Heart Starts Pounding: Horrors, Hauntings, and Mysteries - 108. Australia's Most Haunted Prisons
Episode Date: March 6, 2025Does the devil stalk the Isle of the Dead near the Port Arthur Prison? And what supernatural force keeps people out of cell 17 at Old Melbourne Gaol? TW: references to child death Port Arthur Ghost Ph...oto Referenced: https://www.reddit.com/r/ParanormalEncounters/comments/1b80att/just_got_back_from_port_arthur_ghost_tour_and/#lightbox Subscribe on Patreon for bonus content and to become a member of our Rogue Detecting Society. Patrons have access to bonus content as well as other perks. And members of our High Council on Patreon have access to our after-show called Footnotes, where I share my case file with our producer, Matt. Apple subscriptions are now live! Get access to bonus episodes and more when you subscribe on Apple Podcasts. Follow on Tik Tok and Instagram for a daily dose of horror. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
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On a warm day on the southern tip of Tasmania, a blogger named Leonie meandered down a path
towards the crumbling remains of an abandoned prison.
Her young son held her hand in his, and he kept squeezing it.
Leonie could tell he was a little scared, but this was an important piece of history,
she told him.
This was Port Arthur.
What's that then?
Her son asked and pointed out into the distance.
A tiny black dot sat just beyond the coastline.
It was a small island just off the coast
from where the prison was.
And the sight of it was enough to elicit a shutter.
Crooked, lichen-colored gravestones
poked out of the earth.
Beneath its soil, hundreds of corpses were buried.
It was what was known as the Isle of the Dead.
See, Port Arthur wasn't just some bucolic historic town,
like Leonie had told her son.
It was the site of one of the darkest prisons
in Australian history, and it had once been home
to thousands of exiled prisoners. And today,
it was said to be very haunted, but she didn't want to tell her young son that. He was already
scared enough. Leonie watched as he wandered around beside her, exploring the old buildings.
But something changed in him when they got to one of the houses on the grounds called the Parsonage.
The Parsonage was an orange residential home
that used to house the settlements reverend
back in the 1800s.
Leonie didn't get a chance to see the inside,
though her son stopped right at the entrance
and refused to go any further.
It was weird, but he was a kid.
Kids can be fickle. Except he seemed to be
unsettled after that moment. His eyes filled with tears and he kept his fists clenched at his side
as they continued their tour. He wouldn't go inside any of the other buildings either.
And when Leonie asked what was wrong, all he could say was
that he felt angry. The thing was, her son wasn't an angry kid. The thought crossed
Leonie's mind that it seemed as if something had inhabited him, taken him over almost.
But no, that's a silly thought, and she shook it off. The two kept going
until they got to a circular shaped structure. The building was strikingly
elegant and symmetrical with a core central hall and a few wings branching
off from that. A sign told visitors this was the separate prison, a wretched place where prisoners
would be kept in almost complete isolation and often were deprived of
light and sound as a form of psychological punishment. And as Leone
approached, she heard a low guttural growl coming from behind her. It was her son.
He was pacing outside of the prison,
growling with a frenetic energy
that caught the attention of other tourists.
What was going on with him?
This was so unlike him.
Through clenched teeth,
he explained that he was trying to keep the mad in.
Yeah, it was time to go, Leonie decided.
She didn't know what was happening to her son,
but something was wrong.
Right when they left the grounds though,
something even more unsettling happened.
He completely relaxed.
The tension left his body and he exhaled with relief.
According to him, the anger was all gone.
And that brings me to today's episode
because Leonie's son is not the only person
whose body became possessed by something
when they crossed the threshold
into the abandoned prison of Port Arthur.
Some even say that this is where the devil lives on earth.
It's common knowledge that this place has a tragic past.
And today I wanna share that dark past with you.
But I also wanna tell you about all the ghosts
that remain there.
This is Heart Starts Pounding and I'm your host, Kaylen Moore.
I have a really ghosty episode for you guys today, stories surrounding two relics of Australia's
brutal prison system, the Port Arthur Penal Colony and Old Melbourne Jail.
I also want to say just upfront that some parts of this episode are tough.
We're going to discuss confined spaces, sensory deprivation,
infanticide and execution.
So that's why it might be nice to actually start
on a lighter note and shout out one of you guys.
Remember, you can always send me your morbid
and macabre facts about yourself.
Like if you work in a haunted building
or if say John Wayne Gacy performed
at your third birthday party.
I prefer if you send these to me telepathically
but if you have to, you can leave them
in comments and reviews.
