HABLEMOS DE LO QUE NO EXISTE - Trabajé en una funeraria y viví algunas situaciones que no se pueden explicar EP 136 | FT. Papá Oso

Episode Date: November 14, 2023

Debi haber hecho caso cuando me dijeron que no me quedara solaBienvenida Familia Nocturna a este nuevo episodio de @HABLEMOSDELOQUENOEXISTE con un invitado super especial para la Familia Nocturna el buen papá Oso, les traemos historias escalofriantes de FUNERARIAS, entidades dando la bienvenida aterradora a su nuevo puesto, sucesos inexplicables , paranormales y tétricos que se viven en una funeraria cuando se cierran las puertas al público enterate de éstas y muchas mas historias aqui en @HABLEMOSDELOQUENOEXISTE Detrás de cámaras lo encuentras en @CronicasdelNarrador

The entities of the funerary and saying the carjona and I'm going to I'm going to back to be a partied to be a minute to this new episode of

let's do what the new episode of family nocturna is here an invitazzo someone that you want to do the time

and that's Fabian Ruiz my brother how is that you're also thank you thank you thank you for

the new invitation I've had I've wanted to come but we're going to be the time and the

and the time it's not the time. I've been with the good with the good. I'm very

thank you many people of the family night. Oh, man. What's the thing?

What's the time? Well, it's a talk about to go and to go and go and back to show,

we're talking we're talking and they ask you talk about it and then, so, without,

no, so, so, without, so, without, you can't contact? In Instagram,

Papas, or so comedian, send me a message. You know, I'll send me a message and then I, I'll,

I'll contest all the messages. All right. What's the chido, what's good. Oh, yeah of we're going to talk about about about funeraries.

This episode that we did we like, like, about eight months? For there. There's a oriental us a

little in comments, but from that time I'm I kept with the because it's an episode of a

episode of a episode of a so I, I was the environment here

was a Tenso, but the stories are very good. A few you comment about but it's possible that the family nocturna

not know this, we have a capsule. Capsules are that there are a moment before we start in the

the invite and I we are having a platic that's that's in the narrator. At final

are the moments where I have these acesercamient before the episode. A few we put

to of the details or profundizamos some things that during the episodes not are

to be. So, that's the chapter goynaces for the capsule that's

the capsule that before the episode. But well, before that they have to hear this

episode because I toped some stories that you want to hear

to hear I recommend discresion I I recommend that if are so

questions related to a MED or paranormal those

do them those precautions and if no, to take a time to take because this is going to

get a lot. You know, you know the thing of the funeraries, pencee that you're in this?

No, I'm like, but I've lived. But it's you've lived.

You know, you know, you know, you know, that's you know, the day past

has to know, I've got to me come to I'm like, I think,

I'm going in the first year and I made and I last them

Okay. Since it's much that no, I think we've wrote this routine, but what do you think, if to be just in the interchamble, and give to the welcome to the channel one once? I'm going to tell me.

Sure that is. Very well. This is a good. This is a story short, but very impactant. There's a chick in Guadalajara

that he commenced to work in a funeraria has a year. was in the funerary around six.

At the last I'm many of those anecdotes. But this was the first that she was the

she said. She said, she was six months working in the funerary. To not give marks,

not to say numbers, because the idea not is to affect to nobody in any

positive or negative, let us, we're a place in the place in the which is

quite accessible, but a the way it's luso so. So, I'm

very comod in the installations, because I had a one that more time that was

a lot of the area like the area of the salons, very very very good

personal. Obviously the environment is the environment was an

environment was a but it was a lot to be to be to

do lunches and these lunches I had to do it in a office in the first we went sanitized we all

and then we'd put us the things and we puttons and we'd get to do the lunches and I was going to

some day that I'm doing these lunches for the people that in other places is

a emperidat a sandwich pan hamon cheese or maybe lechuga tomato

and other pan around so she she is she is doing this

I mean and the I'm in a lot of the room the room the

lot of the place up to she's she's a lot and the office

and he the more rapid that you can't get to get to the

back he's to get to get to one in one in the that

never never never enter to enter to a cubico

he sit and he he he over the door the

door the door and think, well, normally I come here because nobody enter.

