HABLEMOS DE LO QUE NO EXISTE - SABADO DE SOMBRAS 004 CASO HUMBERTO

Episode Date: March 3, 2024

humberto tiene un 75 años es retirado y tiene un secreto, puede ver fantasmas desde que era muy pequeño y para pasar desapercibido, ha tenido que inventar una serie de reglas y normas Y hoy nos comparte algunos de sus relatos más impactantes. Historias de fantasmas, demonios, sombras y entidades del bajo astral

Famine Nocturna, thanks for for accompany on this Saturday of SOMBASS. Before to start

this episode, let me let me the reglas rapid for those who are new on the

Saturday of Sondas. They are very you know, when you hear the story

that you do me know or that you do you get you and

if you do you doves this Sabado of Sondras make

to make to make a message that say, narrator overbe

to the fourth Saturday of Sombard also if there

was a story that especially you'd let me know. The stories that me

sent the past the some are people people

that are part of the family nocturna and for

circumstances we very personal me they said they

did that would have a way to identify

them So, so, so, I'm going to the case of Umberto and the case of Ingrid.

I'm going to first a little of the case of Umberto. The case of

Umberto is a case that has a quantity very great of stories,

Dado that Umberto have a secret. A secret that has been a

secret that has been less of 10 people know this situation that he

is practically from the people, these people to have revealed this secret, some of the

one of the day of today of today has 75 years, is a person retired, and the

major part of her adult he was being a master. To be to be normal

with the people of their entire type of regals that had to be learning

lamentably by the entire of the end of the error. And is that Umberto has a

particularity if you you're not you know there would have nothing disintive would be a

person more serious amable in occasions calliated in occasions in some

mismised a person human any doesn't he doesn't a roba extravagant

you use a normal not is to be to the more than the day of the day

of the we're talking that's a person major and he really

his life he's to be a day of to be a peace, tranquillity, and if you

don't have the minority of the other can be phantasmas and those can be

absolutely all the time and this has been something he has been to learn

to learn to learn to live from from from that he

knew that that that that's an person that's he was

nobody he was not a imaginary the first the first he said was in

his more his more his no he was he was

so he was so he he's in the house of

his parents in the first house that he he

he he he he there an an man

he was a very with the man. This anciano is very serious.

No, he says. He's not he platic many details, but it's very amable

and it's calid. Umberto comes to a generation in the that to talk about

not the not is the normal. So, so it is strange that this person

not he really much. What is he does he is that he doesn't

he has to the other there some communication They've always to

their recamara and if they're something to discuss, they're talking to do you. But never I've seen

that they're doing directly to this anciano. And in occasions, are many hours

that this time, the old of the room of unberto parado, without

more than more than him. He is a little for him simply that's

the life. Not it was, but it after several years when he

a album familiar that he saw the photographia of the anciano. And, as you can imagine it, here no any,

a turn in the trauma. He was a family of him had fallen to last 10 years and he never knew.

It was, it was, that the father, why was he? Why was he wanted to him?

Who knows? For he didn't any transcendence, and it was a act to

he gave a fear, only he just he that the other no.

There's a there's a something in the experience of Umberto. He no dudo of

himself. No, he's not he was he did a count that more well the

others could get to think he was a little so he had to care.

The day that he talked with his mom and he said mom, you're

in phantasas his mom almost he has her really

a he said, if no, he liked that they were talking tonteries that not of God in the house. They were other times. The things were more crudas, and there were

much tacto, and there were many times to talk about to talk about. And it was a good or the bad that this

type of actions could cause in a little. So, more a lot of just that was what was the person.

He knew he knew that he knew that he had to be to be called. And he started a series of

regals, because that anciano was the first of many of many experiences

that he did the the stories that he said, he said,

he's made to and they're going to be part of those that's

you're to be elaborating a series of and he was elaborating

a series of a lot to this that for he didn't

even there there was doing, he was doing, but

we're like any person doing one something during much

time Umberto was gaining experience and this experience he was

to know that he had to learn because the other because the

other he perceived and they and they and

when was the adolescence were moments very very

very because the the other in the second and the

preparatory to his their spades say that the loquito the loquito

that he was and it is a very much in the secondary and the preparatory, be a lumbus

that had died in accidentes in the plantel and those be yeah like a man, not present

attention as to see they're a different or if it was another other time

they were another other another and when they were they were the same

they were the and they they had nobody was they just

he to him. He had to them. The other no, no, that's

a tap that's a major he gave experience. And he he was a little

and there moments. Moments that these were having as a matis very important.

A moment that he recall a strong, very impactant was the first

voyage in carterter after that after that he completed 17 years.

Why this age? Because he said he said he said he was a little

something when he was 15 to the 16 to to the 17 that

that perception of these these of these phantasas of these

phantasas was it had agudisado much it and it

every every because in occasions those I heard but

not those occasions those be there and when when when I looked to

see them when I know there was a part of the partadeo and after the partadeo

and they disappeared them they were the eyes that some of the suns

and all they're and then there so umberto when he's 15

or 16 well these these these these they do that

that now they're that they're that they are

that's that some And the year next more, much more. But when

he was 17 years approximately there was a long of a carreterer the voyage more terrible that has

been in his life, a new a voyage that he he left spantado but

we get us the he's the experience he's he not he not he not

he's living he's living a life a bit a bit and

he no has idea of who he and to talk to this. Then he, he's,

he's learning to survive, to survive, to be able to that he have. In this voyage of

carretera, he had learned for this age, that with his papas not was good to

talk about time. He had to be able to be called, he had to learn to learn to

and never overrexonar to, maintain calm , tranquill.

If that that sombrae that was aubber of the It was not good that soltar

a grito. His papas were to think he was a lot of and who

know that they're not a that they're not a time, they were a tunds,

what would be a more more more than then the way in the

he was he was he was he was in the ascent in the

second in the two ascentos that were where they were

his mother and his mother co-p- -o-o- and

he was just in the She was sitting looking only on the and it

and he's entertaining mentally he was and he was going to repas the

newas things that was being the and also to

say the colors that the and that so

that's that that a time for that many

many many he he was he there were moments

in he had to to hear the conversation of adults that no interest representable for him, well,

he simply was he kept viewing at the and in this time and in this voyage, of a repent, he begins to

see that in the carterterer there are people there are on the front of the vehicle.

And he is overreaction and he is going to get a pat, papa, you're to get him

but no. His intuition he said, not you know you maintain

you're keep he's he was he was a vote observable his

his he was being distracted his him that's that

that's that's a sign that he learned to to

distinguish that's when someone not he he see

a person he he was a car he was

a around people that can be the same point.

