HABLEMOS DE LO QUE NO EXISTE - SÁBADO DE SOMBRAS| Víctimas del Podcast |Sueños Y Brujería Oscura |EP 023

Episode Date: September 15, 2024

Para éste sábado de sombras en  @HABLEMOSDELOQUENOEXISTE  les preparé historias de las Víctimas del Podcast, Sueños y Brujería Oscura  que seguro serán protagonistas en tus dulces pesadillas... Bienvenidos

It's never too early to plan your summer story in Europe with WestJet, from rolling countryside to cobblestone streets. Begin your next chapter. Book your seat at westjet.com or call your travel agent. WestJet, where your story takes off. Dear Family Octura, welcome to this Saturday of SOMBras. Let's please, to all those that come on getting

that me confirmen by the middle of a message. If, me see, and me listen well. As we've to regress here at the studio, then we've

not we have the equipment functioning, but with this equipment we're doing that we're doing and we're

doing so long of the more of the voice of I'm and say it's all so it

very very well all family nocturner those we're we're

we're we're we're we're voices of the in this moment we're not

it's because not all the voices of the mass there's a very,

it's really very, very very well. First, I want, I'm going to start this Sabaugh

thanks to all the thanks to the support the Saturday on the last and the

anterior there was like moments very very very very sensible and that

that you are just you're to give to you're to be to

hear these and to to share them for all the persons that those people who do their relats up

of the pesadillas and to the email let's do the great and I'm that if

you have more than two or three times, since that you've put there put an

point asteriskit and then enter for that so that's going to renavando the chat

and get another to be the first to the first of the first first of

the first to start with the the story of the day of today that I want to put to tell, family nocturna

that's, for putting all in context, this is the first video that we've been, let's, let's do you

your first in-vib first, thank you, thanks to all those that's your first in-vib, and much

thanks for those those those those those people, that's we're going to get to

all this day, all you're all you, that are family nocturna, and to be simple, simply,

simply, simply, is subscribe to the channel, and that's a good.

I'm going to talk about stories the day of today. In the first

story, that you like you get a or that you make a little nervous and

that you get to get a nervous and that you get a story, you

subscribe. It's like a new a good story for your subscription.

But well, one once you do you're a newcturna and

this that I want to let's this for the family nocturna

YouTube not the rules and then those I want at

time, because I know that many of you're in a good very, very little.

Of course you're going to talk an anecdote that was the day of the year with a

day of year that's very good, but it has to be a person of a great, very little,

we've been really have been been in this family real, the family the most

of the internet, but also the more more chida and you want to put

all the rules of YouTube because I know

that a much of you like to support in a form very active. For the in-vivos

we've notified that the forms in that's that's that's a way

direct to the project is very simple. The first is that not the forcees.

No, it's necessary that for support that's more more.

If you're got the project, if you want to go the

the stories, if these the day of the Saturday

of the sombras you like some of these things and

do that make the first you make the first comment during the en-vib

the second that you do you do you have done much so the

those caraconsit I think there there's a buttonc't in the can't

be a tap continue and then then they're to start

there in my panta not my my many of

you made you and you those carousoncitos, promote the video while they're in

live for that get to more people. So, the heartcito, the comments and one once that the

video is in live, if you're doing or is, you're doing or not, but I'm out of the

in a repetition, because it will be going to get to the platform if you

you're being in repetition, one once that you're that you listen,

and if you're subscribed, for favor, leave a comment and you'll

because with this you know you know you're in this one of the idea. This is

not a forceoso, is only exclusively if you do this work, if you

want to support the project and well, family no one once

said all this, come we with this Saturday of SOMbers because today

today I'm nocturna today I try some I'm that

you want to like that Lamentably, the day of yesterday, was a year,

a day of a bad suorpe. And today, to start, I'm going to talk about a little

fragment of the family nocturna to the to call I'm trying to talk with many

of them, but that have been had been bad a moment of listening the podcast.

Because today I'm to be to the victims of the podcast. I've

little stories to start this sabbado of sombrass people who have been situations

atterrader as a reason to start listening the podcast. Why what's

that? No, I know. It could be that the people in si have some

type of some type of sensibility it. It's in the place in the

moment less adequate, and that my theory, at the moment to be

listening surgen in them a type of energy for

the emotions that them provokin certain stories that then generate in

that place like the contact with a other realities not necessarily

something something malepic but definitely things strange the first

the first relato and is one of the most impactant is

of a she she she she she she she

she I'm I want to I's I'm I mean I'm a

person that for the general, I'm a bad at a no, I don't consider a

person valiant, but I know how explain to you know, I'm really a

really a lot of so it's a situation a little difficult because me

really to get a certain level and after a different and I

know I know I'm that I think I'm a way

that I can be doing the podcast without so With the podcast,

I discovered the year past that Caminar, Trotter, and to gore so, so during a few years, I was putting

the episodes, I was listening, me put to trotar, and I was and it were a rutinas relatively pesadas,

but it was strange, you could be present attention, that my routine, that my routine,

to a certain kind of not were so much, so I had that in part,

I was very interested and entertaining. As I was doing a podcast,

I put to do a marathon. And at doing the marathon, I'm I'm going,

I'm the marathon, I'm not, I'm did from the recommendations and videos more vistas,

but I heard that many times mentioned an episode prohibitive. And I

did the task to listen to and I'm that's that's

that's something, and I in the because it's prohibited.

While I was going to a good and I'm going to hear Angeles Cahe 2.

1. All the way of trote, all this way going to go to

and I felt very incomod but it was a very I've seen I've seen

a year and during the time I'm doing and I'm getting like much agitation

like if not could not just I was going and I felt a

very pesed. While I was going to and I was going to this, I was I'm going

to know as there were people who were people that were not people not, no, no,

some mrs. They were somebs that were those and then I was I'm in

to chocker with someone or for a person came to a way, in other

type of direction and chokaram of the side. Then I and there no

there was nothing. Continued to make a lot of and then I'm going to see that

were more and more figures a little a bit of times that and then they were

to get to another other side and then was a person because I was

all the times because I'm sure and I did the whole problem was that

was right was responding mal and that of some manner

me either or hyperventilando or me still without a light. And then what

did was to make to exercise to start and I'm going to try to try out. After to be two

or three minutes very concentrated and in my pass, I put the the audiofo and I

did this have been put some somebs and they were just they're coming and so

they're just being to get the soundions and I did the and I said, I understand why

is the episode a maledito. Dentro of these stories, that I'm very much for what I've said,

I'm doing, I think, I think, I think, that exist, some episodes where what is emmone

are energies and those energies can plasmar, but to many people had functioned perfectly

the fact of the soundififones, because when when it but when voice

in volume alto was when when they were the things most and there

a chica that committed this error not said the recommendations that much

we're especially before when was when was that was we're

we're to listen with audioifference and listen it to

listen to moderated to to now now this

but this she she much the volume because she was in constant movement in the house. It's a moment in the in the room where it has been

the room where it has the bocina and in that quarter that is doing the limpeza, it's to hear something that's like a kind of a sub-vied extra-so,

like something so that's the volume of the bocinas and, and with the volume of the the other sound disappears.

Who he's a start. It's a sort of not, no, no, it's going to be

the sound of the voiceina, he will be to get the volume, and then then he'll be to get this

sound like chirriante, like, like, something that was, like, was a,

it's quite that's he's not he's, he's got to all parts, he'll be

to be back the volume, and then the sound of the other thing, the

disappear in an instant and he's to feel and he's saying, what is this? Yeah, he's time doing this and

he'd have never been never ever so, so it's that you know, and making it's like

a good, you know, I'm going to suggestioner, I'm going to put it, because I'm to get to

get a little the moment, and in the moment in the time it's up, the level that you're something,

something it's a strellara, like if it's re-chebrajara for complete a and then it's instantly the

bocina a busina a stustadissima, he's to turn to all the part and be that in

that in the room, there's many years, for that no, he had presented

attention, a picture a little of the Vigel and

just to the center of the the wall, it's like

if someone would have put out with something and they're

where they they they're they're iskebrajos of the crystal. The chick was impacted. That thing has

any years there. No, has a mark that is pre- like trying to run. It's like they have

been able to have been the moment of the volume high, it was that was going that was

affecting that crystal of that figure. And with images religiousas there

a man that lived a suceso that he did much fear.

