HABLEMOS DE LO QUE NO EXISTE - TERRORES NOCTURNOS LA 7ma Noche 3 historias aterradoras antes de dormir
Episode Date: May 30, 2024Prepárate para escuchar historias escalofriantes en @HABLEMOSDELOQUENOEXISTE ...
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Welcome to Family Nocturna
to this
7thine
night of
terrors
Nocturns.
Famine
Nocturna
let me
to say
that the day
of today
I
I've
I've got
three stories
that I
think they're
to
entererer
to be
a
disculpa
to
all those
and
all those
those
those
those
people
members
and
members of
the
family
nocturna
that
the day
to
have
before
but this
these
relato
are
very.
I'm
very
and there
was more
more than one
there's a
feeling
of an
great idea
one of the
one of
this family nocturna
let's say
for all those
who are
listening to
platforms
of Spotify
and also
for you
that you're
being
in vivo
what is the
scheme
of the
showers
nocturns
it's
in
terrors
nocturns
I
tell a
story
after
the
family
noctur
me
we're
going to
do this
today to
three stories
that
your servicers
that you're
going to
tell to me
maybe,
I'm going to
tell to me.
And then it's
going to be
going to the
two little
almas that
are here suspended
in the studio
because the day
of today
we're going to
the more
how are the
voice?
Hello.
Hello.
Hello.
So,
then the
stories,
the voices of
the more
there, they're going to
say to me the comments that you
have left to be in-vib. And
also they're going to
share me, obviously, the superchats and the
super-graces for all those people that are
supporting the channel and that
is helping to, uh,
to that we're going to
develop more content. But
also those those
these doubts and questions
that have been to
all the long of these days
about the, uh,
let's do what no
exists or of chronicles of
the narrator.
That, for sure,
in chronicles of the narrator,
we've got a
took the
show the day of year
and it was
tremendously good
and is about
a booker of
a deseros of the
real.
And it's a
very much
things that
not know I
about the
buskada of
the tesoros
and they're
to know
that there are
things that
we have
been called
in the
channel
that
that
that
that's
this type
of expeditions
the
those
fos
fatos
these
these
are the
colors that are
in a
red,
that they're
in a certain
and that's
there's a
there's
there's a
lot of
this person
this person
that's
has lived
in the
life
and it
and it
seems
there's
things
that's
much much
macabras
detras
of these
fos
and these
desolos
andteros
things that
I didn't
me have
entered
that I
know
I'm
I
thank
I thank
much
the
collaboration
of
this
companion,
goyens to
chronicles
of the
narrator and
the episode
but yeah.
One
once you've
said this,
we're
with the
night.
And the
first story
that I'm
the first
I'm going to
do you know,
I'm going to
the dynamics
for the
thing I'm
going to
the
what's up
the
and you
have to
the
name of
the
story.
For
you guys
you're
to tell
a
the
dynamic is
very
simple.
You
you're
they'll write in the title of the
history or in two
reglons of what
it's copy,
pegan, copy, they copy, and pegan,
and then I'm going to
let'sar a story,
leo the title,
and I mark it a person.
Recurred, I'll tell a
story.
Then you can't
one of me.
The WhatsApp
of the
pesadillas,
that's where you
to send to
send out of
this title is
the
plus 52,
81,
35,
6,7,
6,7,
5, 4.
It's again,
more
52,
81.35,
677.
54.
And one
has said
this,
comesements
with the
seventh
night
of terror
nocturns.
There's
a
little
that is
Mama
Primerisa.
This
chick,
demol
the
name of
Viviana.
Viviana
has a
little
two
years.
This is the
love of her
life.
She's
the love
for her.
He's a
he said that
after to
her
her nana,
Natalia,
she was
she was
she thought
that she
had no
had an
person,
she was a
person who's
in the
development, in
no moment,
he was this,
like,
the,
needas,
and necessities
to
have family.
Sin,
However, she
knew a
one person,
a pair of
a couple,
she was
very well,
there was much
chemistry,
and well,
let us
the diversion
took the
effect in
the life
of her and
she was
they were
not,
not had
a mal
the news,
the
contrary,
it was
simply
a venture
new
that you
would be
a
but she
had
much
fear
of the
question
of the
question of
materno.
And
However, one
that's
Natalia,
Vivian,
and she'd
know that's
given to
know that
she had
a part of
her very
very strong
that she
vibrava
with that
instinct and
she was a
protector
absolute
of her
nna.
Except
a night.
Only
had been
one
night in the
story
of the
life of
that
this
the girl, and the
I've lived
something
aterrador.
But it was
aterrador
that
he made
to return
to his
more
tientia.
You
go to
tell.
Resulta
that
that the
day of
today,
Viviana,
no
doesn't
the
no,
he has the
fear
to the
dark.
Siente
that is
something
that is
a
life.
And
no
know
why?
No
It doesn't support that the
house entire
is without
illumination.
Minim,
minimum.
It has to
have a
light of the
light of the
light
little bit of the
room.
It can be the
room contiva
has the
light
and then
reflect in
the
front of the
light of
light
the windows.
It's a
little
patio or the
hardin
but
all totally
dark.
No
there.
No
way.
The body
can gel,
the met,
it's a
new,
and it's
to get a
feeling a
frie
terrible,
it gets a
type of
tremor
in the
hands and
feel like the
adrenaline
but in
the way,
but in
the way,
it's,
it's
a back,
and the
heart and
the
heart of
a
way in
that she
she has
she's
she's
that she
has a
attack
of panic
absolute
and
incontrolable.
And
is adult,
has a
a little
and has
used
methods for
that this
functioned
in a
way.
She has
a light
that is
artificial and
uses batteries
and also
it's
cargap
has been
there's
cellas
solares.
That is
for that
never in
no moment
fall
the light
in the
house and
it has
in a
place
in a
place
in the
first and
the second
piece
there
one in
the
one in
the
one
alumbra
part
of
the
basile
a
not molestra
the
other
but the
sufficiently
luminous
for that she
is a
little
there's a
lot of
not a
whole
and it's
and it
not important
in what
you
get a
little
a little
a little
it's
like if
you've
had been
the
little
the light
of the
light of
the
light of
those
but tenue
but tenue
and
another
she
was a
little
she's
in the
room
to
get her
cuna, and when
she will
let her
can't
know that
the abatation
of a
second or other
is a
totally
dark.
And that
does a
sense of
a fear
but
you'll say
there's
there.
The instinct
maternal is
a
disperto.
A
her little
she has
in
hands,
no,
no,
not she
will be
paniqueer
to
not,
no,
no,
not he
will
not
will be
the
with all the maximum control
of the quality she is
capable of
to take the
a woman,
it's put in the
cuna,
it's
start a little
agitada
because the
sensation of
anxiety is
starting to
get to the
area to the
area to the
light,
take the
light,
revisa,
he quita
the batteries
and,
and putting
your cellular,
prendient
the
lightner,
commencing
to advance
one of
the
abitations
and
there's
a packet
of batteries,
it
and where
connect
this
other
other
other
Oh,
I'll
say,
it's a
light
like infallible
has a
battery,
it's a
connection,
it's
cellas
where
it
will be
to connect
this
light
to
the
instant
it
and it
and it
and
it's
a
light
and
that
there
is a
horrible
in
that
moment
something
that
that
is
that
that
is
so
so
so
so
so
so
profound
that
he
he
was
a
attack of panic. Sinted
like if something
a little, a ser, elated,
totally lath,
the abrasara.
Sinted it,
the instant,
the feet,
stomach,
man,
rostro,
cabello,
all the
level that he
started to casta
with the
dents.
And that
made
feel vulnerable
in a
manner
impression
but there
was,
there was
a more.
A
station of
being
observed.
When
when he goes
the
head to the
little bit of
the room
just to
outside of the
house,
from the
window
that's
in a
second
there,
there
there's
there
there.
There
no
there
you can
put your
your
and
that's
that
that's
that
not
that
when she
see that
the
heart
to be
that
really
really
really
and
it's
to
the
the room.
Although
her mind
is too
a little bit
to get to
your little bit of
a little bit
to get to the
room and in that
the sunbra
simply
transpas to
the
the room and
she makes
in the
room.
