're
in their
in their
room,
they're
the
door.
And he
standing
there
in the
camera,
he
and he
kept
being
directly
at the
first
to
a
situation,
something,
they
they
start,
the
start the
not the
stuff,
that's
a
lot,
but
then they
that a
little
that
has
a
little
a
little
He gets just to the umbral
to the door of the court
He gets to know
He's sonriere and he
He'll saluda with a man
And he's kept super
Asustado, but super
Asustado.
Where did that
That's all due
Wirtta,
He's a way
To go to the
kitchen and
They're again
They're coming
And so on the
She's been assuptable
Because the nina
She's her
That's her
So she's her
And then
the nina
Regresses,
she will be
to be
to par just
outside of the
room at the
door, in the
he gets a while he
and he's a little bit of saludar with the man. And Juan, he said, I'm a need of
a little bit more than I'll explain. And then, the nina's to
give me a little bit of this car. A lot of course,
not we want to
we're going to
sonar the
platoes and
never the
never had
it's not
that in some
the vuela
that was the
spirit,
perceived that's
that was the
but that's
not that's
there.
Because it
it's a
sometimes there
people,
families,
because there
there are
people that
is with
sanguini
or genetic,
there
others
that is some
kind of
connection
spiritual,
bet you to
know,
but it was
family, there are persons that are
sensible in different levels,
medied, and forms.
Juan,
not for living,
that's a person
sensible, or a person
with a person with a
type of super-power.
Only was a situation
that lived a story
of phantasmas.
Passed the years.
The theme he
and he knows a
child to knower.
Yeah, one way that is
they're enamorados,
one thing gets to
make a family,
and at a little time
that they've been
a relation
formal and that
have presented
to their families
as their
as well,
it's result
that there's a
situation,
they need a
new house
and there
a place
that's vacant
for them.
No,
they're going to
cover
nothing,
but there
many stories
of terror
in torno
that place.
It's
a house
that pertain
the family
of her
wife,
of her
now is POSA, but
no inquirino
support to be there
any of the
person.
They're many
things, they're
of the
different, of
the same sands
that they're
not in the
feet, that
they're not,
the tases,
that's stucan,
the same,
that's all
that's all
that's a
whole, a
car's enbrued
at a 100.
And they
know that
is inbruh
because even
the place
because even
the place,
nobody
want to a
month,
and not
are for
the case of the infrastructure.
The people are
from fear.
The people are going to be able to beckxed.
And now, Juan,
is with a dilemma.
Well, we're going to
to go up.
And, as well,
they're going to
be the dents.
If he's not,
he does a world,
let me do it.
Well,
if it's been
inbrujada,
look,
there we've been
how we're
going to this
house,
at this house,
just are
just starting
this house
to go to
their new
go-hugar when
Juan
he's
going to
do not
one of the
first nights
and he
has a
dream of
the most
strange.
He's
in his
abitation in
that he
is
there's
a room
in the
room,
much,
much
in the
room.
And he
knows for
a
strange
reason
that there
there is
a
little
there's
a
a
lucid,
he's
something
he's a
little
a
To caro, no I'm
to make that this
me assuste.
So,
so it's
par to the
camera,
and it's
rare, because
at the final
the dreams
have their
own own
and they're
the world
real.
But when
I look it
to be
back,
that's
a camera,
what has
not is
properly the
piece.
It's
like if you
were you
being
at the
board
of some
kind
of
some
the
if they were in a sotano profound.
And those escalers
that are that's
going to that sotano
is going
by there,
a anciana,
a woman
yeah grand,
encorbada,
she be very
very cansada,
and he says,
you,
of who are you?
And then
he says,
of who I am,
he says,
if you,
you,
of who,
who is,
and he
said, well,
I'm
my son,
I'm,
and the
bigita
and the
I, they don't those
know them.
He says,
ah,
but is that I'm
married with
with my
wife,
that's the
daughter of
Pancho and
Mari.
Ah,
Pancho and
Mary,
but they
are little,
and Juan
he said,
no,
no,
no,
they're just
they're getting
to your
age,
and the
oldiefts
and the
little
they're doing
that and
their
my husband has 20-tantantos
years.
And then says,
then you're family?
He says,
if I'm a family.
Ah, well,
you're
if you can
get here.
Viviener
three years
in that
place.
No,
there was
absolutely
nothing,
in
no moment,
never a
only one
one little
but he
was there
was a
person in
that someone
was a
person was
that someone
that would be a
dream.
