HABLEMOS DE LO QUE NO EXISTE - Reunion macabra 4 - SABADO DE SOMBRAS DOBLE

Episode Date: May 31, 2025

querida Familia Nocturna embrujamos Spotify, aquí les cuento como estuvo...Y les cuento que la Fantasma no queria que terminara su historia en este Sábado de sombras y nos tumbó la transmisión , pero esta guerra espiritual aun no termina, el jueves les contare esa historia completa junto con un montón de historias mas para que tengan un jueves macabro.. recuerden que el lunes estrenamos episodio y el miércoles subiremos la platica secreta a la plataforma de audios largos, les mando un abrazo y les deseo dulces pesadillas

Welcome to Family Nocturna to this Saturday of Sombras now so in Saturday I'm please I'm

please to the family nocturna that's coming if you can confirm that all

can't just say it and I just say me say if all it's it's

good because because because there we're we're there

we're just the time we're a couple of we we're we're

we're revisando. It's all perfect, all perfect, the family nocturna. Hello, hello,

hello. Very well. Now, so. For all those those who are new, that is the

first time that in this in-vibu, welcome to the Sabao of Somba. Let's

go to all those who have been here, or have been in Sado of Sondras,

it's on the I've I've stories, and I do you, I'm

I'm Sv' Svrave a a lot of stories that are going to to get

aterrower. They're stories very those stories very those but I'm I'm a

little bit of the audience, I'm tell you talk about, things that have happened both in the

team of the other on the channel, as things that's things that

have passed in these times. We're going to the stories and at the final in

the last five minutes, I'm I'm the podcast as the

pesadillas, like the Correo, where they can't send the stories that want them to let them let's get you

this. I'm going to ask you, first you have been going of this Saturday of Somas and you

and extranav as much, please, then like and revising that are subscribed to because many

people who are the family nocturna not you have done that not they're not seen

that's subscribe. Recurred that the subscription where you subscribe to subscribe

it is gratis. That no have any cost. So, subscribe and

then the like to know that yeah, that you're this Saturday of SOMbers.

Because I have to tell you have passed a lot of things in these two

times, since the last we've we've as the many of you know,

but many of you know we're not you know, we've the first

Meet and Grit, the first reunion with the family nocturn

in the We helped with the logistic, us helped with the place, us were this reunion. Why not was public?

Why not he was invited to all? Because Petit Comite, was a group little bit. And that was going to manage to Spotify.

It was totally in their logistic from their algorithm and some questions that they were so. So,

we've got to the family nocturned. We've got a group little, as a group Union.

For 30 people. And with those 30 people, it was a good good.

But let's have to say, I'm to say that's the initial of the envibos, but in life real,

no in vivos, not more of Sabaodas. There's fogatas in vivo. We're going to

start to the next month, we start to we're going to the places and where we're

going to present. But, but this is the part important. When we were there

when the family nocturn, I I was very emotional. No, I was going to expect.

No, I was going to come up to come up really. Really, here in the cabin,

I'm used to be used to front of the camera, a lot of the team, but not is the same

in the whole color. I was very emotional. Something that I was that I'm that the

people who were, that were the time, because it was at the one of the time,

a day, many of they're they're doing to fall to work, they're to ask

a time and They were in certain difficulties to be able to get there apart,

Amen, of the traffic in the city of Mexico, my respects, dear family nocturned

of the city of Mexico and the state of Mexico, it's a barbarro the traffic.

