HABLEMOS DE LO QUE NO EXISTE - Teatros Embrujados y Amenazas Espirituales | SÁBADO DE SOMBRAS 17 OCT | Hablemos De Lo Que No Existe

Episode Date: October 17, 2026

En este #SábadoDeSombras en #HablemosDeLoQueNoExiste #ElNarrador nos trae relatos escalofriantes sobre presencias oscuras, lugares malditos y manifestaciones que desafían la razón en Teatros y Escuelas.Por cierto querida Familia Nocturna nos vemos hoy 17 de octubre de 2026, en el Terror Fest de Saltillo a las 3 de la tarde; y si tienes boleto VIP nos vemos a las 5:10 de la tarde porque les voy a llevar historias que están fuera de las Fogatas en Tu Ciudad, pero son historias que tienen que ver con el primer libro de  @HABLEMOSDELOQUENOEXISTE  Y después, mañana 18 de octubre nos vemos en la Feria Internacional del Libro de Monterrey a la 1 pm en Cintermex en el auditorio McDonald’s para contarte estas historias que son piezas faltantes del primer libro de Hablemos De Lo Que No Existe y eso sólo para empezar.Este jueves 22 nos vemos en la Feria del Libro de Tuxtla Gutiérrez en Chiapas, esta feria organizada por la Universidad Autónoma de Chiapas, porque ahí vamos a tener también una plática gratuita en la que contamos estas historias; así es que si tú vas a ir a la presentación que vamos a tener el próximo el próximo viernes en Tuxtla, tal vez te convenga también desde el día anterior el jueves porque vas a tener casi casi 2 × 1 jueves es gratuito serán las platicas relacionadas con el libro en las historias extras del libro.Pero el viernes 23 de octubre prepárate porque la fogata Hablemos De Lo Que No Existe llega a Tuxtla Gutiérrez nos vemos por allá #ByeBye

Unlock unlimited free grocery delivery with PC Express Pass. Shop online and get the same low No Frills prices delivered. Get your first year of PC Express Pass for just $2.50 a month. Learn more at no frills.ca. Hold music. Not what you want to hear when a pipe dispersed in your basement is flooding. That's why Intact Insurance answers 2 million claim calls per year within 20 seconds. So instead of hearing this lovely track, you'll hear this in seconds.

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Call 1866-531-2600 to visit connectsontario.ca. Welcome to Family Nocturna to this Saturdays of SOMBASS. The day of today I'm going to talk about about theatros endures and of the spiritual. But, before

to start, first of first I'm going to explain that is Saturdays, because I've done a question of certain people that say,

narrator, what chida camisa! And when they're because it's the first time that they're the first that they're

many people who have said that this is my uniform in the time. In the Saboddus of sombras. I

do the opportunity to tell them stories and after that's a little bit of experiences that I've been living. And those days,

I've seen formally, how it's all a good narrator, and I'm going to tell what you like you listen, stories

atterradalas. So, one of this, I'm just I'm going to get to where you're going to go, and

you're going to get to you know, and in what you go to listenes At the 3 of the afternoon, we'll see at the Terror Fest.

And if you buy this Pace, BIP, we'll see at the 5 of the time, because they've got some stories that

are tremendous that they're to be with the book. If you've never been nothing, because the

puras stories are good and you're going to say, okay, I need the story of the

book, because if you you're going to the next shows in live, to let me to the

show's the story of the book, because there there are a pair that after we've got

more stories and to me have been the balled up a lot of that are you want to be able to get to get to

the idea is to do this every more more entertaining and it's different and the day of morning

we'll be in Cintermex at the one of the afternoon at the time we're we're going to

get a now if this is the presentation of the book and not it and it

never we're we're we're we're you're you're of

Monterey and even not you get, even as I will be at the auditorio because we're going to get to be in your book.

Now, so. Dichaelus, I'm going to be in Tuxtla, in the fairia of the book, we're

there, our family nocturna of Chappas, and the Friday in the city. Only a

little parenthesis. The presentations of Saltillo of Monterey and the Tuxla,

the are the fairia of the book, are stories that not I

want in the fogata. and the stories of the Fogata of the Gira 20-26 are apart. So, if you are you in any city, you buy the bulleto of the Fogata,

also I recommend that you guys these fairies of the book, because the stories that I'm going to count as well, and you're going to want to. Let's say it's a two-for-one, because in the fairies of the book, after where I've seen, no, it's a cover entry. And there in the show, in the Fogata, it's a question of that you paris to

do you cover the obscurity. Dich one of this. Let's see what. this. Comeense us on the Sado of Somas, because I have various things to tell you. Resulta, my dear family nocturna, that, as I was in the video anterior,

that, for sure, if not it has seen, you know, they're doing it's been in Tijuana and Mexical. And, while we were in the

trajectory of Tijuana Mexicali, one person that was in the transport in the we were going to

talk to some stories that were men the episode. I recommend that you're going to be, but those

are those are the stories that had to be able to the place. After the

the presentations in both places, me they're stories of the

theaters that's good. There's we're not we're to say, the story,

not we going to mention who said, we're going to say that this occurred

in other continent. Recurred that here in the channel, we're we're

we're we're going to give any problem. What we are the

stories of terror, nothing of these theaters. Let's a certain subject

reenito that uses camis strange, that's put also sombritos atypical,

no I you, another. He presented also telling stories of terror

in that other continent. And the stories of terror,

pass things in the theater. I think the theater so

when the presentation. One of the one of the person the

one of the this subject. He will to call to this person to the

person, to get to talk the stories, he we're to get a lot of a bit more

specific. Esteban Ruiz came and he's he's close with the subjector with the

story and he said, oh yeah, no me did you don't me talking stories

going to happen to things because they're in the function. That

narrator he was he asked with what you you're referring with that I'm not

I'm I'm I'm doing it I'm in I'm in you're in you're not you're in

the first of the same the room to the room of the room and a silhouette it's a

it's made I'm I'm sure because I'm sure you I'm in the so I'm

I'm a message for the radio that I'm to see who was who was the

person that was in the area, and me started to confirm all in the perimeter that

no were none of them. It's a rare. It's a may say that can be something that

can't the people, as the personal, and it's then I'm mobilized persons for there.

