HABLEMOS DE LO QUE NO EXISTE - Payasos Aterradores, Encuentros Siniestros y Brujas Malévolas | Episodio 392 | HDLQNE

Episode Date: May 21, 2026

Querida #FAMILIANOCTURNA, el día de hoy en esta #OscuraFogataDeHistorias, César González, #ElNarrador de #HABLEMOSDELOQUENOEXISTE nos trae historias de encuentros con Payasos, Aterradores, Brujas Malévolas y Entes Siniestros. Nos cuenta de marcas que sólo se pueden borrar con el poder de Dios de lugares que parece que se han vinculado con la parte más oscura del inframundo y otros lugares que ni siquiera existen en esta realidad, sin embargo, hay personas que han entrado y han estado ahí por tiempos prolongados todo esto y más en esto oscura fogata de historias en hablemos de lo que no existe. Aprovecho para decirte mi querida FAMILIA NOCTURNA que el día de mañana viernes 22 de mayo vamos a estar en León, Guanajuato con el arranque oficial de la GIRA de Hablemos De Lo Que No Existe en tu Ciudad 2026; después el domingo 24 estaremos en San Luis Potosí y el viernes 6 de junio en Hermosillo, Sonora. Aún estás a tiempo para separar tu lugar en las OSCURAS FOGATAS DE HISTORIAS EN TU CIUDAD, nos vemos por allá... por cierto si quieres separar tu lugar en los Shows En Vivo, entra a nuestros canales de difusión de las redes, ahí está la liga para que puedas ver los lugares y puedas conseguir tus boletos)Pero de aquí hasta que nos veamos en tu ciudad o en el sábado de sombras, te deseo que tengas dulces pesadillas BYE BYE

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Sinicrous, and Brujas Malabolas. But, before you need to say to something, I'm going to be a lot of course. Because tomorrow the Family Nocturna's Reun in Leone, Guantuato, and the Domino, we're reunique in San Luis Podocil. And ohhalla that you have your space for the fogata that you have separated your

place. Because, family, the stories that I'll have been to be good-in-s one of the

one of the time. You know, busking something to do you to come or to do this

moment. But if accept it a good is the I would do you do you

don't the light. Because we're a point to start a fogata

of stories. We're let's, if you don't think you in cases embruchated

then tell me what is what what is the story. This

story he passed to Julietta when she had 14 years. Julieta was very

apegated to his father. His papa was a bad at not bad in the

job, but also he'd be too a house modesta, in a

colony very a little and that was there

were very rich they were in a car in a colony very

exclusive and his primos were some those some

those stidididid so what me said they don't

that have any but his attitude, a bit of sometimes was like a arrogant, like altiva.

But a Julietta no he didn't them part about much. They were their primos and so

is that they had classificated to the primos to the person, this is the

is the is the is the is the that is the that's the that is the

that is the thing she's the pretty and so Julietta all they put

a etiquette and they they was identifigable with her

her He had shown many things. Since that was little, he was in all the work of the house of the

work of the time. Since he was nine years, he took to confrontance a serpent. And she

learned there, by the mother, that the better was to be a calm, and not

to keep the face to the serpent. Because where you have the walted, you can get to

get to get to get, but if you can't you, you can't start to

learn and to get to little, I don't know if those instructions if those

cases, but Julietta me say, I've been to make a little to make the situation

difficult, and me say Julietta, I'm very grabed, another lection that I gave me

my papa. When I put I to cut the sackat with tigeras or with

no me accommodable my hair, my hair was long and

my papa, he was much, me said, you have to get to get

the but when you're to as sucear the hand, recoget the and he he was to

get to be back to and in a chongue all made I'm in a little bit of a class,

to have a cajita in the that I had got ligas that had

that my papa to all the ligas were all

and it's transformed a custom for me from me from this

then to the day to have passed many many many

years always that I I'm going to insuciar the hands, that I'm going to work in a real real.

Or, when it's a thing that really I'm to think to think to my hair, halar it

all right, and I'm my leg morada, and for me is like a ritual of the

work. Now, if I'm concentrated, now I'm in the house of my

prims richachones that I said, they're going to have various stories.

They're saying that the house was inbru that there were

there were things. The fact that for me, those were about me those were stories. One prima, that was one of the sisters, of these primos, we started to have been, like, a time of much convivio. She had

had been, like, a bad moment in the school, her friends had they had rechazzed, then I was like the person more more close to her and we're

little, like the games of children. He started to get to the house of us because it was a house very chiquita,

and I was I was very enchanted to go to that my papa is the that's the house is that I'm that's a case that's a

he said a not a lot that's things and he he said look but but for si the moscas

and me was always a rosario in the bolsillo and me said if a lot

my papa no resable narrate but but I was that he was that he was I think it was

like some some kind of some some type of so religious in that so I'm going to go to the house

of my prima and I go in that house and I'm really a man who's my steeos and my primos all including

to her when they're into the house, it's like if it's less less less

apagos and the poor is that not they're not they're a lot but I'm very much

they're very much I'm like they they're like they they're like they

they're getting they're they're they're I had that energy. I sentia the ambient raretto. It was like if it was in a salon of class

if the master was in front of me or were there were various enochers with me and I would have to defend it. How can't tell me? It was how much to be nothing, but it was like if I had to be a defensive as, as if I had to be able to see a attack.

I'm going to go to a time to the house of this prima and the house of my tios, that house embruged. And in three occasions, it's me the rosario, and the three

occasions passed to all in that house. The first, I was in the car to my father, when I do you know

when I'm know it, and I know that I'm going to know it's going to make an excuse, and say,

no, that should be a signal or whatever thing I was going to get nothing,

and I'm when I'm when I'm saying, my ha, I, I try is the Rosario,

and I and he pego so two times. And I say, I'm sure. I'm very secure and he's very very secure.