If not is because he
He said the anecdote to his
When he said, he took a
A dream supermante rare
He saw a woman of this description
Chaparita encorvada,
very can'tada
That me said you,
You, to who are
A person of those of arms
Tomar?
And I said that you're your
husband, who are your
Papas, and me said
He said that they were
some children.
And then I said
That they were
kids, but that they were
adults and that you
had to the age.
And then
she said she said
that was family. And me
he said, O'ye,
you'd like to tell you to tell you
my mom? No, no,
they're not. They're at the
house of her suegra, to the
house of the son-of-the-sueger
when he says,
the mom's kind of perplexed
and he says,
you know, you? The same
of the senior? And he says,
yes, yeah, Juan, I said,
I'm a quarter. Aguantame
a tantito, so he met his
court and he's got
with a photographia
of a lady that's
in a mecedora,
and the sir
is the encorbedita with a chal,
a rebocit, a,
a rope-a-a-a-coulda-cup-a-cure-a-cruh.
And when he says,
"'Mere, Cessie,
"'Ce, he's that.
"'That's my bisona.
"'And I know-law.
"'And, well,
"'Despus,
"'dus,
"'dus, and it
"'and, it was
"'that's the
"'her brother of his
"'eposone
"'Permpefew there.
"'No,
"'no, there's
"'one a sole problem,
it
that
that's the
place that
was being
protected
for an
antepasado
of the
family
and he
doesn't
be of the
family
she
stay there
but if
you're
of the
family
she
she will
care
so
so
so
so
first
thank
for
being
for
the
family
nocturn
and
thanks
for
when
we
we
don't
we
don't
let
let's
you
you
you
is
the
narrator
waiting,
I'm waiting
that my
cerebrose
in those five
seconds to
you're a
time of your
night, because
if you know,
is that I
think I'm going to
be able to be
to get back,
and we're going to
get back to
work, but
thanks,
thanks for the
familiarity,
thanks for
to get,
like many
of you
say,
me said,
the Tio
Narraor,
dar me
that space
also in
his own
in your
family and
tell me these
stories that
are very
good,
very good.
And there
a story
that me
made
get
that is the
last story
of this
Saturday
of SOMBras
that
let me
about
about a
situation
that in the
past
is possible
that
definitive
horrible
but
a
more normal
than
we'd
accept
there.
There
a person
yeah
major
that is
family
noctur
and
me
says
narrator
I have a story of my family
that is very dense and very
very strong and I don't
feel so
although I don't have
nothing to be
in that.
This story
data
of the time of
my abelos.
Recordemous,
is a person
yeah major,
a person
that has more
of 65
years.
And he
says that in
the time of
his
abelos
he
told the
story of
a family
that
never
could confirm
exactly
who were.
But they said that there in the family,
there was a woman,
a chick,
that had a certain obsession
for being the future.
I'd say that he said that
could have it.
He was to
develop an obsession.
As we're talking
of a time that
nothing is like the day,
the information
was scarce,
and to give
with her,
a bit of possible.
So,
If it's that exactly where
he obtained the
point of
the information
of what he
was doing,
no,
it was able
could have been
groups of
chitans,
bruchos
that accompanied
to carnavales
or bruchos
that were
to give
to give us
or who
know,
some book
that's had
topado
in a
time of
a second
or Beto to
know.
But the
chick
started
rituales.
Rituales
that all
they were
they were
invented,
where they
I was the signos
of a new
a new reloge in the
piece of
that people
were put in
to turn
and he
started to
say things
in idiomas
and then
then I'm
to express
things that
going to
go to happen
that
was a
young,
even even
I didn't
even a
year,
she didn't
they were
they're
they're
they're
really
the attention
because
every
they'd
always it
was
more macabrous
including
detailitos
belas
a
Sometimes, yeah,
I was encirrable in
habitations,
yeah not
in the air
free,
I put in the
lot of the
and then I'm
all the things
see you're
a lot of times
that's,
when he's
to make,
like,
the be glasses,
but the
be light,
but the
bellas,
oh,
that's so
it was super
tetrico.
And the
people,
it was,
it was like,
it was a
spectacle,
it was the
equivalent to
be a
movie of
a little,
until
that she
began.
and it
and it
and it
said,
because the
family,
because the family,
told
this story
to
say,
not
you know
but in the
future.
But he
told them
with much,
much
seredity.
For
so he
never
never
never
never.
They said
the
woman
changed.
The
right.
The
woman
started
to turn
to
like
an
like
another
person,
a
person
sumamente
ingreida.
