HABLEMOS DE LO QUE NO EXISTE - Relatos Oscuros , Brujería Desalmada y Juegos Macabros | EP 298

Episode Date: June 9, 2025

Bienvenido a ésta oscura Fogata de Relatos Oscuros , Brujería Desalmada y Juegos Macabros en  @HABLEMOSDELOQUENOEXISTE  .El día de hoy les traigo historias que ustedes, querida familia nocturna me mandaron y me dejaron helado del miedo. Escucha de Brujería Desalmada por Envidia , tarot vidente y pesadillas reales. Descubre junto a Miguel que habitaba la casa de la abuela. Conoce el terror que Gela tiene a asomarse a bajo la cama y lo que vio Minerva rumbo aquel casino . Asi que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

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That's a nice story. The Devil Wears Prada 2. Friday. Welcome to Family Nocturna to this a scura fogata of

stories. Today I'm going to tell you're going to be times. Persons that people were in

their day normal and of a sudden they were to be a something that not should be there.

And something that's you're going to those don't let solos, no it doesn't

don't let have to have to be peace. Also, I'll talk to the places

that's very very of the children that, having games that are of that age, apts for that moment of the life, they pinn't toping with

things that diabolical that they're traumated by life. Today, I'm, I'm taking care, relato discabellated, relatos,

relato far of the family nocturna. So, I'm invoked the family nocturn for the family in the comments and say, narra-nors,

we're going to the 20-26, because, as family, we have, we're sure, We're opening a brecha. And this 2026, if we're going to enter to compete,

now, see, demer in the comments and let's go to the Scura Fogata of Stories. You convoyne? You're going to be around, persons that you want, persons that stymes you, too, people who are not, crevying what you have you guys, you're allde as enemies, and you can occurring something like what lived,

Nora, and her husband, Poncho. Nora and Poncho, they had a beautiful relation. None of those two came of family of Bolengo, of family adinerated.

They used to build their patrimon and their things. They'd five years castes

and then a day to do a carito of a carito of a carito, and then Poncho

he did in the lotteria, not in a form that he was a ability very good to

make a thing, and in the So he was with impressions of camisa, impressions, and pressions in plumber. All what you'd have you asked him in impressions this type was an expert and he had that it was perfect.

Of a repent, the little changarrito, the little tarriecer that had to impressions, commenced, grow, and in less of one a year,

it was a new lucrative, had been able to pay a car, they'd have paid the second car and had to the enganche of a a house.

They were so-sued. What they had done in five years in one was doing and you're doing. The two

were all in all of the time you're and they were and every time they'd be you goosan, those be you

desbordantes of the time. Yes, is that God's Ponschol he's going

very well in the work, and is that has that has been got to the last

photographs and then you this mono that is of the caricatures, you know, do this form,

and this other form, and I thought to do this form to put it in the plums, and well, puros details technical that the

people, a lot of course, but they was so entusiasm that they'd but it's all their circles, there were

people who was that that's extra- but a sometimes when you're all that's the only that are

that's that they're to share very into, and not they just that someone's that's got

that someone that's they, they've done a configuration in that they think

if a other they're in the that they're not, that they're not the

even if they don't have a relation to you know, because of a day in a reunion, a chica

that is very very close to Nora she comes, Nora, I have to say a know,

I'm going to make, but you do it's because it's something that is something that is a

not I'm not going to be tranquil. And now he said, what happened? For favor, tell you to your husband, that no will accept any

food, of any other more than your. Of what you're saying? You're going to do? Is that they're going to doign? Yeah, I'm going to explain to you, but I have dreams. I see things that

are going to occurring. In my dreams, pass. No. I know when. But I've I've seen, I said, I'm going to envener a Poncho. No,

they'll be in sorry, me are you? You're going to say, I'm going to bring to do you?

I know, Nora, that no, that's nothing of this, but I do you know, for your good,

for your little, because for this then, Nora and Poncho had a little three, four,

a year- for your little, for favor, for favor, for a point, to do you,

don't accept food, The time passed, he gave the advertency to the time,

they were passing the time of the thing of the conversation, and of the fact, as I'm not a fection after that type

of this type of commentio, to this great friend of Nora, we're just they're just they're

a little the world, it's he's made it's not, I don't I know,

I know, I know I'm that's stances, then you you're to invite her. The chick it wasa

a good faith. No, I didn't put them no fear. Only that simply had seen a

in some in a premonition, in that she had a little a type of a don.

And a day, a day, something something that was not a little,

she's a little, she's a little she's full of piogos. But it's not you

don't have idea of the quantity. If you took a pein and you'd start to

start Puno's of piojos. Punoz. You're talking of a quantity that's seen that were being that's about

millions of things in the case of the poor little and the little bit then they'd have been the

caboel, they'd they'd get back to and they they were they were a polvo,

they were a medicine, they putio some gunguentos a type of shampoo special all the all the rope

they got the house and they were to the car they're in the day next done all the peojo

there. And at the day the next, the same, and the day of the next the same, for the fourth day day, are so desperated, you need to do. They're going to

a doctor. The doctor says, is that, well, yeah, it's been this little, that this is a little that they're doing this bad, but they're

doing, in what conditions are, they're in? For that the little, the house has been a bodri. And the doctor