And when there are people that are just there in the same scene, and the same pedacito,

that zone where is that person in middle, and nobody is over-saltar. He, also,

he doesn't be to be over-saltar. And much many times see, pass carmion, and then

the carmion had to pass, the person was just and was understanding with the

time, but not he was prepared for that the journey of six hours would

saturated the carterterer, All the trajectory, just in the part of the center,

to the side of the mountains. These people, and not you have a idea incorrect. He no

saw a terrible. He not saw the people deformed, deseches, accidented, maleridas.

No, no, no, persons commones and corrients. For so they was

confundia. For that he was made that they were not a person

to do to do to them. Because they'd like a human more

more palid or more more more than a person more.

It's so it very difficult for him because they're

people were people and then this time in this time

and he was discovering things of his don't and

it's a maldition simply is and it is

and you discovered that when those observed and the

miras and cross these things they were to be able to be

and I'm saying because he was that he was he was the but the

people of the school he supposed that had fallen he's

he said he said the and the an an

man that he had seen in the car and

he was a man he he he he

he he he persons or were persons or some more more religious has heard of

the sky of the life of the infirno of the penes of the no he's no he's

no he's a muchucho and he's a man who he has that he doesn't that he

that's a carterter he left this great a great

under under no circumstance you you're you have

a oversal you you learn to not grit learn to learn

to listen and never you never cruises the mirada with

these entities because if you cross you look and he

was discovering that these entities are some some

they just they just they're just they are

able and find their peace or simply just

not not not to be here, because he has done that they're anclad

in some how he's something that's something that he doesn't know, but in the way to the

carreterteras he cruised with one of these entities and he saw a beautiful, very beautiful,

very attractive, and when the van you, not because it was just at the carterterer, but at

her, they crossed those their eyes, and when in the vehicle, to turn to

the door to look at a sombra just to the side of him. And when he went

for complete, the chick was sat down to him. And he said,

help me. He sent you a scalof that he recorrew all the column.

Because the following of that the little the little the little

she said help me, help me and he said a lot of things that day

of today that he did and the carreter was saturated

of people that all the time they were in this instinct

of fear of because they were at point to get to

someone and they they're to have to control

to not say not the situation more traumatic

that had had been and was being and

must all the time no you don't beas

not you don't see you a situation that

he was marked for always but this type

of situations They're things good and they're things bad. Crosas

had to learn to learn to many of attacks of anxiety and panic. Cosas

good. I'm going to maintain the calm. After of that, never nothing

was so difficult. Salvo the three cases that I'm to tell that he

he made those are the most difficult of those that he

top but before. It's good to to be a little of the

environment, of the environment, of how it was this context in the he was there.

He was that he was that this situation that would be not it not

did it that the other were thinking that he were a person not

he were to turn to be a person indesiable he he

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And of that I'll continue to be able to be. while I do a brief pause we'll let us two comments and do

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The Pesadillas Where can you Can't make your relato Now, now we're 700 people Family Nocturna

Thank you I'm doing the case of Humberto because it's tremendous And in the comments,

tell you what is this episode and if me is listening from platforms of

Apple Podcasts Spotify etc Ben to see to you do you do

the narrator Soverevive one Now continue with the story of

Umberto. Umberto has this family in that he he has traumatized because never

never, I think he and nobody would have been prepared to live in a way correcta or

without terminated without some of that's kind of a lot of a phantasm

that is asking to do not know to do not be to be your

father because your father's just in the ascent to the and if you see that

you're doing something this is going to get very much and

see a carter and then things that are things that are people

and that all the instinct of your your instinct of

the and you get in your in the interior

tell they they are to get to all

to all that all I'm I never ever

but that he to have to know that he was acquiring experience or the

things not going to end up him. He wanted to be a person

normal. He wanted to he was he said a type humble,

a type that if you see you know, you know, he was not distinctive

of the other. He he was and he was he was he was

he was he was he was there was a a priest that was

the father adriano the father adriano was a father a

conservative but in a humiliation in these conversations that the

those are in the misas and they start to talk about

or they're reflections he mentioned to the animas

the purgatory and mentioned to the phantasm so

he he he he wascow, he wasco a space, he and he

he wasnta that the father Adriano so he had a lot of these

and he had much aperture so is that was the first person in his life

with that he he was he he was a couple of

a few so so to go and so he was looking

if he he was going to think he was to think he was His papas

were of character strong. So when yeah had much confidence, he was going to open the and the

father Adriano he said, yes, since the day one that he was, that's peculiar. He said,

not you, you know, you, you know, you, present you know, where the

church, and they're, and some zones where in some moments I've seen that

there's and he said, people, people, are, some, are people,

no, no, people. I've have seen here in the church, anciano, nines, that no

make noise while they're others that are in much time on the people, other who are doing the

head at different points like looking to cross the mirabed. I, I prefer to be to

crosser. And he he's the father of why. It's that when they when they

when they the eyes, then they're I'm they're to me

They're still in my house and me in the transport and me they're in the car. And they're

going to and they're to say that they're but I'm going to help. They're not

they're so, or no see what are the part of I'm not to do it.

And the father he says, no, look, what you have you is a don.

And if God, you know, so do you know, do you do it. And do it

with the father, do it This father was teaching to to have to have

a time, to think, I'll say for the people that people that are this

channel is very respectful of all the all the not not it doesn't

make a not not no no we not we're

we we're to the history, we're to the we're to the and these

are the so umberto and umberto vivio this with this

father he began to to discover calm tranquillard, another form

to be this he was living. Because after that moment, it was a lot of

stress, it wasia to get to get us to get us, so imagineatel it. Definitely not

was a greatable for him. And thanks this interaction, he was he was to be

with other eyes. Not like a superhero of a movie, not like a constant

and not like a detective, or a detective paranormal, no, no,

no, no, no, no. Simple and simply simply, simply, and it was the person is that

the father this is that with faith, with devotion, with carino, but also also it

because he was in Umberto the possibility to to put to let us know what

Synergia. Here I go with this. Some years after the

father you have an amistat consolidated, have had are no,

no, uny-mugre, and they're all the day and they're in all the day , you're in, in they're going to be there with

their family and say the really, as I have a little time to know them. They're not much time

to know them. But I'm really good. I'd like you want to be a companyarro to the invitation. He's made

any sense. If he's he's never he's invited no, no tacco, because now he's inviting

