HABLEMOS DE LO QUE NO EXISTE - Viajes Macabros, Casas Infestadas y Cazadores de Brujas | EPISODIO 398 | Hablemos De Lo Que No Existe

Episode Date: June 11, 2026

El día de hoy, mi Querida #FamiliaNocturna acompañaremos a Baldo y Nando en un viaje de ida, pero que nunca jamás volverás a ser el mismo después de hacerlo; conocerás los límites de la fuerza a los que se enfrentó Meche; y peor aún, si aún no conoces el Hombre de los Huesos; el día de hoy te enterarás de la peor manera estas y más historias en esta #OscuraFogataDeHistorias en #HablemosDeLoQueNoExisteTe manda saludos César Gonzalez, #ElNarrador estamos en la #MarchaDelMillón y en la #PláticaSecreta que debe estar esta semana. Les mando abrazote, y de aquí hasta que nos veamos en el siguiente episodio. Te deseo que tengas #DulcesPesadillas #ByeBye

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Welcome to Family Nocturna, to this iscura fogata of stories. In let me know what it's, the day of today, apart of rarrow, I'm happy. You know why? Because officially we're in the marches for the million of subscribers in that red that just only was

of audio and now also had been video. So, if you still not have yet yet, you're in a very good moment see us and give us and give us and give us to five stars. And I know that one part of you is going to ask. But a narrator,

Although I'm Family Nocturna, I'm the you know you know and you know perfectly if you're a family nocturner,

that I'm don't want the things gratuitas, I'm just in the interchamions equivalentes, I like it

a doer and a dar-and-a like you're and what you go and you go and you see you're in that

is that is that you're going to every 15 million. Now that we're going in this

March of the million for every time we're a second this

this month should be to to be to be the first. So if you want to be interred of that Platic

Secreter, that only the subscribers of those subscribers of that are you don't know. I'm going to the other

red, you subscribe, not you see as the five stars, so you know, you know,

this but well, once said this, my dear Famire Nocturra, it's moment

to start this Scura Fogata and Hours because the day of today we're about about

about about the vows, casas infestated and casators of Bruchas. But,

before to initial if you're new, permit me give you a good for something to take or come. Sitate and accommodate, but

no you occur to do you care to make the because we're about to start a offgata of stories. We'll start.

Meche Barragan is a person very different to all of the family and a day he had to face to

face it's the first time that I'm that someone has done. Mechie Barragan, she is a unica and

all his prims and primos are persons as much done to the esthetic. His primas, always

supermently good very in what she are you know that you know, but Mech

not the was able to understand when she was ever before. Mech was a

person that was a lot of the chitas. Terminable she was always that was the

time you know, that was that she was that she was a man was good for

the trancasos. And when was studying in the primary, there where she was studying, she was a group of

of Lucha Greco-Romana and was the only woman subscribed and you know those chas he had a corpulenta was a pretty

high for his and had some muscles this woman but of envy she had she was her lucch

Romana and there brinked to practice box practice carate and she did it also a

taekwanda and all art martial that you put you in front to Meche Barragan he was

He was. No, he had a need to nothing. He was a really a person a violent, he

was a good, and like a sport, one of the time that was a lot of the ring,

there was a lot a carsada and not she was a single a single. Meche,

no I was in nothing of the paranormal. Those things are for

for the stories, but not they're in the real. And as she has

dedicated a great part of the time, but the force,

force Brut, a pleitos, things that the grand majority of of the people they're a lot of

their life. For her it was a whole of the day, really he had a time of a form of

in that that he was, a little a friend of a family. Resulta there's a family,

not so a lot to her she, are a little bit, when a little bit,

he was, they're they're not to have their contacto, but just when he's two three years,

these primos are an act of presence in the And they're to tell a story with the families

with those who are that's being that quickly to get the the ears of all the familyaries, including the

of Meche Barragan, that they're living in a house very enbrugated. When Meche he's got this? They're just

just some puras tontteries. And then his papal they're saying, Oye Meche, well, say,

they're, they're not those primos to pay to pay to $5,000 to a person

that's that's all the night in a house, a bitation of that a house, a bit of a bit of are just like,

but are just saying that's saying that that's just that in the story is that's a place that's

a place and the he's a no, no, they're they're talking the history for that

so they're going to someone that really they're really really that's really to

get to get to a car and they're going to and he's

and the he's he's he said, and the No, I think that gain with that

someone's going to get, but they're going to be a lot of people who out of the people who are in the

madugated in the house. Your friends are very cruel. And Meche he's the he gets being,

and he's those burlones, and his pap'i and says, yes, is they're they're saying,

Papa, how are we want to believe to to have prepared the place? And he's

he said the father, but Meche, you think that for more that they're do they're going to do to start

to start out of us. But Meche, I'm sorry, I'm your father. What, fregated, to get to get to the brom. Dillie that you're going to to venter.

