HABLEMOS DE LO QUE NO EXISTE - Sábado de Sombras | Desde Toluca
Episode Date: August 30, 2026En este Sábado de Sombras desde Toluca, te cuento historias que la Familia Nocturna de por acá me ha contado y del susto que me llevé por andar de curioso. ...
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How are my
dear family of nocturna?
Welcome to this
Saturday of SOMBORAS
in the
we are
in the
Fingense
that today
we are
doing all our
intents
to able to
this Saturday
to
our
We're
in the
few
I've
in Toluca
today
today
so it's the
so that
so many
those who are
any of you
any of you
is of
Kretaro,
still
are in a
time to have
their place
in the fogata
and we're
going to be
this night
because the
stories are
going to be
good.
Of course,
if there are
people
that were
in the
presentation of
the
public,
do you
not it
was a
goody
the images
and some
of you
could have
them
because
it was
my
very,
there was
a
there,
there was
some
many,
very,
very
very different.
So,
well,
you
are
being used to those presentations.
Dich one
this,
dear family
nocturna,
I think that the
day of
today we're
ready to start
to make a
direct with this
Saturday of
because I have
various stories.
I have to
tell things that
started
to come back
to do that
in the
show.
That's a
little,
my garra,
that is the
garra
that's the
carer of
the channel, and
is the
gorra that
we're going
there.
And remember
that we're
some,
camis,
garrs,
and all
that so,
for that
they can
make of all
these
little these
little
insignias
of the
family
nocturna
that's
that we
do we're
not in
the next
family
in the vehicle in the
in the vehicle in the
I was moving
to the airport
I did a
great thing
because God,
God,
he had no, no,
no, no, no.
That was if
was it
was a vehicle
enbruhated
of a
manned to
he had
left to
all the
whole of
things.
So, I did
a limpeace
and all that
all that
all of the
vehicle,
and just
when I'm
to go to
a person
of the
person of the
equipment,
in the
center of
the cajuela
is a
rosario,
and I
me
Ked
so.
I'm
fanatic
of the
Rosario.
I'm
really.
It's part
of a
spirituality
that I
have done
many.
It's
very that
on occasions,
I do
do you do
and it's
very a
time.
It's very
time without
the rest of the
Rosario.
And in my
last time that
was the
last I
had been
a
one or two
months
after,
just in
my
house and
it was
something
very
I'm very extrano. This member of the
team says, oh,
hey, maybe it's a good signar. And I said,
well, is it certain, right?
Me, he says, oh,
maybe it's a bad signar.
And we're saying that we're going to
need to protect us.
We're going to the
city of Toluca. When
we got to the city? I'm in the hotel.
And the hotel had a vibrata
nothing, nothing
not
I'm not
I don't
I don't
I don't
where we
where we're
not a
question of
being
being
or generating
critiques
to a
specific it's
more to
tell them
the history
and we
we're
in this
place
that there
a
common
an ambient
so no
no not
not was
bad
not was
I'm
I'm
into the
room
and I
an
an
ambient
not
I'm
I'm
I
something
you
see that
you observe a
No, I don't know if you've
passed, that you get a
a house that you know
or you get a
a little bit of
and you know
you're not,
I'm going to
be a good.
But yeah
there's a moment
in the
time that I
know it's a moment
to do,
I'm going to
the camera,
I've been
had readlated
some of the
room,
I'm coming
going to
to the
door the
door of
the
room and
result a
nocturna
that in the
moment in
the
that I'm
the
the pressure
if you
apace the
light
do you
do you
a pass
coming
in caminam
to make
to the
camera
and you
see that
you're
in the
door
there's
a miria
I'm
a
there
no way
and I
know
the
the
of the
rosario
and I
don't
am
I'm
not
I'm gonna
probably
he's
maybe
or is
a
bit of
maybe
I'm
going to
do
I'm
but I
was
incomod. And, we're not I'm
a person that has
to have been to have
a lot of nights, no much
less, and less in the gira that
we've been in all the type of
place, and I'm used to,
that hotel, at the hotel where me
they're telling stories, because
there's a lot of
things that and things enbrujad.
