HABLEMOS DE LO QUE NO EXISTE - Sueños Luidos y Paralisis de Sueño | ft. Emmanuel Mundo Creepy | EP.051

Episode Date: December 26, 2022

EP 051| Sueños Lúcidos y Parálisis de Sueño | FT. EMMANUEL MUNDO CREEPYHola FAMILIA NOCTURNA, el día de hoy les presentamos esta CREEPY ENTREVISTA CON @EMMANUEL_NIGHT DE @MUNDOCREEPY. Y les va a encantar y estremecer esta charla, ya que abordamos temas tales como:SUEÑOS LUCIDOS PARALISIS DEL SUEÑOONIRONAUTAQUIEN ESCRIBIO EL ONIRONAUTALA CREACION DE CREEPYPASTASPERTURBADORAS HISTORIAS ATERRADORAS HISTORIAS DE HORROR HISORIAS INQUIETANTES.Emmanuel de MUNDO CREPPY y “el narrador” DE @HABLEMOSDELOQUENOEXISTE, agarran vuelo con su plática y te mostraran algunos secretos detrás de su gusto por escribir y narrar HISTORIAS QUE TE QUITARAN EL SUEÑO.

Welcome to Family Nocturna to this new episode of Let Meas of what no exist. The day of today is a episode very special.

I want to this is we we are doing after the episode because we've got the platic that's

that'sabroza that's that we did not introduce, present to this invite us the day of

the day of us the good Emmanuel of Mundo Cripy. Emmanuel, how is this, Emmanuel, how how much

good, good, good I think you'll like much. The fact of

that we we're doing the time because it's put so good to do the practice because you're

going to do you're going to enjoy much and then thank you thank you until the final and

remember if if you get to this moment that's 20 seconds and like

and conform I go going to the practice. If you you like it

now now so we let us we're we we're oh yeah

you you have you have you of doing to ask questions,

what was to do my invite to see your his interests and start for example

of an opinion or of a person to the person who would be in, we're in

in, we're in a certain of and a part of that's I know,

I'm I'm an interview a good friend, I'm a man

he's like he's like he kind of obviously of this obviously of his

thing, and I'm It's like a phrase of John Crip Falusi, that is the creator of Renistimpy and other caricatures. It was a phrase about the animation. And I remember that he said, well, what you know, what you started? And then it was called, Divaganda, that was so, it was

like to move us, like in any platica, in whatever ped, where, of a sudden, you, you know, brinkas, from one-a-ot-ot-ot-out-outro, and the platica fluelly naturally and you, terminus about, of, of nis, and other things. So, I, I, I, liked that format, but for a The lack of time, I don't

continue. Oh, is that the creation of content is, the absorption of time is enormous, right? Yeah,

the people in general, I think, they have the notion of that we're not going to you know,

to see, to me was a first, in a idea, that, when I

started in this, and I started, to work, to get, to get a a,

to get me, to get to more of a lot, and there a day complete where I had written a script a

guy wrote, it was edited, he had edited, he had, uh, because before so we'd have done,

because before I was, he had the other way apart, and I was doing the channel, no, but he'd

do those videos and I those videos, and so, then then then after a chingga of eight,

nine hours of the beginning, making a video, normally, it was like, and you're like,

and you don't do not to do and I just, I'm, I think, the

or the people that you know you see sudden and cargando tarimas you know

but it's a big me too a bit mean especially when you know when you

create a kind of that you do that you know you know that you make music

that you do some type of another not periodistic that that

that's what requires that you you are you you're

like you drena of a way a way a way

a way I'm a really a thing I'm going to hear music or something because although

not get a sudden or not get like with a pain of the body of

having done a work of a physical because it's a

physical a mental very very very very very very

very I'm I know in your opinion you you

you have you you have many you can have

to the old school that if you not you don't work for a company

not is a because the auto-employee before not is a visualized like a

job and the and the self is a that you you have your

business not with your employees and where you and you do you

do you do you do you do this is what it's what it is what

still with my family yeah my my father are super,

me, me it's also that's something. But if me still passing, for example,

I studied a firmeria, I've I'm, I'm, I'm, I'm a career as

as a, but as I graduated in 2016, and for that year, precisely, the channel

yeah me was doing, well, what I would be a, I'm a

professionalist, so, sincerely to me really, I'm a really, a chinko

the career because really, I've learned much, I've done, and it's something that I'm

that I'm a really I'm a lot of what you have to to be a whatever career but as I do you know

I'm the area of the health is a fascinating but not my vocation sincerely I mean

I like much but my vocation always was something more more that had to be with art

of those things of that one so you know of that one's to make a career

okay unfortunately not me I'm not more to be when I did you

and the channel me was doing something to live well, so,

for living, like, for to pay the debt, to pay the services and for the

food, that's like the thing. I was I was I was, I was, let me

a time of my life a independent, so I decided to let's

make, that's something when you have been a woman, I'd have had been

maybe not me to dedicate me to to the year, but I said, well, I'm this year, that much people take a year sabbatical

after, to, you, we, let me, to give me to get to do you and see what, and then I didn't have the

necessity to, to exercise, that, the truth, I'm much, because this, what I do you do more?

But I'm still trying, what was the question, pardon? Ah, but, me clave in the

platica, me gave to various images mental, and it has been going to pass much during the podcast, so I'm disculpt.

I'm precisely for so the podcast it's a format because I inevitably me I'm I'm perdo and divago much. But, well,

I'm it was the side of the what of respect the work for not a yeah, it's

correct, it's correct. Well, then when I when I graduated and I was doing my,

my, my costs in internet and that, they were they were they'd get people

who were in intentioned that were concerned for me with a job, I mean,

I'm saying like, oh yeah, well, I'm, I'm, I'm, you can't

put there in the INS, no, to help to give chance, and you you're going to

get this. And I said, no, is that, like, like, like,

I didn't, like, I, I had graduated and he was going the train to get a time to

get a good, I mean, it was, it was a good, I mean, it was

not, not it was, not to that I'm that I'm more, simply were people,

people, that I'm who's, that's going to be doing a badger there, then I'm

to get a to get a a job, and now now, just, we've, we've got

just years with the can't 10 years? In April of 2012, okay. So, yeah, in,

I'm in, I'm in, I'm, so we're almost 10 years and we're going yeah of this.

So, at these altars, yeah, my family, well, you know, yeah,

you know, that's my job, but, but, I, so, I'm,

so, without how, so, without, to, uh, to how many conventions

me invite, or how many work with who collaborate, without who interview, my prim, the doctor,

is the the orgoy of the family. It's like, always, it's like, and no I do it,

I mean, it's not the, I mean, it's like, the idea, the idiosyncrasia, in the we live we're

and it's like, and I'm, to be more more than this where, where I'm a more relaxed, a little,

more relaxed, yes, like I'm, like, I'm living and doing all the things that I want but if

in the pressure of, ah, you've seen that Emmanuel hechazzed this offer for to go to

work here when he was done, tal, here. So it's like, I'm just that you're

more in the o'clock in a question, and I, and I don't know how me my family,

no see me, like, like, like, like, like, but,

but, I'm, I'm, I'm, I'm, I'm, I'm, I'm,

that respect without under the pressure of the profession of and what's what's

what on your kids and what's your own with your and how is that you that you took this

decision no I'm I'm that I'm that I'm that's that also that's the

time you're to get to the time to get to the content you know what you

what did when you did this papaya the world creepy I had 19, 19 years. Okay, super charl.

I'm, I've got to complete 29. I mean, well, yeah, well, yeah, well, yeah, yes years. And it's interesting, we've been talked to Kevin and I, that, that's good, that was to that we're a year, we're a day perfecta. Yeah. Because, precisely, all, it was very good timing.

In when we graduated from the university, yeah we'd live of this. If we'd have done before, probably probably would have been to to make me to exercise. It's a career very demandant. It's a career that you

keep a time. And I think inevitablyly would have left on YouTube in some moment for,

for, for, I'm a priority to, that would be the decision correct, but not would be

here. And if had passed before, if we had talked to be the camada of

the Marrower but we're having 15, uh, would be been a sorry,

I don't know would be a sanja. Yeah, I think we're not have you've been loco. So, imagine

to, this, to have a channel, no see, that you do to live well,

a channel with, no, millions of followers, a couple of millions, to 14 or

to the 15. Yeah, you know, you're like, you know, no, no, it would, I think it

was the timing perfect. Oh, yeah, but you you're not talked the time

a time and this is yeah personal to you want to you need to

Mundo creepy and I see that one of the first stories when they're Lokendo was Ornironautas. I said. I said. I commented to your brother Al-Wen Kevin.

That's history me me impacted much. Of course, I was known in the time in the that the Mundo creepy

had, uh, had Lokendo. Because I was looking a day in my house, if I know remember,

for there, of 2013 or 2014, this, in 2014, in 2014, right, more or

when you were, when you we've started, 2014 has been when the channel started to really to get a real public.

Yeah. I was trying like something like a little of the thing in Mexico what canals are because there

many many but in Spanish no and I said, I'm going to see, I'm trying with various

but no me made click the type of narration, the type of history. And when

I top with the nonirauta no, no, it was, me made a click

tremendous. but, talking with Kevin me says, ah, that's history is of Manuel.

