HABLEMOS DE LO QUE NO EXISTE - SABADO DE SOMBRAS Herencias Malditas

Episode Date: June 10, 2024

3 abuelas que no son lo que parecenUna casa donde ocurren sucesos extraordinariamente tetricosY una familia con un pasado oscuro

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Publié. Savoy. Admire. And enjoy. and profite. Via Rae, the way that we am. Welcome to Family Nocturna

to this new episode of Saturday of SOMBras. The day of today I have some really aterradoras

but before to start with this Saturday of SOMBras as like it with all the in-vibos I'll just

I'm that you know they can't if you have the possibility to share in this moment

for that more people have to do you know the channel and you can see this in live and

also me say all it's all it's going to get a good so far the day of the day of we're going to

have some really scalofreante all all good very well family nocturna one

once said this let's what is the scheme of what is what we're going to do

what we going to let's let's a story of a story of stories. Terminando,

I'll start to respond various of the questions that me left in the stories of Instagram, the ones I'll ask you to ask you, I'm going to send for the chat that we have. And yeah, at final, this, yeah, it's the moment

in which revises these questions. And then, I'll go to talk to a community. One of this, I'll give the thanks for being in this Saturday of SOMBASS, and let me say to you that for the

next Saturday of Sombrass we're to need because we we're a pendent

very important of the time. If you in the next Saturday of Sombras

we need to make a 4,000 likes. If it gets a 4,000 likes,

the next Saturday of we'll see, maybe a more

more more more if we're we're we're we're the

next Saturday of the next Saturday's Now, so,

come we with this Saturday of SOMras. Recurred that in the Saturday of SOMbras

I'm the stories more scalofrient, more espelunate that I think we recupilating

during the time. And in this scheme the story, then I'm

the stories, then I know the questions of the that I have been

going to the family nocturna, and if you you have a question

that you want to respond to a channel or in some of these

them, you let's let's that I'm going to have put here in YouTube. Now, we'll comece us with the Saturday of SOMBras

the story of three abuelas. I want to tell this story about three people major. Three Ancianas. Three persons

that in life never were, but they have some experiences very particular. Resulta

that the first of them. It was a person that, today of today, he had

even to tatar a nietos. Because from, she were other times, not she

could say that she enamor because not is the case, but he found

a person, she did you and then they were three children. The

husband to enter very very very very very

very aggerrida of tremendously a character tremendously a person that

he cost much work to have a because many things was

when the husband when the she she did she did do

the house was a person very moved very moved

had put a tiendita and he had functioned he

was at front of three carpinter and they

that was in million things at the best. The husband,

that's that he was in the ego or something he's because

she was going to a exitos this man is

and he was and he and it was he was

and he was a and he was a

man. He he he said, he this this this

last time that you will to make to make that you want to be the next the next

no to pass the past the woman when she was when she

was not and was not not about with the and for

this time it has around of 30 years

and he three nine the the two are

one and one is a a one a a

a other and another little a time a time

from this dialogue with the couple of his and a day the husband

he's not a time he's all they're in the can't

they need more details when the when the husband is

when the house out of the house be a maleta

his maleta and a lot and a lot The type infurecid

commenced to talk the door of the casita little bit of and it's toky, toke the

door and he's a man, and this woman, in a rebatto of violence got from

the door and he the door to gollpe and the woman with a machete

and a and you say, if you enter you talk. You said that's

the last this is the last time. This no going to occur let's get here you,

you know we need to we need to see, the type he was he was going to get

to get to get a next to put a car and something and it he was he was

to know she never of her not of his his he went no

he did, but he did it but occurred something was a person a lot of

a person that's situations, simply were the day to day. He took that this type of

things were constructing because when she had a man and they were very little, his papas, one was

an alcoholic, and his mom, at final, he was he made that she was fuller

of courage. She was just in the mom of her man of her and at

final, of the protection and the question territorial and the care

to transform in a type kind of of and, in fin,

it was a general and the day in the day of the situation, she didn't you know,

you know, you know, you were you seeing, and you're seeing the things in those that

were to , and they were talking, when they asked for father, that's that's

he's not and you know there's and you get to the thing. The she was

an aggressive, but not was an disattentida, it was a form to

to show affect. From that day, of form incansable, augmented

the quantity of the time, he had a woman that was a child to

help, another person that was with things with things,

and all the time was looking a house that

was where he a house where the future and

she also they could have their own not so

are pressed. One day, pese a all, the sororter he was very in the good

money and he had a good but it's a little bit of a little something that was a manson,

a casona, something that in the other than the place, the other then you're talking of

the terrain that's being the double or between two and medium, a terrain

tremendously great. It was a house that was a whole of the terrain. She was

she was with the symbol of the window. Tocco the door and

he opened a senior major. I'll say to you're telling the story of

an an an an time, but in a person of a person

he was a man a man who was a man who was a

person that not you're going to do much time of life for how it's a sumamente can't

very much very very over he's encrised and he a conversation very rapid

when he says the cost of the cost of the house she's she's because he

is a fifth part of the cost money that she can't pay and he

he's asking why you're saying because he I want to be there. And say, yeah,

I want to pass my last years tranquill, no me care to not. And I want

a space little for me. I'm only. With the money of the house, I pretend

to live of that that I go. So, what I am doing, I'm

about and the years that I'm kept. The she has some

kind of kind of of a And I don't have to ask them to ask you, then I'm conviener.

Then he said, I'm going the middle of the money and tomorrow we're going to get yeah all.

The sir, no chist, were, and they did it the trot. The things were very well

and the family so moved for the here. Here starts the legend of

this family. The senior with the machite and the marty is one of the

things that all the kids they were a Guerrera. My abuela, was a

viking. My abuel, if you wanted to talk about it, you know, just a question of that you

know how you. But then the second part. And the second part of the legend said,

my abuela in a house in a house in a house in that nobody could be a much

time there. That story me was her a newtap. The nita me contacted

for the telephone, and that was the story and was the story. And me

He says, when I'm I'm not going to be never to that house. My mom is, is a daughter of that I'm going. My papa and my mom, I know when she'd have known to things that I'll tell

more ahead, but my mom no wanted to go to the house of my abuela and me said, that house is too embrugated, that house is a bad. No, no, we're going to be go. So, I'm in two occasions. all my primitos and my tios said that in that house

they were phantasmas that had demonos that was a maldita but they'd live there. My primos conforms were growing to be

clear that they were a house. It was a house. From the you were you it was and was really

the attention but my mom never me was never me put a foot there. In the first,

a reunion family of the end of year and, I'm standing there with my primos,

my primos were to tell puras stories of phantasas in tors in the house. There's

a sombra of a woman that in the bathroom. Yeah, I mean, yeah,

I saw that the movie. And other said, that there there are there. There's

voices of the children that sound in the soton so, yeah, and the

rest I say, they're going to say, the artic, and things that they

she was a person very aceptica. And then, let's say, a bit,

yeah, let's get of the games, so, in serious, you think that's

there's there's in the house? And the people said, no,

is that we're this house is the embruched. This house has got

and she yeah, yeah, yeah, yeah, very, very well, the

phantasmas of this house. What? What? It occurred that that in the

second occasion that she were, they were another again with this

dialogue. He was a celebration there not so relevant. It was that the

mother of this chick and she was a lot of so so he made this

celebration family and go to the house and when this

time that in this time is a only not a clear to

that I didn't be that she was with some people and

she and she she put in a He said, I mean, for you

see that all what they're they're not really, are things, I'm going to do

something and for all. And he paris. Reto to the phantas to this

house, to me back in the escalers without me peg. The that's

I'm going to be to let's go to let's because if not no,

no they're they all the primos, they're like.

What you know they're doing? No, they're doings those assuptated. No, it's

like those bromas of the children, that when someone says something they're like, they don't know,

it's not it. They're so. Muredos of the stupidness that the little bit of the little

she said, a woman, no, you know, what you did this house, this

car's in in that instant like the pestada. They were to her not they're

not quite. And the little she was going with a man, for a don't say

ridiculous, is in serious. And for the chachos no they're not they're

and they said, you know, you know, that? Bola of cobardes of persons

assusatisas I I'm, I'm, how you can you can't this woman

was a person a genes of the Bela yeah had.

