HABLEMOS DE LO QUE NO EXISTE - Trampas Paranormales, Brujería Sectaria e Historias de Terror en la Torre B | Episodio 409 | Hablemos De Lo Que No Existe

Episode Date: July 20, 2026

Bienvenida a #FamiliaNocturna a esta oscura y estudiantil #FogataDeHistorias en #HablemosDeLoQueNoExiste El día de hoy, prepárate para escuchar de un lugar que está tan embrujado que llama al mism��simo #Narrador para que vaya a investigarlo, pero te juro que con todo el poder que tengo en mi interior, y en mi fuerza de voluntad, no sucumbiré ante la tentación; y aprovechando este comentario tengo que preguntarte alguna vez ¿has soñado con cajas de zapatos?, porque parece que es uno de los sueños más perturbadores que puedes llegar a tener eso de la experiencia de Nancy.Y si en algún momento, a lo largo de tu vida has tenido discusiones con tus padres o tus cuidadores porque no te dejan ver alguna película de terror, tal vez te están protegiendo de que un suceso Paranormal ocurre en tu casa y eso lo conocerás en esta fogata. Quiero aprovechar para levantar una queja formal hacia la #VocecitaDelMásAllá que me dice y me muestra con acciones que la FAMILIA NOCTURNA son unos #GlotonesDelTerror porque no importa cuántas historias les cuente, ellos nunca parece que llenan; si estás de acuerdo con eso, pon una calaverita en tus comentarios y saluda a la vocecita del más allá; y así solo tú y yo mi querida FAMILIA NOCTURNA lectora sabremos de lo que estamos hablando.

Welcome to Family Nauturna to this oscura fogata of stories in, Let Me, The Day of Day of O'Reilly I'm going to talk about tramps Paranormals, Brugheria Sectia and Histories of Terror of the Torre B. This episode is a strange and special as well as we've

been a lot of course that I've said, I said, no, this is they've got to hear the family nocturna. And there's one, in special. There's one, that's the first that I've got to go to place to to know

what demon's that's going to you're you're going to get a question in the first of the

first of the first time you're going to be that you're so you're preparing because we're going to be

we're going to see. Dich one of this, let's go to what most important that is you

my dear family nocturna go for something to come or come sitate

where you sit you but if you to occur to the light because we're a point to start

a point to Gatad Stories. Comeensamos. Very of a time. Me has been

to get to the WhatsApp of the pesed stories that I have been

like with many questions, and that this is radicicississ with

with much going to get to get to say that is going and I

say this matter before before to start and this

story I need that for favor, we'll let's some

precautions. The chick that me manned this story still

I'm on the place I'm to be to do what

that exactly exactly that I'm about but if

you you do you don't mention in the

story because there a person that can be

a person that we remember in this channel

really really really really really we anonymato. When we we started

when we a new a new set a little, in the person who came to tell his story,

then we didn't know it was also she did it, because all about about that clip because

she had been viral. Nobody knew the story of this person and then she

felt like if the people know that was something that not he was a

because all we're all we're we're going to us know more and we don't that we

cross can less. When us they're a story in the channel, really we

are being the heart of the heart of the things that are very so I'm so much

so far incarecidating it, I don't put a like a kind of a

position and you say that maybe it's because probably probably

probably there are there there we're we're we're we're

we're in this channel that we're not that Dich one this, prepare you,

Ponte the chal, because now I'm doing me do, I'm doing this place and see what the thing is going to

see what? Resulta, this chico, the person that was the person that the day of today will

be around of about 40, 45 years. He has had been various and is a

person very professional in what does. In this place has more than

10 years working there. And he, when he went to this place, let's say, that novato, he had an experience in his area. He putsior to do things new, that, yeah, for him,

that is a little new and he was a little bit, but he turned very well the ideas, he learned very quickly. He originally, was a master of an institution academic. In this new work, was a coordinator

of an area academic, but the part that never had ever talked to to work, is that they're to put in a cargo of two almasen. It's a

situation much of logistic, much of getting to use as a lot of then. Then he

see a little abromated at the principle. There are a series of circumstances very important

that are necessary that consideres in this first part of the story. Because he

came with an high expectation of that this work will have to

have a future, but also comes with a sensation of that if the things not do they're going to

because the person that's before he did they did it. Five months in the work, no functioned and they gave the thanks. So, let us say,

there's an auto-exigency very high. When there's an auto-exigency very high, and probably you have passed, we've done to do a vision

of tunnel, like if we were cabos, like in the past, that they'd these things to the

of the eyes for that they were the location that they were to go to go to the way to get to this person.

He did a point of the time after that was going to that was working in these installations. There you go.

He took to work in an edificio that since they were the people around because it was

in a junta as general where they were the assignments of the

places of when they were a Murmull General in the Salah, very

extrano. And the person, the president of the Assembly, had to ask you order.

The murmur was, uh, it was in tone of burla, in tone of a tone of

a but at the way, it was a tone rarro, the people that were almost

those who did you have been in years or as were a tradition of the

other, he no he didn't and he didn't, and he was a little,

because it was the new. So, so he'll be able to all the whole, sonriending them and all the people don't even they're in the

mirate, that's all that's going to make a lot of, the assembly, he says that, for favor, not are doing

those ruses, that are doing with professionals or with the chasches, that the people are not in classes,

that not can't be that they're that they're getting those bad and it's and it's

very tense, very stressed, and this type is three-bees more stressed. Yeah changed the

perspective. No, it's the and a goodvenida. Now, he's mulling to him.