Koeh, you know, no, it's a lot. And Mech, standing there with his pap, he put to give him

and he's certain, me going to have to pay. And if, no, minimum, they're going

to get to get to them, because where they want to them to know to know

to be that they're not the they're not with who they're When I was going to his primos and said,

O'gain, I'm going to get there, they're going to be put up to back with things like, ah, we're going to go to make, no, no, no, you're going to bech, it's a game. But all of what Mech

expected. Because when she took the telephone and he's mark, and her friend Alonso he says, oh, yeah, me enterer that the situation that's going to be

the situation that's the situation that's passing in your house. Alonso said, Pardon me, but no, I recognize your voice. Who is? Primo, how not you can't recognize? And he says, like, me suena, but apok you're Meche? And he says,

sure, Primo? Dice, in serious, you want to get in the house? And Meche, then he said, no, man, he's going to go to be char back to-at-a-trask? And Mechle he says, well, of course. Apocon not not even, they're offering. And the Prim-in-law, so, me, we're not.

But in-sue, we're not. You're not. You know, no, no, I see, I'm not. I know that are they're playing. No, you know, they're just back back. No, I'm gonna' I'm gonna'em,

I'm gonna'em, I'd say, no, Meche, in serious? If you're done the $5,000 pesos? If you're

doing it's not what's going to what's going? For what? Why aren't offering, then? Dinerer,

and for you want to be people? Well, is that, Meche, we're just that the

house in the we're just maldita, and that if we're a person that's able to get

in the the abitation, until the amazer, it's romp the maldition, and as a house,

it's a not a car that we're not a car that we're really, and Meche, he's in

serious, and why don't they'll be a father's and that? No, you're two, but

no, no, not it's nothing, they're going to make you, and the

matter we're not we're not quite, and we're uncomodod, but, Prima, if you're

two five five, pesos. He said, but in serious, Prima, if they've been asked much, they've gone to here in the middle of the night and we're not us does fear that there's going to pass something, well, of your health, right? And Mechele, he said, no, man, Primo, but, well, if you're going to

go, and if I'm going to, it's more, as to two nights and one of this, I'm sure. And the Primo's a and says, yeah, me agree to you, Meche. Yeah, me according to, come to, come to the house. Vend to the house. So, so it's a-a-u-a-cise. Orn't you, let me see to my parents and my brothers,

Vente for the house. When Meche he gets to the house, he comes

a little very strange. She'll in company of his father. His Papa

is saying he are different to do you. And then they're doing this and if

really are things in the house, and that's semigita and he's a germina. And it's these ideas that they're

doing waltas in the head? Oh, is that I'm really sure the prim.

And in that the papa he says, Meche, you're not serious, you're saying how you

can't get back to and then you say, and then it's a mecha to say, he's a

bad, and the he's a way, and he's, he's a way, he's,

a p'clock you, not you don't you don't you don't you're being, is to be

doing is to do just to do this And so, in this ambient me do extrano,

me do kind of contrastant in the the papas a person completely a general to get a

a lot of a problem and Meche try a little bit the doubt, no, but he's

the doubt if really is a problem or not? They're to the house,

and just get to the papa, Mech he's back from the carwela of the

vehicle, the father from the backw the carwela, take a little

a mochila, camina the escalaritas to get to the end of the first of car, and then

he's gotrown the ballant and is a side, and is it's looking to the front, in the

other to make you, he's, he's, and he's, back, and the back,

move the back to the other, and he's he's going, and he's he's a car, and

he's a car, and it he's he's got being with a kind of a bit

in the head in the the This is too is a bit burlorn, if I know. And then then he'll be

to timbrough two, three times, to come the door, and say in voice alta, Primus,

not going to work. Let's think to come. Here I'm here I'm here. And in those

are you listen, like some passes that are the second piece, and they

are very on the stairs on the ta, ta, and then the passos

came very rapidly to the door, and when they're when they they're

on the the door, and they they're And when they to talk in the door, I'll say,

that's going to to be a sussed, Primus. And in that's, he aber the door, Meche, he assom,

and he says, ah, those planted very well the these are the romas. This is too. Enter in the

house, it's just there's a door, and then he's got up front. Primus, that I'm

not going to get to me or that? These romeas are so much, these brumas, so is that

he's a malet cruce the umbrer of the door and with the left, petea the door to start it,

he's a little when he a one of the arco that's like to do you, that's

she has that they're not know, but see that you there's a lot of mubles

all covered with sabannas. And will be to be brim-s, primos, how are you are,

where are you don't know, let's the bit of the bitation. It's still going to

the passio down, when, when, de repent, in the plant Alta,

you hear that someone go to another and a door and they say, OIGAN, Prim,

well, no I'm really in a kind of in a car to go to

go to mind. Minim, Bacherer to get to receive me. And listen,

how the door is over the second piece, they're on the

plan on the stairs, and she see, it's a lot of when you

ask you, listen to the time, and when you just in front of her, but no there's nobody, and he's a little kind of impacted,

but no a sussed. Meche has a tick, and is that when yeah, something he's not really,

or yeah, he's going to get to be in serious, he's to tron to the armro, and it's that when I

was going to up over and he saw that, he saw, he did, the first, he did,

in the way to reacton, with a gritty, to bring the the arm, and tronarse

the cooo, and say, no, to function. No, it will functionar. Where are you? And where says that, one of the door that was the door that wascalero, but no was that visible, it was open

