HABLEMOS DE LO QUE NO EXISTE - PLATICA SECRETA 12 🤫

Episode Date: September 17, 2025

Ya llegamos a 510K!!!!! Bienvenidos a ésta Plática Secreta, hoy les traigo algo que me mandaron que me dejó con #dulcespesadillasSi quieres que sepa que ya escuchaste esta PLÁTICA SECRETA déjame en comentarios "Yo ya escuché la 🤫 12" y cuándo lleguemos a los 520K en Spotify habrá una nueva Plática Secreta, así que comparte @hablemosdeloquenoexiste a personas que creas que les pueda gustar el proyecto, para que la Familia Nocturna, la más chida y oscura del internet, siga creciendo.Te mando un abrazote, y que tengas Dulces Pesadillas, BYE BYE

Welcome to the family. Lazzang sur-gillet, puissance-moyerned for 15 minutes. We're like it's the door. Pry to play. Vive the pleasure

with Leo Jo. The casino in-line that proposes the most recent machine-as-soo and the new-rescent-a- free-Bas-Bananza

without the without any payments instant-a. Hey, I've gained! Woo-hoo! Sonture the pleasure

Play-O-Jo! 18-N-N-L-LIN 10-2s, 20-ttour-turturt RETToo-Bas-B-B-B-B-Banza. Depo minimum of $10. DeGrege me to be in a way to be a way to fashion responsible. The conditions apply.

Bien to aboard to Via Rai. Embarque and profite. Embarked and celebrate. Rigolet. Publiere. Savoy. Ammiree. And profite.

Via Rai. The voice that we love. My dear family nocturna of Spotify. Really, to all my family nocturna, because I know that's being in all the reds to hear this episode. I want to give you the because

we're almost almost 520,000 followers in Spotify. Much, many, and as you know,

the platic secret is that every 10,000 subscribers, we're going to be on a few a plattica.

Now, that if they're going to be more to 10,000 and are 20 or 30,000, then

then I'm are you to have to give them one, but two, three, four,

or the number, or the that's that's a part of every 10

so it means that if in a little they're going to tell you're to talk about two stories

or if in a little are three million, are three stories but as this we're in this

we're about the five hundred twenty but we're not we're there's

a very good a great great there there's there

there there there a member of the family noctur that

has the day of today 65 years, that for sure, I'm a salute to Mr. Agustin.

And me he does that he likes much the theme of terror, but that is a thing in

that we consume intermittently because in occasions he generates much fear. And that's

because in his family there was a legend family that was that was that the

worst is that are that are that are that are that enter in the part

more profound as your identity that Inclusive, it's determining

certain decisions in your life. You know because Augustine, during

many years he dedicated to the music, just for that that I'm to tell.

When Augustine was a little a little of six or seven years,

he took to be in a plaza to the people to a music who are there

to get a kind of a spectacle or some type of situation

communal. He mentioned that it was the first in his life that was the first in his life in his life and he was fascinated with a person that, that of a moment, he's a spectacle,

he's, he's a flouta and he comes to the flout and when detain they're in the rhythm of instruments and he's got fascinated for that sound. The sound

is he gets so grabed in the head that he wants to talk flaut and he comes to to tell them his papas, that he want to talk flaut, that he want to talk flaut, that, for

favor, he'll give it to classes, that he want to learn to do that. And here is where the things are very interesting. Because at the root of that moment of that Augustine propone and says his his papas, that want to learn to to talk the flauta,

suspens all type of music in the house, they prohibit for complete. Disapparece in the radios, that there one, and was a old. But Augustine he was made of one the

little time that was a little bit. And the papas were re-gained and they were to get back. Impedian

for all the media that Augustine was going to the radio. It was a family in that time

very very much very things. Vivian in a house that not was a

very great, but it was a house in a lot of a not that were not much

luchos but they were so they could do the opportunity of those

classes of flaut. In that time, we're talking that there were even classes commonals of instruments. Cobrava nothing. Those are things that I said, but my papas no cared to study a narrator. My father's put them, and a part of that moment, a song that I'd hearer was a santa

ragana. And me trailed to be back at all the time. What are you? No, you're not saying a radio, no you're not getting other thing, and me had revisions in the abitation. Narrator, me dave oneasances enoched with them.

But me were some the in the unhawas that I'm to get

to get to get rebel rebel. I'm to go with people

that people who get in the music and without that

I say I say in one of the

escalones as the music I think more to

not to make to a idea negative of

the people but a a very groups, as in

a profession, they're more to the parranda, to consume of

things, and the excuse is to do you a night bohemia. And I

terminated in one of those groups. The problem is that I had two

years. And at those two years, I'm to consume substances, I'm

to take, I'm to learn to learn to music. And no I

never the music, but in the group no

nobody that up flauta, but I learned the guitar, the bass,

and I did a little bit of the music. I don't do you want to do the

story very long, because this no has to have to be with my life,

I'm I'm a part of my papas, for the 15

years, I go to the house in house, in car,

in car, and car on playing, playing money, and

until I'm 24 years, I will to come to

my that I'm penance to tell, but I'm going to get to a rehabilitation.

My papa and my mom me take like that my mom and that person

that's a person who and when I go to my recuperation me they're

they're they're to say my my papa in the because was going

and I'm trying because I know the last you we're about nine

nine years nine years in those that practically no there was contact with me,

of the odio and repudio of the I'm about, my papa that were

instantaneously the arrepentiment but no me found in any part.