And he's and he's and he's over and I'm sure that's he said, but I'm going to and I'm going to

give to give a little bit of a little bit of a little bit of a lot of that I'm having to be getting to

and I'm going to be I'm my prima and when we're going to do you start of

the 10, 11 of the night because we've had I've done the dorms in two occasions. My stios, I'd have been

done with the light, but yeah there was a moment between once and two that we're very tired. And yeah, we said, we're

going to do because I don't want to, and I said, I'm going to I'm going I'm going to the other.

Each one in your room, the door we're left and then then I'm to know what I'm

up the time, that I'm going to hear from something that is trying to something that's

like if they're barriending the piece, but continue, and that sound,

and that's the sound of the camera, I'm going to the door, and it's

like that that's that I'm down, you know, I'm to get a question, I'm

just a little bit, but I know that I'm going for the door, the

door is the door, the door is still, and it is over literally,

and I can't and going to the door, but I'm the dormita and I'm just

a little bit of the other and I'm where I'm that's the I'm not not you know not they're

going to and not much the door a little, a little, a little, a little, a little, and

I don't see to get and I'm to hear, but I'm saying that something that I'm just

me did me know I'm sure, I'm sure that I'm over the that I've been in fronted

a time after this no, this no, this is not this is not mordered here. And when I'm there, a narrator,

being to be under the camera, I just see what I'm, with the head like a person, see a soma. The light, of a certain way,

it was in a part of the car, and it was, like the car of something, but not it was, because no was a little,

but it was a ball, like a head human, and the middle was, and the middle, black, like if it

had been painted with a paintura and it and it was a commisura of the boca, and she

kept being fichantly. Me did so much me do you know the mind the mind the

and in this I said, but I'm not you're not at the box, but I'm going to say,

afrate, afferate, afferate, because my orations me said in that time, I'm not

the room, and then I'm the door to seeer the door to see only. I'm kept very

really scared, very I didn't ask her. I didn't a little to my prima, but if it was a

minute, and I'm going to I'm going and I'm going to get. And I'm saying, for

I'm inventable a bit more. No, no, that's not, no, that's not, I'm going to the house of my

prima, I'm going again a year or two years, and one day, I'm going to get a

little bit of the rosario. Yeah he had Aungrable the Confianza All those those times I had

had gone to the rosario and I'm put in the ball and I'm he had asked a

mom, that if I had seen about the and I'm made seen that the Abel and the

battle and that me forget a narrator. And we we're in the night can't but not

a dinner normal. Yeah we've seened. You've been passed three hours

after the dinner and we had been dormied. And me I went with the tripas rugying,

no I see at what hour but I'm to get to my prime and I'm going to get to be the kitchen, I'm

and I'm saying and say, yes, we're going to we're doing, we're doing in the house,

and we're not we're we're going to get us. And when we're doing the kitchen is when

I'm doing when I know the door to I'm trying, and in the night in this

house that I'm doing, I'm that something that's a counter the

window and when I'm no, I'm spante feal. Front of the

window I'm that thing that's that that's that is far

the black it's like a a person but

it's rara it's like it and it's marked

like certain factions like if if No, if it was a carne or other type of other type of thing, but the head was even more

greater than what I saw in front of the camera, and I say, that thing in the window, and he'lllety, she'd and he says, oh, and you're not you're playing with that? And I'll give you, I'm saying it, because I'm going to, I go, that thing that's in the window, what is? She'll go, she'll be able to

and me say, oh, no, no, nohueges with that. All right says that the house is too inbrujada, and I never have passed nothing here, no, I'm not yet I'll govoteer, yeah that thing not is that

and I'm into much fear. Before to do the escalers, me get those hands to the bolsas and I'm gonna

a leg of the hand to the over. I gotre the my hair, I put in my line, and my prima

me said, what you're doing, and I'm doing, I'm not going to be able to and I'm

not see that I'm going to because I go to the case to get to sit and in position

of the piernas as far as Chinito and I'd the hands so agarred one and I kept being in the

door to be able to God, God, Salom Maria and Jesus, Lord of Jesus, Jesus, Reyes, and I'd

and reaeration and then to fervate, ferrate, ferrate, fervate, fervate, fervate, frederrate, fernip. And I'd continue, I'm

resigning, and then I'd be able and I'm getting very, and I'm in the morning, me desper'd that said that never had seen

that never had seen that'd be seen in position of Chino, to me, to do you all the body narrator.

All the body, the pierras had gotroated the tracero yeah, and I'm

he's the way that's never really that I'm know how I'm like I'm

getting got a gothattit I'm go to the house of my prima

yeah I've had a past in what my father,

I go I'm going to go, I'm I'm I'm never

I'm I'm here, I'm but but I know I'm not I'm not

a lot of the things. It was a person very in Trona. And another day that Julietta valiant,

me said, yeah, not be as cobarde and confrontate to that you can't, and thenardor.