a scene with an other than a person to a gouto had had his mind a little

developed. So, is that decided to the game to the

other, but I'm the invitation and the time, when it's the

place, from the he was, something, that's, he's, he's,

take care, when you to get to the places that that's

that's that that's that's that free, that not more

for the temperature, it's that that's that's that's the

when entered in that house of those friends of the sacerdote

that the free that he percied the time. There other

other thing he have in the point when the

people get to get to what what he

was to that a person and is a time and

he was he was he had to conserve the

calm but also to have been to be there about there about there's a

about it because he he had notated in the past of the years of the correlation

when one of this is going to present a sometimes the temperature change when one

of these a sometimes is a very time here the people people

are involved voluble so they put in locus so

so then umberto accompany the father, Sient that frio

and they're in the center in an ambient very amiable when the when the

thing, the the wife of this is a very molesta for a situation

very little a cubift that came to go to the the

and the she has a little a manas to the person

so somame so much so then so Umberto says

here and he And then he regress a Milder, a complice, to the father, as I understand that me tragist

for something. So is that Umberto pede the bano and he starts to try a little and no,

no, no, he does it a time. When he he says the the little, the child of this matrimonio

being continually behind the table. And when he's being the behind of the mesa,

not a that he identifies perfectly. He's going to the going to the

sense of the time. I've been in that situation many many times.

It's for a moment. Deja that the situation is the

father takes the batuta of the conversation and then he

and then the thing the thing and Sandy Raphael

to have Umberto is of the Confianza, Diggal us, please,

what is going to your and they're when they're when no conversation had been

to be with things paranormal and natural there and it was there was where

he was and he said, my my my little says that's

talking much with her about your abuelita but her his old year

and she never had never had passed nothing but has about

two months we've not we that started that conversation we've

found talking about in the quarter we've encountered and the

and we know and then the the the sardot says

well well because you do not we we're

we're we we're we because we we've because we've noted

we know we've notated that we know that a

has not also irritable he has a pain continuously and he there are

things that I'd like to be in front the need to Sandy, Sandy's

he's parr, take the she take the little and he says

he has he has on the laparer has in the back

and no, no, no, I'm does the impression that that's

that's that's that's that's If I wanted to mist her When my mom She went, her favorite She was, she went.

She was a little A little is a little bit of three three ain't'nitos, almost four He said, she'd like her He'd like Not, not,

I'd try marks Marks, where they're doing a pain And then So, while he's listening that,

Umberto, he gets He down of the mesa and what I see there, not is anianna.

It's a woman. A woman that for first knows that has something has a little eyes violetta. And these

eyes when they're in the scalofrio ispantos and she can't that you've been this voyage of carterer.

And, he's the eyes, he's to guard the calm and now he's

that's that's that's he's to be the o'id, but he can't

make perfectly and not he preste attention. No, know what he wants to say.

But he does the sensation that this woman is a man. So, the father

he said, Umberto, he says, Umberto, all right, so, yeah, yeah,

don't, no, my curiosity but not they'll have a photographia of the and the

man, he gets being in a way, and he's, he's he,

he's, he's, he, he's, he has any photo? When

he, try and the photographia, not is the same person. It's talking

with someone more, the little, then the little time,

a little time, they're in the conversation, and during the conversation,

Umberto so he and he he says, the he's the person that's

behind of me, is your abuelita, and she and she and then then he says,

with that with a tranquillity, he's a and he's the conversation the father he says,

he says that he's not, he's not, No, Inverto, is not a peshting,

a lot of and he has made a try and he has to do that he doesn't do he,

he what he is that this type of things not happen, so is that in a situation

very incomodod but also is a good person and he has a need to

And then the conversation, salemned the other and he says father, if there's there's a person,

and it's a woman. And you she's a woman a woman, a man, a man,

the skin very black. And something, and I'm saying, no, he said, I gave

scalofs frios. And it's a presence that I think that's a bad. And the

little is her girl, but no is her woman. Yeah, I've got the photography and

no is her well. So the father he says, how you know his

old is a old and he says, well, so, so know,

so I'm not know, but to the people that I see,

those that I have been probably normally are the people

are in life no can be nothing. And I see the

photographs when yeah me have to come on some on

those are there the person that I've been there there is an anianna

and not is the mother of this little a woman to be more a person a European

is it is all what I can say what I say the father he said with that

I'm that's not exactly what you didn't exactly what I'm I don't

know I'm I'm he's I'm I'm to go to this

situation and I'm and I know and because because that I

I don't know. The father I had helped with many things, but this was something was a little bit more so forth. So, he was soltando the fear to the situation. And in various occasions, we've done

to offer to me. And the father also me helped me and the occasion in the case, in the he asked you to the sastardote, is one of the

situations that most marked on Umberto. He, recordemos, in what I have to say, in what I've

to do this scene with the The sacerdote, the pastorate, the Padreadriano, has been a good type. Yeah, I've seen a

kind of a ability, his ability, his don, can be to help a person to do the redundancy, but, well,

he, he, he doesn't, he doesn't, he doesn't, he wants to be this situation,

he wants to as a person normal, but also he's a more experience, and it's to make a

more of a commo, that's to know how to start these situations is

is all the person so in occasions have collaborated. But in this

in this entorn of Humberto intents to putt there. Imagineate that you

perceive is something that you can be able with a much that that

that that you all the long of you have more that you have seen

a many people of school maestors people families

families of the friends etc. Only one, a one, a one

one one one one one one of the time

and you know that you you're going to be going to

do you don't you so so so so

so so it would very very very good

that um Burtu was in those he did

pass and tranquility places in those that for a

moment could disconnect of this don, of this situation that he'd and he discovered a

coffee. He discovered a coffee that was a strange. It was a a cafe. It was a

coffee, I refer to these places where they serve in coffee, that's more well, for many

other parts of the world, are like bares. They're also they're also in tempis,

appetivos, comid, patios, not so all the little, platios, and that

place had music in live. He not a person that was not a melomano,

not a adept, not he had a good to the music. But that that was

a music, had a magic. Not were the colors. It was the sensations

that he had. From the one in the he was a little

and he made a way for a way, he sent you

something and then someone more he recommended. Since that

he was going to was close, sent you something a little little

something. A out of the coffee, it was a combination of

emotions, peace, tranquillity, nostalgia, and a little of a little

more. But at a energy a little an energy

that only that has a had to a

person's a lot, and a light, that are like with much energy, with much aligre.

So it was a combination very little usual. Apart, he had distinguished and it was that the places have been certain energies.

But never he had touched a place that had a combination. Especially that nostalgia

and his touches of the stress he resulted strange. Entro and when he comes,

he gets that free that You know, that very probably there is there is

something. But no he does fear. It's different. Differente because Umberto

no is an investigator and at the 75 years no is an investigator. No, he interests

and he has a information that's no. Umberto what has experience,

what has are experiences, and what has are ways to survive to do this with what

naceo, that no knows how desactivar it. Then enter to the coffee.

