Happy Sad Confused - Tim Roth
Episode Date: September 26, 2017You can tell a lot about an actor by the filmmakers they've worked with. And if that's the case, there is no one more respected than Tim Roth. From Quentin Tarantino to Francis Ford Coppola, from Davi...d Lynch to Ava DuVernay, Roth is always in high demand. On this episode of "Happy Sad Confused", Roth reflects on impressive credits, his humble beginnings, when he knew Tarantino was something special, whether he's interested in more comic book films or a Star Wars baddie, plus why he turned down playing Snape in the Harry Potter films. Roth is currently starring in the Amazon Prime series, "Tin Star". Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices
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Today on Happy Sad Confused, Tim Roth, on Turning Down Snape, Television, and Tarantino.
Hey, guys, I'm Josh Horowitz.
It's time for another episode of Happy, Sad, Confused.
I'm Josh.
This is Sammy.
That was like a melodic, beautiful, between the alliterations with the T's.
I'm just trying to be more soothing to the audience.
I just feel like my...
The ASMR podcast.
My voice is so shrill and aggressive.
I need to just, like, mellow out.
We want our listeners to relax.
I want you to slowly get off the treadmill and think about what you just done.
You think people are listening to this while they're working out?
What do you think?
But this is their pump up, their pump up podcast.
I'm going to listen to Josh Horowitz and get my pump on.
I hope they don't put it that way.
I only work out to Tim Roth conversations.
As one should.
I think most of our listeners are probably in the car or walking.
See, I can't relate to the car.
As we know, I don't drive.
Yeah, you're not to move around much at all.
Yeah.
I did my podcast in at the gym.
I don't listen to music.
I'd never listen to music at the gym.
Yeah, you're a psychopath.
Like, I listen to the soothing sounds of NPR to work out.
I do.
A little fresh air, a little Mark Marin.
Also, just to clarify in the intro,
Tim Roth didn't turn down a sexual opportunity.
with Snape. He turned down the role of
Snape, correct? He also turned, yes.
Yes. Okay. So yes, to
clarify, thank you. Because I was
confused. Well, yes.
Luckily, most of the audience is more intelligent and
quick than you are, Sammy. Well, you would think.
No. Um, yes, Tim Roth
is the guest this week, and
there's a lot to cover with Tim Roth because he's had
an amazing career. He's sitting at 100
credits on IMDB. Wow.
As we speak today. He can't do anything else.
I told him that when he was leaving. He was like, you might as well
retire. It's a nice number.
It is.
he's promoting a new TV show that I very much enjoyed.
I watched the first three episodes.
It's called Tin Star.
It's on Amazon Prime.
It comes out September 29th.
I looked at in my notes.
September 29th.
It's a 10-episode run, and it's kind of like in that vein of a little Fargo-y,
a little Noah-Hawley kind of vibe.
It's a little blend of like a violent drama, but a little bit of dark comedy to it, too.
Tim plays a like a small-town cop, kind of fish.
out of water who moves his family to, I think it's like Calgary or Alberta, beautiful landscape
in Canada, and the shit hits the fan, right? I mean, like, this is a show that grabs you from
the start. If you watch it, the first scene is like a crazy moment, and then the last scene
of the first episode is another crazy moment. So if it doesn't hook you by then, give up, because
it's got a lot in the first episode, and I was very intrigued. He always plays real intense
character. What's he like? I can't imagine.
Interesting. He's very, he's actually in the conversation. I've never had a lengthy
conversation with him before. He's very like, um, he just feels like comfortable in his own
skin. Like, I mean, he's a bit of a neurotic in that like he talks about, you know, like many
actors, still even at his, this amazing stage in his career, worrying about when the next,
where the next job is coming from. But at the same time, um, he seems like, you know, he just,
he has a very, uh, a cool ease about him. Um, and he's a really, uh, actually a great
conversationalist and tell some really good stories. It was a really fun chat about, I mean,
the filmography of this guy, like, when I started to look at it, he's one of those guys that, like,
yeah, you've seen him in dozens of things, but I looked at the films he's done. He's just
done so much great work. He was Oscar nominated arguably for not like one of his most memorable
performances, though Rob Roy is a pretty good film. But like, you know, obviously the Tarantino
work, you know, he's done kind of a little bit of everything. He's worked with like everyone
from, like, Woody Allen to Vendors, and he's done, you know, the comic book movie
and Incredible Hulk.
He's done TV before.
He's just always working, always working with interesting people, and is always great.
He's cut from that same cloth.
He's the same generation as Gary Oldman.
And they've done a couple films, actually, early on in their career together.
I'm surprised you didn't just stalk him about Gary Oldman then.
We talked a little bit about Gary Oldman.
But even afterwards, like, so tell me, what did he eat?
What did he?
Yeah.
Got to get Gary on the podcast.
Gary. Everybody loves Gary. He's got, and Gary, hopefully, I'm definitely on that train because he's very much in the Oscar hunt for Darkest Hour. He plays Winston Churchill. So hopefully before Oscar season is set and done, we'll get Gary on the podcast.
Yeah. Everybody secret it. Everybody put it into their, put it in the earth, put it in your hope chest.
Yeah. But no, the man of the hour today is Tim Roth. And it's a conversation that touches on a lot of different things. And one of the things that, as I mentioned in the intro, is he,
maybe infamously maybe people know this maybe people don't he was offered the role of snape
in harry potter it's crazy he's like you know what i don't think i'm going to do it well you know he did he
did he kind of took the planet of the apes role instead oh which no i mean they're pros and cons
for all of us well i mean look rickman did an amazing job i'm sure tim would have done a different
kind of thing he talks about like how he had a much different take um interesting i know so um
Yeah, this was a fun conversation with really one of our, I wouldn't say underrated actors,
but maybe it's just taken for granted.
Underappreciated.
He's just always great.
So, you know, hopefully decades more of fantastic performances coming.
And certainly, this show is a fine performance, and there's already second season greenlit.
Oh, that's a good sign.
Yes, always a good sign.
What else to say, Sammy?
You just got back from Iceland.
Oh, yeah.
I got back from Iceland.
You're so adventurous.
It's amazing.
You know how I roll.
Did you do any spilunking?
Sponking.
What a great word.