is talking, because it's indignated, he's, he is molest to see a little bit of a that she has been like, but with a

quantity, that's something, yeah, aberrante. It's something that you impact. And the doctor, he's with a car of enoho, culpandolos of the situation. And then then they'll say, okay, let's say, okay, let's say, but they're

to do, but they're to do P to P, point, point. They're going to buy this polvo. Yeah, we'll come up, doctor, so we'll put them all the days. Okay, come in this medicine. Doctor, three days

a few years. Yeah, no, we'll want to do it because is a little bit of are to They've We've bought

all these champu. We've got to clean them six times a day they're

to do that and they're and they're and all the doctor these two they've been done

several times and they've done in quantities and the doctor says no that's

not that's not that's how if you do this the she can't be

not not they're not doctor, we're we're we're doing we're we're doing

we're something normal. If it's something, the information you can't find out of internet. But yeah

can't see. And the poor little little is so. And the doctor no, it's the doctor, no,

he's not, the doctor, no, the person, she's called for the telephone, and just says,

Nora, no, you don't you know, don't you get a little, they're,

they're, they're not they're, but they they're they're to do the baby

to do the the lot of piochos there. They get, they're lave-the-calfe and the little, and the little and the little

and they're not what's the thing. Nora commenced to contact to this chick, the friend, the

of the premonition and he says, why did it because Poncho took a little, he said,

he's, prepare, because what comes, it's forth. From, the things go and the

things are to bad, in the mountain rusa, but in picada, but a picada that's a bit of the end up to the yearns. Of a sudden, de one moment

to another, Poncho is the despirte in the madrugas and he starts to be able to know how much, he's not being uncomodied, she's very incoomboats, with peojoes, with the infirmities of the little, things that are made very incommoda. This is to provoke

that the two is discuited the one to other. Poncho to be to be more can't be so much he's doing good in the

time, of the nothing, of the Poncho is Tomo's not he's not he never

never had a when he was a old he said oh, it said it

never never of the substances emetries, substances alcoholic, of all kinds, of all the colors

but he doesn't he doesn't, why you're talking, why you're talking, no see, it's not I need,

and Poncho is going to get to start a business. They've got to start the business. It's bad

with many people that came to get demand, demand that they don't know

that they have been that they're that they're that they're that money is that money is

that service and they They'd be a great for the family but not was the

big big. Apern's they're going on the things. Poncho is a car to be

a car, it's a need to a necessity that has and a day of the night

in the morning, a one of a mother. Nora, just to

tell you to get to get to your mano. What? She he got

to your brother and he he'll of his brother, he was

to enter the brother, the brother had a carterterer and he he's not

he's not he's not that he had a relationship from a time, and he

had a little a little but they've a but it and that

it's a great of the he was he got he didn't even make

to make with them with the belorio you're there they're

being the mom mal, the belorio not really but not a little bit of the belorio

in the belorio of his brother of the there, there's a person there that she has that she

has been a bad a leech, that she she called, the prima that she was the first

of the woman, how she knew that? How he, that's up that's sure

that's she's she's been to be she's so that she's to bellerio because there were

people that took them photographs of the familyers and these moments difficult but they took photos and she

see the photographs of the belorio and there two occasions where she's in the head of the

house of her man roten and you look to see a one side and she understand

that something he's going to get with Poncho Poncho in some you've got to

contact with my prima no no no no no no I've no I've no with him. No,

I'm talking since months. Pienza. You did something. Before the before the poehoes,

before of these things. A day was visit me to do you some time. And I

gave a bottle with water and me it took it. Poncho. It's she she

they're going to visit to the prima. They're know what demonious is going.

And when they're the house, the primal the prime it's does

pass. And they top with a figure a little, a large, aftarer,

that the dege-el-lado that they're not need to just. Just, after the door of the

entrance, there's a statue-gigant of the Santa Morte. And in the base of

the Santa Morty, is the photographia of the Poncho and of her,

cutada, with some clavos and he has about some one of

some that's she she'd her and he and the prima, the

he's He says, something else. And they just just turn to and they say, no, and they're

on the dead of mehurt's during the time, your life is a chaos. In the

house, they're going to happen things very strange, things that that

the mom and that she's a person evangelical that's very very entregated

to the religion, and the right a house, the

the house in all the habitations, has parts of the Bible pegated in the walled like

if it's like a particular. They're a question to the woman, why did that she

tried to to get the Bible and and then then they said, no they listen to the women of

the lamentos, no they're not they're not and they they're to present attention and

to the long they're they're but it's a moment are like some some people

are sometimes were going but at the long, but a long as

a murmur that's a very much they're like if you see a

messedora should be moving to the same rhythm and crugient something

that one that you hear you not it starts to ladrart the the

woman was being and was putting parts of the

Bible in every in the the sound that the son't

the sony the sony the walled. It was like if in those muros little bit, they'd just, three, or four-pulgadas, there were

things that were hidden in this noise, that were to sound as, ase-doers that were men, like moversed, like women that are atterradas or that are being tortured, and are y'allowing. Me, they're not, that

during all one year, one year, was to be and the demonies. Passed pastors. Passed persons

of all type of the house. Never never were bruchos. But persons were

like mediums, sanators, things of that type. And if even a day we did you

know that the only way in the way we were to be the house.