They're to see to the scene, it's a one of them, and I'm

a lot of a moment of to be a somarse, me mandaqito for radio and me says,

no, there's nobody, and I the sombra with my eyes and there is where I think I'm

that what is a lot of it's not normal. I'm just I'm just look a little to

see a there's a there the sunbrer has practically a medium meter to the

right and he says no, no, no there. And I do you know that's

better that's better than he's he's he's he I'm

I'll to all parts to see not I'm part of that sombra, and at the moment to regressar myself, the

sombra is there, but it's all the skin of the left. And when I'll, I'll I have turned to the side of my. Is it? It's a little scenario, like if were being your show? I do a pass to the right, when not that that thing, commenced

to turn to me. And is where I'm not a sombered in the wall. It's like if it was a person a somber, someone encubripped in sombras. No, I want to give the car, me do

a half-wilt and me go to get the place. Dice. Various me report that you

were in the show. That's the story, not me. There was someone who was at post

and was at your carerino and not he was and it was a person that was a person who

had a person who was going to be to get the attention something, something,

something behind them, and at regress a mirabing, no, there were there,

and they were in the bathroom, in the area, never the but at the moment to be

to go back to go to get the initial, he'd to find to postado,

and it and it repeated, and it then it was a narrator, and he

said, if not me had passed, what he had been after five years,

I'm really certainly, the narratore, too, is curious and

He's also his servitor. And even he's in another continent with persons that strangely have names and appealed that are quite

Latin, it's rare because he he's a question and what what you know. And he

told a story that's good. He said, during a time, I worked of a

hospital. That was one of my first work. It was a moment in the

time I made in a person in a person who the doctor,

the doctors, the I confiabed much. Why? Because me miscuita a little more than what

was a very good criteria, always saying to them, always saying to the doctors and the doctors and giving us an option

more that was a good. And, and I was going to the chief of the guard of the hospital.

When in one occasion a doctor me invite and me and say, hey, I'm

there's a problem that we have in the consultory B6 for put to

a number. That consultory has only three months of that they were re-abriended. For situations of the hospital,

we're going to a quarter in a quarter in where it was a bodega, but there were puras things inservable,

things that were all over the time. They had had been an auge in an amount of

personal and also in an augent of a clientele, of persons that, that were

that were not they used their and they occupied a space

more. there is where they're all the place that's all right in a grand containerator in a grand emmason and then

they're in the place, paint them the illumination for an illumination very good but no

there's a doctor, and a doctor, and then starts about different things.

Ablan about about the aromas, of sombras that's moving, they're also

about that they're just that they're sometimes that's not very nervous, that they're when they're

they're they're saying, you, no, you can't have you aftime that we're going to we're trying to we're trying

to get chueco, tal qual. Passing things. I what I want to know is that if they're like superstitious,

those who are saying, you're saying, no, man, those are those things are mean, is that we

are you because you have three years with us. Apart of that you have been to be held,

and you don't paris to have run in the hospital. For that we we said we said we don't

fear. And there are people here in the personal, that even those professionals, we're not really, if are people

that, they're in their superstitions. You can't do you know, we've put them to go to the doctors and

we're going to do a coperach you're going to pay the dinner, you going to get a part of a

money to for the molesties. But what we want we is that you're sure is that

here's he's going well, but what's going to you don't you preoccupies, you going to

cover. As we're doing, we know we're doing it. A de count that this no

happened, it's all the what you do you're and you're to do you do you know, we're doing

we're doing. No, well, it's very well, that's, no, I'm no problem. Let's

I'm going to give them specific, and cences, what you do you do you get to care,

we're you're doing a great, grand, grand, great, great, favor. Dice,

no, I'll I'll I'll I'll I said a food a

cut of a cart of a part of a and they're and they're not, well,

you're going with a good good dient, you know, he's he's the first

years working and it's the first they're that they do they they're to do

the opportunity. So, the doctors, they're they're really is a little

little, they're they're they're there for then for the five

minutes a hour perfectly perfectly and a half. It's a type that's a move all the time, that's all the time in movement, that's all the time in revision. There was sat down in a sill.

In the food, he came to feel like he was getting a little dormido, so is that he was put up to the pie, and even when the consultory is mediumamente great, no, it is a lot. So, is that the poor-sit-com, omissioned-pisada, giving waltas and waltas, and waltas, and waltas.

There's a moment in the way, the better set up to be larcuities, it's been to sited, it's been to

get to get and say, no, when they're going to get all apestos here. I'm still I'm

better to and he's going to get a detail, the place. What things there? Poster's in

the pad a poster of the person of a person that's another poster that about the

other thing of the person that one that has a little a lot of some parts.

Ah, things detailed. It's a bit of the paint not quite made to be

there. There's pretty of the door and the way they're, but they've took the care.

And the skinnitts still see the painting an old, a a work that

not so a work and they're not that the focuses and then they're there there a

sharpiado of the cement or that's that's bad, it's feo,

and just they put two capes of painting, but, v. It's a bad

work. Oh, the piece. The piece, and even he's mosaics and you know,

are they're three mosaics good, this that's chimuelo, he says, because he has got a

little, this that is a wequito. And in that's a way to put to pizar one and

another other and it's where it took, to, where where down, it would

it, it would be there, like if there something of air or something. And then those who are going. These, all those have seen. This

he's a corner. This, the center has it has rot, this has a line in the middle. This is it like they mark a cat. This of here has been a little little bit. This is the call you, and when it wasasper it, they're all doneied. In the next, it's a good one. All right. And so it's all right.

And so, it's all right. So, you know, He can't a game of a little a guy or a guyon, right, right,

right, the foot right to get to the foot right, and so he's to come to

get to get to get to one foot, a foot a foot, a foot, a foot, all that

all that all that time. It's a moment in the that's all that

just just about five minutes and it and it's to be to be because

he's yeah, God, you they're going to be to ask you to ask the

11th of the night, are at the five and a time of the time, he's a little

the part more than a moment in the case, a see, and then you get to

the neck, to use them, and use, and it's the little,

the door, and it's a little and it's then when something, when something

when something, but it's a new you know, you know, you know, that's idea, so put in guard the instant, no try any kind of arm, but brinked from the

piece, he pego a a wall, and he begins to see a lot of parts, because he said, he said, some fierrows that rechinable, like if someone

had gotraught, something that had a turnio by the middle and it would be oxidated, and it would start to dola, to blurt, and

there's all parts, and no there. What was that? What was that? Well, now, now, now, now, now, is coming,

and revisiting, and after that's it's quite 20 minutes after, to have checked the stateria

the stateria that has the instrument medical, the bank where they put in the recet and where