It was a thing terrible. So, dathes these circumstances and these molesties

that are to take to to go to this reunion, I wanted to I want to do you

want to a record that were a reunion that said, no, no,

no, no, or as a like this colleague Argentino that revisa perfumes is

spectacular spectacular that was something like that you're like that's that

so we did we've made we've asked that if they're that's

there and they they're they're they're they're they're they're

they they're I'm I'm I'm all at the the long

of the next month, we're going to start with the fogatas in vivo, for that we're going to be

going to be going to the show. But, before that the family nocturna, at the

offices of Spotify, we were talking with a very good a person that we

have a person who and we know, we want us a hand them to Ari,

and we were talking with Ari and directly and they I'm in son-de-brom, but

between broma and a really, the fact, it's a sombre. A little bit in a song of a but also, I say, I'm a little bit a disculpe

adelantada because they're that when we're going to start stories, pass things raras. And she

starts to read, understanding she's like, are, so are part of this show, no?

And then then it's the relato of stories. Me, they're a part of

questions about certain episode, certain history and how occurred certain things and

well, well, there's there's a lot of all the do you know, or as a

time of this time, one of you said, chismosa, chismosa, you, I'm a narrator

that's a person that you say, so it's so it's a lot of stories

paranormal with all the family nocturna and there in the middle of the

this chish Arii bolted with a person of the of the pesasillas

and he said, to be, to be the stories that he's he's really,

and if really in that and the child of my team of my team,

and they say, they're we know, because it's because we know, not,

not some not more, also, also, so, not it's so,

so, no, so, so, so, so, no, the chica of the

team, and the he says, no, the stories that we're going to know, the histories that are the truth and what are the

thing that's, that's true, that I mean, I'm the impression, that's right, or there are others that that are the

that they're that's a person that if what's a person, that if what's it's done, it's too, it's too,

it's too people that's miscuited in certain them things obscured, or in certain things subrenaturales,

know of this. But the rest of the people, no. So, no, we don't know, we don't know, we can't know, but what he's talking about right, are anecdotes personal, are things that we've been able to and this chick, she gets to be a sustar a little. SIGE the reunion. We're

talking stories. The family nocturnal, fascinated, we're going to take photos. This time, we're going to go up the photographs, and we going to be there a little of this in-vibu, because we don't know, we've got them, for question of privacy. It's the equal, when we have those in-vibos,

I think that's, I'll have some exception, we'll try to be something for the people that were. So, when we're going to, we're taking all the things, the family nocturna has been gone, and this chick, Ari, gets

running, and he says, no, it was a that's things when you're stories, and I, no, so they pass, no, so because, but they're going, and me says, narrator, Paso

something while you're going stories. I'm I'm many years working here

and the chick that's he has more than five years in the office

and never ever had never had never a but I remember the

lastable but embruched Spotify and what what you did was very

good in the sense of an anecdote also good in the thing

that not very at the final are friends and, as I've said not used to this type of things to people

because they're getting nervous but it was something. There's two people. One person is being called

to serve like the tent-em- -pie, a little like some some little commoner, that's,

that's, that's done to all the person who were a show and also that they're there to

be there. And there a person that's encargated to accommodate all this food.

There's another person that's encargated to accommodate a lot of but also

I'm a question of food. They've had been accommodated all the ascentos

and the person that was like the way with the assyions is a other

part of the officein and the person that's encargated of all

the catering of the food and he's to get to

get getting getting and they're they they It's just termina, he'll

they've they've they've got. And then he came, and he the name of the chica,

that also he's not doing, so he's the he said, and he said, and he's a voice

out of the, and he says, oh, yeah, for what you you're doing the chica, and he says, what,

what's, no, no, no, no, no, no, no, no, no, no, no, no, no,

no, I'm saying, that's that's that's making, that, and the,

and in front the the She said, she said the cellar that's paid, the cellar and the cellar and then she says, no, I don't you're

talking, well, here I'm saying, no, you're saying the cellar in the bols, and the Lazang surgelley, Pucance Molyne for 15 minutes.

We're like to dojo, ready to play. Vivie the pleasure with the Ojo, the casino in line that propose the more recent

machine-assoo and the game of casino in direct. Profited to 50 tours on Big Bas, Bonanza, without exigance

to miss and with the payment instantane. Hey, I got gained. Woo-hoo! Sonture the pleasure. Play-Ojo!