Sient a frio that he has ever has lived in some some of

some there's but no fear. Sienta that combination of emotions

that rare. And that combination of emotions it to

you get to sit sitate. Sientate sitate you listen

the music and it and it and a

And then, it's not a extra in the scenario where is a man with a person, and a person

can't know, he's a soma from one of these cartinillas that only were in adorn,

because the scenario practically not had had a portas of the and that

was because they were because they were almost the frontos to a

a man, and see a and he he's here he he

he will say he when he he he not is a being a real

very strange he's he a person he may a person maybe he

never he he he he he he he

he he a he a he he and

he and and when he is this is what you're what you're a little bit of a there's a little

a phantasm of a and then then see how the scenario is asome now a little and when see a little the little

they're at the other side there's the other there's a little little there's a other thing that's a

idea of the story of this place. You know, why there's two phantasm of two people in

this place and there has been has been in places that he generated a

sensation so desagradable, so that he is able to his instinct. And when

that sensation desagradable is there, he, he's there. There are there

there's when he doesn't, apart of that he has a moment, that's

that you feel, that the people can't in a moment, or other, apart, of all this, it's a

pensive of things, it's piscime, let's get that in your mind is that voice that's it like I'm Bato Bete Bete yeah

but here after there are two children no see nothing of that and so and so

his instinct no he says bette to the contrary has so is that

he's where is the barista or in this case no says in a barman

he he gets and he has brought a because the place not

there And she put to to talk to and this person is a m'en and they

start to start a and they're that person has a many years working there

and know the story. In that many years after the dwean of the

building of the building was a accident very very tragic with

the details are of more simply and simply simply I'm

simply of the accident only he just the two two

the people were a little and a young of an little

of a minute of the description. Umberto no to investigate more.

He, for him, those are those are doing in that ball. And it's

strange. These these are the first that they need to help me, help me.

Simply when crossed miras and they were the people,

the they're he's something that's something that's and

notice that the kids are in the bar. and the

boys are from the other and the the new and the people are in the

other person are not there are not there people so nobody nobody they're

so that's that's the bar was a so was

going to always when he was when he was when he was

in presence of more phantas and more entities for

all these these these the children discovered that they were

that they're they're actually act they're like they're and the children,

they're in the people, they're in the things that are they can put

like it and it's a rar and ridiculous because you're

talking of a man that's a man who not is these

people, these and in various occasions view how they're

they're they're terror and they were and they were and they were in the night and just after that

they were to go and people to bar that were that they're with someone or with

something. Something no good no well in that bar is where discovered

various things discovered that these these were an alarm

that he said when something a malevolo or or

simply something something something with the was close. Two,

discovered that there was a little more in that other plan, of which he knows he

has talked percivibed there's there's sombras. There's sombras. Somras of different tonalities, somras grises,

somras blancast, sombras oscuras, sombras, very oscura, of different times, small,

large, somras that modifican their forms, sombras that are silhouettes of the

people, but not the silveta. Simply are pegged and in that bar

when I observe to the people and have this sanctuary he was

to pass his times simply being and he

I was that I never I didn't see that some

some so imagine these images of the aura

like this and this bright in the he was

he was if someone is a somer. In this bar,

he was to continue doing his his points and he distinguished he he was he

would be to him to him to see him and he discovered. And he discovered.

For the first case, he was that he did so fear that he did that he

did it seem to that he tiembe in the hands. And it was

something relatively simple. Relatively. He was to this bar, that you know, a this bar that has been a year, and this bar that is his sanctuary, and in the moment in the time in the year to get to this

bar, not a not are the children. Yeah I had had been to be a

unberto, acuartate, what is the priority of him, pass dispercived to be a person

normal. He was trying the when he said the temperature the air of the air of

that's put in the blood and it was to the and a and a lot putrefacto alarms,

three alarms that were there. The children not are the most the other two,

you're in presence of something that's in trying to not to emotion that I was going to

go to go to not going to not to be not to do you not quite, or they were

not in the people, so he's decided to get to get to do that's more than

and moving his eyes by the periferia and without trying to try not to not

get the attention, he was there was something and he saw a very

strange. A woman. A woman that had I had heard of

her in the news a woman in the many people had been a man not a

man, so I'm think I could understand to that maybe she

was and that that had two guard of her back

but the guard spaldas had a particular that

this woman was there was there had the

not had the good the light there was like

it was like if they were in some type of be the dark

because not the one he was a one and he didn't know that

not they're guard of the guardes of the part of the plan those

those things that were in the ones and it not a one

she enzach and ensanched and shan and ch and ch never

had seen that never had been a oppression a sensation

of intimidation that great that little, just for the hell of the hell

and he was he was going to get to he. He was in the mess, he was

doing it had learned from the carotera to conserve to have to have to be

so that the woman was he went and he went and he

went and he said you you those you can you the and the

the same the woman he he said, no you

interest to work for me. And he, without respond to the voice, only moved

the head to and she said, you know, to come in to work to be

and he turned just to go back, he he started to be to be

the leg inferior and the hands were they're going and

castaning with with the mess she noticed that was

that was a person Mwerta of Mired. And as he

he was he He said, he said, then he went to you go to look

and he he was made and he came to and Berto, he was aterrado Mired

the people of the people of the cafe yeah not so you're to be

you can't imagine because they they were that or they

had to have had to with these people. Tal-be it was the reason

for the that had had given that that's not the time. So,

what he did do you do it and it was to not to get to

that zone to get that the water to that's that's

that not took to not because three days

after there came the not not the woman

they found desvvited. Arrillo of Countas The situation is that after He

He commenced to have some days totally terrored because as getting to the house and

to open the door saw the man reflected in the video of the

end of the she was she he was he he said or she heard of

the he said to I was I need to I need to Dice Umberto that that was

the success that most have traumated, because never needed a lot of power of a lot of not present the attention.

It was a woman in a moment in the was being able to the moment of not being able to be able to have to go.