Resulted that, Astridor, that
is a little bit of the
hotel in which we've been in Sonora.
But, well, in
Hermosillo, Sonora. But, well,
to what I go, is that
I'm going to do with, a
a little more
incommod,
the normal,
and then
family
nocturner.
Then,
to the day
next in the
morning,
during the
day I'm,
I'm talking
with the
team, and
I'm going
this.
And that
he was
said,
the good
sufficiency,
I said,
and I
said,
you're
you're
you're going,
I'm
the family
nocturn,
the
that was
in the
middle of the
madrued
just to
just to
me
a drama
after
me
Yeah, I put there the idea of the Rosario,
now we suggestioning.
And it's as if,
as many of the stusts,
really.
We're going to enlazar
things that not van.
And I want to evade the
the mirada that
I vented with a
look at the
bromas, but
it's really that
at the 12 of the
night,
before the gira,
if you do is
a good drama,
and he cynically
and I said,
but I can't
culp to that because if,
if,
if,
is it was good.
The truth
is that
is to keep the
tranquillity
for a,
for a
little more,
the door
was a talk
a little bit
in Tocin.
We've got to
get to the
city.
Me,
they were in the
night.
That day
was a
little bit
un-tanky.
What
did you know,
but at the
two of the
day,
I was still
yeah at
100%
in a person
narrator.
And in the
personage
narrator,
my good
custom,
mal
times and this
customary is
go and
ask to
ask them
to be able to
have seen
something
I'm
a taxi
well in a
taxi
application
we're in a
place
a place
a center
commercial
and I
ask
the person
oh yeah
and you
never
have lived
something
that's
never
ever
and
me
he said
fiat
that
not I
don't
much
about
this
thing
and I
here
here
here
there
carnita.
Here is because
has been
something.
The reason
for the
you know,
the reason for
a couple of
things that
me have passed
that no
I'm going to
do you
say, I said,
first,
first is that
how you
call you
and he says
Francis, and I
go to say,
I'll say,
oh,
Francisco,
to be,
a great
rasgos,
how
it's the
thing.
And family
nocturna
if you
had a
reason is
to not
care to
tell the
the stories.
Me
He said that during a time
he worked in an airport.
And in that airport,
we'd say the turn in the
that most movement
had, in the night.
He had to be the last
turn because the majority
of the companions
no, they'd be,
so he'd say, there'd be
pagoes very, very good.
You could be exposed to
some things, but I'd like
to be in my people, then
to me me'd go to be.
but one day
to me,
I mean,
I've been
said,
that my
auto
never ever
in the
level three
of the
stationationation
in the
we're using
to put
all our
taxis.
And I
go and
I'm going
because
that day
especially
was very
in the
airport,
I'm
more
the
time to the
little
I'm
going to
go to
go to
go and
the
process
that we
we're
in the
airport
is that
I'm
I
I don't even the base of taxis, but the
that's in the door of the
Puerces, the person
in cargated of the
ventas, they're going to be the ticket,
the person who bought the ticket,
and I'm just there, and I'm just
directly to the stationament
and in the stationament
suben their things and
they're back them. When
they've got a lotetas
I'm in the entry and then
as, as it's, as well, I'm
recognize, I passed for them, but in this occasion,
they've only a mochillas.
Some, like,
if a backpack, a mochilla at the
back-a-the-spal, no been charged.
So, is that I said that, for
favor, we were
then to the third-pissue of the
stationation that me accompanied,
and then we'd go ahead.
And then we went to
their domicilio, and it was
perfect. The person, as
were from a voyage very long,
approached to start
the piernas, they'd
I'm talking about. I was just about
focused on what
my, very
amable.