You want to ask you because when I hear that this story, as a start the character,

the Oneironauta, I said, a me it's sure that the person that he's he's

living suenions lucid, I, I don't think this is a simple

story that he's a thing you because you mentioned you're a

lot of sequences in that he has some progressos and me

identifi-me much with the story. The question is that. You really lived in suinges

lucid or the history was created a 100% of a creative? Since that I

had a 12 or 13 years, I began a a problem and very

very feo that's paralice of the life. I'm I'm that

problem. I'm still I'm don't know but only it's

like very specific but if I I don't me I'm up at eight of the

morning and it's a to make a day at at the 11 or 12 of the day,

me will have to do you doorme during the night, I'm not not a time, but if I

take a siesta during the day, and then then after and talking with with people,

like I did you do infermeria also, I know many many many people, I mean,

I said that could be like for stress and this, for the adolescence. But, I was in that moment,

I'm a put to investigate much because when you have a trastorno that if you never have been to be

not able to be able to be sure, your body is your body is done your mind is a

deeper, you can't you start a lot of things. In my case, are allusinations

auditiv I, I always I've been the eyes that was over, and that

open the eyes and it was a me never me happened that's a unfortunately

but I'm talking about like someone around the camera, like someone was sitting like the

same like the camera undying so and I and I'm and I'm investigating and investigating

about paralysis of the I top inevitably with suing with suing and me do you

know that is something that's something I'm very often I'm always I

is in great measure part of of what I had like a specific of a

diary of my dreams. Obviously all this part of combatir demonies and that is

fiction. But these anecdotes, for example, is one that I remember much, I,

when I was very immersed in this, when I said, well, this of the

So, this of the suns lucid, it's super interesting. A me, a me it's very interesting

because it's like, well, literally is that it's like to be in other in other

place, your mind at least is there, no? So, I wanted to prove the

limits of that's the what I'm could and not I'm really a time where I'm telling

that I'm thinking that was doing a point, I was a time, and it was very

very different for me. Because I'm wanted to go to go to get to

to be to do to do you to be to be to be and I know.

I'm desert, like a city completely solar for me, and there was a machine

of dulces, and I remember that I'm I'm a little bit more because I'm like what they said,

I mean, my mind what I knew, and I knew much that I was coming

and I know, that were like, they're in letters, but they're

like, they're like symbols at a azar that not, like rylits, points,

something, something something like a braille, but written, no? That, like,

it's like like a videojews like this textures when you're like you're like that's

like that's like that's it's like that's something to do. Then I know that

is this that's this that's that's that's you know I don't know that

and there say that's a little a little a little about but she

like a lot so like like no I don't know I'm Pardon, I go to the microphone, like,

like, like, something that has to never, no? Okay. But in general, were experiences that I've and since then I had one, no see, some 13, 14 years, when I thought,

well, I don't have written anything in my life, I don't have thought to dedicate to anything to the scriptura, no, I thought, or not was, like my vocation,

I was more for the music. So, I remember that, I said, well, I'm going to do something, I'm a little,

and the aeronauta, because me loved much the definition. Okay. I mean, a blog, that part is a certain, me unia a blog

where the people parted where the people and the, in the history, it's like a place where you and so you

and you're together with you come to you know, in the life real, it was more, like,

a blog of people about the thing, but it was very interesting because they'd

their experiences, they're partied their stories, that's something very important if you

want to practice this of the Sooenius is to your diario like to keep a

question constant of if you're saying you're something that's something that's something that's something you're because if you

know you're going to do you're going to and then it's going to go to do it is I'm going to do something the oneironauta

no see a video game or a movie or a movie or a little I'm going to do it because it's

because it's good because it's for those years is a movie called Inception For sure

I went I remember I remember what I went to see to see a and I'm nojured much because it was

like I'm got them my idea I was I was never I've seen a movie that I'm

that I'm that I'm that I'm never seen a movie that's that's put in the

people who's that's I'm not I'm not I'm gonna this story I'm gonna say that me

I copyed of Inception that if so I remember that there commentaries that that that's a copy of inception well, a person

to try to do it, the most like to separate it, because no, no, it's a drama where they're met with a machine to set up as secretes of the people and the one of the note is another different, but, well, it's this factor, no, of that, of what, the, of the

, but it's like to say that any movie of action, he copy a Rambo, no? Well, it's a thematic. But, well, well, the response, the, the response, The response short to all of what I

said is, yes, I've I've seen lucid that's that I'm in some

about in a year of my 17, 18 years, I know why. I'm still I'm

get to get to one, and I maybe can't make a paralysis

of the but in that time, I'm about between my 14

to 17 18, 18, or 16, no, me, me, I'm,

it was every night, or it was were in Swaynees, but I had,

many, many of those tracorns of a sudden, never you took pesadillas lucid? No,

unfortunately, no. So, when me was a problem, it was paralysis. When I was

when I was in the sunsucid were things chides. So it was trying to to go to

that's something that's something that's a thing that's that I'm really, I'm afraid the altars,

I'm, I'm still me'd me of the altars, but I said, but I'm

it's a superman, no? And, and, and all this sequence that I went to where me elevable, and then, like, me downed, and, and me yeah, all of that,

so, it's, like, some vivances that I had in the dreams and that I wanted in some hand, and, you, please, it was to show much, in their moment, and, well, it, is, a thing that's, it's a piece that's even, oh, yeah,

over suenions lucid, in some moment, you took over실 of some times to the reality, that you had to do an clas of reality to know if you're

so you're or if you're, this, this, you know, never me took so, if there was

people that in the blog this, that said, this, this of, like the the

movie of Inception. Yeah. Like, to know, to know, but in my case, I think my

dreams always were that sentient different, never me took to something to the reality.

The reason for the I was the is that the dreams are very irrational is,

tendes to start in one place and then you're in a situation maybe in a sort of sort of

and I always have been very analytical, I mean, I was I was I was discrepancies

and so, and so is how I was just how I was so for put you an example,

if I was was I was just was I was I was I was just I was

like a moment where I know there's no, there's because I'm

a bush. No question you the devil, but is the world, but I'm not, and what I'm that I'm not,

I'm sure, I'm sure, I'm sure, I'm sure, but I'm always he never I'm always, no?

No, this, I mean question about of many things, so this type,

I'm exaggerating with this anecdote, this no pass, but is like this type of things,

because I'm in the rancho of my abuelita and I I was a lot, I was

in my house, in Matamoros not where I am. This type of things I noticed. And I think

for that's not to happen like I confunded to the dreams with the reality. What is me came to

talk about, that's something that's being so so much that I could start to start to

I'm at the world because I always wanted to I'm I'm desperable for

chemar time in the day to go to go to go to and that a long

plasso me I'm going to end up after because I'm not I'm

not quite I'm not going to do you're not going to you're going to get a lot of the

questions social just right for that the world of the end up so you know.

So, it's more like my personality but I'm going to do make more still

I think I'm I'm going to have affected for example in the school

and in my life in in my life in general so for that was also, also, like,

I had a certain fear or certain fear of, to, to be so, like, like, like, something like,

something like, something, like, that's, but no, no, I, I mean,

I, never, I'm, like, to leave the other, my, my, my,

my, life, a, one, a, one, a seguidora, me,

told, Before, never I've heard. I'm a fanatico of lucid, I'm a

thing to do you. Because me happened a similar to you. I don't have a

paralysis of my own my occurred in some some of some of what was

what was that it was that I'm living I'm I'm to experimenter much

with imagining things at moment to start to be

different to visualizations all what I think I imagine I

was to I I mean, I started to experimented to learn lucid to be a very constant from very small. So the theme

I used to, in the time that me my time that even was, I didn't even any there was to be there internet to

and to be and to the people that I asked a doctor was the term, but it was like 10 years

after. The point is that the thing I'm really a moment in that I'm meted

to you and go to and I know, I just, I toped with this question

repeated that we mentioned Magda. She said that in a dream, she's

a real bit that was like in a little bit of his own, you know, she's like, like she's

always had a great love for questions of the time. So, so it's a point

their part creative, no? He said, but she she's on a TikTok, that said,

never question the hour. And he and he gets a to get a to someone,

and he says, she's she's saying, he's, what hour is.