Well, we're we're going to we're going to we're not, we don't know, we're

and we're a little passitos, how she open the door in the bathroom the way

the way, and how she's going to get to a door. Then she she,

for curiosa like be of reoho to be to see and he'll go to be the other person. And he's topa

with something that at the principle no is a shock. But, but then there's some feet desnudos, very whesudos, large,

amoratated, and with the in the stares. And she when he says, it's a tonteria because it has been a sense.

But it was for the urgency that had had gotten to I was a verguyen, was all revoked mentally, and I think, oh, that piece so in askeros.

This lady should have to lavars more a lot of because she quito the chapats. And in that, where I think,

because he got the about the one of me me said, that's not the feet of a woman.

Those feet, that color, not are the feet of someone who is the instant.

He said, I'll I was in the air, me I went to I opened to open the door, me I'm in

the way of the way of the hand, I'm in the door, agitadisim and I'm feeling that the

heart was going to I need to need to be who is the person that entered. And there his mind

was a different. For one part, he said, you're in a place you,

you're in the way, you're not you're trying, you're trying, and I'm another part he said,

maybe he met you someone without some maybe those those pieces of done are of a person without

and he got on the guardes and all and he put in the thing to do you

do this part of this company to get here and do it and it's and it

was about when of a repent he does know there's no there no no

there's there's not there there's there is some there

no no no no no no has has been set out of

the door the agitation and he's a little he's a little

he's five minutes afuer nothing 10 minutes nothing and then the anxiety

and the desperation and if see and me does it and if can't

do it can't do this 30 minutes Fabian no no sound

in the back in that I hear some some those

escalars. Volta a guard of security. A guard with the he's a good

good a good he said he said the guard with a signito he

move the manlo his he he's the camera but she doesn't

get to get to get to get to that that person start

to get to so he does make a so he's so

he gets with he he said he somebody he said

he's can be a person a And the guarder he says, no, no, what, you've seen?

And he described some wissud, and he, not was the first that he was seen? No, no, no, there's nobody. No, there's a-huh, no, you're going to see nobody. Yeah, has passed to. And she said, no, no, no, me

is that, yeah, has passed. Me, they're playing a drama. Here, there are things raras. And, it's, it seems that you're doing the welcome. And, she, I don't know what I could create. Only there one, there's a little

of that is the door in that I was the door in the body of the manned, I've

been in I'm where I did it, I'm could say that I'm going to think that

was going to think I need, I know, I'm not, I'm I'm and I'm

no, I'm not any of some of the other of the sanitaries, I'm there no

there, I'm I'm not, I'm going to see, and the guard and the guard's

And he said, just like, like, burlandos, welcome. He's, no is the more strong

that's the thing. And he started to bring a friend, she was, he was,

he was going to be able to avoid, that's the that we're going to talk about, but one

once said this, Fabian, tell me your story. In one of the of the capillas

that we had the funeral and I don't know I'm going to say it in a city

a general the area metropolitan of here in Monterey which is a is a

city or but if is very very very calient or conflictive about

of problems of violence no me took to go to

and my he said my he said if you you're to get in the

capilla because it's in the night and you go to

the hotel and I'll see you see that. Of course, then I go to go to the

car to the capilla, it's a there's a time there's a service and I started to do my

work, where I start to see the installations, you know, you're just you're for

people of people of people, not, for how they were they're people

armed, and so, no. With that, I sent I'm the environment very

too, and me said, the person that received I do the gregant of the subcursal,

me says, you're going to be in the capilla? Why? For the violence that you don't know

me moving. Okay, in my ideas to be to do you. Six, seven hours or the

time to end up and the morning I go. Ah, perfect. He said, just the

most, I'm just for the type of people that we have here, there are

many of the people that we're there's for a violent, mortes natural and so

it's and so it's a okay as a capilla of a place

for people for people of high so I'm and so where I'm the way the way's

the type of people and you start with that's so people so that's not they

not they're not said they're not they're they're they're they're they're

all the people and they for the same of the security for the there in the night and they had to start. Perfect.

Well, yeah, with that, then, that were at the 10.5. 11 at the night, we're just the counter of the y'all, seeing all the relax. I mean, I refer to the numbers and seeing all, no. Of a repent, we start

and we're saying, and he said, and he said, and then, so, that I said, but we'll, we'll, we'll see, we'll, we'll, we're doing, we're doing, we're there's nothing.