And they said, I me I'm and he's to get,

Mom, Mom, let me want to get. Camines to the escalers and this is the history of

she. No, there's any one testigo. But she says, it's for that that's a

motive that I started now that I'm going to talk to the rest of the story.

But nobody saw what what happened. But from this day I think, or in the

energies or in the phantasasas. I came to the escalera, the escalera, a

scale, a scale, a big, I'll say, it's

a casona, and when I'm going to go to the second

escalone, you say, you know, there's what I say, no, there's

no, there's that I, this, I'm, so, I'm, some

ones, but enormous and bigasas, that me gave, from,

from the hand, and the dead I get them just above

of the head of the way of the part of the back to get to the

back, you're you're talking about those, you're and they're and

they're put it and they're going to try, and there, trying to

get to not me not I'm all the things those escalones

and I never gave to the soil until that the final

like if me had deposited like a pluma, me they'd have been

on the one of the one of the other people, I'm much fear, and I'm much a

very much that was a thing that's, you're, in the work on, you're, and And just I said, Pardon, I'm sorry, I'm sorry,

I'm going to you know, I'm going to me, I'm going going to, me kept paradita at

the door of the house, and that house never, I never, I never, ever,

never. My mom when I saw, she was a saddated, he understood,

and the car of my mom was the that he made that's that's

that's that was, that's there things that nobody me had said.

And he kept there. Because they were many years. I don't know of that

I'm really a lot of the things occulted, to the phantasmas, to the other people

me do you a person a gillin a person, a guyin, someone a really a

really with my other never we didn't me said nothing, they

didn't get something that was that car that case, I've had gone two

two days in the other that I don't want to go. No, no, the house of the abuela, no. There are you are just. And they understood. And they just understood that me happened to something that nobody

I saw. Never me permitted to talk to them the stories of the things that they passed. But they're pasting 20 years. Well, more well, she's

still, she's still 20 years. When she is still 20 years, yeah, various of his primos are

quite major than she. And the situation is the situation is the second. The house,

the is saying one and another other way that's the three children

of the lady's nobody's nobody's saying, mom, no you do you

do you do the money, or I make me let me let me let's

let's get to and not to all all they all they all they all my

my mom and a man and a sometimes a sometimes not nobody is it's

discussing. But I know that my primos are very very near the abel.

Like, let's get to get to a little to the house. Of a

repent my abel and say to say to nothing, nobody,

does the communication of the house and the house after the three

months after we're we know we're finally want

to mention the thing, nobody want to say nothing.

I'm I'm I'm the legend of the the house. It was a manned was a man

was a man was a man that was made a very barata for that your well isn't because your

is for an opportunity that lived the life he bought that and three

months after the year that that that was

that was that was And my abuela and I know the I didn't

see with a bad health. Something something. And passed many. In those

many years that were after after after, after after, after I put to indigar. And I

said, there's a story really behind behind. For the successes that were

in that house, it was our mind of children, they were games that

had the family and I made, or we're a family

simply of people credulas and medeosas, really what was going to be I'm sorry, I'm sorry,

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negotiate, and the T.D. is there to you know, the T.D. is there to that case, but

if I found the secretes the house. The first was a story

of a extrana. No you tell. But my papa,

my father is a pastor of a church. My my my

my my father Christian but something that's exaggerated.

My mom not so he has been he has been

all time together but he does much liberty, not

not so of their credo and their cult, because if that they're a little more more relaxed.

Conmigo are other rules. It's a lot of more relaxed. Never me

has much. But my papa, my papah disjona and I'm

a dinner Bible. It's something tremendous. He's got very

got to the question where they were there. And

result that they were in that house. And it was a

right of that I'm the last that I'm interested that I'm going to tell you

do you. But something. But something what did that my papa was

that was that was a pastor. My father no me didn't

say that's not of the time and me I'm that came to be

that for for jovencitus and the day of today, well, no, no, you're not you're talking

of a young but my father, yeah in his plan, so me about. And then

I'm going to asker, I'm going to ask us to ask us to my primos. And resulta

that the house had a story very macabra and very strange. Resulta

that that just years after before that my my mother, that

that that was acquired by a pair of a pair of a two two newies. The

little were not two females. One once that they're in the

house, the little time, the senior a and in a year,

a year and two, the woman, the he's, the he's a kind of

in a type of his role, but are advancing the years

and the daughters' Higas took a different. This sir, no-se

was if professed a religion or no, but one of the his wife was a

woman and I've been in a convento of the city. The other daughter

was a woman, and it was a person that was a service in that house.

Quenta the story, that was the stories that were recopilating that

me said, that they got the the bestinons of in the

time before that my abel when my story, that one day the

monja was to visit to her woman and then he didn't go to

the convento we did we a yearnise the the next

were religious of the convent to the house of this person and

at nobody to to bring them to call the police because it was strange,

and they're a man in a bad state in one of the quarters amortasado

and a marrata a a man a man a little in a

little and the other his disappeared and the day of today nobody

know that there there. There there situation extra

because in that time that the son the the the father of

the father of the now yeah not is and the other they

did pass to the person to be a better the

man for this then he's then he four 47

years they they they were a old an

that had vegent tremendously the the the the

the and the and the rost was like

was a two or three decades five years

after my abuela he bought the house to the house to that

that's not a man he's he had embeheced for the

situation of the situation of the head to think that why

he died he died three two after and

here is where here the part most of

this house that there no there no I

know what what there there that's of that when my

abuela is the past of that house commenced to indigar what more

things there. In that inter, in those situations a before

before my brother was he was getting money and

of the poor me my brother the the the

the child the man was he was and money

and the little in little was remodeling parts of the house because it's

that from the day one that's there there had some there

more there's more like sensations of things that

there in occasions they there there there there

some in a time in occasions they they were that the part

of the sotano and And then these things They're They've seen These my Tios

And they They're They're They're They're They're They're They're

They're The About the About the Thenes But then Yeah, the

point of this is that When my Tio commences to make this

labor to remodelar one of the quarters The Quartos the

court's So So my Abuel said You know What?

We're We're We're to all there. And as my my abola leava very well, still the question of the business, he

he puttow a good quantity of money, and he said, my Tio, take this capital, and thence to move me all the house.

I want to me the change is complete. My Tio had a great friend. We, we to put him

the name of Pablo. He said, be and talk to him, and he, let's do

all the remodelations of the house. Provechens the time Libres, I'll

pay. When Pablo go to the house, he knows a Estella, the daughter of

this woman, and she's unmarriedly. Resulta that Pablo and Estella are the

father that she's the child who me made the story. I don't see if

you remember that you mentioned a few but Pablo is Pastor

and all was a reason of the last that

chica is that if she did she he got to a stella, to her mom, the pedacito of the history that felt about what did you

did you do you know a pastor of a church and that he's not he didn't want to go there and

that you want to that you're that they're I'm going to do you. They said that when they

were the remodelations conform they were going going to the situations extra

of the house were going to the sombras were more There were more voices,

sensations desagradables. And in a moment, a distance when they went the piece of the matter, in the part of

the above, they found three things. A book very old, that apart had a other,

like a frasco with the the sojas and were made as borrosas, they found some

monedas like doblones of the old of the time of the

colony. and Wesos Humans Have been of the Brouha Have you

they're not They're not They're But the Diary It's Manyerer Many

Pachinas Rottas Others in Malestado But Recurban In one of the

First Paginas He had In Rojo Maldigo The Due

of this house Who Venda The Property Only Will

3 7 I mean, I'm sorry. After that this child saw the

the situation of the book and what they saw there's when he wants to

go back Christian no doesn't know know not to

know the part that this she knew after after the story

of the past is that when the mother said that

was that was all were all were so

then, of lamented maldition. And all knew that the owner was the owner of the person, that's supposed to

he was a father of this woman, because no they're not they're not not found that they're

that they told them. That's a man who's that's the man's after. They're those who

found the book, and the book that said that's so. So, since,

they're all the time, they'd all the time that the situation is that when the abel

sentio that your economy not was to make the house knew that his kids in some

moment they were to use to use it and the abel and the woman,

she was not quix her to give us not that she was she was

she the duke passing she her maldiction to someone more

or that maybe not she did so she did so she

did without saying and for that's that three months after the

mother simply I'm going to start. Now, the history of the second

anciana is a more more more and is that one of the world that

is to be a reality that we're that we're a burbara and so that's that we're

that we're having contact But, but a other type or story that

we're or story that we're we're we're we're we're and we're

in that matrix invented by we're not going about she's very the

when she was a when she was in the primary there there things

that they were certain without no in the school the

children not they're not they were they they're

they Intentable, are more than to be away at the she. She never understood

for the or well, no, not, not even he was a little. and the or mal in some

sense, for nothing. Peronica was a good person, was atent, but the little

she didn't get a little. Tal-be because it was different, I thought maybe

had a bad or that she had a bad that she was a day-a-

of the little too and he was she was a she was

a little she was a spirit that was to be

a friends and not he was no he was a very in the

in the very her mother she she he had a

his wife to the mother so the mom then so

veronica is her mother in her and she

and he he he a little her her her

with the money that was a good because

she had a little details and pastelitos, elados,

jugetititos. Always had details very beautiful and always had what she was about. Veronica

was always she was very a woman very sweet very very amable and very social.