She has of santo, of virgins, is a person like a Catholic, a lot of

a lot of religions and this is a thing I'm what she did you know. She has not are

not an altars, it's more well a type of, how I can't

repisa, vitrina, vitral, crystal or these mueles of the door

that these ports have these parts have marcos of the center, have

crystals. So, you can't see the interior of these new people. Many people

are used in occasions to put on places to put up on different images or to put some

type of other things, trophies, etc. that are that are that people that are

in this house, all this place, the past of the years, is a

lot of images of the images. The images have a mark

no they're a crystal, practically is a markito

of a there is a a other is a very much

a with the basecita with a one of these stampita not

all they're that they're that's firm a percent

there one and there one on on on

the and the situation is that independently of

the the things of the thing of the

thing for she is that this a senior that that's

a man two salutes, he's listening an episode so he a,

he gets to feel much fear, because she's like if after

she'd a one of something, something and he had made and it

and it was a intention like a menace so so, he's

so, he's that all the spal and it starts and

start and it's like these chokes elix that's delisance for the column

when we're in a level of stress and anxiety and it's a and when it's a move to get the

stuff of their all the 100% of the images of the virgenes of Santitos

they're both as far as if someone has had put conscientently

and simply not I'd justire that they're there's a lot she's stoo

much she's out of the house he to get to

a family when they get, and they're another other way the other and

after the day of not he has been to happen to be those precautions yeah

not he does those sounds that's many loud and I'm

using to use audio and me said after after

that after another other I don't say it's

strange because it because it might that such

these attack like the gyrognos not they're not

something of something or with something that is of a loose for putting some type

of identification or the form of identifying and it and it's a type of things. But,

a lot of that's a woman. There's a question of occultism and is a practicante

ferre. As you know in the podcast, no, no orient us not, not it's

not it's not it does it to change your form of think. No,

it's that these stories make you or that's some stories. Some are stories. Some are

others. No, no, we're a way of a He started to present much the attention in relato

related to angels. Not are much. There have been a pair of chapters and there have been a pair of

stories for there and I've told my anecdotal with what I consider that is my angel

of the guard and if some of the audience don't they'll remember, here

let them in the comments and at the final of the episode I I'll

tell the story if I'm not you have heard. But the

point is that this this something something, beautiful, and you start to feel like

if she were to move emotions that she was not she was conscious

that I'm a lot, compassion, something. She said that she said that was a

light, and while I felt that with those episodes, like if something

was there was and he waspaw the bocina. The bocina

has a perigita that's to turn to get to the side left, until

you get to a top and with force it's a click. But it has to

use a power. No, is a perillita that's like a way and

she's move to and then it with forces, click. So, in this

situation, what what occurred was that in three occasions he they're

the same episode. The chick brinked of an episode

to one in that we talk of stories a lot more terrorificas

and the bocina as nothing he's the same day or the day or the day the next

to hear that episode he was moving and the voiceina was going to get a

back and the it's something in the house something I'm that I'm

that I'm that's I'm that that's there's there there

two in special that are with that I want to I want to close this part,

this first part, this first part, of stories of victims of the podcast. And are two people who took to something. There's an anecdote

that has occurred to you know, which, a me, me, it's a lot of, it's a lot of, it's something

very beautiful, and it's something that never had soigned, that in a same family or in

a group of people, resulta, that more than a person, has known, has known,

we've of what no exist, but for their account, no,

no, they're not they're not they're and they're a lot,

or because he's very really narrate something, or because he's

a little and he put, they're they, the other members of the

family or of the people, that they're they're you too too

you too you're also that both are super-fan, simply no

they're when occurred this type of things, obviously me

me Tremendous. Apart, me do a good to know that the family nocturnal

every time is a lot of the time we're not the part of her. But also occurs cases strange.

This chick, we're going to put her the name of Melissa. Melisa. Melisa is super,

super amante of the podcast. He doesn't much the stories of terror. She has

said, I, I, I, I, I'm learned that the intention of the

podcast, but she says that's I've learned some things, some ideas

that I like the I'm like that I'm really, I'm really. And there's

a friend especially in the that you have lived, I'm doing, I'm doing, but she's

very meodos and no I'm not I'm going to get to a house, we did a call to

and then then I'm put the things and me says, there's there's what past

to Ais. If you it's so it's that they're that they're about at the 1.

And he said you know, I'm going to get to get to to work. I'm really

I'm quite uncomfortable, I'm really I'm not, I'm not. They're very interesting

but no. So, in serious this is the thing. So, this chica about his

parents for her pass for she, pass, she's to go to her house, and Melissa,

that is the story and says, well, I, continue the, the things

that I had to do the , I vesty for to do not so I

I'm going to and I'm and I'm and I'm and I'm and I'm this one and I'm

my cellular by the error no I have left in silence and it's but it

and it's the point in that I get much a pain and I'm to get to my papas

because he'll have done because I go and I do I'm and I'm I'm

I'm I'm like seven times of five minutes and then the messages not just

they say, contest me, contest, me, contest, me. And then I'm, Iter. I got her the cellarro the cellarer the door of the quarter of the quarter, and I'm going to to voice back. And I'm going, what happened? And this chick, the amiga, the who is very co-barde or that's the story of the trove, that don't they

like, he says, Dime, for favor, that you me is playing a drama. And he says, no, I don't know the menor idea of what you're you're talking, are the three of the morning and

tomorrow I have to go to work. So, so, for favor,

for what, you want, to know, to say, they're

going four times, that I intend to do and being

to consider the sun, it's on an episode

of that podcast that you put in your house

and and it's all full volume. He said,

I don't I don't I don't have any playlist, I've never put

in any episode, and I'm the application, I'm, I'm, I'm, block you know,

blocker the screen, and I'm put a blockade the screen with the volume to the

thing that you put this thing. Dimm, for a question, me's you're just

a person, so I'm doing a business, and what I'm doing the thing that

it's not, I'm now, but now, now, now, there's a

is that, Chica, if you're listening, I'll do the very a very to do you

know what you're doing and the only recommendation that I'm so it's talk about it. You're going to

see. There are many stories, there are many stories, there are much so many history of

victims of podcast was something that was something that was a very beautiful that,

that, that, the new family nocturna if are the people

that have done this, my more profound thank you. I don't know how express the

gratitude is that is a lago. It's a lot of when we know we're when we're not I'm

a type of person that is like expectations of things like the people may and that

me know that's not no, not with my personality. Yeah some of you've

been seen in person and have seen how I'm much of what you are

here practically actually so I'm practically actually I'm the first day that they made

a video that they were a group of people seeing me in a television

great in a house and I don't I remember if this was in

Europe or it in America I don't but independently of the place

for me was very impactant and it was because because because

is my face in the cell of a family it

is very extrano, it was very strange in that moment and you I'm going this,

because then they're to get more and more of these images and every way one,

it's something that is a heartacito of the heart tremendous and I'll give the

thanks. A family like various more, you have said, we've

we've we're the custom of a certain day or certain time or

certain moment of we, we we just We're a bit,

we're a certain day, we get them there's a certain moment of the day practically are the day

of what we start doing. Well, me they're we're doing, we're just we're just we're,

and it's like we put a pause and we're not to put us and we're we're just

the stories and so. One of these families are in the cella in the middle of

a scene. I'll say it's a lago tremendous because they're They're just,

they're polomitas in some boat and they put in a which is very impactant. But they're

in this custom that for them is a thing normal, for me still being something

and while me are what I'm not so what I'm because not because not me

did you know, but they're being the podcast they're they're

that they're so no like a a spiro in the cell and all

they're they're a suspicions of a woman and it was not the sound of anyone of them. So, they're to see them and they're at the same time in the own, all the

voice of a woman saying, help me, but like susurrond. They were all elads, elas, elas, and they were and one of the chicas, said, yeah we're victims of the podcast. So,

Famine Nocturna, for all those that have have been bad suitor, I'm sorry, I know,

and they're going to see that the situation strange, the lament but I hope that

we're going more stories, with more relato, and in more moments and the

and then the next to the stories, that tell me, what you're going to

think, the stories of this sabbado of the day of today of the situation

that we're more well, that the day of year was a year, it was something,

it's something and also for suggestions of the voices of the more

that they're you should be about the bad of the bad

I think I think it was a good moment to mention to

the victims of the podcast. Okay, they they're

getting, I'm me I'm perfect. Let let us to this

two stories I want to talk a part of

stories that me get this summer that I'm

made stories very very and I'm a lot of many

times the time the the thing of the thing that in the

personal I like I like during a time to

day of today I'm much about the time experimented

many things related to the so for that

for those those are new especially I do I

do I I I'm cargo much to the practical. When I started to make a recurrent in

suns lucid to start in the same the same the same. Lazange surgelley, puissance

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bookinet oh, that also and profite Via-Rai the voice that we am.

Before the the sunions and I had to start me of certain things,

I was to have to have a conscience of and I'm to see

that in the suns lucid, there forms to get to know that

was trying to see and I practice. I'm little to make more

more time. But there was a problem because after the dreams

lucid lived a time very great of pesad

lucid because they were summently real. And they were things horrible, from things paranormal, things macabras, things that, espantosas. Until that I've been a

pastadilla that I think, I think, is that pesadias recurrentes are the, progressives, are the, are the time,

and it's like if it was a movie that you're being by parts, but this was different, this was, it was like cyclical.

