HABLEMOS DE LO QUE NO EXISTE - VENDÍ MI ALMA EN UN SUEÑO | FT. EMMANUEL_NIGHT MUNDO CREEPY | EP 130

Episode Date: October 24, 2023

Nunca hagas esto en tus sueños o te arrepentirasBienvenida Familia Nocturna a éste nuevo episodio de @HABLEMOSDELOQUENOEXISTE con un invitado de lujo; nos acompaña por segunda vez @Emmanuel_Night de @mundocreepy con un tema que nos apasiona LOS SUEÑOS; les contaremos historias aterradoras donde las pesadillas dan un paso a la realidad.EL HOMBRE DEL SOMBRERO es un ente muy famoso cuando se habla de PARÁLISIS DE SUEÑO y un personaje icónico de éste canal y traemos relatos escalofriantes con DETALLES NUNCA ANTES CONTADOS . Un ente extraño y espeluznante que provoca terror a quien se le presenta y que muchos lo ubican como LA BRUJA.Y por si fuera poco Emmanuel nos cuenta de vivencias TERRORÍFICAS ocurren si te quedas a dormir solo en su casa de la infancia... todo esto y más en @HABLEMOSDELOQUENOEXISTE

The monsters that are there into who one see in those are in those are real. A kind of a kind of kind of

a kind of that was called you had I've been the hatman of the man, the of the

man, but not of this this a bruch. I just I'm just going to

ask you what you want to you love. Welcome to Family Nocturna

to this new and special episode of let me the day of

we, we're we're in mantell large, because it's a super invite a super invite

so, it's a second time, the good Emmanuel of Mundo creepy. Emmanuel,

how is this? What is? How is it? Thank you. Thank you. Before, to start, with the

program, that really the platic here is very am very amena and very really, so I think

we'll be to pass very well, and then, but thanks for the invitation. Yes,

I mean, I don't I don't don't remember if to them I'm the

family no, the audience of this channel, that when we've got the best

last, I mean, we're not a hour or two talking about this thematic,

no? We did do it do it. And just for this thing I'm because I

did that in a question of the question of the question of

the time, in the that's something that is something that's something

that's something that's something that is a that something that's I'm

this this thing I I will go explore the profundity, it has to be with Emmanuel.

It's going to put a good. Yes, totally. It's something that I've said many times, that

really never me have passed a normal or that I can consider paranormal, because obviously always there

always there this doubt of, well, could do do something, but what is a

problem, is a problem, but I'm really, sooooo, I'm so much to say,

and it's a question, and it's a question, much for the when you start a when you're

a pain of a problem, you know, then it's this curiosity, no, to be, to be,

to get to get to you're doing, you're trying to find out of responses. So, so I

did it's a passionate of the time, because in my adolescence I suffered much of

a paralysis of the son. I'm my unlaw but in my adolescence

was basically, basically, when, I'm when it the day to the problem,

you have some method or some or some form to start

to be a way to ignore the things I'm what's

what you do I'm I'm I'm do that's that

that's that you can you see that I'm never never

I never I'm I'm I'm not I'm the people who

the people who the things are so so I'm

much realist. In my case, I simply I just I'm sure you like someone you want to get to your

house or like someone is a little to get a lot of your camera, like that someone even to feel that someone

was even to me. That's not if I was like I'm and I'm and I'm and I'm

and I'm with a force. So, so what I know, is to ignore that to

to not to start to is like it's like a kind of like if your

your your need to alimentar this, no? So, then the

more more more intense it's more intense, it's you know, it's

more disminuiting even though it's very difficult. It's very difficult because you feel

and it's really, and it to get to get to feel like to be

quite, to be trying to get to your around. Totally. Of course,

one doubt. In this experience that you've just said, in the you senties that someone was up over to you, and you sentias some of the hands that you're trying to asphyxia with force,

you know, some sort of, a question, a question to that? The fact, no. So, more than the, of the,

it was an hallucination, so, that is like the salida, no? No, I,

no, no, I don't, I don't, no, no, no, no, I think, nobody more in my

house. Also, I remember that this cause, because no, I don't

I'm like a person, I'm completely covered of the little.

I mean, me, I really had much a scene when was a girl,

but not, not of these scenes of the buske, where they're

going going to one where a story that one was in the

river, me was with her with her or something being a and he was a lot

and a little he's got a thing she's like a side of her and was completely coirte of

the and I don't know because that the that's really that I remember very well

when I did this that I felt like a like a astered me and

affixinging me, and it was like it was a something it was like it

I'm like it a no no it was like so super

violent and and And I remember that I tried to, or I feltia that I was to try to

me, but I'm just felt that this thing was covered with and I know why when

when I was per to do that when I could move and I saw that I'm in

this scene of the Bruch of Bler because I imagine a ser similar like a kind of

a kind of a person but but completely covered of a but completely covered

of a person you do you did it you do you do like a

woman It's very rare because not it simply it's in but for me it was a feminine. Feminine.

Fisket this was the last story that I'm for the day of today. But what you have

to say, literally I just got to be able to the head. Okay. I've had

the years before a few we've put to a quarter, we've had been

two two not so we could do this but but I felt about a

story. That's not to let's there a story that was

a episode and I said, well, we'll have to regendar and I'm going to look at one during the time. I'm doing many stories, but many were many explained for si solas.

Where I mean, the story was like, this, it's, it's not a, or not a, not a, so, there's a little in your entorn. Or so,

there's a sound in your entire, that's integrating the dream and for that soying this type of things. So, then it's like, no,

not so they're like, And just before to initiate this this video I'm toped with

this story. There's a chica that me say, I'm

a co-o- I'm talked a many times that me can't so

and that we get an interpretation of the inconsient

or of the preconsient in the which we understand perfectly

what is the message that from the of the dreams, from the

most realist, as to the most fantasiosos, the grand majority, they're having an integration in the life

daily. It's a form that's a person to be a inconsiente there, and simply, it can be

very tethric, very horrible, but no get to more of that that's a question emotional that

is a project and he's, but I see, but I see, I've lived something, in what

I've done I've done I don't know an sequence of that would have

been in dreams if not it's for the last one of the first was a realist.

I was a dark in a night normal. I had had been suns lucid,

I know the concept. So when those I started not me alarmed, I was

that I was having conciency in the dream. And so in the first

dream, I was conscious that was a new was a place,

and there was a man of a man of a man of pursuing and I knew that I had very bad

the intentions so I talked with me in the dream and my own own my own he's trying

you're seeing and I'm and I'm the eyes and I'm relaxed I'm a little

because I was stressed for this type of soo and I when I felt

I'm I'm back to I'm in this dream was

very strange now I was I'm in a person

a known I sentia very comodda and the way to

get a woman totally dark the the roba is

a the is a is a is a black absolute and

he and I think that I think that I think something

I'm me and is the same man of he's different

but is the is the is the same so so

he is you're you're you I'm going to I'm going to get a

little a little a second is a second more real and that entity was I'm more

aggressive distinct to the man that was coming coming coming up a lot and this

time time I'm more in relaxar me yeah when me relaxed I used techniques that I've

been I've been and I've been having even with with I'm going to

do not I'm a dream a supermating I'm see a

myself I'm going to my person and I'm seeing in the camera

but is literally I'm my my my husband is where

is my my is where I'm I'm there

I'm there and there there there there there

has a more a woman but is totally

pedud and a word in my Okay. The

Brouca. He says, I don't why I thought that's a witch, but I said,

it's a braw. And I had a long as were like garras, much

and a full of and a full of the power. For more that I

could get a and that thing was a person, and me and I

came to and I know I was a form in that I took

that she was conscious that I was being

from the angle in the angle in in the form in the form in that I'm like I'm saying, be what I'm