18-year-depos only, Excluent in Ontario. 50 tours gratu, on the machine-a-sub-Begbas-Bonanza. Depos minimum of $10. Veil to be in a way of a responsible. The conditions apply. Biennue at board of Via Rai.

Embarked and profite. Embarked and celebrate. Rigolet. Publied. Savoray. Amirate. And profite. Via-Rai, the voice that we love that we love.

It's markando solo. And so, he's revised the bolse and said, I'll do it. it was in the offices the offices. The offices were in the officeines were

not. And at the front of the officeines in the ultimate of the bankos there he left the

cellular for that when you were doing the movement no it would be

to be the box and not so it then it was a there

and the cellular and the cellular when they they're getting this

and the the lights that are the people, they're to be the stuff all the

day, but sabrooos. So, they're not to tell us this situation, and we're we're

we're saying, and we're to part of me and of the team, a disculp but they're

just like, but we're just on the podcast. So, so is that I'm to tell

this situation, this anecdote that we're there in the en-vibed that's a little, something

but the sufficiently good as people say, this

was too that's too also I'm saying that in certain

moments I was I in Spotify me aparted and

in those moments those grave bra various platic secretas

those platic secretes are to start to start of this

Miercoles, every every week we're to start one, they're super macabras.

And, let's say, that these these Platica secretes not going to go to

the other with the subscribers on and they're and they was a and it

was a because it had been that I had seen the that's that's that's

on the Spotify only are they are because we have we're

we're some let's said this. Family Nocturna and after after having told this

anecdote, say let me for favor in the comments because I invoked the family nocturna that's

make a make in the comments if we did we a fogata in-vib you,

assistiries? If it is so, put, a fiegit and of what you're to be

being in the comments from the when we hear the family nocturna, and

who's I'm I'm I'm I'm we're we're because the

stories that I'm so that's macabre what they see them perfect very

very all the all parts oh again what's that's it's great

from from the people people of Moreoleon of Montclova Chihuahua

Ecuador Argentina Peru Costa Rica. Oh, in Chile, Colombia, Guadalajara.

Very well, Famine Nocturna. Preparate because this will be very good. But now so,

thank you family in nocturna. More a little we're going going to go to

going to be going to be the kind of the mecanic of these but, but meanwhile

that we're going to what they came here. Histories macabras in this Sado of Soms.

The first is a story very strange. A story that I have told

in some one of the first things in the ambit paranormal that I me

moved my interest and my curiosity and I had a doubt that the

day of today I I would I say that really actually

actually there really really can be there after that

simply the life is a case for each one of us and it

a debate a debate from from the point of different from different

of different but we all we know that that

really that is what what what in the thing

in the part of the case is paranormal because no no

has an explanation rational or not an explanation that adier to the connoissements scientifics that we have in that moment. There's a chick

that she had a a pego very very strong in a sense positive with her mom. They had a relation a lot, a relation in which were

great friends, not only only mother and the second when this chick has about 25 years, her mom

is. I don't exactly what is, but during two years are battling

and her mom and she's going to deteriorating. It's going to that the

year that the she can get to get to get to the cost a much

work. If it's he try to do it because she has

something has a she's a especially the connecta

and is to maintain beautiful your She has She has She has

To go to Go ahead and Go ahead To get a About the Plants, It's a person

very very beautiful But well At the life is the life

No, never has final fun And this On

not a final But the final too, the She's not but not disconsolated.

He had been a relation so close to her mom and had been there in tantus moments that in the moment in the moment in the parted, even she seemed as she felt like a little, not for

her, but her because her mom and was always intended all, the humanly possible if he had made made so, lamentably

the infirmate that was going to that battle. This chick this is a repent, she

really and in occasions he's a lot of and he's going, and he's

y'clock because he has a man, he has a heart, but it's something that's a

not going to occurrary her mom in the body physical, and he's not he's

going to get to do this and he has a dream very strange.