And that's not a great of the person that's a person who was in the place,

he came to work. He gets to the place, he does that in the building,

in the officeina no is not a greatable. So, his office is a

space very little in the that cab perfectly his but for

the rest of the people that are in the other, things, librederos

and other that are stateries, a sinfing of things, he enters in his sill, and he kept five centimeters to every side of the

and you know, to get to do turn to get a back, he has to come to make back, to practically the entry, that are more

or less than three meters, and then to turn to, at the first that's the first time that he does,

he's super-tonto and he intents a million forms to get to get to until that terminer parading in the

sill, it's practically the fourth day in the work. Venciing a cell of

a job, that they're going to be able to a tachita in your expedient. When he's a much very much

a verguyen, he goes, and he says, for favor, no dig a little, the intendants they say,

well, the detrosas and here you can put a mobileeerer personal, and if

you'd to come one, because you go to go out, but it's will be

really to report it, and no, it's a but he's a good

it's a great, it's a question, no, it's that I'm going to be in the

point, they're in the house, I'm going to get a bad, and then they're not so they're

when they say, well, no pass nothing, it's a carer in the and you, yeah,

for a more care, no, it's very rare, because it's very rare, because it's

not they're not the attention, first they don't they're not they're not they don't know

they're not they or the institution, like the feeling, the form of to get to get learning. It's complicated a

little of your work, because he's some things that have been with administration of the time of the students and

distribution in the salons, and it's something that's so grand in the institution, that has been very concentrated, and in the

room in the room, a much noise, a really, a realerer, a really, a realerer a realerer

a real all this all this I think that he went to work there. But we're going to move a little the clock. And exactly

when it's a year and a half, it's a process of basic, simple, simple, but a sometimes with the paranormal, is that no occupies nothing so extraordinary. Occupes one thing that no there's form in the can

be happening. One thing. And with him was a cajoncito of approximately 10 centimeters of inch for 25

of the metal. Metallic to the standteria that's full of these

cajones. One of those cajones was what did that he made to

all his alarms and started to with a

situation of panic and I want to I'm

not we're not talking a person very very very

very that's simple and yannam his Cerebro, he has to have

his vision, and he got to get a matter, and he's got to do you know, that's all the

last year and then normal, no, he has nothing, but of paranormal, he's all.

He's is, he is going to his place to the cell, that's he's had

had to have to have to two times, in these two occasions, in the

year and the time, they didn't say, the same words than

the first occasion. He gets, in the chair, and now, like a whole,

he's a little of the piece, and just to make to be a different, and that all the chair, along with him,

get to the bank. Before, he was going to walk with back, but he'd

know in a moment that was more more than this. It was, it was a thing, it, was a

moment, his rito, to start to start. The space is very small, five centimeters

to every side. To make that that he all is a perfectly dispegated. Detra

at less a minute, there's a many of these caronels metacos. he's not. It's a thing. It's not. It's not. It's not. It's not. It's a He's

always the occasions that has to do you have to start the time. And he has

to get to get to get to the other side, I'm I'm going, I'm

working, and it's always it's a same. After that he's that he

really, it's more, five times. If you hear they they're

they're they're that they can't they're that rastran and he's a

purpose. And then after that in that institution there that's the

emerson. That's the worst of all. It's the people like, as the people like they

say in the when they're in an o'clock when they're that they're molest and molest and molest and moleste and moleste

and then there when is concentrated in your task that the noise metalical he's mured

the language prieta the puberty and it's and he's to say Gumaro respira

Gumaro respirate Gumaro, he says, if you're as far, the things are going to put worse. If they're going to put more. And in that, a gulp in the pader, it's called in the pader. And so, it's called on the floor. It's not a point to explode. Because it's like a piedrita in the sapato. No, it's not a lot of molest. And if you just yet you're identifical, you're going to, just coming. It's just a minute, God, God, it seems to be a pietritre. Now, me, to tell you. at 50 centimeters and pes to 15 kilos and you

are rosading all those the dead. I know that your life not can't go ahead. To that level, after a year and a year that's what they do in the emaccent is a fault of respect

absolute and the poor Gumaro is about to start you. It's a point to do you do a break. It's a push to get

back with forces that is one of the forms that has learned to liberate all that tension is impugating from the feet and then

straying feet and hands and then how it's alex rapidly of the computer like a

little because he's about with his and his wheel of and when it's

a bit of a ball metal a sick he's a and he and one

of the carhons of the stantaria is completely out torsied

by the door by the carcone and and of the repent

to be to see where the the computer and it's to start

These cajones pesons pesed much not not over how it so it's so far

his office is over and never nobody has metied because as he's the

encargated of various things that's in the other if someone if

someone can't get to so no no no no no no no

that nobody so that's how demon that's that's that's so much

how it opened that that's He's thinking in the wall of the wall of the and the

percussions, no there's no exist form that has been that you have been

in that had been had to have had to have been so much many, they're

that they are that's that's that's that they're to make

that's there and you I'll say, it's a sound a

something, but it's a tonteria but it's a tonteria that no never to

do you do you Gumaro is being the cajone, is starting to sudder. It's a torsid when the

cooil and he is a doling and he put to do you, and now if does it do a little bit of the sill and

when he he does know that the caron is retentiento then the back to then it's

to be going to be to be able to be able to be able to be able to because it is there

just to the front to the the sill the chair thanks to you not be

not to get a quarter, and when it's trying to to get it, the cajone was so he's done to it's all right,

and it's there when says, I know what you there's a there's a there, they're just

an abuero a little, with aobo, with a little and they've had been to have meted there, and if

not it's in that caron, is in the delado, and if it's in the day after, and a hour and

after, after, and then, and he's sitting in the piece to the poor Gumaro, absolutely

sud, the mobile disarmed. No, a single pozo. No, it's an obsesse. He no of these syndromes that you're doing to be able to be able to he's not so. He's a person very flexible. The problem is that when

I was a minute, when I had cuted out of the 20-tantos cajones, ah, of a repent, he said, no, is that if there are no, it's that you're going to be some ratas. They've been to be ratas. Then, he started the part of the above of the cajong, but to cut the part of the back of the cajones,

needed to get them to then he started to get to arm completely from the right

because he said something I'm going to get to be the question. The last five the the carhones

that were in the part of the part the back the the world and his

experiences since seven cajones have disappeared and just

was doing because I was not could do that I'm I'm need to

the own the own the there was a solid, that no there was a

rat for any part, and there were around around there, and no there were in those

muebres around a little an order, and there was a place to have access to the

part of the carhons. When he was it was unnecessary. The last five

were totally unnecessary. But the last than all, but the last,

when he left the other, that said, what was what was the He was doing the movement of the cajones,

a silence absolute. He was going to to look at them to another one after other. There was a caron that no could go back to get it. And it's because

he was taken to get us to get us. And when they they said, no you're not you're to repair it. Here is

you can't regal because this is a mobile important, but we're we're not sure.