they use all the and that they need, that's a place, and it's to make the

to make a kind of the person, a vascular that they have been, and at a lot,

a sillet that is these, these shias of the but it's anewa and it's the

only that it's the only that's it's the little bit of the car, that's super extra so it's

so much the chair and the baggerer and the halla and the moment of

halar it and the hear that he's just when was just when he was

to put in the pen little bit but he's no you don't I'm going to

you know I'm the agar and he starts to move to move her

to a noise one and other and other and familiarize and while he's not what was what happened,

what was what happened? And I'm a conclusion. It's a to have been moved. Peggedita

the the wall he got to be moved. For the side of the security,

as it was a bit got to be moving, those two got to be a bit more and it's

still, it and it's back and he's a front and revisa that not have something that

funja as a from a way, it's not going to make a question,

he's one of the restantries that have been that they're using, more to

see that really is your content, and it and it put to the

front of the wheel and it's to turn to the

back, and not even two minutes when now now hear

when he's the eyes, and he look at the car

of a car of a of the child, pego a gritty in the sky. Corre to be back, he gets with the paris, he'll turn to the point, and at the moment of regress

the mirage, the place is a vacuous. No, there's nothing there. The car of the child was the color of the skin. That's not black. That's it was like if they'd have put a yeso once

on them up as soon, like if they'd have put talco, like if they'd have been painted like for a theater Kabuki, a picture, a

color black, but so black that's not the color of the It seems more than something ritualistic and the eyes absolutely are very dark, completely.

He gets impacted, camina the door, aubre finally the door, voltae again again to make a recognition of the place, no there is nothing there. Cierra the door, is suddened, very agitado, has much fear,

and in the moment in the sea, he can see the sky, how he levanted a little sombre, asomand, seeing him, She impacta, does some pastes

and he's how from from the place, they're going to hear of some rechinids of metal

that are the and they're moving their chas for all the consultorial. No, know,

no, how they're saying, that really there's that you, he doesn't be a bit of

the door, but the the little the door, and he gets to be a carererer, it's a

me gave a while the guard and he's he said, the doctor

they're not used in this place. For this they're all the

place that's embruched. And you know that? Because all that

that consultorio they were to full mugnerer and they used

for consultas. That consultor was been been over

that. If I'm had been assuceded to the narrator. That's the

narrator. with PC Express Pass. Shop online and get the same low No Frills prices delivered. Get your first year of PC Express Pass for just $2.50 a month. Learn more at nofrills.ca. Hold music.

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stories and is that really impacted. All this all this they were in the

moment in the moment in the he was he was going to be there to be

a moment of the time to many people and to be people, and

they're they're a mittan grita so so. So, and to

get to that he was he was he when he is then when he

is this encounter. not nervous he entousismado, he they've

to talk to some stories. No know if they're to be

to talk or not. Finally decide that you not. Because you can

suggest to the people or cause a problem to the people of

not not not necessary. Commien to come the people,

they're with a good bit of photographs, furs, firmas, people,

little messages. There, a moment like to share I

know in this moment of my life, you want the

thanks for this. A moment very beautiful, of much interchamble of ideas, of much interchamble of

positivism. And the narrator had had been to have lived some years, he was

he was he was that he was not doing the triple, for being there,

being present, start connected with the people. All was incredible. All right

had been very good. And at final they said, oh yeah, there's a little

person. There's a a man that he brought to his little he went to be in

the narrator, he said, he said, three minutes after there's a subject old,

and a man who has around of two, three years more than the man,

the man, he's that he would be a gymnasio would be very muscular, the papa

a little chaparito but he was a person very good character, but at

the same time, and he gets on sonriending and and saluda the narrator and he says, look, this is my

chamanco. The narrator he says, your chamaquito and me says my chamekote. And then then the narrator

he saluda the man, and the man says, hey, you can't come back. To come back.

To say, I'm going, he said, for the question, what happened? Is that I'm going

to say that I'm want to when you when you when you when you when you're

when you said, the story the story with the In the latter, he said, Yes, I see, what was?

Something's the same to come back. Ten care. Why? It's that, first, in the mecita that you have the awas, I'm trying to

grab one. I said, like, no, I said, I said, because those things are that they

like you want to be attention. But then when you know, there was a little,

there were some those, and they were many, and then those, I did they're going to the techo,

and they're saying, and they're saying, moving the cartina. He says, Preguntal the people of the

theater if no view that the door to see there there's a there's a there's a

other I'm sure that you say no. There's something that's going to and it's

coming for the techo. And it's and they don't do you but also

that's other intentions. The narrator making use of all of his

force of his heart, he said, she, he did a braus he said

thanks he did media a little and strangely, forcing all his

body, he started to not see not more to see the horizon, to the morning,

and the dark, and the dark, because what good is to tell the

stories, but what bad to be part of them. And

family nocturna, the explanations to me I'm I'm can't,

the sill, the the sombra for something, it's a,

have been there there are there back for that's the cartina.

First, I think the more sano are those explanations. If not you're

demonizing the world. But, there are things that one part of our mind

know that is a excuse. To be and they have that breaches that

that there are things that are difficult to find so

a question. Just one a person of the family no

I made to a story that And very good. Her mom is director of a school. He has a year being director of that

plantele. And that plantel is it as a plan. All those salons that are in that place, all those details that are in that place, know to the students since that are the first after that they're in the

sixth and passen to the second step school. And also know all the masters in their cycles short or long, those who are they're just with a place or

they're only in a contract. He knows the intendants and the people who are in different

services to the part administrative and they know all. The director is distinct for two

things. It's very very sheverer. She's took the decisions

very a pecho so the people of that when it's very formal

she she she is a woman very bromistic has

a I've seen the humor tremendous, and with all the people not stop to start a rice and

but it's this person. Here is the Dr. Jekil and the doctor Hyde, because in the

moment in the moment in the the moment in the person to the rostro more than the that are the

way to be that's not very serious, all is very important. For the not there no,

no, no, a master that if he ever to give to

a big to this. I'm going to get a way to have to be a lot of

there's there's a hour specific in the that the students to that

the degree to to do first to come to go to do their

they're not, but it's a great sorce and she's she's

she's a master, but is that all over three groups

afuer not are only three grados with three groups, each

one, are a quantity of the people, they're in a question, they're in the

people, they're in not they're not to get because a further because of that's a

second, perfectly can be out of they're doing if they're doing this they're doing the

people, because I'm going over the masters, and the same the parents of family,

when they're the time, and there's the there's if they're they're if they're

the I'm behind of you. Here is responsibility of and all the director in hack. You say, oh, what a woman so despot.