We're going to
get a
sussed.
Because where where
the door
there's a
two or three
meters ahead of
us two
columns.
They're the
number of a
letter and
a number for
you know, but
you know,
but the
columns are
very close to
one of another
and it
a caronet
but nothing
more.
And we
see how
it's a
new year
to
a place to another. And it's
very strange.
Salus,
narrator. Thank you, family
October.
Standing here
only, one has
to feel to be
to be in a company. Well, no.
No, no, no, it's, not
not so much. After me
are playing, brawado of the
equipment. But, well, the point is that
they're going to go
a little, the other.
The rope of the
new is a stationationation.
Epoca actual.
Has one, two years.
And the rope
of the little bit of the
white longed
the cabello
very, very
large and the
form of
to go to
it's a strange
apart that he
is a
back in a
stacionationation
make the
he says
he's a
little,
he's normal
that's a
normal, that's
a child of
and he says,
no, I'm
to hear,
and they're
a little
to soyosar
and of the
soyosos
and of
the soyos
brinked
directly
to the
yantto
and it's
I'm a year and I
So, then
So,
then this person
to say to
that the
that's
being,
you're
you're
you're
where are
those are
your
and I
see,
and I
hear
how the
yant
so I'm
moving
going
and I
go and
the two
people
are
behind my
walking
my
vehicle
is five
meters
ahead
is the
only
that is the
only that
the
way that
and we
see ahead
and
we're
we don't know we'll
and then they'll
and then they
say they'll
say it's a
a drama
I think that
I think the
of my
team would have
done but
but the reality
is that he
was going to
be able to
most of
the assuptoos
to you and
me said
narrate
I'm a
bad
in the life has
been
that's
well no
no no
no
no I'm
because no
I'm
but
he said
I was
I'm
I'm sorry
I'm going to
the
vehicle
and I
let me
let's just
let's just
they're up and they're like to mitigate the
MEDO, they're going to
go ahead.
We're in the
and we're talking about
and I'm talking about it's
like, hey, I'm,
how can't be,
and I'm really,
no, it's a drama of the
and still
I still say to
tell you're not,
no,
the fact,
they had been
that not
in the third
piece of the
stationationation
and not
they've been
said, because I
think is for
this.
And the two
there are
they're going to
they're
saying,
no,
for you to get you.
And I'm going to
discuss a little
not in
a bad plan,
but if you're
a bit of
a lot of,
you're not
not working.
And at the
final,
it's a
little bit
a little caldialed
the environment,
but then
it's relax,
we'll be,
and I'll
let me,
I'm going,
it was a
career good
and the
trajectory
was very long,
the pay
was going to
be a good.
And when
those I
go to
the domicil
me ask
that,
please,
I'm,
please
you know,
and then
you'll
I'll leave a
Fiesta.
I said,
this is a
great.
I'll do
a coer
extra for
a tariff
yeah,
I'm
saying that
they're
that they're
not having
any
problems,
they're
they're
they're
for
anticipated and the
quantity
it's
totally,
I go to
the
first,
I'm
on the
Fiesta
I'm
back,
I'm
back.
Me
got a
lot of
the airport,
not they're
not
time it's
so much
they're
so much
they're
to go to
other
type of
taxis.
And what what occurs is that simple and simply
in the way of the regis, I go think,
with yes, good money, and I'm going to go to
get to to get to-do.
With this, I go to my tour and I'm going to have
to be over-sobred.
And I go in that when I go
for a zone of pundes,
in those that you have to
get a loma,
you're going to be
down to a pente,
you do, do you,
do it's a circuit.
But it's a
one that when they're
very well illuminated,
that not is always
so is something that
it's something that
it's a little
de-standed
you're a
because it's
light,
sombra,
light,
sombra,
light,
sunbra.
So,
you have to
be very
atentto
because if
no, there
are accidents.