and it's a circle of gold. And Meche says, Puro's Trucos, pedorros of the peliculses. A-beer, what more have you? Well, yeah if I'm going to start with his tonteries. And one of the artilleria pesed, where, penes that says that, listen to

that something's move behind her, and one of the sabanas that was covering the moules now is to be like if they're a person to go to the passio from the one side to other but when top in one of the

parades of the passio the saba cao cae the piece and meche and says, that's if it was too very well that's if I don't know how they're they're doing

and make sure primos, what good bromas but with this they're not to say if you's that's where I'lllare me

and I'm at a minute and she's listen to where a stella and she says I'm going to understand that's a

form in that's a form in the that's a way, it's going to be going to be

to the one of the house of the other of the house, he, and be that's a

a chair and be, and be, and it's a cell of the and the seat and

the she says, well, I'm going to understand that this is a

way to say, get to get to get to see, and it put in

patient to turn to turn the coel to turn to another for another,

be how the door in the is the end up and then it's inter-serral solita, and then

out of the door, he's like a raffa of the and see some of the house that's

and they get in a little bit a house and it's that's really that's really so it's

that's just that is that he's over the other side and be a little a little in the room

in the middle of the cell and when be that's this This is a broma is very good. Apart, for that ruin in the house of that way.

That's rare. Cierra the door and says, Here I'm going to be able to start. If you're still molesting, no, they're going to say that me back. Apearl. Apearls. Apearlane's a half-wilted to give the door.

She's going to ask us, how they did it? And the arbor, well, not saw it very red, but how they did they're, it was very great, the trunk, the trunk, it was a great,

and it's a projection, if it's a television, if it's the angle where he saw, I have to say that Meche not a great analyst. Nothing more is asking how fregated

so they're doing this. And where they're to be the back to the door, but they're to talk to a way yeah desafurated. And Meche

he does a media a little bit of the door and where he the other side of the passio is an abitation

and other other way, all covered of sabhanas. Not was the first that was the first that was

when he was when he was when he was being, is to disconcerted, and they say, they're so good those tricks. These are so prepared a house good. And he's going to be able to

voice high. Primus, yeah I'mtend. You're doing a house of terror as interactive. They're trying with the people. Yeah, I'm not the other world. They're very good, those tricks. No, me going to

be a sussar. Pace, what that pass, no me will be astust. And where says that, he says, a voice of a person that sounds, but I'd like you the Matissees

exact, but imagine that alien that has a very malintention with you, he's got for the back and said

the o'id what you you said you and they're in the voice but with a voice of a woman

very malintentioned not me going to be a really, and where he's he put

the piece and he putte right but meche I'll say study art

martial martiales and he's he's he has reaction for

instinct in the other to just bolted he was he was in guardia

and he was a little a little to be in the back and she is good doing that

he's very much he's a mass of an air calient he could

a whole the and she she's she's she's she's

that she's the man and get to get to the the man see that he's

he's he's he's he's he's another other other

METO, Saly, he's coming down, he has a malet that he had made to the middle, he's been

to get to the door, he says, no, no, no, no, one thing are some sustos and other

are com comical, not. This is what did that what was what they were and she's and she's

a door, and she's a door, but he's a portaso when mech out of the car,

he's stacionate, his father, he's stucing, he's talking with a little with a little with a

thing that's like a The two see very assuptated and are talking. Meche not understand what they're doing.

And then Meche about very enojated with the man or the dole the hand because it's like if

there was a problem with the nerves not they can like, and they say, Papa, come back here,

for favor. Yeah, we're going to get in the other than the stuff. The papa but if you

have you had seen the car, you'd you'd be that was going to be something

there's about there with the eyes abirt, abirt, and he says, Meche, bendito,

is the Lord. We're talking, we're not we're talking, we're doing, help us about, and make you're being enojured,

and he's in the car, and he and the car, and the brazen, Meche, he said, evented a chemico, papa, evented on a

chemico, no I'm able, to be able to the man, he's a little the man, he's going to get to be here,

yeah, yeah, end the time, and the papa, he says, the papa, he says, Well, me met in the house that you left.

And the papa said, Mech, that in what house you metista? And she'll be the other than I was, that I'm going to go ahead. Meche, but is that not the house of your prism? Well, there's where where you left? No, I'm just in this.

And he said, Papa, you're still, who's about what, doing that you went, and you said, when you got after you back after you, I saw a man who had a whole car painted

of a blue. And I know that your primus no have kids. me asusted, but I said, no, these bromas are not for me. No, that's not the house of your primos. The house of your primos is this.

He is your prim. And the type of trage, palid, palidol, the only says, all right, all right, he says, no, man, you don't me veng to say things, what were what they cheroen in the house?

I don't know they're to believe any one. It's a good for the terror, but what they chero? The man no, I'm trying to be entomient, what put they're in?