Splonking?
There's no sponking.
There was no extreme sports.
But I did see a lot of wonderful nature.
I was on a glacier for the first time.
Wow.
I went into a big cave.
And you're still there.
It was touching go at times.
It looked like the inside of my brain.
I went to Cafe Loki.
At which, come on.
So just for the record, I did not, it was actually.
For the record, everybody.
Because I was accused, not nefariously, but on Twitter I posted or Instagram I posted a photo of me at Cafe Loki,
which I thought was fun considering, you know, our long association with Mr. Hilliston.
It was not my choice.
It was actually my wife had selected this.
It's a notable cafe restaurant in Reykavik, very good food.
I would recommend it.
And I took this photo, and then a lot of people on social media sent me back a photo of Tom Hiddleston,
sure enough, in the exact same pose outside Cafe Loki.
Because normally you do all of his vacations right after he does them and take all the same pictures, but this one was an accident.
What did he order? What did he order? How did he stand? Was he smiling or was it a serious one?
He was smiling. He's always smiling. So yes, I would recommend Rakevic and Iceland. From New York, it's a very quick flight. It's a cheap flight. It's a lot of, it's a huge, I was telling you before, Sam, a huge tourism industry that.
And there's like a lot of, maybe it's not your kind of vacation, Sammy.
I was going to say it sounds a little naturey for me, but.
But I'm not super naturey.
Yeah, I think if you could do it, I could do it.
Okay, let's not. Come on.
It's true.
It's true.
It's fair enough.
It's fair enough.
So, yes, if nothing else from this podcast intro, take away.
Iceland does a good recommendation, especially if you're on the East Coast.
It's a quick flight.
It is expensive once you get there, though, guys.
Okay, good.
Noted.
And you have to, if you're squeamish about it.
eating whale or puffin as i would never eat a puffin because they're adorable but you need a whale i did
have a couple bites of whale how was it that's fine you're a monster okay you're a monster oh and i
won't say who yeah this is but there's something crazy happening we like to tease things we shot
what i think is certainly in the top 10 after hours for me over the years and um it's kind of i hate kind of
teasing it because we're probably going to hold this for
at least a month because
the project the person is promoting
doesn't come out for a while. Hint.
Yes. So
here are the hints that I will
offer. It is somebody
that though
I've done a bunch with, has
never done a full on scripted
after our sketch with. Correct. And this
person, I would say, is generally
regarded as one of the finest actors
on the planet. Correct. That's all
I'm going to get right now. Because you guys have over a month to
guess um and and maybe make a meal of it so i still can't believe you got baroque obama to do it after
hours oh my god someone on twitter did already i saw yes and i wanted to fuck with you and like
their answer and i knew that that would just ruin your life you know in this time of despair
and potential nuclear war and the decline of the health care system there are good things still
happening we here after hours are still delivering we're taking care of you we're taking care of you
care of you guys. So, yes, if we also have another four to six weeks, you'll have an amazing
after our sketch. I think the internet will really enjoy. We should have it like if anything
happens to us to still release it. It's in a capsule. Yeah. As they go through the detritus of
the post-nuclear warfare, they find a canister. And it's up in the sky. Yes. So look forward
to that. But in the meantime, if you can't hold out for four or six weeks, here's a
a very entertaining chat with
truly one of the best actors out there.
Tim Roth,
remember to check out Tin Star
coming soon on Amazon Prime,
and that's all I have to say, Sam.
I thought you kept saying Tim Star,
and I was like, Tim Roth is in a show
called Tim Star.
I'm Star.
Tim Star.
I kind of wanted to see that show, though.
Yeah, I'm a little disappointed now.
I guess I'll still tune in.
Enjoy this chat.
Tim Roth is taking it.
in my office what are looking at all your stuff
what do you judge me as what do this is basically
an adolescence office this is my 14 year old
now here's the thing yeah
you have a good mate in mine looking right over your shoulder
wait which one of course
I mean come on one of my best friend
Kurt and Quentin were in for
did they come in yeah oh
that was back to back it was like an amazing
two hours of my life
aren't they funny oh my god
they're funny and Kurt I mean as you know Quentin
knows more about film than anything and Kurt
just loves to tell stories and...
It's just, yeah.
And the thing, I mean, we had...
Are we doing the...
Yeah, we're doing it.
So we had a thing on,
hateful late,
we had a coffee group,
coffee circle.
Once we got to LA,
when we'd done that,
we'd done that up in the cold.
But we had like a coffee clutch,
basically.
Amazing.
And it was the lads.
And whoever wasn't in there,
freezing their nuts off,
was outside in the sun,
having a cup of
coffee or having a smoke if that's what they were doing and chatting well there's no phones or
anything allowed so you have what else are you going to do you might as well talk so they're
sitting and they're swapping stories and it's one of the best things you've ever seen
you'd love it on your show and they they um so they're just telling i can only imagine
it was soft fun and then we started to do when we couldn't find each other we started to text each other
and we're still doing it i hear the text through continues it's still going
I was texting this morning
What's what is the top
What's the general topic of conversation
It's just it's catching catching up
Okay
Where in the world are you?
You know?
Because there's a bit of that goes on
And then sending pictures to each other
Like we're talking like gifts or just photos of things
Like are they inappropriate material hopefully
Probably
And it's just
And it's all of us
It's the mob
There's not one of the hateful aid that is not a participant
I don't think so
everyone's just on it and then you fade out because you're busy doing something and it's still
going and you fade back in you know that's amazing yeah i was excited to see you and
jennifer got a little mini reunion i just finished up watching all of twin peaks which was
oh how was that oh my god i haven't seen it it's amazing yeah i mean the fact that like
18 hours of new david lynch directed material exists in the universe was just like as soon as
i know that will do that'll do right yeah come on i talk about people to do their own thing
He's amazing.
Well,
Eraserhead was one of mine
when I was a kid.
I went to see it over and over again.
When I was,
you know,
because it was in a cinema in London
that had been squatted
by these film nuts.
Really?
Yeah.
And they would get prints
and they would show movies
and you'd go along
and, you know,
sort of watching an all-nighter
of Polish,
sort of obscure Polish films and stuff.
And then that showed up.
And we fell in love
with the woman in the radiator,
raining placentas or whatever it was.