When she
see that
she begins
to advance
perdida
yeah
no
know
exactly
where they
and how
are going
and how
it's a
shock
that's
kind of
disubicating
and
is
desperson
and it
advance into the
room
and there
an instinct
that he
is going to
it's a
because you
not a
whole
these
scenes
they're
going to
the time
as they
was
seeing that
she was
in a
shock
tremendous
she
and
keep
coming
on the
room
of the
door
and
the
the
other
and she
continue
cam
cams
the
cunas
the
and
something
and
when it's
on the
the
from the
piece
to start
to begin
a
sunbra
altissima
with
some
eyes
red and
that
he's
not
he's
not
really
it's
like
so
so
so
the
mind
and
that
and
that
he
was
he
was
a
moment
a
moment,
a
instant
that
he
lived
a
over
when
a
woman
when
was
she
she accorded,
she,
she was,
asked at
the camera.
And front of
the camera,
there was a
roperer of
the abuel.
But a ropero
that simply
when he
put her the
skin of
a
guyen.
You know,
because in
the
nights,
those
few times
that she
was to
get to
get a
only there,
when
apable
the lights,
the
doors
were,
they were
they were
only
Ligeromely and
They'd be
two eyes
Rojoos
that they
were in
a little
one of the
little.
The girl
was a
little,
that she
put in form
fetal and
he would
and he
had to the
eyes, but
a little
I made the
error to
open a
little
the mind
and when
I was
a little
the eyes,
I was like the
LUNA
that was
a bit of
a bit of
a bit of
was in a sombre of a man
very high that
he was being
from the window.
This,
our mind
plays a
other things
strange.
All this
record was on
millesimas
of second and
with the
record,
came a
more
powerful.
She,
yorand
with her
old,
and she
had her
woman,
and her
old her
the eyes,
tomandle
of the
hands and
saying,
repeat,
repeat with me
if
he'll be
to pass
di-this.
So,
his aboel
was a
person
very
religious
and he
said,
tell
so,
the
the
blood
of Christ
has
power
over me.
The
the
blood
to
you
and the
power
of the
power of
the
record so
powerful that
record,
the eyes
the
eyes of the
woman
that's
that's
a tisbo
he gave
a little
a little
of the
power,
a
little of
energy
and that
so it
despolara
of that
that
moment
of that
and
there was
that
there
there
there
there
there
there
and
he was
to
repeat
the
words
of the
but
the
language
was
the
torsia. It was like
if not could
get out. Intentable
that the words
that had to
hear of the
mind,
like if
was a
movie in the
had put a
play and he
had seen
complete and
he had
heard with
sound
sound around
with a
quality
perfect.
Intentara,
intenta
that in
the
head were
in the
words, because in
their
head,
they were
they were
to be
all
and not
they
could be
and they
until
he did
get
a word
a
la
and where
And where he said one,
then he said the
and he said,
and she said that
the body was put
every more the
side, no
I wanted to
turn to the
skin, he,
he was a
little bit more.
But I knew
that the
little the
blood, the
blood, the
the sand,
the
the blood,
and where
he said,
and where he
said,
it was like,
it's a
,
heartleza,
concentration,
what you
want to
do you
want to
the
question the
woman,
the
the blood
of Christ
has power
over me,
the
Sanger of Christ
has the
power
over my
little.
The
Sanger
Christ
has power
over you
and for the
power of
the
power of the
God,
I'm
that I
do you
do you
do
that he
did it,
he came to
the
cune
where the
little
the
little
the
lights
and
the
light of the
time.
The
sensation
of
free so
was the
instant
and
that's
that day
no
has
seen
that
sombra.
Dear
Famine
Nocturna,
I'm
I'm going
this day
of terrors
nocturned
a septima
night because
I think
we're going
about.
And one
once said
this,
it's moment
family
nocturna
that you
let's
me tell
a story
and the
WhatsApp
of the
pesadels
simply
you're
you're
you're
the title of
two and
you
pegas
copies,
copies,
copies,
copies,
copies, copies,
copies,
copies,
because we
we're going to
to
let's
let's make a
let's
the website
of the
pastes
is the
most
52
81
or 3567
675
for the
people who
those people who
have to
let us
have
in the
programs
but for
all the
new
for all the
number
five
minutes
for
that we can
we can
have
attention
and
to
continue
to
this
episode
five
minutes
maximum
after
of all the stories that
I choose one
and in the moment
that you mark
if no
me contestes
bring us to the
next person
or if you
contestes but
for the emotion
it's the
story,
we'll get to
the next
person.
If it's
he's that
more,
tranquill,
relaxed,
when me
contestes,
apaga
from where
you're
on the
live
for that
just we're
in conversation
telephonic
you and
you.
Elige one
of the
stories and
tell me
in five
minutes.
And
once
said this
we
pass
to us a WhatsApp of
the Pesadillas
and we're
to choose
here's the
first that the first
me appeared
it says
it's a
manned
well
narrator
very good
goodnors
you're
the member of
the family
nocturna
that we're
going to
the story
the day of today
that's
that's
sure that
so
that's
what good
oh yeah
for favor
tell us
your
story
look
it's a
little
a bit
little
I would
submit
the
but
that not
pass me
the
time,
is the
right?
I'm
sure.
So,
you know,
it's
to start
to
start.
I'm going to
start.
I'm
this
occurred when
I was
working on
an
asylum.
This,
tragically
all
occurred
after
that's
when we
fell
to the
patient,
has
to know
that the
piece
killed
of energy
like
for
a
A second was so very active.
Well, no?
It's good
I'm perfectly.
I'll see.
Perfect.
Here,
I'm referring with this.
I refer to,
I refer to,
I mean, that
that was that
vibra,
that's that
was that
was a
thing, and it
was a
manate
pesed.
Okay?
This,
look,
um,
I,
but I,
so,
this,
there in the
place where I was,
many of the
quarters were
are they were,
I'm partied with a
banion.
See?
I was
connected to
a
bayonet
a
time.
I went to
a
patient and
me said,
oh,
yeah,
my
ho,
the
casuality,
you
were you
was a
door
at night,
that was a
day that I
took,
that I'm
to go,
and he
said,
no, I,
I,
I,
I,
I,
I don't,
I'm going
to do the
time to
make the time,
I said,
I said,
that clearly
I'd
hear them
I
had to
a
door
and then
the
day
the next
I'm
to get
to
get a
person
of the
patient
that
was
there
was
a meced
and there
had a
bit of
a
lot of
things
so
I'm
so
I got
to
and I
know
I'm
I'm
I'm
I'm
I'm
like if
temlara
and
where
I
me
Volteo
I'm
clearly
how the
meced
over the
head to
get to
the second and
back and it
and it's
a
person
and it's
that's
a matter
and he
never
that's
that I'm
okay
yeah
totally
the image
is clear
so
is
moving and
and it
has
like that
is like
someone
is like
someone
that you
maybe
that's
this little
that
the same
a man
to the
patient
that
Fahecchio and
I was
I was trying
it was
in the
boat of
paint and as
a guy and
it's
me sierra
so where I
say I'm
a time time
open the
door the
all that was
all there
no there
no there
no there
no
there was
where I said
oh this
yeah
yeah
this is
yeah
yeah
here's
like
here something
there
something
something
something
something
that I would say to
because not
a bad
a bad
a negative
I felt a
vibe like
something
something
that was
there
but not
was a
bad
this
and
the
the
next
day
he
was
but that
day in the
night
I'm
I'm
to get to
and I
know
I'm
always I
keep
I'm
going
to go
the comed
and to
the
quarters
to
see
no
a patient, but that
night, I don't know
why me
to do with
my end
while I was
to be in the
time,
to be in the
two, three
of the morning,
I'm going to
get the
armro and me
say,
my ho,
so I
don't know,
so I'm
going to see
a patient,
but no
there was nobody,
I was all
and I was
all over the
patient and
every one
was in
their place,
I was in
his room,
and, this,
well,
the next day,
that's what I said,
it was a,
the week of the day
on the day,
the day,
was the day,
was the day,
was the day,
was the day,
and the
dinner,
I go to
to get to
the chur
to the
food,
and in the
kitchen,
I've seen,
in the
kitchen, a
middle of the
kitchen,
a little
a,
seven years,
approximately,
but I can't
that he was a
more
or rosa
like if
could be
a
through her
but
I can
distinguish
what I'm
a
place,
it was a
little
long and
there's
in the
eyes
he was
like some
some
no
so no
no
so I
don't see
the
eyes
but I
know
I'm done
I'm
I'm
at the
maybe
a minute
a
because
there in the
there in the
door
there was
there was
a
little
curious, but this
I went,
I'm
the door
was in the
door that was
the patio
I'm assuming
and I'm
and I'm
there's,
no, no,
no, I know
at this,
I mean,
is that
for this,
I went to
back to the
passillito
and he
ranco
and he went
to go to
the patio.