They
was about
much
familiarity
to people
to
people who
were
very
to be
the
time.
Then
then
they
I was about you to people that
that had to be able to
you, and that was
an offence
grave.
A her mom and
a his papa
he said
about her
name.
A girl
in education in
a part
retant because
she was
in a tone
in the
that was
a demand.
Claudia,
come to
call her
to your
mother in
those times
seven
boffet
and you
went.
This woman
started
to
but it wasia with a form
like that natural
that never did a boffetada
never nobody let's recrimin no
nothing but between
about botha and boca
they said that because
he was acting so
and that because he was doing
like so much
so I was doing
not was a little
a little bit of a
a child and that
the type of things
the point
is that she
began to change
in something
you know
to do things
when I was
when I was a
person
with a tone
very
amazant
and I
started to
say the
future,
but not
I'm going to
say
how she
adivinar
and I'm
to say
how she
orderer.
You
you're going
to
get to
you
and after
you
after
you're
after you
do you
get a
bivora
when you
grow
a big
because
if you
not you
you
don't
to
you
then
it
a
other
person
you
you
you
have to
days
very
good
when
you
you,
you're
after five
mornings and
you're
going to
your
and you're
going to
your
and you're
going to
you're
like to
like it.
It's.
It was
the
malo is
that occurred
pures
and every
disaster.
And every
people were
more than
many people
that had
had been
a
family,
I think,
a combination of
the
and a
we'll, let's
we're in
a form
very precipitated
so this
this chick
first,
they've
they were in
a trapo,
they were
they were
and they said
no
go back
that's
back,
more than
to come,
we're
not we're
not
we're
but with
the other
personality
the other
personality
not was
not to
mederent
for
nobody.
He was
was
directly
to come
my,
papa,
and
the family
opto to
at the final,
for
amarra
to the
camera,
vendar
the
eyes
and the
family
opto
for bendar
the
eyes
and make
something
to have
to be
there
to be
a
the
what
was what
was
what
what
they
know
they
know
they
not
but in
a
moment,
the
she
that is
the third
age.
I don't
have to
know the story.
But it was
a story
that's a
story that's
not a
doubt that
he's not
a good.
He's
he's very
clear.
Since
then I
have used
the stories
of phantas
but
I have
a lot
to the
divinos.
And with
this
story,
we've done
we've
got to
this
Saturday
of Sombrass
sohmras.
So,
so it's
that
all the
people
give me
in the
comments
what
what
What's
past you?
They've
liked the
Sondras?
They've
got to be the
time at the
time.
And for those
who have
asked,
the hour,
Saturday of
Somas has
had been
a little
movement
with the
hours.
Because there
many things
that we
have been
with situations
technical
of the
but we're
trying to
the Sandovors
and we
do you
get to
the Svadoes
a
Sunday.
But in
this case
a little
too
in all the platforms,
in a hour, hour and a
hour and a minute.
And,
and I'm,
I want to say,
to where can
send them
to send them
to send them.
If you're
to write,
contactunexistent
to robagm.com,
but if
they're going to
narrar, if
me they're going
to tell in audio,
mandemmela
to the WhatsApp
of the
pesadillas,
which is
the
plus 52,
88,
35, 6, 67, 67, 5, 4,
more 52, 881, 35, 67, 675.
Now, there you
go.
For all the family nocturna,
remember that we are with the
topic, we're going to get to the first
and yet no there's a distance.
We're in the third.
So, for favor, if you go to Spotify,
remember that it's gratis,
B, subscribe,
see us, and let's do what
that no exists and give us
your five stars.
With that
we're going to
continue to
our first.
Apart, let me
a Platic
Secreta that
very probably
will be
going to
do that.
So, this
week this
time,
I'm going to
be able to
be a
Spotify.
I think for
the
Monday or
March,
we're going to
we're
and for
every 10,000
subscribers,
we're
to have
Platicus
Secretes.
What are
the Platica
Secretes?
A story
that
not is
not
This, for
to thank you
the fact
that we're
doing to
get to
get to the
first of the
time of the
question.
Let me read to
say this.
Contact unexistentate
atroachimil.com
contactunexistent
arobachymel.com
and the telephone
more 52,
81, 35
677
54
more 52
81.
81.
35
676
6767
54.
Dice for
here
the
people
that have
done apportations
during this in-vivo.
Much,
many, much
thanks,
thank you,
Natalie Cortez.