But no. All the medicines know they're rich. Not all the medicines are beautiful. Not all the medicines are

very good. But they're in the case of the directorer is one of the schools that has better

promedos and more students. Muchachos that's the things more in serious.

It's one of the schools that has has a major conversion or pass to the second grade.

The muchachos of there, the grand majority are in the secondary and are of the most of the place that's

a director, to her mother when she noja, there's a final of a lot of people,

the people are there, and poorsit of the parents of family, that get in there,

and get to a little little a little to me he's a different, because

he's, no, don't preoccupy, but here not is your place. Here, to the chasches, to all it's all right, because it's treated well, and

with respect, and it's exige equal, with the same level, to all. So, if you want a treat to do you, it's to get to

this place, it. And, it's been in a quantity of bronch the senior, and all is to let's make, the car in front.

The bronca me, you know, to my people, and to me people, all they respect them as, they're not

they're a idea. The is a figure. And understanding this, the place, no-se presta bromas, no it's presta to, and there cuchichinging things. It's a

place in which the people is a sure. It's a place in the person knows that there's someone has a very good criteria. It's very severe. It'll be a character, but no is to grittling for gritty. To this woman, not the other things,

does take very in serious, and can't the objectives and the people are very content with that. There's a detail, very simpleon. And this is a customary that comes from before that she had to take the control of the place.

There's a timbre. And that timbre is used to announce the start of the recreo and the moment in the time in the time in the recreates and need to form

filas to pass to regress to salons. What do you want to say with that? That more or that timbre is about

six times all day. In the entry, in the moment in the moment in the moment in the time in the time

in the time in the that's the recreo of the first year, in the moment in the

when the when he's the recreau of the first to and the moment

in the time of that's the time, six in the day. Nothing more.

Always are the times never change. The same hour of the entry,

the same of the recreo, the same of the terminated, et cetera,

et cetera, et cetera. No, a minute can be because where one minute

not stay, you you of their office, and I enter directly to the timbre to see what demonious passed. You know, because she's not confian in the automatization of the things. No, there's an encargated.

And if that's encargated to work, he is the encargated to put a suplente. The day that's time that's a minute the things, she's there. And even when she's on the timbre, terminate getting to get into, and you know the person encargated that's going to be able to hear the attention.

No is the hour to go, not is the hour to enter. It's a time. It's a minute or for what

it's a time. And the people it's a way of the way of the way.

It's a way and you're there's caldas. There are things that really a lot of attention.

At final, it's good to have that's control. Independentiment of the good, independently

of that's what you're if you're what you're not for me, it's not going to be the

place to you you've to your but the people that do the people that are the people who

look and the master's that they're what they're and there and there's a community that's

sure. For that the day in the timbre of a repent soned exactly

35 minutes after the director was in middle of a joint very

but from the minute one that had to come that didn't

start there there were people were people were

those the theme educative at level national, and not could say to the other, he's a secretary, that's present,

and in the moment in the way he says, I'm going to say, they're to say, the attention, he's like,

the attention, in something more than this, and you know, the call of attention that they're saying. It's more

important, to go to a timbre that's front to us, that we're going to get to be

a little, no, discup, you, you, you're, you, you're,

you, of the indication, well, for favor, no, we'll talk about to be

to be to be the and the time, and it's then when you're

not a right of the director. The problem is that in the moment, in the

end of the time, and then that nobody had talked the timbre because

his secretary because the person, and he was coming to come in

the timbre when the thing, what the thing, he gets there, he's trying to

get to talk to and say, hey, why, why, why, until this

very, very, very, very extrano. Comines to ask you the person who took the timbre. Nobody assume

the responsibility. And she's going to a lot of your head. She's me are getting of the guacal.

Yeah, they're starting in disciplinar to this. Tomorrow I'm together with with the masters.

How can it's not? It's not can't be because I'm just like this and the people, we're

just to make the things, we've got to the classes, we've got to last us, along and the hour

because no the Timber and you know, that's that's the time, that's the

time, this is all, this is very bad, this is not this is going to really, and the master's not the end of the

time, the whole of the whole directly with the table, and the day of year, the time, I'm going to do you know,

but it's there where it's there's a bittap, has been a bad functionation the timbre. Who were the encargado of

And yeah, and he went to the time, why not took the timbre? Disculpe, maestres, is that if I took it, but, but no sonnable, what did? He said,

the intendant to go and he was to review, but, but no, no, it was like, to do it, like,

to do it, but we need, we're the encargated, and the person of intendance, we're going to get,

pression, the timbre, the timbre, the timbre function perfectly, as the time, as the arrival of the

student, they're doing, do you, do this, the proof three, four, five times, all perfect. Well, six

months, and at the six months, the master has a situation personal for the which he will get a lot of

a hour after having terminated the first recreo and just when he gets the second, it's exactly

when they be to start initiating the second recreo, and he is going to the passillo

because nobody has to the timbre, the the chute the ch' the ch'n't it's,

no, it's and if I go, and here, all is an indisciplina. It's a carmine, when so on the timbre, and he says, well, one minute. No, it's all right. You get to the timbre to give you to attention to the person who took a minute after, and you know nobody in the place.

And he comes uproying a master, and he says, mageastra, me, disculp me, me retracie a little in the class, and is that I'm sorry, I'm sorry, I'm not doing to you, I've had asked you, you already had to do you, but still up, and the director, he said, but you've heard, but you're,

but you've heard the timbre? Yes, then is who took? And nobody had to talk. Well, there is something because at the second occasion, the director manda to change all the cableado. Something rare is happening

there. The cableado is new. It has proved many times and every time that there has been an error in the that someone no can't talk the timbre,

the director is to be to be there, someone who can't be and they're on cameras, and in the cameras

no appears nobody, and the button no so pression. Simply the timbre a person, at the hour in the director is the directora, nobody understands what happens.