We went to the house, we're we're living in our

new house. And we're we we're sometimes we we're

some on a a window. A sombra that's a somber that's

a little little bit of a lot of little bit of a person. We've been in a fifth

piece and above of us there other other piece of departments but that sombra

was how started the house after the sunbras were the and the

only that the only that was the mhmus and the menced

but it's that she's we're we're we're we're

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Sonia is sensible and for his sensibility he takes many many never to do you

know that's never got to never has never got to people who feel like that's very cargated to

give to give some type of a time. Sonia, the day of today is a person

yeah major. You're about 57 years, not I'm saying

that's an answer, but is a person yeah major, yeah, with the

years, yeah mature. And, well, every time that advance the time, the body is rompient a little, there, his guarantees, and a lot of the guarantees that has been a few years is the last, is the view it. He has his lentes, but it's a little type of

a new type of a new thing, not he said what was it, but it costs. It's for that, that, that, of a repent, standing in a camion public and coming down for the streets, is, you know, because it's

a lot of because it's in places where it's a way, and it's that these things,

they're trying, and now that's not you can't be a sure, and they're and it

was a lot of these things after a year. She's a new year, she's up, a man,

she's up, a new a impulse, but an impulse intrusive, a necessity that came to a

head or a your heart or a heart, I'm in the necessity to put a way to be

back to the car to be in a impulse that no he's not he's not he had done a

she would have done to she would know it, but not the he was, he back, and he

began to come in a a little he was, he was there, I was sorteating a pair of

sombers, a pair of people, a pair of people, not even didn't even even if they

were men, and women, some for their corpulence I said that were

on the other no other he didn't get with the doubt and then he's

a little and there a little a little that's intrusive that not is that

the oriente to do turn to the and it makes it that he to go

to the right and when he to the right she kind of

a little a little a big that has written

many things and she is being trying to learn one and other and other thing

and you know that the things that are that's that's because be stars

of certain symbols be things but they're trying that's like the

that when then then she something that she's

something that she like that she she's like she she's more

something that's to begin a enoch a tremendous and to accumulate

but of in the way in the way it's impossible to be able to see the face to the piece of the

then she then she'll turn to the piece to the piece to do the side of and where the place to

the clothes to get a and he says disculpem I can't be, me can't say

here where I'm here where I'm this is this this is this this is a tindererer and where she says

that she's he's He's a scalofrills and he says Disculpe me, pardon me,

I can get a car of a car with a car with a car in the and they see that

that's that the person that he did he's going to and that he was

a little the parada for the she she back and then she got

in the route and the person's that when you say when you

tell the route the route on tiberus for put a number

and when when it run he's up and all the time

that goes MEDA much of the presence that He sent you In his life He had seen A fury, a Noho,

something is that now, the problem is that even when every he was able more of that the place, I'd

still seeing the presence, it's like if in her radar, he was located and simply not it could

disconnecter. Pidio to the chauffeur that he said when he would be a certain parada,

he back in this and well even with his problem of vision logra to get

to your house, then he gets the house and the husband he's a sorry,

because she's she's not she's to talk to what he can't to get to see that

this person and this man, even he doesn't do you want to she's

she's she's she's a she's she's that she she's that she's

she's she's she's the she's she's trying she's she's He says that he's going to take a

morning, he prepares a tea, he prepares a coffee, a dinner, and he put there certain things for that she has like some tent-em-pice and she relaxes. Sonia, lograble to relaxes, in some moment, he'll get to be

and it's got to the night, when just the sun, he's acuester in the camera. They two have a trot. He's atento in the first hours of

the sonya when he also is too. When he is to is he's still, and is he is there a little bit if she

has seen the eyes open or he's abhorred to or he's uncoodooe he put the hands on

and with much tranquillity and much carino he says sonia tranquilla and she

and she and she is a because Sonia live since many years paralysis of

the life and in occasions in the paradis of the sunia there

there is a person she is something horrible, then his husband the help. And when he

he does it really a lot of, or the help that's just instantaneer, where she's to get back to move and she'll

get to the paralysis. They're in that convenience. While you doorms, I'm the vigils the

first hours and then because always the paralysis of the sono they pass in those

first hours. This night Sonia she will be to do know. And of a repent,

she does that she's in paralysis, she does a count because, intentating move his man right, she has seen, but no can move nothing.

There's a little very strange. When he is in paralysis, can open the parpads, can be? But in this

case, is sure that they're all the parpads abertos, but no can't be nothing.

But there is a little in the part of the back of your view, if it's

there's but all the other is obscure, and no he doesn't what happens

until he I'm I'm I'm a scared so I'm so I'm

in the same in the both parts, in the panes, it's there's when it

does a point that has a hand has a and he is a

start and they're like those and they're like another man that's

a time that's a part of the barbilla She's tied to the

back, and she's like one of these phalanches of these dead, she introduce

between his palad and her and she gets to get more to the garganta.