If you've seen the movie of Inception, it's like a into a dream, in a dream, then a

in this a new, and I was in a other and was a a very, very extra. I've known

by the family of the night of people who have experimented, and so, for all, it's very confused when you

see. The point is that so that's many years and the time of the things that I'm many of course

things, and so much-and- many, A great, a gap amplissima, are of indolice psychological, but also occur in events very very strange. And today I want to

talk to two dreams very strange, two families, two persons that had had a few years, dreams that romp in the velo between the part that is Sique,

or the soul, the mind, the ideas, this that we have done of our case, but that not is

that we make an action when it's materialize for so say to say it's not even

that we express some something we're we're even materializes a

basis these ideas there people people do no no important

more than a controversy is to give a more

a more more a but there there is that

not is not the so you don't you there

there a child that has a situation very

scabroza, very orrupilant, but at the same time, extrana, and has to be with a dream.

She's going to do not in this house, in the house, in her life, and she

is a child unica, but no see if his brother was to work, or something

that was a case, but in this house, only were in this moment,

she, she, she, she, she, to dream, Comience to sonar,

that not that is out of the body, like if had a conscience, like if not she

had been in the same room in the room, is it's being to the front of the

camera, it's like every day when he and be to the front. But it

still being the night. She got to the eyes, and it

was there is there like moving to outside. Nunn't ever

ever had lived something. and less with that sensation like the realism of this is a you know this is a

you're seeing your house you're like you're like but the same time no no see the

the body of her above but is she and know in what is she but there is a lot

that's a the car is a man is a man that's a macra that's

he's a proper but there's something there's something in the

roba that's very aterrador. In the area of the abdomen, in the

area of the stomach, see markers as a kind of of a

little and I totally sumied. At point in the that he

resalt that's the figure and then there's like a endro

an space sumied in the panza. She she, she,

no The first year, she was a bad in bad as conditions, the stomach totally out of an image horrible,

scabroza. So, what what occurs is that is that he gets a little bit after a

moment, he decides to be to be able to do and in the morning the image

not he doesn't think on that woman and is very intranquila and not something

his papas normally for when she she's He's like he's

prepared to dinner and they're almost a few foot to be

a lot of the house and they're not in the time. And both is the

case. Both are like in a voice when they're in the way that she's

like incoomod and the notas rare, then they they're asking,

why not you're they're they respond to directly not we're we're going to and we're going to and then they're

so they're so on no no no other other thing don't you don't you think you

want to give us our space or we'll talk to take your food your recamara and then

then you see your day we we're we're and she she said she's

well but she's but me that said that said that, the two papas, Voltaire and they're looking, like, something, and they said, what happened?

And the chick, let's tell what I was narrate, me, and it was like if it waspired, but no, and it was, it, it was, it, it was, a day, no, and there was a a lot of the stomach to go ahead, and it was juste

and it was, like, a little, when they're saying that, the papas, they're getting vending and decide that they're going to say what they've lived.

Because it's that they've been going to work, not for a new from a new thing, but because something had

passed on the night earlier. Quentan this parche that one of the time that they were in the camera and

then then it's like if they had been in other type of reality, something

something are the two stories totally different those you're to hear

because is every one of the relato of these people. First, the mom. The mom of this chick,

says that at the moment of being at least her she's not a family in which there's a chick embarrassed. The chick is very well, she's been very well, she's a certain

checketia of a mesquille, and above has like a type of bluson large, and they're talking and they're

in a car rojo, and while they're in the auto there's a little that she can't He doesn't know, but

you know he's sentiments like a pain and then in the same

the same so he and still being standing in a dream, or that she's

because he at the feet of the the person of that the

only that is the child the chica embarrassed but the other are there

and they're demacred and they have been mal the

the roba not a lastimated I I hope that you understand and

they're and they're some voices that say and these susrots also also the

person who says they're he's he's he's in the woman she's

very very assustated the the husband is a so the and the

man and the person looking like a something or a light,

a lamp is a little bit the door and he says that I

hear some voices and the she said he he's he's he's

he's he's he's he's too he's he's time

for that he could be to know he had said he he no lived

nothing more the he was he he was

he was he he was he he many years he he's not he's the

sensation of alcohol in the book, an alient apestoso or maybe wine, or perhaps

beer beer he he's exactly but alcohol and like a view a little

that's like not distinct well but at the same time a soltura

tremendous like if not was it's he he he

he he he a man a a type that not is

he that's a carcando a vehicle blank, open the door of the vehicle,

so it's so we and then something something happens, and then from the

vehicle rogo to this vehicle black, and chock against a vehicle rogo

that was a little a family. The sir, he'd very impacted because

when when he's that chock in the suno is when when he he's

the voice, help me to help me to identify to identify

who is when they're talking is like all the family in the life in the

life would have had been contact with that other family that maybe had been

a accident. There's a situation that is a situation that people who live in situations of

when you do you do you doces in the area of the movie

and you not you go to go to where? Of what what? Of what

what How many you need is an investigation of that type with what time this family not made some

investigation expected to the day of today to that no I'm going to present to this soceso

that they don't let and they they're they're in voice Alta each one

doing their saying if they're here we're not we're not we're not we're

not we're not we're we're not we're not we're doing our ourations our

our words more, words less, every who said his discourse,

the message was that and then after that not have been able to live nothing.

But socesos strange, a a dream partied in phases, what

would be that maybe in some a family that had been

in a car was choked for a man that was

he had had in a auto black, and chica, that probably

probably I'd just simply had been a dream, and if no, probably probably there were

all of them even with the of this baby, including the baby, that's the baby that that's,

that's that's been in the world, be an inconsient collective that for

some moment those he's he's a great in a

mind in the world nirico and did a movie,

we know but are things very strange that are in the dreams. But if

you want to see that these are the other the stories that's one of the

question. There's a question. There is not it can't make a way to

make a way of real feelings. You see soions in

those the things that are probably a thing,

it's something. When was a little in one occasion a

son- a prime that had a lot of a lot of a lot she was a more

about her not a age, was a little the prime, but

we're pastadito the 15 16 years a sonia that she she gets

to her a but unbarasada but to have the

young not they're a family, and she's a son but she he's a real

that went and he he's and he's so-manned to because she the prima was still they were in

the family because he was he was in 15 years and they didn't know how they had not been a

situation that they were in silence and the mom was she was very impacted because he

said I don't know I was I'm I'm I'm I think it's a

so yeah and a day this she's a child in the in a center commercial

of your city. Offer, there's a ballacera. And she gets a very nervous.

Just when when it goes, passing the hours, probably passing a day,

and she in her routine the day. The sound of the

the big the vehicles, the something, something something

is something that's something that's, and his mom he said, oh,

I, I'm going to go to the center commercial that

is the same with the he's and he he went to him and he

said, Momah, you do you know of the dream of that that I'm that I'm

that I'm never, I'm never to have a little, so I'm that there was a

bad and the things and the bad because there people there

because there didn't and then the mom he said but it was a

dream he said he said equalito never never had never

had been that the one the mom decided to

make a woman prudent that well, no we can't ever

case of these dreams. We don't know exactly because they but that same

day there was a balacera in the central commercial. And this this

chica says, I don't you know I'm I've lived that two

things. But I did a that did that he has that I'm much

fear to I'm I'm going to do and when me

to get to do I'm to get to I I

know in the I'm and I'm conscious that I'm I'm

trying to but there's something very, very, very, very,

in the dream. The sensation of reality is the same of the

other two, the the dream of the one and the

other dream in the other in the first, there's there

there an an an an an lot, a

sufre a humo a a sensation of a

conscience, at the same time it's like if something it's like if something I'm trying to find out of the camera, I'm coming and in the

plant-alta-alt of my house, that is where I have my room, my piece, my recamara, when I go to the pass-sile

is all in yams, all in the doors that are at the court of my father's, to a-of-

visit, and to the two-banyos that are abirtas in-par. And when I'm going to

go to go to go to but I'm going to the room but in the bathrooms,

inside of those recamaras or pieces are in the sunn't that are you are doing that are

suffering and they're they're like if there's a barrier invisible that's

it's and I have a I'm I'm I'm really of those

things that are the thing is horrible is tremendous the the house is

incendi even even is a fire of the real life but of

other type and I'm a little or a a inferno or a other thing but something

that's good. The color is asphyxient those things that I've seen

I don't know if they're like people silhouettes of people and they're trying to come back

to domultes and I'm start the more rapid that I can't the pastio and at

the final of the passio a the man, me aggrave it, and that man, I recognize, it's my abuela. My abuela

fellacy, after like five, six years, and I recognize the man, she wrote to see, and my abuela has the car disencajada, it's very, very,

very, very and me, and me say, for favor, tell you to your papa that me pardoned, and me despierto,

but not you can't say, it's like if me had been had opened the doors of the

Inferno and they would have done that So it was a little horrible, horrible I'm going to my papa the day next and I'm you know

you know, you know, you know, you know, so I've been for your mom and all, what happened?