do what I'm doing what I'm saying, this is a dream, despirtate, this is a moment, I'm

in a conscience, the heart was very accelerated, me sentia very a sustata, I had

had a car, like if me had been something, it was horrible, and my

husband is even in the same, and my is a same that my That's

me much MEDO But the really is that all the everything

all that's a problem occurred six seven after six

months I went to normally in my use daily and not

because symbolize something is for a custom that I have

always I'm always in my hand six pulceras. So that day

that was done that was that Pulsaras and this occasion, the last thing that I'm going to tell you to try my six pulsars. I'm sitting in the

camera. Sal go to my body. This thing full of the Pelo, and another time in my

mind the word, it's a a brouca. And then I start to say, Despirate, you're in

danger. That thing totally peluda. She comes. I'm a type of carcajada grunied,

tethrico? So, Acerca my hand, Toma a pulser and me

despir to the instant. Revised my my man and only

I'm I'm look in the room the pulcera I don't

I think three three times after the plus

the right all full of I'm and I I'm

I'm and I was my I was the one of two revis

the cabello, no is my cabo, no is the of my husband, no is the my wife, and we don't have mascots.

He's a situation, no there's a explanation. No, no has to me sense, nobody that's

that person no correspond to nobody. I think there's a day of today. Even when the

psychology explain to much, I think there there are things still that could be an exalofal

when you did a Because it was just what I thought. It's very rare how you enter in this state of conscience

where you start to assume or to send things without that they're saying or without that you

don't know I don't know how I don't know there's a problem of that you know you know

you know that you know what you think this or you know what is and I

I remember perfect that that it was related precisely with the

Bruja of Blen in this case, not for this history, but the

description is that's like the figure that I remember that I and I did I

did it only the only I'm that I'm a feeling that

that was a female not not a not a man and

that's it's really very very very rare the

the really I've never I've never ever I

never that I have like I'm like, well, well, I'm a lot of,

but never had heard of that. I've heard of the hatman, the man, the,

the man, the, the, this, this, this, I'm, I'm,

I'm tope, that in paralysis of the there's a man, he's a

person, descriptions of what they were and they're he, two, two figures

that's repeated one and another other She, it was a I don't know

if this story that I told but I'm sure I'm because a kid who came to tell

his experience in a paralysis of the apparent in Spain. And when she was in

Spain, she is in Mexico, she's to be to be there, there,

there, there's a there's a problem, and be in the the end of a quarter

a creature a little, that is in corbata because is more

more more grand than the the room and the like with a certain form.

So when I start to talk to, I would be interesting to be, it would be if these

figures are repitent, because that description, I don't have seen that I've heard of

until this moment. So, so I'm sure I see, I'm sure that before I'm

saying, 24 hours after me is made a message. Me says, narrator. This, me say

narrator. I'm I'm I'm I'm the I'm the only that I'm

the only that I'm a person to do you not a a second not so it's a

contrary it's a it's a very very delgated a a body a

humanoid but is very very old and has something and it's some the

hairas and it result that these images are at the all

the world in people that have been paralysis of the

and there's they're, they've been, they've been there's been like some there's a one of the

name of the one of the and it's really a very weird, and it's very strange. And there

many people, that in that revisens, it's a man, I don't know, the platform X,

and then Twitter, there's a post and it's very interesting because every sometimes

I see the number that, I view, I view, the number of the number of, so, I see, the number of,

then. This of the Bruja, I'm like you, I've heard of

any of an entity so, with the sensation of the and that had a

person, there's a thing that this she said, she said, she said,

she she, it is that no, it's like there's like these little flash

of conscience, and be that the figure to the woman, that he

saw, a woman of the woman, and in some he has, she he was

he he was up acelerated not just because he he was a very much a menaceant

and malevolo for all what he could do it. But it's a lot that's a story that

if someone has heard or had been this type with this entity for favor

mandenla. It's very interesting I I remember also one of the stories that

I'm specifically about a figure a figure very famous in the paralysis of

the a dream, that is the hatman or the man of the sombrero, that probably they've been heard many times, not? That is this figure, for if no, no, they've been

a figure of a kind of a specific of, only is a person, a man, that's a man who has a

handcha, no, of these sombreros like, well, but, um, imagineatel,

of a, of a rabino, no, of these sombreros, like, and it's very common that the

people, see a this figure during the paralysis of the I'm I'm not

not it's not it was a not it was to be the eyes I'm always those eyes

and my hallucinations and they're being they're they're they're merently

auditive but but who people have parisis of the

sun and they can see or they're they're there

the problem that they're there these figures and there

a story who who he's in the channel, in the

world in a comment and we said that during much

time he's seeing a hatman in his paralysis

of the first was when I was about

about the age I was I when I when

I did you and he said that for a reason

had had the the thing that not usually

do it. But that time she left her and she kept dormied. I'm

was a bit of a subbed that's something that's intensified and then it

and when he was he did know he was a kind of a piece of that

he was to be to come to this paralysis no? When

yeah not he was he started and he said pesados,

like of botas that were coming in the soil of his house, but at the way,

like in the kitchen, in other quarter, no? But these steps they were

a little to and so they're getting, he did know that if it had a

move, there was two things that was that was that was to move

the eyes and to respond to get the respiration, could

respond more further, more Lent. His pulmones, I mean,

he had complete control about his pulmones and about the other

but he was not more. So, then he was so much work he started, he started

to be the eyes to be what was going to the mind, is that a

intruso to be meted to his car and he was he was

he was being he was trying to robar or to do something. No, all this

he thought as a something territorial, like a manned a ladron to the house

that's a that's a thing is a need to see in that situation. Abri-

the eyes to try to see this person and what he saw in the passillo

that is the car is the figure of a woman with a

sombrero to a who can not can't distinguish to

any only a This man was coming and every that he he was

he was he was he was a and he he was and a and when

he went to the door, the umbral of the door he

he was there and no not, no, he went simply he was

he he said, he did much fear but no there was

nothing that could do he was simply he The time that this figure simply

was looking, and even he was looking, because only saw the sombras, sentia his mirada, sentia like he was clavowing his mirada in him, observantolo, and saying that was

that was dispirited in some way. No cruised the umbral never, simply was there there, and then in some moment this chico

could startar, he saw that the door was open and the door. And, And then after that then

he was not he was it was the trauma for the moment. He said

he said that this was the first but it was going to it's always

it's always was it's to hear and get to get us and get us in the

umral of the door to look not not not he not he

didn't he didn't he he was but he'd a

this he said that the And it was a much after. Yeah, she had

even accustomed to this, I mean, I, I've seen yeah, like, it's a

dream recurrente, is something very feo, but, well, yeah, I know,

it's not, it's a there, and it's going to be a time, so, even,

I'm still, I'm still being un-controlable, I, had a certain tranquillate,

but a day, more, one, he, he passed, newmation, he gave this figure

ascerno and so he went there and he looked there a little bit a bit more and then

another more and he he was and he's and he he's he's he's

and she is in that he's in the new with the eyes without to be

to be to be so up to this figure imponent if

And, de new, standing very very I could distinguish a one one of a

one of a same thing, even even, just being being even being like a

kind of a kind of a piece of a man, no? And he he was that was

so, above on the on the view of his view. And then

this this man of the sombrero he a gach the and he

he gets looking car to face of front and he's

his respiration he's a an alient like going to your car

a difference of the person that's a little that's a air

a very very that that he was that

he was and he he was and he was and he

I'm listening while he was there And he

and no he's to know to know to be a after that after that that's

that's not a question, no, he doesn't until the moment in that we

got to the moment in that's the story to but, but, he's a little

good, it's a thing, that's that it was a more because

now, in your day during the day, in your job,

to reojo, a sometimes can see a figure between the people, between the

houses, to the and not is something or so, it's something that's a thing,

every one of a lot of a multitude and there's nothing, but it's something that he may

that he may be to be to be pursuing all the life, not?

