HABLEMOS DE LO QUE NO EXISTE - RAPSODIA de historias Paranormales - Relatos de SUSCRIPTORES 10

Episode Date: September 18, 2022

El día de hoy en: HABLEMOS DE LO QUE NO EXISTE, te presentamos el episodio titulado RAPSODIA de historias Paranormales - Relatos de SUSCRIPTORES 10En la que te compartiremos 4 Historias aterradoras y paranormales.El hombre que se salio de una pinturaEran tres a las tres en el BancoAlgo extraño le sucede a la familia de FERNANDAHay un espectro vagando en los pasillos.Con un orden distinto al propuesto en los rengloes anteriormente escritos y con diversos estilos. Te damos la bienvenida a este episodio experimental.Cuéntanos, ¿que te pareció?

Thank you, Thank you, welcome to this episode of Relatos of Subscriptors 10. I've been some stories quite interesting,

I'm sure you that they're in the same sensation that me decided to me. Desconciutto, a little

of fear, but much fascination. If you you've heard before the content of this channel,

you know, you know, you know, and that you're doing that we're making this project

every way more great. One once said this, I'd I'm this

Family Nocturna, here is Relatos of Subscriptorye. Hello, my name is Monica, and I'm very content to be able

to share my anecdote respect to a situation paranormal that I passed. Since I found the

podcast, me have been thinking if one of us really, we're really

we're only only we're only the year I think that no. The

year past victims of violence in Certillo, Coahuila. And the fact I really me surprised a lot of my family we've had

had the opportunity or the maldition to be entes or sensations or things that not pertain to this world or

not pertenes in the laps in the in the last in my house always they're that's a person in my house, that they've been duendes,

and we've had the sensation in the personal, I also have seen, but no one has made to feel so a lot of the year past. Of actually, I think that nobody will make sense much more than the year past. Let's tell you, when I entered the refuge,

every one has a room, the room has been to a camera, a cune, and a armario to guard the fewpits things that they'd they'd have to have. When I came to get them, I said that could accommodate the a little bitation as as how I

could be a limit and that was a place where nobody would be not even

and I'm without my authorization. And to a certain point, that was

that was that and even and even nobody was, my people

didn't have permission to enter. I I was in that

refuge and I went in other women with some some

some The first nights really not dorms, but I don't feel nothing bad. Until, like, the third night, that I felt like the cuna was moved,

and me generated a little of inquietude. So, I'm talking to someone of the service, I asked if we'll

take and let us and we're to another room, that was a and there was a lot of those days were

to pass, and a Sometimes I saw that was someone to be a house to and in a house

and after he was a a boy a new, a new of my family, and a

day I asked you and I asked that she's she's she was back and

me said she went to the back to then then I did that

and I didn't get to my room a little extragated and

starting to budd to get to I had started to be. But,

no commented nothing. Really I said, you know, this is my imagination,

I'm too stressed. No, I'm going to think in this in this moment.

I don't have time to put to attention, because I said, but no that's so.

In the moment in that I said, you know, you know, I don't have time to put your attention,

it seems that's it was a thing that's in the night. In the the night,

had a But that lampra daven gave the reflexe and I could be perfectly when someone was coming by the passable.

But since that I'm to have that sensation inquietante, one of the lampa, I saw that

that someone had that was coming down to and he was going to go to be a night went to

the bayon that was to be to be but I had to pass a little the world

of the room vacations vacations and get to the room.

I'm going to get to the time. It's like the night. It was

the time. The real thing, the really, the really the eight, and we're

not the eight or we're the time. So, when I go to the kitchen,

I'm going that's there's to one of the armadies where they were in the door

and it was and it was opened and it and it attention and I took importance because I thought that was one of the infirmaries. But, at the

morning next when we were desalunating, one of my companions said that she had had been left over the morning and when I was to go to the regress, he saw that in the court of a company

with her son, had someone had a little, a half, and that she thought that was the child, then he went to the

question and he asked to the question to that was a little bit, but when she fissioned more and the light, I illuminated a little more, he gave a point that my company

was in her camera, dreaming with his son. And the person, or the Lent, that was de-parated, at the middle of the quarter, still was there.