Where we we're going to enter to another to see the question, I don't need to be

a little bit someone said, we go, we're going to check us of the men,

of women, and we we've seen to get a person, I don't see, I just, I just,

I don't know, I was, I didn't, identify, like, I was there nothing, I just got to

another way, we've seen, and we, what we said, that was a accident for a persecution, he was destroyed

and so. The case the case not is open. Oh, okay. Perfect. No, then we go, no,

then we're doing, and we're going to be the I can't see that I don't know what happened.

At the eight of the morning at the capilla I was going to they're going to hear, who's who

who was with the person? I'm the body was a was he was a bolted. Nobody's

a little bit of the funeral they're all it's what the people don't know. To the tower.

No, there was possibility that someone that someone had been there. I asked,

and the cameras are just are not they're not not put the type of that sure,

for the circumstances. In in this same funeraria of the that was

talking a moment, the chick me says that really that's just only the very that's like the funeral or the

entities of the funeralary saying let's prepare you're going before me were passing the days, the things

were, we're going every being more those dark and adderatoras. I

don't think exactly because what were the things there could be probably

it probably really was really very of the dark. One day,

standing in some of the zones of the funerary, they're they're in the tour nocturno. And she

says, it's a good. And the guarder, he had commented, in the tour nocturn,

no, you're not you're in the cellas VIP. No, you're to be the

piece. And she said, is the most comod, and he said,

no it's, there, you don't goys in the nocturns nocturns. If the salas, there are persons, no problem.

But if the zone is a vacuous, that was the most habitual, no way you do it. And she gets to go. All right. And if you're at all right. You're talking, that's about between 6 and 7 of the time. A little,

yeah, is the sun backando, and there's a little bit of the rest of the building, but not in that zone. The guard, he had said that stormes, there, no. when he starts to come in

an sound of an phone to be in a round of the and really not was a

little bit that was that he was a that he was a year to go to a year and

she knows more things so she know there's there's there's she

could be there could be to be there to be there nobody

he caused to nobody when she was she was coming she's

she and a the brazo, the muke. Voltae to go to and there

and there's a little he's a turn. He's a lot of getting to get a

while while they're going to the doors abirtas of two of these

capillas when no there's there are in car and a

sometimes with a second that for a door that only the

people can't enter in the capilla they can they can to the

not is external, justly, for that the person not can't open the door. More or

a installation, are open at par and par. And then where she see that

she is a and then listening music of volume, listen in the

ear, that someone he says, Cluea, see, she's she's she's a

little she's she's called Claudia. And how carhos can't

be listening a voice if three the audiophones with music and he spoke to the o'hido. He quit the audio and

where it's cut, it's one of the scenes more spantososos that I've lived in the life. Dentro of the capilla commenced to hear a murmur that goes growing. He's listening a group

like of a senior god, what's saying? You know, you've been playing these careritas,

it was rapid and the murmurum I was growing the volume and it was every way to that's in the

spirit and the god, not it's not a thing. She was she had a

petrified. She gets petrified. And she under the capilla the same voice.

Claudia, come. She and he go to the when he back to

the walled she's she will talk with the guardia. He said, in turn

nocturns if nocturns, not you know you took to go to

he said he said he said but that's not was the better that he was the

pastes is that oh yeah come to your story this one of the

capillas in the area of the area of the because is where the

general the campia was there was there was in the

office there was there was there was a

one there a this, and so to pay a service, no-se

what, say, okay, this, he says, he says, we're doing the data,

we'll do it, and we know, just, I'm just want, this type

of, a taboo, that's one, you could say, VIP, that's a more

and the person that comes, you're, you're, you're going, you're, you know,

he's the he's the he's and it's so, perfect. And then then I'm

I don't, so, you know, there's no, come to get a, and at

end up, we're in not, they're going to different capillas, in presuppets, and it's a cabo, no.