So, to be being this figure between the multitude, and

for some reason not he has been in in perisies but he said he said he said even more

more thinking that was something that had to have to be with the dreams and not

something that he could be a 100% consciential in the plaza in the plaza

of his city no what what's what situation you

know the hatman has been present in cases of possession.

It has been a level that has seen, there was a time, in the channel, in the

figure in that was a person who was always was looking information about it. There's a

documental in Amazon of the United that's called like the entity more malevol, or something,

and is the hatman the documental. There many, many cases.

In the information that I have been is that there's, there are, there are two

versions, no? The first is, if we go to not as one,

it's not one, there's, there's, when you're in details, that the sombrero

can be and the eyes and the don't know, because many see this

figure black, that is totally obscure and yeah. But in those

figures black without eyes, and the sombrero in occasions not is the

same. In that occasion, I put a video in this chick, this chick a new person,

that's a idea, then I'm talking about the story and a lot of people

made, I'm a lot of something, I'm a also, I'm also, I'm put to talk to

them, I'm, I'm doing a lottito, to I asked, Oye, Describes me the sombrero. All describians

different. There, the sombrero of the armchia, it was a repetian and a

sombrero and a similar to Yeah, a shortito. Yeah, yeah. A, ha,

cortito. Like, so, so, well, then. That is one.

Two, three types of eyes. Ojos, eyes brown, eyes amalalions.

The only that is distinct and have been few people that have been with a

sonrisa and dents very blanks but that normally go to the hand or with eyes

or with eyes marillos and they say that their presence no more you know you're like

it's like a kind of a sensation of so but the the more the more the more

the that is like the not say the entity more more atemorizant

is the of the eye rogos because has an effect very rare. The people

see they're in out of the way of not they're not not are not done in many

occasions, simply invade the house and what you do you do you can't be

any kind of you can't you get a need a need that's that's that's

that you no thing that you in the day perfectly normal and if you see it's

it's it's it's it's that it's that has that external is the the fear

without without the never seen that there something that's like he provoked a a sensation

of a person is very very strange. It's rare because I know I've heard even this

story about someone that's someone who did these figures in the life real yeah

during the day, despirus is this is something that I have seen that I

said to this but it's curious that you comment is that is also it's also

like a kind of a kind of a question, there's a movie

there's that I'm my encounter with the mal. It's about

four cases documented of in Mexico to the long of the

decade of 70s 90s and there I think is the

second case is related with the hatman and

that is a case of a lot and the

chica this it It's a man I think in the years 70 that

she's a way this figure she's a perfectly despite a fact that's with his

kids when you're when you're when you see this figure in a window and it's

a and a part of a person and a part of the book many years after

describing a experience and many things that was going to the time so when I knew

that there a book, me put to contact to this chica, and we took a talk about so it's a local, because

after that moment, I know I was always that was a position and that was a new thing. So, when we're going to

the platic, I said, I'm going investigating about this entity, and I said, I've been heard of the

hatman and he's seen the separator of the book and he has a hatman there and he

had the he said, because you don't you don't you because he was the provoked the possession of my mom.

Wow. So, it's very, very loco, but after I know that's the case of she's a

real real real related with people who are that they're that they're that's been on the light of the

light of red. So, the question of the question of possession, with the light of

red. In this history, he no about, he never of factions, of eyes,

of no, or, and of sonrisa, he's like, completely

in black, or a a, a sombra, a silhouette, no? No, no,

there's, like, I've had seen illustrations, I've heard about stories of

people that I'm with eyes, even with a sonrisa. Also, also, in this

story, the chico says that I hear he's been, I've heard,

and I've heard stories of people that said that this figure, like,

he's like, it's more than, more, like, it's, but it's,

but no does passos. So, So, me the impression that if are the

manifestations different, no, so, are, if the figure would be in the

same, like, exist in different types of entities, if they're saying, of that

form, and that they're in different different ways. Yes, the

rashgo that mentioned, one of those that's one of the question,

is this door and the door is this A me, a theme that impact a

much is, I know that the theme of the dreams lucid's a level of realism that when

you're when you're with the other, with the other ones in those that has

been you can get to generate a confusion tremendous because a

time, because a time that there there's there there is a

part to this sensation like of familiarity erred with the with the

with the life in the dreams. But there was a realate that I

took I'm made a last year that he's a there's

a there's a American that's called Daniel Rihel

or Rehill and Daniel mentioned that he took

a in what he was a was a thing not

was a so this was interesting he he

says there there a that when when I was in the time

like the preparatoria she had, between commies very clear what

she was she she was famous and powerful and rich so

really those are like things things too because

the how no he was he only he

only he's so so then a so he's

talking with some people and different things and

these amigos get, for a situation, to talk about these these pactos

with entities that are things and she says, and she says, they're not just three,

they're in an hour of a day and she in voice a voice also,

it's, I'm to make the things clearas, if someone me is

talking in this instant, I'm I'm just put absolutely to do,

I do you want if you I'm what you want to give,

a change of fame, fortune, and popularity. That's what that's what she said.

So, he's a really firm. And then they say, oh, yeah, try it's, they're

saying, that's going to me to give us and I'll give to that and then it's a very firm.

Well, no passed on two days when he has a in the in the

car in the car in the time, and he's the sonio where he

and they talk in the door and it's the door and it's the door. So when he gets the

door, he's got the door to be that's weird I'm still a little and said mom,

you, and then they're talking and it's a voice of a man that has a much authority

and he says, give me permission to pass let me pass. Then says

who are who are me permission to pass you me did you here I'm here I'm

so she says I don't know who is but then then there's a coate an coate an

alto very guap for the good for the very well being bested like if was someone

someone and then then so in the part of the more less

of the camera in the area where they're in the he's

a he says here here is the contract you you

want fame you want fortune and you want to you know, I'm going to ask you to

ask you to want to put your your own your way's there and you know we're doing it's a little that's what you're

listening but this story is there in internet is very loco what the person the child the girl is

but if me you're going to say you say the penche the dead your and you

get your then you then she's she in the she pinche the door put her your

and at the instant the a oja starts to kemire.

And then when the one, it's the he says, the

trato is made, the door to get abired, in that she

she's she she's she's she she's she's she

was a thing like, oh, and now are to be to

the things that I'm when when it when he's

not a thing the door a car and the of senisas. All the

camera. So, there's the father, this chick came with with a case of

a lot of possession. And I think when he told the story, at the time,

not even exorcism. And no, no, he did, then, no, didn't,

so, because he did a woman, well, no, so, he was a

famous, so the case of his case the case, but no, no

see, the, the devil is me tramposo. But,

so, no, well, you're going to get a book about your possession and the idea that's you're going to

get a dinner. And it's for there, no? Totally. So, fame you're to have to

and say, and call it. In all the podcasts, are going to be talking about you. Ah,

about you. Yeah, yeah, yeah, yeah, is that's a opportunity. It's,

it's tremendous. It's tremendous. Fickate that it's a broma, but now I've

been I've been talking in this thing, it's are questions like legalists

like those lagunas the contract chiquito of letters little bit more that's that's

the people that's that's not you don't you're not specific you're going

to be me me affected much because I took a

practice with an exorcist me and we we we're

we're we just we're we we're we the

questions of the contracts and how the exorcista

to the demon and he said that in the moment of the exorcism the exorcist has

his instructions ultra-detallied but all, it's because where where not does every detail

the demonio is all the lagunas of the verbalizations that you say and he says

never you never does it never the people without the people don't and

another once and for those exorcism a sometimes they're And then you're going to have

to have a pamphlete where you see all the doors for what you're doing. So, it's a chisd, but the people that's dedicated that's the way, of the fact, they're doing, they're doing, they're in

that you're going to be very well. And is that if you piqued something like fame, or so, because it's fame, no? So, it can be famous for being a cantante or can be famous for for, for,

for, a victim of an assicino serial. So, there are many forms in that you

can be famous, there are many in those you can't have money, no? Yeah, to have the

capacity to get the capacity to get to it, for example. It's like, you have a lot

of active in hectares of, of a caches, no, but no, but no there's never

there's, I think, there's many there's, I'm there's, there's in those

you can, in those you can, in those you can in baucar, not, of that

form, I mean, when when somebody did a thing, it's a specific.