And the primal he said, Mech, we've lived in this house, we're just before ago, and two hours and a half, and you know, you get, you know, you're going to, we're going to get, where you're going to, where you went, to do you, no, me, she didn't,

we did not, that house, no, that's talking, no, is our no, we know, we know, we've been there, we're here, we're having, and Meche, we're just taking, and he says, no, no, me are trying, no, me's trying, no, me's time, the pelt, and he's, and what is that, that they're more than one hour and a minute here, but if you, You left it, so many minutes. No, Meche,

you did he? A few hours and a half? We have one hour and a half here out of the and you know, and when Meche, I'll golted the house in the

way to make. Now, be that the door that was originally had seen in a color blue. Now it's a

color rojo, Carmesi, that I think, that for the sight of any, they'd have a color

with a other. Mech, it's a little, he'd get to see, he'd be to be able to

what you your house is less than what what's the father. We're going to go to and we're a good Meche Barraghan. Now, see, fear.

AI Cloud ERP for any size business. Edgar never duperm, that's the reason, practically since that has been six years, and after that he's got to hear

your story, you don't you can't be able to get a person that's a total and completely in things

paranormal. He no has a doubt that there are that are things that can't

like the questions. Not is a person that is a person that's looking documenter

hechos or situations or that's that's that he's in that

because we're in some his most childhood had one sucesos those

those encounters that were that that did that that

did that it had to understand a question of Edgar to

get he he's forty five but when he

had around four or five that not he record the

well, his his his his his own, because it was

that were to be the subcrued of the life? No

said Edgar, never he was a accident or

because the form in that the way that you

can't imagine that there in his house and

that he never never he never when they

didn't any no no they time after six

months, when all the factors when the first of the thing, when the

woman was to be a little he had to do you to do this to be

to do this that they had had been the people, and they were

some people, and they were to be not ever never

to talk nothing about that he and he

said, they they're a money and they're clear

that they enterer of something, for her the minimum that he would have

to talk in the carcel and that he was to get to the other

she's she she's un-of- because he's that's that he

was a person very a person that a person that was

that apart was very very pananoica for all

all I was there was a person amable not a

person car carignosa. He was an someone more very, very anxiously. When he and his mother

small, he's not a much time, before the mom and they say that they're to have to

live in a colony a lot of a more more than the rich, but a colony

a lot of and they're going to be little cases to get a time in that only only can't

rents a quartito in a colony that had a a very mal-a-fama in his city.

That quartito gets a time in the time in the time in the pregrination for different cities,

looking cities more baratas until that there's a one that's around the and there's and there

are there's that they're that's that's not not a but that the rents are almost

really the reason the man on one for the other and not they're not there

can't economically, me And, and also the ability to develop a job to

a job of the money, he gets to get to be the little resources that has a way of subsistive,

over-viv, and the reality. And yeah, the aliment of his children, well, God says, because there

has been days in those who have been the three, and no there's a way of

that's there's there's that I'm that I'm even a person or someone who

someone that can do you and out of things are all the things are things are

complicated-simmons. The three serrits, according to Ergard, as well, they were three serrits, that in the part of the bottom were in the area where they were in front. Conformer, I was subbing to every one of the serros, the rents were

diminuying those, because the can't be built upunt of the serrower, to require a much effort and be a person very able. The way ones were not well, they were like tejabannes, those that were there, and the she was the

sirro of the front of the hill of the hill of the house abandoned. He asked to the people

who said someone lived there. He said, no, that was a house that was a house that said, and one of the

people, he said, you, know, and the house of the other side, you know, the other side, and sometimes and getting vandas for another or other person and sacando some monadetat

from day-a-day, he started that the she was getting to little, little, a little, dinearito, and that after when they got to their six years,

both Edgar, as her mother, commensarine to go to a school. No particular. A school of government and even even as,

they'd not pay nothing because no had a dinner practically for nothing. The water they had had called

in some way because not they'd pay there, water, no pagableness receivos of nothing.

The light they had had been a little bit of the way,

but it's the little bit of a lot, but not with the problems not with the problem.

There, in that there, no was the policeia. That were the people

to have the meddors, not occurred in that one, they're

me know, but I'll say, it was not a not a question to a

a stup, his mom he said to Edgar, and this he repeat.

Acquardate that there are a little this zone is a little bit of and when

Edgar he said Moma could I go to go to the family

and he said those these are those those who

are not you get so he was a little

that they're in the other they they they they're

they're they're people they're people because the senior also

could be in all the way. And she not was going to get to get to

get to the time. You know to get to get to do that's that's that's

that's that you never a year, that you have been a little always

but used, ba'r one of a time of a time, was a time, over the

the other than the other were the other than the other, he's,

he's, not he didn't as a poor just so if it was so it was to be able to and the

house was there all over they were in things, not they were having a chance of

the she was going to probably was going to get back and they're going to two or three

years when he he's where I'm what I'm going to say to get to

Edgar has around nine years a few more more more than more

more less he and his are two great friends. They're they're

but also. But also they're their mother, that's silence, not they're people, they're doing a little, but

not they're not they're saying with words. Her mom no less doesn't when

they're all when they're at some moment in the mess, you're sores or something

or something, or whatever other never they, they never they're

they, the mom no has questions for them. They're they're

not in house. When they're in the school, it's a problem

for the people who make they're mud, and so he's he's so he

and that idea, and in this time, and he has said,

he he's he's that he's he's he's he

he's he's he he's he he's you you

and chinita, and she's a shoulder and it's a he raced and he put in the defensive.