Ah, okay. At the hour, he's, I think one of the chas, because, I don't see, it would be

30 years, or something, and we're, and we're, oh, yeah, they're, and who,

and who, so, and so, okay, and what, and what, and what, and what,

this, this, the child is, okay, it's okay, it's until there it was

all the normal, no. It's the moment of the service, and they're

like the night, he's and then I know that the she goes, I'm

the abel, so, not just just, I'm, I'm, and I, go,

and I, go, and I'm to, I'm, I'm, I'm going to then I

went to the chabue that he's sitting in a room of the door,

like, I'm I go, all in what you can't serve,

no? Me says, is that the person that came to separate the service, but my

mom, I'm okay, and it's the same that we're at the door. And he

he said, I'm I'm going to see, I also. U. Okay, you've

you've had the she, how was how you can you can't say,

a six, 70, 70, years, been arreled very

way up the woman, I mean, no, no, it didn't know, you'd if you were,

you're, that's, that's a very atypick, no, it's very rare or no. For a

not, not more, the voice very big, I go, I mean, and the voice,

and the little, the people, it's like, you know, you're, you're,

you're doing, you're doing, you're, you know, those, people, that the

people, I, do, do it, in this capilla, in the that was

Claudia. What the past that more he did fear, not was the reason for

the way because at the final me said, after the after I understand a that I

know that's that I'm when the people were and why you know you know you know

I was to hear the podcast I'm clear to because I didn't because it

was my work because it was that or nothing of the and not

could permit and then he's the place the place that but for this I'm

going to go to not would be a day is in the second

but it's about the there never no there she

there in the second there is a window that the

person on the person's on the first person can go

and and they don't and they on the second

she she is she is coming front the

vent go coming and he he's the guard

that he he's and she he says the voice the instant

and he he said for invent an name Edgar what

what he said Claudia come come come come come

so and then she he said me he took to give the

round up and he and be where he

he he said Claudia no in serious come, I mean,

and you yeah, come here. And he's he's not, you're not you're

important to know, that even there's a good amissat, your job is your work,

you know, you know, and then she has been three and a little in the place,

and he responsible of certain things, and you not are in questions to know

notata. So, if she she is the she is the that is the she is the that is the

part of so, then so, so, Edgar, he says, no you're going to let me

to do it to do you. Pese to you know that you're in the things that not are

in the 100% of the time and there so it's so that so he's he makes

signos with the hands like make a so desperated

and he said Claudia yeah and let me let's and then

she she like he makes click in that moment of me

is about that And then, he's where Edgar Voltae Tantit Tantito the rostro,

asomandos above of the home of her. And she put in the Pell Chinita. Siente an air

me too free there. She's to do it in that instant for how saw the reaction of

the guardia and that all the Caves and that says, something, I don't

be doing and where he's there, no, there. Absolutely nothing.

The The fourth is totally vacill. And a voice-cita in her says, "'Iho

of your mother. Because this is obvious. If in the place, you know, that's

that's going to be going to be. He's you know, you know, and where is thinking

that's, so he how his cabo front of she, it's to be

like if a pair of invisible those were are up and

you're to get to get to get to and he says, Claudia!

That you come! And she she's she gets in the moment in that's

in shock, reaction and he he says, there's there was a group

of people of people around you, from I was I was

and as you're going to you know you know you don't

you don't you're they're clients, were abitants. So,

and then said, and then I that there had been there were the other and that literally,

that was your house, simply not those we're going. And there were the idea, the day of

today is the way, is the that I'm not in these funeraries. In the capilla, it's a cell of the

salisper to where it's a back, or in front, there's a private that's the same

to the private, right, where they're where they're to go to go to go to get to

be in a private. In one occasion, we've got to, the people who were there, and the children,

they're in the private. So, that's really very normal, no. And we've going to

get to the private, and they start on there's, they're to start, and they're

going the people, the people, they're saying, we're to Entran and and they're

And they're They're So, they're in The way the Risa The RIS, the kids

and so And as like the Pappas fastidated were on the children and they're

and in that's all another and she is going but to the passio

back so going to the area where are the where the

area I'm I'm I'm I'm percibo the I'm

and I know the I'm the man and is what what was what

vestia with a vestigeytid with a lot so like with Olane's and I said she's a little and she's a girl who belamosa