I was they were that only they were that all bad the

that they had been in a bad, that was that I got

to be to come to to come to because it is a

a past a very old my he did

all the I did all the mal, and leases, all the days, to ask you to please, for favor, that regressa con-combeen,

his son, now that he was done, in rehabilitation, he'd be able a secret, and me said, I mean,

I'm, I'm going to give a excuse, because never was honest, never I

never to say the why not I didn't, that you did you do you could be able

to do you it was that the flautas sound feo or that me no me doesn't like the music. It's that we're not

a maldition in relation to the music and what what you passed to you, the past 10

years, for me it's but it just that you know you know you know

that's a question. I don't I'm not in this city. I'm I'm

in a little in the afueras of a place that we we're

we're not to mention here and we're we we've

in a sierra, and only I lived I with my papas. When nace my brother, I

have seven years, and my papa is done the labor all the day, and my mom is

done to other part of the labor, because there to do money, it was

practically make make a miracle. I'm I'm dedicated to my

brother practically since that he was and a one of my mom

I'm transformed in the father of my brother. And we we

started so so much I was I was I'm and I'm I'm sure

I'm in he's a but I'm a little to understand my brother and I went to

my papa and we we're just we're first the music not a music the music

never we've never we never had there in the carats electronic no there

electricity no have my mom my mom no can't my my father was a

person practically callied. The day that we're talking to the music was another thing. We've loved it. Me fascin-o. He asked me my papa, what was? He just made a carous. I think he no

said to the time, because my papa not was a person communicative. But my brother, he was kept as fascinated with that, that one and other time wascuses to return to the people and in the people to be looking to listen music. Comiencern to pass the years. My

My brother commenced to show that he has a certain talent musical, to listen

and my brother and he starts with things like of the percussion and that's because

where you see you he's doing rhythm or with his piernas or with the

the world and he's doing the music in our house and our house and our

house for first is a time. But it's then when he My father's entousasms because the house is different

for the music and he says that's fine that's the he's like he's a person to make with music of the

city to discover what he and in those vultas a day a man fascinated and he

he says he said he was he was a he was he never had seen something

that he's that they're up up on a type of tarima and that the tarim

they were with accordions with guitars with rascar, but that then separated the music. One woman commenced a zapateer,

entered a type with a flauta, all did a silence, and that he was impacted with the flau. The type

had a type cut a a sombrero that not was an habitual not for that that was a flouta that

had of a color rojo very much and when he was he said to say my

my papa, Papa, I want to learn that and I want that instrument. The problem is that

they don't vendied the flautas in any part. No, I was my father. And my brother was

very insistent but when I was like a lot. Like loco. I'd pay day and night that

he'd to buy that that that was that he was the that was that I

got a moment that my dad he said, and then I'm my brother that was like very devote to

for devotions of my mom and of some of my tias. And then when my brother no he took the

resource of my father, he went for the second option, that for him was like he. Before to do you,

he inked in front of the camera and he said to God, that I had to the flouta

and he had a flouta and that I wanted, and I was a narrator. He was a half

hour, 40 minutes. I saw how the light of the moon and he was moving

and the that at at the first he was in the rest of the

after the time. I'm in the time that's I'm in that you

I'm in that you're that's that's the time to get but my time

was a insistent and a day me he he got that

he was that I did you know and then I'm then I'm he said

who you're he's not, I me said I'm what you you're in your

conversations with Godiot and me he said, no, I think not was the God's it

the time. And I don't think he's, no, well, he's not more just going

for the desperated, and then he said, and at the two days my brother disappeared.

No, we found in any part, we don't we were to know where it

was we're all the and in that time to say to say to the

there the commisaries that were and you were the same to do not

do not do some Vecinos, some the people, they were

in the people, they were in the sea, and they did he a day to

my papa the that he had been found but the little that the

little that the part of my papa me to come to his papa, and me said,

I'm going to say the story that me told them. My brother was so delgado that I saw it from the moment in the

that I was over-serville. It was flaco, palid, and he was bad. His eyes were not, they were not, not. But what I

saw that was the grand problem more than the complexion were the the point of those two. Ambos,

the point of those were so lastimated and negras that I knew that it was a bad, because I

I'm sure that he waso that's he was a one. And my brother, and I

didn't nothing. He had in the camera with the hands all the

day or the two days I don't remember and it and for me

was the the life my life. I began to

move a person a more more apagated no communicable

my sentiments in my house not was something and

It was like prolongers and prolongers until that they told the story. My papa, a day, a barrage, he came and he told,

that resulta that they found a my brother, metido in a house abandoned, in the

that was the music of a flouta, and he was going to a power, to becating

with those the deados and that when they tried the flouta, he went to

the stouto to get to the person, was out to the until that they separated

the flauta of the and then he went to do to do the and then never

he never to be he's that he did he get to my father.

The poor was the flout. They said that the flout was a

long of a color roe very amative that had

symbols in different points and in the part of the

piquio where the the had two two cernes that

were How was the Sanger? And they're, they're supposed that for the time that's

the what he said, was that that's that he wanted to know the

I'm to know and I'm to know that's the little that's never

they've never got they never they're not even they're they're

but what they're that when they're there were there there and

they're there and they he's that it was for that legend a narrator, that

me told my papa in that moment, that not only me desintoxique, I'm just to talk the music, because in my head was a

phrase with that he said, he said, for me, the music and the music is of the devil. So,

so, I'm going to ask us, what you know this story? And you you're imagining

in vivo? I'll leave here at the final, the poster with the cities in

where we're going to present. And you know, all those who

want to live a fogat in-a- in-vib there we're here.

We're to get in the fogat in the life. The desire you

have that they have done