And she she's that's asphixing, she has something, he's he does

but his husband he doesn't know to do this he can talk, he's

got that that thing in the garden and he comes to be the more tranquilla

that can't try to to guard the major compostura that can record and

when the time with his husband, moments in that he has he has he's

a moment or other he's that that's that all the has

that is where it's where is where that's that

has the eyes they're a great that he

has a that the fear that he has

there he has form he he's visit and he's a

message, I'm when she when she the result clear the message of she's

so affected for the that he got all those those those sense of security

that in some that in a little she has the mandibula

and he log to start the mandibula but with a power

that that she she is like it's like a crugido

but a cruchido that she's that Then the man of his husband he'll talk in the shoulder and she can

open the eyes she's uproar and he's scupy and he's a year to cry sheenta and he's the braza and he says

Sonia you're talking she said no no it's said it's that I've got it was a like if it

was a guyeta like if if you were mordying something when sonia is saca the legger

and it's he's the he's like a tinkpo of liquid speso and but you know, but he does know that's

the same of her. You know he's not he's not he's not the day, and since the double

of the good at this place. Amparo us made a story very a little something that

lived a two years and that's what it was what it's a problem of normal.

As much of you know, this channel has made because because at

the stories, people people say oh yeah that's that's me too.

Because are stories that you us manned things that you have been

that you're the only and it's the only they're not the same people who people

trying to find people that have been living the same before before you know

to know I'm not really in absolutely nothing for her simply

when the life gets to the final there there's there there's

there no there no there no there's some of today,

the religion has changed. No, they're nothing. But know he

has to another. Resulted that Amparo is a woman, a reason,

to the science, is a person that he doesn't to discuss,

is a person that not that's not a person, and it's

a person very agarried in his all of the family. And she is a

mother, she's a man, she's studied properly. She, she had since she had

16, 17 years, I knew that she was a and live as a man of a house, and

she completed his dream. Because when he knew Esteban, they were a very

great relationship, and Estevan he said that he was to do that his son and she

was a man of a man of a lot of some people, and they're there's a person that read the tarot.

Hey, those things so they do make ridiculous. But in that night the

type that the time, he said he said, he's not because I'm that I'm that he

said he the time. The type of the tarot, he had the cardas that he he'll have a

part of the mason, and he'll make a new, not like, of a cupier, I think

are the people that are the people that are the things, more trochones, more

brutous, like cut in quantities and then they separate some monos and he says elize the

and he's he's well the same well the elixel you well what elix the

the instinct you say well that he agrar he the maso of cards

and he put all and he he says elge three cards and he says

and is that this is this is a true of making no I'm doing the need to

let's the cardas to you elige for for, elige and a three cards, las bolted,

and then this child is just a and he says, your cunada no has future. Dill that's so you say, how can't

have a future? Oh, no, no, no has a future with her or with what,

what you're to say, no, no me appears nothing, me appears that no

has no he's the future, and it's something. Then she yeah not

they're not they're something in his words, very alarmant, that that that same night, he said to the other night, you know,

no, you know, I'll go back to try to this guy, this guy, not more is inspiring

me doing things to the tonto, I don't know I'm not sure. But at the day next, the spina was

clavated, so is that he said, Mary, just to say something, what I'm what I'm going

to say, no, what I'm a stupidness, but, quidate much. Why? Oh,

man, no, no, I don't know, just keep it much. Well, it's all right, Amparo. That's, what? For some reason, that me of what?

No, I know, no more, Cuitart. Pasa all one a week and nothing. Passing two months and nothing. Passing three months, Mary, he says,

Oh, Amparo, much thanks for saying me that I'm cute. He said, for what? Because I turned put a computer and I was at point to get me to a page

pirat and I'm done a staph. And as, And as many days I've been like, as I've been like,

because no me did you know, I'm doing and I'm saying, because I'm saying the same, and I'm sorry. And I'm sorry,

and I'm saying, And I'm sorry, Marie, you know, I'm saying, that no, Laca. I said,

well, also, yeah, it's too, you know, I've been past, and says, yeah, down for

the fact that you've passed on the things, and much thanks for what you have done,

because no me stafar. Fin. Three seven more, four months more, Amparo and his cunea

and he's not in the time, and a day for the morning and a call. Your

Cunada has to have a accident of traffic, vented rapidly to the hospital,

just when he got to the news, he got to fallesar. It's that morning

his cuneada was up and I had a sense of a fear,

and he said to the Paterha, that I don't know what relation Garde with Amparo, but he said to the Pairja, oh yeah, no see, go to go, and his wife, he insisted, Bette, it's a voyage of

a job, it's convenient. And she, he had a much inquietude, and even he said, is that Amparo me said to me care, and like, something says this, no, man, you know, you're going to be, but, you're saying, no, just a-mast, I've been, just-you-bent, you know, you know, do-a-law, do you,

do you, do it, is a good opportunity to the job. and in that he wasnto. know that there are things that are in the houses in in the middle of the

houses in the places in the people are even so they're just front of our own eyes. And is that

he lived a mega-terrador that's that I'm impacting to all the family. Miguel

me says, look, Narrodor, no me going to go to go ahead with roadeos.