Because it's a perfectly that in those veras in those times in those times

in those times there were there were there were people and when these

groups the was the abuela, he said, for favor, that pass to

your room, and let's be a one of the only that's a little really,

because I'm not that's she, she's that I'm so much, she was

not the person, and she was, she was she was a little

to be a particular very interesting, and also characteristics

very strange, the characteristics interesting, was that the was like that

had carpentery she went to the patio of the house and there in a

base in a mess that had a very rustic that had certain grabados

she put in to work the matter never she never

she was exactly that was and when it was that was that they were

and that I was going and it was was always with

a mant and was a a never he was he

he was he was never never never but he he was respectable

the intimacy of her she really she she he said she

he said he he was not to enter but the kids

are curious and that is the natural and his

mother and he also in some sometimes vero

her she but he had a but has

a my my abuelita, he liked much the photos and the

belles. This was because in some to come to make a room, the door

was in pre-abier. And at a somars, he was he was able to see a outside, to the

door, taking a bell in the hand, and I saw that with her other

hand, he had some another type of something he was to be

to be to while while saying something with the book.

If were the look at the mother and the mother just said

we're we're we're we're the lights for the lights

what's what that was her was a was a

a bit a a little eccentric because not all

all the all the all the carpintery, or they know of banistery and they know they're

doing and they're not exactly the abuela, who knows? Not all the abuelas are sociable

to have people who have been bestied and they're in a lot of people who just and

those people just and the other they're just and they're like they are guys and things

in the patio. A granja a ranch of sapos. Granja of sapos. That's was the

reason for the that when when he was an adult and he carh was my

abuel. Nobody, nobody that I know that has been a granja more than

my abel. Why? And he started to investigate. And it is tremendous

what he found he Vero, because Vero me said, no would have

investigated nothing a narrator. I did that my was a woman

for me was a little. But for the a demon.

My my was a little monster, or was a monster very sweet.

Those people that were not their people. Resulted that my

abuela was one of the other the people, the

people, the people, the people that had questions questionable

and the people that were in the questions military

and and of security, they were going to look at it, because resulta that my abuela had a little ability to call out people

for always, disappear, and even to talk them, make your light, that your life so it's

a pager. And it seems that I get to see a little that were to think that

were in the great of their ability. The little bit because

they were that if if me inhojava with my abuja my abuels

his would have to do this father his parents they're not

for indecate for indec about my abuel a little so forth was

and a day and a mom mom if my was so my father was

your your your your your mother not was you

you did you all the time when the abuela, was my mama and not

was the abuela, was a woman mal in all the things, violent,

desagradable, aggressive, a person very a woman I never felt I never felt like

me the men trembled when she about. I always I always I'm

my mom and I sure I that if some day I'm to have a

little that that she was not but when you know

I I found in the hospital and she was

you're and you did you did you did you did you

did make to be to be to try to transformer in a

human you did you to recover to your humanity fust your life of

that's those verano that you were there and you me mava to be mack

to you, of us also we also we had the contact

to you to get to his humanity but

not he did I'm with your other times

and I did that I did that I had to

with much and a for me it's very too much it's a time, and I'm

know, conformed more time with you mom, she said for many things that

he said, and I said that was a profoundly repentida but that

that that they were never they're not that had been

and nobody he's to do never never he was

that she was she she she A Sometimes there

herences, a Sometimes there stories familial, difficult, and in the world

paranormal, there are things, there's that are strange. The third

abel of those that I want to be today of today,

was an abel a commercial trampos was of these people

that were a man this abel had two two

two his son, my son a little bit, hewed a little he had a whole the

time, procured her good at her people, the economy always

he said, a certain level, but he don't know, never had a necessity,

a necessity economic and it occurred, that conformed the years,

the mother's going to do the little new new

the has his his his They'd a good school to

two of the third. Well, it was a real real reflex of her but without his talent

was a little bit of being a man, staffing people, I'm met him

problems one and other this person that's a perit in dulce or an

angelito down of the cello so then so it's also that was

to solve the problem of the car for him. But well, a roto for a decosited. This person loved his family and in a certain way, had his code

moral. To his family those treated very well. And always procured the best of them. His brother no, he took to be the pillar of the house, not he took to

be the, the pillar of his brother. His brother was the soniator, the soniator that one person, was this abuela, We're talking

The person that I Bluble to say, was the nieto of this this

woman, we'll the Pilar and his brother, Estevan. So Pilar and Estevan

are two people, Pilar, this tramposita that has three three kids, one of those is also

also a very tramposito but Pilar is very ducha, very good for the new new

good. Pillela, tramposa, not so this code and is good, is very intelligent.

Esteban is a soniator. Esteban, no he took to pay a lot of money. Stevan he took to

see a thing, and think he was doing the work doing the work of the brother. So,

there was a moment in the mind, it's pegoed much of the

land. And the proposals that I never were things very far of the

good, very not those nobles for those for those people that

this reference very Javi noble. And were proposes that no,

never never had a bit with ball. The his he did he was a

he was a boy he was a man he a man he but also was intelligent of a

repent the the problem with him he was the problem with his mom

one once that had the new they'd do you do Rouse this

this type only he'd he'd the Rankke and

then then he'd then he'd in problems in excessos

and the the business, I went to pick and it was bad bad with many

people. It's a moment in the situation of something about with the

business of the business that does get to one of the other. And is

what I do you do that what I do do that and it not

never to think that one of the house is being

occupied by she she has been a code has

that so a certain not a disalmada and is

that he he left the house and the demonio I'm going

to I'm going to I'm going to I'm to get to the devil so he

he's he's a little he a case to this subject. This subject is a new type of a tentate

and then the distributors of the beer, of the beer, and it

starts a little lucrative because they're in a colony new.

The house of she doesn't she doesn't she's she's thinking that they

is rent to rent a so how it's a good price minimum that's

a time and he and he not he he's not a his

brother he he he he and we we're

talking we and you have more and the

of the he is a time and there there

there the person that's a moment is a

between 14 and 16 years. This this guy who is meted in the problems has one of the other

of the house, Esteban, the senior of 50, he says he's the rents for his

novia. He's he's not noviando. He's in a moment in the that's

a little she's and he has to have a little six years, viuda,

mom of two children, he wants to show to he's, that he could give a

good life and he he wants to offer the house. I'll say this type of

people that this type of not have not used but to the ampar

of other person they're they're they're so they talked to he said

he said he said a particular a pechug his code his code

of family always has been more than his peti so

he's so he's he let's let's let's the

problem of this situation surge when Pilar knows to the

novia of Esteban of his brother. Pilar not a woman celos a Pilar

nor he's not the man are men are not not

those are not those are not they are not

his name is my man but he's a man he

he didn't he he did very mal spin he

he did a piscing a there a something in this woman that

rare. Aura, an aura, an energy. He recorded to all the people that in

some moment of the way, they were trying to get them. Persons that when

they took opportunity, she was they were they're very fregas. Because Pilar,

so you say you say you say, you're a angel backadito of the

little like a but it was, the type of the way in the form in

that he about her and he said, and he said, oh, wait a lot of you know, I said that's a

man I'm not a lot of and he said, no, is that's my novia, not your novi,

but that's to you don't like to get to be to be there in the house, I'm going

to show to I'm to show to what I'm Pilar this, that you and you and your

tontteries, you're you're going to get in a problem that's a

bad woman. And he says, well, you, you, Mother Teresa, of Calcutta. And he says, look, you know,