The cableado they put together that's a second cableing that interferes by the middle of which someone, some listillo, some brimpsil,

is doing like some of these bromas, and there has a couple of cables that it's got to between them

and then generate the timbre, and it's going, and have passed four years,

and every occasion in the that can the time in the timbre at the time. And the director to go for the time, the timbre

is going to talk for she's all. She has been to be the timbre, yeah changed the system, yeah changed cablead. There's there that's atent to that the master no's enfurtsk. She decides and and thinks that,

that's sure, it's a bad functionation of the timbre. That is. And that's all. Ah, these things, these appareats of technology, that yeah no those do they do they do with us like this case.

see my car. You know you know that's that's but it's the idea

that's the idea that's I'm not I don't know this channel I'm not even to ask

to get to the things just you're there so you can't think you

but right that you just in your comments what is what

you think what you think I'm there another other

other thing that's a lot of a little some

some there many salons there is the that's

a salon of computo, and a salon of music. The salon of compote and music, in many occasions, has people, yeah, they're of the personal administrative,

or of the personal docent, or of the most students that are in classes. A veces, they're using the salons just to

classes extra, to reforce materials, or the band of music or the group of musical studentil,

it's for ensuing. The people of the salon of computer, is because they're

doing a project that they've more time of the necessary and they need to a little

one day a director just the in the salon of the computer, yeah son the timbre

of the time, they're the young and a master, they're they're doing,

what is what they're doing to do you make a little when the first

to sound a melody when it comes to the music and the sonido

beautiful but at a little time an time antiquism is something

that all know that is the school. It's the old piano of the school that

will be the people who's many people who when the directorer I go there, and you know that's the

piano and was the year was old, that's the director of the first time. And the piano,

yeah, it was there was old and he was old. And nobody knew how time he was getting.

Well, they're listening the piano. Lge a moment in the melody is

so beautiful, so melodic that the maestra the director is distrae the student, and the teacher

and the master and says, Oye, what are you are doing they are doing? If you're not there,

is a matter, that is a melody very beautiful? Yes, they're to revisit the things

that they have to the master, the director of the master and the

alumno, it's made a way and in the moment in the she

is there is directly the salon of music, toparse with

the master of music and with the student, but he gets a surprise. He's going to the escalars. Very fast, the master, the master, I'm going to do you, my alumn't me is expecting. And then the master's surprised and he says,

no, it's not, so you can't be. So you're an alumno super-destacado. I want to know, I want to feliciter. Toca, it's a beautiful. Ambo's going

to the salon, open the door, and in the moment in the point in the door, the point, the music is detient,

and see in mind that the place is completely vacill. No, there's no one. No, there's no any other entry, no, there. No, there are nobody there. They're going to be in the recobescos that no exist in that place. There are a band of music. The instruments, all are all at the vista. No, there aremobles, no

any of them. And the two are impacted. They're all in the door, being in a form perplex, they're going to see the escalers, and the piano comes to sound to another. So, they'll have the two surprised. They're they're regress,

corrieve, to play the perilla, they're and at the music and the music is there.

Indutably it's and it's the piano. A part of that day, all the

days, 15 minutes after the sound after the piano starts solo, solo.

Only there a requirement that nobody is there in the cellon. You can

be a person out of you're listening in the passillo, you can

be in the salon of the Chimic. You can't even start at the other side of the

door. You can applaud, but in the moment in the time you take you the pomo

of the door, you're going to call you. The piano, you're going to the

kushcheos. What is, what is? Because all this occurred after the timbre.

The timbre I've got to go to one or two years until the master

yeah, I'm he said, yeah, it's the timbre and the piano.

And they've all those dims and diuretes, some alumno that has practiced a brujeria, to have been in the place.

And the director and say, no say, ridiculous, for a favor. Some saloons never have done anything,

are things that are doing, not so gestionen. Probably that's that's all because the piano is a big. Because this is

a great explanation. Entre more the more he's the normal of any piano. And the

maester, with this idea, when the last Dice to the other It's but with with such

severity and and crevending in what he says, that all they're looking, moving the head of the

head of down and saying that's it. I know. I know that they're doing to you do it on

another, but they accept them and they live to a gusto. One day the maestra

seeing that that that's a very that she has said, that she decide to

go to buy a a piano, make a a fund many, make a few,

and that the but you have been quite. But yeah has been quite the form in the they're doing

promulioninging. Tras bambalinas, let's, let's interest to get a piano enrujured? That's how they're doing,

in the form no official. Nobody wants the piano. She's a thing also horrible, to have what

to romper, destroyer, or call to someone for to do you to get a piece or so it has to do

something. So, is that is that in the bibliotheca, that there's a great space, they're going to put there.

Minim of a dorm, and he asks, put the books up to have to be in

a stateria. The master the master says that and now, from that day, it's a

piano very apagated whose sound from the music, always 10 minutes

after that's after the school. They've been put the they've

put a canded but as this is that they're in the sotan

know that no that no important the things and blockers that that's he doesn't

talk his melodies and nobody will be to know to get unlock unlimited

free grocery delivery with PC Express pass shop online and get the same low

no frills prices delivered get your first year of PC Express pass for just $2 and 50 cents a

month learn more at nofrills dot CA hold music not what you want to hear

when a pipe just burst and your basement is flooding That's why intact insurance answers 2 million claim calls per year within 20 seconds. So instead of hearing this lovely track, you'll hear this in seconds. Hello, intact insurance. So your decaf oat milk extra but not piping hot, four pumps of caramel, no sugar, small latte, and a large cup.

That will be 10 minutes. No worries. I'm having fun on Playojo. And I keep it fun with all the latest slot and live casino games. Plus I get instant payouts with no minimum withdrawals. Here's your decaf oat milk extra but not piping hot. Ah, thanks. Playtime's over. Mmm, lovely.

Feel the fun. Play, oh, Joe. 19 plus Ontario only, please play responsibly. Concerned by your gambling or that is someone close to you. Call 18665-3-1-2600 to visit Connects Ontario.C.A. And with this story of my, our dear family night, we've got to end. But, before I despeed me,

I have to say, something. Family night, as I said, the initial, the day of today, three of the time, we're in Saltillo, to the five, those who bought on the VIP, the day of the day of morning, in Cintermex,

in the auditorium. McDonald's at the 1 of the afternoon. We'll see there. Because, let's do what no exist, I'll be in the fairies of the

book, and we'll start with the of Monterey. But we're going to be the day this time we're going to be in the

fairia of the book, and remember, if you have their bletto for the fogata, if you have your

place in the foggata, the next the next the next day, we'll we'll be we're just

and it's almost if this were two for one. Not the and the stories. They're totally different. So, let's

say you're going to have the possibility to live two fogatas in one. Now, so. Dich, once this,

this has been a year that has been an idea the quantity of things that we've got to million of YouTube.