For me, it was,
of all things,
I was eight years old
when Dune came out
and that blew
the back of my brain out
what am I even watching
what is it's crazy
I was gonna say
so there's a lot I want to talk to you about
we should mention just up front
that 10 stars the show
we're going to get to that
I really enjoyed it
I watched the first three episodes
so congratulations on it
I hear you already have a second season
that's been greenwood
I was just trying to figure out where you're at
in three
well what happened
nothing
nothing
that's what happens
let's work around
because, yes, they pack in some major twists.
I haven't seen it. I know what I was in it, so I know what's up.
Yeah. But, oh, no, three.
Just getting started?
Oh, you're just getting started.
Please, the first episode, like, you think it's one thing.
That's insane. That's why I did it.
It's okay, okay. Let's start talking that.
Because, yeah, I watched the first episode and talk about-
That's a bold move, right?
Talk about grabbing an audience with the first scene, and then by the end, kind of turning it on its head again,
How important is like the first scene in a script,
the first couple of pages in the script?
From what I can tell, because I haven't seen it,
but it's cut differently to the way it was written.
So I didn't know that it was coming.
So I'm sitting there, and I'm not looking for a TV show to do.
I'm not, I'm actually don't know what I'm looking for ever.
So it's just, I'm just reading something, you know.
And I'm starting to, I start cackling.
Because it's good, and I can see where it's,
you could play around in it and change back of the other time.
and then that happened
I was like
oh where's this going
and I wanted to know
so I thought well that's all right then
if I do then the audience might
so with a bit of luck over to you guys
you know
and then we started to play
when we started to shoot it
we started to
because Rowan
who created it he directed
the first one and he watched us
improvising me and the kids
both of the kids and then
and with the mum
and trying to we had to
because we had a short amount of time to get this family across.
Sure.
Before Devonstation is.
Yeah, I mean, we should say without ruining it,
it opens with a burst of unexpected violence.
We'll see that.
Yes, I think we can say that.
So I thought I'll have a go, you know.
Rowan is the son of Rowland, John.
Who I've also worked with.
That's the first, I would think.
I think it is.
Yeah, I think it is, actually.
Yeah, we did really ridiculous costumes.
with Roland
I had a
I had a
a wig that
made me look like
I had a cock
on the head
and it's worth
checking out just for that
which one was that
Remind me
Batel
of course
yeah
yeah
yeah
so in this
in this one
I mean were you looking
for TV
or were you not
were you constantly
not looking for TV
or what was
I don't
I don't
I truly
I don't have a plan
at all
all that which I think is kind of a plan in itself really but I don't um so I don't
know what's around the corner ever yeah and and then this just came and in a way
I had done television but I'd only I'd done television in Britain and I'd done
television like mini-series type thing right I'd but I'd not done a long like 10
episodes of a story that hung together so I was quite interested in that and they
just bought the lot out right.
I mean, this kind of format, as you will know,
like is kind of like the format du jour of television these days,
these kind of like 10 episode kind of runs,
which must for an actor be great,
because even when you did lie to me,
that probably was like a 22 episode kind of run.
We did, I think, 58 in all or something.
That's a grueling.
It is.
I mean, it's not grueling like.
I mean, you're not digging ditches, but you're doing all right.
But it's, you've got to keep your wits about you
and you have to be, you have to have to have.
have some sort of backbone.
I wouldn't like to do the kind of television
where you just show up, say your words,
hit you mark, and bugger off.
I would, I think, get very bored very quickly.
And this role in particular, I would think,
because you go to some extremes,
there's a Jekyll and Hyde nature to the character.
It's, you know, not only are,
is there presumably an arc of for this one character
over 10 episodes, but you're kind of playing,
in a way, two different characters in a sense,
or two sides of a character.
They blur by, yeah, you'll see.
Gotcha.
You're never sure.
It's shown up.
But it's surprising to me
because I don't tend to think
of a 10 episode, like a long,
I mean, you know, decent size run
of TV as collaborative.
Like usually I feel like
it's more of the show up,
okay, what they write last night,
deliver the lines,
kind of a thing.
Maybe, yeah.
I mean, it just wasn't the way
that we did it.
Certainly, and it may have been just,
I'll tell you how really,
kind of how it started was when I I arrived in on the location Calgary which we based ourselves
and there was one of those awful read-throughs that you have to go through for the execs right so
I hadn't met my who's playing the guy who's playing my boy I hadn't met the daughter and I
hadn't met my wife that's crazy and we were starting to shoot in about four days and now I had
I went right, and they were sitting on the size of the room,
different size of the room.
I went and stole all their things, put them right next to me,
got the script out, I think we were reading two episodes of those guys,
and I just started reworking.
I started just sort of cut that, cut that, move that around there,
that's good, bang, bang, bang.
And started to play, and Rowland was looking at me.
And then I started to wind up my daughter and the boy.
I threatened to shave his head,
and he actually took me seriously.
and the misses
and we started to have
the back and forth started there
because we didn't have any time.
There's no time, yeah.
We had no time.
And it kind of, when we were filming,
bled into the
episode, the first one, a bit.
There's a lot of that back and forth
and he said, do that, play it, you know,
and we were mucking about.
And he was getting it.
And it kind of is how we went after that.
It was, they would write it,
We were playing with it.
You know, we have to get them on the phone
and half the time
because he was busy doing whatever they do, right?
And then finally, I think by the time we did,
we did one episode, which is episode nine,
was improvised.
Completely improvised.
Story was absolutely bangles of the same.
Yeah, you knew the beats you had to get to.
And they, and he gave us.
You were back to like Mike Lee territory.
A little bit.
Not really.
No?
No, no, no.
But Rome was kind of up for it.
And it's a specific episode, and that's why.
And then it keys into what happens in episode 10.
I'm intrigued.
Okay, excellent.
Do you ever pick a project based on location?
You're certainly in a very interesting locale in this.
You shot this where you said, Calgary.
I've felt like that before.
Bloody freezing.
Yeah.
How high does that factor in when you're taking a job location?