Soney this. And he he's the sonno of the mother. The wela is the mother is the

mom of the father. And it's that the papa when he's

when he he says he put very pensative and he is that

I don't know how you're her own she's she's she's they're in

a conflict never were so they're doing memory

because this this in the infancy of she and in

the initial of a old I never never

never never never never every every every we never

never they not it not they were Mami me

does the impression, for what they're a family in the communication not is an an parent,

a prime and barasada and that they're an father that's been told for the

mom and not directly for the I'm that's that's he's that the

communication not the so forth. So, resulta that when his papa

reaction saying, I don't how pardon her, she said, tell me what happened.

And it's when it's when we Let's put her the name of Ageda. Agatha is the chick that has those when the mom of Agatha was about embarrassedada of Agatha, the father was

doing some transactions for buying the house that was going to be for them. A house very beautiful, a house very great in a colony very luchosa, a house that she knows as the house of the abuela.

And then she says, I don't I'm I'm trying because what you you're going to get to

your house that's your your your your mother

moved the father the money, and he put so all the name

of her and my brother that was his his his his

and we know he he's he's he's from the day

I'm don't my relation with your mom is a

person very little a a heart very great and she

she didn't do to try to his suhria but I know the day of

today I know how pardon her then what are the dreams entrats

a world parallel or another part of the reality a

connection with spirits of people that have been

that have never never we never never not

a very there There is a success. There are two things that I want to talk about the day of

today. In the many of the many times we've a group of the group of we'll be

the work and we're we're going to we're going and we're talking and we're doing,

it's a question more well it. Surgue a question I'm I'm

I'm I'm I'm a questioner you know you know

And I said, A-beer, yeah, I'm a time, we've got a good time working

together together and that's family, too, working here. Duda. Quenten me what has

been the stories that for you more more you have done or the most

they've got, and there were two stories that were like were unanimes in those

that all the team said, those two were those were those

were the commented the stories and I want to try it because when I've heard of the

first I'm like this stories really were really were like abacabras these these stories are two stories

that are of the people about let me know what we know in the comments and when the video

that I'm being published when you're in repetition I'd know what's have been those two

stories favorite of the podcast the two stories the first is the

the Rosario of the abuela. That story is fortissima. For all the new

I know in what episode this I don't do you know what but it but it

it's that and if you know in what they can comment it.

Result that there there is a little he he he

not he not he doesn't like a person with

a simple and simply and the long of his

life, has had been certain experiences very strange, that they

do you do you that in certain conditions, certain places, or with

certain objects, something, I'm to be to explain. Resulte

when he when he, when he's sometimes in certain places, in

some his mind, he gets images or a sometimes

they get emotions, a a Sometimes, revive things.

But this he's the form more tormented and orrip that you could be a horripal

you know. The rosario not have nothing of the rupilant. Counts of the

metal or some other type of material that serve simply for

you give you give us the equivalent a baco but in

circle you you you your counte of the

things you the situation is that for this then it's a

type that's not a question of this things, not not an

instrued in a question of a problem about and it's

a subject very social and he to a house of my

remember this this was a time not see was a and in the

house of that he is there the place, it would

attract her. But he knows what is. No, he has no idea. And he's talking about

that something that's something he's really, and it's like if if it's orientate,

a little to make a part, to revisit, and not a type like chismos or fizzgone.

So, it's a little incoomod. And standing for the house, when they're doing the

tour, finally, he's that is that, that is that is that is that is that

he's that he is a you're calling. In one of the habitations principal, in a messita, they're a rosario

relatively great, but it's a rosario yeah bigito. And that rosario is of

the countas of the lander, the countas the madera, the countas, they're

manchittas, but they're there. And just in the rosario, I think it's,

in that moment, it's, but there phantasm, more, phantasm, more,

but there's a photographia of a woman, of a woman grand, and he he says, why are they're the rosario of my old old. It was a person very devota.

All the time, all the time, when I was with us, with my primos, when we were children, all the time

was having to do you know, difficult we we'd bea with her. And he said, that's that I'm, I'm

you, I'm, you're just to talk the rosario, and he says, yes, clear that when

he's the first experience that took in the life of these images that were in these emotions

when he he's he's going to other place and he's seeing a an

anciana that is with the hands with the callos lastimated pression

with all his forces a rosario resando while a while a

male ela he is your heard do you do them

do they're are they're my own damelos the the words that are

a lot more more more more more explicit and she

when she a voice is a voice that has a voice that has a

that makes to have to have to have to love to that they

when one of those children his Sobrinous, he's going to

do this. It's much damage. I'm understand. I don't need to be explicit here.

And what she does is to take that Rosario with more forces and he says, Father,

Lord, God, and what you know, and what he wants, is that through the

voice and the pressure and the question that has been in the question, it and they're to be a

other scene and the other scene, the voices they're they're they're

they're idea one of those children that he'll lastime and the she'll take the rosario and he

starts. The situation is that when this child was he was a little he's not he's always

aterrower you can't imagine see that the person that you have been in the

photographia that's talking about she's a person devoted, of a a

repented you're you're a person that was a person that was a person

that was a person to do you all the the other other other so when

when he gets totally aterrower in his hands the voice that's called the old he's going to say,

and he starts to say are my don't let me let me the rosario, and no he'll go

to talk and not go to that house. And he says, from there he

started various things. I don't I remember if he was the he was

the servian a a bit a bit. In occasions, this

type, you're going to be with with a lot of and with the

time. But it's because he's because it's not the thing, because

things that me told, it it would be that there

sometimes sometimes sometimes things, and they in these images and

emotions. And, well, that's one of the relato. The other

relato is a person, a that's a little bit with his papas. And here

has to be because I did know at the moment of that I'm talking about a lot of a while

you have put a number here and that I think that we'd never

to be ever toparned with her. This chico lives with his papas

and he has much time living in his house but

I don't I remember if there was an activity

or that's something that he has occurred, that I'll tell you, but a night he's going to be to be to

get to be, he's going to get much fear. He's a little what for him is the

reality, not is a dream, and then then see that in the corners of the wall, in

the walls, but just in the corners, there are some there are some figures that redumbed.

He says, no, you know, you're not Here you're protected. And then, he begins to hear from

like a grunied, a kegid that comes from the house in that he lives is a house very small. You can identify

all the abitations. Because it's a house really small. It's your house in front of the

his papa, and the apartment of his papas is where the bao. No, there's no other

house. There's more abitations. And, all, it's like a type of loft,

a cell, a commedor and it's a little, and in one of the the wall of the crossifio

enormous, very, very great, herencia of the God, then. Then he

when he's up and he gets to hear that he is a fear, he does

he does get a voice that he's he says, he says, he you're

not you don't you're out, he is out of and then And then,

no know what that's that voice. That voice even that's a voice,

but there's a lot of there's a something, there something, the sound of the sound of

that's something something that something and he starts like a little

a then then it and he does know that the door

of the house of his father of the so so far

the sonio the sound the a place like a little more lehano and

he says, no there's the first piece. So the curiosity he a man, is a

man, he's a little bit of the room, and when comes to be in the type of the

escalers, and when it's going to go back just to a half meter

down, there's there, I'm a guy a sombrero and this type

has a some dardos and he's ryingdose he, he'll be and he he he and he

he he he he he he and he every time he makes a little sound a little bit of

a keyjid this this chico is going the more silencioso that can that he

and it's then when when he gets to the part in the that can go to the person

that has been the sombrero it was that he was there was there's because just he's and he's

and he what he's in the the is that he's a Christ enormous is much

more more and he has a person there the which has a lot

and that the person that this is the person that the man's that he's

that's that he starts to come to come he's he's and he

he's the end of the people's and the people's he's

When when he when the the door the door of the door of him

is a thing because he is a time and he's to hear that they're

going they're saying what you what what is what happens?

And when they're able to the door the the parents

they're they're they're they're they're they're they're something

something something that when When they were going to the room, the door

of your room was the door of the door of the way. And then they were to hear passos.

And then the other pastos, they were getting a kid. And he was crying and and they

was trying, because they didn't that was the door in some moment and when

they got to the door was just front of and they and it and something

that was that I'm didn't that. What is the part that

For the type of anecdote, it would have been that's been the first story of the Cascador that came to simply and simply simply.

No, we've had done that. What could be this entity? And for those who are new, the Casador

has been a entity that have been many relato, and we say, it resalted or is

a person for a entity that is torturer to the person, that emotional,

a sometimes for the dreams, a time in the world real and it's an entity

like very very malignant. His forms physical in many occasions even even

but the methodology is the same. Because in this case the person that person

that lived that the dream of the crucifix the Christ

Vivo says that at the fact it's an image that

is a thing that really it perturbed in many the many of the

castes that they're that's a way, he's a little bit of the victim and is

he's playing psychological emotional spiritually to to be to beck that we're

we're we're going to talk never with the castor for my

count I'm I'm I'm I'm my family noctur

I hope that I'm that relato because we're very close of the final.