And he said, and the person, the eyes on grises,

she's he gets being, and I'll see a and when she does a question, all the

people who were a program in the computer, all they were a and they were doing and they they're

and they can't listen. So she's she's she's she's a lot,

the sensation of what she was used to do that she was to come back to get to the day,

she's that when they're not somod like, first because not you when

interactu with any of the time I know the not a certain bright of the eyes, like if they're

concerned of that that's like that that's just just were just waiting to go

to go and I'm going to and the other is that I'm seeing that they're in the

suno and that never never been past and I'm having been

to be to hear this to be to be some certain regals that

that never been I never had talked, I, I've heard this of the

hour, I don't never, I've been to ask to be a word, I mean,

it's something, even, even, even if you're conscious, I think

you're, you know, you're kind of, because in a sun lucid, not you

don't you're, it's like, you know, you know, but, but, but you're,

but, you're, like, like, when you're just different, it's a

different. It's, what I'm what I'm I mean, that also also I'm in the history

of the unironauta it, I put like, like if you bannear of the dreams,

so like if they're like you get a when you're when you're when I was thinking,

I was thinking, I was a moment, this is a dream, and boom. So, then I

started, with the time, I began to get to get around that I'm doing to

and it was like was like a kind of a I just to

give I'm going to do things already before to make they're not,

so, before I'm after I'm I'm because something that you

know and you know and not was much time before to get

or so I'm so I know so in my 14 years it

I'm I'm I'm I'm they're they they're so

so so to do this. In those lapses, is where I did this, to explore and to try to be the more that could to explore the world and put attention to try to record it, to start, because it's like

if this count regressive yeah's ever active, no, of that you know, to you're going to get to, you're going to start, yeah, with the time, like, with practice, I'm going to be able to last there, so, like, yeah no was, it, but if it was

like, I know, I know I don't know I was going to but I was going to get to get to

I'm going to get to this time infinite or to be all the night and be able to be able to

do it's difficult, it's difficult to measure the time in a time, but it was almost, was almost,

was almost almost the sensation of the time, that by that's the sensation

of how flowed the time, it was one of the thing

because not you feel like in the real or that's never you

something. Something that I'm going to think I'm not a know I'm not so

I'm heard. This I heard in in a pastidias

that you go and you go and you're like you like you don't you

don't you put you to be to be to be to be being being

persegible for something or at maybe in a moment I was trying to go to

in the dreams and many times not could. I was to be to be a lot of

and I'm really, yeah, a sometimes if I'm when I try to

go to go to but the majority of the times me I was a

I'm that I make a make to feel that I was so

was the sky because it was different so so

not see not any an Atarder was like a color Rarer,

I mean, like, like, like, something, something that me, that was

like, like, the sky real, no, it was very strange. I remember

that I very frequently saw the sky, because I was very interesting. I mean

I was really interesting, like in those games sandbox, it's

they're very very with a video because I'm like

kind of has similar similarities, but me more than what I

could be what I'm really to create so I'm much to explore when I'm know it was much to be the

soil, to be the world, to be the world, to be how detail there there,

to be how it was the city, to know how they're the ways, try to to talk to

to be to talk to and know, to be if they were they were not, that I'm

actually much after I know that the The faces that are in the eyes in the dreams, I mean,

your brain can inventing a car new, but he takes of a base of data that's

that you can't be people who did it in the and you even even you

put this image, no? And, of a repent, you're going to

be to be in I don't, I don't I don't, I don't, I don't the people

normally not quite so, I mean, I'm past similar to the letters. Like,

if you, you're you, you saw, you see, to the people, your own,

so, like, to the people, like, not are people, a,

so, with all, the, so, there, there's, some, things,

like, they, they're, they're, it's, it's a difficult to

explain, but it was a something, that was, the things, like,

the of the most not not even in about in the visual, so,

like they're like they're those, those, they're interesting. Of the, the,

the things that were to see that you, to be a new, one of the other,

the other, the other, the questions of logic and that were something, you know,

you, you know, you know, I'm, I'm thinking in this to give me

to give to do to be to be a way, uh, doing memory is

what, what I record obviously the fact that I could do you could be things that in the real real, no?

Well, yes. So, of a repent it was like, I don't see,

or so, so this to try to go to there. There was a dream that I did

much because I, fiftate, in this I didn't me I'm just I'm

I'm I'm I'm I'm I'm I'm just like I'm

having been many many documentaries about these things in the 50s and 60s that the governments

were doing scientifically things like the telekinesis and so. So, I remember that I know because I had like

a paper in the and he said like he and he's a little. And me moistened much

of that that chinga this was for me. And it moved and then I move it

and then I'm what I said, I I'm, I'm doing I'm doing this

and I'm move things with my mind and then then I started and then I was up

that mother I said I think I'm a but I'm very strange because it was a super shortito like no

there was no I was I'm there in my secretory so no there was nothing

rather than that I was I could move things with things with the mind but but

I'm so I'm so that was going to what I'm that I'm put to think

in that could be a I'm when I was a little deceptionate.

Okay, okay. Duda, also, you mentioned that you did you do you

still do the paralysis of the problem, with the experience, or more well,

for the time, for the time, you've been you've been to you know

to be important, or no occurred that? No, you're not you

do you do it's very strange. You, how it's how it

your mind is, we're going to have to have a sense. For that's, for that you can't be a scenario in the dreams very

fastly. For example, if you're going to a street in a city of New York, of a sudden you'll take

to see a river, you know, you can't be a river because I'm in middle of the

city of New York. So when you're when you you're in other place,

in a place where is there can be a where you because your Cerebro

try to accommodate it. And with the paralysis of the brain of the same what they're

that has to have your state of for what you see, or for what you see. So,

you can't have a bad if you're asosted or if you think that's

about a bad, and like your mind to the power, it's

that's very disperante not to be to be and you and as

you're with the to feel you vulnerable. And as you feel vulnerable, your Cerebro to create these hallucinations

auditivas that, uh, someone's going to get to your house. Someone is forcing the

door at this moment and they're doing and he's and he's going to your camera. According

I'm an intent for for you know, it's your Cerebr trying to you get

you despirtes but it's a kind of of a we don't know I don't I don't want to

say so I don't say the name, but I don't remember how it's called this glandula that we're like

a kind of a kind of a kind of a problem and it's something very good, it's something that has a function

because if not it was you're not you're trying and you start you're so you're so you're

to blocker your movement for that you can't try in the camera and start in the camera

with this, to is something very curious, are the sonambulos. So, I, for example, not could be sonambul, because I have this problem of the paralysis of

the sunno. That this candor, say, we get pegged, or I get a trapado in my body, for a

moment. The people, that is sonambul, you can't ask, a person who's I'm sure, you can't

have never been never have been parallysis of the brain, because it's like a disease totally

contrary. This can't or is very devil or is very very very

very strong and is what you have to you have to you know or that's the you know, because that's

what you impede move to make you know, that's the first person that's the person that

has been the problem the problem the question of the problem the audience of the tend to

much to relate to things paranormal. If I have talked cases in those

you say, it's is very strange what is what is that's that

that's a paralice but is one one in every thousand cases.

The reason for that I dominio this thing is because I say, I'm going to go to be able to do this. When you do you do something, or at least I

do say. You try to find out of explanations, you try to understand why me pass to this. So I

found all these explanations, but to what I was to never you do you know, because even you know, you know,

you can't avoid the mal-stair and the desperation. And even I try to be kind of trying to say, no, I'm

going to be a bit of an rude, and I'm going to because always there's this doubt, of what's

that now if someone's getting to my house. Yeah, and what is still, and what

is there is someone, like, forcing the door, and I'm doing a pendejo

because I think it's paralysis of the so then. So, so, this part

inconsient that, that always you're always you are, like, you're,

like, I'm, I'm accustomed what was that before

before the before the I'm so you say you you're you're a

so you know there's a little so I'm a lot of so I'm a

it's like it's then you're then you then you then I'm like that again again

again yeah it's like I'm going to I'm I'm to let's

so then I'm I'm I'm I'm all this I'm I'm

to not put attention but inevitably me I wasosted another

and I would be to be in this state quite incoomod because I think it

even you don't want to do you're not you're not possible for a

mere distinct of supervience because the not feel vulnerable to not and

to hear and hear and hear and hear what most what more what

the most you've heard of obviously you've seen this

of Murt. It's like the classic. Pression of the Pets, or sombras, okay. I get to

feel like someone, the most common was to hear people like to be around and like they were in the

camera. But in that occasion, I felt that someone did it did it and then he

took the cooeyer to be, to be asphyxia but of a way, that's fixia that's violent

but of a way violent in the sense of that not just that it was like

like agit, agitandom. And I was, no, I could breathe. I mean, it was something very feo. Unfortunately, only me just a one

one one one way. But, but it was a experience very, traumatic. So,

so, was something that was a lot of much fear. Yeah, after that they were,

like, the paralysis normales, no, but, but, but, but,

so, he, he's, he's, it's, when I'm, when I go to go

to pass, is that it's, it's, to pass every night. But

even today can go back my my my spouse

yeah know I'm my protocol with her to

what what you do what I do so I

am in paralysis what I can move are not

open those but I move the eyes so and

I can I can to the I feel

so when I am paralyzed I'm going to to breathe very agitably a proposito

for that my spouse me despirete so if she she says she's like it's like hey hey hey and yeah me

I'm and I'm I'm going to do not normally normally when me I'm going to

but before it was like if it was like it was like it was super pesable I was

I'm I'm just the eyes and I'd I'd hear this zoombid like if me hauled the

the dream, not a super pesable horrible but but fortunately yeah no

pass so my my spurted and I get a I'm I'm

I'm never a so you you know you're you know you know you know

you're never used to get to to get to my heart or not

not sentire to be not me It's that it's just it's a very interesting because here I want to take to take for the people who are

what's going to the paralysis of the dream and it's just what you is just what you're living and a much of them is this blocker physical but apart you're softnolient

so that's a part very important because you're not you're not you're despite to you're in your capacity maximum it's a

part creative of our mind and the part creative is in a contact very very strong with the part emotive, where there's a got a got into the angustia,

enter direct to the archival, and a part of there is a question creative. If the person tends to have very good o'id, or in the part kinesthesiac, is where more contacto has, he will start to start to hear things,

will start to hear things creative and with the a lot of emotion. If the emotion is terror, you're going to hear, you're going to be something that's angstic, for there's going,

so, and what you you say it's also it's also a cycle difficult to

get to because not you don't you get to the people

there's there there's that's making that it is and they

are doing so so so so so so

that's that's more more difficult. What what you

know you know what you know that's you a

trigger external or a type of you can't get

from the paralysis much more more rapid in this case your

your spouse that's how you because it's a great discovery that I

know that I know I know that for more that I thought that I'm

not that but if there something real if for a reason

I'm that's that's speculation my for what I've said

for what I think that I'm that your your

body is done but you always alert know, so if you

listen is a sound very strident obviously there people who have the suns more than other people. I'm the

dream like a year relatively but if you're in or they're they're you're just

with a problem with a lucid as you can't you're you're that's

you're so you're we're a much people think that I'm I'm

I'm all the night so When when, when, when, when you're completely, that your stondas are super-bathes, no, not you're not, you're

not doing, you're not, the major part of the night we're doing, during hours, and the dreams are always, in the ultimate moment, before to start.