So,
so I
went to
the see
but
I don't
see,
and I
said,
ah,
carie.
And I
of all
was too
was too
tranquil, but,
this,
well,
tranquill,
under the
commas
because,
this is
there's
quite a
little bit
so I'm
so I'm
going to
like,
it's
like,
descarragando the
ambient and
the
and the
noise and
little
somras
during the
two
months,
but the
more
four
was the first
time.
Much
thanks
for
having us
partied.
In
this moment
we pass
with the
family
nocturn
to
talk
to be a little bit of the
that we've got to
and know,
much,
much thanks for
for having us
about your
life and your
story.
Oh,
but much
thanks,
a narrator.
I'm
a new can't
how you know
those stories
and you
send a
great-brac
from a
great-and-a-
a braisone.
That's
very good,
thank.
Family
Nocturn,
much
thanks,
thanks for the
alagos.
Brother,
that you
just about the
story,
the history
is very
very strong
the hospitales
are
in those
in those that,
at times,
for the
success,
they're in
energy,
there are many
stories about
of the hospitals
where
are things
strange.
A me
there's a
question,
what is,
what is what
does it
that is
what is the
question,
no,
and it's
that the
response is,
if it's,
it's a
case,
or places
in those
there are
many people,
or places
where there
are situations
of many
emotions,
but if
were so,
all the
all the
theaters,
all the
schools,
and not
is so.
Some are
some
some
places.
Every
where there
is a
lamentably
an accident
automobile
would be
a lot of
that would
be there
was a
particular.
It's
that it
would be
all the
factors
but
not it
is a
a lot of
factors
but
also
it's
that it
were
that
sometimes the
people
and
somebody
it's
exactly
because
there
things
evidentes
there
things evident. If the person
has any kind of
spirituality,
very practical,
could,
for putting a
man,
could be in a
way,
kind of sangoloteing
the entom,
and that's
going to make,
and that's
things,
the energy,
the things,
something is,
and there
can't be
there,
but there's
a story,
a story
that me
me made
the penos
because
he was
to a
little
when she
decided
to go to
his
father's
because
he was a
professionalist
and decided
to get to
live
only.
For those
who have
this
this
is a
time a
very
very
but is
a
time too
very
really
because
you
start
to top
with the
reality
that
you
make
to
do you
know
that's
that
that's
that
that
day
day
stay
always
with
a
combination
of
the
good
flavor of
the
having that
that
and
a
sometimes
the
sense
of the
frustrations
many
people
have
had been
these
people
that's
the day
that's
they say
never
I'm
to do
do
do
do
the
time.
And
this
type of
situations
that
is
that's
a
time
very
beautiful
a
one
for much
record or that they
remember with
much
good.
The
case of Airelli
not is
a reale
is a chick
a girl
really a
really is
a chica
with a
character
has a
much determination
she
a year
she did
a
career in the
major
part of
the students
were
men
and that
did
so it
did
a certain
that all
the
time
had
had the
time
had the
the
this
this chica
when
she's
going to be
a bit
not a
little
in the
city in the
she
that she
doesn't
the
about the
about the
about the
because it
is doing
if it's
there
a
a pair
that is
that
is a
that's
a carous
that's
that's
not a
person and
there's
nobody
there's
there's
there's
he's
he's
he's
he's
because he
could do
that
it's
opportunity.
It has a character
very
strong,
it has an
energy that
you're in
a lot of
your own
and this woman
at the
door.
The door is
to make a
noise.
You're going
to be to
call the
attention.
And not
it's for
how it
is a
kind of a
kind of an
type of
energy.
And it
could be
that that
that's or
that for
some
maybe a
kind of
some carism
for her
has
had
tried
certain
consequences
This first
house in
that she
went to
have been
various particularities
peculiarities
very interesting
very positive
the first
was that was
super barata
not too
very bad at
but it was a
good cost to
the renta
something that
something
with a
effort
really with a
effort
but is that
the house
was a
very
three-quarters
in the plant
superior
in the
part of
a back
a
a cell a comedor
a lot of
a small.
The other
I was
imagine to
that she
could be
a lot of
a lot of
a lot of
not a
house,
not I'm
going to have to
get to
that's not
that he was
planning that was
a little
more than
that's a
more than
that's really
totally,
no I'm
going to
get to
not practically
well,
commenced
to live
there and
the first
that's
the end of
a time
a week
a week
is that
is that
is that
is that
much time in
house,
out of the
work and
out of the
work and
this new
this new environment,
this new
not being
to be living all
the day
with your
family is
something that's
that's what
decided to be
to make a
and then
he said,
and so
he was a
that hequito.
Akeke,
a perrito
a very
beautiful
of a
medium
stature
that,
that we
don't,
if not
is so
that's
very quenton.
So,
he has
had
the company
perfect that
she needs.
And Kequito
for here,
he's got
to get to
and he's
to get to
and he's
to get a
and he's
a bit of
and he's
and he's
and he's
so we're
not know if
she's
she's
she's
she
like the
and he
does the
and he
has been
and he
got to
the
one of the
other
and they
don't
and they're
in the
car
she's
sheke
and the
sheke
or
well
They started
things that at
the first
are many
changes.
The house
has their
new new
their own
their clothes
but that
doesn't know
to make a
lot of the
where I'm
where I'm
there's certain
utensil of
the kitchen,
a cosytas
that she
could be
that they could
need to
for the
house.
And there
are you
there's
the
caras
on the
and
during those
first
seminars
and
to get
to quito
and that
Iquito
to
adapt to
adaptate
to
and the
the work,
and the soledity and all of that,
they were
that maybe
not perceiving
things very
obvious of the
house.
In that
house,
the doors
not can
remain
be in
long as
the door's
soles.
No,
you're going to
you're not
you're not
construed,
they're
perfectly
well-construed.
It's
a lot
door without
that nobody
let's
talk and
the
door
so-
solo.
What?
To all.
The entry.
There's a
respect to
not to
not to be the
house
but the
but the
lander in
the banderia
banos,
abutations
all those
those
those are
those
those
there's
no,
no,
no, no
no,
no, no
no, no, no,
no, no,
no, no, no,
no, no
kind of,
kind of
kind of
that's, like,
that's
kind of,
that's
well, and not
having,
we don't,
you know,
so it's
good,
doing that's
doing that,
but it's
like percibe
something,
or someone,
and it
starts to percied
for the
house, and
he starts
to laddral
the air.
And,
and it's
a routine
that many
times
it's a
certain,
a cell,
the cell,
to the
cell,
to the comedor,
the comedor,
the room,
the bao
the bao
back to
one of
the
one of the
habitations.
It's
strange.
But she
when they were
going to
go to
know something,
when
the time when
they're
the
houseions,
you've
seen that
Kikito,
that's
being the
other inclin
that no
pager
rent,
well,
it's strange
because
the recorried
the
time he
Kito and
conform
it's going
going
being being
being
being to
the
room to the
house
or the
in that
the door of the
apartment of the
apartment of the
apartment is
the way to
but the
doors of the
other other
habitations
no.
When
he went to
the
door to the
room
was closed
but then
when it was
the door
of the
door of
the
door of
the door
is able to
the apartment
to the
end of the
little
there's
there's a
process
of
the
there maybe
something
that's
moving
the door
and
see in the
things
extrana. A day
is with the
car on the
car over the
mess and that day
he got over the
time.
Because the
the keys
no,
it's
found it
for no,
you know?
You know?
That when
went to the
auto,
the auto
had the
security
and the
doors were
up up
the
area of the
zone of the
ballant.
She's
said.
She also
said,
I'm very
distraided
that
maybe in
some
moment
I'm
So they're
to ideas
It's
But those
Those things
Not are
Normales
The day
The day
He's
The end of
The ball
Because he
I'm
To have to
She's
He had to
And he
He made
And he
He's
And he
And it
And so
It's a
Much
Sentible
But she
But she's
A certain
Manera
Sient a
A person
With a
Energy
That the
That's
He's
He's
When it
A Meta
La Logra
When he
has
This Tuit
Sheen
The
Sheen's
Sheen the
Is It's
She'd
to go to go to
until that's something
very strange.