You want to do the child. the chica interpreted that

a dream as your inconsient. For that's a story just a mind you

know, he's not a inconsient saying he and it's a new a new

she's a eyes, she's in the sun in a garden enormous

and her mom is there and she's there and she see the

she be the signora radiante bonita very very very very

She was like many years after. Joven, full of energy, felice, calida. And, well, they're in a

conversation little, and she said, Mom, I know that I'm going, but you can't give an

little a brazo, but calid, calid, calid, and he said, me encargared

these plants. For favor, let me and you don't be and you're just year

for me. I'm still this chick that when she went to when she went to like she

said she is my inconscient is my inconsient so I but thank you

I feel that I'm a lot of a lot that's that I'm having to my mom

was a and it's my mom me said my mom let me let me

get me then then then even I'm I'm I'm I'm

to take so and so so so a year a

year complete. She was a little, she was a little bit. This dream he was in the heart. It was for her. At final, it was her mind. And a day, he's entered of something very very, very strong. Certain subrinita of her, is very, very, very infirmita. Yeah, have

tried various things with doctors. And she, she thinks very very, but for situations of work, no can't go to visit them, but has many want to and he's going to

visit them so then you get to get to do this when I'm the house

of the house of her but she's a vehicle a vehicle that

is of color rogo this vehicle of color rogo never

never never never never he never never there

no there and she she see afuer in the car of Be to her mom,

vestida like in that the garden. And then he starts to peg to get to get to my my prima,

mom, help me. His mom came coming and he comes to come the caro and he

says, I'm with your sobrinita. I'm with your sobrenita. I'm

I'm just I'm with she. When you when you get you're when you

do you be to be done. But that take see the indications

of the doctor. And she is getting like, okay, I understand, no is for me this, he moved the

head to the head to be a sonned at the sobrinita, the sobrinita and she and she was

going to the house with two people more. So, sobrina they're going to the

house, they're going to the door and they're a and in this

she this chick she gets that's so weird. Oh, no. My head My head

My head is playing ideas At the day the day the day

has the time of his the father of this sobrinita and he said

well Primo more and he said I need I need to

talk to yesterday I'm going so Iyer yes

yes in the last yesterday we did what what

did you we asked a doctor very very very of the

family that we're to visit with Sonia and he went in the car

and then this she said it was a car rojo and the man you

see how you know no no tell me what so we said

we're talking with him and we we said we he's

you know we we're we we're we we're not

then it was someone for someone for with your voice. So,

then the doctor us gave a good diagnostic. I don't me know what we're going to because we're very worried

for my little bit the house, in the reflex of the door, we came to your mom.

And we we're just we're doing. And this chick, he said, Tio, if I'm

there was a man, I'm with you know, and me he said, that they're that's

that's still taking the that's that all going to do all

And the Tio he says, but why you say this? It's very difficult to explain to

explain to tell you. It's a thing that he's going to make a way to get a lot of

six months after my sobrenita was perfectly and I me made clear that not were

my dreams and my mind. Really of some mom not was

contact and us was talking and us all right so so

so so that these relato, the menace oscuro is this, but it's being a theme, a theme interesting, many said,

and in some of these stories that me have been in contact of life, after the life, that that's stories, as these stories,

as they're in the carouset in the heart, that's a lot of their families. I think firmly that

that's, I think, in the skylo of the gats, or, as we've been a, we

know, we know, we we're going to get to the silo, there will be a roncito, playing with

many other or how it was he pursuing them and mordy them because Ron was so.

But well, family nocturna what's this first story because at the

from here there's things very those very those and scabrosas mire the

the next history has to have to with a thing that is

very very very very very it it's that in the

theme that has been with pactos and the people are the people that are used to make

to make sure that they're going to be you know, so you're you know, so you know you're

not you know, many stories of persons that form part of families of bruchos,

that form part of a generation in the that they not practice because

they're rumors of things horrible that they're to their to his antipasas

for doing this type of practices. For so we're we recommend us about questions of obscurantism

and of practices as spiritual, medias esotericas, better take those precautions. I'll say, you're going to

my family, me preoccupies my security, me preoccupies your health, and in the camp of the

paranormal, many people that are that are that are these practices are people that they

are with a security tremendous. But the reality is that all is experimental.