No, know why. And he does it and he acuctor of vaguely, of a

rostro in the obscurity, a woman an blue like the color

blackiated, like the light, it's like a caricature to the

thing that's a thing, but the rostro is very real,

and why they're they're not they're watching people, they're

they're books and they're not stories of the type of terror. Why do he's

a car? And a other said to her mom, she said, she mom, the woman,

the woman, she said, well, let's say, and you not the mention you.

And no they're more. Edgar, just before that her father, he's

he's he's two little questions the story that I'm to say,

that was what he was the little around 10 years. Resulta that the mom

of Edgar for the antennas she has done because he has a lot

for that he's he's a woman because in that there are many

people that are people to do things with sacrifices with

bruchery but of the most oscuro that you could

imagine you know hey hey odds Kelly Clarkson with wayf whatever if what if

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Wayfair, every style, every home. There are people that are people that are doing together to obtain power and money and there are people that help them get to be committed. She, the mom,

is that various of those residents, they're in their ownos and doveses and do things horrible, and they're trying to do sacrifices because they know that

there's a police. It's a very strong. Very, very, very very but the

poor of that's the place. It's just in the serro, where they live in the

part of the right. They're there, that there a bruja that's the

woman, and that she has part of a calry, that every certain time

they're people, and they're people, they're they're they're food,

and they they're they're food, and then the people don't

coincide with the nights of the Luna Nueva, because in the nights of Lunna New, in that Cerro, no see any one starry. But that's, when no, there's in the skylo,

there are you say that the stars are, because they're how in each one of these tesserit down some little little

and they're on down a way, like floating until that they're a house of the Brucha,

as if were a reunion of all of them. This story He said His mom And the day Edgar

He said Moma Look at what My Abuelita The sir Parro the Antenas Because he

They had They said That was She said And that Many of the Many of the People were

Disapparced In the area In some Moment They were When she He said

He's She'd He'd A mesa Reve A mess Repleted And

Where do Where do And They don't let's make that come an

bocato, let's he got to get to get a lot of the question,

the mom says that she's not the man, I'm saying,

are people not they're not, they're all the things, and they go and

the car, and the people, the people, they're to get riddard

to disperdive that in that in this place, and all knowing

what is that's that you, you did the the head. It's of a moment other that this

woman's in a sanatorio. Pobres, the year of them is what they're to say the other. And at the day next I'll

go to gore the same. The other people do you because it's the second way that this woman,

sale with viandas and they arroha to the caro, and now gritty, "'Bea Bruch, not you

don't you get to my kids. All they heard. And there was only a person who

he said, you're just more to get to because if will have gone. Passed

three days, three days in in those there were no one of the house, the woman, no,

she had the little she was going, and she was going to be the money, but probably the

hunger was much, probably the ability of the body, probably the thing,

and this woman anciana, he said, I'm much money to offer to your

children, the woman, in the to go to get to get us, or get

something. He said, how is? No, I was thinking probably probably probably was at the limit

of what he supported a person, but it was that was the night, she was going to say,

that was to do you to do you to get to the children and she was going to give a

money. She said was a little, they were in a hour concrete

of and the mother of Edgar, in that same moment, after the woman was, he went, he

went to get to the house, and he went to say, we're going to your little little bit. She was

he was going there to the serro. You know, the way the way to not the so it was

sorting her and opening a breach until that the house of this woman. Apenest

he went, the woman he said, let the the children gogues and you

we have the we have the mom of Edgar, enter to the house of this woman.

The lady has made the door, and Edgar recalls something that is a scene that he does an old that's

anceana like a character in that he is a repent, he's in the

place, he's gotrando to the hand to her manita, hermanita is totally

going to the sky, and he, being the the world, be

how all the stars start and they And, of a repent, some stars start to

and start to get to the different serras that are there. When they one of these lights,

is about to talk to one of the serros, Edgar, he does know that that's a

little, that's a rigid, rigid, and no it can move. The desutrition, the hunger,

the set, or something who knows, but no he can't move. And he has a

effort and he's he can't move the the labes of the boca. The eyes is the

only that can't move to one side to another, but the body is rigid, rigid,

rigid, no can move nothing. But is to see, when that looks,

and there is a body, it's a light, to be a little to a russed

to a little a gritty, but it's a gritty, he's a look to that,

because it's a resplandor very very forth, and when to talk the other of the other of

the serros, it's He says her mother, that's grittando very very hard, things horrible that I can't

say here, and while grita that's, they're going and the gritty and the moment that he he's got

and gritty and saying that, please, let me, no me make you, no me make more,

no me a great of a other gritty of another woman, and it's there, when he says, he comes, a type

A little, he'll look to a man he's a cranium, he's covered with

a capuch and he go to the house of the Anciana. Edgar is a

preoccupue for his mom but no he he and the

subject and what he he's he's he's he's he's

he's he's it's the back with two stars being

direct and Edgar when he he's he he's he's

his little he's her and he starts much in

to be able to have to have to be able to have to have been and when he's when he says he's the

the the the the door of the and then and he's and he

he's he was on the he and he and he he didn't he still the

other and she never again that he was the rake that the one of that the Señor of the Wessos was the new chief of the mother.