Of course,
the yaman
there,
the curve of
the devil
because in one
of those
curves,
after all
the distanteo
of luses,
much
they're
chocating.
There I
go,
I'm,
I've passed
many of
my
house,
and where
And where I do one of the curves,
for pure reflex,
I see my spejo retrovisor,
and there's someone
in the middle in the ascente
the back.
No is any of the person
that I'm doing.
A kid,
a guy made the car
very grabada,
very delgado,
blank,
of lenses.
The child
is that he
has a,
a trage with a
corbata,
and it has
an aspect
like if
had the rost
too much
a lot of
a bit
very pensative.
I still
advancing.
Me,
I know a lot
of fear because I
know that's
a person.
In any
moment I detue
that's
because I've
never got to
get to the
door,
Icelerer at
instant.
So how,
how can be
that person
there?
And in
some moment,
me arm
of valor,
bolted,
and still
there,
and I
don't know
and I'm not
believe it.
And I'm
thinking,
God,
God,
I'm arm of valor.
Voltao.
Now,
if I see the
ascent,
and where I
turn to,
I'm going to
get to be
my house,
I've got to
the taxi,
and I'm
two days,
I've got to
get to
get to get
to get
to get to
I'm very
and I'm going,
and all of the
people,
to see,
to the
people who are
to the
people,
the type
that was the
person,
I'm going to
that's a
little to be
with that
But it's part of it.
Yeah, no dure much time in this
work.
I'd have been
a good.
So,
I mean,
I said,
this is too
is too good.
This is what?
So,
then what was
what was what
occurred?
What what
is that
is that after that
they're in the
center commercial.
I go,
I don't,
I don't
do,
oh,
so,
how no?
How no?
They've
to know what?
I'm
fruitero.
I like
the fruit
there's
there
there
there are
a part
of fruit
that normally
like in
the time
in my
day-a-day
and it's
manzana
red,
of the
that is
so very
very,
that's a
one or
two
a day
and a
sometimes,
at some
at some
some of
some of
some
sometimes
and other
other
thing
the
blueberries
that is
the
mar
blue
so
so
then
then
I
I bought one of these
things
I was I
was I'm
very happy
there
coming
very
we're
going to
the hotel
and it
starts
the question
of the
show
or more
well
to start
the
question
of
the
show
when
in the
time
when I
ask
to ask
to
say
there
not
there
there
some
of
some
some
there
there
there
there
was
a
person
that
me
said
here
in
Toluca
there
There's a lot of stories.
Me, they're going to
to tell.
Those are they going to
to have, but
something like,
something very concrete.
And me,
and me says,
look,
for you have an idea,
to where you
go to do
the route and
the place to
go to go to
do that
there's a
there are
there are
there are things.
And I,
in the salon
where we're
in the salon
of events
and me said,
no, in
the sotano,
there are
there are
things.
And I'm,
and I said
if it's
a man
that's
I go and I said,
A bit,
that's a
look, that's
a little bit
that's a
thing, and me
say, no,
it's in serious.
It's in
serious.
I mean,
many people
have seen
to see to
the car.
There are
people who
are in the
vehicle and
before the
so, then
then they're
getting the
car and they're
the car and
they're saying
that they're
saying that
they're
a little
and I'm
oh, that's
it's too
well,
just we're
just we're
getting to
this zone
where
is the
presentation.
we need that
zone of the
sotano
me
tell a
little
how is this
area
no,
well I'm
so you
go to
so it's
putting
very well
very
ambiented
for the
show
for the
presentation
that's
the
time
the
start
very
pretty
turning
and
after
all
all
all
I'm
I'm
knowke
I
know
I'm
so
I'm
then
directly
to the
area
to
to be to dresser me, disdraiser me of a
human. And there in the
zone of Camerino, my
dear family,
I'll, and there's
a subject that is part
of the people of the
place, I'm trying
that's all the
place commercial,
and he gets,
and he's going
and he says,
I, you know,
I'm saying,
and he's,
he's just-occuped
here, for
to be doing,
like revisions
of, it's
a question of
infrastructure,
but not,
I don't let's
give much
data,
because I think
not,
no,
no, it's
a question
of infrastructure,
then it's
a person
encirled to
like,
of all the
infrastructure,
of the
building.