I'm thinking that I'm going to go to that house, and I do a carita

of carton in the I'm in the rosario, and I say, this is the carita

to go to my house of my time. I'm going almost every

every every time I'm less can't my tios see

even even the next time the next I'm in the one day I'm I'm in

my way I'm in the carcagit I'm in the little bit more than I'm but I'm trying to my papa that I don't me get to get it

I'm ferrero and I'm ferrater, ferrarte, ferrarte, ferrata, and I do my papa, papa, no I try I'm going to have a roseau, but I want to get it. And I say, no, it's nothing, Sack one of my leagues, me let me put it, and me say, and I'm just that you take the things in serious. You know, you know, you know, go to the inside, and no, he was going to pass

nothing. And, well, he's wrong. Because I gave to the house and was the defensive. Now, now, see, and I let's say, Rizzas to my prima, or not had with my taborugas, and we had to go ahead. And I just heard about a little bit more and I'd just about one side. I'd hear about one other side

and I'd walk around for the other. And if you'd say something on the patio of the second-pice, I was going to go, you're like, what's the past? And I'm going to be to get to me

get to get me to get this attitude. Well, yeah, me durro a rato, but at the night and I don't want to my body,

I was all tired, but very, very can't be cancansada and said my prima that of a repent we're talking about

I don't know I'm and I'm there's a talk about about and then barbuceying and then she

me heard and said no, it's like yeah yeah she's she's

she's she went to see to see to be a television she went to the room

and he went in that internet when she she had back when she

got done when she so I'm so that so I know the eyes in the

madugat because I'm a lot of my room, I'm going to get to be the

little bit of so I'm in much, much, I'm going to I'm going to a little of the caries to that thing,

that now is the body like a person, the rostro all black, and the marcus and the marcus for all

sides, like if it was a disfraise, a antiface, a mask, a mask of a pyeast, a mask, a look at the

mind of the I just made, and I'm just I'm not back after after after after after, afterrata, afterrata,

afterrata, afterrata, after after that after that after that day, I said, never more I'll never

to get in this house. She never to get to me. With the years, I'll be

to my father, and he me said, my hither, I don't I don't care you

that you One of your primes you had cached, that had had articles of brujery in the house.

Like, what he was to do you? You know, you know, they're all and they're doing to do

what they're doing that. Well, your primus had meto in those things, and since

is when the rumors of that in that was a house, so I didn't know

I'm so you know, I'm and then when you didn't go,

I'm something, I'm something, I'm when I'm the pallas

narrator. Nothing more me was like and he said my my he's a little

tarugugua with one one of a one way you know that you're that you're not going to

I'm going to put to put it a brava but but well with the

time all right to that never to never back

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I'm a place that never existed. This is what she told Marisa, and you have to hear it. We're going to name this chick, Marisa. Marisa is a cityowner North American. And he occurred to something very strange a few of years. She'd

a routine to be a day. Start in the house, start with the kids, after going to

get to a time, and get to the house, and then after of the few days of the time,

he was, and I was in the vehicle and I'm going to the convenience

to come and more than more than to come to come to form compulsive

was, it's and then to get the things, the for some some get to stress

them. And Marisa was going to be a moment very stressed in these times of the

days of this routine she topa with some locales commerciales that she had been

there but had many years to not to pass for the zone. When

he's a tinder that vending articles of second man. Something like a

bar but better established. The people that's the

United know exactly what is this because it's a cadena because it's a

a new thing a know that's a kind of a company, you know, specifically in the car to enter, but if they're more or less on all, and she'll be a little bit of there is something that there's a

thing that no have been notated in any one of those that were part of that franchise. What is rare in this Tienda is that the photography of a senior major in

one of the three of the there, bells around to her, and there are some phrases and says,

this tient is made in commemoration A, and he about this woman. It's a

very strange. When it's being the logos of the Tienda, the logos

are the name of the franchise and above the name of this woman that

in the photography. It's it very very rare. The I'm the accommodate the things

when they press attention. No, no, coincide with any one of the tiendas of this franchise. And it's to see more and more

details extrano. For the general, when I've entered these these tiendas, always there people,

one, two, three, five, 10, 15, the days grand, and the but in that time

that's a time that there's not a minute, no, I've entered a

only one one. The people that are there are very in caches, are

extremely distraided even if it's like not they know they not at the person, nobody's

he has been a question to and have crossed out of some of those and has

and not he's not the mind and the word. It's being

the kind of and there there's a little bit that that makes

that make a that's generally that's that's not the person

that they're on the the person who they have

by the general, even even for a simple courtesy of the tinder, and in this occasion,

like if no existier. It's a rare, be the other than there's there.

The rest of locales commerciales of this place commercial and they call the

attention. They're names of certain franchises that no I know and are

locales that is strange, but you are sure that they have a different.

So, so be a auto, go to a car, and without reason and motive

apparent, just he's doing a little bit of how it's a weird, because it's a one of the

funder, or was the person who was the company, and it was a good life, and for that

they put it in the name, but it was doing a other way, like, doing a short-circuited, that there was

not so much in serious, but at the Bessi. In the the transcurs of the next time,

enter a booker, put the number of the tienta and put the direction in the that's the end uprored in the map of these maps digital. Put the name of the

street in the way to be, to see some and can't see what tiendas are in that zone. It's the photographia that the rosaverick and it's the same center commercial, but it has something very strange. It's completely

abandoned. All the locales vacuos and in desuso. Inclusive, the quantity like of polvo and that is there around of the

locales is something that's a normal in that you see a place a little

about a little bit a little a extra anecdote. Ayo they're they're

very rare so they they're they're not they they're not they're

not the photo of the central commercial abandoned and

he said not you don't you're not you're not no,

for so I know, I see to where I see perfectly that the center commercial is like, as far as you

the distribution are the same, the stationationation is the same, all is the same. If it's the cross of the streets that I'm

abandoned, and the husband said simply well they're re-inauguror. And this photographia is a year. No, you can't keepres

so the head, woman. Van, a fine of all, to come in family to

when she is the way to when she is the going to move the vehicle for that all you

go to be the center to be if also if they were if they were the same thing, the other

this is the not the route that we're going to be a lot of the and the spouse fastied to do you say,

uh, your obsession with the maldita tienda, let me say, well, that's, you know,

not it's not quite to be a hour of a time, so, she says, yes,

yeah, we're, it's, you, we're, it's not because you're doing it's not doing that you're

doing this and you're talking the thing, in it's just in front of the It's not as in the photography of the map. It's better. The place is vandalized.