Steve, get with the house a rata. Yeah, then we'll see. Here we're a

a a pasadilla. A one case. A house has a tinder that

all know that's going to end up a scandal. The other house

has a woman that's a new a new that's a energy that's

but never is a And start to occur things strange. The

the new of the time to send to get to not we're talking messages of

text, we're talking of other times, we're not in the time, messages

with the new and the time when they're when they're when they're

saying, I'm to talk to her to Now, now, I'll that'serker me to Pilar, and he says that in the night, is there watching much noise, like if they're, they're, they're getting people. But yeah, very of night, of madrugada, and they're, like, glows in paredes, that move in objects, something. Something that's weird. Well, the point is that Pilar, he says,

well, no me have reported to me nothing to be a lot of a time,

and when he gets a the tinder, oh, voila, the tienda is a

back, no has no, has a only a little refrigerator of those

that got to the contract and the things that have to have got to

have to bevers for the thing, no, and he not a lot of

recivos and the cartas that are there in the entry and it's

the desmantel in the other to run per the contractos and all

the house dismantel the tientel the story more

long a part of there and it and that

they have to be there people a person and a

not a person they have been there has

many They've heard people who are on the escalars. They've heard a conversation

between two adults and the cell. They're a little a girl that's

grunying in the kitchen. They're in the part of the patio of the

people that were coming there in the madugated. The people don't want to

a second and then this woman is asking to his and saying

what car did you what's what's what's in the house. And the he's gone

is a disappeared no he's the first time he's the first he's the first time.

But never had This woman is She's in a position of one more than you Every way that occurs something She has been with a story in the That is better than the person that is That's called the situation that he has been She's enviedosa

Every way that something is saying Something negative in torno to that Tollapar, to make sense more to the people and Pilar is to Aft of this woman and he says The man, one and other And again, this woman, not you to try nothing.

It's envidiosa. It's a person that is full of emotions malice. And Esteban is enduosado. He, he's the

man. And he says, I'm in peace. I'm doing my life. I know what is good

for me, what, what no is. They're going to the days. And the family

more nearer to get to get a nieta, and and then to get a little bit

because it's not some different. Also, it's been something has said a very

rare in the house. It's Sint a ambient an ambient

very dense that's that's that's so you decide to do do you

do you have done with a type and they do you and the moment

in the the things they say revis for favor your

and see if you see there there is a out of the house

because this is a because this is a in one of the macetas

that they had in the garden a frasco reen of things they're not they're

not quite that was the plant that had that detected rapidly because

they've done know in another of the houses in a area

in a one of that they're like things accumulated bottles

bottles of things of they're they encountered a type of fetish envuelted in a mantilla

that was written with liquid red rojo vital and that had some symbols strange.

In other of the houses they found mechones of the reduptos in the rojo

and no see what they were they said if they were they said if they were something

and said yes is brujeria no they're they're someone that's

is the instant he's this woman is this woman. Vaya, he'll be, he'll be with her this woman I want to

the house yeah. And then he says, no, Pilard, you and your celos, and she's

and she and she's my car ultimately is my, they're me largan for the

end of the end of they're not, so they're they're they're going to get the house,

they're in the case they're in the house, and she He found in abutations that

probably his brother not he did he did go time many

many mantitas very similar to those they've encountered

with that she she she had been the woman

that she plant the things she does want

to get to get them to try some

something negative she but she did he was

was getting and he started things in the house so she's she's she's going to go to

and she began a great a very much she she had a good money

that he he went to be a bruch and he was photographs of this

woman and little details that the long of the time

had had been a a very a little a

little an incalive that but all all all

was all was a person summating so much vengetative

so he said to be a bruce and he said to this woman

me is the only that you do you do you do you do you do you

do you do it we make that's he made and here he began

the rach of the enemy of the enemy of the

the other he was he was a one day to he was in the

nothing was in the a bad pass. No, he's a

a car with a car on, he's a car he's a mal pass

and he a piece of the point. The doctor no

can't have been done so much she not has

not he has the hospital and Pilar and

he is going with other and this woman

in less three four days comes to have

there problems of the problem of they and terminate in

a camera several a few finally it's he's a real of but

Pilar not is a really a good he was a person and he said

directly totally absolutely everything what she she I'm I

want that the attack at the this this

this was at the initial of 2020 and

and result that this woman was one of

the COVID in their city. Four seven are the two years

and in the hospital passed to a better but not terminate because Pilar is sure

that the two kids, that for then they had been located and in the

trot he had had had been the same that she didn't

that the two two two children so that was that was

with other gruch he said he I don't I don't want to do

any damage of direct. But I'm to be very clear with you. I'm in your

work, with the way you you can't, if they have been saying no I,

I want, I'm going that's all. Yeah. Of one. I want to this

be here. To be the time. At the 12 of the day he gets

the report to Pilar. His brother, and these mchachios

were in an accident almost mortal. The men were in many parts

very were in not a particular. They were in the hospital. His

brother was at the murder of the murder and you did

that the last was excessive. The men, they were to have

to have contact with the brother Mr. Estevan with

the brother, he didn't have contact with him.

And Esteban, during a time he manteau he knew what his

brother was doing. Three abuelas. Three abuelas great characters

in the life of these families that have made moments of

and moments very atterrard there. But those are those stories

that I have the day of today to I have two

stories more. The first is a a house very extrana.

In the affuars of a city very great, there's a area of a place. And there

there are some cabanitas that some are abitated all the time and others,

not? The people, the people, they're doing their services to care to

the other. Persons of very good economy are the own of the

other cabins and the very good good Sueldo for

that they can the place and they're in the good

in this place there there are things in

this place the people prefer much time without

without that and there and is that there there

are there but the point is and really

they're really really you get to you You get to go to night,

almost any any end of the time, and you have the bad

bad luck to be on the carterer. You're going to start to get to

get to some those and in the air in the time,

they move and they're and they're you see,

you see, and a little a while you

get to you see the moments disappear from your

eyes. The people say that are brus but in that same

place if you get to pass to day and you

you're you you're you can see you can

as some a black and they are going

and they move and they disappear and others

are and they are and they're to move until that they

disappear from your are are you is a little more? In that in that

there's many have been many have been to what could be a

skin walkers or gawals but not of normal no of the

gawal that we know from from from from

the person a person a person a human who has

some type of contact or of ability magic to transform your body to turn to your animal. No, this is at the reverse. You explain. They've seen creatures humanoides

that make sounds very aggressive, that they're with much agility and see that they're a force tremendous for the type

of mark that they're left in the piece, for the type of ramas that have been found that

and if you get to present attention between the arbores, you're going to look at how that figure

that has an ashtas alargated, but is a humanoid, brasos styrs, a part of

torso, zone of the cooeyo, a head, piernas that is going to

cross a part of the is going to go to a sound of a

person who is of not it properly that is a animal is like

something a change a skin Walker or other other thing. In that

place, in that bus, there are things strange. But we're talking about of bruchas?