First office script, you know.
to be honest with you
quite often you'd just rather be home
but that never happens
you've got to go work for a living
you know so it's
okay if I have to be in
you know in Thailand or something
let's hope I can get the kids over
and let's hope I can bring the misses
and let's you know and I hope it's a decent project
you know yeah are the kids grown now where
they're all grown now so you have a little bit more
they're up about yeah
A bit, yeah.
So when I was prepping to talk to you, and I've always been a great admirer of your work,
that being said, when I looked at sort of like just the filmography,
the thing that really struck me was the directors that you've worked with.
I want to just run through some of the list, because it's an insane list of not just, like, great filmmakers,
but like interesting filmmakers and disparate and, like, and this is just, this is a tip of the icebergs.
Mike Lee, Stephen Frears, Robert Holman, Stoppard, who's never directed again, Tarantino, James Gray,
Woody Allen, them vendors,
nor Ephron, Timberton,
Werner Herzog,
John Sales, Coppola,
Michael Hanake,
Ava Duvernay.
So that's like,
you know.
Oh, Ava's on there.
I love Ava.
That's 20% maybe.
That's 10% of the directors
he worked with.
But I don't,
that to me speaks volumes
of your taste,
of their taste in you,
sure,
of certainly luck factors in there.
But like, I don't know.
What strikes you about,
I don't know.
I've worked with Crispin Glover.
Is that right?
Just so does you know.
my back to the future poster.
Yeah, sorry about that.
He's a unique one.
He's amazing.
It's so funny.
Okay, go ahead.
But tell me, is there a common denominator
in the directors that you're attached to?
Is there, or can you kind of work with anybody?
No, I mean, like I say, there's no structure.
You hope to be inspired by whoever it is.
You're like, welcome to David Lynch.
You know, you hope to be,
you hope that you can live up to them
and that they're worth living up to.
right that's kind of where you're at did any of those that list or others kind of surprise you in terms of like the preconceived notion of what they were going to be versus they always do yeah you can't there is no preconception just you scrap it first day see what happens just get in there and start working yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah i mean have you and you you you last directed and you only years many years ago now and i was a great fan of that work the gray zone which is a tough a tough film to say the least um
Did that change you as an actor, you think, in terms of your relationship to directors, having gone through that?
No, I think, yes.
Well, actually, yes, yes, yes, it did.
I mean, I did it because enough directors, I've been annoying enough directors, I think, with my opinions and mouth about shit that I feel like, just go do your own film, right?
You know?
So, there's that, you know.
So, so we, but when there was on came, it was, it was in book form.
It had, they had tried to do it before Danny Boyle was attached at one point.
Barbara Broccoli had it as well, yeah.
And it just couldn't get it off the ground.
So we started from scratch.
Was that a story that you felt?
I mean, you've talked, you know, openly about the abuse that you suffered and your dad suffered.
And this is a film for those that haven't seen.
that's about sexual abuse within a family.
It's a tough thing to watch,
but it's a great piece of work.
It really, and Ray Winston, obviously,
one of our finest, I mean, amazing.
I know.
Did that feel like a story,
even though it wasn't your story per se,
a story you had to tell at the time?
I felt it was in safe hands
because the thing is that Alexander,
Stuart, who wrote the book,
didn't write it because his son got very ill and died,
and he wanted to write something about how precious life is
and those relationships and that's how it came about the book
I think he used that as a device to do with it
and there were elements in the book that having been on the inside of it
just felt wrong and so we talked he worked very very very closely with me on
scripting it and I said
I got you on this one.
You know,
got your back.
Was your dad around at the time?
Was he...
No, he was gone.
I wish he'd seen it.
Probably, he probably wouldn't have.
He probably wouldn't have seen it.
He was very funny.
He, uh,
he couldn't,
he wouldn't come to the theatre
when I was doing plays on that
because it can't be in crowds.
He was a tail gunner in bombers.
Wow.
In a Second World War.
He was a, he had a tough old life that felt like.
He was from here.
It was from New York.
did he let to see your film work at all?
He saw, made in Britain, and he called me up, and he was crying,
and he said, I didn't know you could do that.
I said, I didn't know, he'd join the club, me and the rest of the world.
Yeah, right.
And he was happy for me.
So he was born in Brooklyn, right?
He was Sheetshead Bay.
Amazing.
So was he, did he have, like, dual citizenship?
Was he, was he, did he spend time here at all?
Or is he?
They were, they were, my family is such an enigma.
They're bonkers.
but no he was here
until he was about
I think it was 11
and then they got on the ship
and they went to Liverpool first
and he was put to work in the factories there
and then
and then I think a brief stint in the paper mill
down in Kent
but the factories were so rough
that they threatened to run away
and so the fans
moved down to the hot fields, which is in Kent in the south of England, and they were put
to work in the fields there. So when the war happened, he was 17, so he was that six years after
being in the States. He joined the Air Force. He ran away underage, and he ran it was better
to go to war. He was living. So he, yeah, he went off and he was in the back end of bombers
for four years or so. It's amazing to think just in the span of like,
you know, three generations, your father, the childhood he had, childhood you had,
and your kid's childhood, in terms of...
Yeah.
My boy in London is a man.
In London, is an actor now as well.
And I've got a musician and probably a director as well, tucked away in there.
So, yeah, they're all...
It's better than...
They're definitely having a better time at it, I think.
Was a...
What was your relationship with, like, American culture growing up?
Did you have much...
Was it mostly, like, British film or British actors you were interested in?
No.
We wanted to, it was proper movies, you know, you wanted to, you just, the Americans, it was always that.
The idea of it is quite phenomenal.
I mean, the idea of, the, I've got, I've had, I worked in a supermarket, I worked in a pharmacy, we call them a chemist.
I've delivered newspapers and I delivered milk.
Those are the other jobs I've had, and I've acted and directed and that's it.
So I was very, oh, I did sell advertising over the phone to people who couldn't afford to.
didn't want it.
How were you with that?
Crap.
That's crap.
Not persuasive.
Your heart wasn't in it?
My heart was not in it.
But they used a lot about work actors to do that kind of job.
I'm sure.
Yeah.
Improv skills.
Yeah.
They give you a script.
So when did, when did, was it made in Britain that that ended that other life in terms of like side jobs?
No, not really.
What happened was I, I, there was a teacher at my school who spotted me.
I auditioned as a joke, but she.