Yes, yes, exactly. So, when the person to be doing a

ambiguity, to be to do it, and you yeah, so, for the simple

the I'm the game, or because this me that's,

because for me it represents less peridid and for you to do

what you do you do you to be to be not the but in the contract

not you're it is that is it example me I mean, I'm sure

but in the movie of Ghost Breeder the first he vend Johnny Blaze his soul to

to make to feel to make to get a he's a because he was to get a

so the devil he's a and his father and the other day he's

a other day in an accident that he he's not that's that's so that

so it so that's so it so can't so it's It's like these, these lagunas, these lagunas,

these lagunas, if you want to be like that, yeah, it's so, fission, and it's so that's such a situation of the lagunas legal with this type of entity, that the legend of Jack the Lantern, this calabaza of Halloween, is, also

is a contract with the Diablo in the the guy, in which he was, under committe, more list than the devil, and no he took him to give us to him. So, for that he changed the head for the

carabaza as a kind of a good a little a little and that he's not a

little bit of you're not that's not a legend that's a there's a there's a there's a

I don't I think it was a I'm I'm a one of a point it's a

a point that connect a two people and the legend says that was a a man a man

a man who was a man who was he was he could to get to So, he offers his soul to the devil,

to change, construct a point of the pietras, before the amazer. No, I remember what is what he does, but he enganyed the devil, making it create that he has to make a mannesee, I think he has to count to a guy or something,

making it to think he came to the last the piety. Then the devil pierre and it's a, but the point that's practically actually actually

So, so it's a legend of that the devil perdi- and that never for no reason

someone has to get to get that that's the last because at the point,

the devil can't or something, but are this type of legendas where someone is

more list or where someone embau to the devil. Yes,

so as well, that a lot, some, some some languages say,

that's they're conforming with data of the real. So, not those,

many are deformations of the reality a form of plasmarly these, conform I've been going to

like, however, it's like they're going to they're in those things. But well,

as this podcast, that we start with a theme and we're we're in more,

we're in questions diabolical, but regressando to I'm going to

I'm a you, you, you, Emmanuel, you think that

exist, a way in that the dreams really to transport to other

line of time or to be to be able to do you or you see as a phenomenon

purely in our brain. Well, no, I don't, I, no,

I don't, I, I'd say, with certain if it I'm

or no, but to me want to a lot of a idea that I think, that's

so, that the the Swaynees. I have a story the channel like a

old old the classics that about precisely of that's the ones yeah, it's a

name aeronauta in fact that's history Oh, for sure. But let let me well.

Well, it's about a little because it's a story very long but it's

a child that's a kid that he's he can't try to talk with people

to get to the person who he's not know in the life real and

And so, you know that are people around the world that can control the

world, that's not a aeronautas, and that they're they're to have

as a contact in the life, with all the people who can or that

have this ability. And also also, that the world of the

world of the world of the mind or the prison of

a person that is who provoked the people, and the

monsters. the monsters, that are there into, to whom one see in those

some are in the people, they're in the thing, is to be in and they're to get them

to get them to start to to be to get to to get. So, well, the history

is kind of unified the fact of that these are the same that we are the

same, reflectas in a space because they're like in this other dimension

that's a prison for them. And, well, this story is

very inspired in what a me was a oldecent that was to have many years and what I

fantasied to do you to be able to talk to someone that in the life real exists and that

can't do that we we're doing we're going to know, a through the dreams and

to be to be to do make a a amistat with someone

with someone but that he's that he's that he can

control his dreams and it's something that me that I think a my may be

there's a lot of there's and that's or elements that are things that are living a dream and you're seeing a

person and then you go back to see a other dream. And are things quite

like interesting. And to me if I would think that is a place real to the that we

have to we have to have to do see that just the just what you

just about you have two stories related with this One, me They're

in vivo One person of the that we're talking about of this thing and me say,

fiftate that one of the situations more raras that I ever in the life,

was that one day I took a in the a past was a

was in a place in a a rancho and there a a pard

a and with a very specific that never in the life I've

seen in the I'm the moment of I'm going to I'm not I'm not I'm not I'm in

a place this is a place that is a place and I'm and I'm a person and I'm

that instant I was I'm was going that person and that person I was sure

that in a moment I was sure that in some I was sure that in some I was

I'm so I made by telephone and he said okay I know that

you know that's enganying with this chica of these characteristics and then he said, no,

what you do you do you don't know we're going to do you know, you're going to

you're in a rancho of these characteristics you're with that person and the quat so he said

how you say how you know, then then it resulta that is the place

in the place with the person that she was many after

because it's the relation, but yeah, after that they're a certain

amistat and they're they're in times, and so they're like, he's, he has,

he has, he says, he says, oh, yeah, and then, yeah, and you,

I'm going to go to the two. And they're to be a rancho. And when they're

to do a project, that he was, she, she, she, she, he said,

it's a here, here is where you're, here is where you're, they're in that

you're in that alberka. This person was here and he he said, is that, in this moment me put this very nervous,

but you know to ask how I don't you know, how you're here? If it's, if it's going to do all this here.

And she said, I was, I was a dream, I was that I was going. So, I'm he's,

he's a really low. So, how rare, it's a time real, to be a place in

that person in that moment, with all characteristics, like if you you've seen.

And the other that me told her was a subcriptor. And that was too

she was going to say she was a sonar. That she had a lucid, much.

And he was about, but I had perfectly dreams of the time.

The hour, revisa things that are that's that

can't and so. And so there was a day that was

very strange. I'm a building very very very

many pistos like if me invite to enter and I know that I'm doing I'm

saying you're but we're going to let's see the building and I'm a little tethrica and

some escaleras and I know that I'm going to come in the way I'm comingando the windows of

the windows and I'm I'm going to start first piece, second piece, third piece fourth

I'm here to have to I'm because I know but I know but I'm

I'm doing that I'm going to go to the game of the dream

I'm into a one of many I'm a number 142 I'm

that's the department I'm the door and I'm

a department that has a department that has a lot of

photos in a front a big a mess very

very and that has a mantel of color melon, there are two sills one

in front of the other there's a little and a little a person anianita

that's going to a a person and they get a attention there's

there's a ventanal that has a little I'm I'm

so I'm so I'm so new so I'm so they're many many details

so so so and he's with a companyer. And the companyer and she says, oh, yeah, for favor,