We've been for the million of the people whogats. The year past we've went to

eight, this year we're getting to 20. Family Nocturna all, all the

good. Thanks to your support, thanks of your care of the time

in the video that I'm a little was a moment for me of much, I know, I know,

much a lot of a lot of some of you know some of some of something

I had a thing that was a little of the chat a person that has this person

of the person who we're going in contact and yeah that's me brought a pass

tremendous thanks to all all for your carino and,

and, and believe it. With me with the great apprenticeship to keep in the good stories. And when we

see them in person, have been good moments. But well, said one this one of this is a

very beautiful Saturday. We'll see in Saltillo the day of today, tomorrow in Monterey,

Jueves, we're we're going in Tuxte in the Ferry of the Feree and the

Firmis and the Furnes, the Furnes, the end of Wednesdays, ultimate boletos,

so you goian so you go out of the time. Now, so I'm I'm

I'm a video that show you this last, in the I'm this

this trip to be very good. This episode is a dark, of the

see. And in what we see what we see, we're in all these

presentations, let's I wish that I'm good and passadad

bye, bye, but but but another. Otra. Otta.

Now see I'm also Rosicita. How has been? Very good. Here we

Yeah I had a second to see to see. Where you? Where did you

? Where did you? I was for the infamundo? Sure. For the more

than the more We're we're just we're we're It's Inframundo

Cruscon Mas Yeah More Yeah I'm I'm I'm

I'm something something I'm that is taking the

the that's a petio, that's the so is there. We'll go to talk to a story. Nothing more

one. But it's not one. I'm going to I'm going to get to her her. The family

nocturna know that's I'm going to see what I'm going to be a little bit no, I'm sorry

to be two not you're doing, no, not you be two. So I'm so I'm I'm going to put the

answer the so I'm but I'm a manchchoo family no no, no, no,

Two. I just, I'm only, I'm going to the leg of to get a voice. A bit,

I need to give a question. Because, I mean, is that I'm my idea of the phrase

that I said during the episode is important. Not all the medicine know how much. The medicine

is in function of you know to help you're also. It's in a

context very specific in the that is a commitment that are there's

that are some that are generating all the contrary. I mean, let's go. Let's get in the line

simple, in the line of the toast, that's what you were the effect, what you were, but when

it was, you had said, in that sense, not all the things are so simple,

not all what we do you know, there's good. There are things that, for being doing them,

to be a lot of these consequences tremendous. Tremendas. There are things that and as

, oh, like the exercise. Oye, the person that are doing those

muscles, biceps, triceps, what that's when they start, they're the body,

the body, and the day and the day's the day next, and the time,

but it's a sign, that can be in being, but many, but much do you

do get in the exercise, they've a good coaching, they're they're

they're they're doing, and they're doing working the muscle. There are there are things when you're learning, things that

are so profound, that's generating a lot of the capacity of the quantity of information that you have to assimilart. But after that, you'll have to know that you can connect more points of the things. No, I can't say that you're more intelligent, but you're more knowledge of something. Understanding this,

a little, family nocturn, it is important to know that in the things paranormal. Before to make you the theme paranormal, it's

very good to have very distinguished, what is good and that is bad.

Because one when you get you talk about many people that distortions the reality,

the philosophy and the concepts are things ambiguous and debatible

especially for the menirosos for the very intellectual that are trying

to find to detail, and also for the persons that have very bad intentions, and what they want is manipulate and use people. At final, you're at merce at both.

You're at mercy of what the intellectual tell you say, because not we're terminated, or we're at merced of what the manipulator does, because you know those objectives, and you'll be a planterer in a way in that it's a creable. There's to have much

care. It's good to reflectionary in these things. You know, for this. When you have you have the parameters clear? Entering in the things that

have been with things paranormal, it's transform in a semaphore. If it occurs this,

the light a marilla, backal. But if occur this other, rojo, detente.

No, I'm not a story of terror. Occup to have very clear certain

certain parameters and that can form in a semaph that when

when you can't you can pass something this. We're going to put to name this person to Ezekiel.

Ezekiel is a child, around of about of an 23 years, that's about to go to a house. The house

the rented with some Rums, and when rented that house, the person that the person that he was

he said, the cost of the house we're going to put a a quantity $5,000 the cost

that I'm doing is more than is more than that it is a a gift. Because it's a house that has two-pissos,

has five abitations, a commedor an comedor ampler, a little, but for three people, it's easy to pay. Very simple to pay. So,

the rent-a-professionists just to not enter in problems with the pagos, but also they're to know that the house has a trap. And so I'm

saying, because if, right, in this moment, they're repented, before that they've had tried their his things,

before that we've signed the contract, before that me they're in the money,

and they're they're going, and no pass a lot. Esekiel he's kept talking with his

two rumies, they're thinking, like, to be, what we're going to be, that's the

time, that's the that's that we're that we're just that's things, that's the

thing, that's the thing in the case, we're to do it is something to be

they're they're they're they're they're a is the law is prohibited that enter and not

they're going to enter. And if you get to enter, I don't me make responsible of what

that's that's that he's that's that's not that's not that's a legal

of the that's they're saying to say to say, well, then what's they're

in the case? Because if if I've been been in other type of circumstance,

perhaps there would put to all this in particular, the subject, the subject

He said, For a lot, the apartment is there So, why we don't we're going to be? Because no they're not.

Because if they're going to be responsible of what what they pass. And they can't do it.

And he's that he says, we're you're not, I'm going to give a advertency that they

come back. So I'm clear. The house has a trap, that's house.

But if you're just you're saying that we're more, we're going to I have tapied It has a

Muro And detract of And after that Mood is So, so for what you know You know

So I'm Because when they're They're They're not, If you Mets, I'm

make responsible That's In the So, And then the He says Aver, A ver,

Because I'm I'm just You know I'm just You tap The Abate The Abat The

Where's A Pard A Pard That's They've They've They've and then it's,

it's a large that the passio but then the passil it's easily aback two meters and three and

there's the door. There's no there's a place in this why demonos there's a piece of

and no utilized? And then that's where they're where you're sure, in that

is a space that's that's maybe a bit of a place and

he says where the entrance the other side. No, it's tapied. There's

that's that's a So then, then, no, no, we're going to not, we're going to because it's a tapia. Because it's not. It's that the

apartment is to tapar and they'll call and the the room and the room will invite to enter. I'm saying this right, the

house has a trap. The trap is that apartment. I don't let's go to show anything, no,

I'm going to stoper, no, but it's to tapar and if they get to get to,

I'm not respond. Ezekiel he'll Voltae with his friends. He'd five minutes

to the man. He's one of the part of the and the old is, this old is chalado?