They're
that this
type of
phenomena are
not to say
if it's
not to say
if it's
true or no
but what
what he
was this
she could
give a
little bit
maybe
in the
the earth
in the
where it's
going to
this
time it's
not a
one
that you
go to
go and
it's
a
area
there
there
there
there
there
there
That night, there was a torment
electric.
She was a
little bit of
a Keito in the
house, Kequito
knows how he's
doing the
house, and
when he comes
to the
house,
he's a vehicle
to the cochera,
bolt to the
entry and the
entry has
something very
peculiar.
It's the
door,
that is of
a type of
metal,
it's a
door,
but at
the door
a little
little ventanal
that's
very peculiar
that door,
but it's
ventanal. And that
ventanal
you can
be practically
to the
front of the
cell.
A poquito,
but
can't be
to look to
the
front of the
cell.
What he
does when
she gets,
is that Kequito
is that
isom a
window and
she says,
he knows
that he
he wants to
he wants.
So,
for he
is very
different,
it's
very
chistos,
and that
so has
that she
be
to be
going to
get in
the car
thinking
things
or
and getting things for the day
the day
the next,
et cetera.
She's
acelera
and then
he goes to
get to
get to
the door
to get to
and then
the time.
That's the
night that
was a
little
time.
It was a
time.
When he
the vehicle,
be a
quito,
but Kequito
no
is a
bigot.
No,
he's
not he's
not he's
getting to
eat.
Hequito
is there,
but it's
bolted and
he's ladrand.
And then
then there
is it
Because it's
for the
movements and
for the
sound of the
sound of
there's
sound of
radios,
a little
of the
truons,
but so
he'll
hear of
and it
has been
very
very altering,
very alterated,
not is normal
in that
perro.
So,
so it
is a
and see
the image
more
perturbator
that I've
seen
this the day
of today
to
the way.
In
cuclillas
is
is something similar to a person
that has the rostro
alarged, the eyes
those eyes, with a mirabye
like a mirabye, the
skin is grisacea,
the deados, and
it's a balancet on
a little over it. And it seems
that's being the perro. When she
see that, no, I can't say what
she sent her, but she
she
kept
elated
without
what
did you
know,
the only
that I'm
to get
to get to
get to
hequitt.
Intent
to you
know
that
the image
was
tattooed
in the
brain
and not
could be
to
the
image
of those
eyes
of the
eyes
with the
rostro
and
so
and then
he's
the
face
to the
door
put the
the
door
the
and
a little
opened the
door
and,
and he
got her
and he's
a move her
in cucklilias
and he's
trying to
get a little
to get to
the first,
he got to
the door
and where
he was
that was
that was
that was
over
of the
car
just in the
part
of the
right
where they
should be
the
people
and he
was
going to
go to
back
she
she
went to
come
to
the
car
I had the perritte in
arms and he
went to
and she said
she was more
more time
before she was
after that he
was coming
without any
room.
The only
that was
was to get
to get her
the next
she was
with Kequito
in houses
of different
amigas
behind a
couple
because
I had
a rope
prestated
and had
had left
everything
the cartel
in the
carter in the
car
but
he
had
had
had to
have
to
talk
with her family,
to say what
what happened.
Obviously,
not they
were to
get to accompany
and come to
do it.
And it was
all that's
when they
came to
the house,
the doors
were closed.
When
they started
to talk,
revisar
things and
they started
to get
things of
the first
in the
caras,
as
getting to
the second,
the
doors
were
the
stories that
she was
saying
it was
that it was in reality.
Dejo the house and
no boy to see that
never,
never,
never,
never more.
Because if not
maybe it
would have
been a
whole of course.
And one
once,
said this,
I'm a moment
that you
know,
that you
know,
a story.
So,
is that
I'm going
to say the
WhatsApp
of
the
pesadias,
remember
that they
me
write in the
title,
copy,
copy,
copy,
copy and
copy and
they're,
and
they're
an
story,
five
minutes in the moment in the
moment in the
mark, if
no me
you can't
let's
we're
going to
the
question
if you
answer you
go to
the
story,
I'm
I'm going
to say
and
I'm
and then
after that
we're
we're
we're
let me
and we
pass them
to the
WhatsApp
of the
Pseidias
that's
the
M.
581
85
6567
67-67
54
go
to
more
more
525
81
the
7
67
54
And we're going to
to choose in this moment
the story of this
night that
says,
Permitame.
He's a
creature
rara that
appeared
to my
house.
I want
to note in
this,
Famine
Nocturna.
You have
notated
how I
know in
some
episodes that
I'm
talking
with the
person,
not we
we're
we're
and of
telling stories that
have certain
connections
with what I
going to tell,
but not we
put us to
agree.
That's also
also I've
been going to
in terror
nocturns.
The story that
I've said is
a manoid,
a manoid,
but it's a
humanoid, but it
is a creature
rara that
appeared in
front of my
house.
It's
strange.
When I've
seen this
type of
connections
is rare.
We're
going to
make.
Good
nights.
Good night.
Good
nights.
Acast
you're the member of the
family
nocturna
that's
going to
a story?
So,
is,
sir.
I'm of
Argentina,
so much
and it's
a good, and it's
a good
to be able to
you know,
but the
contrary.
One,
you know,
you're
an
bowroo and
you're a
and a
story, for
a while,
well,
good,
good
nights for
the
families
nocturna.
My
name is
Ariel
Romero,
and to
give us
a
little of
context,
I'm
Oriundo,
oh,
no,
Oriond, I live
actually in the
province of
Santiago
del Estero
Argentina,
it's a
north
Argentina,
this is to
that more
later
then they're
they're
more than
I'm doing
two or three
years ago
I've been
in the
camp
of the
north of
San Diego
of the
estero
my
house
was
quite
away
to the
people
in the
where
would be
the
I
lived
over
a
route
that
connect about two of the routes
more important in the province.
But my
house was a lot of the center of the
country of the place, where I used, I was in the
camp. To explain
how it's the way, I
lived four years in that house, and
before we got to that house,
I had a family of, this,
the, like, a
house embruged, a house abandoned.
Because that house was a
I was that he was
that he felled,
nobody of the family
who he wanted to
go to live in that
so he was abandoned.
And as we
we didn't
we have where
in that moment,
we're going to
live there.
The question
that this
so that
we occurred to
three years of
being there.
And this
occurred in an
winter.
In the
the years,
there,
always was
a very
very heavy
so for
the front
and at
At least there was a pure
Bosque, or, well, here,
it's a commonly, Monter.
Not as well as a, not as
as a lot as well as it,
but if it's a place where
there's a lot of
many of the vegetation,
and it's in kilometers,
no, there's people.
So, this occurred a
night that, well,
it's not a little
rarro to what I'll say,
but in that moment,
it's,
it's, I mean,
and my, my,
and my brother,
to try for the first
this one of the first time,
and as well,
it was the first time that we've
to affect a little, the future of the
story, but as we
we just got it,
the effect that me did, is that
that I'd get dormido.
And the other than
he, the other that
he passed this suceso,
was, well,
the, you know,
a, and as well,
the ban on our own
way to our case,
well,
opt-bottabom,
for, for,
for the arboles of
front of the
house,
I had
a patio
a
big,
but
the,
the,
the,
the
area of
the
house,
he was
a
little
a
lot,
put it
a
three
meters.
That
night,
the
light of
the
moon
was
very
very
and
when
he
was
doing
the
he
was
he
could
detect
for
a
movement
that
very
very
very
very
how
something
was
to
move
to
get
to
So he, well, for the
borrachera and
for the night,
assume he was an arbor, but when
he distinguished it, the light of the
moon, he could have
how a creature was up and that
was more high than the
the tissue, we call them to
this elambrado that had three meters.
This creature was
totally black and
his
eyes
and
he
had a
a
a
a boca
that
was a
very
great
his
his
he
when
this
he
he was
he was
he
he got
a
he
he
was
a
a
a
a
a
little
more
more
more
so
so
so
he
he
did
he
he
was
running
and
I
got
and
a
monster
a
monster
my
My abitation had a
port,
let's
quite difficult
to open,
and for the adrenaline
it was
it was a
reprieu, that
was what I
made up.
My
abatation
had a
door that
was a
patio.
So that
was what I
me
made up,
but what
he was
to my
mother,
that she
was doing
that they were
around
at the
11 of the
night,
was the
great to
this creature.
And not
only
that my
My brother relates that when he
he heard the gritty of this
creature,
he was just like from
other side, more center
of the mountain,
of the forest,
he contested the
same with that same
type of grito.