No, only the advice, something, give me a little, and he said that no he said,

but that he was done with a different to all the other and that was

saying and that malvado and he he was he said and he he had

and he he's a series of the time of the time of dedicated to

to get to this and to be in some some

processes spiritual internal that that that to be to

go to and umberto still with his points there

there there are there are there form of delimit

your space there are ways to do that not they know

I'm not sure I'm just exactly what's just I'm remember that

this moment and we we're talking about a number to a major to

the only that I have learned to be to to

continue to to to to to maintain nervous

to and thank to the perspective in that

not that this situation but But now, now is learning that not at

merced of these entities that he could do do something. Minim to delimited in the

space, but he can do something. And that's something that's something that's something that we've been

in the carterterer. Yeah we've got the first that the first time that the

father Adriano did Synergia and then this mother to J.O. And what occurred He gave much experience, but

it was aterrower. This episode is brought to you by Nespresso. Hear that? That's your next obsession. Every coffee, a new world. Every sip, a new taste. This is the new Nespresso.

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Simply press, brew, and explore. Nispresso, what else? Keep exploring at Nespresso.com. Here is where we're to go to this story. There's a situation in the that the Padre Adriano

did the services of Umberto, but it was different. In this occasion, the Padreadriano no he quissor nothing.

The Padre adriano spoke with Umberto and he said, Oh, hey, there's a family

that's a moment very malo. They're very good. Very good.

They've helped much of the community. They're people are very calidas.

The the sir is a general very a caudalado. The isbiudo

has to that a two nine's and is a father phenomenal.

They have many those are some are are very little but

are very little in this matrimony they're for to be a baby

and they're passing the things. He's he's he's got because he's really

of his wife and his wife and he's a good type he's he's even he's

he said he's I'm saying I'm not I want to you think you think you

I'd preferrower that we and not you know you don't let you not you

don't you can't you because I'm there some So what's going to So what's going to

do you a celebration there in your house and I'm going to make sure that by that's

this celebration is the excuse for that we're a there's a lot of people you know you're saying

yes sure that's well what what what happens in this celebration are about 30

people, a, a, a, a, a cent, tempest, all the

people have a little of food to do and and he. He's in the

house, he, he, he, he, he, he seems a

more of the people, he's people, and not known, of the

family. So, they're in this celebration, and he he doesn't not a

person, a case, absolutely nothing, a a house, a

normal. And in a the need to go to the when when she's going to the bathroom

this is a mother and a mother is just the side of the door of the bed and is being in front

and smiling the lady the lady very very amable the so you she she she says

and she and says you're of the members of this house and he said

she says you know where is he said you know here in this door and the

she doesn't she doesn't move nothing of your space. So, he's

movements with with the head and the hands. He says, and he says, good

nights. He's a man. He's a little the door, he's

a moment, his necessity and it has a not this woman, no, there's

no, there's no, he's a celebration. And there's a little rare.

Conform it's going, he be all the commensals that's not

doing, not so it's so rosters, but the sirs he kept very grave and he

never to see the celebration, and she's the celebration and at a point of to go to

get with the doubt is that that this she was maybe was a spirit

it's that she's the person that's in this house and for that

I don't see nothing no no there no is

the people not not I don't I don't I feel frio. No, no

I see. No, I sent that my grand bette. He's a strange. He's a question. He's got to his house. When he gets to his house, he's in his apartment, and in the middle of the night, in the

madrogada, a voiceicita he says in the o'id, for favor, help me his daughter. When I open the the eyes, the signor is just in front of him. He's a sustra. It's the first time that you look

in his house in that that way and then then he he's he's

not able to a conversation he's he's never a thing never had never

having conversations long as so is that in a part of that that person

he he he he not he may that he he

over he's over he he's so he's he got

in a situation in a certain he's he's a part

remember the training that's the training that he's always, you

know, and it's the conversation, not it's not really information for the father.

The day the next to be he and he said, I, see a woman in

that house. I'm sure that that woman not is a girl, and then he said,

and then he said, and me he said, ah, yes, that, that's,

that, that the, the, the mom of this child, is

He has a He was a year He was a very good A person And he says, How is? And she's And she says,

If I'm Sue We say, We're going to Let me Let me talk with it. The situation is

that at the house And so the father And he's The father, of another way,

is that is that is a very well, he's just just a Pernianning how

manage this situation. He's doesn't not enter to the way to

the time but not how to he's a question directly, oh, I can

you know, I'm a you can't a photo of your mother, he says, yeah, he's,

he's the photo, and when he says, yeah, he's the person to say, yeah, he's the

thing, they're, he's an , he, is an , he, he has a , he has a person,

to be a person who's he's not, he said, he's a mother, so, he says,

he says, he's, he's, is here, is here in the cell and and he wants and then

so they're so they're very much they're not accustomed to that's so and then that's

and the father also he doesn't know the person and say, but you're being an intermediary

and you can have this conversation. So, they're they're well, that,

well, we, we're, we're, we're so, so, what we're,

the the husband, the She, I know to know in some a relationship

intimate. He still in this time was in his old matrimon and they were in the old but even

a great type, he had a kind of all what for her was important. In end,

it's the conversation. Resulta that the mom has things that they

know and they and they about a person that that's having

much envy. and much courage for a despido justified because this person

he robbed a a reason of that he this man he's he said, and even

even so he does it he does it he does it he does he does not do it not do it

is a good time. So, so I'm he'll do he, but that person he got

a courage. Occurred many with people that you have people who do them

personal they're vengar's, etc. So this person, according the data, the mom of this child, is

doing the brujeria, and the brugery is being the house. So the husband, the pariah of this senior,

he has madeos to contact different types of persons. So is that he's a person, and he he asks,

and they need to be the location in less of two hours you know where they're and all. no they're going to do

know where they're going to know where it's a if he's a a manned for his family he wants to have been

a very good and then he says just to be them to let me get in my house,

that no so that's my family and if has me know why. He's

said nothing but we're we're that we're going to do something you want you're

you're going no for no, no just just after me after

after that the father, let's that the day next they're they're in

more family and they're going to start a in the house and they're to get a because

according to the mother's in that house, there's a house, but it's something that's

possible. If you put it to be to put it, they're going to get to

it's a thing that's what is the situation of the house, that so that's

the ender the ender the situation is that in the last more

the last years, I've been having been the little things in the room of the when they were

when the father or the mom of the door was the door the little the night's

but they were so little the little the in the little they didn't explain to they're

to tell you to ask them to give to when the father when the father was to do

this is this is strange because if was a kind of entity with that I have tried to

the long of my life, I'm going to this thing not this thing there's a thing that's

that you're about the and then now, thanks of the information that was giving to

this woman of this she's that she has been a year of that it

is that they're that they're not going to be with a work of a brogeria

that's he's that the next the next the the family come

on a a start on a the house and, of the one of the prims

commenced to get to get to get something. The prim was in the zone of the patio, and in the

patio had some maces where they were some places, and then a place in a place, there was

pasto, also had more more arbolitos like planted, but one of the

little of the little had a little kind of a mountainicoo. No,

I was that montic for that was that was the was the was the

was made as as if was he was, you're there's a there's

there's a there's there's a one of the guys, he's put in the wands, and then when

they're to start back, they're a box a black, the box the black the ball and

see a into some those and a lot of photographs of that family. There's

there's a frasco there's little there's the water and the people that's

people that are inuant and with the same pales and with the two, don't know what to

this, go ahead of this. He'll take, he'll have the bols, they'll be that they're going to all the

other and another after and then he says, yeah. No, don't be you know,

it has to happen, nothing with the situation is that the day next, the man, the,

the, the, the, the duke, the man, he's the contacted the father, he contact,

to say, Father, I'm going to say, I'm going to make a lot of these things. I don't

know. I'm a person that's that's that's, but I'm to informer what what happened.