But it was totally black. Totally never. He said that he did much fear and he was going to get to the room.

But the morning that I told this, in the comedor, the truth, I'm pretty I'm going to hearer.

Because that he had had been I had seen, just reaffirmed, what I had seen many days back, that jugged to the children, that molestable to the babies, that camein'p.

That were the habitations, and that not so detainian. I thought that only was one, but me was it strange, how she'd be with us

and then, and then, passing the day normal, and after that It was not molestarns. At least, always that

I saw that was at the limit of my room and never was never because many times it was parted,

it was high, I had the arms and the longs and was totally black.

I only I never did not even I'd get to like it and I would be

to be in the moment in the moment in that you were to be the moment in the

I had much I was really I felt like in whatever moment it was to do I'm going to

one of the other of the infirmaries and when she was she kept very serious

and I said, just tell me that I'm my imagination and I'm my imagination and I'm

that's the stress that I've I'm saying that she she also that she didn't know

that she was going to make a because she was always she was she was that was

something that had had a I'd, I mean, and the lot of the

other things, that there was a thing that's that's not that's important, because they were

of a religion, that I'm that they they were in that. Then she me said,

she said, that she would have to come in the pass and merode the room, and that

I was not was a local, and that had many anecdot to tell us respect to

that that the end or that spirit that was a

One night They were Cenaing The Cena So they were At the night At that time There's over

There's no There's no There's Only the women And the girls And the girls And the girls And we'd have

To go to the It's in the It's a lot To be the night But, But, you're They were And someone

And one of the Sheppes Brombeando He said Passa That's We're That's

The President The door So it's The door's Abrio entered the air and there he gave

much a lot of but I'm sure the postura the door and they're invited to and then

never said I'd never said to I'm I'm I took over the window I'm a

it's it's I'm just it's I'm I'm gonna I'm I'm more

I'm more my window because my ventana that had in the room was to the

patio tracero where there was an area of games for children. There was a salon grand where they had juggetes and sillies and things for that the children were interturbia. But in the nights, they'd have to rastrable the sills, tirgues, they'd have the jugets. The

juguettes sonnabed, even when they were pilas. One night I'm uptie, yeah very arta of that, and I said to the infirmary that, who were to be that if it were there, for for a favor, he said to call you

call her, because she never had to be able to get a lot of she was a man, she was

she was not that you know that's, and I'm saying, you know what? If you, you know what?

So, you do you do you? And when we said, you know, I'm going to enter, St.

I'm sorry, because the truth, I have been really, I'm really, I'm going to hanged one

a leg of a extreme to and we're just instantly we're there. No, that's just so.

It was like to empower them one and other and other once. What the say that had been

there, I'm sure that you were sure that you're in the place, and that

used to the toys, they'd to get to the patio to the and when you go's

for your child or your daughter they're they're embubed and molest

of that you're not as you're because they they'd them

they were too the kids even in the night they're

even they're even in the school we're we're

talking that you can't get to and say to say

that you don't someone that you know and

I who in person I I heard I

I'm I don't they they're they they're they're

they're they're they're they be little and could they'd have been

to be to be to be but I would be perfectly when they'd be able to

sit down and then they'd be in the house this probably should have

been there was the night the day in that I was

I was not not I'm and I did for all

the all the and who I was that I was going to go but in no moment it's almost. Talbts, because no, he permitted,

because never let me leave, because never I'm lured, and maybe because in that moment when I had too much a year, the infirmary me gave a polsera, that was a that was a little, that no more than. It was a very beautiful and resistant, but only a few of days and it was revented.

It's six pieces. Like if me had they'd have been taken of the man while I'm but never could enter

to my room I'm even I'm know in my dreams

or in my records as always waiting and like

the and the people that we are so for

that in the south of me in the family have

been having things and many that many that

The first that is the besadillas that had recurrently her mother when she had seven years.