And we've known that that a bit of they're experimenting with the people.

Like not they're not you don't be going to pass nothing. And you

know, you know, you know, you know, you know, there's a child of the family

nocturna that is a story that has been with her about her she

she has she's that's clear and that for the problem and right you're

you're going to you're going to you're going to say every in his creencers every one who does all we're

all we're all right but under these relato there are risks that there are

risks that sometimes not worth she she said that her was a old

was very known in her ranchito for a curandera had a certain

don the she was sobba the person if they'd give us and impone

the hands and some people had said that they had had been given and then he was

doing a question that they they'd they'd they'd a little and dulcements

and marries and this this she was like questions like of curandera to quit

door to make money and then she'd know that maybe not was

not was going was going to a a little more, if he was

he He had so he started services of endulz services of arres,

and then was the thing was making a little more choncha every

more services, every things more more those this

chica of the family nocturn me said my abel

my my little a little a little a person super

amable, the bea-shrie, like if the heart had been paid, like if the person not were so important for her. He important

the money, he important the power, he important to be able to do things. And every bit he started

things more riskosas. One his of her, that when was a little,

was very rebel, she went to the house, and he was the city,

and more, 10 or 15 years then, then you when I'm a

little the family he's got the world because is the only that he vener to

the Santa Morty. You're talking that in the house of there statues,

there were statues, there were flowers, and all and they were a question

of culto. The Tio was a bigo. Because, because they were

they were cars very very different and they were they were

they were a few hours and they went to there. Then

they said that the tio of that was a dark by the Santa Morty and

that was getting his money a year. One day to my and that me took

to live to me he he found like a having a little

a little a house he said he said to someone he

said exactly who is a rancho a little but they're

there a pair of caronet that are parts like of the municipal,

of the municipal, they're in the house and they're in the manned as a little bit of

a little in a hospital and that same night fallece. The problem is that when they do you

the family and the family's that's a lot. And I me made much of

a hospital to visit the family because I don't want to see a my tio because I

not had a real time because I had much much he, when we're to the hospital,

I see a vibra horrible of my mother. And my abuela, the only that's saying

in the other than to say questions like, oh, oh, poor of my and we

know, we're going, we're going, that's that's on a past, or she,

or she, she, I'm a free, and I said, I'm to go to

get to the statue and the quadros, have the I'm those

quadros, I will be able to do things. And the family they said, the other two people, the other

brothers of the person, the way, my, he's just to do you. What's the thing?

He's what I, he's, and he did it. I need to me get to get to go to get to the house of

the house of the man. Total that that same day is go, recoged

the things. No, he was no one family. Nobody wanted to

to the person and less to the car in the car, as all the statues,

more for the use that they had done. Finally, this senior, it has been to the house of the tio,

simply to do it, or see what they're doing to do it, is a lot to the house.

Ropa, if there, maletas also. The kitchen, is all, how he

had done this man, the badsura, well, a disaster, because

so he had done, but there sign no any any of any any no,

all the all the all and other things that could have in that house,

someone to get a woman, to know the she was the abel. To the little

get a little bit of distance. The abel starts more power. More power,

because it's getting to get to get to pay more money, and it's to come

to get to the people, and how you know, the form a way simple, the

placas of the tamalipas of Sinaloa, of Sonora, the city of Mexico, of New York,

when, once only only were to the little, and the people that were to my

man, you know, now you're talking to person, and then you know, and out of

the house, a lot of people. Well, narrator. One day, the people came to

talk to our house, because we're those that we'd be those that we'd be to say,

oh, yeah, your abuela, you're my I go there, my father, my papa, my

my dad said that's there's a there's a thing, there's that it's where it's

and I'm my abuela, grita, but the form in the that you're not of a human,

not it was a person, I was like if it was a, one of those mehaphone,

that you have an voice, and it was a voice like if were a beastia,

like, a botural, a grito horrible, of much, much, much, much,

much, a lot and noho. And my papa and come to the two minutes,

he's a minute, he's a call an ambulance. He said, but who need an ambulance is

there? Call it. And then he said, narrator, no cabilabia yeah, Papa.