I don't know the last. And the ultimate story. Family Nocturna for this Saturday of

Somras, that I want to you're that's going to this Saturday

of Sombras in a moment more, I'm to tell what was what was

what was with the episode with the episode with but you're

you subscribers to to get to more people that know this work and you know that

I'm in the second Saturday of SOMras we're looking 4,000 likes. That's clear that's

because many of the Saturday they're to get to get to like. If you are going to

like, and you're like. And one once said this, ah, and if

you're on Spotify, Apple Podcast I'm called a music, you give a

thing I'm a I'm going to pay to make to make So the

Regalo you're going to quickly because every million people that we're every new

new subscribers I'm going to give a thing that you're going to you're going to tell you say this

let's say this history there. There's a family spiritista that no I can't

give more data of any who are and where are. And have been

things many different since many many many some

of these families In the past, something. Something hasired. That have started certain abilities

in this lasso sanguineo. Abilities of sensibility, yes. But also abilities as contact with

identities. No is not more sensibility, not just that percivan, that are sensibles,

that have sensations or perceptions of something, is that they have certain power

about certain things. no is a science certain who was when

when he was a when he was there and the of the stories

that has been a reason of this situation with that

is generational all they they they they are

they they're to get to the first person

is the person that me made the story she

she is almost the last the day of the person

of 45 years, but her mom had situations, his abuela had situations, the

brothers of her mom, also have had been situations, and so primos of her,

and the majority they're they're a situation that not more as a

general, it probably that's all the people, they're those that

they're that they when it was a adult, but an adult very

young, when he was only 20, 21 years, he was in his father of his abelos. And his

abelors had had been to get to the abel. Abuel and abelian in quarters

separated. They'd very well so. The abelor was a person very

violent, very aggressive, and in that time, the abelor not was there,

but to get them to get to be all the people, Separated The situation

was that one day this chick to be this house and knowing that not is the abel the door

of that the room and then when he goes to be to be to go to get to

back to say to my back this to a half

meter what they were they were some barrotes metal pegos

to the part that was what was like was the

the camera of my abel. After to that a badgit

was a omuad. And I was recosting to get like the back to the back to the

barrotes and my back and my spalda that would be like that would accommodate,

like accommodated semi-acosted. Where me I'm doing to be doing to back, it's like

if between the barrotes would have been a one, take to

my cabo, it would to be to be to be to to turn

let's a time that me started to to get to to get to and I

had to the and I started to give a little and I

start to and I cry to were like 10 15 seconds those

six six no were not too because not

they were more the more the more the when then my

abuel so was so the part of the Let her in peace,

yeah's going to It's all right. Nothing more He said but no, no, no he knows and he

he's not he didn't and he's thought. That thing me sold to and I could

go to the house. My abuel me, me, he said, he said,

we've said that in this room not can enter. And he's over the

door. With what my old in that not no no

is human because between the barrotes and the there's space sufficient

for that there's a person are in they're in a kind of

one of any type of entity. One of the family's of this child,

a man that's a man very corpulent is a type that is a more of

200 kilos very, very, very robust, but apart robust is

very very very very very special for that it's a way to

it's a a camera that's a kind of a no, a type of a matter that's

that's all their immensity and all his humanity and he perfectly dorms

years in that it's a camera it's a way a a

impossible practically to move it you need a two or

three person because it pesid without the base of the camera is

madera very pesed very resistant that he to be to get

to get to another even to get to get to even that's that

how it's said the point is this when he was very

young and not he had those complexions a

that a more more chaparito a but more

more a day standing in a house, in middle of

a center, he went to a a chair, that the chair was and he

he's the man, there's there's a man, there is a man here that all over

all they're in the cell, no they don't be it and he says,

no, they're not they're he's a man, and he says, well,

no is a man, it's, it's it's something is something and it's

is being, and it's is see. They were they they're in

the time the rumors about that in the family there don't know but who who can have seen a

man who's he's been this is trying to call the attention of the other the time.

Pass the time. This man is a little more more grand. No is

the half of what will be to get to do it but is a more

grand and he he starts that in the house in the is living in that moment, there's a

a little. A little. A little terrible. That's a really. And that's that's

he's a little kind of to get him. Nobody else he perceives. And they're that this person is that

is that this person has a little. And a part of there, something

something because it's to manifestarse. The the little amaze with

mordid in the and the if the little the little you're going to see a

little a little a little a doggated every every that this

man he's that the little in a one a

one you you you can't get in any

part no there firm of this entity, as if want to let me

know that he's that's right. When this person he's his 50

and a years, he's the body, the body and he

he started to talk more continually of the name, and this

this little time has been having to be and me and

he will want to get to another world then then prepare

and this will be a moment. The people

he said to talk of that that's you've

discovered that various subrino and various people in the family had these abilities and

he said, nobody have seen the little people, and he says, the charcos of the

water, you have been seen. The little, the little the little me want

and the little, the new he came to mark to all, a all, a todos,

to all, to all. He was started the telephone, he was about to give the last

to give them and say to say that had been a good to be a part of the family and as a

sometimes had been very melancholic this person and said like Ivo this palazzo

with his cause poor city is suffering much but so well

are things that are that that that that he was

that it it was because they they didn't

the thing is that the around the there was multiple

charquitos of the He was a He was a He was a He was a He was

He was He was he He was He's not He's He's about He's But the

But the history The history This family That had This past With spiritists That someone

In the past He's He was And he He was He was So he

He was He He has He has He has a woman That

is Abuela This woman She was a terrible or was a testigo when she

only had a 15 years. She was a a reunion where they went to

these mediums. And these people were a spirit and they were that those spirits were to start to

do their practice very very dangerous. A practice very that many not they

don't the level of importance or of the situation. The situation is that this chick

not was she was she was she was she was she was she could she could

be a when she went to this reunion or festival or celebration or

occur something when they're when they are to show

the people the to this entity, one of the the

men who was the great the great sacerdotes, of the principales, a type

very respected that was like, someone to be a kind of convulsionar, to have

a attack, and he started to talk with a voice like a very raspposa.

He put on and with his hands he was the glubules

oculares. All were all passed she kept a completely

impacted and the car he's to be in the person and then he's

to be able to get to my eyes my eyes what were what what happened

what what what what what the voice of this person

the rest of her is she will be never never never

again again again again never to enter in or has a type of ability and sensation

like a perception very profound was something that was a little to manage yeah with a certain level like of pincittas, taking much of the and here occurred something that she, in these parameters,

had developed yet many sensibilities, he knew a much his perception extrasensorial. When she had that something that was a

bad and was a certain sensation that I had learned to detectar something was a

bad. I had learned to hear of hear of so a day when his

children are a little and his he's he's going to go to

we're going to we're talking about and it's a long time and the mannest to come

to come on a time a rebat that said he said never we've

never we never we've done the something something something she's

something he said no it's dangerous, no, they're but the

the man and the people are in the vehicle taking the carreterer, a carreterer that you have

been done on various occasions but not this way, not going in an rebatto,

not going with many things, so always they're more planned that, he's a

carnet and that that sensation the invade. Something something, something is

something that what is something to do you know, you're going to get to

you're no, man, for favor, we're we're going to the adventure, we're going to go to the

carretta, and more than there is where two can't, a crosser, a crosser of a crosser, when they're

like some, 70, 100 meters, because this man, not a high velocity, until that

that's a very prudent for the fact of to bring to his children, but it's

a certain distance, 70, 100, 200, meters. She has something terrible,

much more terrible that that he saw when when was a little, when he was a oldecent, in that reunion of medium, something, said, something better, that he put her hand to the husband on the ballant and he claved

the in the brazo and said, detain the car yeah, detent the car yeah. The murder is here.

Deten the car yeah. The man has has to be of emergency, a movement for that not terminate a accident,

he moves to the right, he's out of the way, no there's no there, the car

in this part of the car, and the woman is pressed at the arm of him and he

says, no, no, not you know, no, the murder is here, the death is here,

and signaled to the entronke, where he says, is there, is there, he's,

he, is a parable, a and a car, cruised, impact them the carmion Volka,

go and top to a group of automobiles for a vehicle, the first that chocarone and he

got to the car, the carol, the that were the carambola of more of 15 V-autos in those many people

were you. She, she didn't even was preston to the accident. They were the eyes

abirtos, the boca he temblable, and is it's all it's all it's all from all

from all from that day that that woman had he was prohibited

for his family to come to get in the night and it's for pure

fear is for pure fear against she not we can't

not when when passed the years the people they

were they were there and they were impacted

and the attitude of but one of she

asked mom how is the death. It's it.

It's the worst of your and the worst of your badna. If she's she's

all I'm and they're all this family nocturna you do the thanks for having

been in this sabbado of somras and let I'm please to the more to the

more to get in on the WhatsApp these questions that

the family nocturna with much carino me was

and also excellent because they're really the super chats and the super chats and

let me because it seems that this is a little little rognooo so.