Of the final remember that the Sambas we have a part of relato then we're to the part of questions and

finally it's the talk with the chat. To finish the part of the relato I have two stories,

two stories that two two, not 12, two stories that I think that they're going to

love much because it has to be with socesos sumament extravagant

and extraiors, that have occurred in in different parts of Latin America. The

first has to be with bruchos and bruchas. There's a place in the

city a city small. In this city small, there a zone

urban, although it's very small, there is an urban and there

zone that not urbanized. For situations economic of the country,

that little city, that's a certain overpoblation about a about.

The people were in the world and were without resources economic, they'd

a reality really really really difficult that were where they were

not not even for the costos because no there. It was

a city very a big and they were to

in the the terra that were in the out of the city,

they'd and they were to them, they were, they were and they're in many,

a little cases, that were in different materials, casitas, so that you know, carton,

lamin, things that they were there, and there was, there were others

that were to work to make to do different and they they were to make

a construction some some of some of other other type. But the

point is that they were to be to be able to be a certain zone. There's a great problem.

Dentro of this phenomenon that not occurred in only a space occurred in various, a zone in specific, that

was in a place that was a, like, an access direct to the entry to the entire of the

city, not was that so far far and, let's that the vegetation

there was there there was, there a part, there was a question

with a carettera that was at final it was a perfect because if they were

putting little little stentagit and things it was but they're a little something that

this phenomenon not was from a day for other was passing days, months, and even

after a few years when these people were they were growing a number

because this city for a situation that's always trying people

there were there are people and that that the

person nobody it was very that it sense. It was the

best of all of all. And no had nothing barredeated or no had any letterer who did this property not

that's a property not or something what's what is that a woman of a character

very very very very very very very that has a

family that just is for the reason for that she has that I'm

to tell to a grand rasgo his family had certain

and practices religious that she detest to. Detestue to that his 15 and 16 years, she separated of his family, as some

some of the way of the last, so, really, without any recourse, and he started a

life, she was a she's a mother of two children, and with her husband even with

many, many, many, many, many carencies, and they have a a proponent,

they're from a place to another, is a woman very empowered, very entrona, that is,

and there comes, and there's a lot of a lot of, but that idea of someone more.

Here, for the questions of the relato, is a person of a character

very very very very decided and no he has been in a

situation difficult, and you know, I've done that, because when she

in a situation economic very difficult in the point in the point in that you can't even a

quartito little in the they were in the people, and they're going to use the way to go to

the outside of the city and they're to start to start to start to make a

one or another this this woman has much character and has much

charisma so so it's not so congregate a lot of people

and then then Terranotal. And there is when they they pertaince a

a bride. And they give a name specific. Pongam the name

of Aurora, the Brouha Aurora. The Brouha Aurora was a

big super super known in the city for malepic for malvada

for being a person like of many people and apart to a person malevola that she.

the moment in the moment in the he said that was a brother and that was the brother of that's the

one of the reason, that is the we're going to talk. And he was he, and it was

a group, and it was a group of a group kind of a company, they went to yeah,

they've got a little a houseita and with a carton and with other things and they

did you other two business in two three months that's that's the place,

that is completely of them. The senior Aurora, at final, is temida, not amada, and that means that the information no, it's not even two seconds. Tard was in getting. When he gets the information, he had passed a good rato,

like, about six, eight months. When she will have the terrain, yeah there are constructions there of cement, maltrecha, if you want, but yeah, there are constructions there, and there are families

complete that are living and have a modus vivendie. No, there are services, They've been in situations very precarious, but that place has the abodered, 100%. This woman

is, I'm going to play to nothing legal. Who is the person that is here at the front? Let's train

in the woman that I'm that I had separated of her family, that was the who moved

to all of all of them, Aurora, he says, I'll do you a time for that

they're all to go the consequences. I'm going to to give to your family and with all.

And Aurora, pardoner me, Aurora, saying this type of a menace and she was to say,

and say, you do all what you want to be a me not really. This place is

our, legally, we're not it's not what we this situation. Occurred that's

that's a minute Aurora was in two occasions and he he saw that

not they didn't talk to talk to this woman, the

she said he said he's not a mind about the thing and then he said

he said he's all the and so this month receive

a the child the woman the child the

she the she she she she she she

she she So, of a certain way, if there was a form of to communicate this call, not in your case,

in some point, and he said, you have said, you have said, and you do you

do know what we're that you have been with bruchas. You met with Aurora, and I

will say, because I know, because the last time me detected a cancer, and I knew that that cancer

not was of an origin natural. So, I have my persons, you know, you know, and I went with who could be able to who was going to

and he told that this to you've been directed to you, and I asked that I'm and I said that Aurora, he asked the

reason, and me said that was for the terrain. This person, you know, you know, you know perfectly

that no live in the city. So is Let's Let's be clear. This is the

last time that's the last time. If you go back with a brother, or with

a bruise, me you have to have to have said. Recurred that I am a

and I am a but if not me you can do you do not I'm

going to be I'm going to I'm this is the last

time I do I don't you don't you

After there he he went. Two days after the year the

woman, the that was a not were not were not a

attack, they said that this woman was a woman was a woman

was what I did completely to the family and what he did that she

did she was because I live in a family of

a group and she to care it, generate a

grower into brohos. The ultimate story that I'm

going to tell. It's a story that is a little and

you I'm you take you take some the

things. It has got to something that the day of yesterday.

The day of year, very amable the sir Louis Martin

and you know to the good Louis who

has super-histories every time every time and many of the you're notional. You're just a lot of the like the comedy, and the terror, I'll recommend. It's very, very good. And me invite to, for you're, to tell a pair of stories. Very amablement, an ambient

It's a good. For me it's a good and it's an honor. And I'm there knowing various chikas that, well, some identificals the nick that they had. Others identifications the commentary that they left. And it was like, if me it did you. I mean, no, no, I remember your photography. We don't

get in many comments, but I remember perfectly that commentary that you said. Hotel, that we gothamos very good platic. In fact, various people of there, result, that they had histories

incredible and it's possible that in a future we'll see this this

but it's a family in the in the part of the family story fascinating. Resulta

that let me let's let's talk about Braulio of Stella

and Martha Braulio is a a child that has a

20 years is term the career is taking

practices in some place in a place he

he he he he he Stella. Estela is a very strange.

Estella is very infantile in her form of vestirce. What I'm going to say, what I'm going to say, let's say, let's ask, for favor, as I've said,

here, no we're interested in the polemics. We're not a good. I'm an question of value. I'm trying to

do this because it has to be much with what When I tell you Infantil, is that it's a matter of

to have been more of 25 years, she has been like a certain form, be like a little bit more

a woman, all the time is used in colors rosas, has many things related to Hello

Kitty and this type of of, of, you know, of, the, there are adults

that they like, I'm fanatical of the anime, so I'm, No is a critic,

is a description. This chick, her house, all is rosal, all is beautiful, and I tell because Braulio went to visit her

one of the courtejo, in plan of friends, of the companyero and he goes to the place and he's got

impacted and says, God, me, really this woman is extrana. All in the house are

like things of children, like, things infantiles but no he is very infantile in the

trato. Not a person, but it rarer. when they're to have a when they're

to have to have to have a real intimate in the sense of revelars things of the

one and the other that not are so superficial she she says that she has

that there something there's something that is a person that there is

some kind of or entity that he's something that's

totally that she has decided to live so that

that is a form of of a way of the way to

a kind of a question I'm a lot really a really a not a person human

a entity of a type spiritual he said when he was a sometimes

he could have had had been contact with her that he

he he has he has he has very present in his heart

there there there is there is there he

so is that is smerated for generate an environment that

for him is a pestilent that is impossible to be able there a

an ambient of love of a of a noble of something something that's

like if no there any any any any but it's

a way to evading that he's he doesn't he says this

this is this is very very very extra so so

so so so so and this chick, yeah, that that's just a-huh, and he says, and he's dark, and the end of

obscure and of the dreams that have seen, sombras that he has not, they don't these things. So, is that they're going to

manage a distance, and they're to be able more at-gust. She gets a moment in the indirecte,

and also he has a certain separation. There was a detail that he revealed her, into the

the plattics, and is that she never lived, never know to his mom

and her her father. She was adopted from a little and he

was up going from family in family during a certain time. It was

a situation very difficult. When he he's a real

she has a math a simple. He says you're seeing

of your past and probably probably was something was

something probably he's so you he's he he's he

not he doesn't that the etc. They separate, they're

in their life, yeah. I don't know how time it's but it

was a years. And in these years what he's a job,

a work to not a practice, and a manager, a woman,

a chica, a woman, that's a general that's a year, is a

woman very attractive, very wapap, but is a much more more

more young of the age that he seems a person of 30 and almost 40 and

you have 50 and many and many many much it's resulta that they

start at a interdial he in this amistat is is looking

much a question laboral he like like kind of certain

fervors and do so he's of a year after a year they're

to have a relation not of the type amorousa but the type in the

that is very confidential the things that are the things that are things that

are people are people. Example they are to take with

more people and there there a excess of alcohol there

say things that if they are they can't

the etiquette of one and the other so

so So, are confidants. The two are in good esteem, in a good lay, and no one revels secrets of the other. They're always

like to cover their back. And in that type of relation, and in that context, in a tomadera, Martha,

he revela something very inquietante. I'll say to these stories, are pieces. Resulte

that when she had, not I'm here the mathematics made, but when she

had, maybe between 16 and 20-tant-tant-tant-a-year. It was a little bit of a chick, we'd like much the liberty. I don't say that word, but divertice much at a level intimately, for that you can't understand. And for her,

I was a good. But there was a problem, because it was so that And it came a moment in the she felt that had developed a ninfomania.