During the nights, the her manna was to doorme and in the dream was a manned

a man who was in that was she was the time in the moment in the her man

was trying to enter to a man a man she was she had spreadable

abruptly abruptly, she was always she was Fernanda, she said that after these

actions began to son small little pieces in the house, as well, she in

many occasions did she had been the stasas and notable how they were at the camera,

she had the eyes and even I didn't see a nothing, I saw the

backers to the camera and to get long in a court.

In a part of occasions, Fernanda, he was a woman, but the silhouette no corresponded

to nobody of her family. She and her her mother were the only that experienced were these things.

His tio, a day that was a little on the house, sentio how someone he stiro

a little, and at bolted, he got to look, the silhouette of a little

that was a little, that was he never he never Kisokis to get to there in that house. The aboelowel of Fernanda in more a occasion has told that,

that before to dream, he asks the risa of a little and he admits that his reaction is very strange, because even though he's listening the voice of a little, he's full of fear, and since many

months, he's preferred to not to acercercercer to that place. The parents of Fernanda also have been illes of this situation. In more of

a occasion, when they're are not even though have seen how something it's start the same to the

night and forcegea with them and in more of a occasion they have been never

ever before the sense of a presence of a presence that he's asecha in his

own after after this time. She went to be to her her wife

she was she was she was she was to be the place in the

but something he occurred Apeness after having lived a few A few A few

A dream a very strange In the A house A house very normal that never had ever

But he He gave a sensation extrana In the morning He told his

his wife And her And her She said She said The Description The

The The The Cases The Cases The Now Suegros of Fernanda Fernanda

Fernanda Diff That during the Sue There was for there that she had cheetah a presence malabola the

first day that was to visit to his Suegros he got to be a somber that he was there was a window and in the the SOMBas has been all become more present.

Fernanda me had been to his story and if what she is a time of chisery or maldition

now I I'm going to you, dear, listen you that you think that's that's

what's what's what you're doing? Hey, how you you're well,

I'm I'm I'm sorry I'm from the state of Mexico

and well the story is the next me when I was

super little so then I'm I let's let's

I'm I'm I'm I I'm I'm I I'm

about the five years approximately and I I was like, like, any girl with these Barbies

in the feet of the camera. But for this I was in the room of my abelitos. My abelito, in the

cacetera of his camera, I had, like, of this type of retratas antivos,

you know, and that type of of retratos were those that were the and the of the photo

was, then the photo was, so part. Total, I was I was when,

I'm when, the So, but for this, I have to tell you that my abuelito's had put super bad, he wanted to do a moly. Then they were like, like, emergency to the hospital. And in the house, only was I was just about me and a tia. And for that I commento that I was playing to the Barbies,

but if I was, I'd like to play much in the recamara of my abelites, where was this picture that I'd have commented, no? The truth, I was just a casual, so, when, of a sudden, when, of a sudden, you know, so, and you, I'm sure, the man of the

picture is out of the camera. But, obviously, of the children, we don't have this capacity

to distinguish, if it's good, if it's bad, I'm not, I'm so, I'm just,

I'm, I took it like, and I'm like, and I'm said, I'm, my son,

my little, to the he's, to the hospital, and he said, me going to get to

get to my abulito, in that moment, I was, I'm going to I was so horrible. And, well, my

Tia, the that was the room, and say, what's the thing? What do you? What I'm

doing? And I'm really right. My Tatebe saccued. And I, I mean, with the

eyes of the question to the Lord's had said, but, but I'm not going to be able to

because, I'm just that's a guy, it's more, it's more, it's more, it's more,

it's more, it's just and then I'm when my time and then, and when I said, what you,

what you, I'm like, is that the sir said the is that the boy of my oldie, and thence

my tell Ludo and then I said, I said, he said to the camera, and you know, when you sit as

the camera, it's kind of marked at the pomp, well, so that's that's like,

so, so, that's, uh, was, and the fact, that's that's the

question, that's made a bodyga that's a body, that's a bedigued, but, but,

basically, that is one, tantas stories paranormal And the truth is that is very very strong, you know?