I asked her later what she saw, and she said, I thought you were in danger, and she said, I grabbed you.
And she's one of those people.
She's an amazing woman, Jill Walker's her name, and ended up moving up into the north and looking after her kids.
She's one of those fantastic people.
So she snagged me and put me in this bloody play at school.
And then started to get me, this is how you audition, this is how you audition, this is how you.
you get to do this, go, okay, I know that they're looking over at this community theater,
there's this group, there's this, you know, and she started to help me find my feet,
and then once that happened, you start to think for yourself a bit, you know, and then I just
got belligerent, I got very, meanwhile I went to art college. Right, sculpture, right, yeah.
And they, they told me to, I was taking piss, because I was off acting. So they said,
go find out if you want to be in that tomorrow.
Was she right? Were you, like, getting into trouble? Did that focus you and kind of challenge?
Yeah, we were running away from school, basically. And we were hiding out in the West End and they would have been in very bad trouble, I think.
Who were, I mean, who were your contemporaries at the time? I mean, you know, I think of like, you know, people bunch you in with like old men and David was. They were a couple years older than you, but like. Gary was coming up. I saw Gary on stage and he was incredible. He's a great theater actor. That is what you guys haven't seen.
Yeah, I was going to say.
to see him do that again.
Yeah, he's got that.
He's got the chubs.
Anyway, but really,
the reason I wanted to be in film,
the reason I got to
is Ray Winstone.
And I went to see Scum in the West End,
in London.
I saw it three times in a row,
and I just was mesmerized by him.
And Phil Daniels, too, who's in that too.
Phil, because of quadrophina, obviously.
I'm sure he's sick of hearing that, but it's true.
And then I got to work with him.
But really, but Ray, watching Ray in that film was just one of the most amazing experience.
And I said, I want to be that.
I want to be that.
And my first job, which is made and written, was director by the same guy.
And then my first time as a director was with Ray.
So was, did you have to fight for Ray for, for, for, uh,
for your film?
Yeah.
I'll tell you,
that guy is as bold as they come.
I was kind of,
I put him on the,
on the back of my,
because Gary had just used him
in Nill by mouth,
you know?
Right, right.
And I was like,
oh man,
they're gonna,
I'm gonna get shit for it.
Okay,
I meet an actors.
I was quite,
it was quite astounding.
People really wanted to come
and do it.
And I'll get him in,
for fuck sake,
get him in.
So I've got this thing.
It's about five flights up.
It's a tiny,
little office
I can hear
the sound of
these footsteps
and he walks
into the office
and he's cut
out of breath
and he's
dressed
head to toe
in Russian
military camouflage
outfit
head to toe
like that
and he's like
hang on here
so he catches
his breath
and I'm just
watching
and I said
when we sat down
he said
well I'd be good
to play a good guy
for a change
and that was
his first line
that's amazing
And I went, that's the guy.
That's because if you take that out, take that out of the film,
just take that piece in the bunker out.
Prove it.
Right.
There it is.
And he's so, so, so accurate.
And I couldn't, I could, you couldn't deny the force that came into that room.
Incredible that actor.
It's interesting, because I confess, and I'm like a, obviously, a film,
a huge film gig.
It took me a while, I mean, I had seen him in your,
film but like it was relatively later in his career that in the states here i feel like that we
came to appreciate yeah you guys got him late we did we didn't see definitely did um Scorsese
got all of him you know right for departed yeah of course yeah but but he'd been about he
he was a working successful actor he just had oh god yeah yeah yeah he's he's quite a quite a thing
I mean considering you know where where he was dragged up did you have were there like did you
have like rivalries or feel like competitive with your fellow your peers
at the time.
I mean,
you and Gary
appeared in a couple
films together, I think.
We did too.
We did Mike Lee
thing meantime
and then
Rosemary and Stinson
was just a laugh.
No,
I was kind of inspired.
I mean,
I would get nervous
meeting them
because they were
a lot of them
were already out and running.
Right.
They were serious contenders.
He had a bit of a head start
on you.
Whoa, man, yeah.
And he was bloody good.
No, you just steal.
My,
I, if you're in, oh man, look at that guy go.
Whoa.
And the idea of coming to America came from Gary
because Gary came over to do State of Grace.
And he was telling me about it.
And I was like, what a great idea.
I mean, fuck it, there's no English one over there at a moment, right?
And there's plenty of room for pasty-faced London.
As we now know, yes.
Well, no, well, that's it.
I know, but we were the first ones.
he built out he built the bridge and I climbed on it and what was was it was it was it was a
reservoir dogs that really was the the awakened for the American audience oh yeah yeah I mean
and I think that I mean I quentin correct me I'm sure but I think the reason that the
that he was interested in me it quentin's interest me in uh was because of rose
and cramps and gullen soon I did oddly strangely Tom stopper's only film he's ever directed you know
why he said I well he
because a lot of people
wanted to direct that I think Scorsesey wanted to direct it
I don't doubt it that script's amazing
which he wrote that when he was 27
insane yeah
but he he said I'm the only one
that will treat the material
with any kind of disrespect and it's healthy
you need that
and he's also cheaper
so
we have to address the
influence on each other of
you and Quentin
When did you know that this guy had the stuff to back up his bluster?
20 pages in.
I already knew.
You just knew.
You reach for the fun.
You cannot believe what you're looking at.
If you go back and look at that script, you can see there's a great filmmaker at work.
I didn't know that he'd already had to sell true romance.
Natural one killer.
I didn't know that.
He told me all of that later.
But no, 20 pages in.
You already know.
I probably at some point
I read some of his scripts
years ago
but like everyone always says
like you read his scripts
and they read like
great to read
it's like brilliant
the stage directions
are as entertaining
as the dialogue
oh yeah
when we did the reading
of we did a stage reading
of hate
of the script that got leaked
and he read the stage directions
and it was the most fun
and he would talk to the audience
as well
I'm sure he's a hand
and he loves it
he would slap us about a bit
as well
but if we were taking too long
with something.
Oh, he's a workshopping at
and he was figuring it out.
He's amazing.
I read something somewhere
this might be
not true at all.
Was there ever talk
that you and Gary
were in line
for Pulp Fiction
for the
for Vincent and Jules?
Have you ever heard that?
No, I've never heard that.