No, no, no, no, I'm to say, if it's in the sooen, because no, I'm, probably, the, people here in the comments,

me correctier, but if it's in a time, yeah, the vigilia, or yeah, like, before, to,

before, that's that in the , in the desperties, you're in the day or you

like the hour of, well, if, if you, to get to work, no,

is rare that someone to get a night or, or a little after after having gone to

do to do that, if it's probably we're just after to be just after

this time. Like, just after to do you know, but the most

common is before before the so the paralysis of the brain

a problem in a time a time similar for what is

very common that your your body be in alert to

and it's much more more more more that someone you

can in the moment in the time my person or me

move that my liberate liberate my my body and

I'm my I'm a factor external And I don't know when I've discovered

I don't know I don't you say like no there's like a part of here simply I remember that in some moment I said

to her that if I heard really agitado me desperer and it and it and I don't

I don't I don't have a anecdote special to yeah yeah yeah but so

so I did it for so for so for the for who for the yeah

for the something something something very curious is that for more that you have pesadies of the sun,

normally during the day, like you know think you're not you're not so right. So I'm going to go to the

school and me always about that so I don't, no, no, no, I don't I'm not like I

say to my papas, oh, get me to, uh, with a doctor or with someone

because I'm this problem, because it was a problem or at the least I know it not you

know when I went to never to it was like oh, chin, other

me could give parlias of the dream, no? And it was horrible during the night,

and it was horrible, it was really, you're when you're to get to do you know, and

you'll get to you're like you're super-asusted, you know, yeah, like you,

you're, you're your preoccupations will be able to be, those preoccupations

of the and that, the, the, the chica that you like the second

and the stuff, then, then, you, Yeah, no, during the day, no, I know you, but at least to me passable that during the day

not it was very present. Yeah, of actually, it's a form in that the Cerebrough, like, the brain, not it does it, totally of court. And so, it's making that, in a certain way,

you're used to that's part of your, of your, the cycle of the, justly, because in the day of, no, no, no, is prioritario, not,

tan, so, to resolve, to resolve it, for all what you're doing, me, does the impression that is a person that is a

person that's a science, much the explanation verosimil. You, you cre's in the paranormal? Honestly.

I don't have, the really, no. I mean, I'm, I'm, so I'm, I'm, I'm,

but it's like not, it's difficult to explain. If there's a person and me says that he

said, I know, I'm that he he's a thing, he's a more than, I'm,

I'm, the explanation, well, more rational or more apegated, like the Navajah of Okham, no, this to the classification

more simple, normally usually is the correct. But, no I'm the type of person that who's not that people who

live these things. A me never me never nothing that I could say that's paranormal. The more more is a

problem. The paralysis of the problem. And, but in the dayio we're not

stories in the channel, are very good stories and of people that really was, it was

bad and they've been things and I think, and I think that probably there's a question,

or maybe there an explanation for if I'm in my house, I'm going to see that, I'm going to

know, we're still, we're not we're not we're not in 100 or in 20,

to come the things going the we can get to explain to do but but I'm

very rational in the sense of that no, I don't I'm

going first for the explanation paranormal. I'm try to find,

I mean, all this that I think, much people could have

seen in my case, to to be normal, to explain the paralysis

of the dream, to explain the the, the, the, the

when I did know to this and I, and I wanted

to go to look to be to , it's, they'll explain

in a scientific. I went to look to postulados and like informes and things like,

a little more academic, let's, because I always, I was very fan still, I'm very fan

to get to back to and I know, the majority I think they're

much with Marty or want to do you, I'm doing I'm a person, I'm a

scientistico, and still, I'm, still still being being seen as to return to future. So,

I'm so I'm a anecdote that said that he knew that he was

to give to his life to when he wrote when he was so

I'm I'm so I'm from the I'm that I had been

eight or nine years I said that I want to I

want to I'm much the idea of being also of history and all this. The mathematics

never never did much that me would have been served for a but, but I

would have, I'm because I'm bad them in mathematics but not I'm not really not a lot

that's not what I'm doing, but I'm doing this scientific not to be not to be a lot of

things, that's more being an an inventor, more bien more than you more than you have to

be a biologist, you're and it's was getting more a new infantil, but always

I've much a science to to the future. But also I'm very

love to the relato of terror. So, a me I'd much to learn Edgar

Lampo and learn Lovecraft and then Stephen King and all this and I

started about the thing, I'm to know about and I what I

really, something I did, the fact I know I'm also, also

even even, even even, even even for But I was much, for example, to learn about a

question, I know, I'm like, I'm putting to to learn stories of duendies and folklore and how is

that are present in the, in the culture Mexican, like in the culture Celtta, like,

the islandes, so, all this, and I put, I, was, I'm,

I'm, I'm, I'm, I'm, I'm, I'm, and then, what did

the science of the duend, no, and it's like, it's, like, to be

to contrasting, So, for me, one thing not invalid what is the other. So,

for me, the fact of that the idea that not you can prove that no there, no,

there's, no, there's, there's, there's, not it doesn't, that the

stories of folklore and that the legends, and that me told, my

abelita of the chankees, no he doesn't no he doesn't for me

the interesting, and the, well, the what, the

I'm, I'm, I'm from a family, my abuelita and all of the rancho, that were in the foggat in Anew, so to tell stories of terror, and that me, me, me, I'm, I'm scared of

a need of a need of paranormal, I have much, much, and a person to, I'm like, I'm, I'm in my time free, I'm more

podcast of divulgation scientific than, than, that's, but also I'm I'm too I'm too paranormal,

I'm, Crime in Real. And I like much. I feel like a combination kind of kind of a

kind of because I have friends like you like the science and they're like very

extremists. Yes, so, like they're in this point where where tach to pay

of a per die of time, to be to be movies of there are there are

things that no no, no, no, no, no, no,

no, no, no, it's not, no, I don't know, I'm

an attitude a little elitista maybe, no, of the reason and this. And also I'm known

and people who people who are that people are collude for a putt to do things and so,

so, like I have this information, you know, the different, I'm,

I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm,

I'm, I'm, I'm, that, to, that you can, restarle valor

to the folklore, to the histories and, I mean, I know, I mean, oh, say, to respect to the people for for, for having creencies

and stories that are very interesting, nor, don't even desacrediting all the scientific, because there is, like, is, like,

is negar like a lot of things super improbables, but, but, well, I'm going,

like, divago much, as I said, but responding to your question to puttally, not I'm not I'm

really and the respect, much, but I'm more of the the explanation scientific. I mean,

I'm a lot of actually, I think I thank so much that you're so much that's a

open to this podcast really is based more than to give a paranormal, is to give the experiences

that each one has done, because I always say the people, the audience, for you are stories,

but I don't know because I'm doing with the people with the people who

have been their own their own perspective because has to have to have to be

that has that has that has been to be with the family in the circumstances in the circumstances in that's the

and that's all we're not, we've got to each one we've got a little that's a

great frugon the, my family also my family also my father was a great creillent

Catholic but the same time was a person hyperceptic only only I'm in those

three points all the other were one more was a other was and always was always

was a what is to bomb the things. So it was a contraste very loco. But in my

house, in the house of my family in the lot of when the little,

they were that they said that in the house in my kids when were

when they were a various occasions a very times, a man with robes

that was that I saw in the and I'm the

when they they were to my abuel and they they were my my mother,

she put like hysteric and she was he was he was a question, and that was a person,

he was a person, he was a she, she was, she was, she was she was,

then you then they're then they're and then they're that in the place there's

there there, there really, that that's when I going

growing, they, they're they're seeing a that, I'm found,

that they never to be something in the story, no, more than to say real. Yeah, exactly. Or if it's fantastic,

no important. So, a good relato is a prece as well. I've got a question because, you know, your family have many of

stories folklorical. Recurts, what was the first or that you had marked especially or that you had liked

much? I've had a I'm a little, I'm a little even, I'm a manito,

that he's always had stories of terror. then, like, you know, I was about

that what I told were the legends very common. So, they were, because you was doing

because you're doing this story of, the sir that's a person who went in the kid, he said, and then he

he's got a more later, or there's a other variant where he's my t'clock my t'clock

my t'nors but it was very good telling because he not said, there a legend of a

the sir, that's no, no, he said, I'm going a two two months.