Today, I wanna shout out one of our listeners
who wants to go buy the name Beetlejuice
and they let me know that they're actually
the little Victorian child that used to own Gordie, my monkey doll. Thank you for letting me know that they're actually the little victorian child that used to own
gordy my monkey doll thank you for letting me know that i'm sure gordy is thrilled to hear from you
or not it's really hard to tell what he's thinking through those cold
dead eyes but i can only hope he's excited
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So Port Arthur was a penal colony on a peninsula at the southern tip of Tasmania, an island off the coast of Australia. The area is surrounded by sea and massive cliffs. It's
very stunning. The kind of place you would want to take a vacation. And it was gorgeous in the
1800s as well. So gorgeous,
actually, that Britain decided it was going to fill it with prisons. A little history on the
Australian prison system, but it began around 1788. At the time, penitentiaries across Britain
had this big overcrowding problem, and to fix it, they came up with the bright idea to just
ship their prisoners off to Australia, which was one of their colonies at the time. Around
a hundred and sixty thousand convicts were exiled during this period and most
were sentenced to hard labor to build infrastructure in the developing area. A
lot of prisoners actually stayed in Australia when their sentences were
over which had a big influence on the country's population.
Something like 20% of all Australian citizens are descended from convicts. And if you are,
please let me know. That's a really fun fact. I know one of my Australian listeners has to have
crazy convict grandpa lore. But at the time, Port Arthur was a perfect place to put a prison
because of those cliffs. They made it really hard for any of the prisoners to leave.
What was an escaped convict going to do?
Climb down the cliff and swim through
the shark-infested waters?
And thus, Port Arthur was created.
So the first boat of convicts arrived in 1830,
and they were basically there to increase timber output
to build ships and houses.
Upon arrival, they were usually put in chains that they had to wear around the clock, even
while they worked.
But here's the thing about Port Arthur, and prisons in Australia in general, that
made them really disturbing.
Because it was so isolated, Port Arthur was able to run sort of human experiments.
British officials wanted to figure out the best way to rehabilitate prisoners, and they
were willing to try all sorts of dark and twisted methods to do so. And that's why
a building called the Separate Prison was built. The part of the
prison where Leonie's son started growling and trying to keep the mad in. Yeah, there's
a reason for that.
One of the first prisoners sent to the Separate Prison was a man named Mark Kelly. Mark was
incarcerated for burglary at another penal colony, but was then sent to
Port Arthur. He was the kind of guy that disliked authority and got antsy when he got hungry. I mean
same. Shortly after his arrival, he got into a fight with some guards over his food rations,
and he was tossed into the separate prison. It was where they put the convicts that they wanted to
teach a lesson to. The design of this separate prison was actually modeled after a place called Pentonville,
an experimental penitentiary in England that was built a few years prior.
So Pentonville was designed to rehabilitate prisoners through something they referred
to as, quote, isolation and moral growth. Essentially,
they believed that if prisoners spent enough time alone and had limited access to other sensory
inputs like sunlight and noise, then they would be forced to reflect on their crimes, and that would
rehabilitate them. But what did this look like in practice?
Well, Mark was kept alone all day, every day,
in an isolated cell, a small concrete box
reminiscent of being walled alive.
Inside, there was a hammock, a Bible, and a toilet bucket.
There was a small window that let some light in,
but it was actually too high up for him to see anything out of.
The few times a week that Mark could leave his cell,
the guards would throw this thick hood over his face so that he couldn't talk to or even see the other prisoners.
He could tell that there were other prisoners around him, but he never saw them.
He didn't even know that they,
too, were wearing the same thick hoods. And this lack of human contact was really tough on prisoners.
Today, we know that this level of isolation can increase anxiety and depression, but back then,
they really thought that they were helping the prisoners. But maybe, strangest of all, of everything Mark experienced, he actually realized that
he couldn't hear anything while he was there, and at first he thought that his hearing was
going.
But then he realized that this was intentional.
See, the guards weren't just trying to isolate prisoners, they were trying to sensory deprive
them.
No sights and no sounds.
So what they did was they laid down mats on the floors so not even footsteps could be
heard.
And prisoners were not allowed to make any noises.
No singing to yourself, no humming, coughing and sneezing even got you in trouble.
On the chance that you did make a sound, you would get sent to solitary confinement. And those cells were
even worse. They were padded and windowless, so they robbed prisoners of both sound and
light. Depending on what you had done, your time in those black pits could last anywhere from hours to months.
And again, they thought that this would really heal prisoners. But the level of sensory deprivation
was actually just psychological torture, and it was driving all of the prisoners slowly
mad.
So Mark wasn't really a violent guy. He was in Port Arthur, remember, for
a non-violent crime. But he started being prone to more outbursts the longer he was
there. And the same went for a lot of the prisoners around him. On one rare occasion
where Mark actually got to see someone, Mark was at the doctors when he brutally attacked the man tending to him.