Humaro not he's not going to be back to because his cerebrough is

I'm still. He's more alert He's more alerting. And is when in the commisdor in the

cell of masters, in salas their his own his own never has never had

problems with that's his own his little other other and other

other conversations oh yeah in the edific b they're they're

so you see but you know you know you know you know you

know that's that they're passing things rar. They're that ultimately has put to very

very good of Gumaro. Well, you know you know you're to get it the worst of the

officeines. And the Cerebrough the last year and the only that was thinking to

be a good thing, after that a bad carhom he storbo in the

way, he can't do you do that he's at a and is he's

doing things and he's listening that in his mind he's

saying this yeah we have we had we've heard, Umarro,

but not to the I'm trying to let's it's a important that you're not they're talking

about the times, they're they're in a lot of an ambient to get into the time he's when he's

just in the offices, for inercea because no there was another reason and for the game

he was rapidly to the office and was rapidly to rapidly quickly, rapidly,

that was behind the Dell, that is the principal that's the that's the and the

of the and the and she was going the passio rapidly, rapid,

rapid, without without it. It was a not, it was

that something that was it was saying, what is the

process of that's that and that was, because after to

remember that was that that day had to be I'm

had to get after the place of work front of the computer intending

organizing ideas but not could sudda the part of the back of the mandibula the mandibular

and then began to castawner for the movement that had no could be to imagine

the pass windows of the tams the tassels of the spaces there spiritus

of color transparent and even color is phosphorescent and and that

image even that was more a caricature he was a

totally and completely the past and it's it's out of the soul to say, because the demonos me molestan, and not to the

almasen, and a penas it's in voice a bigita, the parade. Two goals contunded, when he'll

four cajones out of where they're going to be there. No, there in the place, the place is

a little, and he is still. Standing there, in that situation, he will be to be to be up

to the silla, Voltaire to where are the cajones and say, yeah no

me important, let the computer on the computer on the air, a part of

his mind, he says, Gumaro, not you don't have been a day of your

piece, and the passio he gets to be to be a little put a

position, not he does it and he does it not, no, no,

no, I'm to be able to get, you, I'm going to get, yeah, I'm going to

get, yeah, I'm The place of work of the door to do, the door

and then it's nearer rapidly, gore to the officeina principal, and he

and he's with the door and it, when he he's when he he's he's

that's that's being being, it's like if someone could

be in the mind and discover the level of that

he he may and he's at a point to do

do his act of presence. Kumaro is that that can't. The heart is latient to me. No can't even contain the respiration. He goes to the passillo. He gets to the escalars.

He's going to be back into principal. He's trying to open with the key, but it's the quixote. And the is that in that building, all the caseals of the leaves are equal. No, you can

distinguish by the cabasal. And he has not taken the precaution since before much to electing colors for each one of the the Chavez.

So, that with the nervousism, not is exactly of the figurat the figuretas that are

these little and they're one at the other, one after another, one, after other, when he says that the front of the

whole of the that's going to is going to find. But that that's going to see to

see that. But he doesn't to get to a false sensation of security the

the worst of the prampas in questions paranormal. That for a second you think you

have you the control of a but umaro not going to be in that trap in this

trap. And this key, after after drive, and so the manoe

of more of 20 yaves is one after another went to the

final probably met mal the the key, because you're sure that you're all over there, and no one ever,

it's a bit, and a lot more concentrated. He concentra, respira, aprieta the key with all its forces, the point, and it's the

other thing, but look at the final, the pathos, every more closer. In the second floor, there's

a little sound. There's a little bit, something, it's raster, while it is ratchra,

and, and when, if it's raster, and rachina, and rachina, and gumaro and there's six yaves

and one's that's a open, it's not it's a little, not so much, the octa

door, for a second, the octaub, and the door is, and at the time when the door is

out of the sky, and grita like he's a little bit the tension that's too he's just

getting into, he's a door, the door, the door, the car, and it and then

the other way, until that with the other left, he has to put it up his eyes

to see into the door to it's a door to the door, the part of the

right to the part of the back to be there, two piernas of a

of a person that not that's not of the color of the skin is a

more. Logra to get mentally the door to start and

make a turn over and the pass the

door to the car, car, of the road is there. A guy a type

sent out of the bankas is the conserge that has done a lot of times, and when

he has been a man he says Gumaro, no pass nothing, to us has passed

a lot of we'll talk you know, I'm perfectly that was what he had occurred to

to him. The day next no time the forces to present to work

about. I'll I'm a recetta medica that not is real. The consigne, the manda,

resources humans, let's say that for favor you know, but the next three days not will

be able to present to that's a very very much, is a person that's so responsible

that nobody, nobody, never has done of him. There's something that night, the conserge

about the resources human, has no direct, as he he has got

to be very time, he has certain numbers, we're very

specific and just he just called to say, he just got to pass to Gumaro, degen-no in the next days.