It's a basura, there are crystals rotos. It's a place that's a year, years, and she's a lot of the local in the country. And what there in the other locales? This tinder,

like, video-jeworks, the other tinder that had some pizzas, and the other tindas that had different articles with

names of franchises that never had heard. The husband no entente what is going, He says, We'll do this.

They're going to eat together and when they're going to come the telephone and he mark a the franchise of these

to say, hey, I need to know the franchise that has this name, and the name

of the woman that was in the photographia. And he says, no, no, no,

there's a company that has a no, the name. Well, the that's under the

the case, it's there is the little, and the a chick, she's

to ask her all the people and know that place with the place with this name. And this is

very strange. Because, of the video viral that has been in a few years,

where she has been what she and there and there many people that you say,

people of that you know, that's the place of the that's talking, and those

are you don't exist in any part, not of the city, in what you, you, Talos,

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more aterrarder and a lot. Yvonne is a chica that is a ceptica. He doesn't

the stories of terror because there are two successos that live in their to life, the ones not lay an explanation, but she's a good saying, and simply he's brinked, like, I'm going to do like if

that's been going to do. But, after to hear the podcast, and after to hear such a story, me mando a message saying, a narrator, me going to tell these two suceses, but no me interest to find them any explanation.

Just they're going to be like things that not me occurred or never. After that you hear what he Bob, I think you're going to to understand why you're going in that posture.

Yvonne vivied in that time, because it was an adolescent, in the house, with her mom, her father, his brother,

and the two people who were living in that house. Each one of the brothers had a different,

and his parents lived in the abitation more great that was in the front of a passiel.

All of the family dormied in the second of the house. There were some

escalars that's straights that you get it directly to the area of the

house that I'm and it's a bed at a comedito after the barra

the part of the kitchen where they had the refrigerator the and all

the things that I've the second the second piece

was very big but the first piece not there

was there a accident the patio the the

cochera not was that never could be nobody of them. To

I'm going to this. It's important to understand the distribution. in the but other other thing is the thing is the

other thing's the time the time the time were defraudated by the architected of the work or

well, a person that's made to pass for an architector because didn't even

they were his papers, the person was a money, and the person is

a lot of the time, it's a time of a year and a house in the

second piece that was the one in where was there was all

that was a factid and provoking that they were all

board of the grits, of the attacks one with others, and decided better to do the law and so they're still many months. In that era of

the law of yellow, is where they're these situations that I'm going to tell. Yvonne, he's in the plant a back,

he's served an emparredado of hamon, that has a little of cheese, a little of tomato, and something of

mayonnaise. It puts to when it's when it's all done to and all all of the aroma of

pan, va, is a coffee free, without of sugar, and he starts with a

hand to mastic the sandwich, and with the other, he's not going and he's time. After the

10 minutes, relaxed, but a little altered, because the coffee was a little

cargated, he's to get to the second piece. In this second piece,

you know, he has a little a room, and he a door, but that day I'm

so the routine is a much disagradable. Sub the escaleras,

expecting that not be a rio or a cascada, because it's been a many of occasions.

Getting to the second piece, he's going to a mantle great of plastic that

is covering the duela of the second piece, detenient the mantel, there's

a lot of many little frascus and that are down to gotters,

but every ever they're more and more and more and more and more

got what you did they did they're they defraud those

the techeo, it was done all the hipermeabilized and it's still in the water to the water

tororo's. She's up up take a time to not be exasperated but not he's

very much because she's anxious, get to get to his quiet,

not a part of to do that the rupable, but in what he was up there was

a turmenton and know that there there no other option. Sube the

escalera, be that the mantel the place, be that they're there the

tinas, And it's a coming to and it's a a sound and it's a sound of the splash, splash, splash,

every time the feet pegs against the water, and the water and the water brink at all parts.

Because no important that they're so sobecett it's, for the form of the mantel

that's that's like all the things, he's, he's, he's,

you know, yeah, yeah, he gets a little that's just a go,

go to there. Then you go to do that water, the world, the world, and the

mother, he said, he said, you know, you know, you know, you know, she's

in the room and she's in the door to a portas. Yeah, no, he's interested,

all there are living a attention horrible ultimately. It, without, without,

many, many, a lot, he put in a piece, the feet with a and without

as far more theme with nobody apaga the light in what he's listening that his mom

is nearer the room, he gets well, and it's getting well, who's how much

hours passed, but not the sufficient is for that you have yet the

time, it's on the when it when he the eyes and he

not two things that not the thing the the

light of the The apagued, he bent on the camera, Cere the eyes, and he got dormita. That order

of the things, it's a correct that you know the second that's the sound in the

room. It's a sound a metal. A-h- a-g- -all- a-all-

and then a-all- and then- another-all- and the other-off. And other time, and

other time, and other a time, and other time, the light he'd a little

a little a little a little and when when you now, he's

a little to adapt to the closet, and at the moment to bolter, be there a silhouette that is the complexion

of her mom. But there's something very rare, he has a very little that she's that's a

very little that's a but the other data. The mom of Yvonne has the cabo

very chino and there the person that's in the little liso, liso,

liso, liso, liso, Yvon is And he says, Mom, what you're doing? Because that person that's there in the closet,

is taking the roba of Yvonne, the point in front of his Rostro, and, without his roste, the camera, the rosa over his shoulder, and there's a pilla of rope thrown in the piece. When Yvon, he says, Mom, what you're

doing? That thing is alter, it, where it's where the spasas, where the spada, it's like rigid, and at an instant in a parpadeo, he doesn't be that disappears,

that's fume, that's fume, that's a not quite, and the closet not is so that's so it's

a sussed, he starts, he starts from the camera, creyinginging that's a

thing, and be all the stuff, that's that's not a person,

that's not for a pesarder, go to the closet, the world has absolutely basing, he's absolutely