Accompany me to my mother. Cumple-Ans. And of there, accompany, because just we're just with her. And we're going

to do that the job. And she's, it's all right. Then, then, it's a little bit,

this is this issue I did, and see that is a building that's a big, that's a

man, come, in other at the is to have to happen, and

has the sensation of me is the same the dream that I've seen like two years and he's a time to come in and say, a bit,

before, before I'm going to go to the fourth door to be these windows, and where enter,

it's a point nervous. It's exactly the place in the that I've had a soniated but all

every detail, he gets to the fourth piece and he said, a bear Maria,

a doubt. Your Abuela, in the department 142 how you know I don't

know, it was an idea, let's be the stant with the photographs, the mess

one, a seat in front of the other reclinada as the ventanals the ventanal with those

formitas that had the wwele when the house to the and say

what is this is this is this I saw, I mean this I'm saying

to the day of day of today of my head my head so on the future

I'm I'm in that I'm that I'm two years after I'm very rare the ones

those things are very very recurrentes no there was a there was a story that me

impacted much that I saw on an on a family said that she was

she was she was really she was she was a first time she was she was a

she had had been a of something , not so she said, I don't,

no, I'm going to go to say, me, my mom, the, so the

aviones are very not, no, no, is frequent that's not,

but it's nervous, because you've been, they've been they're,

they're, they're, the man, the and that's the car is the

last year, the, so, a, five years, one, a thing,

She said that this senior, and disappeared the woman and his and the people, but the family says that this

woman said, she said, and the family said that something was that was going to have been a new thing.

And it's a day where not is exactly what happened. But me impact it because normally one

one hascue these stories like of places like no no, but this is like

very detailed And, and, also, we know was a national, pardon,

what, what, what, what was what we know, what you know, what's

he said, is practically an event historical, because that this disappearance special marked,

I think that's, I think, it's all partes. That's loco, that's

man, no, no, I've heard heard not, I've been that

of familiar and related to Malacia Airlines for the people that if you know more stories of this

do you know, no, no, no, I've put to indigar in events historical that

are different for the experience, nothing that this was recurrented in many people.

It's that was that my attention for something for something that she, she has been

a lot of avian but exagerated or practically is more time in their car.

And, And she me just in two occasions in the life, I've had

a sensation that's a cause, because it's part of my job, it's, in a

and it's, it's like a car, yeah me I see. I mean, it's not, it's

very free to her in this aspect. And he says, but in two occasions something,

I'm saying, no, you know, you know, you know, you know, does, to do you

to say, I'm, I'm, I'm, I'm, I'm, but not going to go to

go to and me excuse me I'm inventable a lot of two occasions is super

professional is something is something that's a not, not I never had done it

but something me I said that it and in one there was

an accident air so it was a so it was very rare but it was a

second I don't I'm I'm don't know I'm not I'm not

a major but it's a fear normal it's like a

certain absolute that something will be going to happen about that event because not are more things in

the day, not it's not just this way, not this way, so, so it's extrano,

so I'm, so I'm imagine, I'm imagine, that there's more cases in different situations,

no, something about, with the torres gemela, something about this type of events, no,

I think, I think there may be more stories for there, I've put to endager,

this me the toped in Twitter, me impact a lot Well, now it's called X.

But, but, but, but, but, I think there have a lot of stories

for there, between your audience, and our audience, of people who had had some people,

who were about, so, so, I'm going to ask, and I'm, but you

have a lot of years in this, and recopalal stories and you have known to

all the times, you've been made a story of the train of the

story of Mewart. No? No? No. I'll give the context. There was a follower that I don't remember if it was a

message that he made on YouTube or me he said, but me I'm still I'm a little traumated

for something that I'm being an episode you. I want if it's a question

my or explain me a little. Then I then I said, I said you know,

you always you always you say that you know, we're doing the podcast.

And I know, so on stories of terror neta not so I'm not, dormit with that probably

you're going to be there's to have a lot. And you're that's that's what really

very rare. I'm talking. The is that I was that I've done, I've done,

I've done, much times, I'm going to get to be listening, this story me the person,

about the train of the murder. The train of the The Tren of the is a train in the some people

at the moment of to doorming on it. They're going to be in the and then and they are going to

see the other people people who they've never seen. Persons of different nationalities

people who are people who are not even nobody back of the death.

If you you get to son to know that you see you get you need to

take you're because if you do you don't to get

your last night. The loco is this man, I never in the

life had told a story. Nobody had had been made a story of that

I've seen that I'm never seen of the never I'm and I never you said, you

you know you're I'm saying to know to get to get to because I don't you

do you do you doves something something you do you do it something

where I'm where I'm started to get stories of people who had seen on a

train that was is still is there people of different nationalities and all

they're in the invitation to get to get to be a new thing. And there was a person that's

me, me, I did, I had a time in a time in a time in a

time in a point in that I thought in I was I was not I was

I'm I'm I'm in the last and a time I was

I'm and a end of trenes. I no so I'm never in the life I've

never been to pass. And there were people of different nationalities and someone that was a person like

to be a person who's someone who was very much and he said and I'm coming to be to be up

the train and I sentia the the the ones to get to get to you're

not you do you're not you doves not you doves I'm I'm

I'm I'm and at the three times I'm he says, you know, many years of that's,

and I toped with your story, me did a scalofryo that I'm that you know, that's

that would have been a last night. No, manches, no, this, it's very interesting

the story of the train of the murder, but it's more interesting that's that's

that's in the sense of that you not the way you and this person,

no, I know, so, and you foundstst you, and you, you know,

this person to tell and then there are more people who say that they they're going to when you know,

but prior to this, previous to you've got to you know, in the internet in Reddit in something that

about this phenomenon? There were two people that were that's that's had been

heard in other channel but I asked that where I'm okay I waske

like I'm like a story of stories but stories various of those creepy

pastes that with any piece and nothing about that's the moment

of the moment of not I'm in the time, I'm not I'm in not I'm

met you too, really was a buscadit so like in other other languages because

all it's exclusive like in Spanish if me I'm to put in another

other that's that's yeah very interesting I I'm

I'm I'm I'm to come that we're that's not you

say you you're you're the video where you And I I never,

I never have talked to this theme. And then I go, oh, no, I know, it's like, oh, okay,

because many times, and more if you are you're getting to be a little, and you know, and you know,

and I think to do you don't know, I mean, you know, but if you know, you know, no other

other side, or nobody more about the time, it's very rare. That's, okay,

oh, yeah, no, no, no, I've been I've been planted so, but you have always the reason.

Although I know the phenomenon, me I'm going to be able to hear you to hear about, but really there's distortion of time. And that's what I've passed 40 minutes after that when he went to the video of YouTube. It's true.

Yes, because I think it has passed various times that we're that they're saying of that story or a second part of that video and I, well, it's that no

there's not even first part. Sure. So, So, a a time but,

but no I see, so it's a question of, and to, and to find that video

would be very complicated, but, but, but it's being being very rare. Because

I've, I've said, we've done, I've done, and you, and you doing stories,

and never in the life, it had, I've heard, or at least not it's

not known. Okay. So, because you're, is that, because, I know,

because I know that you do you does that's in indecation like questions that are very known

a level can be all Latin America, no, Abl Hispana? Yes, for example, when we

we're going to be very generales for that the people have opportunity to tell a story,

because if we're very specific, it's really complicated, no? We've got to

sometimes to ask, to hear, they, they're going, make, people who people who

is like a bit complicated. So, no, no there not a

person, you're you're you're doing those people, people who specifically they're doing

to do something and they're something like this is a example, not, of how it's very,

it's a little, the country. So, we're doing to be very general, to say,

to be, people that have had been a story paranormal related with the

life, there is more more easy that can be things. We're,

we're videos of dreams or various videos I think of some premonitorious precisely where people

we know people who people normally they're going much with accidents or people who saved

his life for having so much that something that's something that the train of the

death I know I've heard of you know of you know that's

some that you know I'm that was a Uber or a kind of

a kind of a new and that he had an accident horrible. I mean

she chocable and she chocabhan she was she was she was all over all

passed very rapid but but basically they're in the in the in the so

so I know I'm I'm I'm I'm I'm don't know

but well that's what I think I'm think they they're in

an Uber and it's the, the, the, the, the car,

and she's she said, her mom, no, no, no, we have to do it, no,

there's, there's, the mom says, well, okay, or, so,

go, they, they're, they're, they're, they're, they're, they're,

they're, this, auto, and this person, a accident a little after.