Ah, that's a guy, he was a person who he's he's always me

he's always, he's a point of my t' something to get a normal every every single,

but he did, now I'm more like to be to be to us about us

to us but, but it was a very, very, very good good

good good because it's not so you get to these videos

of, I'll the gentleman, a Argentino of bigot that he felle

that's there are some of YouTube, no see if they're on a program

of television that's he was about and he told him about stories of

it. It was very good to know. It was his name was

Albert Laiseca Albert Laceca you You can you can

you can't you know the actor of the H.P. Lopcraft

and he told these stories, but many times, he not he was put in a protagonist, but in the other than you

the relato, like, he was a anecdote, no? And I was sitting, and he was with his,

with his cigar, this, and he said, there was a person that was a person, I'd, I'd recommend, so,

I'd recommend, that you know, I'd, I'm that the first content of YouTube that I saw that I did so, my

Trio, my Tio, had a form so, he, he was, he was I was,

I don't, he was he was sitting there and I'm talking to like if he had had been

I'm going to I'm the best of my abelita that in my abel that's

that's so it's totally isolated. It's Monter, vials of train

abandonedas that were there there a break and you get to a

one one you were three or four quadras with

with very houses of these people where all they know and the other things

were like like, whertos and sembradios no. Okay. So, there were

houses abandoned there, there molinos old, it was like there was there was a

area abandoned about there there's a lot, very, very pintoresco

well, the place and so so and then so, and then

and then of the little there had luses, no, but you

you, you're a window and it was a black because the city more close, I mean, it was like a

place, but the city was like a 20 minutes in auto. Okay. So, so it was like, like,

like, a resplandor like, a loo' the city and the other was all the other was all

dark. Yeah. And he us, we're so, in that point that's there

that's all to be to be there, no. So, so it's a man with a

car that's And if you go to night, there it's to be to be in

so you're in this story, in the other in a lot of a lot of the place in this post of the water,

it was this. And in the ponte of that and the ascent abandoned that that's seen that's that's quite

and I'm it's like it's like I'm appeared in that there's there. And so,

and to me me I'm really about you I've had seven, eight years and my

my Trio and my me didn't I was told those stories, and I was, I was the most chikos of my primos, my primos my primos, had yet 10 years, 12 years, and of a sudden, they were,

oh, yeah, I saw, I'm like, oh, so, like, like, they were, like, they were able to , no? Okay. Now, yeah, more I'm down to do a point, that, well, it was, it was, like, to start, nothing, but I was, I was, for you, to be a minute, an adult, no? Yeah, it was, so, like, so, like, that type of

things. So I don't remember one in specific because they were many but these stories classic that he said

that I went in the bicycle and then he said, he said, he said, he said, he said,

he said, he said, he said, that he said that way, that's a image, okay. Aha!

And that the murder he said, he said, he's like he, he, he, he, he,

he's like, he's like, he was, I'm, I'm, I'm very curious, because

not a story, no, he didn't know he passed nothing bad that was like that's that's never

that was going to I don't know and then I thought that's up behind me and I sent you those those man's frias in my shoulders and so this type of

stories I'm I used to much and me were very very aterradoras and much of what I'm of what I

I'm in the I don't see if it's not noted the people but I think I'm

much of the camp so I know my stories the great majority occur in the camp

and much occur in places that that is where I'm where I'm a story that's called

the devil where I'm a big where I'm a where I'm

a little that's when I took to do you in one of the quarters of

the one of the one me me me was and it was you see just

as well as a little the Sierra mother oriental there's the front of the mountaines

and a mountainas some of some years of the train abandoned also I have a

point that I that I wrote a story about a point where

was a so like they're like it's what's the most that most

me marko in a thing to things of the desoros of the devil

has to the desor of enterrados, of this type of stories, like much more rural,

no? And Kevin he's more urban. So, is like he, he's from

the city of Mexico, and then then, never, never, he never, he never,

he was, in the camp. In the time. He's, he,

he took, this life of the, the life, not has no, the things rural,

then, so, those stories transcurren more in cities,

in edifices of departments and, but inevitably, it's reflect to what one's in, in, in, in, in, in his vivences, so, compared to with what he lived. A tito get in a chero of stories.

It's not, for what you're saying, that you, yeah, the, those, the problems, and you know, you know, can't take a little, like the person that's behind of that pluma or of that teclado. How distinges

of the that's writing things real. I know I know there's that there's no

that's the point. But what you say this is invented 100% no

although the story is very this is invented. How you do you

your experience? The history that is real care and

many many of details the the history that

is written for more better that is full

of descriptions details features places, because is what is a writer. In a story

real, if I you don't ask, he's three days, this, after three days you've seen a

one, you're going to you're going, you're going to say, you're going to say, you're going to get the

door, but not you don't you remember of what was exactly, not you don't you

don't you remember of what you you're about, you're those details that,

that one day a day not they not not not on a libretta. What is what what happens

if you have to give a declaration to do a other thing that you don't know, in the things in the

things of the time of the time, I'm like, I don't have a putt idea because no, because I

don't get a time with or hours of what I'm doing all the things, and in a story

a story that someone that someone is like in the nine with 47 of the night,

I was my pyjama new that me came to give to give I've been offered. I'm a

$7.95. So, it's like, these details enrique are a story fictitious and in a book,

you know, you know, a student that's a guy, that, he says, what he says,

how it's, how it's, how it's, how it's, it's, it's a bit chido. But as a anecdote,

it's a , we know, that no, that no, a, a vivencia, like, personal,

or, it's a a vivencia personal, where you metiste, then more cremita, no? Yes,

I don't see if you have passed to me, one of the first experiences, recently I recently I'm this channel,

and we've talked about various stories. As much about the experiences personal for that not so not

as much and error and experts, because no, no, it's a person me said,

I want to what I said, and I, oh, okay, for a favor,

quote me your story, no? And me a little so you need to, my mind.

My my mind. We're going to we. I'm going to. So, that nobody comment a

something that said, and that poetry, that stylism to many people, it's delat

that have been doing a lot to do you put into the story and pulling it, and saying,

ah, this can compete with a poem, but not with an anecdote. Yeah, and we

know, and we're many, many times there are stories that include us because they're very good, but we're

that the person has written for that's written but it's also, but, but also, I don't mention it but that

I'm really that's about the same that's the way, I'm not, of the things, so,

so are the those, the, the, the, those, the, the,

you know, a, a disrepancy, a more the person that the person that

he's, no. But, this passed in 1985 and no see what, what, and then my abelowlough with his cellular. Exactly. It's like, wait, I'm, cabron. Well, no, that's in the 85, from where you got to, I mean, I'm

just playing a sub-trauma, of that your abuel is a voyager of the time. So, this type, I'm exaggerating, for that's not. But there's this type of discrepancies of time, of a sudden, you know, I'm past like six hours there, but then, afterness is medium-night,

when you said, before particularly that it's all 10 of the night. And so these little

details that not you're going to be many times the story is so good that I'm that I'm

not, no, no, not passed six hours, passed two. Because, it's very

good, the story. And of a way to disperdice a story for a detail so,

no. But, but so, coincide. Okay. Also, also,

one that I've talked to me, that this, I'm not a story, I coincide much with Emmanuel and with Kevin. Of actually, I

let's say to all the audience. I'm doing liberty creative for complete in what they're going to the narrative. The narrative has much to be

in and see, cativ, no. Although you, wow, the elements of the history are impressive. But what

you're doing not function. Exactly. Yeah, and so, yeah, and that's really nice

because there stories in those that and when me passed, I'm, and then my mom said,

and my mom I said, and the perro, and the perro, I'm, we, I know, so no all the

whole of the whole of a whole of the situation, no? And the situation was

that's a good in a room, but not definitely. No, he's

not going to get there's a car that there's a carmion of a carmion of six millions of

people, but what interesting, you know, you're, you're in the stories that

you've been the time to the long of these years, a

one that especially had taken fibras sensible has taken your emotions and, yeah,

for the narrative, for the story or for something, but what has to cibras sensibles? All the

what it normally in the people, so, that fall yes, they're in a

way tragic, this, even us have gotten stories quite fas, so,

things that we don't public we because, there, there's like a line editorial,

digamos, invisible, but that we have of not publicar certain things for more that them do for more that

we're saying that we're that's we've been that's a and that's that's that's

that's been kind of but it's it's a so it's something it's a something

so like I like I get to final of monetizing and

and cobting a money for for that so there there's there

there's a there It's a very sucio. It's a line there that we're that we're we're trying

to not crosser and I see that you can't say that but you know you

but I'm a story of, oh, well it's my abelito

that felle tragically dista much of a story of these

where someone was abusated where someone lived something something

something something of this something of the stories of stories of certain

to certain things like the death, to things of suffering, if you

want to see this, but we're certain things that are more that's, that are more good,

that's the story, not serve as the end up the time our channel is a show.