The mom, the only that he said to him, not you go back you know what you were in the moment,

I knew that you and the person were than she and said that people, and that people, I had to a pacto,

and at the day of today, even I dole, I repent. Edgar, I remember,

that the life of her mother was very tortuousa, never He never He's not

and the day of the day of today still thinking that's that he

that's doing it with the man of the husband to what you're

a point to hear is one of the stories that me have to be

the bad is, brusurier or something or something I don't

know to you know this he's a over he never to be

Oliver, at a day of a person that has a He has a record of the past that's a duly much in the heart has been to be

with a little paranormal. When he was in the preparatory he knew a two friends, Fernando and Osvaldo. But let us

going to say here, Nando Ibaldo. Nando Ibaldo and Oliver were this trio that all the and they were

at the house of one and the other also. Also, when they had novias were together, when novias

also, they were a group inseparable. Cruised the preparatoria, cruised a career, each one studied careers different,

but they were and they were so soon as that they were an union that practically were they were a family

more than them, they had packed that after the carrera they were to go to a road trip,

a voyage of a because it was the form in the way they were to they were

to be and they were to say or the age adulta because very probably now,

not going to be the same time that they were in career and in the time earlier. Oliver,

I was in agree with that I'm going to make a little bit but had a final of the career.

Necess about he had a lot of those and if not those paid, he was

going to get a trunco with his title, then so he's he got

in a dilemma economic, but Ronando Ibaldo as are people after

they said they were abirtation, look we can't we can't pay the

because we're short. But Valdo he said. But Nando and I we're going

and we're going to the next year, now if we're doing the one way

a good idea and he's kept in the city and he was about

knowing that this was in a time in the there was a little

a cell that's a very so I'm that's I'm to

get to until but but that that's that was the

last the friends, once that they regressersers, there no-wobn't there was a other to get to be in

there. And never wanted to get to get to the three. And here I'll tell for what.

Nando and Valdo, they had put to a quote, that's that's probably,

they're going to get to get to a little, they're a couple

of amuadas and a one they putier a one, and the other they put

a carmiss, they're they're on the part of the and, and then

they put them a photographia great of Oliver in one of the worst moments in a

borracherer. There, with some cameras that had used, they'd take them and they

were in these photos, and they could get the photographs to deliver to Oliver, to say,

they're like in a sense of a drama, that's always they're always they're not

that much much made to put them in the poor places and the people, because he

they were the amount of the time you Tomast? Probably for that you don't you remember you know that

he was to take to like a lot of a certain sense of the humor and he was to be something

but different. The voyage not let's make more than five, six or seven photographs. It's

supposed to they were on a last time, a more their time, they were going to get to the

time, it's the type of viages that decided that in that in the place to see a map, that in

in the place, we were to take them the way, they were to get to the instinct

total, they were to the and they were in two occasions of the

route. When they were they were in in the middle of a

little in a little idea where it where it was, it

not didn't not they were and the people they were

they were they were they were they'd be in a way a defensive like if

not those they're in, as if not were there's this this poblad were like a line of

houses at both sides and the road to the house, there was two quadras more.

It was a little little, and there was a hotel of pass an hotel horrible,

horrible. Two pieces, three abitations above, three abitations

about, there were only three spaces of station Enfronted, they were occupied, and in front of the hotel, the other side of the carreterer, there was a place that

said, lecture of cards, adivination of fortune, but it was all that pared where was that rotho, banchedo, big, de-carapelado, estacioning there, their vehicle, van assuastated, a little, like, to the defensive, and also what they want is to know where carajos are. And when they're at least, the person of reception,

let us attend, much more than what they would expect. That's all when they're to get to get to the house where

they're in the vehicle, and they say, for favor, quit your car to get your to my clientes.

And this woman had like a type of a tail in the head and had a lentejuela. He had

a rope that were like like telas that maybe in some moment were fine as but

that this woman were made like remendated for all parts where it had been

rot and had had been had And the roba socia. Then they're not so much

with her. And they say, de us just a minute to do our things and move the car. And the

woman says, but no me they're in mal, no me that's not much. And they

say, it's all good, sir, for favor just let us get us and you.

When they're to the house, they're all things and the error that commit is

is to get to one in the camera to start us were a few seconds, but it's like if all the peso of the

stress and it would have fallen in that instant, because they were made, all instant, dormied. The door of the room was closed, and they had been kept supitous. They're up until they're in the middle of the madrugada,

because the vehicle of them is on, and when they're som, when they're that one of the windows is rot, and there's something in, Nando, he says to Valdo,

what is that being for the ventana, how is the vehicle, how is the alarm, and that that thing that's that's been traversed by one of the

costado, so it's molest to be his car, so he was to be a say, so he was going to

the camera, but when he puts the hands just there in the and he does it,

he makes, he gets, he makes, in his hands, but it's all over, but he

do you're in the hands much, much, and he said anando, preender the light,

and where the Enciend, they're that all the camera is a little of

omigas. But a quantity is like if they're out of one of the armigueros.