No, is certain. No, even, I think, I think, she, I think,

also, also, of, saved, but not ever have been to have been a person,

no? What it's a lucura, yeah, yeah, sure, so you

understand the culpability of the supervillient. Uh-huh. Because also, I mean,

I, what I was, was an accident where no, it was a cause of

nobody, no, it's an accident, something, something, to have said,

I've said, I'm saying, that he was going to be a great effect, no,

but, but, but, so, I'm the , Yeah, yeah, yeah, yeah.

That's really loco. It's that if, if there's premonitorious, could have of many things, anticipate an accident, you can't enter to,

that's, that's, it's, is tremendous. It's tremendous. But it's equal to what you say, it's very

difficult that the person to be to hear to do, it's important the job, well, how's people

not to give to give, I don't have to give, well, but it's, but it's, well,

I mean, I mean, I mean, I mean, I mean, I mean, I'm going to go

to go to manage to my spouse and if he gets to my best in my and I'm I'm saying I'm going to

not a bad or not to go to your spouse to work. Well, I think I'm not

I'm going to do you do my life. And I'm not I'm going to say, hey, oh my

mom, regressate solo because the back the because the is going to be very very much.

It's difficult. So I think you to have maybe much confidence to be a question to tell us

Cust, Cuitate much, no? That my my mom has called for that my

has been a that's a that you're that's a that you know a that's a yeah,

I mean, I'm a matter my mom and how you know, I'm not, I'm a

I'm a good, I'm a thinking that you're that's a thing that I'm going

to be to be I'm a question, no, you know, but no, but

no, or if I'm in a second of a one of two, no, well,

well, well, Cuitate much because I'm this and I'm going to go. Well, yeah. So, normally, unfortunately, no has passed to nothing.

But if I'm trying to, to mark and know if the person is fine, no? Sure. Yeah. One of the time you've talked with

someone known, a dream premonitorio, or a sono lucid? That's what is lucid? So, that's something more? That's something like, so, so,

I don't know, I've passed something like, but, But, fichate that I I came to

I'm a son a time with a lot of some stories like very very frequent

but it was very rare I, I, I, I, I've had a

man she was she was she was like a second mother for me

because she never never took his and to my my

who died more young for the cancer. And during much time I was

I'm very common that we're in reunions familyes in the house of my abelita

when my abelita and my tia had a carito chiquito a platedado

and it was very characteristic that she yeah yeah I'm yeah

yeah yeah yeah yeah yeah yeah she was also

she was like this person of so it's So I remember many times to start I'm in a

house of my brother in a reunion family with the people talking and the I was going to get a

car, but not he had to get the carrito I was that soundable claxon I think and I

came to my tia and in the moment in that he was in the moment in the thing my

my tia yeah fellesio I mean I was like I know I was just

I was thinking that I was a dreamer and I was a feeling with a sensation a bit of

a sensation maybe a little bit in the yaga not so like the like the that's

a little to a not a and it was like I was a nostalgicic me

I put a a little but in an occasion I remember I'm

I'm so he's his auto sonal the clach and she He was

and I and I I saw I was able I was I was a I was a I was born

I was but I'm so I'm and then I know a a brao and give her a brao

and give her a brao and I know so I'm so I felt that so I'm

very very very certain so I sent him a brazo really with much and then

I'm I'm I'm a to son to to dream to to know I know I'm

a question psychological of that I'm to do a myself a serious or a I'm

I'm I'm I'm I'm in life no she she she's

she she was she was not the doctor even even in the

moment of they're uh well and then and then the

really I think that not he's not so it to go

to go to to get to to give a brother and a but I

know, I think the I'm in this dream. And many people

have told things similar that they're that's they're not

they're not they're not so like it and it's like this

fear that you know to say no not you don't you don't you

don't see I don't I don't you're you're you're still simply

like to embrace the time and and, and, and,

and, but, what, the thing is the thing to do you to see

at the end of the impossible to know exactly if it was

a, a connection with a spiritual, but, well, some

those that made this interaction and that that is,

and it has been the inconsient or has been the spirit,

but at final, I have I think that the

people in certain way we're in we're in especially with the

we're in a little in the and I think that I'm that way that's the plan

in the we're doing, I'm a really that's a life after the life after the

after the people, for me is more more plausible or more real in a

certain way. And I like in so. So, I

I imagine much more more in the we we're going to

some connected and that's great story thanks for to be able to say the question

yeah, I'm that's the I'm remember of this the so I'm always have

always a piece in me I know I've had been I've done I'm

I don't know I'm so I'm no I don't know I'm but no you know

you're you're you're you're like you but it but I've

been other steps where I'm kind of so I'm that's I always

I'm trying to find a way personal a lot sometimes are things

that you like you kind of you're trying to say something you can

take to make the side but but I think the

things that are and I think that is important to

present attention even in psychology a a psychologist

can ask to necessarily for the side esoteric but so like a reflex of your

psyche. Yes, yeah, there's there's many so many those

people have that's they're in the people, they're in the people

are in people who are very grand the dream that they're so

yeah, and so so and all that also reflect many

many times status emotional that are very active

in the person a high vulnerability a And, and

some way, it's represent. Why always it's different

similar? It's me mysterious. And Carl Jung talked about this inconsient

collective in the that's pre-diseased as the day of day of today.

It's is a concept of the epigenetic that by the human we have

a character intellectual of the which not not we don't

know there's there there many there there during many years,

many, many, many years, for me, the explanations were 100% psychologicalical. So,

are projections of your inconsiente, point, and it's a cabo, and the more

more, you know, or more, anomal, it is that the charge emotional was much more great,

and your part creative had to make to get to get to get to that you

have been, and you have to say, and say, say, of whatever thing.

A me it was about because during years, but I'm about the three, four years, almost all

the nights where I had a dream of the whole of the same, was the was a little

there was a little bit was a thing, I was going the person and at final,

me was pursuing me and I wanted to me, and I always had a thing,

and then I did a question, after to give a world and then to be

daily, where I have situations of a way of it. And, and then I began to that there were, like, five constantes that had since many years, that no,

they were giving priority, and that were situations that all the time was rewying, and I, oh, a

see, I'm going to do this in my life, in the other to get the way, it's,

it was my form of incocient to say, whey, yeah, for God, I'm,

let's be a negligent to do something. with this. So, I think for many

people apply so. The part that me has called much the window, where for

me has generated in a thing of a interest, is when it's when

it's that that's that's being as a life real,

when you doormes in in those that you have much time

during the sure perfectly well, that during three,

four years, or during more 700 days you've seen that you're you're going to you're in

a door that you're in a house that was a thing that's you're a little you're all the

door and there you see that you're and you're and there the sunno this of the senisas

a chica that had a crucififio she has it's a tornill in the quayo

is a is a type of a kind of a that's that's a that's

It's right to her the pression against the she a and other hands are

and the desatornier the crucifio and it's the side of the head. That would

be a position that for more that you know, she says she doesn't start

that's not the type of crucifio that I have been a little

I'm had been on the case I was he was I'm he

I'm I'm I'm with the crossifif the I

don't I'm no I'm I'm I'm of the man with

with things that is so that that's that's that's that's you're in

the mad or so yeah you're the thing and there's there

and there has something in the reality from the really or

I'm doing something is really very very interesting

yeah right that you of how you you

see how you I'm in a way in a pandemic

of I've had a complicated. My, my mother to diagnose by a disease, then I was like the time. I was, apart,