And he said,
yeah,
I, you, yeah,
I,
I'm going to
do, I'm,
I'm sure
that's,
sure,
that's,
well,
the mal
custom,
family
nocturn,
no-s-
know-of-
and-
-s-pire-
and-
-pare-
and then
he said,
oh,
the pure
casuality.
nothing more
for not
to not
you
don't
have a
story
something that
you have
passed
and me
said
but what
what to
I'm
sorry
me present
I've
said I've
already
I've
changed
I'm
I'm
stories of
terror
things that
I'm
all
stories that
have
with
with
fantasas
dhous
and
andes
all
type of
questions
inexplicable
or
paranormal
and this
person
me
He said, no
me
like to
talk about
the
Dijal
the
respect,
no,
no,
no,
you know,
just a
question,
and me
say,
why not
you don't
do you
don't
we're
not, we
don't
you need to
talk about
the
thing?
And me
says,
because when
when you
when you
about
you,
you,
attractes
those
things,
the
malo
and a
And I'm
really the attention,
because,
too,
if decifers,
the
words family
nocturna,
he's saying,
to me
me is passing
something and I
don't have
of those things,
what what
signify,
here,
there are
stories.
So,
I'm going
to insisting.
Tampo
I don't
want to
not to
not
not like
to make
a bad
a little
but
how things
pass.
And then
he said,
you
I like these
these
things
and I do
do
I'm
dedico to
tell stories of
I'm saying
I don't know
I'm a
I'm not
all the energy of
the people
not all the
time
I need to
I need
I'm
a condition
me
my mind
my energy
and I
see the
energy around
the people
and I
see
with colors
and I
did
okay
you know,
that part.
Why not
you
don't you
don't
talk about
that
because
even when
only I
see the
energy,
commensan
to happen
to happen
to occur
things
there
like,
and me
he said
that
his mom
was
that was
so,
I'm
I'm
I'm
I'm
don't
I'm
that attitude, what
he
really
with
that's
a woman
was in
that's
that's
that he
comes to
say I'm
was horrible
was
a very,
was
a woman
was put
in questions
of
a
first
as a
consumer
and
a
consumerer
a
problem is
that is what
I
have
said to
much
to
take
care
with
what
is
one
one
is
the
good for
something.
Another
is to
do a
certain
activity or
a certain
thing,
you know,
to try to
bring benefits
to your
life to
direct or
indirect,
sport,
diet,
etc.
But there
things that
what you
generate is
a false
satisfaction
and a
great
dependency.
And that's
a problem.
It's a
question
important
to present
attention
because in
things that
have
to be
with
spirituality
and things that are of the type, if with spirits,
are subtle.
They're soothed.
And, of a repente,
resreo, of those things that you think you try in
felicity, but there's to you,
if you're just to do you,
but you're just so obsessionated
that you're all around.
The mom of this subject,
yeah was a bruise,
after a certain time.
He was a 100% metied
in the questions of brugheria.
And,
And as being in the questions of
Brugheria, what
occurred is that
he started to
change much
her personality,
at the point
that they've
started to separate
a little.
She,
I don't know
if you
had from
before, but
when it's
very practicant,
or it's
all the time,
but when
it's a
separation,
then it
then he
starts to
have seen,
and a day
he says
his mom,
I want,
they're doing,
man,
who's
who's,
man, who can't
do you
to do not do you. And she said, is that me
made some of the enemies and me
want to do you. But, Mom, what did you?
Well, I'm going to do. But, you know,
better than her, but yeah, they're going to
various. He no
was the word to be.