Wow.
Wow.
Yes, sir.
Yeah,
here,
he's terminated.
It's very
very strong.
Yes,
something I'd like
to add it,
is that
more ahead,
then,
it result,
that this
concorda
with a
it's
something
is something
mythological
of the
area
we're
we're
the indigens
that
were in
this
area
pertene
to a
a
a
a
little of
a
inca
and
they
were
and
this
creature
has
a
story,
has a
origin
folkloric
that
in the
north
Argentina
is
it
is it
is
you
want
to
do
it's
to be,
or understand, more than
more than the
creature,
because we're
we're inunders
about this
thing,
and the creature
is similar
to how it
described
my brother.
And just
one of the
characteristics
that has
is that it
is that it
is that it
is that
is a
only only
that it
is a
a
a broo
that's
a human
it,
it would
like
if it
was a
man,
uh,
exactly
a wall
is like a
a bruce
that's a
well,
here we call
a jahuarete
but it's a
guar
a guar
a guar
of the characteristics
of this
area but
much more
more
alt and with
characteristics
humanas
humanoids
perfect
you
I thank you
thank you
for a
thank you for
having us
for all
this relato
you
you've
you've
a
a good
to
a good
so
uturunco
uh
uturunco
so
perfect
you
I'm a
brother.
Thank you.
Thank you.
A brother.
A good
good.
Your story.
Oh,
a good.
A good.
A good.
Thank you.
Abrace.
Family nocturna.
What great
history.
For the
people that are
of all the
family
nocturna,
where
you're
that you're
if you know
any legenda
of the
place,
for favor,
for
favor,
ask me to
get to
the WhatsApp
of
the
Pesadilla
we're going to have
more ahead
a special
about these
legends
that are of the
different
countries.
Now the Uturunco
that there
there is a
there that
me called
the attention
that's
a malavision
of Paraguay
or of
Uruguay
and I'm
am very
malice
but
malavision
this is
this is a
great
that in form
of a
arbor
and that
there is
there is
because it's
because
is because
it's
because it's
because
it's
because it's
because it's
because it
So there, there is something there,
is a bit of similitude, is blank,
very longed,
it's a person,
there's a little bit of,
no,
I'm going,
remember,
this channel,
no,
it's not,
it's a channel,
no,
it's a matter of
your mark of ideas.
This channel,
your narrator,
is very curious,
is very a question,
and then you
start congetures
and then you're,
and I'm going to
hear,
I'm going to hear,
I'm going to
start,
and of those
relato
start
things
that
are
things that
connect to
and
simply
I'm
express
or I'm
know
things that
I'm
not
not a
time
sometimes
sometimes
they're
not
sometimes
they're
but
this.
Thank you
this,
and me
he
brought
to
these
traditions
antivus
about
about
there
one
there
a person
he said
a
commentable
I
don't
remember
in
what
red
lamentably
or
more
yes
thanks
the family in October, me
get in a lot of
a quantity of
comments
enormous.
Lamentably my
memory
not me
not to be
not to
where in
where in the
moment, in
what the
story and so
me it's
me the
question.
But the
commentio
said,
the,
why
not you
define
what you
what is
good and
what is
bad?
Because
there are
that you
are telling
that you
can't
continue to
and not
that's
that's
not, that
that's not,
that's not,
that's
a
a little bit,
I'm
about this
story that's
about this story that
has been a lot,
has been a
great,
has been a
realtor,
has been a
respect, we've
had much
respect to the
beliefs of the
other,
but,
but we're
we're not
postures,
and are
postures
very clearas.
From
our
perspective,
from our
trincher,
if we
think we
a type of practice
can generate
damage in
any person or
in some group,
no,
we don't
we're promovements.
No,
we're not
we're doing,
if the
stories that
are you're
telling the
people,
more than
the creencia
personal,
at the
level of
execution, and
I don't
you do
do not you
do,
do you,
do you,
I'm,
I'm,
there's
a pattern that
and other
and another
and another
and another
and
and another
and that
has to
do
abjurtably, that that
has succeeded in many programs.
So this channel not is moralist.
No, it's to define what is good and what is
mal. No, it's not about that.
What we see, is that when the practices
see that are dangerous,
I'll mention.
All that has to be,
because one thing is the
O'Torunco, that can
get to be the
creencia or the
vivencia of some of the people
that have
a right to
if it's
a question,
to believe
that this
story that
they're
real or not,
they have the
right and
those who
have been to
them to
because
that's the
thing is,
but other
thing is the
story that I
am put to
you to
tell you
in the
that this
change
totally,
and one
is the
trunco,
but
other thing is
this
ritual
of the
that I
do you
to be
to be
the
name
the name
of Gabriela.
Gabriel
remember
with much
lament and with
much
a lot of
all their
infancy
and a
childensia
and you
know
for you
for some
people
that had
some
that she
was very
little
and she
was a
little
and
his
parents
and
not
unnerate
as
as
to have
done
time
of
the
much
that
he
he
let's
let
let's
let
let
Gabriel
and
his
family
are
Gabriel,
his
brother,
and his
father
and a
house
very
little
in a
sector
very
very
vulnerable
of the
population.
The
father
has
time
disempleado
he
had
many
problems
economic
apart
of
some
add
some
some
I
don't
I can
say
that
he's
a
bad
because
in
his
dimitants
he
he
he's
he's
he
a
past
of his
add
his
his
Gabriel
L
he
has
he
is
to determine if it's
good or bad.
The point is
that not lived
in conditions
favorable,
nor economically,
or in question
of health,
nor in
the style of
life,
or in question
of education.
Vivian
practically
surviving.
The house in
that were
in the
mother,
lavabab of
ha ha ha ha ha ha
many efforts,
and for
the middle of
this,
they were
going to
those
pieces to
pays
there.
There were
some
in those
in those
that
they were
like
they were
they were
they were
to be a
paid a person
to be a
little bit of
a case of
a
other for
them to
be the style
of the
life
this
this child
this child
she took
to work
in different
places
and
this
that I'm
this is the
part that I
remember with
the stress and
it's the
question.
It's the
thing.
and because no
could
do you
know,
she
she had
and I'm
and she was a
little bit
to get a
house in
there's a
way,
she was
she was
and the
people,
and the people
that was
that was
a job,
and the
they'd
have had a
there,
even there
even,
even the
really,
and the
little
could be
doing to
do you
there
there's
things
that were
to come
to be
a person,
there
there was
there
some
vicina
that were
very
grittonas
and scandalous
these
these
people,
a group of
three
women were
at two
houses
to their
and they're
always they
they were
with a
recel
those
they were
with a
mind
and they
just
those
were
some
people
were
bad
people
and
Gabriela
and
their
family
had
much
very
of
some
there's
there
was
a
bad
that's
a
in bad conditions,
they'd have a
badgues
that sometimes
could be in
water,
but not they're
a bit of
the job,
and they were
in the
circumstances that
were,
they were,
those
difficult,
and they were
a little conscientious
and that
this, and
that's
not it's
so much,
the point
is that
that they
that they're
not so much
they're not
they're
that they're
very
scandalous.
The beciness,
the
meetings the
times of
the time,
and sonabing
cancions and sonabank gritos.
It was like they're
hittanas. If there are
chitans of the family nocturna,
understand that is a number
generico that me put in the history, and I'm
just I'm repeating. But
these people had an
idiom extrano, a tradition
extrana, a lot of times
and a form of comporting
very llamative, very
scandalous. They were
that were hittanes and that
they lived there
juncts
those
be you're
not they
were not
they're
not much
and with
the past
of the
months
at the
living in
this
place
they're
to make
that the
time
in those
meetings
tend
to do
do
do
this
time
with
and
all
and
they
they're
in
pedac
or
more
they
they're
and
they
they're
all
the
end
the
the
from the house,
they were they,
they'd also
like they'd
like they're
they're
the problem
is that
Cabrella and
his brother
and their
and from the
and from
they'd
see them
and they were
to the patio
of these
and
they were
things
raras
be you
that the
days of
a
hollian
a hoagita
a
a little
fogata
and
these
women
began
to
dance
and
they were
to
contors
and
were
those were
they
were
were the two are the
people.
And why?
Because these
groups
not just the
two people are
not more
women,
and a basis
were groups
grandes.
They never
saw them
where they
were in the
women.
But they
were in the
patio,
that were
five,
six,
10,
15,
groups
of the
groups,
medium,
and
and they're
they're
like this
type
of ritual
or of
things
to do
that's
a
man.