You know, in the rato that yesterday was in the patio with the box, and then

then he said that's not going to go to say. Well, well, the investigator

that had said, he said, he said, he said, he said, he said, he said,

More or less is now. And if then what happened, then the morning, he's in the morning,

they're in the guy, because we're not, we're not we're not to have any to be.

To me, the day to do you have put that he has that my house in my

way of to do that do you do you do this I'm saying that's that's

that's he's he's he's he's he's he's he's

he's he you're that they were in that they were in that

they were to do the two and they're to do you and he he was in serious

and he's and he to do to the people when he has done the

thing that they've done these things, the things that that was the second

occasion in the that umberto was one of these cases of the

father adriano and he began to there more

more than just there's also the brujery and he he no, no,

he never he never in the he didn't that maybe under the person

was a person really vulnerable. So, we have a brief pause

because we have a hour 20 minutes or an hour 18

and we we're about to get to the history more escalate

more more strange that he knew umberto that the day

of today is the story that he left thinking in what what has got to

get to the day of the is so a little of what exists in that

and that exist things are not good but also

but also there things very bad that not exactly

if one once were not a so the

so that umberto he was and he he was he made a

person if he was a pre-cabid and if yeah was a person that had

a certain experience he was that he was he was that I had to

not that he was that that he was so that

was a more more more comments and he

was repas with the time that that never

was never he had to have to have to have to have

a much he knows. The little. He no. He no know these

experiences that he has been, he has he has that he can't be able to

like, he can suggestionate. He has he has a little that she heed

that he has been that he has been a very easy, part of the situation to have

been this age, that no there is a great and

small to cast us but for he, he is a he's

he's he's a lot to be in a lot of the way in the way in the

he was the he didn't say, not he didn't he was to get a a

woman with a good and they had a great car great love

and the day that he was he was he was he was she was she was

a of this type of circumstances, always you're going to to have to have characteristics. The point is that this this is that

this situation. He has he has done that he has done about those things with her. What is to motivate her

much for that she talk to all, for that she he's all the time is, tell me,

how you go, tell me, what you're what you say, tell me, and he's

he's He's a force much to talk to her because he has learned to the life to be a life to be someone more

more than a little kind of a little serious not a person a serrata but is a little bit

a little but not is the super conversator to try to be a question to be so that

but with a little she wants if she she wants he'll get he'll try

that for the eyes that for the most people even umberto no is

a chikuelo yeah, is a spendid. The sack to a and when they're and when they're

and he's a lot of and he's a lot of and he's a rio a rata and well

always, she's always, she's like to get to the park, he has to a very

good socials. But he knows that not more with that he's he's not more. Because

he's been the situation of the family and he has he has not he

not to help because he has costed much if he he erred

to get that genetically or spiritually not he he

heed to the car that he had not

people to people to that he does that

that that that that that had been that

never never had never had had had learned

to maintain very his reactions from from the

coffee in the bar and those the woman,

from the situation of the broghery, there had been situations that

bad. Until that one day, I got to be a new a

park. And they're in the park and they've a bag, a

bag, a and it had and it had to be to

come and he had a little that this little

so so he And the palomites and start and they're to come. And Umberto

see how the little, and see how little from the way, he's coming a man

a woman, more or the age of of Umberto, perhaps a little major. He's coming and very

atypical because they're in his hands a hlo, and above of the little

is a globe, all black with some point it's and he came she's

right to and he he's he's he's observing a little absurdo

is a person that's that's that's that I'm that I know that I

know that I'm not so it's too with the rostro if at some

moment I have seen this person and yeah and see a

she she put a little nervous and he he think is for

some some he'd say and he you do they to eat to do you

don't, no, no, it's you're going to eat with the food and you're

a little more and it's a not a situation. And then the woman, and he

says, to me, it's for the the new he's he's and he says,

look, look, what we did this senior, she's he's the thing,

and when he doesn't, but here there's something there's a important. The

place there was a lot of people. There were nothing more she was there many, many people

so it's that he didn't put to to work to see where to go to how she'd

get a little trying to get a attention to your she simply

the the she went and she got to the name is a can't and

not not even she's never and they're talking things

things things and he not the she's that the

she's that he he wanted that that I go with the palom.

They've got to try heron. They're trying to the globe that's tanatific. She'll have the little piece to her fourth, the coesta in the camera, he'll be there the glovito, and then, and then I said,

I'm going to prepare something to dinner. The spouse, I was going to, prepare the dinner, and she's a little time, it's a bit of the same,

to the time, but yeah, he's all right, he's sitting in his cell, and when he gets, to open the eyes and just

front of the pegated to the wall, I see he has very strange. If the

globe, I was the girl, I'm in the second piece. And I got to

the door I'm that's that's I have have been have been

and he he he's he's he's he's he's he's

he's he's he's probably and he's he he's

he's he doesn't no it's here there's a lot

here so is that so in the room and just in the

entrance of the room of the door there a

man a man and he and he and

he is and he's looking to be the

he in the the reflection when he see the

way the the woman that the the globe in the park. And there,

he discovered something. These entities can, they're to be visible for

you or not. And this woman, that, that was not was a good,

was trying to have contact with the little, and he had got to

that globe, but I was not be perceived, not be perceived visuallyally.

He astusts, but no reaction. He has no trained. Abraza the a little and he says, hey,

you feel with much temperature. You have to get to get to have learned to be

to be doing to be the father, he gave certain dotes artistic to this man.