many of us, you're, in, in in, in, in, in, , because, for you, , because no, they're, so, because no, they're, and, and, and, and, and, what, , we're, we're, we're, we're, we're, , we're, we're, we're, we're product of entertainment. If we're

we're saying all in crud, we'd reclamarion because it's mal-redacted and we'd not reclamarion because,

oh, yeah, because that this story is this is this. I'm Manuel, I know,

you know, you know, I'm good, much your relato, could you want to

the audience to the other of the stories that you have for there that

especially you do you do you do you don't

if you have a thing because because we do

for thematic that I think I'm like you're like like you like you're

of repartigern of your like you're like what you know what there's two

two stories of entry that no see you can't that you have that's

that time that's of your city and legend urban

of Keter or that's where actually actually oh

perfect well of Tamalipas there there one very

very very known not is like of terror but well I'm going to I'm going to

this that I'm this that I'm not of this always it's always so me so much interesting it's

that in the city of Matamoros for the time of the revolution had had been

built like much tunnels below of the city then I'm there's

there's there there's there there there's there there's

there there for example the president with the theater of the reforma

that's the that's the the the Fierte Casamatta, that now is a museum Casamata, that was precisely

of the time of the revolution. And so he's found that these tunnels are clasurated and that

there's many people that have access to them. I said, I've I've asked

a time I'm a, a person that he said I know, that I'm that I'm

that I'm talking about those, but then also I also me I'm with people

that the subsuelo of Matamoros for it's actually it's impossible to make

it's a lot of that's a way, we're a we're a city costterer

so that the same naturalness would be impossible but that me made a

a story very interesting and the actually I've got to get to something

about someone that's like some a kind of some kind of

in the house oh, oh, so I like that's I

was I used to much like to play in the earth and this I imagine like going to be to start scarvando and

I'd be able to talk about with a little because when when I said there were tunnels to the city I imagined

that literally like there was a city subterranean like a like a sub-suel so me

made very interesting and other that is of Matamoros that is much more more

more paranormal has been with a a little amphibio like a sirenito if you know the song of Rigo Tovar that says the sirenito no

much people it relates to you know it's not to know the question to be the years of the 80s some 80s

some some peskaders in those reders they've got something that they were

first that was a piece very great very very pes and when they were a

kind of a lotetas with eyes like great, oscuros

that no corresponded to a human and that had a cola a piece

of a sort of a sort of they're like this mockumentary of discovery not

of the sirenas yeah so as like like like it's like this

this this a little green with aletas and they're so they

they're so they they're they're they're they're they're But after that

there were many avistamients of sirenas in the coast of Matamoros. And it's me makes very

interesting, I mean, so it's like, de-wilta, when I was, when I was a little this story,

because I go much to the play, it's a city costera, as a big, it was a

common, to a end of the time, to go to a time, I was, I'd

never a about me to top- with this, but at the same I'm I'd like the idea,

well, to be a siren or a, so, like a, something, something, a,

something, would have made, I'd have been very interesting to be a creature so,

and at least time, me would have aterrado much. A crazy. Yeah, also,

in Tampico, it's a lot of Matoamoros also, but it's more of Tampico, the legend

of the aliens, that supposedly has a base for there that not there can't that can't

much that no hurricanes. In fact, they were inaugurated an edifics,

I remember that was a new I'm a building of a new and the day of the

inauguration and it was over the city, it was the city, you know,

it was not inauguror. So, so they did you and they were the

time, and they're now, now, we're going to go to the day of the inauguration

new newly and destroy all, so, it's it's

too very, very feo. Now see pass like 20 years,

or they're going to get a lot of time, they're they're not going to

that they're not inaud they're they're put in a new a hurricane and then

then they're all, then they're then they're so you don't go to inaugurar no mardres

we're to let's let's that's the last hurricane that's the city

of the city of that from that time there's there no there no

there have been there have yet those hurricanes and when me called

this is me so it's because it's something that it's a so it's because of

inaugurated an edificio no, but just was it was a year of the inauguration

until they didn't do it and there's and it's about the base alien and it

and it's about these things not there there's not that's so much

for this this this platic I'm retomando stories that me

had talked before and I took with one I

got some about a 10 years, that he's made very very in Reynosa.

Gustavo a brother that during many years lived there he's chef

and he he went to a lot because he he wanted his own his own his own

that he is something that's something that's something when he doesn't a opportunity

a got a one person in the restaurant that was a they were doing

in transpasso and he yeah, yeah, he was, the fact, he was, when he's

the numbers that they're doing, he's going to this, this is going to be in this new

this new business. He was had to do things in the menu, could be to change

yeah the situation as the restaurant. It's like you, like you

the people, you know, but there's certain things that they didn't

do you the cost of the cost of very back. The transpas he'd

and chinga and there was a there. And when he chava was a mirab at a and that's

a way, say this way said, we, say, we, so, see, then we're going, when

me's being, and those eyes, where you're going to be some of the information,

no? So, he's he's still, he's he's eventually, they're

an opportunity unique, we're, we're we're going to, we're to say,

no, he went, not even got an abogado to do this situation. And he's

going to talk with the bellator, no, and he said, I know you've been being, like no

me to say something, I'm saying, I'm doing a one of you know, they've been the restaurant

with much things, he, he said, he said, no, you know, the story

of the story of the new new and he he said, no. The quate, says,

the quater he's, he's, he's, he, like, he's, because

He always He always used a tachecito a capper, a tauter and a sombrero black. So he

was very known to get because he was a quite a violent. He was he was he's enogued with

the cociner was to and he was and he got to and he he was he said

to do of enemies and a get here to get into because he was that he

was he went to he was so the court and he had the pistol

and he was And then he said the quater, Well, no, no, no, I'm talking to, and he's talking to a

story of a of a second years. I've been in this restaurant, since then and every

certain time, I'm despise, and I'm and I'm and say, and why? I said, because nobody

wants the turn of the night. So, I'm, because that boy, still still

is here, that way still is so my man, so my friend me is, I'm going to

get to to get to to try me and try me in short, no? So then going passing

the days, we're trying to end up the things. At the final I think he confiated,

the place, we're we're doing this there's not of the person because we want to

know really how it was the movement. And yeah, when the quater me this

story is of phantmas and not me says something and I know I'm

took a I'm never, no, I'm never no past but I'm

office principal, that was where we had the cajointed, in the morning, there's all the things moved. No, well, there's, I said, this quater is getting in the night, or me's trailing or she's getting a jeton, and they're going to get into, and in one of those, and they're going to rob. Well,

well, the point is, manda put cameras, and start things raras. Are you, they are those that have sensor, and you send them messages, and he'll start doing in the madrugada. Because it appears, where where it's preending the light,

and there's much movement and the sensor the sensor the camera in the place capture movements but not it's not

people, and at final we're talking that's a many years so it's not the image clear and

he's, he's, he's going to see what what's that's going to see what this is a

thing that's me make sure and it's the bellator so one then he says he's let him

let me go ahead he's the quater the quater in the night and the

bellador is out of so he's no, then he's no, I'm going to get to

be here. I'm going to do you know, I'm no, I'm no, I'm not so I'm going to and say,

I'm quite so I'm so it's a little and that man, but get to out of

and say, I'm going to say that I'm going to be going to be not in the quarter. Total that

this type he's going to be to get a around and he said he said he said

he's I'm going to do this and if did he's number me said I'm dejo, like two hours,

me sit. I'm getting dormied in the chair in the cell cell. And I'm where where where I'm in the

door of the place of the place of black. And me he's a cabroncito. Quitate of my

pinches because this is the last that I talked with this time. He said, I'm a

man impunent but he was someone who never had seen. So I'm never I and where

I'm I'm going to I'm I'm I'm a person to see the door

to be the sangra, it was horrible. So, me back go going to because I don't see if it was a man, but I said, it's a metio

someone. Where I was going, never they were and they were and the doors. The doors, tiled the security putt

that I was and it's a carated at the rice and he's, he's got to he, you got to do you, he, you

was never, I was sure, that in the panches camera's me going to give to come

I'm, I'm I'm hasusted, so you see the door that's open and that the door that's

the door and it's in the story they were in a last few years and it was when I'm when it

got you know those details that's this guy is traumat for that he's so that I

want to I'm but well that's that's that also that's important when somebody

to tell in the eyes like something something something you know so it so you

know something something that's Siente, I see, in the eyes,

it's the, in the fear of, no. Uh-huh. The actually, me made

to record to a video that did so much, that's, I think that's, I don't remember where

was, that was, that was a question, I'm not, I'm not, so you know, so you,

know, the Buenos Aires. It's of the Buenos Aires, that's, it's, it's,

he's, he's, he's, he's he's, and he's like, like,

and he's not doing something in his tablita, he's and so, and resulta that he

says, or assurua that he went to and he was he was a person real,

so he was, he was, so he was, he was, when he was, when he then he was, and then he

he didn't know he was, so, this person, he's, he, he's, this person,

he's, he's, he's the solo, about, and I'm no, I'm,

I mean, I'm, no, I'm, I think you're going to the head no.