And it was something that was a control over, it was a control over a lot of a situation

in the that was to be going to get to what I mean I refer to

and there other situation when normalisable the things we're sometimes

we're sometimes sometimes many practices that for much were

things even things after impactant and they had normalized

I'll say, and I get a point in that's a point in a point in

the infomomani and needs to start continually in contact of this type of

this type of this indole. And then in this buskid of experiences new

a group of persons they say, that they are going to join. And they

are to run and they to be to be to have a moment very

intimate, a group great. That no have regals, that all

will be permitted, and it was so that's that's that's she was

he was he's the first she's the situation is that that was practically

the last the part of because Marta without there was

enter not if the months she's she's and not have

the minority of who the situation is that after

after he after that that that reunion not

was a reunion, whose only fin was to that encounter that

was a call a a rel. And the reunion that they were for the

invocation of a little and the idea was that the people that the

people that were that had been a kind of a kind of

to be a type of Cere's this this child during

the end different presence of a person of a

be my he is me. She will be my. She will be my. At the

first it's like ambiguous and finally conform they're going to

the days and the time it's a little this

this this is a need in life and she

she and the time. It's a decided to have but not her but he did

in adoption when when he about that he an adoption to the daughter

when Braulio when his his head stoyo because

if you too you also unying the pieces

he he he he he he he that

never he never he never knew that's not the she's but she's

but she's she's she has to discover the two parts of this history parts that

probably one never will never say the part that the part that he took to the other and with

this history dear family nocturna What do you pass to the

questions of the Saturday of SOMras but in what I am I I'm a

little I'm please if you can't go how how how they

has the Sabaer of Sondras for favor the so

the love this also the comments and remember

in repetition if these episodes Saturday of Savd

Svras they do like the comment it also

does it's a lot much for that you can continue and also I'm

remember that in a platform to many of you have cut out of

the subscription even if you're not so you have an opportunity

orita let's let's the campaign and the subscription are

active because many have said I'm I'm not

I'm not so we let let's we extra

ultra terror that stories are very good. Brutto.

A-be- This is interesting. Ayer, in my office in my office in my office, me moved

on the camera can't see that they're in a caron. But the day of they're

out of the officeina. Ayer was the only in the officeina. I'm I'm sorry

that I'm living these situations, but many have experiences of this type. Pongal

in the level of what is the time. while there's a

certain a situation physical I think there can maintain certain

resgarde but also we're to the questions um of the

Saturday of SOMras only only let me remember that the questions of

Sado of Sombras you can you can once that you're being

you're a question that we're we're we're we we're

we we're on Instagram we we in Let's What No. In The Chronicles of the

Narrator and in Cesar The Narrator, and also in the group of diffusion, there we put the question for that we're going to questions that they're

about the podcast to the stories or something. Relationed with We'll know about this. And once said this,

we've got with the questions that has left the family nocturn the day of today of

the first says, what is what is the most perturbator that has seen?

The most perturvour that I've seen, because it's something that's something it's a thing,

it's a video, the recording that we've been the recording, in the, I don't see

for all the parts of America, of America, Central America, sub-America, the the, the part of

the outside of the houses, yes, I'll explain me, a, a, where up,

they're up, they're up, they're on the the Well, the part of the area of the

house, but for out of the house of some people that are like 50, 70 meters,

a sombra that was like, like, but he was to do some movements very

strange and he was to come in the techo. It was more like if it was a type

titere moved by hos than a person and he was moving until

that he went the escaleras and he was but it was I'll say it was more

a titre than a person and for the proportions not corresponded to a person was something

was something I think the most strange that that's the thing that I'm it's aterer

but if me he made that's what I don't I don't think you

you know you know you think you the time we're that the day of

was related to maybe Animas of Purgatory, that Swayne with the yamas, the figures oscura,

we're almost that's, I'm in the Purgatio I'm going indagant a little more because I

see that are in an audio-libros of the Condessa Bon Ah, no,

no, but it's a condo old lady, that she took contact with the animas

of the purgatorio and also with Maria Sima, that is an evident, if you could say, a person with dones that she has

seen or has had been much contact with the animas of the purgatory. Let's see. Ah, look, here's it. Andele,

the Condessa Eugenia Bonderleyen. If you get the theme of animas, addlante, and, for favor,

do you guys if you would like an episode exclusive of Purgatory in the could we'd talk

of the Condessa Bundellian and of Maria Sima that you have one

there was an episode but we're we're more if it's a lot of

that's experimented that Santa Madre God that you know

I'm no I hope no no no no never

never never never I've ever in the in the case of

I think I I'm the presence or the essence

masculine is the inco and the essence of feminine is the sucubo. If there was a dream very strange,

has like two years, one year or two years, in the that I was a,

was a, was a woman with an own eyes in a one of a one of a

little, and I gave the sensation of the love in my book, like for

a horrible. Horrible, because it was a sensation as

a sumamente invasive and I remember that the dream was a

was a very much was a conscious that was I was not control of

my body and it was that was that was conscious that I was

there was there was so it was horrible and it was so it

Maybe, maybe, maybe is, very, very very disagradable. Is,

crees in the shifting, or you know, is, figgins that, I know, so, I'm not so

I'm think, is what they call it, is a type of exercise that's like,

some kind of reality by meditations. I think that is to study that type

of situations, but there were some, if that's the shifting, there were some

people, there were, a success extrano. Many of you know is the Dr.

Miguel Padilla of the anti-podcast. Ase time I've said that he commented that doing a

shifting, while they were doing like the meditation, they were the door of

where they were, I mean undoubtedly they're the times. The situations

is that he says, for where we're doing, that's impossible.

So, no, there no way that nobody stood there

and nobody to talk that door. And is that when, when there are

certain constructions and there's certain type of places that not is viable, example, like we're if we're in the place in the

studio, could they could not talk the timbre, couldier, they'd talk a certain door of

the house, but the studio is a bobed into a a bobeda, then there's no way in

that you talk this door if if you're not you enter before if you enter's

like in the installations of the studio. But the point is that when you're all the place of the

place you, you'd because there sonnows that there's when someone when someone enter in the

first of the bobedas. So, here also when us have talked, it's like, okay, no, there

no, there's form to, to do that that's, that also, that's also,

I've been, and I've started, and I'm so, so I'm re-banked of my

part, but even so I'm to be to be a lot of the shift

I'm trying I'm sure that I'm think that when the school when we

study hypnosis when I was in hypnosis and the meditations

and all the meditation the philosophy the the

hypnosis the psychology all all the arts that

have to with that you, to do a certain manner, utilizes your ideas, is very good and I

recommend I'm that first you have a and that you have a a guide, very good criteria,

not a person that's that's a person, but more being, someone who has a

person and reallyererate the person that has around. You know because, even the

philosophy, when you enter in the the theme of the the things and how

use them without a good guide, a lot of a lot of in the philosophy you top a

way to talk your security, because at final we manage us and they get some

ideas and they're getting in a vaceo in the real, you look and you

have changed but mentally your emotions and your emotions and your

devumans and you start to be you situations tremendously desegradable

not is to have a fear of the philosophy is enter into a form in the way in the

not that not a good there are books of introduction there are the

instructions you know that when when you get you a shifting the psychology

the including the medicine and all the sciences and the arts

have philosophy of fond. They're ideas about the which is create, axioma, over the

which is established the rest of what will occur. In the shifting, is a credency

firm in these brinkos and that what you plasmas affect this reality and that I

say, I with a person that you do it and it's good good

you, not you don't you don't you put you put you can't try to

that way in that you can to be in a situation sectaria. To say, to what you risk is when you go to

think you're like very, very extremists. And I'll think it's been put to a moda, but also has been

very critical. There's been kind of that's the practice. I'll say, why I'll say, for what I

do this? For Awa-fiestas? No, because I consider my family, and to my family I want to

do the more, and me preoccupied, and we're more than just to have just just that

there's many things that I recommend, example, the Uiha, I'm never going to recommend. Because there are muchismas stories where the things are bad. And even some

those things are well, then there's not that you in risk or to your people. I hope to understand. So,

every interview, every that interviews, do you, do you know, for nothing, as a psychologist I've told me,

I've told me, not it's simple, no, it's like, ah, there's a that's a technique that you help

to pay the chip of the psychologist no, you have to learn you have to be learning, you're orientas

you're going like all a person human, so we're we're in cycles, of rhythms,

of tendencies of styles, of modes, including to a model personal. No,

I'm refer like, as modas of all studying psychology you, learnes the questions

of analysis but also you have to know that outside

of the consultory you're a human. And as a being a human,

you know you know, you know, it's a very invasive to be analyzing the people.