Permitam me that's that's a little this year this year this year

this year this I'm seeing being being being I'm

my yeah, if you see you see in the en vivo? So,

we're there, there's there's all right. It's all going to to make

to make sure. Excellent. Thank you. So, so in this moment, dear family

nocturna we're going to talk about the questions that were being the day

of today in the dynamic for that can be responded during this in-live.

So, you're from from the way. Thank you. In this little for having made a new thing. Because it's

that a little phantasm has been in the computer. But, well, we're going to the first.

The first is something that all that they're saying, what was in the last video?

What's what? What's said in the video of Papa Oso? Passed various

things. One are some are strange, others The first what I want to say is that

I'm a a little a family nocturna because I'm a mistake in this video, but

you have to give the context. When we were driving Papa Oso and you, it's just

two or three months, here in the studio, we're in an atmosphere very

carried of emotions, it was very denser for those who have seen the episode,

there are there are there there are many there's, and when we're

we're in the episode was narrating a story and they were narrating

his server and then we're they're when we're they're when we're

when we started also they're doing something like if they're

outside of the studio but in other room and he he

he's open the the and he says we we're

the and he's to make to make a make I'm still

narrando, the he's trying to the narration, and me says,

we're we're doing so we're doing, I'm doing and I'm doing

and I'm doing, I'm there, I mean, there's, I'm not, I

know, one of the voices of the more that's on the panubal

in this he's not in the officeina, and he I'm, I'm he said, no freaks,

those assustar. So, So, if we're a little bit of those, because it was a very notorious, we're talking the door as well, there's movement there. And when we're going to grab, there's something that I think

that's not so in camera, that Papa Osso still is a little impacted because he said that in various moments, he sentio that he took, I think the shoulders and that they were

and he saw a sombre that was behind me. I don't, I don't perceive any one of the two. I see percivili the of the tokey and well, the point is that the day next to the voice of the

more than I'm going, subbing clips for you guys, dear family nocturna, they took her in the door and there was only here in the offices. It was very, very astustada.

The situation is that between one and other other thing, we're not going the gravation in different points, because when they're in the

door, when they're doing the when I'm when I'm going to start to do this, there's a moment in which we are very

distraied us. I'm saying, Papa, I'm going to say, I don't remember.

Hey, if I don't know the story that's that way we have been to make.

And there's many not the which not is habitual. And

that's a one of in the one there's no, no, no,

if it was a problem in post production and for that there's

a story where the end of another also we we're

a situation. We don't we don't we can to go up there because it's

all the theme. But if they're to finish the story, we've got the audio in

Spotify and Apple Podcast and can't go to any of any part and if they're in that episode,

there's complete. There's that error. We've, we've done to do the change in

YouTube, but from our experience when we get to do that, the video practically

is caught, we can't even a same copyright against we're we're

we're doing a bit of so I'm a bit of a good there's a row

in post-production but a reason there was there was many there so we're

so we we're going we're not going to happen this type of situations

but well that was what what was in this episode

with papapos and if want to get the complete the

story in Spotify there be that bian's that

You think you think that an entity could attack physically like cut out of

how cut out oh, look is that maybe maybe not cut the

hair is very specific what you do you exist there are

not I say not but but the cheneques

and the duend to the the the they

make certain tenses then from there you'd that's if you could

be able to if the the cabos of those cabos of those entrances signific that can

get in contact with your quero with your physical and that that means that

if if if could get in contact to cart the

carted the time you don't give a there

there there are that there a of the escalers, there's much

that about of those topics. So, damage physical, I think yeah, cuttarte the cabo

as well, I'm rasgued, definitely. Moretones, clear. Existe the part

of the video of the video, that's the video, we're doing if there's form of

to do it to do it or something, but for YouTube, no, not it's going to

do you have been about the manetin, look, like the man of the man of

the maletin as in my case, I took an experience with what could be called it like a person and then

the man that I saw a sombrero and a maletine and it was in the light of the day. And it was totally a

sombra, but three-dimensional was like a general, it was the one the only the man of the sombrero

there are many stories, the man isonrient there's the other, the man of the man of

the man of the troyous, the SOMBRA. Some people that the rasgos

physical. And in the Humber is a smelry. Because after of the

anecdotes, and evidences, has been victim of the podcast? Yes, in various occasions.

In various occasions, has been victim of the podcast. From the

initial in the episode when we're when we a victim of podcast

as such, would that that that would be that

would be something, when we're doing the editions in the first episodes, I don't

recall what is because I know I know I know I don't know I don't see the day of today still have the

actual two but there was a psychophonia of the voice of a woman in a gravation that was a

indudable because it was with a effect that's called the proximity to

the microphone as you can't hear it's it's and if me go

and it's a so it well this son or something

so we're two people talking one and a one of the microphone it's not

that someone but with a voice of a woman so I'm when I remember that

in that was very impactant because I was being the video and me

so it was something it was it was we're what other question

me they're on here there there's the question

of so and if you have another other

question they can going to go here in the chat and in a moment more I'll

now. I'm going to start to learn the super thanks and he's a narrator

I'm a little a little I'm a story super macabra I hope

I'm some one day I'm to tell to I'm

I do and I'm to And if they want to send us stories, mandermen me

the stories to WhatsApp of the Pasaddae WhatsApp of the pesadillas is the

522 8181-67- 6-7-54 plus 52-81-3-6-6-7-6-7-5-4. So, the situation is this.

In the WhatsApp of the pesadillas you can't send me your history personal, and you know

know this nobody to your around. There's there's there's

there's there's there's a little and that you know that let me know about

just about my and what is the legend? Because we have episodes

specials about these and me and I would be that's

it's for here for fine in a in a

live of vacations I am so I'm in

a great thank thank thank thank thank I'm

I'm incredible, it was a great. It's that they're very good at the stories.

That's good that they're a super, superabrasote and what that's here in the en-vib

well, and we're all the family not at the this is the first in-vive. It's

more, if this is your first in- live, come to your commentio

and I my first in- live. Now, it's Maria Casano,

Maria Casada, much much thanks for your support, you know, and

Jacqueline, a A-A- thanks for your support. And he says, Narador, you

best perfect from Chile, a brazo. Oh, thank you good words. Much thanks. I know

you're to refer to the image of the camera, but one so I'm like a lot of

a lago and it's Victoria Soto. Hello. Yeah came the let's do what you

know what exist. Saludo Darrador Guapeton. Victoria, much thanks to the

fantasy to let me talk about I think the because in the comments always

always always always the thing you no exists and you just you have that voice in my

head. So, so much thanks. Your voice sound very very baronail when I

hear of that so I'm a message there by Instagram to find out of you. I'm

trying to that my madrina me make mandat his stories has

many in a guarder in a guarderer and it's pretty

that's something that's something that's something that's maybe

thank for your and for favor, mander a a time to your

tia and if you tell the stories to do a special of a great of

the thing that's that I'm the the stories about the stories of caridies

and they were very very fertes when they was so it would be that you

want to to the WhatsApp of the pesat for here this

sweet poison to all fin got in vivo here

making the time the I hear you know that I always I hear you listen to my job and I

know I've got that my mother's family nocturna how you know you this episode is brought to

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you're going to be, felix, pululoante, for the life, and you topas a person that in his cellular, or for his form of or for something,

in your television or in what that, you just to show that it's family nocturna? You have to ask us, hey, you are family nocturna

and the person you need to ask you you're going to you have to respond you also

you're a part of it is a photo and me they're going to go back to go back to go back

so it's so it's like if me you're to ask hey you you're

the narrator and I you're you're my name so you're

so a so you're a question and you're you're family nocturna.

What's the Hello. Good Good night. I'm to hear your program. Apart to be

marvellous your voice. It's marvellous. Ah, that's great. Thank you. Thank you. Thank you

good. Poundya, good. That good. That's good. That's good. That's good. I like the

I go with my voice. D. Ross Galindo. Present Family Nocturna. I'm

in the narrations. Thanks for express so. What good. What's good?

That's I've seen this sabbado of Sombrass. They've got these stories. It's been the story of the three abuelites, right?

That at final they're being four and a cabana extrana. And he's here of Fernando Hernandez.

You're a narrator in age, in time, in all, in all. He said, it's

I've been from Brandentos Florida. Never ever had heard brandentos Florida.