Cabrera
not
not
notar
things.
No,
not he
did the
rituals in the
house.
The
environment
was very
strange.
Extran't
were the
days in
those
that he
were the
misisies.
No,
not he
got to
develop
a depression
very severe
that years
after
she was
to get
to
get to
get to
get
to
this
world.
No
not
that
when these
rituals
began
to
the
house
was
a
sense
the
air and
the
air and the
environment
was
it's
it's
like
something
to
start
to make
to make
to the
house
that's
that
were
in
a
diameter
of
those
those
that
they
they
did
they
what
I
what I
do
I
do
is
that
the
effect
that
they
they
were
not
not
they
not
they
didn't
a
the
family
of
the
they
don't
they
the other
when they
decided
separate to the
very much
his father to
his father with
his wife
he's going to
the mom
he went to
another
man and that
he was
he was
he was
he was
he was
he was
he not
he no
took
much
relation
with him
and in
his
new
house
no
he was
no
he was
he was
he
he
said the
other
the
things
that
the
first
the problem is
that's
that's the
problem is that
so
he's
a lot of
the
house
and they're
that they're
from
a bit of
his mom
or well
of her
badrasro
they
and they
postable
and they
postable
the
little
a
little
a
little
that the
that
she was
but
the
but at
the
time he
he had
nothing
that was
that
was
and he said,
if you're going to
do you're
a reason
of the
and I'm
a lot of
a question.
He's a
real realent.
She's
not a lot
of your
time of your
life,
but because
the things
started to
put more
more than
he said,
he told
what he
was the
person and the
brother
he said
he had
much
fear,
that he
he had
various
times in
the
nights,
that at
the
the foot of the
person,
a woman
of cabos
large, a woman with
a little bit of a
bad a much
fear that he had
not made a
little and that
that was a
woman like
that was up
up to the
time.
So he was
he started
to patalear
and pushing the
cobiha
he'd be in
the cover like
if that
was a sufficient
for that
not so that
was a
way of
the woman
had to be
one and other
once,
like trying to
get around
to get her
up and
up
only only had
the
passos.
But in
this
house
there's
more
things
in the
room
was in
a
place in a
place
in a
base
of the
and it
was
constantly
as
in the
night
that
was
the
but
no
doesn't
sense
it
was
a
thing
on
it
was
like
they
they
were
they
they
still
are
going
on
the
the days of terror, but when
occur in things,
occur in things
espantosas,
they're in
the quarters where no
there's no one of
the voices,
when they're
listening, they're
in the instant,
as if they're
being,
you've seen the
reflection of a
person in the
bathroom, and
they were when
those two
were both
were talking,
and this person
was that was
being direct,
and in
his eyes,
there was
there was
other type of
emotion that
had seen
that had been
a moment
in the
to open her,
I was
a lot of
this situation.
No,
I could
talk about
with her
mom.
Is it
he was
and he
was to
a
person
that he
knew a
person who
did it
and he
made a
little
the
story.
And this
woman
he gave
a
sack
to
a
little
of a
situation is
that
that
that
he
he
the
house is
of the
piece,
but
it's
a
cruhe
cruhe in
the
escalones,
cruhe
the second
piece,
to the
day
next
his
his
brother
is
a
and
he
he said
in the
night
the
woman
she
did
in the
camera
he
he
did a
stiron
and
he
he
he
he
he
doesn't
he
doesn't
he
he
doesn't
he
was
the
What
what he
is that
he's
he's
that he's
he's
a man
too much
a woman
to be a
a woman
to be
a person
a
person to
and with
this tunica
or attuend
she
to make
a little
that's
it makes
feel
like
if not
had
a
possibility of
a
thing
and
that was
the
that she
was
during
various
occasions
to
to try desscribys.
All these situations
of some moment
were blocked
in the mind
of Gabriela
and it was
until you
the podcast
that said,
I'm
stories that I
want to tell.
So,
Gabriel, if
you're going to
hear you
know, I'm
going to be much
better,
for what I
think you
know, it's
that you
know, it
has been
a time,
and you're
a good for
you and your
family.
You know
a great
family
nocturna,
it seems
that
has
yet
the moment
that
now you
know,
you know,
you know,
and while
they're going
to make
the family
nocturna
here the
title of
the story
that you're
going to
what you
tell you're
seeing the
things that
the day of
this
this was
my ultimate
history.
We're
going to the
ultimate
story of the
family
nocturna
and then
we're
to pass
with,
no
I don't
are
there.
They're
there
are even
are
there
are
there on
we're
we're
we're
Excellent. So,
remember
for the
family
nocturna,
all the
questions that
have they're
in comments,
the comments
that they'll
do you
want to
and they'll
say in
a moment
more.
One of
said this,
we've said,
we're
with the
ultimate
history
of this
night,
Terrores
Nocturnes
the
seventh
night.
Dice
here,
the day
that
the day that
we're
Jens,
was a day of
Mired.
This is a
strange,
let us know.
Good,
good nights.
Good,
good,
good nights,
discus,
you can't
get to be
in-vibu,
for favor,
because
is that
culling
the sound
here.
Sure,
that's very
very much
very much
very.
List.
List.
List.
So,
you are
the member of
the
family
nocturn
that we
going to
this
story?
It's
correct.
For
favor,
tell us
your story.
My
story is
very,
very
little,
very
brief.
It was
a day
of,
it was
a day
of
mortals.
Like
all the
days
two,
of
November,
I put
my
offrenda,
I
put my
new
God,
and I
put the
photographs
of all
the
family
and
we put
all.
Those
veleders. We went to
go to
go to
and we're
going to
some of
some of the
orations
and then
we're
doing it was
to say
something that
something of
the family
and well
we're going
we're going to
go to
go to
normal
to the
day
next in the
morning
that we
we're
we're
we're
about
around
the
six and
the
morning
we
we're
going
that my
recamara
that
kept separate
from where
was the
offrenda.
In the
camera,
all the
the techo
was full
of Yin.
But the
most curious
of all is
that we
had we
my
husband and
you,
in the
naris,
in the
the
blamals,
in the
unias
of the
hands,
in the
part of
the
the part of the
and it
was a
very very
because
nothing
more
we
and you
and the
made the room of the recamara.
Salvo of the recamara and I'm
seeing where is the offrenda.
That all right.
No, there was G. No, there was nothing.
But the, the
new, God, was all of his
man, his sohito, his
eyes, his carita.
This has more
25 years.
And, until
already, we've never
have been an explanation to
this that's what
soceded because no
there were
sonnidos,
no there
was nothing that
could be
not to
really
really that
really is
my
little bit more
you know,
I've done
that story,
never had
heard of
something
so I'm
going to
start a
point of
this
type of
situations.
Thank you
for
having us
avert
your
life and
you
I'm
very
very
very
great
I
like you
I
think
I
I
see
I
all
those
those
those
those
episodes
you
me those have.
You send a
brazo
very,
with much
with much
with much
care of
the cabs.
Abrose
a bursate
a word.
Thank you
good words.
Good night.
Good night.
After night.
Famina
No,
no,
you're
they're doing
for
put me
rojo and
they
do
in two
seconds.
So,
this
story that
me
they've been
to talk
not had
heard of
this
type of
data
in
it's
very
interesting.
Someone
more
has
occurred
something
that's
that maynest
because
not were
markers
not are
mentioning
like
markers of
the manor
rasguions
for the
people who
know they
do you
mark
markers
of
dark
of a
a
something that
even
even
even
even
even a
little
kind of
even
a
could
say
to
say
to
have
to
make
a
in
in
the
black
and
the
one
of
the
nose
and
not
if
also
also
also
also
also
also
mentioned
and the
little in the
new
Jesus.
So it
would be
interesting
to know
some
something that
if someone
has been
a little
something
one of
this,
it's moment
to pass
with my
voices
that my
going to
say,
all that
me have
been started
on the
in vivo
and remember
that
you can
keep
making
messages
on
the
the more
and they
are
to
make to
make
to
for the
people
for
the
people who
terminated for the
people that are
part of this
community, that
are part of this
grand family,
it's a moment
that you and you
we'll talk about
this.
Kedithes
from the
more than I,
there's a
there's a
thing,
there's a
question for
you, Lex
VJ,
you question.
Narrator,
in the
capitolo
with the
engineer
buscador
of
a
person,
see a
rosto,
you know,
you know,
notast?
It's,
it?