Be that the passillo are the buses and see that the escalator also. So, so he

direct to the escalera, because in the plant back, she can't run,

he's top to his mom and it and it's a mother. When she

see a mom, the be that's a moment, but there's

he gets clear and the blue the blue that's the person

that was in the person who was a blue had a blue

black, her mom has a blusa black with points it's like it's like the inverse

the negative when she he says mom you're you're you're not you need to

she not even even that's she can't when he's the head and the

woman is chino of she's she's well she's she's she can't

she she can't she she's she's she's the person who she's

her her her and he he says, ah, now if you important, but a little that's a

minute, and I'm you're in the door, I know you're not he said, I'm, I'm going to be bad as well.

Yes, well, that's no, that's excuse I'm. And I'm saying, yeah I'm going to do a

charcos. And there is a man not doesn't know. But I Bonn is a

correctly until the day of today of and you when you were up the escalers,

he tembrable the feet and the I'm fear. What was that was that was in the

room? That was a woman, but not her she was. They're going to pass like three

months, three times in that Yvon, he's getting insomnia, he does need to do you, when

he gets when the mornings, I'll get the closet, put sills

in the closet for that not the car that's kind of that's

kind of kind of kind of she's much in the Pasa one situation that, to day of today today

says, for favor, and me let's tell me the remodelations of the house. Lever Semannoyca. Lever Semannas

can't. And it's decided that one of the things that had to make a front is that was that

was a day that they had been to a single thing. All right. All the quarter the piece.

The camera, there's the sabanas on the little little they're in even

they're in the place. And she has decided that she has decided that you have to

have been to get to get because it's a in this is part of it.

It's starts to get to the things, it's to move all,

and she does know that even even, that's a

pretty pretty because it has a big, and it's in the she's

that she like to siters to makey-and-a-maquillars, in the part of the back of the because it's much time

without time and then it is a lot of the most pesed. He puts on the side,

come in the table, until the the table that the door. There's a lot of

things. Roppa, tuas used, papels, tirados, a lot of mugero,

but she put to do make a little, into the closet, she put to get the

stuff, the time, the things that that needed to plancharse and they put in a sill. All the whole that was in the piece to get in a cesto of a ropa sucia and it begins to accommodate

something to cross-cosa. Although it was a point to be in the zone of the colchon, put his sabbannas, put it the armoured and tiends the camera. No important to beacostarse. This was like a ritual of limpier, to sanar, to be able to start, to change the things of your state. And

she is there, can't be, I was, because yeah I've had more two

times when he when I'm a turn to a storm. And listen the got

that's going to in the passio. Oh, so it put it to make the

malas. Because listen, how they're going to get into the mantel black.

No, there frasco no there's, all there all to all get to do

all right, but so it's in the caskados because they they're

when they they're they're they, to put them and she and she just twerce

the eyes and say, no, no, yeah, no me I'm going to do not,

I'm going to get the door to the and yeah. Morning is another day. And while is it's the

point to take the decision, listen how someone comes up those stairs but are some

those those those push, boom, boom, boom, and when

they're when they're a second a foot, but a lot of water and arrohando it all the part, that she's imagina all the padet that is scurrying and churreing. And another passu, and other passu, but are passes enormous. It's of someone

supermement pesado. Nobody's of his house is of that time. Nobody can't see. And it's front of the door, panickyadish, full of fear. When the serratura, front of his eyes, it's going to open the door, says that no-seeperrower, because the mesa that's pesadishima, is it's cubriending, and front of his eyes, be, contraughts that the door, so moving and is moving all in the

mess that has the screen. And she gets surprised. She makes much, much fear of what is what

going to get to be there. It's the door. He'som to come back out.

The door is a back the other side. And front of his eyes, the door

is the hear, and he's got to and then the thing, the house, he has been

to comeod to the door and the move to the world. The move only. And there is, but

a sustadissima. Asustadish after that, it's put down the covigas, and they're much fear. Perdi-law the notion, in some moment, of the time of the conscience, she went and she left

dormita. Who knows how much time? When dawnene? It's very late. No, I'll go to class as that day. He goes to his brother, and is to be very disveled. And the brother is the one is the

one's the one night happened something very rare in the house and she wants to tell her he's

fear, but he he's afraid not want to expressar, no he does it say what he said,

he said, I'm sitting I got to I'm when I heard of when I

heard of the passes and I did my car and I start to go to the car

and I did that in the passio there was there like a bigus

there and he opened your door and you're coming to go back and I

was at point to talk to when he and he got to be a lot of and then

he said, and then he and then he went to the door, and he asked her and he

heard of the house and it and he's he's no me you, I'm and he's

and he's to be a little the little because for him was a man of

the story and said for me it's not for a thing, it's

something that I don't want to And then I've no I've

never to live nothing and so we're sure. Staples Preferred

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your plate actually a lot less visit It's staples.ca slash preferred. That was easy. I'm going to tell you the story

about the mark of the Brouca. Since that Ramon has used to reason, he always has been three marks in the body, a line vertical that goes, almost from the palm of the hand, to where there's the division between arm and

the enderaso, all for the part internal, one exactly equal in the other arm, and a third mark in the ingle-d-drecha. Those three marks not know why are.