I was a I was a man I was my used to get them, but I was a And the

fact that I was to have to because he said, it was a lot of we're going to be in the same thing, I always said, like I was,

and I was going to where they were getting to get into, and I was all the skondit, I was, I was always a voice more bagita,

and when I was it was it was a very, big, badita, it was because I was going to get to get us,

and from them to see how they were going, no, number, narrator, it was it was good for the

For that's always I'd invite to that we'd like to use to do you don't know how they'd find out of

how they're so much and I'm never you know, the house the house the family

was the house of my abuela and then my friends and my brothers not they

was just about to get a lot of they're that they're things that were in somras

and I said mugres meodosos no they're not you don't want because when

they're just So, so one day I don't I'm going to I'm going to but if you were there. It's. It was

about to be it. It's not. It's not. I'm sorry. I'm sorry. I'm going to be able to do. I'm sorry. I'm going to go backer the voice. I'm going to be able to find out. I'm going to be in frontos. I'm going to be my primos where I was and I saw one of my brothers that went to the fourth and I'm going to start

and me those going to get trying to all. Then I'm to get to the house with much

sigilo, I'm going all the passio, all the passillo, I go to the

front and I see so clearito how from the the room is my primit

no my brother and was the room all over the carmiss but it's

the altitude and all, it's in the bathroom and then

doing putting up up pointitas so, I'm met to the and where I do various

passes, my my Tio me agar from the old, and I used to make

a lot of making to make a lot of I was playing as you're gonna you're

you're gonna you're and he's because he's put the prime in the back you

I'm because all all over here. How? If the first that was going to grab was my brother. Your brother is your brother and your friend

also? He said, and the narrator me gave much fear because I saw the sunbrough and I'm

going to be a drama no me going to let me go to go. Ronda number two, I'm

I'm not you don't know three, I those look, those I'm going to

find out of that day. Passed a year. Passed, it was a last year to when we're

another group of primos and my Tio, that no, I had nothing to do anything to do it. I said, Now, let's give to joggers, because he wanted to regresser the sust. Then I said, no, man, me go to scone. And when no, I'm going to see, he'll be to be able to

start. He's going to start. He's going to the gree to the sky. I said that I was going to get to the game. My Tiole-entro to go. In this occasion, I said, no, I'm going to do to do it, and I'm going to do with the Then I enter the first room.

Entro is a long. The other side of the left is an abatation very great that my aboella

to bring a visit. I go agachando, be be there the back of the mueles. No, there's a

little bit of that I'm going to be to the house. I'm to get to my

other of the cartiness, because I'm in the piece-situ and it's the form of a person

there, Igarro the carton, and my tio pego a grito in the skylans, Salganse, salgance! And it's heard of where

they're going to goreting all the door and me kept congelated. Trae a my

herman cargated so in one of his arms, to my other and he's going

and he and he's all right and I'm all those there and I'm on the

front of me, the cartina like if if it had been got to the person he

he would get to the I just I'm going to I'm going I'm going I'm going

I'm going I'm going about my my view, I give me more more more than I told my

man I'm my man I'm I'm saying I'm saying he's the he said, no, first tell me

you. And then then I'm that they're in the court in the other way the other

time. As you it was a when he he was going to get to the he was going to

start to go to start to those he was said to all that's all the

skundered together and they were to get a and they're a

quite to get perfectly to the court, I'm meted in the door,

and my he's he's kept being and he says, I'm going to

get to me. And when he gets to the door, and in the

place to there, there, there, there's a sunbrated to the door to

the door to the door, and it He heard, how the bathroom,

he started to get the door, and they were to start to say that he's a

little, he was going to and he's going to be and so, salgance, salgance,

salgans. And yeah, narrator, me kept tembland because that little was the same

was the same that I did the same months before I had been to my time,

I'm that my thing, I'm get to me make there and I'm

no-s nocturn peloda. No tautit no has perrits and no they're going to have never.

And you know, after the after the time I can't call it. I can't do you know I'm sure.

And probably you that's listening too you can't keep it. Because what did Gela not is normal. Dice Gela

that she had a catito. That that gotito just made of him the day that she went to

her life and was her his catty- or his gait amig. Because it was the person

that would be to live in in his house. This was two two months or three months after that she went to be to live solita, because he said it was a little bit of a year that she felt like a house very

a little. They'd in a edificio of departments. Not was a place that grand. And the department that had two habitations, a baron, a-oombeder, a lot in a quadro grandot. It was all. It was a little. It was a little bit, but it was to pay. And he was a good. So,

to his catito, that he called Simon, there he was a Simon in the house. Simon for here, Simon for yeah, and he was rascarer, he bought these peiners that are to keep her the pillow that at the principle, and then he did a point that they used to me all, and

then she did a point that Simon yeah no he used them, because Simon had pedasos meddles. Then she was learning to get her with Simon and the things even, but discovered something very soon. Simon is very in quiet, and in the madrogated no respect. So, at the

that she imagined that she was going to to be in the camita with with many videos that I'm going to

see it's just it's just she was a little bit of the part of the top of the head in the

nose and the legions she was he'd be it and it was a despertable

and the repartable and she was he was to get a and he he was he never

to do not even so she's that she's that she's just to get a one of the one

Bonita, Simon, had to dormice out of and putt and he's a lot. Simon, was a cat black of red, he's

beautiful, and in the part of the patched he had a mancha, black, a black,

a precious the catito. One day, she will be to be done. It's very can't,

are of those days that you get to that you get to the house, and you

are you are almost in automatic. No, it's not it's desviste, no no

nothing. He gets, open the door, remember that serve a little of croquettas

for Simon and he put a water in the place in the place in the house, then he's the door