Until after my father was a person very happy. He had had been a niche or a refuge in the

work. All this a reason of the divorce that took with mom. I can't

say that was a father so much so that but never no more

never the story that I'm going to the day of the time. It's what what happened in your

work, what he did that his tranquillity to lose to a moment to another. Ase,

he had encountered a refuge. The work in the he was was made immensely felice.

Of some way, he felt completely. Sentia that what was doing had

repercussions important and had got to the place that he had

a power and a effort and he's the

general and the head of the security of a Bank National in my country.

He had got to his high capacity. He could learn very very quick of many times.

His chiefs of inmediate they were a person with a person who was not

the usual. I could manage perfectly well to the people. It's something else you

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Plus. It was a person and I learned very rapid, much more rapid than the other. Continuantly, so entree of the job was that much more time the hour in the time in the

time and it was to get a little more time because it was very proactive. Really was smerable for making

a great work. The problem that he quit was the tranquillity and that he made to

a person very different to the that was a year, it occurred one of that they're

a new technology, cameras with sensors infarrohors to see in the obscurities and with

sensors thermics that could detects changes in the temperature in the

environment and you could not know if a completely free or entrava to

something, and if you present was attention, you could you see the figure of that was in that was a

place with a temperature distinct. As I was, he was a person very capacitada. He had

had taken courses that had been had given the same and he had had been

some courses of specialization that the company that the company didn't when they were all these

systems of the power in the that the same institution that is the installation of the cameras. For that's, what I'm going to tell until the day of today,

almost erino to his life. One day my papa went to the bank very much as his custom. He was with the chief of security

and he asked that had occurred something that had been used to give to the reportes. The chief of security simply

he said that one of the cameras was to have a problem technical. Because in the camera

thermic, it could be that there three people conversing around the three of the morning

out of the bank. But in the camera of security normal, the image remained

and it was that the technology had just a few months installed. A

my my dad to not that it was that it was a system

of the security that did you make the that they were

a change on the thing when when it came the

things did do a camera a profundity and he noted that no had no problem. Then he asked to see the cintas.

And as well, and when the chronometers he did a camera that both cameras were perfectly well. What was

what was what detected was the camera thermica was like was something was a little in the eyes

that was a problem technical and he he said he said to make sure the camera. after

after a second the technical accedo yeah that he never had even had

never had No, they had passed no two times of the camera. When those three figures

appeared at the three of the morning, but just in the entry of the bank.

The problem, I think you you can't you can't be you can't in the camera thermica,

but they were invisible after the vision octura. The three figures were

of three persons humanoids that were they were like form a semicircul

and it was that they were that they were talking for the movements of the ombros and of

the other that's a hour to be a hour and a minute, then they'd make a way of a

way a way that's and they were in there and they were in the camera

of the night no, no, it was absolutely nothing, only the

only the entry of the bank totally completely dispegated my my papa

decided to resolve that a problem the third camera

a normal, of a major quality. And then they put faros in the area,

that all the zone was not the area is where he's where he's there's

not been three months when the three figures appeared at the morning

in the bank remained hours and and they only they were

on the camera termic the power to make the video. Notar that when the figures

were going coming down, no were not not even part. Simply simply

it's disvanesia. After that my papa, now was the same person.

Something of him was in the world in that I had been the control one

more had disappeared. He started to take my decisions and no it was

no during that the time to get to the time I'd like the day of today of

I'm going how he is still doing because no stop to ask what he what was what he lived in

those days. We've got to the final of this episode you I've that you've

yet yet this moment, that me you've accompanied to the long of

these relato to the I'm that if were to give me

your comments what was the what was the And if this project you're going

to share it with your family and friends. Because by the recommendation one-to-one is the

form in that we're doing. Iismur-Dog and this was, let me, let's let's do what no

exist. So, good a day and sweet and sweet and we're

we're going we're we're we're we've been