Yes, if you do you know so if you don't know you know renuncias I mean

I don't want to work here no. Yes. Because if is a is a

a counter your reality contra what you did you don't you

never more no so it's something very strange of the

actually there in in in in where this

video I I had been I've been heard that in certain hospitals of Argentina

have been occurred phenomena so I'm not said I'm not that I'm the exclusivity

of this but like a six months before it was very famous the video

of the doctor Picone in the Chaco Argentina the doctor is

a type that is very known in the area medical

for his speciality very very very affamado but

one day when TikTok is on the story paranormal

and he said I have I have three stories that for me no has an

explanation. And one was very very much. A lot of the channel has heard of the people

that are new so they're very rapid. A he he's the guardia of security. They were in

a zone that they were a security and in the turn of madugada that was when he was

not they they'd be in the access direct. And then then the guardia

he said he said, I'm here a person that's that's a problem respiratorious

but it's a person that's a person who's a situation of the doctor said,

no, man, let's go pass. Orita he'll be a companyer and between the two here. He's a

one of the guardia, he's going to the person, he does the consulta, with the stetoscopoe he revisa,

he says, you know I'm, I'm, I'm, I'm, I'm, I'm, I'm,

I'm, I'm a little bit, and let's, no. The chica is it a lot,

the salon, you know, that the quote is a lot, so it's in situation of the but not

so it's so it He goes to the zone of rayos X. It's to do the radiography. He's acuesta. He says that he took his position. All right. And then he says,

Cere the door to that's to be to be able to escape. At the final, a person in situation of the street. No, you know,

you know, there was form in the case that she would be to get to the fourth to the computer, to the computer,

to the computer, a computer, I'm respiration. No, it was something horrible. So, to me

a me pegas very very that's, I'm going to and I'm talking to be that in the door,

no, the door is there and the door, the first of the doctor, the doctor, the doctor,

the doctor, he's he said, no, I know what, he said, and they're they're going to

the guardia, and they're not, we can't let the hospital in risk, no,

is a person in the situation of the city and that's the the police,

they're looking for the hospital, no encounter nothing, and the doctor says, hey, damme access to the cameras, we need to be

what's the person. And then those cameras occur, so when when they're in the time principal, there's the guardie talking with the air, the doctor

talking with the doctor, talking with the air, and he said, for me, no, I know, I know, no, I know,

know, no, he says, is disruptive, but the form to confront them is not to do do that, not to start

thinking in that's, like you, it's, it's, it's not, so, so,

yes, is, it's something very, it's something, it's a part of, because I don't

want to, I don't want to, I mean, that's, but it's something that that's

kind of, that's chisofrinia. Sure, that no can, I mean, because, they're,

they're, they're, they're, they're, like, I'm, like, like,

like, like, the people, me, I mean, I mean, you know, you see,

like, you know, something or an object that's a there's a so, I'll say,

I'm, I'm saying that the doctor and the end of schizophrenic, I'm doing the parallelism

of that so that's that's, they're, they're not that not is certain, and that no,

no, that no, that no, that there's, there's been, a, it's a, for your

thing, so, is something is something something, that's, that's, that

to the story that I'm going to talk about about a legend, although it's a little bit of that you,

probably the most of the most famous of here, that is the story of Claudia Mijangos or the

Jena of of Keretaro. Never have heard you. Never has heard. No. Claudia

Mijangos is a a woman that for there, no record I'm going to pardoning

with feches, not they're like memorized, but there of the

finales of the 80 she had been a ex-reina of beauty of there, this, of a manner local, no, this,

it was a woman that was very, very, my, he had three children, and she had

separated, of the, of his children, not, in a, mother solterer,

and she was very, very, she had, he, he had, he had, a,

he had, like, he had, to the , that she and the curate had like a sort of

a kind of a bit of a but but what rar with her

is that he's that he starts to have episodes very rare

of hallucinations she she she has she like

episodes eschopharinical where he he things where he says and

these voices so they are more more more

more aggressive and they're they're to say things every

more those things they're to say to say that they have to

get to kill to get to those three were young they're young

they're I'm going to they're not I don't I'm about the

four years, eight years so children many many little the

most little was practically a baby no she

one a night he he gets me it's that one

he coo a whale to the his fixia another no I don't the new

the details the point is that those assassina to the three to

the man to that the car that there

got full of photographs there so they so

they they can they can look in Google so

they like the the the scene, no? The police yeah, they're going to the carcel, and, for

the place, it's about that this house is super cargated of, well, the energy negative, that they're saying,

there, there are like , there's, like legends urbanas, that the people in the night, they

hear gritos that are there, when obviously no, there, the house actually, the house actually actually,

the person Entrava much to grab to do, I see For curiosity Entrable, so the same family and the residents decided topeer

Ventanas and Puartas and all of curios, but if it's that this case is like super super

enbrued for these things. And the last more realista and more macabro of

this, not only is the fact that a woman not received a treatment and

he asked a his three children, no. the fact that she was the

I think it were 30 years, those 30 years just there's over actually, actually.

Now, I'm understand that not that's not quite in the case, I think

that's that's the family, I mean, so, yeah not in the carcel,

but it's like, a sanatorio mental, no, so a place,

a place, a place where they can do you can't be a major,

but, but, but, still Viva, still being there. The

house of the Yenna of Kretel as far, as it's relatively close

of here where I'm a colony near a colony and actually still

being a story that's about here that's famous

at national and it's a tragedy terrible that

also has this to this problem because much

people are that not were episodes exisoph phoferen

but, you know, there really had something there's a lot of the house,

and that's that's the things are, that's the thing, for that's a case real,

but that has a part of the legend urban. Yeah, what's that, I'm going to

look at what I'm to investigate some, I go, I'm a lamentable the success.

But also, it's very, very interesting, many, many interesting, many, the case, I think,

I think, because that's, that's what that was the thing was, she was, she was, because at the

moment of commit the assassinations, she felt, I don't remember if was, I was,

I was, I was, I, or if they were, like, I, I,

I, was, I, I was, I was, they, but I, I,

with this, like, with this creencers. Me, I've tried a story also that was very,

very very very good time. I found a story that just in a

night in that we talked about stories of a little a little

Elizabeth, not more for, for, for to maintain the anonymat. She

remember that when was a little was a tragedy very in the

colony in the that was the community, in the person for the people that

is of here or not know the positionaries are the people are the people who get in

they're and they're a lot of some rest of despreditions or what can constructs

they're so the houses normally care are of certain conditions

of security so so so so it can present and

that that case and it's a not not

going to start simply in an incendio and a of questions material, but

the abuela that was there is a, she's very stressed because they were in their public to do

and decide to go back, pence to the people are the people who are, but the people are doing with the

little little that they were in that house, then they don't get to get a quick,

and there's a explosion, finally the, the, the, the, the,

the the, the the, the is that this she

was that this I live in the casse dad alado. And he says that just when she's comeply a month, they're going to pass things raras. In the night, he'scuched passes in the

house that she remember perfectly that they're the passos of the sheifer. But now those I'm those I'm

on the vials that are there. So then I'm, me, me, I'm never, much, much,

much, me know. And also I'm also the voice of the woman in the madugada,

where he says the number of his nieets and me he said she said she said

she said she said she was like a time aterrador until that one day a chica

of the that was a school and that was she was a family affected

she she came to get and they were in the school to

and then she she saw the she she was she was rather

she she's when she when she the job social and he said, Hey, what you What's the past?

And that she kept thinking she like to say or not to say, he's going to say, he

going to tell you to explain to what he was going to that the did that the

child, the teacher of the school, the master, he says, ah, you know, you,

you should you have to talk in your mind or in your heart and the

and talk with her and explain what was what what passed. She said, she said, I think now of adult that she was doing, for me

to confronter my process of duelo, and that simply had a certain logic. But what occurred is that if I did get to hear those things, and I was me felt very tranquil. The situation was that many years after, I talked with my papa of that and my father me said that he also

and that he said that the day that they were to hear them, he seemed very tranquil, that never knew, because they were to hear them to hear. And there, Regress my MEDYO So, so there are

situations there medias interesting and when certain certain things those detonan the not,

you topas with new data that make those lives another way a little different.

And fiftate that these stories that talk fibras personales are more

more aterererer for this connection emotional. Of that I have

a story, I'm a child me a and a Just is this, I mean, so,

no need to do something to do. Because what he passed is something but if you know you're another thing.

She said that the little, a she a little to her to go to her brother to to do

the house. His house was a lot of the escalers. The children, no mied those

perigros. Then at the time, I'm they're saying to they're doing

that they're not doing that, so they're they're doing on the carleras, they're that, of a certain manner,

enteran in a state more euphoric, because now only was to them to go to go to the mom. Recurred that

one day, that was the last day that they were, it was that the time, we said,

we got us to get us to the second time, and instantly the two we'll start a gritty and

we're back and it was something and we was a little, because I had seen

something that I was justed much, but not it was was And my mom no

said, what happened? What happened? Why gritty? What? And then she said, like me to calm. And he said,

be to my abuelito. And the brother says, he was, he was a parado, recarged

in the and he's and he's and there no, no, and the mom

and he said, narrator, the problem is this, my my abelor has five years

since he did a embole and he no he's he's he's not a

in a state vegetative. When we we're up and we're we're doing with us, it's something that's that we're

never we're to get to go back to that. And we know what we we've seen what we there. That's very

curious because he was a life. Exactly. In a state, we're not I'm going to

move to but he was a but I'm more, I'm more more than more than

some part of the relato but he's well and you're and your in the plant

back. So, what we we've seen. Who's what we've a story, you know,

you know, a story that you have got a favorite, and then of those

that you have had made a some that could be a very,

a good thematic demonios or cuja that is something that's something

that's one this is a time that, so I did you direct

are, telling some stories that for motives of monetization

and that I'm not a question, and I refer to the same that I

mentioned a before, this, no, they're to be with that

simply were things that that YouTube is kind of

penalize sensible, no. But there one that me that was anonim

or was an person no, no I don't I don't want to

I don't give more more explanation, I'll let to talk because

if you not a matter, but well, the point is that this

person according I'm I've had been problems about about

the similar to the paralysis of the but if you know

you the term incubo and sucoo probably probably know that are

these demons sexual that during the you, you do you

you basically like that they're basically to be in a way

to say it a clear. So this this chick constantly had the dream

of that that was a demonio like was a not a person

human was a was a was a something and I had of she had

of her and he was to be not respect. I mean, really suffer this.