of the door of the car, preending the air conditioned, it's the car

up at the top of the chalachas, of all, and she get a little this woman

not so she's this woman, she desmoy, and it's there there right of

the camera. When I'm going to feel a frie horrible. Abre

the eyes, I'm a realoc desperator and in the reloc desperator

says there at the three-on-33. She no creen that of those

things panormalal or not I'm because standing there

was there was three three three three he

see that he's just in a corner in the he's

in his car in the and then he said oh Simon,

you This, yeah, I'll go to do to dinner, he starts and he's a little bit, he's a

drink, he's a little and he's behind the because he can't be like the back,

and then he he says, Simon, you're doing, because it's not normal that Simon to get

to the camera, not it was he then, then, he says, Simon,

you know, he's a mohidid of the catito rasked down to the door

but for out of sust. Then says, Simon, Simon, and the catito, out of the room, will be mawur? And then says, then, who is you? Who is there the room? And the camera complete,

so he gets a tantito, he'llpea against the piece, and I'm trying, like if something, more or less, of a little, more, or more, of a medium, metro, of the large, and the strong, so, it's to start to rassarras

in the camera in all the part inferior, like moving, making, quadros, like getting an extreme, after the other extreme, and coming on the other extreme,

and coming on the other side, but like a certain time, like if he's a-ir-ki- and he'll- come and go to the floor,

he'll play to the house, and he'll be going to the door, he, he'll be, Simon is-a- but is to

encorbado, erisado, and with a car of a-miel, he'll get, he, he'll take so, and a arm-s-as-it- and Simon

he gets with the garras to the I didn't even if she'd ever, he said, I'm going to the scene grabed for the

rest of my life. When I'm going to the door, the camera is able to be behind her.

And just I see like some those eyes of the panther enormous that I'm seeing the door to the door,

and I'll go to get the door. After that I've got to give help,

I'm to help you helperer to get the other I'm never to get to

get to get with the department, vivied a Bruchita. No. I don't know if has to

see a little, but definitely that night I visited what for me is a demonio and no. No, I

don't want to have a catito. Max, he was a rescatista, and when was a rescatist,

he had to cut her character, he was very hard, but he said that

every all the things that there is one, that all day of he still

still making feeling like more and he does fear, because no idea of

what was what happened. Pace to that it doesn't nothing, but he he's

there's that there's things that's that the reason never can't

never be to understand. I've two years, I've been a

rescatista and have lived and they they're they're on a incident.

To be he's to go to be a little to a building

to a building a escalar altissima that he gets

like a fourth fifth he's he's up the he's

a stintor just for if so it can need to get and then

when he's a scene very a horrible a

horrible see a a woman of a start and

it's going to and he is running to try and

then he trying to run the ventana, he met the department and he's a

great to get to the room, he's got to the door, he got to the extintor, he gets

to venter all this liquid, all this chemical on the and it's and it's

I'm I'm frio because the yams were there no there

no there no was the there no there was the there not, I'm

getting there back to be back to the other I saw

in the the room in the could create. Also, there was

a situation. The building was a new, but this department, no. And not it

had notated. So, it was the woman that's a woman. No, well,

I'm going to keep working. We're doing people who are in a big,

and the road. I'm in chock, me say that you're in a time, I'm

going to help, and I repong, I'm repong, I'm repong, I'm up,

I'm We've got to save various people. Lamentably, also fellacy. There were many years that we could have done. It was a success

very hard. And I, when I got to a house, me top with something that makes feel very bad. I'm going to

the house, and just the side of the camera, there are a pair of canisas, each all with senisas.

I know I know perfectly because I know. I know. In my the work of rescatista,

not the first time that I took for a incendio, and the senises are clear and

there are two weas on the way of the way of the well, it's a little

in the reflection of the man, I'm a very I'm in my

dreams I've in occasions the room of the room

and it a cold was a cold was horrible and

I know I'm I know I'm I'm not

I'm very very practical in the life of

rescatista are maniob some things that action effect

point, I mean you have to do the thing you know, this poor woman is too this poor woman is a little

in an incendio how not going to be so I'm every time and I was and they're on the

table and I was put a a sillie on the other side of the and I'm

put to talk to and I say I'm I'm you know you know

I'm you're you're you're you're I'm you're I'm

there's people are not they're not I'm going to you're going to you're going to you're going to you're going to

you're just and that's tranquilly and I'm to ask you to get orations to the people of the people of the

people of the people of my work. Odin, also. I said that me did you an or

me said meditations buddistas, orations to the virgin, orations at tal

and all the santa I'm so I'm so I'm and the house in occasions,

I used to be able to her and I said, Tranquilla, Tranquilla, you need to forget this. That's what that's all.