Okay.
No, I've never heard that one.
So we already addressed
that the text group
continues.
So you and Quentin
are friends outside
of these collaborations.
We are, we chat.
Yeah.
I saw him the other night
because it's a quarter of a century
since we made that one.
So we had a bit of a get-together
in L.A. and one up here, we did.
But yeah, we see, you know,
the thing about Quenton is he's always on the move
and he loves to go see movies.
So he will just go to a festival.
Right.
And he will, you know,
and then while he's doing that, he's writing.
I know, and I'm so curious
when he was in here he talked about,
I'm curious about the stuff we've never seen.
Like, have you read some of his scripts
that, or, or,
film criticism that he's written
and he said he's been like running film criticism for years
he's going to publish a book at some point
like have you read some of the stuff that we've never seen
no and and he's told us about it too
yeah we're all like yeah let's have a look
that's that mother really up he's just
I mean my God he's he's an encyclopedia
truly they had a thing they had a game going on set
Bruce Dern and and
Quentin yeah
that we would just roll
in her eyes. The two of them, oh man,
crazy. It was
Bruce would name an actor, I think, and
you'd have to name three things that that person
had been in. I don't want to be a good at him,
I can't. They were really trying to outdo
each other, like really trying to
I don't think he ever got Quentin, he might have got Quentin
once, stumped him. Right.
But the two of them going at it. They'd be
across the room. I'm sure. And we're all sitting there
like this. Come on with it, would you?
I was telling you, when you
walked in the building, like how I've kind of given up
the junket thing as we all hope to one day
and I think one of the last ones I did was for
that film and I remember talking to Bruce
and he is so not a junkie guy
I asked them like they were rapping me
they were like you have one minute I asked Bruce
a question and he gave a 10 minute anecdote
about working with hitch and everything was just
amazing oh yeah no he's the thing
you know that's what you know
you want to be with a fast speaker
when you're doing when we're doing it
you know I did turn it honestly
but he's just intriguing
he talks to me about football
English football clubs
he's crazy about that
right he's a bit of a gamble
well he he was a runner
that's right
in our time run yeah
yeah yeah yeah it's a real deal
um
have you read the Manson project
that Tarantino's got
no he told us about it
but um you know
we we stay away
you're like when you're ready
yeah after the debacle
in the last one
you don't want to be the one
to leak anything
so that was so infuriating
did we ever get to the bottom of this
do you know who
no where that went
I can't say nothing
I think you have your theories
I want to hit some random things
I'm a big fan of everyone says I love you
the Woody Allen home I really am
I've seen that one
I recommend it
I have seen it you know why
I wanted to be in a musical
and my wife loves musicals
but I wanted to find out
what the moment was like
where you stop speaking
and start singing
song. That's a big moment.
And then the afterburn of that.
And I saw I got to experience it just for a second.
Did it feel like you're jumping off the ledge or was it?
Yeah, a little bit. Yeah. And you've got
you've got the click track going and you're having your conversation and then it
comes and then you've got to go for it. And it was, the thing about what he,
Alan, when his deal with that was that you could choose if you wanted to sing or not.
Oh, interesting. And it wasn't about being.
being a great singer is about the actors doing that.
And some of the voices,
it's bloody awful.
Mine was too, but I just wanted to experience it.
But there's an unexpected,
it sounds like you haven't seen it,
but there's an unexpected kind of poignancy for me
to see kind of like these non-professional singers
kind of just open themselves up.
But I, you know, I know I did watch that one.
The reason I can say, I did watch that because I kind of sat with my wife
and watched it.
And she just started crying.
I was like, result.
You know, Planet of the Apes has its fans and detractors.
I will say, like, even in a film that's flawed,
there are a couple of truly great performances in there.
One of them is yours.
I would put Gi-O-Madi is doing some really cool stuff in there.
He's hilarious. Great.
Do you have fond, I mean, the makeup must have been insane.
Is it...
I would fall asleep while they were doing it.
And then they just pucked me up when they need me to sit up, they wake me up.
I was down with it.
I was fine.
You enjoyed it?
My best makeup crew ever, it started up as a,
five-hour makeup and ended up as a two and a half-ish they were incredible and i just kind of i i've
always liked the physicality of things so i just the guy who who was my stunt double was also is a
terry notary yeah he's done stuff on the new apes films film too right yeah and so we would
just get into it yeah we were we had the best time have you have you done or are you interested in like
the performance capture stuff is that kind of thing
I've only done it with the Hulk.
I've not done it with any...
And we brought Terry on
on the Hulk from...
I said, you've got to get this guy.
He's incredible.
And he did the Hulk.
Interesting.
Yeah, and then I think he did Avatar,
and he's done...
He's not a ton of these, yeah.
He's such a cool guy.
Does that, does the experience again
on Hulk, which may have been a mixed bag
for you, I don't know how you look back on it?
Does that cover your, like,
willingness or interest in doing another comic book film?
Have they come calling you?
I love it.
Of course, yeah.
It's all they make now.
It's just fun.
You know, but you want to do, I do, I mean, that was, you know, my dad's a monster.
You know, you got, you got, you've got, you've got, you've got, your frog, my dad's a monkey, my dad's a monster.
You're pretty much covered, yeah?
Well, you've built some psychiatric bills too, perhaps.
No, no, no, no, no, it's fun.
It's fun.
Now, is it apocry or true that you, speaking of Plano the Apes, that you turned down Snape to do that.
It isn't, it, it sounds kind of arrogant, but what had happened was, I'd said yes.
and they were
they were being really really cool about it
I got Planet the Apes as well
and I
they were going to fly me back and forth
and it was going to be like that
where I would be doing one and then
and then I was going
it started to make my head spin
and then
I mean I really wanted to do
the Harry Potter things because I was reading them
to my boys
and and I was kind of down with that
but it just
I didn't know if I was ready to stop
and I felt that if
I did
if it did do what I thought it was going to do
and did do it would be a hard
a hard one for me to break out of
and try and get back to work
for me I wasn't ready yet
well even even I mean you know the late great Alan Rickman
I mean I spoke to him he was amazing
and but I spoke to him actually
just a few months before he passed and
and he had just directed a film final
he had returned directing
and it took him a while
partially because of his DP
Is that right?