For the practice, if there's a part in that you, like, it's a person says,

I think it's that's a person, it's because it's a little there's a there. There's a

thing that's I'm going to look to, um, And I say, no, no, no, no. I'm a lot more relaxed. I'm going to be talking and get it well.

And when I'm here with a person, with an invite, we're getting in full. Cosses that I know is when I'm saying, I think I'm trying with profound. His emotions,

those sentiments, those pensions. And many times external my doubts with the questions that I do, for that me orienten a

point and to understand, to be empathize more with the story. That's if so, so it's

those are the things that you know, that's all the kind of, it's my personality, and always has

been the most part of the life has been so. Dice, for how many generations can be her

those don't not to God? There are to God. There are people, there are

people who are people who are people who are people that are people who got used

the first generation those obtained the first was up demonios, cuck, etc.

And others, it's rare because those who have obtained, from, from their mind of creedces, because I don't

have a form to prove, that's a reality or not, but from the creences of them, they've

got to with God, with the Virgin, with angels, with Buddha, or so, and that's,

not necessarily they're not necessarily, they're those that, they're those that, we'd,

put we, we'd, but in the the dark many the times if you're

so it's one of the things that me really a question that's that's rare

because it because they're to be forceosomently of this connection and it's because in the

relato it's because in the relato it's a other and the other also it's a

right there's something that says it is a hered certain don't

don't of clarivien and they're but also I've

also I've too many people people people that's And, after various

questions, you know, there are the filters well, you know, and there's not the

dot of supernatural. And if this, if this, we'd do we're to do this study,

these studies, and maybe many people that we're that have done subrenaturales, are people

superintuitives, and with a level of empathy tremendous, to be that they're going to

be able in the people, and they're getting, and that makes it that they

are that they're reading the mind. And nothing to what they're going to be.

What they're doing the mind, but for reasons not supernaturals. So, every

how many generations can be herdedated? No, I know. There are many

ideas that just the women, that only it's for the third

woman, that only it's only has even years, I've heard

that's that six generations, or that are they're their

people of the two two that are other, that

that's that So I would say that there are many Ports Abirtas that are trying to explain the phenomenon of if the dones can be or not erredated.

Algunna. Any other than you have passed paralysis of the dream despired? No, I think no. No. Well, paralysis

of the sleepereto when you're in the paralysis of the suno and you are just you're still just, let's see,

for those who know know, you know, the, the, the paralysis

of the brain, it's a state in the , you know, when you

doorms, and you do you know, and you , that you do you do you,

paralyza your body, because if no, imagine, you start you

and you get, you're you're you're not, you, you know, you've

seen a person, a little when you see, a sometimes, you know,

you know, is that so you're moving the path as trying to go to

get in the paralysis of the life is that the state of the

where your your body is a person but your conscience

in the world in the world in the we we are in the

we we are we are so you still

but the the brain in the the state in the

that is the problem that is the the problem

But, words, more, words, less, there's an explanation like a very incline and a,

very superflua, but for understand us, that's like the medicine, from the science,

there are stories related in that there is the paralysis of the but that is provoked

for a type of an type of energy or, no see, a entity a sometimes,

a way and a maybe is strange, it's strange, So there have Tocaulties in There's a

A couple of There's a When I enter in paralysis of the When I enter in paralysis of the Seon I remember

I think is The Morte The Santa Morde And the She was a Not with the Guadana But she

With the Capucha And then She's about Because she Shecented Much Mied

Obviously She thinks She's She's She's She's Rooderer Some

Rewes Like groinid extrano. The the pair is at the last, he's

that's that's that's that's that's that's being, as farcege

and with the eyes aberts, and then to start to the and when it comes,

he'll enter in paralysis, he gets as a quite paralyzed and

front to him, just in where she was being materialized also for him

the murder with the capuchia. So that's very because also it's

because there's there's well, there's, because it because it's through the contact

physical. Who's who know? Who knows? I think there there's, I think there's in what we

think we think there and for what you've had a paralysis of a problem, then the

paralysis of the problem, is despired practically. Despient even, despite,

I'm sure, I'm that's, that's that's a also, you know, in the

dream, in the dream we imagine things. If you see a emotion very

elevated, your your brain you know, he does a matisse to that emotion,

so it provoked images with that emotion. So, when you are you

you're in paralysis of the problem, because this also also,

of some some people, not all, is that you

you're you can't move you know you know you know you you're just you know you

that's a first you're a combination of anxiety, panic and these emotions there are going to

conformity you you're going that for more that forcegeas no you don't have control

of your body and no see if you can't you can't partade or move

the eyes but are movements minimum no so

that that generates a a emotion very If the part of your Cerebr, that still imagine,

he does fear, it will be materialize. And from there it's explain that some people, boom, of a sudden, they're in a

bad thing and they're in the camera and so. But if there's a camera grabbing, as it has

been a lot of the camera, not you have to be nothing that is being materializing

there, but also you can see in a way that there that there even the

person be a that see, me me explain. And there is where you

say, well, here could be explained that the person is a

person who a person because his mind, and still there's the function to imagine.

So, there's there's about. Dice, what is the story that never you

never to forgets to know? I'm, I'm not, I'm, I'm, I'm,

I'm, I'm, I'm, I'm, I'm, I'm, but I'm the,

the angels, caidus, have been the stories most

impactant also that that I've lived, the that has his servitor,

the ones that are the first ones that are the one of the little bit that I'm that I'm

going to be in a program, it's the first that I'm going to talk to this story because when I think was my

angel of the guard, that was there that various people did you know, the situation of the

lotrons and I think there have been various. And angels cailed, one, two,

and three, a me result are so, supermently impactant also

the history, one that I think, and I never remember, was the first

story that is made viral of the first, the first, the first of

the and it. And, if you know, if you are new or not

know, the history of Melissa, the sheke has a

a city of Mexico, if not you know let me, and I

know and the last today, so the second for

here. What has been your worst experience paranormal? The house

of my friend of those events that were auditivus that heard and

they were and they were people. That was spantoso. That was I would

like, well, but is that no waitam it. I'm I'm

think about thinking in terror, MED but the the of the ladrons

put in a danger to many people around me. And that's if you

say you're to be a one of the two events if I'm the other not. The other

no. The other that no, the other, that no, I was a person people who

many people there, maliantes, no, no, miles the case, no.

I'm, I'm maybe something something, but well, yeah that's

one and not various. So, it's for here, there are music, sound

that can alter your senses definitely and this not is a theory of conspiracy there

are studies that are all right is very at the vapor but before

I don't what was in the 60 70s or the instruments

the the instruments are a certain that was

that was quiet and tranquillity. In the concertions in vivo, that provoked that the people were to relaxes and a

sometimes be deadened dormied. What was what they did you? Discovered that in other frequency it could affine to the sound and that was generated stress and alteration. And actually, it's how

they're fined the instruments musicales in that frequency. I'll say, it's very all vapor, no what is instruments exactly, I'm saying that it was for the rock, but the point is that that question of the frequency

is that impact directly in our mind. Also, with the Tumpa Tumpa, I think if there are studies, that's the sound of the regenton that says that provoke a movement in the people like very in at least, and it's something that's all over your

chondas cerebrals. So, yeah, the music and the sounds of that you alter, it, alterer, you alterer for bien or for mal. For that also, there, example, you go to a spa and not you're going to put rock and not to put cumbias or no

you're not to put, no see, sonnows stridentes. You're looking music relaxant. Also the memory, junto with the sound, a sometimes is something that is a lot of the same. And, maybe what for one

person represents calm, for the other he generates anxiety because it has to be with his experiences of life. But finally could have been able to have been activated for a sound. Let me.