But, after that day,
to form a sumamente extrana,
he commenced to have seeners lucid.
So, I thought that was in a
room. The abetation was completely
obscure. No, there was a one
or the window, no,
they'd be in the textures
of the textures of
or of the
piece, but he
was there
was there to
be in front
to him,
as if there were
a lot
hidden, it
was a
person that he
never in
his life had
seen.
H-hous-
men, all
men.
First,
was a subject
that had a
bigote
long,
the color
black,
he were
with the
and the
type of
the type of
more or
than the
70 years,
chaparito,
vestido
with a
Rop Waker and as a
Cometo, he's
Acerca and he
He says,
you or your
mom, but one of
two is going
because no,
he's
he's going to
talk in the
dream, but
this no
occurs, no
doesn't,
and this
person,
he's just
to say
the forms in
which are
to part from
this world to
and they're
pure things
cruel,
things horrible,
dignas
of a
movie
100%
World.
he is
listening
that
he's
he's
he
doesn't
because
the problem
is the
recurrence
the day
the day
the day
and he's
a
other subject
is someone
he has
a collar
of a
car
the
rostro
has
more
and this
person
see
for the
physiomia
that is
a person
in the
I've
been in
many
problems
of
problems
and they
this person
he says
you
or your
mom
you
you're
going to
decide
This old
brawrauma
me will
pay.
Because we're
various,
and we're
going to
go back.
And he
he's
to know
one
after other
every
all the
nights
with five
or six
people.
He was
that they were
four when
he put
to make
to make
and he
says,
there's
there's a
person who
there's
there's
I'm a
I'm
what I
said,
during
a time
he's
trying to
try
to learn
to learn
in the
I'm going to
I'm trying to
confrontations
time
after he's
a mom
and his mom
only said
he's
he said
he's
he said he
he said
they're many
he was
not I
go to
go to
get
always
and
I per die
no pass
any one
a
year
and the
she said
and there
I
felt
that something
I
was
I'm
called
to
salval
and
And in my
dreams
they're
to
appear in
their
and I
start to
confronter.
It's
like if
something
had been
out of
me,
a
force,
a
energy,
something,
I'm
to confront
and confront
and confront
and confront
and confront
and confront
and then
what
what was
my mom
could be
to do
hospital,
but
to me
began to
do
things
and I
started
those
those
that they
were
like
to
be
like
of being there,
uh,
and I'm
trying to affect to my
mother and
my family.
Now,
simply
they're looking
in the real
outside of my
house,
there was a
house,
a box,
a box that
had had
plums,
liquid vital
rojo and
more things
that into that
didn't
see,
and they're
to appear in
my camera,
and then
of my
camera,
gusanos,
and they're
situations that
maybe
not were
not paranormal,
but me
those
did
of enemies
I'm moved,
I change,
the things
are going to
a little in my
life and
they're going to
again again
the same,
it's just
that I'm
to present a
thing that
aure of the
auret
me all of
those
those
those
that they
also,
my
creencia
is that
I can
I can
I'm,
I'm
dis-vincul
me of
that
but
if I
vinculed
to that
world
I'm
not can
do anything
I
simply not
can
do
nothing
and
I'm going to
be a
victim of these
things.
For that's
not a
question.
I'm going
out of the
presentation.
I'm going to
this
story and I'm
this is
this is the
lotos.
Then I
try a dilemma.
Me
told them very
good
stories.
This person
has been
opened
this situation
that's super
of locoes.
But I
have a problem
and a problem
grave.
It's that
I don't
have been
stories for
the
Sabbath of
Somas.
No,
I don't have this Saturday,
Sombra's
that's a lot of
the
boceitia, no, I
don't see if they're
all over the boceitist
from the more
yeah, or in the
edition, then
then they'll
tell you to see
in Tickl
that's too,
but well,
quit those
things, I'm
looking stories
for you, my
family
nocturn.