Since that's five years that have been memories that they're in the absolute, because they're that they're in the

time. And a part of the two years and he said, they're doing a idea of the and I always they're using

like a form to venders, like the valiant, like the guerrero, like the audace.

And, in some way that he was transformed in a person very audas, he used

they were deportes extreme, to go to in bicycle and do do it in patinetta,

and not just to be like to be but I'm doing it, but also to make a caravours

and it was a car and it was a person, it was a little was a

reality or the reality had a little a but Ramon

was living it a way a normal. When he's

15 years that is where are in many people the

and they're to start to more in your life the why he's a question to tell or

what's he's his family about the and his parents preferring not about the

time. He says he's not you don't you're a moment, we'll

but if you cause a time, it's a 15 years and after these practices

and the attitude extraena in his parents that's put to give to

to give us many different to your mind to his form to be in your form of

a lot of a bit of there's something that there's a because the attitude of his parents

was a sumamente extrana and he does that there's that every that every

that every time he's that he, even is not as as he's

he's he has a fear, a fear, an fear irrational, a phobia

to relationar it, because he he's cala mountain. But where live, the mountains are aridas?

Are there areticos? No, there's there's any more a lot of other stuff

or things of that time, but at one has been invited, and he always has

ever been said that no, that no, that has no, that he's he was doing

that was not certain, he was not to but, well, he's more

more, so, and then, now that I was indigando, he started to associate the things.

I never had a place. I'm going to look at places and he was and he was

his parents. Oh, they'd not you want to a end of a week we go to

a little and where he's he's to get a bad and his

father's put in palidos. No, no. No, no, no, it's

good to those places, no, and it and then he my pap

are very rare, eh, of sure something something and that's about this marcus and you

know they're in little bit of the trees, the of the bosques, no me I felt a but the

reaction of you said that the thing is and then I said directly to be, and I'll I've got

the arms and I'm let's go these two heriders of the I'm in a buske

and just saw my mom and my papa that's that's that's

they're frios palidos and move in the head for the head to the other

and I'm saying, I'm saying, let you that's that's that you're for the

other, we're then we're talking about but if you've had been the car

narrator. They'd need, but in a grad exacerbated. No, I'm

more to the situation. The fact is the thing to I'm

really, I'm sure, I know, I'm I'm into venting against

my my fears and that was like someone temerer

in many times. I my life, never I never to my father's,

but the idea of the bosques to get to get in one, in serious me put nervous,

it was more easy. And so passed five years. Five years without questions,

without more than the time. My papas were several in recomponers

that didn't that are to be to do the information, and my life

regress the normality. I go to runbo at the final of the

career for when when religious. And, as a fanatica religious. She's the

hallelujah. And I was a little bit of her. And so, is the life that does it.

Because I never I'm enamorando perididly of my alelua. And now, that I

had a relation with the alalue because she was a never to be to you, no, I don't, to the creences,

and she's not, the paque you're doing to come to do, I'm, you're going to

all, you're going to this celebrations or yeah, of one way you go

your way to your and I'm going to go to be for the my because the

he's going to or he's my and there's my allelelooia was what

me was what I was being so I'm up mountaine that I'm

going to go a celebration so I've got not

to come during more of seven or eight hours because not

I'm not I'm the three hours to start you she's

in something that you want to and a one of that that's nothing. If I said,

we'll do, we're going to do all the semans, because you're going to be able to be back, but I know you're going to be able to make sense. So, one a week, one summer no. She said, nothing of that. The packet is

complete. I go, you are, you vienes. My partner me will accompany, or no, I have a pair? You decide? And, well, look, babie with the response. Me encant-o. And there me you see,

every those dominoes all the people know the that I'm that's a burlone,

now I'm also I'm a very not I'm never if a day I'm let's see I'm

so I'm so things that stuff that's tonto trotto trotto

that when I went to that I'm that I was a that if I saw you

that the father no me I was just the truth I was I was I'm was a

a misa, and he was the father, and he'd, and, and he'd, and, about, and, about, and the people, separate, and over, and car, and separa, and she'd and cava, and cava, and she'd and cava, and she'd, and cava, and she'd and she'd have to do all, and, I was there, and I was

talking about, and I felt like if it were to excursion to a safari, where I'd pure people extraia doing rituals, and little, poco, me those wanted to learn, to pass, to be

disapercived, of the rest of aborigines that were in this temple. So, so me took to me, but then, in one of those celebrations,

she she has me said, now see, you're going various that you're you're to be able to

let's, to be the that really are important, to the that I'm going to you know,

and it's that I'm that I'm that's a thing, and I know the that's the

yeah, then I'm I'm very very good physical, I'm very good health,

I'm not for what I'm to do you and she I'm the same the

sameation of the arm, sure, let's I guess. GEOI, and what I top,

no me like. People can't all the people like the people, that's

to say, because he was with a heart with the and I was there I'm going to beaweeing. I was about the woman that me love and that me really