traveling to full in the world creepy, because we had been back on membersies, we're talking working, all the day, all the days, that was very desgastant. Wow. Me, I was to have a lot of cars, and it was, there were various

things, not about to pass, what my my tea that I, that was platiqued, no I had talked about, so. So, so it was like in a moment kind of a bit complicated, and I was a zombie there for the life. And I remember that

then I started to see, in that moment I know, I know, that were that were, but I thought that me was a bit of an infartal

like I studied in the firmary, I think, like these, this, I say that you're in the breast,

no, the symptoms. So I sentia that and then one once me revised the pressure

arterial and was I was very high and I I began to preoccupied too I'm going to think I'm thinking that I'm

a new and I'm done an infartal and this is like those kind of things that you can't

you know I'm going to my house the house where I was with my husband in that moment and I saw with

a tortoise that was a caraparce roto and this tortoo was trying to starting

to be very desperately to the house where I was the house where I

was very rapid, ironically. It was like when when it's a pacharer to a little bit of a bit of a

time, this tortoise, and was it, she moved, I'd, like, like a scape, no, like a,

like a rathom not, like, when, you know, something, like, with much

desperation, and I was, and I was, I'd have to help us, because I'm, the caparazone rote,

apart to me, the tortoise I'm parisid animal, I mean, I'm a, I mean, I'm much,

much rabia when they they're That's a that's all a tortoise, no, I can't

not can't any come in a lot lot and there's a lotterer or those willpea and he's then I'm

so I'm so I'm immediately I'm not I'm not I'm a sort of a sort of trying

to escape and I'm trying to get a carazone downed no, I see I'm,

I'm, I'm, I'm, I'm, for this time, like two days after,

for there I gave an attack of anxiety of that's a time I'm going to get a

get to get a emergency to the hospital I'm saying, I'm saying, I'm after that

I'm doing a infarto and you know, what you have is stress and anxiety but a top.

No, yeah me recetto things and unfortunately I'm sure and the things were

to be to be and the but I remember much that time and much that's

that's so I'm the most of the most of And I think that I'm in the correct. I mean, I think I'm

totally by here. My subconscious me is saying that I'm going that I'm doing that's quite too, no, that I'm

to have to have to great interpretation, eh? When you start to find out, what represents for me that,

what sensations has, what emotions has been, in what environment was to be in the

environment, the, the, the, the, the, the, the,

the, the, the, and, and, And is that part, I mean, is that the

unconscious is a local, but we, we're transformed, or represent it like things, like objects,

like animals, like other people. And it's because I always said, the inconsciente not the

language. The inconscient has a own own artistic, is very artistic, is very poetical. I'm,

I'm, like, I'm very anti-romantic in, in, in, in,

when they're when they're so, yeah, yeah, I've got, yeah, you,

I'm, you, don't get you, yeah, and where you go but how you

know, it's a a marvillia because it's a projection also a particular,

but there you go. Duda. How's stories you can Emmanuel? I'm

two two. Okay. Dallel because I want to one just something

that is another thing that's another of these dreams that for me

me, it's kind of I tell you to the final you do it

this man. I'm suppose that's you've heard or no

This this man, no, no, no. Well, it's so it

is so very, very popular. I'm to look the page because I'm

to know to be but I'm to know to be okay. Like, I suppose

you can you can't look the the image. Ah, the man that's

like semi-pelon. Exactly exactly. Exactly. This, this, uh, this,

this, it's, that a psychologist in New York had a, well, various

patients, no, and one of He said that frequently be a man in his dreams and he was a man who not

he was a man who not he knew in the real. He was a person that he had never in the life

real but always he in his his own. His psychologist he said he he was that he

he was described a through a time and this patient he did a new a picture of

this person that is an image very known, very popular and he he

he, he, he, he, he, of the doctor, no, in his

his his his work, and he gets more patients.

And one of those patients, that was a woman, he see this

the book, there in the office of his psychologist, and he asked,

who is the person of the person of the and the person,

he says, no, well, no, no, is nobody,

I, I'm he, I'm a person and he he's, and this

new patient he says, is that this person, I've seen in my dreams, too,

many times, and only in my dreams, never in the real. This, this intrigue much to,

the psychologist that makes a a page that's called This man, and he has like this fojetto,

you, you've seen a man in your dreams, and he's about the world,

no, so that, well, because, a to get many, many, many,

many, testimonies of people that they say, to have seen to this,

to this person or this person in their in the future. Now,

the part that, we, we can, we can, we can, is that it's,

it was a kind of of a campaign of a marketing for a movie, so,

so, not, that was going to go to 2014, 2015. And I

remember that there was, it was, it was a an engano. But I mean it's rare that never saw that

that never was done. I mean, it's like it was a campaign of marketing for nothing. It was a very, very rare. And then this generated like a kind of a kind of a species of creepypasta, more than this engany initial, or what it had been,

of people that said, not only with this man, or no, no, no, this man specifically. But, but, so, that there were certain sets, like what you mentioned of the

paralysis, that they were in their dreams, and this generate like a

movement more than the this man, of people that are people who have

been in the people that they have seen in the life real, and that

are people are people, that are like, for say,

to a form habitants of the people, not, so some

people that live in the other people, and a

part of there has made a movement a extent

especially in community in the community of people that's people who

put in to look people or elements that's that's repit in

dreams in a way collective and it's something because I know

if you have been to think something that some

that someone also someone who you didn't you

have you have you have that that I'm going to tell

what is that's there. There's a little there's she's going to

do not she's not a different, but the soions are irrelevant

not they not they don't let's much attention. This day that's

a day she's a little bit and he is a dorms in a summer and he's

a summer so much a hoolibudence very movie she He's a sustada, just a

when she when she he gets a herman after her that's you know, and she

she said, she took a piece of a and the her mother and she says, no,

you know, don't know what you know what so, then she says, okay, why?

When he says that she she's, she's she's sat she's sitting at

the door there's the door, pass to his When she'll be the, let her brother and see her mother

and she's behind her and the brother that's behind her and the time to form and it's

a form in a sombrose and it is a light and they're in the hands very

large like garas has a has a long that he has a and he

put the hands on the arms and he he and he he says

with a voice very tetic no you don't want

what you you and you he He's up. He's super

a sussed and he doesn't want to do with but it's a pesadilla. It's a pesadilla.

So, no has more relevance. But the trauma and he affect it that's

that's his dream and he's a man or this figure that he he said,

well, no, he says, you're going to say, they're going to say, their

family, no, are the things of the way, and a thing and a

time and a her mother and he says, what is this and I try in his hand

the picture that he had he had he was in a little he's he's

he's he's a little a little a no, no, no,

it's not you do you do it what is what is this and he

he's no, no, no, no, no, don't, no,

it's a important, it's a thing is a do you do you do you don't

tell you what you said she and then then How? And she'll the

her manna that has a different, but in the this entity the time, it's a

thing, he has to feel totally aterrata and he prohibive that he is the

saying, no, with that that's so it's that's a very, well.

Yeah, fortissimo. So, like, like, I've seen with the same

entity. So, that's like, so, what interesting, that is the same

exactly and that he's exactly exactly the same, being commented

nothing. There was a suggestion that's something that could get to don't know. Because if I

tell you tell I'm you're just you're just and you're you're you're the same

the night then you probably probably was a suggestion no. Correct. But but

if it's the nothing? Interesting. If it's if it's the nothing and

then the way it's not for not for the but it is because

I'm the the of the different and then it's that the elements are those things.