You want a brandento to Bradento, pardon a brando Florida. A brazeno

to you and all the family nocturner that's there thank for your support your

and thanks for the good vibras. There's there's a person there's

a person who was doing a three ful that's very good the question

and I said ha ha ha no me make to be not

you can't you see that you see a

is a some a very good plan I think here is because

erratically and for the type of narrative or so that we go very rapid and we do we make in making descriptions

so detailed we've used used the term the termed a sombre a sombre and is the projection probably

probably over something over something that's a one that's in two D so it's difficult

you'd see you see a direction to where the to look the lot of

see the change in the silhouettes and you can't see the right

to the right or the right and it's more an or if the

point to the other other other other but but not you're

not you do that you're that will do do you do

something but when you have seen vision of

the people sombr the people sombre is in

third dimension and you can see the movement

the of the you'd have a person, inclusive in occasions

see in some of the lot of the lot of the role, and, so you can look to look

to look at where it's the direction of the question, because at the the whole

they're all this totally dark. Now, what is the people

that's who know, I don't have the minute, that if are of other plan,

that if are unversus encountered, that is they are demons, that

are there's, no I'm the I'm if I'm saying is that

with the gomber with a with a sunbably projected because you know you can

know the person the person's there's there's there there's

there you know you know you know you know you're that's questionable

because if you can't feel but also it is that the

fear that not necessarily are not necessarily are right not not you

not say you're very very good you're very good you're Fiel,

Saludus to your lady Elizabeth of Alba but I don't understand

the comment but thanks for the of the Michi's today to get a ton

so that's so much thanks thank you thank you thank you thank you thank you

and we know it comes here here on the organator me

can't those stories I'm on YouTube in the house and

the Spotify for the morning and the time Manca, Guantua, a Guantua, a

good to hear you. I'm a Brasau. I'm a beautiful that's in the gymnasia. Who's the most I'm in the

gymnasio when does the exercise? Tell me, for the David Gomez, present my dearer, a good night,

and thanks for an aterrador Saturday, Sambras. What are? They're on the

Shott of Sondras, they're one of the stories of these three abutas. Dice, says, no, I've got

the two stories two and the and the other, and the Well, is that I don't

have here in this moment, Laura, honestly, I don't you could say,

because the, okay, I said, I mean, to, I'm going, to be to be

the two you know, you can do you do the sensation like, I'm

to do you know, I'm, but that situation passed before like 12 videos.

Like in every video there's a good many memory would be a good but not is for

that's so no I know I know what I know what I know the I mean

the comments but I need the episode and I need to go the episode and yeah I see what is the

story and in the case of the so the of the is the I know I don't

I'm I'm a writing and I'm I'm going to I'm going to and I'm going to depending and the that's a story that

that he's that he has done I know those the promenores I'd have to listen to this time to let me

know my version of let me a Second, we're going to pass to this. What is, this is, ah, Noemie, my spouse is Family Nocturna,

for my recommendation. Thanks to the people that we recommend. Thanks to you, that's the idea that one of the other. This channel has

been growing. Of course, no see, you've seen, but we're to get to 350-tant-t many-scriptors.

If we're this pass, maybe, for the end of the million or we're getting to million. I don't

I know I'm a family nocturn is a family that we're a family that's we've done much much

so is that when you're like, at comment, at the to make, to make sure, with that

you make and I'm going to get this work and we get to more people. If you're not you

subscribe, for favor subscribe, if you're on music, Apple Podcast and Spotify, for favor,

let's give and press to the five years. Every that we get to a million

I'll see it. In these platforms, I'm going to a regalito auditive very interesting. Ney Aylard,

thanks for your poe. You want a super bravo. And the bravo. Now, he's for

here. Ed. Godemez. Presented, my dear narrator, a good dark.

Thank you aterrador Saturday. Oh, yeah, I've said, I'm

a bit. But also, a braus, said, Joanne. My first in an in-

live, since I I'm my little, I'm a manicurist.

oh, what good. It's been the time of many of the question. In serious? Your

your clients have been been started listening? And what do? No, no, no,

so stress and they're so much and they're that you go and you go to a line

of the more. Countame, tell me. Dice, for nothing he's

un-nomber narrator. It's impressive the form to talk and we know

to do well, well, no, no, no me autonomomombrer narrator. The person

me put in the name of the narrator. Originally, with the name that if I

did I own nombered and not me autonomber because me came to and it's this is this

bad, it's it's the bad, it's the podcast yeah was by Ice Murdok. So the

people said, oh yeah, I said, and I said the stories putting me, as much

me those narrate. It's was a much, much time that I don't

I'm present like the narrator to we'll hear about or someone to the narrator or the narrator

and if oh, hear a narrator and from there he's he started to get to

go to at the initial of the I don't I didn't I

not not didn't come I'm the night I'm

the know the no exist. It was a welcome to a afternoon auturna

to this new episode to let me know that I'm present about the invite to never I'm present about.

It was part of the mystica of the program so the people and the people were putting

a name for the narrator and the fact there's a part that I like much because there there was a

moment in the that this channel we're we're going to be to be to do you

have done because you have done to I'm really curiousos and I'm I'm the

themes and I'm very intense or if we're going to let's to be

to be a part of the part of the narrations. I'm going to the conversation of a

repent can be very very chocant very very golpista

to get to point where generate like much uncertainty

in the person not they don't get or the point in the

the point in the or the conclusions or the hypothesis that I So, so I intend to maintain to the margin

the most I'm not quite. It's very of my naturalness. But me more than the focus is to go in an 80%

90 to to the narrations and then I just it. I'm used to the narrator. Dicee for here, Anita

Ortega, saludos, narrator, excellent theme. A good to hear you always.

Thank you, thank you, thank you, a superabraso. It's a good, that's a part of the

family nocturn. For sure, all those that is the first time that

are here in this in-vivo to those 144 people also but those who are the

first time welcome to the family nocturna thanks for being part of the

family more the family my family now says for here fan of

my chis and I am you you you're a fan because you are

good good good good is my first in live saludos

from from a an abrassote to all the family nocturna of Peru

super abrassote to all the family nocturna of Peru of Venezuela of

the Salvador to Guatemala to all the family nocturn of

Argentina of Chile of Colombia of Spain of

Finland of Ireland to all the family nocturn

to Japan to all the family noct of

France of of Germany, of Belgium, of Orlando, of Denmark, to all the family nocturnal of

the United, to all the family nocturna, to all the family nocturna. Who's in who I know,

for a person who's someone that was in Australia, well, the family nocturna of Emiratos

Arabes, me have also been to Groelandia there. There was a person who me

said me was talking from there the family nocturna of Oh, of Ecuador, for the

Of course, of Ecuador, we've got many of Ecuador, of Uruguay, of Paraguay, of Bolivia, the family

nocturna, of Puerto Rico, of Argentina, of Argentina, that's, yeah, we've been saying,

and we've mentioned, of Honduras, who has a child, for the family nocturna,

Spain, Venezuela, Guatemala, those we've mentioned again, um, of,

well, here, here's there's For them were for states and cities, the state of Mexico, of Chihuahua, of Guantuato,

of New York, all the family nocturned of all the world. Thank you. Because from where you are you

are doing, you're doing this project. And we have this vincal also. Thank you

for your stories. This channel is great to the stories that have written

in the life of many of other people. So, so thanks for

here, dedicate me your time in this Sabbath of SOMBASS and I hope that's

being of your AGO. Now, if me Faulted your place, please

leave it in comments to have a question, but I think we have done a lot of

countries. If I have done the next Saturday of Sondras. Dice for

here. Dissmael Agirre. First, Ismail, much thanks for your

Poyo. My first in Vibos, Saludus, family Nocturn, Ismail,

we send us all a super mega Abrasote. De Morelia, also.

Saludos to the family nocturna of Morelia. From your your car's to the family

to my car. a bad-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a. I don't think there much necessity of that you have to repeat. Because

we've episodes. The lunas, the Marches, the Newtons,

we're doing twoves, and the Saturdays. A lot two days a time,

to me a reality that you are some to be some that we're

doing, because we trying all the time, to be a time

a much fear for all you because I know the stories

of terror, they're going on the chronicles of narrate. They're not

another indoling with other feeling, but also are good those stories.