That's what you have to be living. And a day, a narrator, me passed, that I don't know why. My vase

with water, because I always put one on the side of my cabcerer in the camera,

de repent I'mnece full of cenis but consumed to the half. And

never again that never came that that the me the idea, that,

that, we'd have she and I establisher a piece and I knew that I'm to go to go to the other

other side, that what was going to do. After that I'm to find out of that building,

in that department, 20 years after I had had been an incendio and a woman of

45 years that no discovered how she was, she was that she

was the I'm that I'm was that I was a thing,

she went to some casinos ago. I had many the time to go to to do things,

and start in those types of games of things of all of all that. He was very content, but he took

to live something super espelunate. Resulted that she had had a four days. Yeah,

I was getting to the money that could be going to get to get to be going to

get to there. So, so during two days decided that he was to be

to be to be to be A situation that had to be with voles, they have to addlant the world of the regress. And she does

know that he will be able to go to go to the casino. So, is that, that night, that night,

that madrugada, just before the world, no, he doesn't the hour, she will go to

get to the hotel to casino at the two of the morning. She's sub the

bus, she gets behind of the chauffeur, and be that the choffer like he's at point to

to pass near a a station of a and he he said she he's I'm going to

get to get to to get to a man that's a he said a little bit of he took a

problem with the vehicle and he came to get a car car so that he he can't

go to and not have problems because for here it's difficult that you

do you and this woman said yes she no she don't make a message

to send you to say, hey, that I'm in time real, that all is all right, that all is fine, and so, when when he gets to the station of gasoline, is a man with a bidon of gasoline, a man a major, has a sombrero very a very discussed, a robe, a robe, a coat of color

coffee, and a camisa khaki, and, well, there's the sir that's a man who is like, with a rope of the zone, and he does the grace of the chauffeur, no the saluda to her, she sent in an ascento there for a while, and And, not more

giving indications to the chauffeur. But at the final, there's a very rare, because it's a only carretta

and a little way to connect. But the he was saying, it's a little more ahead. Here,

here in the curve, there was a other option. I mean, there was a other way, but he was

doing things, and she says, well, it's a man, he says, he's a man,

he's affected for the car, and who knows how much hours passed on in intemperi and free

with a lot, and he's to be For that's stable and able. It's a point in which He says, here in the curve, for favor, paris.

He detain. The chauffeur, amably, he says, He wants to do you want to put him to get a gasoline and he says, no, but for favor

me to bring to some detail because me helped me help. Then the sir, the man, he goes to the

other side of the other side. And in that side of the carretera not is a place not. So,

never has never prester the chauffeur attention, no, has much time working

in this, no preste attention in that zone and pass on five minutes the sir no regress and he says me permit a second I'm going to go to back to see great and he's not so I'm going to

keep great and I'm going to get it incommoded this chick she says yeah go and go and revisa and it's assomated by the window when

when he the chauffeur gets to the other side of the carretera like he's a soma he put black and he regress

and he goes and he goes to the cario She's up the carmion and Cierra the door and says, "'Wamonos, go, we're going, we're going, "'and say, if you're going to,

"'and you're saying, "'and so it's just too. "'And then, be the camion very rapid, "'and she expects that "'and she'll be, "'and you, he says, "'What happened? "'Ogha, is it.

"'He's justed, "'seh, my also. "'And he said, "'Dil other side, "'it was a-allader a balladero. "'It was a balladero. "'No, there's "'cars, no,

"'that's a-all-nade-a-n-n-n-n-a-n-oh. and then, and then he was, he accidented the sir, he bented for there, no, no,

no, me did a finta a feeling a lot, I'm a I'm a I'm going to I'm going to

I'm a fear of horrible and I felt like something I said, no, I don't I don't I

know I'm back to this this girl is there he said, no man just,

I've just, uh, I'm just he was a man a man and he

avented a defiladero and is there's yeah like thinking these

things when he can concentrate, Pired all the money that had to spend the two hours,

on the four at the morning and they're no, you know, you know, I'm going to get a

little bit more to get a little. And when I'm a anecdote for the little. When it's the door,

the door of the bidon of a venton, just in the other side is a defiladero and no, then the sir of the carmower

and says, no, no, no, no, no, Do, let, let, let me, let me, let me, let me report. And the

sir of the carmion is enoja and he he says, sir, what bad person is you,

this person can need and say, yes, just that that's the other, ask you to

ask you, that's a person, then the of the car is the carer's like saying,

why did that? He said, no, I'm going to tell, but in serious, this is a

person, that's a guy, to do you know, and the and the me passed

a few years. He said, in serious, no you can't believe these

things, but yeah when you know you're a lot of that they're like a thing that's

he was, he was like a person normal, but he was the same, the other

he took the collar, and that he was there was there was there

again, I think I'm looking to me. You know what are the mandas?

The mandas is a tradition popular in that people, they're doing

some type of a time in the they're a little a god,

a virgin, or so, they're they're a change of a example. They say

they're that for favor, if he a little a time of that

they're to go to go to a X Iglesia and

they're to do to many or are to do many to do

a money. It's a type of tradition that the people, a long of the time, for some strange reason, they started to pass those data as if these things functionar.

No, I tell you that no functioned, but I tell you that this is a type of tradition that's so on boca in this type of traditions, Pablo, lived something extremely strange. Pablo, lives in a publito that the manda classica

is to give to, yeah, either the Virgin, to God, or a one saint. for some situation, I'll say, in occasions is to start of an opportunity

of some issues of the health, is to pay a need of a need of a important. Pablo had a necessity

in her family, that was a change of that was to go to an church,

that is the church, because to get to get to you get to get to get to

a day entire to be. No, there can be carios, and the manda, that all

is to do it. You have to You have to You have to get to get to and it's a

way to it's a level that's there's been there are I'm going to in the way.