here's a much time and come to agree to them to go to Vellorio every every one

they're going to find a in the torre always and the yeah she was

to be to to learn to give us to do to give to be yeah okay

nobody was terrorized for her no it was not a mancino the the

not the be you. Only the the two of the children. There was a video that

no I'm put a but I think the people do you know that you can't do you

have been before two years in a belorio justly for the perdia of a

little a event that was a very strange not was a not was

a video to the mother and the man of the obviously,

it's a unesperado. I don't in what circumstances is going, but the sir,

is a great-in- there's there's a lot of her, but she can't calm. And,

and there's a whole multitude, a globe a lever, it's to move for the

place, as if someone would be in front of the mom. And the mom,

where she gets a little bit to get to be to get a, but and there are various who are

that they say it's he. The globe is going to get a move and he's going to and he back with another

family and where go back and they're going in yant and they're in the end of a little someone is

doing that is the globe and is making to get to certain people and he back

the globe and it's and they're in front during and and he he's

he will be and I think that much got to see that that video. And is that

there are things very strange that occur in in the funeraries and there things

that are the thing of the death, of the death, of the

partier to this other world. There was a person that made a

story. This story is a very strange. He

me he said that he was studying he needed ingressos

and he got a job that he chasheron the

hand to have to be a companyer of a public

there's there there's there questions very informals to me took

there there put to there for the moment in the moment in

that was when they were doing doing movements so

there there there there's because this is more to be

there things that there and there things that were things that were

And me took to be so in many events rare in the most rare in the part of the

thing I'm that you're that's a strange, paranormal and explainable and it's it was a

day in the way they're to be a little to come to come to come

to me my companyor that I know the I'm that I know

that they're that they're in the person and say no we're they're

they're are they're asking that you need to talk to who are you who are the family of the person

fallacid and with me for that I'm doing that you have a person that has a authority and you go

as my representant be he says but this is very atypick so never us have

never us have no questions be yeah I try I'm trying to I'm trying

a man that this fluia for that we tryem much work, B.

No, well, and so I went and so I'm a scene very rare. The paramedical are apart.

There's a little little bit little bit more, a little more more than I a little

even of lute. And in his mind there's much preoccupation, but

nothing of a thing, it's something is a typical in these

situations. Normally the rostos are disencaj the people

even a period of energy and the and it and it's expressed in a form

in the way that it's not this she's not this chick was she was

she was there totally me me with a with some eyes

of and me you're the you're the I'm

and I respond no I'm the but I'm a person

with an authority that I'm what you was what you're

you're going to you're going to do you're going to those. There are two things that I need to

me make a case because it's very important that. The first no important,

no it's listen you know it doesn't you know you know you're

he's he's he's he's a person you're a

that no no what the I'm going to that's that's that's so I'm

in a way, and make a kind of and I'm going to we're going to get to do

and I'm and I'm saying, and say, let me say, repitem what was what what you

did it that's, that no, no, no, no, you know, you know,

don't me say, you know, didn't, you know, you know, you know, so,

that no I'm, what I'm to hear to hear to hear of , but no

, with those words. No it's no you know you're

not you do you to get a she's a saba that's no he doestapes

the rostro and then he's he's being like what what is this what is this

no it has no you don't have to and he and they they're

they're they're they're they they're the then you he's

what you and he he says, Entiente what I'm saying no, you're the restapes

the rostro for your well, no, you're not you understand. Well,

the type he said, no, I didn't know, I didn't do the restap, the rostro,

no I go no, we can't go, I'm I'm not you,

no, don't do that, until that may not make that, well,

situation totally atyipic, Favion, you are I don't work for several years. Some of the career

something? No, no, it's a lot of the car. We're in the ambulance. I'm a

little. I'm nervous. I'm very tenso. I'm encabronado. Enohadism. The other two paramedicos

neither are. It's a feeling like we're not we're not we're not we're not and the cadaver

and he starts and he starts and oh, oh, Oh, he says, ah,

so the cadaver is a for the people who know, and that's I know

but not how it was doing that. So I don't know and they get them and they're

being the medical, and she said, is it's a woman, no,

and you don't, and I said, they're they're said, they're

going to get to and I remember to the car of the woman

I said, no the desapes. No, the tapes. They're

with the body, they're to the morg and this question of the forens.

And he says, she's being quehando the chabble, the chava me said,

me said, and me said, yeah, yeah, I'm and then he said

then we, we're going to do the instructions that he was because, don't

ask what we're not to do, no you do, you tap we're right?