For that, no did you much in the recipe in the recipe. They're not a lot of some people

that prefer to not to return. There had to be how Gumaro was over a year and I've been

a year and a year and never had done so in quejas, nobody had

had durated that without implored that, that for favor, that for

favor, that, that for favor, those It no, it was if they'd have been the salary, if they were the

money, if they were the money, but that for those can be the office of them, the officeina of him,

the officeina of him was the reason, the person before the person anterior to have gone, it had to

have done, or bad the things, is that the day the next in a house, and he

said, it's a office in that's been inbruhable, and that day they gave the day,

they did it not the thing, it's has its renomber, and not is something that want that's going to be diffunding. If someone

in front of all it's a little, what is the matter of the last year. He gave him a year and he got to

front of the first time direct to the people who are the Torre V. Three days. Three days in

those that's against the insomnia, three days in what is the other way, different remedies

that are to calm the nerves, three days in those school has to compone the ideas

and he has to say, he's going to go to work or not. In the work,

no, no, he's no one on one of a time.

When he goes, the fourth day, it's present in Rucos Human. The

chica of resources human is surprised, and it said, I think that you

know, I'm going, I'm going, I'm saying, no, it's a little, what he's

saying, oh, it's certain, it's certain, the recite the recipe, let,

the And Gumaro, he's out of and he's that something. Because, because while he's going to

the passings and he passed for the cell of the master's, just he not entraned, crusating,

and crossing to the door, that the door was there was a lot, you know,

you perfectly you know, you're not, you're not, and Gumaro still coming and, he gets

out of this zone of the area of the master's, and standing in one of the

cardines principal of this school, it's top to the conserge and he

he said, Umaro, what happened? When we're going to talk? And he says, Damme opportunity,

I need to masticer the things. I know what he said, and the conserge he said, but I see what

you said, what I'm so I'm so I'm so I'm manage it, I'm going, take me your

time, tomate your time, tranquil, but you know, you know, you know doesn't

not a not, no is contra you, no past nothing. And then then-

Gumaro, the the dead. Siente that the feet are started to retraer solos, as trying to have there a little more of force, and it's there when you know, it's in respiration, more of 15 seconds, and the body is

grittyinginged that's aught the air. Inal, exhale, sacude a little to the head, and the shoulders, I'll look at this person, to the conserge, and he says, it's, it's fine, it's a good, give me opportunity, and

he's retina. He's doing a work internal, agarrando all his force of Voluntat as a small he's a

little bit of the building go to the room the light is the cell

in a place in a he's all the all the all the all

the no he's no nobody entered to the

place simply the place changed the the place

he's he doesn't he he's he the maldita people

rogiest of the almasen. That maldita people that has to the coronilla he had

said they're a respect. You know, what he passed on years not the other than

any of digererer. So, is that they're doing their space

and he is he's very much because he's two days complete

to look other again to get to get to normally.

The fourth day he gets for the morning and decide that will be

a recorritory different. In the piece of he every he's

he's a need a need to get to get to the front of the path

this is this is the fear so it is that so his

record is a time at the night he he's at the

six and he's a hour and and he's has

the has the person of a person of a

and sending each the passio and he will repeat a phrase that's going to be to be able

your mantra. I just want to try to let me work. And it's going to

your mantra. Commience get to the building, open the door, come in the front

and it be absolutely dark no has not a only a single of the

light of the sol so, so it's that all all all

absolute obscurity but it's the light the the passillo, conformed

on the way to go. In occasions, it's all the eyes, afriety the poohs. There's nothing. The place

is a little. The other is a little to get too a little a little. What's the night earlier

probably were ideas that you've had coming down for salon. And he gets to the fifth,

sixth salon of the Torre V when it when it he opens, and it's kept

parado just the side of the door and is the door with the door with the door with the door with the hand

when he's to inhale and exhaler and repitient let me work, I just want to work

and he and a person of a person of a maintain that he has a

black a black a little more lavated and he comes to the pupitres

and when when he gets to the person a trap a trap very

soce and he to clean the polvo. And then, Gumaro, that all the person the abioed no,

he was doing the piece, and his mind, we can't the cabs. And he does a conclusion. It's Don Jose.

Don Jose is this person, that he'll help him from the carhones, with the shias and all,

and the last days he has said, he has to be talking to you have to

talk to you. He's got he's got he evaded, he's been he badido, but

Don Jose of some manner, he, I'm saying, hey, I also come to work at a timeparno, here I'm, he's not showing, he's showing that he's been to have value. So, Gumaro, being the piece, and still, like, recobranded

with posture, intentating no exhibiting, at least this mantra, that I just over to work, let me work, he's his javes, there hands, when he, be of reojo this trapito, with him,

he, he, don't Jose in the hand, that's all over, and says, this, Don Jose, is a good moment to to talk. And, and while he's talking about

he's doing that he's doing the end of the back to keep your other men, he's,

but Don Jose he's good, because no me respond. Tal-be very very bad.

Tal-be not the tone correct. Oh, don't know to be to be sure

to be there's ready to to be being there and then he, he's

back, then Gumaro comes to say, he said something, he said, something,

he's offended, why not me is responding? And then his mind he rogo a response.

You're teaching. Omar, put attention. You're saying that if you not you're

saying that you're not that you're those pantalones in this building, you're going to do you

have to and you're in that city, in those which they have to get to

and say you're a manner very atronator and very demandant even

even even even to say one and one so he he's

he's talking about with Jose the type that he's he has done he's he's not

he's he's a little bit of he's put it to put your the keys and then

the two pusses and he he has the eyes and he he got

all the character and he he he he's he's to comeprim and

using and using all his force of his power

he he's don't He's talking and I'm saying that in the moment that we're going to be able to talk. And it's over the eyes, bolted to the and the other. It's over the eyes. It's about 10 seconds.