Natalia Cortez,
much thanks,
Natalie,
for your
support.
You know a
super,
super-abrasote.
Thanks to
a whole
to the whole.
Celes,
Celi,
if not
the rest of
your video,
but Cellis,
thanks,
thank you
a super
abasote.
Thank you
for
to support.
My first
in-vibos
from
Montreal.
Much Sured
a narrator,
Riki
Mendoza,
I hope
that you
have
enjoyed
here.
Thank you
your first in vivo. And you know,
Saturdays,
we'll see the next.
Saturday or
maybe Saturdays,
on the
I'll just have
before.
I was going to
an episode,
I was like
three days
after.
And I
badi of the
time.
There was three
deads
in the
space.
Passing
things
very,
uh,
if they're
they're just
things
forces.
Now,
what episode
there?
And me you
send us in
comments?
What episode
was
that you were the
repitition
to put
to do you
to reviewer.
I'm a
newturna
first generation.
That's a
great pleasure
with a trainer
for a day
very special for
me,
to be a good
Juan!
Juan,
a brazo,
a braus,
a braus,
a braus,
and it was a
great great
very special too
for me.
Much,
thanks, you
know,
family
at the time,
you get to
be there
in the
live and a
whole
all the world.
You don't
have much,
you can
patience,
take patience
because
I can't
spend in my
five minutes.
You can
have passed
some of
the family
nocturna,
which
no, I don't
do
a
really a
because it's
like,
me a
little
minutes,
you're going to
be able to
be there.
They're
to be
practicing with me
and they're
and they're
because they
put very
good to
know that
when you
do you
do do
do do
but you
have been
video of
budu
but
mandem me
stories
if they
have
stories of
muddum
and let
let them
and they
want to
make a
video
special
of
a
theme
Recurred that in the groups of diffusion is where we put these encuestas.
And let me make me make a little bit of a special.
But well, to be, now.
Now, let me want us to learner.
I mean, I'm going to say, me incantant those stories, narrator.
My first in-vivo, and not will be the last map.
Mopeu.
Mopeo, you send a superabraso.
Sure that is.
Bienniko, welcome to all those in-vivos.
You know, that are the sabbos or the sabbos in the domino.
but well,
let's see
a bit of
a couple of
I'm going to
Spotify and I'm
subscribed to Spotify
and I did my
five stars
Ah, Valeri
much thanks
thank you
a chance
and I'm
a barraught
all those
that's
all those who
do our five
stars and
they're just
subscribe
in serious
in serious
no idea
much much
many thanks
especially
if you
you're
especially if you
don't
especially
subscribe to
subscribe and
give us
to give us
the first
because
it's
very good
Now,
I'm going to say,
Marrador,
how you know
is to
not confunding
the stories,
not revolver
one with
another,
memorize
to do you
have passed,
that you
have done,
oh,
for sure,
this is my
first day
Sado
of SOMras.
Abisak
Romero,
look,
I'm going to
tell.
Of course
those I
have
confused.
In
more
the other
we've been
to the
past,
that was
to come
to come
in some
and then
then
I'm
said,
I'm sure
technias, the techniques that I've
used to memorization, the
description of the history, the common
sub-divided the exercises that
were previous to the history, the
lack of experience of doing a
way, so,
so, then, so,
so, all day of
today, that we're just
talking about
of a routine,
well, not so,
not so, we're,
not a grand
quantity of stories,
I mean,
just, just,
just a more of
just a few fogatas,
we've got,
we've got more
to get more
than five hundred
stories narrated.
So, if it's a
quantity
of being
talking about
front of
the microphone
and the
camera.
And I
say that
are the
techniques
that are
pulling.
I'm
I'm
that they
defiant
much,
that the
talent
nato
is a
part
of some
but
even if
not you
don't you
don't know
the
and start
continually
but
but effort
with
but effort
with
the more
you're
going to
do the
you're
doing the
you're
that
you can
do you
And you pull it's
tantito more,
and after
after 200,
800,
it's better.