Yeah, I called him up
he's one of the first people I called up
to ask him for advice
Amazing
He's one of the only actors
He directed, did Winter's Guest?
Yes, Winter's Guest
and then he did one
right before his passing actually
So I called him up
and I said if you got any
anything to tell me
any kind of recommendation
he said sleep
Just get lots
of sleep
when you eventually saw his interpretation of Snape
was there any bitter sweetness
like oh I would have done it a different way
it would have been very different
and that's okay too
no no no no no
I was actually thinking about it today
you were talking
it came up
and I wonder if they would have let me
play it the way I wanted to play it
well that's intriguing what was your take on it
it would have been a very different
kind
it was just what came to my mind
when I was reading it
Well, what came up to elaborate?
You can't just leave me hanging like this.
He would have been...
No, it doesn't matter.
But it...
No, no, no, I can't.
But very different, as he would have been different from any actor.
I mean, you just, you bring what you got, right?
I just would have brought a different bag of tools along, basically.
I want to mention one film that I've only seen once,
partially because it's a great film,
but it's also talking about films that are tough,
to watch funny games is maybe the toughest film to watch for an audience.
I was horrible to be in.
Michael Hanakey.
I love him.
I'm amazing.
It's not about that.
It was, I found it personally very, very difficult.
I found, it's hard to do because you're, he shot the whole thing in sequence.
So you start.
You're going on that journey.
You're going on it.
And you start your day that way, where you've left off the day before.
And it was incredibly distressing.
and the boy
who I loved
looked just like my son
and I just couldn't get
my head around it
I think it was heartbreaking
being in that
well it's almost like
and then Naomi was like
Boulder's brought there she goes
you know you got love
Naomi right
but it just feels so like
at least I remember at the time
it felt like the reality of it
was almost too great to handle
like it's oh this is what it would
be like to go through a horrific home invasion
And that's a virtual reality
I don't need to experience
And you know Brady and Michael
They were brilliant
They were brilliant
Yeah
They were just as sweet as they come
And they were
It was very
I mean you're working with proper goods
So you're right
It was all in my head
That you know
It was one of those ones
I just couldn't shake it
I could not deal with it
It was tough
And I didn't have
The toughest part
weirdly
I'm surprised it took this many years
for you to work with David Lynch actually
that feels like that that's a match
that could have worked on many different films
had you ever discussed anything before two weeks
no not with him
with his daughter
Jennifer yeah she was going to direct
me in a film
and he was going to play my dad
and maybe one day we'll get to do it
but that's about it
but
but he's
heroic
you know
his film
making is
and his television
astounding
so I just was like
yep
what do you want me
to do
and
unbeknownst to me
cast
Jennifer
and it was like
and he didn't cast us
because we're in
Hayful 8
just thought
we'd be good together
no actually
that's very true
very right
good instincts
I love him for it
are there
are there certain
directors that
you're surprised or disappointed
you haven't worked with yet
I mean like
you know I think
a lot to something like 10 Star
and it has a little
a little Cohen Brothers thing
to it I would say maybe
They don't have me
What?
They've got Steve
You're supposed to Semi and
Tim Rock
They've got Steve
They won't have me
Do you find that you go up for the same roles
You probably
You're interchangeable
I don't know
I'd
Well he's just
Oh God he's adorable man
But no not really
He's busy
I'm busy
Right
But we saw each other
recently for the first time in long
time. I remember sitting with
Steve. Steve was having a tough time and he was
it was
you know trying to get a job
when I was actually doing funny games we met
over in Brooklyn in the studio there
and next thing you know
I wonder was it was it boardwalk that kind of revived it before that
happened yeah boardwalk empire and there he went
huh you got to love that I love that stuff
a little prestigious HBO show can do a lot for somebody
a little yeah
god man it's incredible was there a fact
period for you where you felt like, okay, I had my run and it's just, it's drying up. It feels
like you've worked pretty continuous. I always feel that. I do. I have a very, very healthy
fear of unemployment. And that's, that's a very British thing. Is that where it comes from?
I think so. And seriously fierce work ethic. Like, yeah. Is it, is it annoyingly so, I think.
But it's not, it's not self-doubt in your ability. You know you've got the chops and you, in your, you know, without
tooting your own horn you know you can do the job yeah but you want to keep everyone going
i mean that's the other thing you know you look after the family and you got to keep that cracking
along right and i like that and um and so so you yeah i you know this was this was six months away
from the mob and with going back to do another six months on it and and i would fly out as much
as I could to home, which is in California.
But even so, it's a long time to be away.
Yeah.
And it's hard.
Yeah, no, I'm driven by unemployment.
It's healthy, maybe.
I think it probably is.
Keeps you going.
Yeah.
Yeah, I mean, what's the longest you go without working?
Are you always, is it just like a month or two and then on to the next?
No, I find the best situation to be in is if you know when the next one is and you've got a gap.
That was, that was good.
I had that when we did lie to me.
I was like, give me, I'm on a gun on holiday.
Yeah, it's the closest to a day job
an actor has, or a theater, I guess, but that doesn't pay.
Network. Network is.
Right. Yeah. Right.
So, because I think you said at some point that, like,
you thought by 50, it might, it might, it might.
I thought maybe mid-40s, I'd be,
that would be happening. And then it just started to get even more weird.
Well, I was going to say, I think for an act, for a male actor in particular,
actually, the roles kind of get more interesting.
Well, it did get, it got really weird.
It got really like, oh, oh, all right, yeah, I'll do that.
I'll have a bit of that.
And, you know, and you started to go, and then it really got quite wild.
I, I was talking to my wife about it, you know, that they gave me a TV show to do.
I think that's all right.
I'll have a go with that, sure.
I'll take a bit of that, you know, and then they want to do it again.
Yeah.
And I, it was good.
It's been just this incredible.
ride but if but taking really ignoring structure is the most important thing for me in that
although it's it's scary you don't know what the next job is going to be right and and doing
light to me was interesting because I didn't it was just an experiment for me I just thought oh
I'll see if I can do that and and I didn't care about the the barrier between TV and films
they can screw themselves I don't come from that anyway so I just
just had a go. And it was like, oh, this is kind of interesting. I hated it at first and then
really liked it by the end. Do you consume much in the way of TV and film? Are you? No, I'm
old movies. Except my kids, we have a couple of things that we do. Um, I should, maybe I should,
well, I'll tell you, uh, one of the things that we have in my house with, when the boys are
around is crap movie night. And you got, you get to pick him for crap movie, right? And you get to,
it, and you have a beer and you watch it, and you just enjoy it because it's such fun.