15. And no, there's no. When he's parado and, looking at the nada, he'll hear a sound that in his life had precasted attention. But the last three minutes was a sound little bit too,

but that was in a space. a trapito that rechinable while being playing a bank and it's sonning

there's on the bank when he's when he he's called the way of the hands with the

hands with they're at a position a voice that he he knows he he's

he's I'm he said Don't Jose in the door with a carmisa

of the that's that's he's that he's that he's a he's he's

they're Tendombed and he said, he's he's he's he's

he's I'm going to you're I'm not I'm not I'm not I'm

not there's there's there's working in the office and

he's he he says he's so he's that are

that's that he's the black black and and

when he he he's he's he's he's fragile

fragile fragile fragile softecit soavisis Soovesito, like if it were a fideo that they've got to co-ceived and the way to go ahead. And it's always

with the mirroredd, and it's there with the mirroredd, when the two see that someone pass, at the side of the two, and he's out of the room. And he says, "'Mira, he "'travoo, I know what "'you know what, but you

"'what you know what happened "'as few years, when "'tue a situation "'of a person of the city, "'posed, he was one of the victims. "'He said, but he was a guy been entregated

because he had a little little and he he was working for his

family and even when we reported from the hospital that's he was

he was the next he present to work to work and are

things that are that and then he there's there in the

piece but he's a sopa not he and he

he's he I'm I'm you do you want to be

about so I'm about about have you ever been in your work of your work without you?

Well, no you know, you're not that's molest and moleste and you're and he says, yes,

the one of the carjones. He's, no, the of the cajones, that's no, what you

don't, what you don't the how, how, I'm going to the power?

Well, yeah, we're all you, you, you're not you, they're in the

car, what am I, umar, are the some of the same, that's at the other. Voltea to be, and he said, Gumaro, Ben,

he'll take the hands, he'll get to the hands, and he says, I need to be tranquilizes, I need to be a man, I need to bearer with all your force, because if what you got to pass there into, you did feel that you're not trying to

live, you're going to drive to other side. So, you do, do you, do you want, to go and go ahead and the building to the building, where Gumaro is to be able to, move the head of above,

down to say, Don Jose he said, Ben, come, Ben, Ben,

Ben, Ben, Ben, without that he had been past almost

15 minutes. In those 15 minutes, Don Jose, first he took the

hands, and he went to him, and he respirate, respirate, miram,

respir, despite of that, he was, he was, he was abasando to the

other of him, and then he were doing to count, he'd have done five waltas

to the building at the building and he had Umaro, like recuperating all his compostura,

the color of the color of the actor, because it was a palid, palid, palid,

and I another way I had this coloradita and roja, and I another way, that was

that's he said, thank you, Don't, don't know, I was not he said, and don't he

said, Tranquero, Umar, nobody is prepared for this. But I need to

you can't tranquilices because, look, you're going to see nothing very much but your

head's going to go to go to another way to get to him. Well,

yeah, I'm I'm ready. They're on the door and he says,

that's to be those, count them blocks. 1, 2, 3, 4,

5, the 36 and says that, countalos to tell us, countalos, look,

you to see, 1, 3, 4, 5, 6, 7, 7, 7, 8,

the 36, si, see, yeah, that is your officeina how is the that's the

that's the place that's the and when he he gets saying no it's not true but at there's a

there's a one of the one we're going and when he's going to be not more

you're doing one of the feet like you like he's like he's to be other

other like he's saying not you don't get to get to never

the building because it's right there there no

there's never never never the ultimate officeina the left.

You're you're you're the left and you're to the door and you

get to the door principal see in in the part of in front because in

the the that you have you've been the idea of the

end of the like you're the other you're the last and when

he's going to this situation is going to the second piece

and see something that his Cerebre, it was the first day, but no he wanted to leave there. It's easy and simple, because I knew that

then I would want to come to work. In effect, his officeina is the ultimate. Al-A. No, no, al-a-n't-n't-a-n-n-n-n-a-n-n-n-n-a-n. And, Don Gomarro, and he says, the al-Mas-in, no-se, you know is a year-M-M-D-U-Mur. In

where is-the-Lan-A-Bushe, in the plant-bacher-a, in the place of the edificio-A, there is where you've have you've been to have the inventories and the logistics, apart of those of your office. But no you, not you're against you. All those who have been there in your place

they've done to do. It's a lot of that day. His brain is like if you've been entered in a short circuit. No can, no can. Don Jose, he's a lot of people, the rest of the maestors, and, inclusive of the persons of resources of human, and the director that was doing a group of

a person, a carminat, mostando the things of the edifices, they're sacan the When Don Jose is so serious with someone, you know what is the thematic. No, there are

to give up to this thing. And Don Jose, is there with him, he gave a

coffee, he said, he said, he were the sun, that would be a work. That day,

they're going to stop all the secretes of the place, because resulta, that that

he, not is the only that is the only that are the two of the time,

when you have been about about the mother and the studied in the plantel and her mother that was to recogel, lamentable

that day, with something that had nothing to be with them, occurred a situation out of the plantel and they also were victims. And from that day, in the area that's on the area that's pegged to the moor of the

right, there, see, all the days of the family, mother, and their children. Not are like a pair of phantasmas that are there, no, the persons, so they're just stop when they're

on there. Fines of the planel also have the door of the different

activities. When there have been some type of activity in canches that is the part

most near those muros, the parents of family have interacted with these

entities and these entities and they they're they're and they they're

that they know that the roba that they're that people

not they don't look to be to all the people and when

they they they've done count that is mother and the victim that's the years in the

other world since that that situation passed. And this I've been going to go ahead

to the day of the day of it. Also there also there a, they're that they're

that's they're in the house. Because they say that that's a new,

that's a little doesn't a person, but the school never

has been for the one you topas, the

is exactly what they've, no-sequire they want to that's the Don Jose he said directly to Omaro,

I'm the I'm the for you not they're because thanks of you never me toped,

I think not there I'm but it took it to live with all the

people that I and she me was put out the house

as they're like they were in a baby tirated and they're

done and to get and to try I'm

I'm I'm it was people that not terminated I don't I want to know that I'm know that I'm

there's a where I'm but is that all that's all that's that's all right that's that's going to

be going to always you know so you know so umaro he says no no I know

know I know I know this city I've got this year about this year's because I'm

this is the this is of these is of the things that are discounting for there. At final, it's a school and it's a new thing, and this is

a little, not that's that, no, is that all the people's affect, for that, no, they're discounting, because they're going to give the thanks, then, later, later. Before that this was a school, all this was the property of a general. That general was always positioned at a level federal.