And that's
about the questions
of nemetectia,
the type of
structure for the
stories,
of how separate
them,
of how to
have separated
the material,
of what
type of
exercise is to
do that's
to do
and that
I'm a
very,
it's very
very rare
when I'm
I'm a
makeles,
when it's
something
that's a
very
spontaneous,
there's
there can
be many
there may
there's,
but if
some stories
for an
episode or
for a
subo of
Somras,
normally
is
very well divided. And are
exercised. No, there's
no trick of deters. Much exercise,
much practice, detract. Now,
he's, narrator, I'm in the hospital
from the 25th, and just I'm going,
I've been my phone for you
hear, I'm going to hear you, I'm going to
hearth, well, look, first, Jose,
that you're mejol, that's probably the hospital,
that all along, very, very well,
and I'm a brosote, and all of the
family nocturna, for favor, in
commentaries, a foggito,
mandating a very good vibra, to
Jose and to all those who are
going to be
times in a family
nocturnal
we're in a family
nocturna we're
we're a family
we're a family
we're just
we're transmittable
our respect to
sometimes we're
like a number
and a
face of a
face no problem
but at final
a family
so please
all those foyeritos
all those who are
being as
being members of
the family
nocturn
and pass in a
moment
difficult
from here
from very
good vibrations
much luses
and we're
we're just
we're
we're
more rapid
that could
and that
learn much
of that
situation,
the
apprenticeship that
the time
that's
not a
more moment
what he
in the
record.
Now,
we're going
with two
comments
more and
we're
this sabote
Sondras
says
this sabote
this is
a can't
to get to
talk
stories
that's
a great
question
the
question.
The response
is no
and if
this
has to
have to
be
with
my
form of
I'm a person
that's
a person that's
very
very
very easily
I'm
I'm
certain things
that the
repetition
continual
of something
I'm
can't
so
in my
form
to say
I
intend
that
that
that's
like
different
my
work
maybe
they're
not
but I
think
that
every
time
I'm
different
and
that's
what
that
it's
that
not
like, and that
was always
the same,
no,
I think
that would be
something
for me.
But I intend
to live the
stories,
and every
story that's
a story
is a story
different.
It has a
flavor,
a aroma,
an odor,
a cadence,
a situation,
are people
that were
things different,
that are
things different,
and that
that's me
really,
and for what
I've seen,
of your
doctor,
desmientamme,
if I'm
in an error,
but,
me
they're much
that the
stories of
you have
permitted the
narration that
I'm doing
in this
channel,
what is I'm
profoundly
very much.
And it's a
great surprise
that you
like it's a
different,
you can't
the situation,
can't
enter and
live the situation.
Some of
you say,
it's like
if they're
a movie,
and others
me say,
it's like
if it
were the
movie,
then if
that's your
case,
well,
I think
that has to
a little
for this,
because for me
every episode
or every
story that
is different.
Intent to do
it.
To do it
a lot of
sometimes is
easy,
at times
it's a
time, but it's a
job,
it's a
effort that
I do with
a good
and with
a good
and it
because you,
the family
Octura
me went
and I
went to
say,
I've
said,
I'm not
in these
things,
so many
mediums
so much
in
the media
in
general.
What my
were
platicas
more than
with groups of
people in
live and
something in
something that
so massive
you're going
that you're
there's a
time there's
there's a
there
there's a
little bit of that
doesn't
then I
understand
my compromise
to put
to let's
try here
things that
are good
original
me
they're
made
very clear
from
from the
first the
narrator
not
not
the originality
and all the
team
we've
has forced out
a way
tremendous
for
to bring them
things
that are
totally
those
totally
organic
to bring
stories and
the form
to narrows
and the
world
and the
world
that
that's
rich
that's too
with a
heart
and with
anecdotas
that
many
that are
that
definitely
the fogatats
esteen
a story
super
aterrad
and super
different
and super
extrana's.
So,
well, no.
I'd
say that in
grand part
not.
If you're
when it's
when it's
for errors
that I'm
doing the
form in the
way in the
that I'm
doing the
thing.
A be,
a bear,
narrator,
me aghast
in the
motor.
And,
I'm
talking from
from the
beginning.
Never me
put an
episode.
What,
what,
I'm
a super,
super-abrasoto and that you see as well
atent in your repartes, but too,
atent in the motorcycle.
That's tender there with
much, much, much, much
so I'm going to be able to
keep doing all those protections
and you're sending it all very well.
Dice, for here, a narrator,
I discovered that in my
job, we've been
more of five people
that are family nocturned
in closet.
I already the
I said that you
want to discover
that there's family
nocturn around
your is very simple.
In WhatsApp,
in Instagram, or
in Facebook,
you,
you can't
your
photography or
sub you
a story
putting a
or putting in
there's
or putting in
there's a
little of a
story and
you know,
you're going to
get to get
the message
of a lot of
people who
you're also
you're
a family
nocturna
you want
to discover
the family
night of
closet
and
some
some of your
stories
or change
the
your
and you
can be a
copy of
and you
can't
because
so it's
how has
seen
the family
no
that's
very
that's
stories. Narrator,
you have
passed to
things similar to
the stories.