Yes. Well, yeah. He said, we're we're doing, we're we're doing

the process normal, we've got to make it a caron. Where we're a caron, the cajone,

the caron back on, I'm, and I kept a nervous, but as I'm saying,

and me, he said, let me, we're going to the night, we're not the rest of things

that we're we're doing, and we said, and we're there until the 7 of the

morning of the day the day and she said that's she's

listening that she I'm had had been in the

force not was the thing that was and in

some moment of the morning she did when

she got this she and she's me and I

said you did it you did you did you didn't

me didn't he is the piece he said, no,

if he had to the sanna, I would have been a little

to get to your head. And he's going to my hefe and no

I didn't know and I and I asked passing the rest

of the day, what he said that's she was a not

he's not he said, but me said he's they're they

said because not a person was a and it was

a Mal. And it took much in deser to see to see

to see. What what happened? And why not they're not

he's not I'm not I'm know. No, I'm know,

is the situation more that I have clear. Is that is that

she had revised and the she was there. And those those

never heard never was heard I never heard this

I let's this I'm in the order that is

not in the order in that I live. They've a car to prepare the

area central. The family are the role. It was a shirt a

black and a shirt black and a shirt normal. Where they're to prepare,

prepare in the body, and they're to get with the pantal we're not,

we're not, and the where we're not the person, the we were. We're

do not so we were to we were to cut the camis for the

we're so so for not affect any the of the

body we're we're prefer we wrap the caper the and

we we're we're we're we're we're we're we're

more than in what is in what is we we're we're we're

we we're we we're we're we I was with the hand

in the stomach very where he to get to the capilla they're they're

they're that's what I'm to live me standing in the capilla oh yeah why not

they put not they did we didn't and that there's a carmisa a

carbata roha mark for that oh yeah what's what we do you

send them me they're where they're where they they're on

the trajectory to here, we know we've happened.

And so why put you a flower in those hands? No,

we don't we don't get a question. Mark, oh, they put

this, and said, no. The flower that was that was that

was that was that was a ha, and the and says, and

that's that's called my my mom. And my my didn't

be a fling good. So, so me to come.

And the last and when I said, no, battalions much, we're not going to do you know, but we're

not going to put another other rope to where I'm I'm not. Yeah. Yeah. This,

remember what in what years was? 2019, 18. Ah, 2019, 18?

No, not it's not so they're not so. No. Inro of the stories, this that

I'm going to tell, is, is, you can say that's a a trap,

of a certain manner because it has to be a funerary

but not in a form very much a little he's a little

he's he's he's five years approximately and his

her seven years and he has he has he memory

and he he he he he talks and he his

normal his her she no idea of that

this is in the years finales of the 80

The Her mother, is that if they're They're They're They're They're

They put more Moretones Enormous in the Piel. The Ropoeuvre's sangrante

and a Monton of things So, they don't have idea of What they

They're They're They're They're They're They're They're They're

They're They in the area in the area in They're They're

They're the parents what to do it doesn't do you do it. Because they

they're they're they're not a lot of this when you can understand

what was what was what I'm a little this time. Just

a second before that the little the woman with

purpour that so you know this this thing the

child the child is a a dream recurrent. His papa he goes

his papa is a year his papa has a car of a problem he's not he's not

he's a place, he's a place in that's a place a made of

a man a man in the end of a color so dorado he enter the

place and there many flowers in different points there there

there there groups of people of people all vestiges of the negro in one

and other parts, they're in they're in there's there's a person who's a lot of

he's a way in a little but not I'm to understand where he he's a

so so maybe not so that not so and still and

he's going to the he he's a a place

in the mom is the mom even can even can't

get to the She's being to perfiel at the entry to a man in

the rostro and is all full of the people get to make them just make them

and they're so keepens and he he doesn't see to his papas so

don't get to the place and there is like a force invisible that he

is going and he's and in the other to go and

she's going that there there a and where

she is a she's a She's a different. Like if the

color of the skin had a bright like if were a plasticoso, is her

but not is her her mama. She be more palida than the normal and

it's a strange a dream. He neither he doesn't the

concept of a a a thing is a real, I'm

was a little I'm If you'll forget the day's the second. Passed in a few dream. Passed a few times. Mismusue.