For insolation for desidatation for not have taken these precautions piqued by some other

animal ponsoe so. So it's a way to in this creencia

Pablo Pidio and that what he said he said so that a certain day

said he now is the day in the I'm going to do you my manda. He despise of the family despise that

they're going to they're going to the way to the church and it's a day complete of

being you're doing you're there's many things there's some so you

get a carrass after after the after the point of the first serrito

and in the part of the second serrito so top a Don Matias

a don't a man major. That God knows how has done to get to get to because he's someone very

chaparito, very can't get of these people that's that's and he says oh,ga,

no, there's there's a little to my little the and he says so, no.

And then in a mochilita that he had a very sunwentos and he said,

no, and he's where is where's where's where's there's in a

peonasco is a little bitrusco, sentadito, and he's styrs the plato, man, Mattias. And, look, Pablo, he's got good for

the massages of the feet, for the reflexology, because he's doing some massage in the patas and the patas and he's

putting enguentos, and Don Matias gets well glad to, Paul, he does get the kids, they're very

very disgastated, so is that he gotr a psaletas like a compression that had been there, he was put

to Don Matias, and Don't, man, no, man, almost with the the thank you.

Much thanks, Don Pabloito. Thanks, where's, where's the go? I'm going to the church to come here

go and then Paul, he's not, no, yeah, I'm retrace here with Don Mattias,

in what he did he's no, yeah no, I'm but also he's he's not

that he's going to be one of the victims of this family and he's he's

he's probably he's he's part of the caracinci't that we all that we

you, that caloricito, he said, and dole, Don Matias, let me, let me put a bracidot in the armory, he put the other in the other armory, and there he was caminand, and Don Matias, look, there's a passito, there was a passito, but, even Pablo, he's sorpenter. Oh, yeah, the old man, so long as he was a little, and he's a passito, and in the sub-bidas, Pablo's see that he'll be more the air than to Don

Mattias, and there's, and he goes, and, palpil, and let's, and, palo, and let me get, no, we'll get. No, we'll get, yeah, we'll get. "'Yes, Don Matias. "'And, de' repente, "'in two, three points, "'that Don Matias,

"'and he's got in those "'one t'allie. "'For that's, "'Ondtriads, "'Camina, "'any, this sir, "'that, "'he, bruto.

"'And, well, "'se' got "'Don, Mattias, "'and he's, "'he, "'and he's a little. "'This type, "'and he's free, "'and he's crue,

"'and, there's "'and, there, "'and, there, "'and, there' "'and, there' "'and, "'and, you know, like the a fire of

20, 50, 100, 100 meters, there's a little and then

Don Matel says, oh, Pablo, I'm here I'm quite, I'm

and he says, he's so you get to do you do you know,

no, you know, you're but wait a little before you say,

you say, the where you say, of the there, of St. Christ

oh, look, well, I'm so I'm so, Don't Matas, I don't

have seen? Yes, of what part. And yeah he says the house. And yeah he says who is his abuel, his abelowel, his papa, and his mom. Well, I know to your abelow. And Pygmino is very

friend me. How no? Dilley's a salutes, Don Matias, when you see, go to Don Matias, but we'll regis'n't come to, you're going to do you mind. You're going to do you, well, Pablo, enter, bye and pass at the misa, he'll get a little bit of a bit, son Matias, is

well, Can't get a poor Pablo, know that that night is there will pass there to be there to be

there to be in a little place, and then when comes out of the church, I'm a little bit of

a little to get some to get to a little bit, he's a more, go to don't Mattias,

and then is he's he goes, well, who's got, he's sit in a bank of the

place, he's he's got a dormied there, like a person without a

not a money, not you money, and the people of and the people of the municipal know that the people

are going to do the mandas. So, as he's not those be suspicious, those are quite, and then they're still in the

morning next. And look, that the patas and they palpiting, he agarro again, as a soul that's going to

get the rhythm that he had the Don Matias, no, he'll top in any part of the way, and finally he gets

to his house, all the time, all right, until the day because the day next, because the day

And then they And then they say, O'ye, for favor, I'll ever a person major, he was a

costadito grand part of the day, a little, he'd be he'd be much his spaces so he's

that he was to be being a much time, and he said he said, he said,

he's he's entusiasm when they when they he's he said, he'd get to

you know, that's a man, when you're when you're doing the mando saludous, Don Matias. And where I hear that

Abel, he said, no, Pablo, no me is doing those bribes. No, me say, man, no me ever said, man, I'm sorry to that you, and he said, Abuel, well, me he said, you're a good of you, that's a little bit

, Pablo, Matia has been made over a three years. No, you're saying that. And so, he's to go and he's, and he to get to the quarter. And when I hearer, he said, narrator,

he went the same to my my abuel, well, I go with my papa and I say, it's very Missy, Don Matyazes, is the that's the one that's the one that you've been to see, and the house, they're in the mojo

Negro, well, I'm going to go to the narrator, they're in the noonio and they're the photo of the Lord that I top in the way, cackas, and I'm desmayo there. And with this

story, dear family nocturna, we've got to the final of this offgata of stories. So, so for favor, family nocturn to all

those who came to give me, what was the story that most they just. And if you get this here, subscribe to, give the

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