So, so he has the little bit of the back to the back to the

door and he's the globe and then the door and they are the vehicle,

they're they're sube in the car and then then he mark directly to the sacerdote and the

he says father, Padre Adriano me urge me urge he says if me he gave a

favor father now is when he's because he's going to something

what's what happened he he said he's all the situation of the

global he he said me to come me to me to my

to where is the Padre Adriano. The Padre Adriano at the moment in the little

when he sees a little bit of the little a new a new year a medial

and when does the oracions without that they they're and it says

this me sound that no is doing or the father

adrian and he starts benditions he he he he has

a question of the they're they're they they're

exorcised, I go exorcised and he has that kit and he's a kid and he consider a prudent and he

says, do this, he does this, he does a lot of your house, go to your house and

I want that's in your and he's let's get that the thing. No

you're not that the need to be exposed to to that that thing, do it's

that do it. there. She's a car. Her spouse no had

yet. And then he's to do a lot of the house and the globe not a

way to go to the door and finally he says something to the person that's

that's that's taking the and he's my house and you're not you're not even

in my house and say and it and see doing the orations, a

door and the globe for his proper foot, and the door. The

the new thing in the vehicle. He's doing the carations. For this have passed

five to ten minutes. Sal, the the little she gets and the little

and then the house and at a little time, he gets to the time.

He gets to put nervous. The things are still there. Three

days after. During that's a second of the house and the door and there

some of the airs aromas fetidos sensation of a frio but a frio

espantoso the the little the she's in the house she's not

perceiven many that's he's the time with the time has been

a kind of so he says all all and he what's

what's and he says just just tell me if it's something no no I'm going to be a lot of

you know, I'm going to be able to do you. It's just, I'm going to be a good day. And so, and so, I'm going to see, where's that globe? And so, I'm going to, I'm going to see, where, you're going to, I'm going to see, where you're here in the entry and it was it was like

he had he's he's he's the situation that he was a thing that

that was he was doing he's I'm I'm I'm I'm

think it has been a person because those those the

many I'm I'm because were moments very many

that this is important that I'm important to understand

that was important the of your family, that that

that's or that that's he's a lot of things. The pop the hipas

the little were doing like opas, like if something was there

was that I'm that it was not that the time, and the way of a

moment, in some the eyes of his wife to the person to the

person, and it was the person that he saw the one. And the moment of

to bolt the globe was there. After to talk with the Padre Adrian and

have the assistance of him in a time in making that the global

finally after the after the start to be to be to get a

back to the family of the situation and all

and all it when the father he gave a

medal in a was something honestly I not had

heard of this type of ritual and he he said he said he was he put it down to the

head in the house, he has a medial that put it down to the and at the

moment in the he put down to that was that was like this type of of the

broadches and had a little he had a when it was

when he put it under the car he was he was he he was

he the part of the crystal, obviously the metal, no? And then she left her, he said, and the pastor, and the other,

he said, yeah, dimes if they're to pass things in your house after this, and he says,

you know we'll have that presentia there, but that day I discovered that there was a little

that was a not a good. And then be the day of today that they are the

humans, good and malos. Fantasmas that in their bit they're

doing it and they're doing now that they're not in the people, but phantasas

that during the life did they did they did they're much and now they're

they're doing but also there there's some and it and it

there's there there other and this is the case of umberto

that he had his 75 years and retired I he was

to the tomb without all his experiences so

so umberto where you want to that's great. I'm I've

had to have been the confidence of the question to give us to give

us part of your story. If you can the more experiences

are super well and well as there are

that are that are to be to know and this

for a nocturn come me what you tell

you this Saturday about I know that I'm

is listening in platforms like Spotify, Apple Podcast, Disser, etc. Also, also have enjoyed this Saturday, if you just, regressensens

to here to YouTube and put an narrator, I'm done it to one, or I've evered to survive. Number four, the case of

Umberto. Now, I'm going to learn comments, and you get to the part in that I'm

talking a little bit with the audience, I think to get to the episode. So,

If you is that, let me go to the super chats that me left. That's great. Thanks for much for the support. Thank you.

Thank you. I don't have any words to thank much to give me know the family nocturna. The respect

with the that borgone these things and the carino with the they're to me and to this

project. Much, much, many, thank you that's and who want to be part of

this great family. You manned a super a brazo. And, well,

here, Stella Garcia, thank you for your support for your supportation.

Much, much thanks for your donation. Maricella Martine's, that

Barbara, thank very much thanks, thank a super abracote. Vanessa

says, Saluda narrate and all, thank you great, thank

to be a summer on other on those stories, that I come back on my

business. Vanessa, you want to a Valient, start to

this in turn of hospital? I would do it. The net is that no,

but Vengah Valient. Now we're going to let us to learn a part of

comments. Tell me before that you have been about the comments that us all.

You know, this Saturday of Somras. We're two hundred six persons.

If you get to the final of this Saturday of Sambras and you

and you got it for I give them to like. Now

if there there was a story that especially you'd getcha to impact or you do it

know to do it in the comments and terminated to this

sabbos for favor partel this video for that can get to

more people and that more people know that they can

unes to be the group of the public of the

website, I'm to form part of the group of stories ined and in this

group of diffusion of WhatsApp. Simply me mandas a message to the WhatsApp of the pesadillas, that I

just the last I'm going to answer and I'm going to be sending you going to do this group of

time. Now, so. Ultimate commentio of the super thanks,

says for here. Lorena Rendon. Lernerner, Rendon. Thank you

for you, for your family, the part of the family Lomelie, Rendon. Much

thanks, thank you, Mando, Mando, Rendon, thank you me a super

Brasote. we're your few and followers from Texas Ah, that's chido a brazote to Texas

a brazote Lorena, much thanks for your poe. It's for here incredible

the case of Humberto how difficult living so, I think that like all the

things when you have a experience in that in your environment that

you're to be to help it's complicated or not

to be to be not a really is a Umberto, I think he was tombo

to learn a way, uh, but I'm going to learn to be, I'm a old old old the age

that he has been, no, I know I know in what he never about like some some relato related to the

case or or all not create that certain things like that they're going or at a,

to this situation in that he was he had to go to get to get agaranda

experience and to learn to and it and not be perceived as a

person things of those that he had to have done to have my my

I'm really I'm really I'm a lot of a recopilation

of the regulations and they're these are the rules of there's there

but these are those are that are so I'm to know to see

a place this can have something you know

and there changes and things and the with the Mention

Fria. Cubre your eyes in the carretera, yeah we know because

why. Revisa that the other also them see. I think

this situation is this is a thing. If you see a person

that's a point to be a attack and the other doesn't

you can you can you can't see the other person. Because in the

situation as the the global for not not woman, he, he, well, received

something that he was able evitated. So, a little there. And then we're going to

learn to how to ask that he me comment about that he he said, that the form of

introducing these things, not be to so direct. Because if is very direct, it's very,

it's very, very, very, very, very, it's very, very, that will

be the story, the ultimate story of the day of today of but before

we're going to do a little pause I'm going to get a question of the comments that you took a little

about a talk about the WhatsApp of the pesadillas and we're going to let us say for

here from here from Agata Ramirez Agata we're not I don't know if I've

read the you've been but yeah Agat Ramirez says for here Saludos my narrator Agata

you I'm a Bracette a gauta How good to be here. What good that's with us

that's a good way. Much of thanks for so, Ceree. He's by here.