Okay,
you're
seeing my
car
where
is the
right?
No,
no,
no,
look.
No,
we're not
the effects
special.
The effects
specials
sonoros
that
some other
things are
notorially
effects specials.
No,
you're
to think
you,
you're
to think
that is
something
something,
so,
it's not
because it
is too
electronic
because
not
because they
don't
because
they're
made
that they
so
they're
not
that's
but,
but
there
many
things
that
have
occurred
in the
episodes,
that's
I've
said
in a way
abierta
and in
many years
I'm
not sure.
A few
times
we're doing
the man
the manned
the manned
and we're
talking about
here the
door and
then he
mentioned that
he saw
that he
saw that
he didn't
he
things that
in the
episodes
that's
that you're
that's
that's
mentioned
the rostro,
no?
If it
they can put in the
comments of
if it
would be
great
to
look
and
see
where the
look at the
real of the
rest of
because
also
there's
there and
there's
there
I'm not
to see
I'm
to do
and I'm
to see
to see
to be
the
videos
and the
quality
original
and
see
what it
was
I'm
that I'm
there
have been
to say this
I'm
from
the more
that
that
that
this
conversation
that
that
that
that
the chick
that was
living
things
very,
very
very
very
very
after.
It was
first,
first,
so first,
first,
so first,
first,
so
I'm
to say
something,
I'm
that I'm
about,
when,
for the
people,
that
for the
video of
about we
know,
I'm
in a
commenter
of
Instagram,
to me
it's
that video,
not
officially,
but we
talking about
the
Angels
Cey2,
four.
This video
that
is
about
to
past
I
think that's
Angles
Caid
4
because
it
is
many
of the
patrons
of what
is an
angel
cailed
there
there
a
story that
about
about
that
saw
that
was
that
was
very
that
was
a
very
this is
the
situation
when
when
I
was
I
did
more
more
data
that
that
was
that
was
that
was
that
manifestation physical
of what
you just
I've said
so I recommend
the episode
it's the
no official
Angeles
Cajid 2,
4
and first
we're
we're going
that's too
the ambient
was a
really
very strange
and when
we're
we're
we're
the
of the
the
if it
was in
this
order
the
fourth
was
that
the
time
that
when
we
we're done
the
revasions,
the voice
of the
mass-all-ya
that's
there
and he's
going to be
and he's
not to
get more to
get more to
get to the
work so much
because the
court was
a little
because the
room we
we're going
that's
those episodes
so.
Once
said this
voice is
from
the more
than you
have more
comments
that
they're
going to
want to
Guadalupe
Garcia
says
hello
narrator
I'm
I'm
I'm
in the
hospital at
some
Dolores
that I
hope
to get
to get
to get
to get to
this
this new
step to the
time of the
first of the
best of
your family
for the
new or the
new or the
new member
of your
family
that
lamentably
or
bendicedly
that is
part of the
family
nocturna
to be
actually or
you
or not
like to
be to
be to
her mom
listening
this
man to
this
family
and
ohhala
that
that we have
helped
in this,
in this moment
difficult.
We're doing a
superabrasote
and very good
good vibras.
Thank you
for one part
of this family.
Emily Velasquez
us made a
super chat and
you say,
a good,
narrator Shullo,
saludos from
this to Puebla.
Basta,
B'amly,
much thanks.
Be, me,
you put it
in two seconds.
Emily,
thank you.
Thank you.
Thanks for
your
support.
Thank you
your
greats for
your
words and
this
panel.
Melanie Sanches,
I
oh, what good,
a bit,
tell us
that's
studying.
And for
all the
people that
you're
listening,
for
let me,
let them
in the
comments,
what is
what they're
doing when
they're
when they're
on the
in the
in the
in the
comments
of this
video,
what is
what they're
doing
when they
the
in the
so in
repitition
or at
the
moment
to be
presentes.
What are
doing?
Adii
Kod
has a
question
to
your question
because
us
hello
Oh, yeah
I'm going to
and we're in
live.
Ah, aye,
yeah,
yeah,
be on the family
nocturnal and
say, okay,
we're going to
go to go and we're
going to do this
and that's going to
and that's
also, I'm
to help me to
be a year,
I'm much
time in this
studio and there
moments in
that I'm
my family,
my family
nocturna
that is you.
So,
I'd like much
to know,
what's doing,
take a
photo you in
your entorn,
when you're
when you're
to see,
we're going to
let me
and see it,
and see it
For me, I'm going to be able to be.
I'm going to be a much
to be it.
I'm not a three
thanks.
And I'm reposteo
for that we're
doing the members
of the family
nocturnal.
Much thanks
to Susena and
Silpa Sanchez,
that we
gave a super chat.
And Susena
us says,
Hermoso Narrador,
thanks for
excellent content.
I'm here
here for Merisa
and H.
And here
me you have
always present.
Salvos of Durango.
Abrose,
Durango.
Abrose,
and Melisa,
oh, Melissa,
you,
you're trying
a lot
to tryying a
of the
people
to
the channel,
and then it's a
and then you're going to
this is important.
to do you want to
to present to someone,
and at the part of
to be more episodes
in less time.
That's it's very
fun. It's been very
different and has
been many times.
So if they're
to invite to more
people,
so you're
I thank you a lot
is the
form of
to do this
project
because the
recommendation
of a
book-in-bo
is the
way in
the form in
the way
that the
more
people.
David Samuel,
he's got to
confirm your
theory of the
probably the
video with
Val is
Angel
X-i-2-4
because
us
says,
you're
talking
of an
supposed
Angel
X-i-2-4
and
he's
travoled the
transmission.
All
the in-
live-
perfect to
you
did it
did you
for the
people
dear family
nocturna
there
phenomena
with much
not only
just for
just for
saying the
word
this
is something
not for
saying it's
something
it's
doing
so I
say you
I'm
so I
think you
the
important
no
because if
I'm
so I'm
so I'm
in the
case
the
the
thing
that
I
not
I'm
is
a
a
thing
that
is a
a
thing
that
is a
take with pins, and with much respect
for different things,
so, because that
that type of entity,
I don't, I don't,
no, I don't, no,
I'll, not be a respect to any
way, but, particularly
because the person with
that I've, uh,
that interaction is a
person of the world
real, that is a
living your life and is
having a difficulty,
relationing with this
theme. So,
I recommend the video, and
be it from that optic.
The people that are talking much
about other type of perspectives,
no is so.
No, it's a lot. But, well,
I recommend this video.
The world of Pepe says,
I'llos from Germany. Super
the program, Armano. Me Tienes,
without a direct. It's worth.
Wow. Pepe, a brazote
to, to America. What tremendous
that you're listening. I think you're
of the day of the best of the morning, four of the morning, four or five
the morning. So, so it's that tremendous. Much
thanks, Pepe, and I hope that for the day of
morning, rends to the cent. You want a brosote.
Gabi Ghi, we, we'll send a super chat, and
he says, Saludus, from the Ciudad Juarez.
In this house, yeah is tradition
to see your videos in family.
Thank you for your effort and
I'm sure that you, I'm sure that. Gapy,
much thanks. Thank you. What nice words.
What little words. Much thanks.
What good. It's tradition.
Hey, one day,
tomens a photo in family
and mandem me,
it will be a
a good to
know it.
And I'm a
little to tell you
to your family
and thanks for
being in the
invivos.
Rosalia Velasquez
says,
Cesar,
me does it,
you know,
with my palomita
and a
limonada
and friour
and enjoy
this in
this endued
this endued
you?
Wait,
you know,
you know,
you know,
never I've
heard that
combination.
It's interesting
that I have
to try to
so much
thanks.
Tanya de
Kruus
is excellent
narrator.
I'm
I love your stories and how
you're narras.
You see I
know,
I'm a much
good.
That's good
that they're
good to the
narrative.
For you
and for all
the people
that have
loved these
stories,
I've got to
say that
very soon
comes the
new of this
channel.
But no
I'm going to
give
a delantto,
you're going
to be
seeing,
Elizabeth
Alves
says,
Salud,
Saludos
from MedTown
Iowa,
narrator.
You're
heard in
the
Oh, for those
who are your
first live,
there's
part number one.
Much of
thanks for
for giving
your time.
Thank you.
Thank you.
Thank you.
So,
I need to
make us a
revision of two
seconds.
First, if
you're going
in all the
page of your
cellular,
do it
to be a
little to be
to see you
see it.