And I
toped two
that were
that were
those that were
really.
The first
is that
they're going
that in
a center
commercial,
of one of
the cities
in those
that I
want to
to
that go
being
what are the
ones are the
people who
are the
people who
are the
people who are
I know
there's a
place,
there's a
very
great,
that in the
madrugat
before I'm
at the
night because
they were
certain
places
like
of events
and they
could
permit
that
but
the
other
places
of events
were
and then
they were
recortando
the
or
after
that at
the
night
practically
is
all
all-sezzled, and it's because they're
asustan. No, they're
not they say, but the people
know they know.
Dicen that therein'n't
if they're called,
the Comprador or the
visitant. And is
that if you, endas in the passages
and you're going to,
you're going to toparte
at the final of one of the
passages, a silhouette
of a person that
isom by the bitrinas,
see asom, asom,
asom, asom, asom, as far
mercantia of the
tiendas that
are in-serrated.
If you
if you
do you
get to
get to be
you're going to
you're going to
that's
a celluette
in no
moment
is more
clear,
more
nididid
is
it's
a
light,
it's because
it's like
it's a
sombra in
movement
and that
it's
a sombra
trespas
the
doors
and
enter
in the
different
commercials
if
if you
you're
to
look
to be
you
you can
you
pegas
to be
to
the center of the place, because no
you can't create what you
you've been to presential,
that thing
and then
you'll go and
you
to go back
you're going to
you can't
imagine who
the first people
that were
victims of that
because the
guardies
and had
with the
same story.
It's that
there was
a sombre, is that
there was
some,
they were
they were
in this turn,
but they
They called the visitant.
The problem is that
they're going to recortar
the hours and the
visitant came to
more time.
It was like the
visitant was
the need of
the other because
there are
stories at the
day of
today of
people that
are at point
to start the
when they're
going to
those that
still have
these
cortinas,
these mayas
metalical
when they
are
they're
they're like
some
some
the
people that's like to
come to
enter and
they're saying
they're going
to be
because they're
doing a
carting,
they're doing
force,
disculpenos,
we'll
we'll
to bring
tomorrow
from the
eight and the
morning,
and where
they're
talking the
the
the
only can't
that's
the
people,
and the
people are
impacted
and they
and if
they're
getting
much
time,
it's
they're
going to
get
to the
time.
It's
of rotation
in the
center
commercial.
And it's
then when
they're
to talk to
the people
and say
it's like
a legend
that here
not the
that they're
that they're
to come
for fear
to the
visitant.
You know
where I'm
talking because
the history
of the
story of the
night.
I think
is the
response of
that question
that many
many have
made
to be
not Roder and
why not
you're not
Because it could happen
something like this.
There are two
chikas
that are of the
family
nocturnal.
We're going to
put them to
give them.
Sarah and
Evelyn.
Solo for
put her
name.
Sarah and
Evelyn are super
good
friends from
prepa,
secondary,
pardon me,
prepa
and they're
in the
right in
this moment
are in the
third or
fourth
semester of
I don't
know how
they're
that they're
that they
are
the
situation
that they're
that's
that's
that's
or more than it was complicated-simu,
it was a complicated-simu,
it was in the second semester.
The two are amants of the
thematic paranormal.
Although they are in an area of
humanities,
where the people are very
focused on the
business,
the thing of the paranormal
has attracted much.
I see that in
the city,
there was a
church in that
there was
a maddata,
not was to
not that was
that was so
very, but there were phantasmas.
The church
was over the 10 years.
There was the building there.
No, has demolished,
no has derrumbed.
Disconnose to what religion
is a, but it's an
church.
And these two
chikas decided
that they were
going to go
and go to
find them
and they're at
the 12 of the
madugada because
they're just to
play to
live with the
people and
a few times
not is the
more recommendable.
They're
to look
from the air
estetric?
There's an
air free.
The two
are totally
full of adrenaline.