I'm just about he's a person he aggerraisercived and me avient awed, I'm maddened, me I'm nojee, I'm not ready for

that, and I go, what he goes? And I'm the father he'll get the palitose with the ballita

with the ballita with the balli-a- and he avienta three-beces more direct to me. The son-of-sum-lawed her and he-baing, me-ba-ta-to-the-curep. And me quake-a-lid

with a-cara-a-cara and it's-a-l-l-l-a-cure. But it's all right so-bonita the rizs that I even re-relajolla, and me do you know that I'm getting like a

idiot. Oh, if that were-one, the people are moh-and-all-a-moh- and all-mas, and she-you-a-mere-a-mere and she-you-a-law-as-as-

and say, also with those malditos chisters. Acaba the celebration. We're going for the

car, we're up to the vehicle, and when we're going to bring to the door, myelua,

and I'm my brother, and I'm my life, and I'm made a super strange, he's a

other, and no is the mark. That's a very strange. No, I want to

say nothing, because it can't be that simply not being

being a bit, there's have been many emotions I go and I go to my house

I'm going to and when I go to buy you when I'm going to be to get me my psalons me fix

in my and there's the mark but in my hands no and I this is that that's rare

nothing that's because not that's you're not that's all the day well

and it's and no I'm not it but in the English so I'm

I'm I'm this what's what's I'm I'm I'm going to

and I'm going to when it's the last time when was the last time when was the last time that when was the last time I saw the

when I'm sorry when I'm going to and I'm going to see it and the marcus that's this and me I'm going to

see the inkla and there's I'm going to see my arms and I'm I made a idea or I made a idea

I mean it's it's been too long cowboy from Disney and Pixar oh that's Lily Pat where are you some sort of old man

toy you're old because you're bald bloody. Toys are for play. Tech is for everything. Toy Story is back. I want to talk to you, device. The long toy. Turn it off.

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Now playing only in theaters. Tickets available now. Pasa. It's like two months and my alleluea me will invite to the same celebration, but now I'm going to say, and I said, you affecter

much if I'm going with shorts? And she said why you're going to go see with shorts? Nothing more. You're going

to be very rare, but for me, if you want to see you're so I'm for you're going to get a

shirt, me go to my carmissible, I'm going to that's the only person but not the only. And when he started the father me reconnoceo

and then he went the hands and the father me move the head and me I'm

to venting and I go to one of the hand of the hand to the chorm and I'm

like the he's not and he he's to get a more water and me he's

the and it and it was a very rapid just that just like he and

we we and we know where where I you know I

you know I that you pass the my alo the car

I'm my my man and I'm my my mother. Now if this is

strong, because no last I've got to have visions. I, I today, I'd have seen to prove. I'm regress-to-the-iglegged to her, that me spree-tantito, that's me old. She's a lot. She says, that's fine, he left the car on the endro, and where

I'm going to, the father is just pending of people. Passed at the side of him, and where he goes to the arm, and he says, Necessites to talk to me. Me met the church, the father and I'll despise you, two, three people.

I'll wait a few minutes, because also I don't I want to be, Eluja, to get out there after a time. Then I was to reganing.

And in that's the father, and me says, you have marked practiced brugery. And I'll never, father. Your papas,

never. You used to for a pacto? No, that you know, you've passed things, you've been

things, you know. Well, he said, accompany, me, me he's, me a part

of the altar, and at had like a cajita, and from a cajita, and from the cajointed and me says, look, this is water, is salt, and is an acercised. Ponte all those days, me did a hojita with orations.

Those orations me said, which were like exorcisms menor, that had to start those were saying, one of the Italian, others in Latin, and me said, etchettel in the

the body, and I'm told you, I've been to do you know have been done to happen to do things. No, it's I'm a sustre, not is a soul.

He has the power of God, and here has an friend. But not if I'm going to grab for another can, and investigate him. Necesses. We need to know what you pass. Well, I'm going to be in a aroused to Carr. Never would have created that this

was going to do to do something like part of my life. Nothing has to be my life with the spiritual, and the paranormal, and nothing of that. My allelua. My allelua,

is with a rosario, reese, reese, and I'm not direct the look at the word, no I'm, I'm I go and I'll go and I'll go and I'll go and I

He'll go and he says, no, you're just I'm going to go to And so you? And so me pegged direct to the Corazon? Yeah, after me enter a little, how you know, but that night was very impactant. Me go to the house and

And in the house, Oye, like if it were a medicine, I'm met to a baignar, but in the other to bringer the ragadera me I'm going to check the water, me frotto the salt with the acid, no me had done instructions the father

or I didn't I, I'd try a Cabeas and I didn't I'm I'm just I'm just

I'm just I'm just I'm just I'm put the stuff in siobunk, I'm going to the camera and in the

window I'm they're to talk my house is of three-pissos no

no a new no no never in my life had

had passed that and they're they're I'm I did go into I'm

I'm going to go to bolted. Saque the orations, I'm

to rest. I'm more more. I said, no, in the tower. This is

very very strong. I know to be to bece, I'm going to rece, reese, and I don't

know how time. But the the house was a fea for a way, like if

if there was a way, I'm doing I'm doing ideas, but the

things that I made to get to that the ideas were

really that In some moment I'm going to Reser the those the same

going to disminoying and they're and I'm in the day next I'm going to my papas

and so direct you do you're doing this I'm I'm using for a ritual

my mom if you had seen the car I think if you had been rather

had been less offence I put some some eyes and I

did you no no no no no no no no They were cold and then

then I then I'm the same I'm my arms and my mom went to be my papa and he says,

you know, we said, and what you know, is the thing more aterrador that someone has said