The type, manned to do that cartereran all the perimeter, and they said that was the house of a house of his family. But, close to there, a those years, I've started to

have been to be little to have seen and the people of the cars, they were

to reporter that in the end of the time, sonabing grits that were from the property.

After that more than 20 people reported this, trajeroon a police the police

had to come to in the house of this general that for then they

had been in investigations, no discover nothing. Pocco

a little going down of things the people. The The people,

the house of the general, disappears without and the family of the general

has been that nobody has been more than the poor general. The general yeah

almost no all, it's there all the time. The type passes to

other world. Much years, the people, not the people,

not the people, there were no, nobody that was the person, and the

person, even to vandalize, the world, it was a horrible. I'm talking of this, of when I was a

child, and it's there, when decided that they were going to to buy the property, to construct first buildings, some departments. The first they were demoler. What they did not, and then, was excavate,

and at excavate, and they were to have had to be taken all. They found fosas with decenas of the corpses calcined the general,

at the present, It was a certain cults because they were they were with sacrifices rituales. After that, they took them the area.

The terrain no were nothing to and they were and they were in that they were to buy another corporation

and it decided to do the school. And since that they were working in the construction,

they said the arbaen the arbaenirs that were that were that were they were

the music they were they were the construction. There sombers that were soaps

and the people that was working was accidented. At the day of today, now are these vestigues,

these phantasmas and the people that have socese lamentable here, his spirit regressa.

But, but further of that, remember, that's nothing personal, and here,

simply, he'll ask them to giveles to you make a man,

man, but I want to work, but I'm Let me continue here

working. Since however, since that uses that's the phantasas

are the people, the spirits that run down in the little during a

time, they were because every time they were to say to say they they were

they were the they were the two times the two times the

the other the people were they're they were

they did they they're they to say to anyone what are the things

that are the office at the house of the almasen. The Sueyes is one of the

thematicas in the human has generated many interrogates a long of the history and

is of the most has profundized there are many types of interpretations are all the

studies scientific that are in the there are many incognitats

there interpretations personal and exist in many interpretations transcendentals, for so

call it. In the part psychological and in the part magic, many times it's a transcendence to

what we know what we for the psychologist is your inconsient that you are doing things to

you have to present a attention, things that not necessarily going to pass. In the

part magic in occasions it's very complicated to give them because

they're to severing that all what you do you do you know, this is a

conflict that has a years. I don't pretend in no moment resolve

in this channel. But if I'm going to say something, I'm going to say,

what is a great difference between a good interpretation and a

bad interpretation. If what you are you think is a

something is a something, it there, and there's many

many of interpretations in the time of the dreams, that is something that's a going to occur in the future

and then it's not not. But the people don't they're and they're going to

think it's something that it's all going to happen and never occurred. But they're still

the that person that's the person who that's that person, it's a because you're

to take it because one that someone has done that has that this fact that that maldition

that what occur in their of the other then it's a future, a sometimes it's

easy to get it. We have a woman Nancy, that she has something very marked on

his mind, in your heart and in her life, and for her it's clear-s that even

that even it's in his dreams, he indicates perfectly the the

the people of the future of the people. There are certain things and

certain requisite that are some one, the person in

the Two, is a person with a one that has been a link to be a single and three, and she has been a friend a

good that's not a good, that's not it's a year. When she had a 11 years, a day

she was to do not and a lot very strange from a time and seeing a being from

a half, be a car of a chapatos and conform the time, the view the vista,

the face to start to the the cage. The caja is more grand and more grand and more grand and more grand and more grand and more grand and more grand and and when it's almost a centimetros of the cage of

the chapato's, the caja is a box. And the back, with the father of this chick. The man is with the eyes closed, as if stood up until dormit. And she

she's up until the language he generated like much disconsuelo. No, he interpreted, or no she was to nobody and no said nothing, but

she had very present in his mind. Three months after the ta-u of her father, because in an

accident of the work, she was and she was in- she was exactly the

same the same form of the rostro, the same gesture that he

took in his time. He was in his hearted in the she didn't

her, it's like if the same, it's Passed the years. No, he told to nobody.

But, standing with his brother and his mom, a day, after a little bit, very amena,

he was to do not. And, and again, the same time, from the sea,

it's a little, a little a bird, as if was a bird, because it's

that's not a much of the back, the the caja the car of

the the same more grand, more, and when this centimeter

it's and as if it was a surprise of very mal-gust, adentro of the caja, is her t-a-a-a-u-a-a-a-cure, she's a woman that she has

with all the heart of the mother of the father was one of the people most of the family that always was the

she was a past that she had been 80-tant-tons there the woman with her rostro relaxed,

and a little bit a little smile of the right that character the woman, and when she

mannese, she comes, and is all done, a full of the and there she comes to

yore. Two days after after she went to do the old and she went and she

knew that that's all that's very strange. There's something there's a special, there

something of these two people not there notices of the health?