Nando is a susts, be that his Roppa also Mando,

they get rapidly to get rapidly to and get the

rome and it's to get to get to the water

on on they they they listen. No pass

so as something in the furor in the hands, it's a soma and see that there something that's about to make to get to be

a lot of the same, he's a repta. It's there when he said, there's a and the other he says,

how there's a certain? I've got to be there the back to the camera. It's like, let me go,

and where you don't get the maleta, notan that there's a little bit bit by a side,

is notory, and the light, and the light can be that there something that's something that's something that's

they're in there but they're much, much fear. When they're the mallet out of three with the door

car offer of the apartment of the room because there's a bivora and there there's, and when they're in the malet

there, there a lot of trane's there's a lot of coming into the rope. The two don't know

what are to do. And yeah, one he says the other, let's have to go,

let's go, leave there, there, there no, there no, there no, there no, there no,

there no, I don't take in the bolsa. It's a revisa rapidly. If you try something of the money that I'd have to have, the mallet, they'll leave in the middle of the hotel, and without doing

to do you, back, they're going to go, they're going to, the vehicle, and they're a ball that's overest, and it's downing to one of the

ascent, andre the two, they're doing to make that the ball, the videos are all parts, one of two has to get to the

camis and and it's to clean, and it's and where only is sat to send him to the vehicle

and they say I'm not I'm not that I'm do you know that I'm the door in the car

the two are all they're they're but not they're not they're not they're

they're on where they're not they're to go and they're in the middle of

the night probably probably are the probably are the two of the

they're they're in the vehicle no they're is infested of malditas alimanias, that probably the pickadurs that they did in the man, that's all they're going to

a factor more so they're going in the vehicle and he's going to the other is going to, when they're when they're getting

in the way, the vehicle every is more free. The guy has, he says, the other, I'm going to

say, I'm you know, you know, but you know you know what, you know, he says, he's a man

and he says, the air of out of course is that the water? He says, but how it's a lot?

And he says, yeah, I see, and the air condescended is prentive, but it's much free here. And it's

there when the other and when the other and he says, no, mirees, no mires, no mires. He says,

there's a person, there, there's a person, there there's a there's a there's a there's, no mire's.

They're all those two and then when, of the moment, to bolted to look at the retrovisor,

be that there's a little the pela morned and no a little a little a rote

and he clava the Do a ballant-to-so, it's out of the carreterra. The two are in the carriads,

the vehicle not in their their own their own because he got up with a barrote of yerro

that was there was there in the light of the sun to be able to get the car and

to get to the car and but the sun, it is still and it's that it's still

because for more that the vehicle is the car is in the The hook of the tank mark a one quarter. It's the only that's the only

that's the one of the two doesn't want to see our simple view, when one of them the one of them the hand to

get a man, free, fria, fria, she's a back, and the other he says, what happened? Nothing. And they

were those two that were just that were trying to protect to some way.

It was the night last long of his life. Sabra, God, how many

hours passed because no I don't try any a new reloge on the

first radios of the sun, they were up here the vehicle, they were to go,

and the next kilometers in an auto, that even when was

almost 40 degrees to say, we the vehicle

was so that the two were down. The

video and the retrovisor it was they had

they they they because the car. They got a gas alinner and they

asked a time to the time. The man was that's the man. The man, the subject

was he was he asked, and they're both responded, yes, for favor, serve,

that we have to get, the subject he said a kind of to know

to know to be a precautions, and he he'll be to the two, he'd

give to the money, when they they're doing the money, it's that the

subjecto view something, but he went to back with the billets in the

hand, he took rapidly the mangues and he's he said, he said, let's see you back from the

course, and they're the rest of the time of the time of the time of the time they're they're orientated

and one once that they're never never never put back back. Oliver he said

he was he was he was a bit he was a year, it was a time,

it was a suppose that they'd they're the day the day the next that's

it's Saturday 11 of the night when the two went over oliver

he's intero after the last but there were other

people people full of people two people were very

never never they were to get used to and

they was very very bad and oliver has

very so this story not you no didn't

because no me they were just said just said that yeah that it was like it's a way to say

that you're that's a woman that's not that was not just the trauma mental nothing

of what did they were good all their allentia because these two quats were very

very they were on a carterter and they were and they were in a

town there were people they were people they were the people most

more co-bardees after that they were never they never were because their families,

that were families of people of people that were good, they were to get very bad at the

point that the day of the day they're they're living in houses and practically

living the day and even I've attempted to get they're other

people, they're those years our lives has been different and

those I'm I'm trying many but they're not received an help.