This he's he over water suce to the inacco, no he he's talking about poor's

tontteries and the other and the other and the other one of the there's a

place to that's for something? How is for something? You think the the other

you're put there you're put in a murder or a man? This man this man

he's too this is that marriwan well, we'll have to get to the trat. In one of that he's he's

he's a little to be to be in the way to be and he's he's doing he's doing the

world, he's going to one, he's going to the other, he does, he does that I'm at

to ask you, to ask you to the little of that has a thing, it's and the he says,

he's a with the demonies, yes, with the then he's, he said, oh,

then we're we're not we're not we're not we're not Firm, they're doing the money. I'm talking

that the area is a barrow is a little. That house cost would $4 times that cost.

And I see that he's living there. The vivience during the first six months, chula.

A place grand, ample, a beautiful, in a barrow in a job,

that even a little they're not there's a house, oh, the house is a sanctuary,

it's a place, it's a little to August, until exactly in the May 6, the day 6 to

the 6 of the morning, it's a a trancas in that house that's not any idea, it's like

if it would have exploded something, they're all the first, they're all the zone

of the room, and they're all the wall of the building in the piece and

a door there, all all full of the cement, made

like for the car, the the The cerradura has one of these forms that are

for these new ones but they're not you because it's literally open and it's like a

peggatita just the exekeel is going quietly and then the door and he

he starts to understand this, is that he said he was he said to be a trap

to get to get to the room you know because because of the side

left there are the ventanals The ventanaries are great and beautiful and there's a quantity of

light that I can't say. Six of the morning yeah there's a whole the place

and the whole day. And then that's the room God

it's it seems like you have turned on

a night on the night it's absolutely dark

it's like it's like so that's all like

see chapopote. It's like the obscurity has texture and moving horrible. And the sensation

that he is something that you get to get to the heart and it

and he and he he's a fear, he's two passes back and one of

of you say, ah, no you're medos and he so

he's two passes out of the room and where he's

in the the And the other he says, "'Well, what on? What on? What are you? What?

If you did or what? And no he moved, and no he's move, and no he's mue.

And they start to get to get to the and it's then where he's he met

the man and where he's, like if a lot of filer he had put around,

he got to the camis, he halla to halla to be all the hand like

all the little little mordiditit as if they'd have subbed, some ormigas

and they've done to do you've got to do this other chawo all the car has been inrogecised

like if you have meted some casetadas or some the old those eyes those have more saltones

than the normal and they're rojo rojo rojo rojo rojo the boca the back the back

and they're castanading the d'ent the chico is in a choc horrible so they're to get

to get to get to to they're doing many questions of the two

they're saying they're saying that they were found out of the room to the doctors, the doctors not they're trying to doxamines toxicological

and they're to doormin, it'sedad, tranquill, signos vitales normal, when it's when it'spired, he gets a

grittance in a matter of a pesadil, and a part of the man, the man has to talk to his parents

for that come from him because he he's not in his cabals, he'll get to be to be one of

the members of the house. Is E. He and the other a man, you know

they're doing what's going to go to do you and they're in the hospital what is the thing I'm

to do do you know they're to get to the house minimum to make the decision

and when they're there's there's there's there all the walls

all the all the end in one day for the the

quantity of the the no is a there can

some it's many that can see that the

that is that up the room, he gets to fill your

maletas because no he's going to get to get to the escalator, only he's

the voice of her mother, he says perfectly that comes that's back to the

house to his friend, his friend no, he's he grita his friend, his

his friend he's he, back running the car without the

without what is what is out of and when the Entrata, will

hear the voice of her mother that he's and he got to be the head.

My friend he's in the room. He's back. He's

back to go to see the thing and see that his friend is a three

steps out. He's he doesn't a camis, the

the body, he's all he's he tiembrate. He iskeel

not knowing what he says he he goes to the

second piece, rapidly he He got a sabauna, and as as he has her, she'll have it, and where it's in the piece, he'll haul her with a pallor, and,

and, agarra, and he'll marr, in the coo'n, the caeo in the room, and he he's back. The manchchus and he's back. He's all right to the hospital. The doctor's, they take on those data to see, he, and he, in that moment, decides that he's he's going to culpard of the things of

his two friends. From there, they prefer to not not going to not to talk to the new new

of the house and know that there there that for

some that they're in bad that unlock unlimited

free grocery delivery with PC Express pass shop

online and get the same low no frills prices

delivered get your first year of PC Express pass for

just $0.50 a month learn more at nofrels dot CA

hold music not what you want to hear when a pipe dispersed

in your basement is flooding that's Why intact insurance answers 2 million claim calls per year within 20 seconds. So instead of hearing this lovely track, you'll hear this in seconds. Hello, intact insurance. So your decaf oat milk extra but not piping hot, four pumps of caramel, no sugar, small latte, and a large cup. That will be 10 minutes. No worries. I'm having fun on Playojo. And I keep it fun with all the latest slot and live

casino games. Plus I get instant payouts with no minimum withdrawals. Here's your decaf oat extra but not piping hot. But thanks. Playtime's over. Mmm, lovely. Feel the fun. Play, oh Joe. 19 plus Ontario only.

Please play responsibly. Considered about your gambling or that as someone close to you. Call 1866-531-2600 to visit connectsonterio.com. But also there's that you know, family nocturna, that I amante of the gattos. I have three gattitos and those care with all the carous. But for that you have to understand the parameters of the things.

as there are persons bad, there are people bad, there are cats' good, there are gattitos the life has taken by the way

and they're people who are people who are there's spiritos that are different animals. And there's a subscriber

that has a relation with a new chica, we're going to let me know Ramiro and a

chica Eunice. Ramiro and Unice have a relation. Ramiro came

coming He's out of this relation very gulpied. Eunice is the principal person interested in that the two have a noviase. And it's Ramio the who begins like to be able to say, no, finally, she convinces to him.

Terminan and then and then-handando, but Ramiro, he says, for favor, for-for-for-for-for-for, if you feel you mal, go in your life after you end up to me, advise me to terminate this, because no me feel to gost. Eunice, only thinks when you're alone.