Any sound
that they
hear of the
crugied by
there and
make it
sobersaulten.
But no,
it's all
nothing.
It's a
adventure that
was a
time to do
about the
time
and they
knew a
fear and it
was a
policeia
or that
were people
with
bad
intentions.
So,
so is that
they
were
other part of the
church and finally
they're
all right and
they're going to
the carl
and they're
their vehicle
stationed very
very certain
and they
go.
The problem
commenced
to occur
to part of
the day
the next.
Evelyn
go to the
faculty,
she has a
mochita
in the
back,
the other
she's
she's going
with a
bolso
that has
a
chain
metal and
and it
has made
a marra
brazo.
The
two
when they listen a
goal in the
piece of
and they're
and the
libretas of the
chica are
being taken
the problem
is that the
mochila is
the machine is
they're in the
front and the
mochila
not is rota
the chick
that has
the box
with this
cadena
metallic
he says
that's too
very rare
and just
just they
they're just
they're
they're
and she
grita
hey
and at the moment
to bolted, and at the moment
to bolted, no
there's
and he said,
me hallowed
the other,
I don't
you're not,
you're not
you're
my books, you're
talking about
to have my
hair, and the
other,
oh, yeah,
for favor.
And when
is it's
recogying the
things of
the
because they
are in front
the
need,
with a
little of
an
way,
that's
a form
to
do,
he's
recogient
the
when one of
his books
is
is a disparate to one
side,
even when
she not,
no,
no,
no,
no,
he was doing
that's
type of
that he
got to
see the
right,
she'd
make some
strange,
he's very
he's,
he's,
he's
a little
little bit,
and it's
not a
get that,
they're
in silence
in the
way,
and when
they're
going to
the faculty,
see the
the chica,
the of the
chica, the
of the
books in the
piece,
that they
do with the
hand,
that's in the
car,
no there's
there.
And the chica
says,
me have been
to get the
car,
me just
to get that
the car,
no,
the two super
asusted,
that day,
they don't
want to
talk about
about this
they're
they're
like,
they're
there's
always around
of them
continually
fastidating
the,
tokecett
in the
armro,
passadita
of the
leg,
the toe
of the
other
chica,
and finally
they're
fastidied.
Who
know
with who
were a
dark
a dark
but it
was a
exas
a
three
months
three
months
they
were
things
things
but
that
it was
easy
to imagine
to
like
someone
that
was
that
was
invisible
and
there
because
they
were
in a
abat
in
a
we
we're
we
put
on
a
one
and
they
were
They'd
be able
one
and the
one of
the
first one of the
and
it's
a lot of
the
first of the
before you
think you
were the
that they're
in the
house
and they're
in other
place
they're
things
in the
house
because
also
it's
to
affect
to
the
carpead
that
they're
in the
things that
were
in the
house and
they were
not
not
them, acosando one,
other,
other, and other
and other
and other
after that the
kids one day
they said,
yeah,
pardon,
we're not
we're
and we're
and said,
that was
our first
more more
more important
and the
life,
because we
don't want
to be
to front to
these
things.
Now,
so,
family
no,
that's
what they
were
the stories
of the
Saturday
of Sombs,
that
it's
just,
but we're
doing
efforts,
we're
going
going to
I'm not even with the
Saturday
of Somas
that we're going to
the show.
But with this
Saturday
and with these
stories,
to this time
we'll be here.
That's the
time.
I just say that's
that I'm going to
say.
That's the
last many
of you've been
seen the video and
it was very
very hard.
But the
of the
Jueves
and it was
in other
level.
Quenten me
for
what has been
of this
time the
story that
most you
have liked
and why.
And let
have to
say one
one last
that you
you're
in Kretter
or there
in
the
So, the
day of
we'll see.
Because the
stories are going to be
a good thing
of the same of the
week of the
week.
We'll see the
Monday and that
we have a
lunas and that
they're doing
bye bye.