If there people that's a fanatica of chronicles of the narrator, please,

tell me in the comments to be a nice to see here.

Claudia Gabriela Claudia, thank your thank you thank your

great thank you a thank all narrator, I'm going to

thank great for the integration so this family not at this time of the time.

Thank you. Thank you. For the support or your comments. Thanks for being part of

the channels of the diffusion. Recurred that in the channels of the different,

that is good that they have that they have been there to get a notifications,

we're notherstations, we're in the channel of doing the channel of the channel of

the time that we're doing. Now, I want to thank for the integration of the time of the family nocturna.

My family, although now I'm still physically. I'm surrounded of all this people. Today is my Cumple.

Ah, and Anna Velasquez felicitades for your new year. All the family nocturna you desire a beautiful

year and you desire felicit now, now says for here Laura Garcia,

Apenas I'm here with my man kebrada and Tristan, but to hear me

relax and you may have to let's always a good good good vibrational and you

go to be going to be going to get to another you, pegate the recuperation

and say disciplinada with the doctor and get and get and you know

you're going to get a good and you know and the family

night after you're doing like now you're Cardona. Hello, my dearer, you know,

you know, the talk to the stories that no's in the great-in-a- from Tennessee. One-abrasote to Tennessee.

That's great that this form of narrar. I know that's rare, I know that's that's a really

that's really that's very very and I'm that you're that's a thing. Orlesa-Therre,

that also is part of the intention. Now, we pass with Karen Lugo.

Present. If this was a matter, no I'd no any

a that's that's that's a very good phrase says

saludos my good thanks for you and for the voices of the

more yeah I know I know but they

they are many many thank thank thank thank

thank we thank a great great and that's this

alex alex bargas is my first in live and what

good stories of today. I've a few a few many times and I'm

doing the videos and I'm fans. Saludos from from your love.

Alexa, my thanks for your support and you want to watch

to do to get to get to to get a to get to let's

a surprise very very very very good very good

now now now this let set sepua sapua

Sapua is Sepawa, Discult me, Delisette Sepawa. Hello, Saludos, narrator. I'm incant to

hear the stories. Why do you a voice that makes that you have been to be

imagine. A bit, tell me that. Diggam for favor, tell me

for favor who of the people that is that

is that is that they are imagining the story, conform I'm

narrating, and they can be in your head in the album of a photographia sequential,

a comic, or a movie, tell me who can look to see the movie of

the stories that I go and there's there's here. The Carlos,

the good Carlos did a good good, thanks Carlos for the

great great great, wonderful work that are being being being being

many, many, many, many, many, and God, Carlos, my

brother, you know, I'm a super big and I'm a lot of this

we're doing this time. We're so we back. And we see, if we

felt it a second a second okay, no me he'll me let's

absolutely all this but we're going for parts and

says for here I have more experiences paranormal

that part of the part of the that I have called

not I'm not so no see no okay

so so are so are so are and

are experiences paranormal to be I have I

have I'm on a part of invited that so

that are in the studio and I do

but it not so defined. For so I do

like it's like it's not more because no more data, because

no more other than normal. It's me makes that not, the

I've lived with the podcast is many, I think, I've

lived in the past 30 years of my life, already are in

quantity equales or major those that I have been

the podcast. Psychophonies, that the Cedins that sonnable in the other studio The Voces

Oh, well, are psychophonias The phantasm That's The first came in the Gravation Or that was When the quarter

was full of energy When they moved The case When I was When I was Griming with Glitch The Man that

It was from The Checho When I was I was with Papa Oso That was Like was A man

Sombra this time that we've to be the door and it's I'm going to

go to one or two more but I have been the situations well that

that's that's that was very carried of energy yeah so

was very very very very very rarro ah when I went

to visit a house also that super abrassote. Family nocturna. I'm going to terminar me. I'm going to end up until to

start this in vivo. I'll ask for favor two things. The first. If they're questions of something, they can't leave it before here and right I'll do it before

to start. The second, if you've done your like, you've done your final. I think that it's a lot.

Beenged there and the follow. Obviously, if you're you're just as if you're because with

you support. Because with this project. It's abiotam. Thanks to that the algorithm

us impugue and we get a time. It's a lot of this channel.

If you do this project is the form of help you do it, recommendandolo and with the

subscription and the like. Why I repeat so the subscription and the like? Because

the according the statistics of the in-vivos of the 100% that

me listen that me listen only the 35%

are those who me they're the other not.

So, so I repeat, because I know the great majority of the people are

that they're doing this in the in the in the while we're not they've done the

and they're not the like. So, so I'm so I'm say, I'm

I'm have to the cellarga but that that's the attitude. Carla,

overivista to the final. Felicidates with all and all without

the Saturday. So, as we one's 10 no pido more.

The idea of Saturdays of SOMBres is that Dura maximum a time of two hours and a media And that maximum 1 hour 40 be a part of the stories That's the initial, but we're going to be able to But remember that this video DeVosurred to get 4,000 likes

Fork for that the next Saturday Sohrae, now it's for here From here, from here. And Jose Manuel, much thanks for Topoio, my mano. Saira, appoy, thank you, Saira. Dice, Saira, pardon me. Jarena,

CR2 is Saludos Darrador I'm you're I'm I'm I'm sure

I'm know I'm know I'm an abracute say okay

say okay hello you talk a I'm I'm

a how you narras all the stories since I know

I'm I don't other type no Doris no don't

don't do no talk in many locution of what was

Locution commercial, dobleage, theater and the it was how to talk about

in public but I had this style of narrative and what was what I was

that was there for other things and I learned other techniques very

very good that if if I have seen here

if no me, they're for other things. They're super recommendable.

I recommend to all the people who they're doing to tell stories. Tome courses. So,

no, no, so, no, they're in the case, not, not intend to do you

take a total. Tomeen courses. It's like a time of many different

and there are many courses of many things. Quintos, for stories, for

a scriptural, there's courses of theater, they're in courses of vocution, courses of

doodels, all that in serious, you do a amount of different I'm doing a recommend to

the 100%. You do it for the narration, to interactor with people, but you

help you do it for the day of the day of the very good you'd be a man

that you need to a man that's there's badnith other panoromals

because I'm I've thought of that would be interesting very good idea

Persona that want that makes you know in the comments me are going to and I'm doing the most

we're taking those notes of this. Wow! The history of the family in the cartel that was

the mother was horrible really, it's too it's a terrible, it's I'm when I

when I when I heard it and I made because me they're made up in the

mother in the and because me told many things that they were

they're not there's that they'd understand that the family were very metied in this thing and not

they were they're not they're those they're just they're just they're just the time of the

time I'm I've seen some time that's the final of the story of Raul if it was the

moment when they're a point a tambour a tambourileo on the door

on the oh no see look the the tokido the story

where they took the door, I was narrating I. So if

is a story that I'm not a story that's when it's a lot of the story

around. Something is more less far. The door not is a

two or three meters and it on that the door. Here I I took

a one of a 30 centimeters so so it sounds more

more the other should have sonado and he had

had generated a micro silence in me. It's says

narrator, Saludamma Aidae I'm from a barasote a Rydee Spotify in the mornings and in the

times in the gymnasia salutes, I'm your podcast Henry Sticking Henry

a super abrasote but says saludam a idea I don't I'm I'm

Mattine I'm I'm I'm imagine the relato conform I'm

going I'm I the important of the there there's

there they like much to hear me with audio phonics. But well, Famina Nocturna

I'm a very, a very, a great, a great, a good initial of the semester

the we're doing, we're being a time. But the J. Hid,

if the of the day, the of the day, you're to be

to be a delantos. We'll see. The Lune in

Let's let's on what no exist. Martes in chronicles of the narrate. Miercels, for those that they like the terrors nocturns, the

part of stories with the audience, with the family nocturn. Juebys, episode, Fuerreter, let's do what no exists. And if we get us to 4,000 likes for the next Wednesday, the Saturday, we're on Saturday, we're trying,

to try your stories more aterrador as than the day of today. One of this, you desire a good time and that you'll be a good time, and that you'll dulces, pesadillas.

Bye-bye.