Juan Manuel. Thank you. Juan Manuel, thanks for your support. No, no, I don't

make any message, but I'm very your support and your carie to the

manned a super, super abracote. Dice for here, of Isabel

Camacho. No, there's a super like. Thanks for your support. Thank you.

Thank you all those to all the can donations, with those

this is something, is something. Recuerre that if you're on the Saturday of SOMB, and you're

just being a good, and you're just a screenshot, or take a and then put it on Instagram and it's aqatame because it's

a good to know, in where you can't be you're doing, what is the endorne in the

you're going to reposte in my stories of Instagram. And I pass to the last

commentio of the ultimate super thanks of Jarendna. Yarenda, thanks for your support.

No, I'm also a but you send a super abrassau

and the and the chat, says, hello, I'm from the show

I'm addicted to your podcast, I'm from the first episode. Wow! And I'm

doing a marathon. Carolina, what honor. Thank honor. Much thanks. Yeah,

yeah on the day of today. No. I don't see if we just we're not

on the 170, but I want to know that are 170. Are more of 200

episodes. Some episodes are in in vivo and others we have in Chronicles

of the narrator. What chronicles of the narrator is already in pause? But we

going to start the second time. That's about about 10 episodes.

And well, those, those are also part of this universe of the of the let me

know, in chronics is the interview to the father Luzon an ex

sacerdote, well, a ex-exorcist and well, I'll the last the last question to

the WhatsApp and say, I want to see if you'll I'm sure I'm a pockis-y's-yuls Well, I'm very much Figence that

has to there's a there's a question that's the resistance and the resistance is that when you've lived much of

something, I've seen many stories so the body resistance it's it's a

very doesn't no generate the same reactions so so

so I'm so circumstances, et cetera, no, not even not much but independently Family

Nocturn, you and I, we have a good. We're just in the stories of terror. And this

last will be to be to be to start to this history, I'm going to record

the WhatsApp of the Pesadilla that is the M. 52, 851-

3-7- 6-7-7-5-4. One more, more 52-8-1-3-1-6-7-7-5-4. And one once said

this, I'm a tracito of water and we're going to the

last we're in let the question. We're going to the report of

umberto. But before, let me to take water because this

is to me to make the back to the case. Um, they're

saying for here, let me first super thanks. You've seen my

vasito of little for the narrator. It's they say for here

permit me a second I'll read a super a comment a super thank you

and two comments more and we're the conchis Moreno saludo

a narrator from the bigas a manned a brachis a

thank you for your support your support your and I

want thank thank for so for being this

this time in this sabbos we pass we He says,

Hello, me fascina your content. I'm listening to work. Saludus and good things

from Oklahoma. Isela Camacho? Much thanks. Thank you. Many good comments. Much,

much, thank you. I'm going to last commentio. But before, tell me,

you're they're just going these stories. They're just the case of

Umberto. And we let's see. Ultimately commentary. He says Saludos estimated

from Las Vegas. And I continue the similar with the family of my husband Veronica.

If I've heard many of those comments about the same about the family of your husband. Well,

a brazo, parents, that are very well. Very well. Now, now, so. And,

before to continue with your story, I'm going to pass to the comments, I'm to learn two

comments, I'm going to talk a little of a little a little bit of the

WhatsApp of the but I would like that if for this moment you have got to give them

let me for a like. And remember if you get you get you get a

narrator, I've got to see, I'm on the fourth Saturday of

the Shomras now now we let me I'm there's

many super chats say by here uh uh

hello you see I'm I'm I'm I've seen this

you're I've Melian. Stella Garcia, a brosote for you. More abhito comes here.

There's a adriana, no, here's there Rivetta. Dea Lenor. Yeah, Tia Eleanor.

We've in-vibos. Audeau, a brosote. And I think that I've read it. Abrose.

Silver GTC. Also, thanks for your apportation. Much thanks for your donation. You know,

thank you. a bit of for I'm I'm I'm I'm going to get to

turn to you know you know you you can't you know two of those

comments and then I'm the WhatsApp of the pesadillas tell me what they

is it is about the and he says for here

I'm I'm I'm I'm I'm I'm I'm I'm

I'm I'm I'm I'm I'm so maybe but or she, but

you know a super abrasote. It's the last. Yeah, I've got super like and I'm

very much a bigail. Decho, yeah, terminating this video to those that you have

liked this Saturday of the SOMras, and I'd very much that they'll share to people who

know that they're just things, because with that we're to get a audience, more audience

can know this project and so the algorithm us also the we can't expand

and growing and we're growing up this year this year of this day of this day of you,

thank you to the family of and we're going to learn the last two comments and we

pass them to the WhatsApp of the passadias. Dice this Marrador

Agata an abratory abrose um said also from

from from I'm my second in vivo my love

the Svars the If you like those sabbos of sombrass

and like, for favor. That the next, we'll be a

little we're going to be a little we're going to have been but I'm this

every time. Finally says, I'm back. I'm don't I'm

I'm I'm security private. Lorena Franco, I'm I'm

a super braus to do a They're saying, for here is a interesting

the story of Umberto. What's up that you're like this is going to be about your stuff.

You're going to get your stories, you know, but I'm you know, you know, you know,

you know, about the other things, you know, let me an orientatedita. Because when we look we

from the WhatsApp, you know, you know, you know, you know, you know, where you're that word

that's a power of the case, we can't get to the family nocturn us

get many histories during the time. So, so by the way is the

time, we can find our story, the most rapid possible. And now

so. WhatsApp of the Pesadias is more 52, 801,

81, 35, 67, 67, 54. It's again. More

52, 81, 35, 67, 6, 7, 67, 5,

4. I'm I love the stories that they have done. I'd like that I'm

going to be that I'm in the number of the number of the money, so Monica, much

thanks. It's simple. If not let's have been a line, an asterisk

with a sign of them to that's for that and with that's also for the

you're not to get to to do the channel to do you let's let me talk about

and the things that not happen in the channel then then I'm a message to

WhatsApp of the Pesadillas and from the link for that you can form a

part of that's now now. Now, we're to be, we're

going to continue with the story of Umberto Thank you.