The family not was not the people not even the people

nobody about that that oh yeah it's a old

the mother oh your Papa, were circumstances that nobody was waiting. All those took up for surprise, except her mind. And the most

strong, her aunt, herlla, had more than six months without her, and to talk to her, nor know anything of how she was. Why she's before? She looked like, someone, my spirits, my angel, someone

me is saying with anticipation, that we have to prepare. And have passed many years, much years. And year with a year. That caja that's a case in when it appears. Sobrin who have only

three, four years of born, primos, that are of their age, with those who he's got a very far, and you have some

years of not being, because they're going to do you're and the other people, and all who has

had sooyed with that car of the chapattos that's and they're atent reposando,

at the time, the most about two days, the most the most two days, the most time falleces. And there

one thing for the way you have to considerate these things are maybe are indicative that there

are a kind of there. No is a family in the that that's

that's that the people are going to the other world to

continue. No. After the years, in those that all that all

that everything is that that's the Sue that's like if the

murder she's my, my dear family nocturna, we've reached the end of these Scura Fogata

of Histories. Before that I have to say to say this a pair of things. The first, I know

that here has a real thing and we need to more more we're going

we can be all the set. It's that we've had been to be

to be a new show. And about of the new new

new this Marita we're we on two years

in two times, in two the 1st, we'll see with with the dear family nocturn of

Kankoon. Aun is a very good time to separate their place for the fogata because I want to be

devoured for the and the stories that I get you give you. Lamentably, I don't

think you want to let you get to this. Famian Norturna, we'll

see the next next next the next we've the time. I'd

I'd Duleses Pesadillas and subscribe and see us and we're two five steges

bye bye another other another boss is there more yeah you need

I need to you and I need to we get us another history well I have

two I'm there are there are are so this

this is this is this is this is this is this is this is this is that is this is this is this is

it me I'm like for vivences personal but also because

I'm fanatic of the stories of the story. And of this I'm talking

I'm I'm I'm in I'm I'm know that I'm so that

we're going to get to the class of the guy got Freddy

Krueger I think I had I'm that I did the I'm

I'm I'm I'm a person to be a thing of the

thing of the things and this is super rar. This is super rar. This is,

exactly. There's a house here in Mexico, of one of the members of the family, we're going to

name, Dime a name of a woman, for favor, Vos Del Marseye. Laura. Laura,

is that in his house, and says that's a house never ever. It's a house normal,

no, there's stories, no, no, there's socese not, until

after four years, it's occurred to be a movie one in special and every

every time they put in the house that's movie you have been many people in all the

world that is the movie the movie of the but she she she had

I've heard for his popas that was very good I'm

a 14 1516 to see I don't see

they they they're they the way but finally

they're they they're they they put they they more or less

as much as the movie, it's to hear in the room to that someone is coming out of

all the people who are all the people, so the people, then the there's going to

there's a other more in the house, no, and then then you know, then you're to the

part of the walkince at the because they're in a stancy in a second piece, because where someone's he has made

so, then he's going to be put a stop and they were going to, in voice-boggied, putting up to get into the stairs when the papa and he's going to to be a balancar

against who's and the visitation is totally basically, and the window and it's there says Laura, all we're

we're talking about to the risa burlandons of my pop because the window has these rejas, have rejas, has no,

no, there's no, there never had entered. Well, well, we went all, we're getting,

all, closet, no no one of the and we're there's clearly that someone that's

it's been in the family. Poo've been been a cat on the techo, is that probably

the echo of other house, but my papa was a was a very rare.

Like that that was that we didn't do the movie, we're going,

they're going to go, oh, you're going to get to buy them and we

went to more than, we're going to make, like a night of movies of terror and fear,

and no it was a one of the only that we were, we're going to see three. Pelicles that's the

Rito and I remember what other. So my my papa was the he's eligued and said that he

had been the had been more the of the conjure and for this we know we're not about the

we're going to do that but it's a time, when it's when of the repent

when it's to hear in the plant of that they're moving the tracts of the

place. So, like if they'd them and they'd get and they're in a

caron and then they're to get to get to get to the and they

put them to get in those put them and they're and then now if somebody got to

get it so I'm going to get some a quarter not, I'm not,

they're to get a cellar to the and the car and back and back

my papa playing the and just there's no there no there's

no there all all all all all, not we've

done so, we've got to what we're going to what's going to what's going to to talk about to get to the house,

that's been brought to get a little bit more. PASA one because for this, because for this we're not

a good, and it was more more than that someone was a little bit more my papa contract a serrageros

and change a serraturus and he's sure because it was the way the form of the

more the same we're put in the film. One hour, hour and a half,

and where are in those scenes, we're in the room that's we're in not we're not having airs

acconditioned, we have abacionators of the techo, ventilators of the techo, we're doing the air,

but if we're a great we're at a about a friato, and we know, because my brother, we're

a little, it's like, oh, yeah, and we're, and we're, and we're, we're just, We've got very

good. Of the that's all the mick, no, we're mortals of the Risa, paramed the

we're doing, we're the same, and my papas, then the that's the that's the

case, but not we're not we're at 30-tank and where does it and the

television is up and the twoes and they're to be what's going and it's

and where mention that, boom, the blue's about, and it's like a back, and again,

it's, it's, preending the TV and it's put play the movie that we're doing

and then we know that's okay, that's really that's very really that that's like that that's a

little bit more that's a I'm not, I'm not there was a family I was just I'm just just with

some of the movie and there's that that's like that movie that's a movie is a yeah that

yeah they're being yeah I'm going a movie play and they're they're putting

attention but But, getting like one hour and 10, one hour and 20, I was focused in the film, even though it was practically the third time that I saw. And in the scene of the applause, those escutals, those we used,

someone was, in the first time we saw that someone came down the first time we're going to, they're scared, they're going to be there, and I was fascinated, and at the same time, yeah,

I saw, here in this house, something, Orlone or something. And since then, I've provided me myself in the house this, not you know, because after that I put it,

now see, they're going to pass a pair of things very tranquil, but my mom me said that had some new very bad, and I

began to feel like that I want to say that I put the movie. And then my my papa me said that in the night

he was up to me, I'd go to to the bao. And I don't me had left to the camera and me

had gone to to the bathroom, then then I said, no, yeah, that movie, I'm going to put. Why is it in the

house of that suscriptor? And that's if you're a theory, come to see a night.