But that was so unlike Mark. Could it really be that this system built to help these prisoners
was actually making them worse? After Mark attacked the doctor, he was banished to grave
digging duty over at the Isle of the Dead, the island filled with the bodies of prisoners who died at Port Arthur.
But honestly, anything was better than being trapped in that nightmare.
There on the island, he spent all day alone, digging graves for the men that he had never even
seen the faces of. Except for one grave. There was one single grave on the island that wasn't for a prisoner.
It was for an Aboriginal Tasmanian woman
who died in 1833.
In some ways, she was the only reminder in the entire area
that people had lived here once.
It was actually this beautiful community
before the British built this horrible prison on top of it.
One evening, just after the sun had set, Mark was scrubbing lichen off of the
graves when he heard rustling coming from behind him. At first, Mark thought it was just his brain
imagining sounds again like he used to do inside of the separate prison, but then he heard it again.
It sounded like footsteps on the dry brush coming towards him.
He turned around to see who it was, and he froze in place. Standing about 15 yards from Mark was
the shape of a man, but his face was inhuman. Cold, emotionless eyes were deeply sunken into the figure's face, its jaw hung slack
and at an odd angle, as if it were broken.
The skin of the creature seemed to be decaying, right off of the bones.
And for a moment, Mark thought it looked like one of the bodies had crawled out of the graves
and was standing there, just staring at him. But before he could say anything,
the figure smiled and reached for him. One of the guards back at the prison
remembered the sight of Mark running towards him, a terrified look on his face.
He broke the rule of silence to tell them
that he was sure he saw the devil lurking in the graveyard
and he begged the guard to let him leave the settlement.
But the guard was skeptical.
Could it have been the months of isolation
that broke his mental psyche?
Or was it that the devil really did stock the grounds
of a place as horrid as Port Arthur?
Well, it seemed like officials at the prison thought it was his deteriorating mental state.
It was so common for prisoners to go mad at Port Arthur that an insane asylum was built next door
in 1867. Prisoners with depression or who otherwise were deemed mentally unwell
were sent there. Mark, however, was not allowed to go to the mental asylum. They needed him
to work on the graves, and they forced him to go back to the cemetery, where each day
he would dig graves while the figure stood and watched. a crooked smile splashed across his decaying face. And it wasn't
long before Mark was the one being placed in a grave. So over the years, it has been suggested
by some that Mark didn't go mad, that he really did see the devil out there on the Isle of the Dead,
and that a malevolent force is still on the grounds today.
Port Arthur eventually closed in 1877, Britain stopped shipping off their convicts years earlier,
and the decrease in population put a damper on the settlement's work production.
Eventually it couldn't sustain itself any longer, and after its closure, the area was
broken up and sold off in pieces, and the town was renamed Carnivon.
But this story makes me wonder, what took over Leonie's son?
Some believe that he was possessed by the same madness that had possessed the men who
once lived at Port Arthur.
But others believe that it really was the devil.
Let me tell you about a few other ghostly encounters
from the closed prison though.
And I wanna see if you can make sense
of what's lurking there.
Today, Port Arthur is open for ghost tours.
And if you go visit, you can basically expect
to have a paranormal experience.
Most people who go will say they hear things
like muffled footsteps or disembodied cries
from the depths of some of the abandoned buildings.
You can walk down the halls of separate prison,
down the cement corridor, past the individual cell blocks
where you may hear the faint sound of footsteps
pacing back and forth.
You may even hear a scream
coming from the other side of the hall,
reminiscent of a prisoner who just hit their breaking point
and was about to be carted off
to the insane asylum next door.
But it's not really the sounds
that most people are afraid of.
Sometimes it's what they see that keeps them up at night.
There was one Reddit user who snapped a photo of the prison entrance in the dead of night.
The photo is dark, you can kind of see the front window of the building in it, and there's
a light coming from an alleyway that sort of illuminates the side of the building.
But it's really hard to tell what you're even looking at.
It wasn't until the user decided to brighten the photo
that they really saw what was lurking there.
In the enhanced version of the photo,
the building comes into full view,
but there's still areas of total darkness in the corners.
And in one of those areas off to the side,
coming out of the shadow next to the building
was a haunting, pale face.
And it is unmistakable. You can see the outline of a nose and lips, and clearly see one wide
eye staring straight at the camera. The other eye is hidden in darkness. It's honestly
one of the eeriest photos from someone claiming to have proof
of the supernatural that I've ever seen, and that's just the entrance of the building. Inside of
Port Arthur, two areas tend to be the most haunted. The first, of course, is the separate prison.