Keado Kew, blockado. I don't keep in talking more to be a becino.

There's a new a new person with a caronet the the best the person

suffering much, because he met the the and with fear, it's all the way, it's all

the part of the carer of the carer of the carer and they get to the day next, she was going just the day

and they let them to me, alhens me, I don't let's I ferece that I

never did that and other the salaried, and the my abelita, for the amazes of the day

the day next was the statue the the statue, the quadro and

we don't know we know. I'm my papa that when he went

there. Who he was who they're so we used that you used to

that he did a way to be the same because he had things, I

said that that's things they were that they're so family

nocturna things with that they have to have to care things things

strange in the city of Mexico when we did we

have a person who was a story that was super

macabra we made very uncomod to me and the

team we we and he he is he in

these questions like of the family, you know, a murder,

a murder for a specific. And he says that all the initial for him,

has a year and a year and the time. It's getting to your house, and then his house,

that no a type of crystal that functioned as a little, when he goes to

get to the door, he gets to introduce the key and to get

the a look at a look at a woman Anciana behind him and says but with a rock

a woman a actress for a other or a other or a person

common and a current I suppose that was someone doing for a a

work or something I'm so I'm good good times and there's

no I'm that's I'm I'm I'm I'm back

to the other I'm no no no I no there no I'm no Passed two or three days,

I'm in a center commercial, and of a moment in the moment in the moment in the way I'm doing on the escalaries,

in the part of the road, I'm looking at the way in front of the escalars to this woman. There's a woman is

a major, it's with many, many arugas, and it's a real-cuitated a, a pill that

did you know a lot of so. So, the type of rugas and maltrato was notable, the

the and this person had a rostro like inexpressive like if if it was like a

but the eyes very very cargated this chico is up thinking he will be to say you

to say you to say you're and then then in some moment he distrae by some

rule and at the look at the there's there gets to

the part of every I'm I'm I'm a part of a part of a

manner, a senior anciana, et cetera, et cetera, et cetera, nothing. And, and you know, is an actress.

And he's using prosthetical. It's a type of mask, is a peluca. So what did this woman is,

as it's, as much things in internet, she quit all the things, and I know the

thing. It's a problem. I'm sure that someone at me around me is a but the

When two or three days when he comes getting to his house, his has sensors of movement for the

inside, especially in the entry. And when he gets, he tends to bring that light, and

when it's to turn to that light, and it's to know what is the house, because it

has to work to do you, it's these types of videos that are like that's

where there more light and there there's where it when it's when it's when it's

when it's so that's and out out of probably not I've had preended

like the faros mercuriales, the faros that are in the car, but it's a need to

see a little, and there's a a second of a sustadish. At the point in the

that's not to make the house, he a police the police never never gets,

finally, he'll he'll be a pair of the people, and he's he's

that's that, you know, to go to the house, I don't know how he met you help me and then obviously I don't

do you want to do a person major but no, no, no, no,

not you need to get to get them. The two two people bring a two people,

I think, they were with intentions to do not they're all they, they're in

the door, and total that they they're in the house to cab

to above, above, quarter for quarter or so, they're

to do things like like the almoas then, then

the sabbas to the camera, to be the closet, and a closet

microscopic, things of that type, cests of a boat of basura grand,

they're in the house, absolutely nobody. And this this chico

is an person. And he said, a narrator,