There's a moment in the when they're when they're looking at the same time that they're in those moments of deseration, he says, Papa, I don't

you want to be too, as my dream. And that's the papa, the he says, how, in your

dream? And he he's a little in his words of the a little of what is living and he's

the day of today, I'm put on in words. If you could describe the impact

the day in the my mother passed to other life when my papa me

was in the man and I was the place in the time I'm

that you're the funerary and the belorio of my

mother during one I'm I'm living one and other

once that day so atroo. He said, I don't see if something me quissue for that. I don't know

if no had been those dreams, how it was it was a very, very doloroso

and in that time, all the impact that I, I didn't, I was going to

all the because me was doing that was what was I'm so know,

and not it was so much being so that was so it.

One of the the last Vivalences that I had in a funeral I'm

a I'm in a capia but there a lot of people and I'm going to

go to work to work in to be not to not the office that's

back at the area of the area of the passio or the passio

in the carroses is so I'm it's like a

office like a officeina like to go for there.

I'm to the computer to be a computer, I'm going to go to

a chabon with a little to and I'm a little you know you're a man who

you're to be able the door oh okay yeah I'm I'm a man

he's where I when I'm going to go to I'm and I'm hypocrite

I'm not that he's he's referring he's he's meant the and then

then I'm then you I'm going to I'm you know in this and the carrosa, this,

yeah present in the in the capilla and then there all, no. Of a repent, oh, he's,

he said, I said, I'm going to say, I'm going to talk about, then I did that they

said, no. And then I went to the capilla, because I went to other

papers, and I said, it was, a, a murmur and there a much

people, no, oh, is that they were a man, and that,

well, I, well, I, no, I don't know who's they

were to get to the time, and she went to get to

get a and it is that no, I don't know, I don't I don't

I don't I was, well, I'm the question, how you did you know, that's the

that we're that we're that we're doing, I'm going to know, I'm okay, I'm,

because, is where you don't you want to you're, where you where I saw,

I go, the photo, that's the the same chavo that I got me from the armory and he

I was in the same he was in the same person. Yeah. And the rare,

what I, I'm freaky is where I took it, I was going and I went to get to the

and he and he was a person normal? A person normal. Yeah. And what

the more me, me, I came to where I went to a group of

people of people and hypocritas. How you do you

do of today. That are people that not they were in or not they're in

or they're like they're informed as like they're like they're many people more than a family

yeah there's a story with that I want to give me this person this

soceso I had two years working in a funeraria if were

on things things rareas in one occasion we a anian

vestina a vestida a old and said for the form of to come in corbada

caminando lento he said he's to come in the passio in the we're in the

we're doing the mind until we did we know that was going to a place in the

there was there was so we said we had been per we're we're

going and she in the passio and where we get to the place

we we're we we're we No, there's nobody. I and my my companyer,

my companyer had a year more than I. I don't ask those things. These things, man. But no, no,

not you know, those things rather than the things that are the more easy. It's more that way. It's a time.

In an occasion, the children that were accompanying a family started to because they were that they were

in a man with a face. And signaled a in the place in the there was nothing.

It said, but it was something that was really you're with a fear of the

I said then I remember my companyer when me said when I said, let us

don't you know you don't make that they're no no

there. But there there was a day in the something something that

something I don't have the I think I'm know the I think I'm

that we're during a time this companyer that in some time we're in

certain times we're not we're going to start together after a time the time the time

in the time we're at 10 at 7 the morning normally the place the

place only only only many and a sometimes

some family that for some circumstances we had

some we had the day when was this

not the the guard was absolutely vacill. It was a

building of four-pissos. Plant a which was where I was with my companyor in that moment is a lobby

and a reception and there can you come you're some stairs and some elevators. No,

there's nothing more. The rest of the office. So, are not really bans. Third and

fourth piece are the capitals. So, is how decided that I was going to be

going to be We're talking situations that have no relevance in nothing, or something of something. And,

of a bit a little, but it's very long, very, very, very very, it's like in

the the front of the floor of the floor. And I think, piento,

madera, something is a tube, pression of water. It's a sound

very very but there are many things that I don't pass this attention and in that he said there's a

thing he started to do meh and he started to move the sound no she was quite

in a little he started it's it's and we not we got to

the zone of the area because we started where we're going

and he was on oh he said but conform he was

coming so the sound was more more more He gets the third

piece and he starts to get to the stairs to the second and now

it's a sound that we can't do not we can evad it is a sound that

it's a turn to me me and I say, I'm what do you do you

what do you do you do? Then we'll we'll let's we're

we're we're we're we're we're the door we put us

one on one of one of the escalas because you at the point to get to get to

get to the thing. The real of the kind of the kind of spantoso.