There are two
Sabados
of SOMbras,
one or two
that's
called like
my stories or
what I've
lived.
And there
I've
told all the
things that I
have lived.
I've
some of
some of the
stories that
no,
no,
not get
any of
this thing.
This is
this is too
that's tremendous.
But,
so have been
things
fromtereratoras
to impactants
to
things overnatured
very
bonitas.
So,
there are
those
episodes.
If you
want to know the stories,
my stories,
as a level personal,
are there in those episodes.
No,
I'll tell you
there was a time in
that you were a
time in the time.
But there
was a moment in
that the community
me said,
well,
then you know,
then you know,
then there's this.
Well,
so there
back.
Thanks to
your relato,
me did
a gunnard
to be a
but of
the good.
Ten much
care,
Mapsan,
because
fiftate
that maybe in
the relato
that's the
idea or
no.
but,
under my investigation,
the brujas
good,
I'm doing
for this,
don't they,
don't they,
all the
people,
here we are
very respectful
of the
people,
but have much
care,
but have much
that the magic that
I've had,
the investigations
that I've,
the people
that have done
very bad,
very bad,
and mourn very
young,
and more
so I'd
tell you'd
have much
careful.
Before
you get into those
things, I
would first
investigate and
then you get
to do your
decision.
No,
you met to
the practice
before you
know, it's
better to be
to be doing.
So, are
things
very,
very
very,
and you
I think,
because I
have talked
with people
that are
very met
in this
time,
and when
yeah
they're
so,
we're not,
we're not,
we're,
we're
and that's
things
of the
way,
and there's
many,
many,
the
initial, and the dimensions. I'd say
a better, first, investigate. But
well, this,
it's, it's, for
here, and, well, for
those who has been this program, an inspiration for
something, I hope that's something that
has been a lot. For that, for
that I've said, yes,
I'm more I'm speaking this, my
postura, so
you're, you're, and, how are
my family, you, you're, me important.
So, as, as, you're going to,
and are my family, so I want
the best of your best part of you, in all
the
sense.
And from
it's like
the things
that I've
put them in
risk or in
danger.
I'm instantarly
I'm sorry.
You're
my family and
my family
let's see
a new year
and I
want to put
them to
put them in
this way
in this
way of logic.
Now, I'm
my way
to narrar
I'm a
master.
That's a
matter
was an
enrichment cultural.
What's
what good?
What good
in
matter?
And
narrable
books,
the way
that we always
we're more
and you
you have this
don't,
that carism
that's,
oh,
that's
what I'm
that's
never even
never been
said,
many of
many thanks.
I mean,
I've
many
some a
sacerdote
for there
and people
in my
entorn
that when
narrabing
I,
I,
I was,
I mean,
and I'm
fascinable,
me fascinable,
and I
said,
I want
a chiste
like that
person,
I want to
a
story
like that
person, I want
to be so interesting
as a person
never
me interested
that there
people who were
people who
people who
they'd be
to make people,
what they're
to make
to make you,
it's like
to share the
thing, so
I'm making
a moment
so beautiful
that if
someone me
ever ever
to me,
me
I'd like
that would
be like the
more than
I.
So,
you know,
this is like
that you,
you're like,
you're
there's a
car,
or in a
part
very
very
thanks.
Many thanks,
Mariana.
Ultimate
commentary.
And with this
we're going to
do this.
He's not
a new
family,
has succeeded
many things.
I'm
things too
my family
at the
long of my
life.
Mandemal
just to
call the
WhatsApp
of the
pesat
the
pastitels.
You know,
contactunexistent
or at
M.
522,
81,
355,
67,
67,
5,4.
One
once
said this,
Thank you,
Dear family
Nocturna
I wish
that they
have a
good
fine
we're
we're on
on the
because
the Lone
there's
these
these
are
that's
what they
see
and they
will
to be
to be
that
is a
episode
so
I'd
so I
say
I'd
let's
let's
but
but
to
all
all
to all
you
to
from
my
heart
from
my
heart
I
I'm
I
bye. Ah, and
before you
you know,
subscribe to the
campanita,
or if you're
in the reds,
you know,
those of audio,
subscribe,
don't the
five stars,
and in Spotify
and you're
the campaign.
We'll be.
Bye,
bye.
And how
I'm going to
get to
here?
I'm going to