Povercito, Ramiro, He, he, he's so traumatized that he's that he's that I'm going to

do you, I'm more more than you know, when he'll when there's when there's when she

she's her stotted in her she's got when she's something that never in his life

has been there's there's up to the camera and he's coming around

to the body and he's making little movements with the patas

and you I'm when I look the catito totally black with eyes, coming up the

body, doing what many we know we as much we know as a masar. She's like a little go,

abrase the gato, he's acericear, and he's a good, two days after one of his dents he starts

to put very dark, it's a mancha, and Ramiro's a d'Inty manchated, Eonisie

see in the spejo, he says, but not he's a little, and he said, the things

they're going to be this with this with you. Yeah, no, you know, you're going to ask you guys, if you're going to ask you,

don't, no, it's that if you pass on things bad at your life, please, we have to

have to the relationship. Yeah, loco, so, not you're not you're a little bit of

a adult, so is that you're going to start with a good to one one of a

time, I'm going to to get to do, but two days after just after

two days after are the two d' too another that's her rostro,

is more envegesied. She's not. But yeah he's the mother. Oh, Y, Unice, a me

not is a very, you know, you're not in a year, to be very a relation, it's to know much, but

you see very very can't you. Yeah, not you're talking in the madrugated with Ramiro.

And Unice he says, but mom I'm not not I'm not about to listen, I'm not

I'm going to talk to get the car, not just, and where he'll what I'm

what's what you're what you no, no, no, no, no, no, no. That's a much that's a man contrary to to talk to be

to be a lot. Oh, my mom me said that me be a and it's when Ramiro and he says, no, no, we have to

we're going to let me pass, no you're going things good. Since I've started to

I never had been a mascotita and I don't know how but we got to I'm met

a gatt in the car and Ramiro Mipo and it and he says,

He, he, Yeah, no is a gata and you, and no we don't know we can't end up. That day, he la termina,

that day Eunice terminate with the heart roto. That day, the gata no never, nor the next and the

next, and so a year and that year and that year and heunice never was a dentist. It's been something that

had been the two, three days, to have been a bit over a bit of the recupered the vitality, maybe mom had a reason,

maybe not maybe not maybe not even the man, and I'm about the other people, it's that

all the time getting me, of that's there's a thing to pass something, you know, and a year

and a year and then he'll top in a center commercial. Ramiro is serving

food in one of these places of the food rapid, and she justly

for the time's to come something, coincide, the restaurant, so it top of

front, and he said Ramiro and Ramirez, and Eunice, oh, what good, you see, very good. And she gets coquette colorada, and the

smile, and say, in serious, and he's, you know, in that plan, you always has been very beautiful, but

you know and that's all the preoccupation on the time. Lejos, to see that to make a

unice, he provoked and he put the hands on the hand, and he said, how you

he'd be to get me to get me to get me me to say, and you'd make me the

your head? Yeah, for favor? I do we must do you? Miser, five days? And in those five days, no parables,

that if you go bad, if you're not, you're a lot, you know, for that's so you're

she? She said, that the work for a lot, but Ramiro we'd not that's

very, not so he was a whole, he was not about, he was he was not

he was he was he was he was he was working to be dependent

to the front of the with what he he told she said then she she said,

for this is so you're saying, for that's stanked, for that's advanced. And then Ramiro,

he says, you know, what just is that you know, he says, he says, about a companyer of him,

he's over, he's a minute, you know, I'm going to say, they're going to

he said, but, for favor, do you, do you make a little bit

to be much. And unice he's offending. Ah, I, so I,

I'm like the pestada. No, no, no, no, no, no, no. It's for your good. It's for your good. You know, I'm going to explain. For favor. I mean, wait a time. And, standing the two there, apart of the mess, Ramirez, he said, look, I'm sorry, I'm sorry, I'm sorry, oh, if you're going to look at those excuses, ridicules,

that only is inventing the people mentirosa, that no, it's not even though in other things, me would have said, no, to do you know, I'm sorry, I'm sorry? How's embrujured? It's that I'm a lot of a chick. We've seen

from a preparatory. We're not much. I'm going to get to her with her. But when we were

in the relation, in the part formal, me came with a chistecito, that she came to a family of

bruchos and me he said like, and I'm just for that you know, just for the

that you got to be to come to be that I'm going to van gar, eh, and you're going to

know what is the magic and it's a lot of a problem, until that after that's like a

time, you know, you know, you know, you know, that's not going to do you,

that's in serious? Because never we've never had talked, and two, I don't

like the amazasas, I never you never been asked, and why you're saying that's

because she had been a much in her way, and now was, and now it

was a little of that she was a person, to boil her. He used to be to do you

know the other little. I mean he was that they had to be a power.

And then then I'm the intimidate was part yeah of in the day-a-day

that she had sparsia to the people, he was intimidated and Ramiro he was

telling unice. When I I was I was I'm confronted I,

but I'm quite very aggressive with me and me and me and me

I'm I'm I'm and if you do you to have to have to me,

no know what to be to pass to your and the I'm going to that's a way,

that's what we're going to get to get to get to be a manace and the

woman. And then the new year and the last we got to chimuela of the

of the dead, and then you did get a end of the encirn't and and it

can't be the I'm I'm sorry I'm the doctor's no he he didn't

he the chica had a well. Obviously, with the dents, they had to put there on a prosthesis, but all what was going to be able to be able to be the brain, he said, no, that's her that she was my ex at the few days.

Giego to the house, me took and just me awesom it, he said, and the next thing he was going to. And you you were insistent, I said that no, I'd be here at these situations. And at the two days, it's a manch the dint, I said, this is a signal, it's all,

but you know of the gato. My ex colgabondy of a gait and when she me menaceable and the other

me said, the other they're going to get bad and it's the gato the gato black,

the o'hose reds, I said, what happened what we had to end up? And Eunice

me said, well, I just I just me quito the mach to the two years,

and then he's, no, well, no, no, no, no,

I'm I'm we're, we're, we're your bien. It's a middle-wilted

and he's he's got and my and no, no, no me to come to you know,

and the problem is I'm and it's and the story. We've got to the final of the

Scurra Fogat Histories. Boceita, you got you got? Yes, thank you. So,

so, our family Newtourna, and in the Fogat of Histories, and I'm there's a

surprise. And is because we're of Mexico. So, so you're very atentos because I

think in the next time there's a place in the fogat and be able to be born to

the obscurity. Now, from us see us and so we see us then we're back.

Bye-bye. Let's I desire. I'd see that you know. The next next month

one-lun- one- one- next one- next one- one- new-

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