I'm not saying which ones I would never say.
But that's a thing that we do in our house.
I've been in some of them.
So, you know, and then, believe me.
Are you giving live commentary on your own films?
They do.
The boys, I get, I get grief.
I think you can make big money on a podcast just commenting on your own films.
Just that.
Just a little camera in the kitchen.
and then the other thing
that they've done that binge watching thing
which I
they started me on I never
done I've never done before which I so now this
is how people watch their telly right
so
we binge watch Rick and Morty
right which was excellent
and I want to do a voice from that so badly
oh I really really really want to do it
and then
then Walt's television show came out
oh our principal's
I haven't seen the new season yet, but yeah.
Oh, God.
So we sat, we watched the whole lot.
And of course they know him a bit, so they were crack.
It's so funny.
And then my middle boy made me watch, which wasn't hard, wet hot American summer.
We started with the movie and then both of the TV seasons.
Amazing.
And we watched a lot, and it was such a laugh.
We had a great time doing it together.
Have you done, like, any comedy on that extreme and that absurdity level, I'm sure?
Four rooms, maybe would go, but not a little bit.
Yeah.
Yeah, that was more cartoon.
Yeah.
No, and I...
Is that out of your comfort zone?
No, I'd have a go.
Yeah, I'd have a go.
I was trying to do one with a wonderful funny or die mob.
Yeah.
But my schedule just got bugged up, so I can't do it.
But they're doing something really, really good.
But I did do one of their little sketches.
that they were funny or I think.
I did one called Brostitute.
Okay.
Which is worth a look.
I'll look it up, yeah.
And I fell in love with all of those guys.
I think it's one of the hardest things to do.
Absolutely.
And you are really placing yourself in the hands of the director and the editors and all of that to get your timing.
You just have to give it up to them.
No, I've just never been invited to the party.
Well, you were hereby invited to my party.
I was telling you before I do a lot of schedules.
If you look to your right, you'll see Michael Shannon on the wall doing something very stupid.
He was, I was in, I saw a movie that he did, I'm going to lose it, I was, I was judging it, it was one of the films that we saw, maybe it was in Venice, 99.
99 homes, great.
Oh my God.
Rami and Barani, director.
Heartbreaking.
Just.
Underrated movie.
Yeah.
They've just collaborated again on Fahrenheit 451.
Oh, did they?
Wow.
That's going to be intriguing.
I think he's incredible that guy.
and what I think
what I liked about that was
it was multifaceted
what he was doing
is a clever actor
I think there's a drinking game
associated with this podcast
every time Michael Shannon's name
comes up because he comes up every
He must do
because he's got to be a favorite
he's the best
so this is good
I mean talking about like knowing your schedule
you probably know your schedule
a bit for 10 star season two
I do
that's good
is that the next gig
is that where you
no
I'm doing
which I can't
I can't talk about
because I haven't done
the announcement nonsense yet
but I'm
I've got two movies I'm doing before,
and they're both with very new directors.
So I'm kind of jamming them in,
got it before I have to go up in the mountain again.
Why has the Star Wars baddie thing not happened yet?
This feels like inevitable that this is...
Jeez.
James Bond?
Where's the James Bond action?
Yeah, there was again on the IMDB
that said that you were in the running for Obi-1 Canobi way back when.
Was there any conversation?
Oh, man.
I have no idea about that one.
Okay.
Maybe lost in your email pile.
Maybe.
I just, no, it's a friend of mine,
the woman who plays my missus in Tin Star,
Genevieve Overriding.
She, oh, right.
Oh, is she the young Monmouthma, I think,
in Rogue One?
Was she in, yes.
Yeah, so she's part of the family.
She got to put a good word for you.
Oh, God, she's so funny.
Come to come.
So we'll have you in a Star Wars movie
in Rick and Morty,
and we'll get you,
And I'm going to convince you to do a sketch here next time you're in town.
Yeah, and then something with Will Farrell will do that.
Okay.
And I want to work with Kate Blanchett, so that's definitely on the list.
Have you never, yeah, you and Kate?
We almost got, there was a moment where I almost directed her very, very early on just when I was thinking about going back and doing another one.
But I couldn't get the money together for it.
You got a few decades left to hit all these things.
You'll be fine.
You'll get there.
but she's astounding.
Yeah.
Genius.
Well, congratulations on 10 Star.
As I said, I'm always a fan of your work
and I was very impressed by this one.
I'm looking forward to seeing the rest,
including episode 9,
which is completely improvised,
which sounds amazing.
I say that.
The thing is, I say that,
and it came from him.
Yeah.
That's what's interesting.
It's just, it's whether the producers
have got the balls to let us have a go.
It's good to have ballsy producers.
They really do.
We'll check it out.
It's on Amazon Prime,
I think September 29th, 28th.
29th. So check it out, everybody.
Tim, thanks so much for stopping by it today.
Pleasure.
And so ends another edition of Happy, Sad,
confused. Remember to
review, rate, and subscribe to this show
on iTunes or wherever you get your podcasts.
I'm a big podcast person.
I'm Daisy Ridley, and I definitely wasn't
pressured to do this by Josh.
Hello Fall. I'm Anthony Devaney. And I'm his twin brother, James. We host Raiders of the Lost
Podcast, the ultimate movie podcast, and we are ecstatic to break down late summer and early
fall releases. We have Leonardo DiCaprio leading a revolution in one battle after another,
Timothy Salome playing power ping pong in Marty Supreme. Let's not forget Emma Stone and
Yorgos Lanthamos' Bougonia. Dwayne Johnson's coming for that Oscar in The Smashing
Machine, Spike Lee and Denzel teaming up again. Plus,
Daniel Day Lewis's return from retirement.
There will be plenty of blockbusters to chat about two.
Tron Aries looks exceptional, plus Mortal Kombat too.
And Edgar writes, The Running Man starring Glenn Powell.
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