I don't see if I am I mean if we're my two or if it's that

thing. No, but it's horrible. And of the way, and the

way, and we're we're just we're talking from the passio front of

us we're with the noise to all the that's there's there's a little

there's a little two meters and there no, there's nothing that there's

in one of the office the door of the door of the gulfe we're

we're going we're getting the that's in that's the moment where

it's the side of the building the and it's coming

by there. Volteo with my friend with my companyer of the

time with the time and we're we're we're we're doing we're we're doing

we're all the madrugat and when when I said, and I don't know

never had passed this he said the day I'm I'm going to see the

next I'm my rennose I said no this mother me will not to the a one of the

things that before to have I'm a I'm a I'm go to the bellorios

I'm don't get a little children in two years they're going to have to get to

so I say that I know I'm going to be going to be there some

some of some places of a lot that for to be a little no

that's a that's a that's to be that's that's they're

the little no need to pass for that. Having said that's an anecdote that we did a

doubt that doesn't know that's in one of the capillas was it was I don't

know January or December was doing and it was a lot of people all

with coffee no they're they're they're they're they're

and say me go to check for that I'm all all all

All right. Fereon 16 hours and it was done and one of the no, I don't know

if his family to be to do us thank you for the coffee.

Papa said always that we were we're to have to have for so we're all

we're we're and the point of put her was something was something that

my papa if he was he was the chow and he

said oh yeah that what did that I did I don't know. The

we asked to the intendance no, I never re-giened the cafeteria always

I'm not revisited the garafones the water, never they were so the

that was the where the coffee for 80 people for 16 hours

nobody knows. And just the flavor that was like the like you

like what you probably probably inexplicable no yeah it's

for This was the last that's your repertory. We'll we're going to the third.

Andal me good. Dear family nocturn, you're our termometer, to know what they're

that's good and that you're that's good. Thanks to those who are many of those who

ask them to one to one to the one, if you're not you make a lot on the

episode. It's very simple. If we get to the meta of likes,

that is a bit of the person who have been the episodes with Fabian,

with the good papaso. With that we're doing to understand that if

you want a third episode. You can make a third episode and

the first that does like, but in the counter

is the we're that we're that we're the one five you

do four million four four million four four million. If

get this video to four me likes, grab us the third episode of funeraries with

with the good papasso. Fabian, a goodos a good so to get us to get us because there's

before there's a lot of people who are so much, oh, how I can't know, I don't know

those the numbers because I'm not going to say cities. Oh, let. Saludos to

Masatlan, a city of Mexico, to Tuluca, to Durango, in Durango, in Durango, I remember

much that was a sturt I'm some three or four, but they're that's What's cool.

This of Durango, I said Ah, yeah New Carolina, and Chile. Of Colombia

is much people who us so yeah. So, loco! People and family

nocturna. For favor, this is me would be to be all

the colors of the comments of this video and put on for

there the bandera from where you know the of

the There are many who have seen there's many people who are the people who are

there's there's a lot of people of the people of the people of the people of the people of

let's all the things that are there. Spain. I've also of there's been there's a

lot of people and a family nocturned of Spain of Spain of Spain and for those

who are listening. Let's I say that the in-vives with Mariho they're they're

detuviered for questions of agenda and the time but we're about the

project and And for those who are listening this, that came the news

in the questions of the health, we're in the way, we're doing, so we're we're doing

the we're doing this episode. Fabian, a good on you can see it. Pa, pa,

a comedian, in all the is Instagram, Facebook, TikTok, YouTube, today, no,

and on Twitch, that also I don't know about, but I have been over a, but I'm in Instagram

is where more, interact with with the people, and they're saying, send us

a message, and we'll that they want. Perfect. Perfect. So, we'll have been able for the next episode of Funerare, stress. If we're going to 4,000 likes, that's

that's with you, family nocturna. One once said this, let's desire a good time that you have a good time and that have a sweetest and you guys.

Bye, bye.