But the other is more rara. I don't I don't understand, and when I think I reasoned

about the respect, much possibilities and none me convince. No

signific that no I'm because no I have done because I don't get

exactly because what's what I'm going to talk? There's a person that's a time of the esoteric, but like if it were the food of all the days.

He has to have something related to the esotericcic, a addiction, almost, salvo that's a person very functional and no he has a extreme in the

which is a problem in something a little, but it's much, much, much, always, always, you know,

it's like a sport. It's of these people that if you're you're not remedies for all, you're explaining exactly because you're going to be able to, you're doing, and how can you can't cover, or guard,

help, attack, etc. But, always is an explanation esoteric. No, for him, the science no exist, for him no exist in things like rationales.

All has a situation esoteric. So, it's a person. That person, not is so popular for this type of Crencies,

has around about about 25, 30 years, and they're in this range, and he has

a very good friend, and he's a very that's the story, we're going to call the

name Huel. Joel, what has is that's a person very rational, but necio like the

fregated, and he says, I'm very neceo, a narrator to me, me,

you're going to you're going to show, because, and the fact, and the fact,

I, when I, I'm, I'm, I'm going to say, because for something I think in what I think. And I don't have done quite that that was the last

of a amistat that we'd be, all the time we were talking about all the time. He'd be told remedies caseroes that no,

that you have to put this, you have to do this fregaders, you're just to take this medicine and we

have got this that was the lasto that was unying with the lasto I'm not much. I took

a rach that I'd I hear the words that I'm going to say, but I've a ratch in a bad suorpe.

Me go all in all. I'm sorry. I'm going only. My life is like

always in a routine. Well, I'm despise. And the time. I'm

a man. I'm a pain and I can't get a problem. I'm in

a gripita of the most normal. But no more no more not I don't know not I'm

not I'm not I'm getting to get got got no, I don't want to and I've just made to

desponding. And I said, is that you're just that's just that it's not against my universe, yeah, for favor,

I don't know I'm the more than the more than the never, I said, I was desperate when I top to this friend

that I'm that's always has been in those years, of a time and of and then it to come to

come to come, or let me to the other and we we're always and we said, I'm sorry

I'm so yeah what I I don't know, yeah, I what I need I need to do solutions, no, explications mafufus, because we always we've done so, the fact that's that,

the fact that we're not with much respect for any one of the two others, but we're we're going to, and he says that he's going to go to the ragged, and that same day he gets to the house, and

he gets a a medallon of this time that has a little a little bit, and a little blue and then then heer in front of

me and me and me it He's a medallon And I said, No, Menso, no, Mensu, agarra-lo

so, and it's just looking to get to what I'm just what I'm saying yeah, oh, yeah, so yeah,

try-of-Four yeah, tranquillister, and my friend, and you're trying much a mal energy,

you're trying pure bad vibrations. This, they, it's accumula, it, and you have

to take it and you have to get to the malabre, and for this and for the other and it

Those are movements oscillatorious. I mean, this has a explanation very big, and what I've been saying are purest stupidesses. And he says, let's help you know, for one of a while.

Carnalito, Joel, for favor, well, if you're not you're seeing, you know, you're going to and then then then I

kept thinking, I said, you know, if I'm going to be able to, what's going to do you do? What's going to

do? But it's overmohed overmohad, like, no, he's got to to discuss with me a omuletto

I'm a little I'm put like a ton to I'm going to go and I'm going to get a ritty it's a

run you know five, six seven times every year the house it's going to be able but feo

feo, feo I'm I'm in my room and I'm a repent I'm a little

I'm going to I'm not I'm not I'm just I'm just I'm being disconnected no but sonn't

a girl in my cell well you know you you're doing ideas that's

a echo I'm doing the night when I see a person paraded in front of the camera and I'm going to get to be tired of dormant. Me, I'm scared, grittling, meting, and I'm going to golpe's and patas

and I, and I again, and I again, and I again to pass. The house apesta, but apesta, but pestered a pardy,

every day or better. A day I'm, I'm, because I'm acting like an imbecile, I need to do something. So, although I have a problem

with the money, because I've made many curriculm digital, but nobody me is talking and not I'm I'm doing a lot of

I'm doing a piece of this piece to do with that thing it's going to work with a ferretarylars. I'm going to work with a ferretarytererer at a car, because I'm going to dozeo, because I'm very leased, I'm going to be able to dozeo, because I'm very leased in the place in the way of the sea, I'm going to my house very well I'm perfectly

well I'm very and I'm very perfectly and I'm sure and I'm sure the baller and the window and the spejo rote so that's I'm going to do you know this is it's

so I'm a man and I'm a man who are they're going to be things more raras now if you're up to you because this I don't know I don't know

explanation and no I don't have money I don't have a way to solution to let me a man and when I'm my friend and where

he's coming the house me says, hey, it's very bad here the energy of your house, very

bad. I'm a thing the thing that's the I've said and I've been in front and I'm and I said, I'm kidding

you're a kidyote you're like I'm going to this is the explanation that me will give this menso and that

we're going to the house, I go that and in front of those two, the aroma is this and I'm saying,

and me he says, well, I said, this thing, this thing, I'll have the energy

and the vienta. You, what you were doing, the energy good and it was, and you're all

, you're all right, and with that you do it's a mulletit in the man,

I said, I said, for favor, giveate your porquet, and a part of it me, I'm

I'm going, to move, to move, to move, to the two months to get things.

I know that move on, but if move in something. What's the good?

You know? Do you? Thank you. No, there. No, Coneyna. Coneone.

In the Comptu for the story, what you did it? And I'm the last time.

We're back. We're going to see, in this war against these can't

any one take a photo, no, do you do not more more, no

not more, and send the photographia for Instagram. Now

see, I've this this? We'll do we see this next Juebys? And from here, until the Juebys, let's I know that you

have some of the funsadies. Bye-bye.