That's that's a extrano. The last story that I've got is a story of my

family. Yeah. Although it's a story like a story, but a

series of stories that in my family, my family nuclear, we've related much

with a house of my father of my house where I've where I and it's

that we moved there in the year 2000 to Yeah, 23 years. I had

eight, seven years, more or less. And it was a fractionation new. They're in

gase of infonavit, cases, small, but not so much those of now as rare as they have reduced

so, but well, cases two mileras of infornavit with two abit with a

room, with a cell, comedor, and all this. In an an abitation

that is the the left, it was the apartment of my parents, is the apartment of my

father's this time, and the other, and the other was where I'm really, really never

never, there's something that never occurred things of that they were things or that

were a other of that's but something that was and the first that was my

mother, if you don't know only in the habitation of my parents. It's

is to say, if I dormia in my quarter, with my brother, we had one of my litter, it was rare that had a badger's.

If I was only in my quarter, in the litera, it was rarer that would be a person if I

had come in the court of my parents, no, it was but if he was

only in the court of my parents, it was sure that I was to have paralysis

of the son, a lucid, or directly a piece of a

tell my my father, my brother, my mom and I know, that was

like a common denominator. My mom, of the time, my

father was very very time. And my mom and my

was, I said, like, she did, like, so, and then

he was going to get to to do her in our apartment, in the

of my woman and the my name, because we're not we didn't

go to the school. And this was he had

in the quarter, I had and paralysis of the that in this time I don't know that

were paralysis of the time. I mean after years after a description that she had

me gave. But I said that she always I'm to get to the house, what I

had commented before, but of the more that he went to passer in this

in this abatation with these and it's was that was paralyzed and he was able

and he was she didn't a person, a man, he was and she said,

and she she said that he'd like to move the man to try to get a much fear, but that at the

moment of the person or this ser is a desacia like if were a muke of cera or of

the arcy and it was a in his hands and it was very desperante because

not he was he was also and they were a television in the in the

house and that she was being the television standing she was getting

view as if the television stood up the other than the court was normal and she could hear and hear what was going to the TV

of a program of television but the television was to be the television was and that made and it's very

very inco and then he wasperto and all it was that in the television was the program

that she was being the same presentator and all but all normal no my papa

also came to have to have to quarter, dormiener only. He was

much of getting in the time. He was a time to make a time.

So, he was he and he and he got to in the court and

he said he he said that the behind the room, in this skin

in this end the part of the door, that is the door,

that's the side of a kind of a kind of a kind of a garra

that he tried to hauled and he sentia that he he was to get to

get to get to go to go to he's resisted and in a point

he said he said he's also a other another a man

a that when he he was only he was he was he was

he was he he said he he said he he's he he's

he's he and he he was a God or an

angel and a man was a was a a was a

my father my My my hermana also got to

these little in that same abatation in the house, that I'm the house

new, we're the first of the first of before that was a part of the area,

so they're not super amply where not so much we've been that's

what we've that's a specific. And my my brother also I'm also

that I'm that someone was a that someone was, that someone was able to

to enter to the abitation and I'm we're we're trying to force the mannika

no, like this movement brusco to start moving the manila the

the door. And as about the pastel, let's say that what I did the

I'm this of the witch and the person with a little

in the room in the room of my bed's it. It was

a time in the I'm a time of my the, the,

the camera of my father was there was like, like, I'm, so I'm so, I'm going to

get to get to the court, I'm going to get to and I'm going to be

so this. So, so I know I, if it's paranormal or no, but if

I'm one of visit to the house of my parents, not they don't get on the

one's in the house in that bitas because, so, you, you, you,

they're, they, they're to be, oh, What, what's the out of the

room? The room the room has a different to the rest of the house or not? No,

no, no, because, for that's like, it's a invitation that it's a little bit more

so it's like a bit of a bitation completely normal, no, you know, a sensation

rara, you can't be there being the television, you can be there, you're playing

in a videohue and you don't want to be not you're not more just,

it's something, it's something is something is a I mean, I rarely a bit of these events, when I got to

get to have much paralysis of the I'm going to get to pass much in my in my camera, in the litre, no?

But this type of of the dreams more because the when I was to me the paralysis

was to hear to hear a and things like things like things like things things

and things there were a interaction there was always in the other

an other bitation. Of actually, now that I'm in my house,

and I'm going to be very around, I'm very around. I was in the pastio, I'm

a little we're doing a passio at that was, there was like, there's, no?

In the place of concrete, it was a piece of a lot of a lot of people,

and I'm listening, and I'm even I'm listening, like, but like, but like

more kind of maybe tethric or like malignant, I don't know how to explain it.

Like, not a reason not a laugh, but more like to be able to do it. And I get to hear that

but all around and when me was there, and when I had been in the other than the more of the attack,

more violent of the thing. Yeah, that's this differentiation is very interesting.

So it's a change radical in the type of the same in that situation, and not just you

you had this type of dreams in the room in the sense of the attack no? Yeah, I think the most

it's the she said that she says that not he doesn't she doesn't because it's that she's always they're doing

a lot of more up to come because she said that when do you're back up above like you more pesadillas

not she says that's but I'm recommendable that she said that she she'd get a dormita

back up uprororo she'd they'd have been very very fertes very

I don't know very good off the way of course. I'm in even my mom me reganava because I'm very

very at gusto standing like, so like with the hands in the pecho and so like a man and she's me regaia

me regaia me regaia but really it's a position very comod the dead those mortals are very

good position for descansar yeah yeah the yeah so if you do you know like you

like the hands on the back the is very very much is very so there's like

there other. Yeah. But, but, well, it's something there's,

it's very rare. That's, you know, I'm the first that I'm the one of the

other things in special that you get to a certain type of the but it's

the first that, that's the only space of the house that's not that's not that

and being there, and if do you're only, so, so, like,

with some, it's, and it's the case is very very

I think I was there I can't be alone in the house during the day no, it's a house enbrujada, we don't not, no, not are things rar as, no movements, sombras, voices, no, no, no, no, we've been

been in this house, we've been in that house all the night watching the TV or something and no, it's just to just in that apartment,

and doorms alone because do you're accompanied, there's a company, to what you want to and no it's a it's a

thing, it's that's a strange, like you have been vulnerable to certain form. What strange.

Grand history, grand history to start. Emmanuel, I appreciate much this time, these stories,

the that you have done the opportunity and the world to let me talk about,

well, let us, first, to do something to the community of the

community, and in what the reds they can they can encounter.

Well, much thanks for the invitation. Thanks to the family nocturner for the

receiving new to see this episode. I'm enjoyed this episode, that's entertained with

the stories that's that's also. And, so very very much to know

that I'm not the last. I think we we're not more more talk. In

the media social, me they're in all parts as about emmanuel

with 9-1-9 of night of night, and me I'm

in Instagram, in X, in TikTok. There I am I'm like Emmanuel Guion Bajonite

and then really they're doing these stories that are very interesting, they're investigating.

No, not they're not, but always it is a beautiful to,

know? It's like, I mean, but not they're all. Totally of course with you.

It's like a little bit a ventanita of the possibility? Yes,

but not you think is the unique probability, the only form of explain the situation. Agota all the options,

and if you don't you get nothing more, I think that's like, sure, that is something rare, no? Paranormal. Very well, my brother, a brazener, definitely. You know, you know, you have to do the ports aberts. There are to do something more

ahead. Totally. And for the caredia of the night, and that's a good week time and that have nice passadillas. Bye, bye.