And the
description,
and revise
and revises
if here
about the
button to
subscribe
pressionable
and the
campanita
pressionate.
You
I'm
because there's
many people
many,
many,
so,
for video
they're
five,
10,
15,
20
people,
they're
saying,
oh,
I'm
because I
have done
that I'm
doing that I'm
doing
on platforms
of Spotify,
of Amazon
music or
Apple podcast,
for
favor,
be going to
go to
the five
stars,
because if
you're
you're
family
nocturn
and you
know
you know
definitely.
Nat
you
He said,
Narrator,
Saludus
from Australia.
Ase
a few
my time.
I'm going to
this time.
Now I'm
in-vibo
here with
the light
of the
day,
yeah,
I'm
like the
terror, but
I'm a
gayyna.
Well,
a man
intelligent and
valiant,
because not
is,
or be a
question
to not
feeling
fear,
it's a
form of
a
way to
find it,
and
you were
much
to be
a mediod
to be,
at
a mediodi
and probably
in
in places
abertos
with many
people,
it's a
great technique.
Now,
for favor,
from there
from you know
that's
the way of the
other than
to get to
the WhatsApp
of the
pastries.
The fact
Famina
Nocturna
like the
the legends
of your
city,
to your
country,
me interest.
Atlas
to get to
the
messages,
me you
can't
send out in
audio or
me
you can
be sent
in
the
after
the name
of the
name of
the name of
the
country. Because we're going to
start to do a series of specials with these
legends and I'd like to
learn those legends that you're sending
now. Ultimate question.
For all the family nocturna
that me want to send stories,
we have the WhatsApp of the
pesadillas and we have the
corrective in Instagram
no me it's been because there are
many problems with that chat.
It's defaasas,
they're getting, they're
but in the
Correo is contact. Contacto
Inexistent.com.
There you can make
get your stories or in the WhatsApp of the
Pesadillas, that is the M. 52,
81.35-6-7-6-7-5.
Recurrected that in Terrors
Nocturns is where we
give that number. And one
that we've got this video, there
you have access to to
see it on YouTube and the day
of the morning, for the morning,
you know, they're access to
Spotify. Jesus
Cortina, us says that
today's a birthday. Much
Felicidna. Ah, Jesus
Cortina, a
Brasote.
He's a super
fan of your
two channels
and that's
always a vented
marathones.
Oh,
yes,
many thanks.
To the family
nocturna,
much thanks.
For all those
that they
love my
job, there's
that they
love, and
I'm sure,
and I'm
perfectly
of the
right,
and they're
on the
normal,
it's perfect,
let me
let's do
what you
know,
but there
other,
but there
I think, it's
that I'm
really,
how not
the stories
and how
those
interviews. If
you like my
work and
like a
personal,
goys to
chronicles of
the narrator,
because what
we've
been out of
series.
Not all
is paranormal.
Decho it's
a lot of
normal and
more of other
things,
but it's a
format that
already
have been
various videos
that have
been
a lot to
many people
because what
we're
doing
that are
very good.
Yeah,
me
are you guys
what they
are
you're
Gutiz
we send a super chat
and says
narrator my
first in
live
I've been
I'm more
two
three times
I'm
talking about
and I'm
about three
chapters to
turn to
turn to
my day
TQM
yeah
you've
you've
you
the cases
two hundred
70 episodes
that we
have been
in
real
a month
woman
my
respect
thanks
thanks to
all
you
for those
for the
for the
Marathon,
why
let me
doing the
rastro of
the maraton,
for
favor,
yeah has
passed,
and I'm
really,
that they're
to do
the maraton,
and me
they're
this is the
first video
that I
see the
second,
and I
going,
and I'm
doing this
restro,
I'm just
just saying
about,
I'm just
just to
see,
that you
get,
that they're
going to
get to the
little bit
a
very little,
so
thank,
thanks
for
form
part of
this
family
October. Just Erika
says that you
have been
an addiction
and that
he's called
from Florida
and that has
stories of
their family
that's
in Ecuador.
For
favor,
all the
stories,
all the
WhatsApp of
the
peser of
a contact with
an
existent.
I'd
like
to hear
the
stories.
If you
have been
two
years,
since you
have been
the story
and not
you've
done you
have done
then,
then,
for favor
put there
asterisk,
a point
to
or something and
it
or re-embiame
another
of the
story.
Because there
have been
people who
me said,
oh,
is that you
know,
you know,
you know,
the story,
I'm going to
the stories,
I'm a
message.
Minim,
giving the
last
things,
putting it
a palmita.
The problem
is that
that's
a little
and it
is an
place in
the place in
that I
live,
there are
there are
some
gats,
and they're
they're
they're
they're
We're firmly and with a firmness absolute,
that are hackers.
And more than a occasion,
no-seeked-of-the-cellar,
and have done-as-combeds of the family
nocturned, and many times
they top in the family-nocturna,
crevying that they're going to be able to be
a pat-peled, that it seems to be able to talk to them,
but, well, no, it's termina to interactual.
So, for the people
that in some moment,
it's desloke, but no-were-n-un-law-eus,
this, were they.
the lamentably
these
entities
peludas
that not are
from the
more
they're in
the shirifo
us says
excellent
night
narrator,
you know
a great
abrace
a live
more
full of
stories
aterradoras
many
bendish
chifo
you
send a
brother
I'm
I'm
sure
you're
doing
much
much
much
and
for
for
for
for the
family
nocturna
where
where me
I'm
listening
I
like
know
something
there
there
there
question. If this is the first
time that you're listening,
you know, I'm going to explain
very quickly. If you
entered one of these videos,
both of those in vivo,
as to the normal,
you got to, you
got to the final?
Bienveny. You're
part of this grand family.
We're the family nocturnal, the family
most obscure and chida of the internet.
And,
maybe you're our prim, our
friend, our brother, our
brother, our brother, our
brother, our, our brother, our
our
abuel,
our
our tio,
you are
a member.
So,
so thank
for form a
part of this
family.
And those who
are in
their
part of this family,
well,
manden
there's a
photo to go
to go and
going to
this family,
and you
know that
whatever
thing,
we're
that we're
that we
say,
we say,
we're saying,
saludos,
voices of
the more
and
many of
the narrator.
Many
thanks for
the superchats.
Ah,
by the
voices
of the
as far,
how are
how they
have sent
because the voices of the
more
the more than
more fans
and like the
voices of the
more than
like the more
to get to
tell me
for a bit more
what you
what you're
what you
do these
these stories
vallel
me of those
to be
in the chat
before
that we
would say
to all
the family
nocturna
that
if they
have
questions
about
about
about what
we're
about
these
them
can do
them
they can
to get
on the
stories of
Instagram
and there
the voices
of the
Mass
and they're
we're
and we
think we
we're
we're
we're
desawing
these questions
and respond
these
questions and
these
questions.
Now,
before
to terminate
voices
of the
mass
there,
there
there
any other
thanks to
all the
people,
because we're
all the
Southador,
Chile,
Mexico,
Canada,
China,
Paraguay
and Costa
Rica,
Venezuela, Bolivia,
Honduras,
Argentina,
Australia,
Puerto Rico,
Spain were
those that
were those that
were the
wow.
Wow.
Much,
many,
thanks,
family
nocturnal.
I'm
saying that
Spotify
we're in
96
countries and
this would
impossible
since you.
You
that you're
you're
part of
my family
in that
moment
in the
you go
you
you're
you
says
someone
you're
you need
to listen
you
to listen
to
this
because
to
that's
expanded in more
than 90
countries.
So is that
many thanks
for your
support your
support.
I'm
really that
you're
in this
stories
as a
time as
me.
And let me
speak to be
saying to
something.
We'll be.
The day of
the day of
we'll
do we
know about
a new
episode
that,
but you
know,
the episode
of the
episode of
the morning,
we know,
we're
the
time.
It's
my.
It's my.
Ah,
those
stories
very
and aterraderous in
the
the
invitation
not
not came
not in
this occasion
because we
took us
some
spirits
that's
in the
camera
in the
other
we've got
rescat
various
of the
stories that
I know
that I'm
that I'm
said that
have been
things like
spiritus
that have
some
the stories
that we're
going to
get to
get to
now
there
another
question.
Dear family
the
and we'll
talk about
what no
we'll
see the
we'll be
on the
Saturday.
We're going to
get a
night of
this,
family
nocturna
my
great family
I'm
a great
a
great brother
I
desire
and we
we're
we're
a
brus
a
bye bye
bye