in my life, and the and the worst, is that I when I'm that when I

had around the four years, my papa was much to get us to campar. It was a park

in the there was if there were some animals salvages, but as there were

many families, never never had ever ever ever ever and he was

that he was the people, and it was he said, what I said, I don't

me know that of that I'm I'm saying that he was a

back, when we go to the world, to me, he gets between he's,

and he says that he's that he's that he's grittando, my name,

he's Ramon, Ramon, where's Ramon? No, he's he's a lot of

a lottee of a and after the alete of the pacharer, like some of

some of ramas. And he he gets to a whole velocity

and when he gets a little that he was a way

and he'd be he he's he that I know

that I know that I know that I'm He says that me be like, palido, palido, palido, and I have one of my brasons puttos like in the part

tracera of the arbor. My papa, he he getsercaux around and he's a seo like of a serpent, and he's a scepient me has gotrado of the brazo,

and he's a little more to see the scene, and see that is the rostro of a woman, that have an eyes very

beautiful, but his labios, his dients, something there is that malibular, malvado, like if it were something that would be able to devorarl. And to me, too. And not,

that he's being, fichamente, without parpade, directly to the eyes, and when my Papa, he clava the mirrode, and says, Dehame, my, he-ho, not that there's something that there's a-annrear, and me aprieta. And, go, me agar, me

and he starts, and he gets some chocasos, me cut those two-brassos, and me cuted the pair. I'm He did go to safar, he gets out of corriending with me and he says that

he went to the campment, I was, I was, I was, he said, when he said, he said,

all the we went to do you get all the things. Me, they're in direct to the hospital. The doctors

say that with what I made me made these because they're very profound, me have to cause.

From there the the years, never they're not they've got they never they were

never they they were they they're the doctors, that that herida, I was saved

because I was like I'm generated a problem very great to have a problem very grave but that's quite a but that one

when I when I'm a new years a person a friend of the family that I said those are

not they're not said the girl as they're not they're they're they're and they're

and that the day that he's he's he's and I'm and from I'm

I'm water, salt, and a salt, and a mitha, tracis, trisata, trisisa, trams. And my allelua, and to the father, I do the grace,

because they're very pegged to be a mitho of this time. They, when were to the first, they were the first,

they said that they were a presence around that never was present, until that me came to the water

that was, that was like that was when my novied, when my and then after that I went the chore, she thened,

because I was the story of the evidences of the war, and me said that she saw how she disbandecied and he understood, and he said that there was a little the brother

me said that he had that that had been that had called with me for that was the first not personal,

but now that was that I needed a and that I needed a and that was many years of that and the

life is is to another normal. Kelly Clarkson with Wayfair ever order furniture online and wonder what if? Like, what if it doesn't hold up? That sofa was four days old. You should have ordered from Wayfair.

With Wayfair, there's no what if. Just style you love and quality you can trust. Visit Wayfair.ca. Wayfair, every style, every home. And with this story, my dearida, we've got to the final of this scura fogat of stories. But before, before, before, I'll end up to give me a pair of things.

The first, if you guys guys, Diggar me, which was the most you know, and for favor subscribe to and give it and give you

the notifications. Recurion to the notifications of the episodes, we're going to the videos for the videos of the showupers to

the lot of the lot of the and you remember that tomorrow we're going to be in Leone

and the D. So, thank a family of Leone and San Luis still

still at time. I'm there can't there there's a there there's

in Leone and San Luis this end of the final. But well, if you're on Spotify, for favor, see us,

and we're to give us because we're to get to get to 700,000 family nocturna. We're going to move to the million

and we're that we're but in Spotify a part of the 700,000 for every 15,000 followers,

we're going to have a little bit of a specific, an episode that's a exclusive to Spotify in where they'll

be aterrador and loca. Now, so. Dich one is this. Family Nocturna, thank.

1,000,000 thank you for all the whole of this year. But I'm saying something. This,

just be going to be going to start. And from the episode or in the fogat in your city,

I'd desire to you have a good sweet sweet bad by bad

Lord, so much that's a story extra. Who is a story extra?

You're an history extra? If want, if you want, if if you

want, if you have a history. As a way there many questions

of intelligence artificial, I'll say, I'm corroborer. I'm

I'm got to topar a few years in the internet and I

think this is one of the people the top of tops

and the top of comedy, was the good, many, very, many, many,

the people, so they're going to the I remember that when Aborda about Pernarmals,

always was like no, I think in that. A lot of sometimes with respect, a little, a comedy that they're doing,

but it happened to do a little Slobo and was too. Revised the history in internet,

and there me and they tell you about, if it's about it. It's

said that those are pure tontaryas. Those things not were not

to pass. But he he said, if it's if it's really, is the person,

he's in the And in a room, and that's room, accommodating some things, I don't

recall if she's with her baby, he's just a out of the door to

a little a little a other. Go! And it's a great. The problem is that the

house is a back. No, there's a little. It's a baby. And

his wife could be the other person who is there in the other

door. So, rapidly to open the door. To

see the person grittando and his wife, he says, who is that that's the

man who's the he's not, but is that he's not, she, no way that's the sound of the

other part, because she's heard where he's getting to the other side of the door.

No, there's other places, like to that's the time of the sound of two,

wait a the chica that she does not the time the time, it's maybe is

that has tried a little a, or a someobino or a someone,

and we If I had gone to go to have been to buy to buy to buy it. And when

he goes to I'm going to there's not, that's they're not in the cameras, and in the cameras,

no there's no what the last they were to be able to is to be if the

sound on the cameras, it was also the voice of the he said

now I'm impacted, no there's no way, no way, no

there that would have made that house, and we we're a

little gritty. Thank you. You like the story extra, Fermin'

nocturn. There and I read you want a brusole a braus and I

say all those pastedias.