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moment. Old Navy's drapy denim wide leg And with this story My Dear Family Nocturna, we've got to the final of this Scura Fogata Stories But before I'll just to despegaret of

Somemere, some names that you're Because are the names of the cities in that we're going to be To beacquat of Histories. So,

goys and prepareing my dear family of Merida, Cancun, Puebla, Pachuka, Metepec,

Keretaro. The Family Nocturna of Saltillo, Torreo, in Aguascalientes and Guadalajara, you should have been separate their place because in Tijuana, and Tux, the

city of Mexico and Monterey, this year we're going to start with this dark fogata of stories. So, if you did your

city in this list, go rapidly to our rades of diffusion, and be separating your place,

because I want to the obscurity you know, so I'm get to the fogata, and prepare

to hear the stories that not to get to be this. Thank you, my dear

Famine Nocturna We're back here in the March of the million, we're in that red

that's all that's all the way of and it and now it's that you can't hear of

this this time. One of this time you want to a time we we're

we're we're going to we're on the Saturday of Sombras I I'd

I'd I'd I'd I'd I'd oh Oh, oh!

Another. Who? Who's What? Wanted We want us. I'm a cortita, but that's

really low and it's of the Angel's of the guard. It's going to hear you? It's going. So, you know, family nocturna

if you're like the other that's about, because of the person to be putting in apriety and I'm saying,

but I'm the family no matter not really not really I'm not sure. I'm defending, family of course.

Before to this story, I'm going to remember this story, I'm that my dear family nocturna

that in this community we we have the respect. Lucas me made this vivance,

that is a situation very sensible, and let's please, first, not justify we're

just to understand the context. Lucas me it says so. Look,

narrator. I lived in a barrio very and I did know from

that's good for the tromps. My papas were people very aggressive.

They were not they were to words. That was for co-barredes.

They're they're they're they're with the palm and with the nudillos. And to me, me took a papa

that's ensued much with me, to me come in the ideas, then I'm to learn to get to be to get your

newdilies. And me was a person and I'm very bad the passos, I got very bad the addictions,

and during a moment of my life, I was I'd have me topable, to see there was a

re-bamb-a-a-a-a-a-a-a- after a re-bamb-a-a-a-a-a- then, then, then, then, then, I go, me-o,

over the carteras, over-pertenances, and there I was taking a lanita, and they were saying, and they'd have done with things. Lacka, and they'd have been respectable, no me and they'd, they'd have been the way, because, yeah, the two

had put in their place. Until that in that barrio, me started to do much enemies, and it was a moment in the they felleteer. They got an arm

blank, me it was done in an hospital, and there, standing in the hospital, I replaned if it was worth to of that

Barrio no. Oh, and I said, no, I was a way to work to be in a lot of

work, I'm a market of abastos because a little and I'm doing chambah,

but then I made making with the do you, and we gothous very much,

and I started to do that repartidid in an taqueria and I started to

give the orders, until me agri with a cliente and well after

to start after after my time, I'm went to living in the Calley's,

I said, and I put to crack a rasa. People that were like disprevened, persons that not,

no, they said, I put to look at, and I saw it, and I did a route in

that she was a man, there was a muchach, chaparita, and she was always very nervous,

but of a time to the time that I topable, the be that in the hands,

always, I was, like, like, and like she was about she and I said

and I'm going to you know, you know, you know, you go to the thing, you know, while you do you

don't see much, that's all the that'serco when she is going to and where she going to put

the man on on the I'm pretty and that yeah, I see, it's when someone

is when someone is so I'm doing and getting to and agarrand so, so just that just that just

just that just just that just to just to With the Lucas, not you bet you. I'm more rapid than you. Voltao, and where I'm going to go, oh, yeah, there's a little two meters. I'm,

I'm at one, 72, and he gets more or less at the altitude of the height of the pecho, and the type fornido, but fordnido, fornido, never had been so intimidated. And I just know what? I go, and where do you, what? And where do you, something, something that

I'm going to and I'm going to be of the floor, the subject never me directed to the word, the agorita

stilled along as if no you've done to know what, and I'll say when I'm trying

to do you what? And I hear in my the case, Lucas, you're talking

to your carous, or you can't or I'm going, and I'm you're you or what?

And I'm to the thing, a phrase that never I just the most I had heard, Angel Guardian.

Me, I came to the guy, the type no was talking, I don't I'm not quite, I'm

and then I'm a man, and a man, and a narrator, in that time that was there, I don't

exactly what because the body, I think, I'm that I'm too, the subject

that no he wanted to get the back the over, but then I

never and I'm and that I'm I'm started, and since me started

like if me stuy, not to track me. And when I was a point of to track me, I felt like if I'd like if I put

like if I put to get a and I pretable and I was saying that I'm saying that you know that's all right and then you

and then I did many in those centers of rehabilitation there I know I knowci that I did do this

very hard and not you know to say that the day of today I'm the I'm the but now I'm

talking rassah and what you that I had toped directly with an angel of the guard, that I've had much so much suites, because those are

very d'n't and I said, a little more than I said, and I said, and so, where you're and so I'm

a ral of the other, but I'm not the other they're not at a good, and I think that I'm going to be

doing one. And you, you, you, you know, you're going to do you know this

and then this story, it's a moment to say, dear family auturna, that we're we'll be

the same is the sabbado and you desire you. Let's you know, thanks, Marrador. We'll see, Mrs. Bye-bye. Fogatas in your city, foggattas in your city, in your

city, in your city, in your city, we're going to for there, bye-bye.