So, I mean, almost every night of these these these such as such as

so, okay. So, I'm, I'm, I'm, I'm, I'm going to

tell me, but it's a story of a much, that I got to to come to

in some moment. Segun I'm what what was that she had

had this in a place specific, where she had had been had been moved

and his solution was to be the city or the other other other

other so it's, so, the it was impossible that she had been embarrassed no she

she knows a woman that was a curandera or had this type of

power and he went to talk about this sensation that she had

because he was he was I know I don't I want to

see a ultrasound or something and see who who who

know to be more longer the basically they practically

they practiced they for that that's monotice they're not you don't you

don't you don't you don't you don't you this this this is a real

and what he's that's that's that he was not was a

man was a monster that that not that no

he didn't that no he but but but

it was so it was so that was that

was growing in it like a, a product, you know, of an

abuser supernatural. And she he's a little bit more an anecdote personal? It's of

these of these stories, but I'm, I don't go to, to romper the magic at the

principles, these stories that are very well are very but it's a great story.

It's a great story. Of course. It's a great. It's of very, it's of

those that's of that's that's that I can't to tell for the elements that

you've heard that's it's so it's like, like I'm like it

but I don't know much disrassar words and this, because I think it

he quita much. So, so it rest a impact that has the impact

you know, it's a thing you have to selectionar, but it's a curation, let's the,

of the stories. Also, many many times we're others that are or very cortitas or very large, not because

are good or bad, but because of planes are like, no, no, they're not caben in the video. I mean, so, to tell four stories of two, three minutes, and then one of 20 minutes

romperia completely the rhythm, a person to be sure that's that's, but, well, that, that of demonios,

I think is of what most me I'm impacted and I liked, as a concepto and, and it was very well,

and it's been I don't, I want to to keep more your time. I think the people that is going to

have been getting to much this episode. For favor, count us for those

who not they know you know your work. You know, where they can't

listen to listen and you can have done. Or, of those that you have in the

channel that you for you say, this is this is, this is, let's be

okay. Well, well, well, I'm around Emmanuel, with

M., under Night of the night, the night, and the internet, in Twitter,

in TikTok also. And then those of the three reds that I'm that I'm

so you want to listen my music, that at a more maybe maybe you can

be there on Spotify in the platforms digital and also in YouTube. I'm

like Emmanuel Morales. So, just just put Emmanuel Morales Music

and there is going to get on the YouTube. In

to recommend a story of the last that I've written, I'm very proud of one that not was so popular, that's called Alex Mortem, that was... Was it. It was written

a lot of a story of the year past, and it's a company by an animation very well made by a great friend called Carlos Sandbiltrigues,

that, the one of YouTube, they're like God Slayer. It's a great story with a very good animation.

It's basically a short-metrager narrows and they want so much. I, no, no,

it was like, like, no, it's, not so, no, so, but,

but, but, but, but, but, so, he, so,

so, general, of the channel, no, no, in specific, but just,

yeah, we've got all the, of the, the, all of the Navidad and that's

and they're very good videos are the pendent because they're in stories of Navidate with thematic

because there's things very interesting, very chidas at the channel respect to

this time night and they're going to put very good. Two questions that has been

doing because the audience has liked much. The first of your public, what has

been the history that's that you have made more popular of the that's

written? Of the, of those that you've written? Of those you've written, the public of

the world creepy, what is the that's the most popular? Or the I think I think the most popular in the

history of the channel is the Tesoro of Diablo. Okay. I'm that's

because it has a because I think more than two millions of views. Wow.

For to make a for me is a is a is a but

but they have a very much carino a little a little a so if

if it's a story like a visualized in vistas that's that's really

the people always I like the monorauta and the violin of the

book are two stories that the people I mean when I

when I see when I've seen when I know I'm mentioned that

those two stories and what's they're not you those

movies of Terror? Yes, what are you? Yes. What are you? Three

movies of that are good? I mean me are. Two are of the

same director. A see. The only two that have Ari Aster. That's Mitzumar

and Hereditary excellent movies. It's me make great, great movies.

And yenddo of that I see that's like a cliche, but the resplandor

of Stanley Kubrick is a work a If not have seen,

Miren and look also Dr. Suey this chida is like the sequel

like spiritual more or or less. But it's good. But, yes, three.

Eritari, Mitzomer and the resplandor. Oh, and this you know, because

I had always been all the talk about and it was a question from the

initial. You did you did a creepy pasta that eventually

was very viral about the ritual of the escalera. Yes.

No, you can tell in what, of what I'm yeah, I'm in my, I'm

consider it my, this story is the internet because, because, I know, that's,

that me got to in English, even because they got to do it, that's like, that's

so, that no, so that no did it in the channel, but it's

also, it's to be the point, to I've heard, people, that have narrated in

his canals and no idea of that I'm like I'm emetized in internet but well basically it's a piece of

a game ritual where you bendas the eyes and you're to count those escalones of the escalator to the above

to go to get to go and you're going to and you're going to until you get you're to get you and you're

going to and you're and in a point when you're going to you're to begin to

to to continue back and back and you see escalones infinites and you're you're going to

get you backs and backs and you start to hear things a through the venda, you're going to

see somebras and things strange. Part of the ritual is that no you're not you're

you know, that you have to you're that you're for what you're for what you

see that me they're much hate because I said for what you

in the comments because they're like if you you eyes. Because if you have a venda in the

eyes, perceives the sunsbers, but I remember that it was a very common, because, for what you see, well, for that. Sigues backing-a-huh, until you get to the most profound and then you then you can't use of someone that's front of you, but

no you can't see, and he's your desire, basically. And, and you're going to conceder what that you, that you, that you you,

that's a story I have a lot of, but I feel like, like, yeah not is

my, like I'm because it has been many, you know, that I don't

those wrote, that I know who did, so the people, the people,

the people, I'm always, I've always, I'm never,

I, I'm, I'm, you're, I'm, you're to be, to

you, I'm, I'm, to I, I try to that in the history is entient that you're going to

the inferno and that's talking about with the devil. But in no moment mention the word

the word to the word to happen. And then when I get to pop in a version written,

that we never publicable the stories only in audio, but someone that's transcribe and then it's

like this ritual is to go back to the life and talk to the devil. There are

some words, there are some words magicas that you have to say before

to start the ritual, that I I don't, I mean, I said, there some words that no less I'm going to say, because no I want to intend in this ritual.

The fact is that no-seme-occurro that I consider it a-errador, and it resolved that form. I mean, I was resolved like, for your protection, no going to say the words, but you find out of those words, that says something like, like, satanaz, abramed the gates of your reign, or something.

That I don't know what I'm going to be. That was an adjudy of someone that said, uh, well, this are the words, no? And that I like much, that this

story was enriquecing with the people. And so, it's like,

it's like, it's like, it's like, I'm, because we never said,

we were, we're, we're, we're, we're, we're, we, we're,

but, me, I'm a message, in special of a person, that was,

that were in those words, were, I, I, the, I,

I, no, no, no, no, no, I'm going to say, like in my

paper, no, of that I'm going to say, because it's a a lot of, I'm going to,

not going to not I don't know I'm feeling very feo and I'm I'm sure I'm sure

I'm always I'm sure I'm sure public I'm I'm not the history and no I'm doing this I'm doing this

I'm not I've been didn't even I've been dimensioned that someone could in serious to that that's a

degree to that someone could when you're desperated you're in those days. And I'm that I'm

so I'm not if I'm in this situation maybe would be going to be looking and it's

looking a solution. But well me made you to record this anecdote with this story of the scale of

the story. That's I'm much care but as I'm

I'm I'm I'm I'm that's a story that's It's a story of internet. It's a story of the

people. What, what chido that you have the theme and what chido that you have a etica personal

to manageart in these things. I think that are a lot different very difficult to manage. A me

really to generate all the, the experience of terror. And I always I'm the question I'm real or not

real. At the final I always I'm this canals of narrations. If it is an argument.

Yeah, exactly. And if it's because I'm curious, and as I'm going to tell me stories and I'm a

story, if I'm a person in front, I'm a question. But no it's of investigations. It's of the narrations. What is,

that many of the people, for not to say, the grand majority, not came here saying,

me, you've invented a story and they're going and they're saying me, I give this, and they're doing a

space, but, but, if I'm, I, there's a, there's a line that's

that's that's the thing, that's that to generate false the Esperances in the

person. For me that's a lot of the barren of the thing is the entertainment

and of the things to do that's about to do that with that the people it's terrible.

It's terrible coincid with you to me to come a matter to talk much my etiquette

that's not to not to know, that's in a matter. I'm that I'm going to, no, here I'm going to be interrano, that is there, I don't want to

enter, that justly, will start to generate little groups of people who start in something that's a mere entertainment.

So, so, if you understand. But, well, Emmanuel, you thank much,

no, I'm going to more the time, I'm a great, it's a part of,

it's a talk, and to the family nocturna, let's dese a good night, that they

have a good time, and that the next episode and that have done dulces pesadillas. Bye,

bye, brother, much thanks. Adios, thanks, thanks, thanks,