Let's With the Ultimans Three Questions of the day of Today

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From Binge All episodes exclusively on Paramount Plus. What has been your better relato? That's the question I'm going to, of you know, of all we all right? What's been the two relato that most of them have liked? But if you're put it right in the chat,

we'll have to be. But when you're seeing this in repetition, that now sell in vivo, for favor, leave in the comments. I'd like to see what is the relato or the two relato

or the two relato that's the two relatoes for a time, for when the stories of bruchas and doundes,

well, there's been a lot of stories of bruchas and doundes. They're more

a way to an episode exclusive of stories of the bruches and do we'll be we're

in October. Let me me be a sound that there a certain she that with

especially the stories of this case here has been made to be

to be to be to be Dice, Narrator, what is the fact that is the

case of the gonger? No, I don't know the question. What is the question to occur to the

situation of a double ganger? No, I think. I'm, in what situation can be a

double gangers? Okay. In what Situ, we're going to Maseau much thanks,

thank you voices of the more yeah, what you what you're what you're what you're

what we're question is, in what type of situation could occur a doppel ganger? More

I would tell you the question is, what is a double gangger? And there

there's there's there's there many stories that are many different. One,

a bilocation. There are people that in the doppelgger have seen a person in

two two gemelo and not is a consient one

of one of two. The two are both. The two are

to talk. It's like, no you can't be trans lucid, but when the people do you intend to talk, no. A veces is

a image projected. The first story of Doppl Ganga, is of a master and it was like a

projection, but they said that that was like doing that was a new, and every time that was a

person was a person, that was not a person, and that was then the second, and that was

because as that was a frequently, because, because, I don't is stigma. So the doppelganger

it's like, on one side, they're in the gemelo malvado, a type of entity that's a form and that's like your

opposite. Dopolganger, really at a level genetic, a person that practically is your gemel,

and there's a chica that has done a page of internet where you because it

is the day of today to all we all we're physically between, I think

are between five and seven gemels. Reales living in the world, that nothing

to be with your life and they're in their life in other part and

they're another country, other continent, dopleganger, also the bilocation

as you dopleganger projection in the moments of agony or death and

double gangger entities oscured that to alter the entoror

they're form of persons and they're voices of are looking is that

they're doing the entry. So I think there are various phenomena that are

the doppel gangor and it's there's well, let's be let's be let's

let's let's let's let's a little a tower what you do you

think you think you think about the parties, friends and that's

what's that question it's depends is that it depends

that is depend, that's A very there there there

the part ritual and there the part how we can we call esoterica

or spiritual rara ritual first if it was a ritual

a rito we we all we have not they're not they're not they're

not you're when you get to come the form in the form in the part of ritual

the form in that you doormes, your rhythm of the day of the time, the how interact you when you're

a routine, at the same time, it's a ritual. Also, there rituals more formales that are

to emphasize moments of the day, no? No, well, before, to do, me go and

my mask and the peppinus and that what's a well, perfect. That is

a ritual. It's the ritual before there. There's there, people

that, before to, I see, they're in and they're a rata or they're

in a while, there's a ritual is for all. When we're a ritual in ritual, I'd

say, I'd say, that's that's that's, that's, I, I,

I, I, I, I'm, there's, to, to get a little

to do you know, we know, we know, we know, no, no, no,

you know, you can't, You can't contraire a sin fin of Enfermenades also with what you

are doing? Acquarens that in the years 70s for the lack of the practice of

instruments chirogics, so there were many diseases, etc. So, they're

much careful. Not the things. Entra in contact with the

same of the respect. More of the spiritual, I mean, in the

pure part of the ritual is much good also also

also we we're in the part symbolic. Yes. All this

is a good for this is a symbol in that we're doing our our own our own

but you're not putting you any kind of a way in a paper or something

or something something more symbolical well every that's a representative

there is important to have the mark of the person coercitiv? If you know

you're going to go to do do you want, if not form part of this, salt, salt, no, no,

no, you know, no, you know, do you think it kind of kind of

kind of profound, because at final, the blood, is a liquid, vital,

and we, we know, we know, we know, we're just when we we're, something,

something, that's, it's, something, it's so, so, so,

if someone no, if someone No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, in my opinion, I I don't, I don't, no, no, no, no, I'll be able to the case particular and the circumstances, no, but noad would be the pain. Now, enter most of the spiritual. The theme of the sangre is a, well, well, well, that's, well, is, well, it's, in the E.L.E.C.E.E.m. It's, in the.

theological, it's directly that is taking that's taking a body and the life of Christ

but not like a act of cannibal. It's strange. It's difficult. It's like a

thing very theological, very profound that you you're in a

question more about the but you know, you're

in a part of a thing, you're, but, and you're and normally they're in occultism and echiceria is affect to the other

person of a way in that it's like an immovable an effect, a damage, or a power over the other person has a

other person a part of all power. So there are many pactos and vincul of this type, I would say not valet

the pain. I think much in the liberty of each person and the respect to the moment

in the that one person is trying to do a type of pacto to affect to the other for me

yeah, yeah, is in a way a way a ratic that will to get

to do a much things that maybe that may give a

power, and that but is going to get on the way.

And what will be the good Guillermo of Toro the

the good the good the world are the most of the you

are to transform in a monster. When a person only is a serrade in the

same and the other only are a a small to get to get

to get to be that I'm not, I'm not it's good. And it's

something that something that is the enemy of the end of the entorno. So,

it's my form to be my form of so. So, you how profound

was this what's what's too DENSO. But Family Nocturna, with this, we're almost

we're going to final. We're going to just a couple of years. We're going to see. We're going

to be. We're going to see. We're going to be there for a far far. Degan me

the numbers of the couplenaires. Aranza, Felice Cumple-Ansa. And Elizabeth Hernandez.

Elizabeth Hernandez and Aranza Sanchez. Much Felicides to you two. Thanks for

being part of the family nocturna. Let I'm a super, super, super, super, super a brazo. And, well,

well, I'd not you'd do those days. These, I'd like every time every other every other

every other day, I'm a day that's a day that's a day very beautiful, and you know, and you know,

and all the family noctura, let us, dear voices of the more than, there,

there, there's, there, there's, we're, we, we're superchats, it's

Entro to the members Romina, many, much thanks, we're going to get those years extra. In the members

of the channel yeah we're doing, what's what's what you do you do it's the

new new project, so if if if it has been a member, remember, the subscription is a member of

that part. In members of the channel there are 10 hours of videos that

not are, that were like were like they're on

And so if you you've seen or not is a material that's interesting, no you're going to go ahead. We're going to try some some of the project.

Now, he's about here. Salud, narrator, and family paranormal. Narrator, you gave my story in the WhatsApp with termination 7525.

I hope it's your grade and I can't learn. Alan, much thanks and for all

the people that have given to your story. Recurred, for for a time,

thanks to your carino and and thanks to the narrations we're getting hundreds of

stories. So it's impossible to give a lot of a time but let me

we're we're in all these spaces in the two episodes

per semester in Saturday of Sombras and in the speciales that we're

we're we're we're we're always that many time then they're

so time to a time to your story will appear

more of three or if has a month or your history, for favor, put a point in this

disc, give a enter, for that's to go back to refresh, and it will to make a mirror up to

your story or will be to be in the first, for that when recopile us are of the first we're

that we're a narrator, always you see great. Ah, much. Thank you. Thank you.

We're very much. We're so. Thank you. That's good Jaquitin, much to you,

to the people because we're much, it's in plural with the group of people that get to get to be able

to be a little bit a big thanks, much thanks. Dice for a Dictoria,

oh, and be it a fantasmita and we'll get us yeah, yeah, yeah,

I, I'm super okay, I'm super- okay, Victoria, I'm always the the

fantasmita that yeah, the, we know, the question, thank thank you,

Victor, for thank, thank you, carey and the the name. The time,

the narrator, the salutes of the tamapalipas to say soto. Jose Soto Abrasote

to Tamalipas we're going very, very good, thank you for the family nocturna

thanks for the support. Dice for a thank you thank you thank you

Marko Montalvo thanks for the support Marko you make a

super abrasote and I think are all the super chats if there

there there some there's that you of the Dear voice of the Masseye that you want to

hear you resaltar. Miriam Sanchis a new morning. Miriam, addlantidits in the time

you know a super abasote a happy of your family and your family and your

people. You know of the family nocturna and the phantasmitas a bus

a brashote let me let's I think they want in the story of Melisa

but I think for time would be yeah because we have two hours

let's promise that for the next Saturday of Sombras we'll tell us

now there there's like in the Saturday of Troub the story of the

story of the stories that not I've got to and know and it is very

probably that's me I've to say the story of Melisa so is

that is that I'm that the next Saturday of in the next

Saturday of when we when when we when we're the story of

Melissa, for to let's the moment to respond to questions.

I'm family nocturner to start the day of day of thank thank you

there's more of three hundred people in various moments of the two

hours we're talking, I'm that you have this stories,

this this to respond questions and I'm just just

just the things that we're talking to support

to this project to share the video to

people that comments one once that I'm here resubed if it's

the first if you have a time if you have done and you see your

that's your little and your comment and your question and you

remember that on the next Saturday we're we're going to let's

let's let's this I think you you know you want to

we're we're we're we we're we've we've a

very good a member of a member of the family no

nocturna and we did we dole of stories in which there are various stories that you've made you know that I'm

like you're I'm sorry what you see this episode of the this episode of this revisen

and say me what stories are those that most they're but in this episode

of today let me what's been those that in all we're about all we have been

we're the last we're once or 12 of the morning I think is when it when it's

To 11th of the morning, the Monday is the new episode and one of this. Much of the thanks for the taras of the

camis. Much of your caries. Bonita a fine of a time and that you have a

sweet. Pesadillas. Bye, bye.