One night, a World War II veteran was taking a tour. He walked through the dark corridors,
listening to the guide wax poetic about footsteps and shadowy figures and whatnot,
when all of a sudden, the vet split off from the rest of the group. Alone, he drifted towards a cell.
It was shockingly small, hard to believe that anyone could live there for a night, let alone weeks or months on end.
To get a better look, the veteran stepped inside, and as soon as he did, a
jolt of despair shot through him, making his vision swim.
He swayed on the verge of passing out, his legs went weak and he crumpled to the ground, frozen
in place as horror ripped through his bones.
All he could do was pull his knees to his chest and wait for help to arrive.
The guide later found him that way.
Once again, it was like he was being overtaken by something.
Like the madness that Leonie's son was trying to keep away was also overpowering him.
And that, to me, is what is so scary about Port Arthur.
Yes, it's creepy to hear footsteps coming down a corridor or to see a figure out of
the corner of your eye, but it's the amount of people
who feel like they've been hijacked by something evil or mad
that really scares me.
It's one thing if the haunting is happening outside of you,
but what happens when it's coming from inside?
And that brings me to the second most haunted area
of Port Arthur, the Parsonage.
So the Parsonage was where the Reverend lived.
And remember, Leone's son couldn't even go inside.
He just stayed outside pacing.
That leads me to believe that whatever is happening
inside of that house is evil.
During restoration efforts in the 1980s,
a building team of three were staying at the parsonage.
And during their stay,
they mentioned that they would hear banging noises
coming from the roof,
but they couldn't figure out what was making the sound.
One night, one of the workers was headed to his room
after a long day,
probably excited to flop onto his bed and rest,
but someone was already in there.
It was a woman.
The man looked straight at her,
but the edges of her outline were blurred.
Like someone had run over her with an eraser.
She had a gaunt pale face that was obscured by a shadow.
Honestly, she sounds a lot like the image
that the Redditor caught on camera.
Before he could scream, the air in the room
turned ice cold and the curtains flew up.
And after that, it seemed like she was gone.
Then one night, another builder was asleep
when a bad feeling woke him up.
Something was pressing on his chest
so hard he couldn't breathe. His eyes shot open as he felt a pair of invisible hands
wrap around his throat and squeeze. He thrashed, trying to get the unseen thing off of him.
And he must have managed to scream because his co-workers ran into the room to
see him flailing around. They tried to help him, but they couldn't see what was hurting
him and he couldn't either. All he knew was that it was squeezing the life out of him
second by second. Until it just let go.
People have long speculated who the entities inside of Port Arthur are, especially the
woman, but no one is for sure.
Some have suggested that she might be the ghost of the lone aboriginal woman buried
on the Isle of the Dead, refusing to leave, though she and her people were forced out
200 years ago.
I'm not sure it's her entirely, but it's an interesting thought.
To me, whatever is there feels too evil to be human. Maybe it really is the devil, like Mark
saw on the island. And if it is, and it's open for tours, are you brave enough to go and find out for yourself?
Next, I wanna take you up to Melbourne, to the old Melbourne jail,
also said to be one of the most haunted places
in all of Australia.
To start, let me tell you a story.
So it was near the end of a long shift
for one of the guides at the museum inside of
Old Melbourne Jail.
You know, that part of the day when the finish line is close but there's still far too much
time left, so the minutes feel like they're ticking by at a snail's pace.
The guide was hovering by the entrance when a woman approached.
She was interested in the jail.
Or morbidly intrigued is probably a better way to say it. She thought that the place
was creepy maybe because she was extra sensitive to old places. She was a psychic she told him.
Right so the jail was over 100 years old and there was no shortage of supernatural stories
about the place. It definitely attracted a lot of people like this woman. And maybe on another afternoon, this statement would have generated an eye roll from the guide.
But today, it gave him an idea. He was bored, so he told her to follow him.
And the two headed down a long stone corridor with metal walkways running its entire length,
just above their heads. The corridor was lined with death masks,
which were molds of the dead faces of prisoners
who were executed on the grounds.
They plotted over the cold, thick slabs of stone
until they reached the end of the corridor,
which hit against a network of other hallways
to create a grand central hall.
This heptagon-shaped cone extended up three floors
to a skylight above,
an opening that once allowed the guards of the jail's heyday
an expansive view of the prisoners below.
The guide led the woman to a flight of stairs,
and beneath the metal steps was a large wooden door.
It was nondescript, other than some scuff marks on the side.
Mostly, it looked like a piece of cast-off debris gathering dust.
And the guide took the woman's hand and he laid it on top of the scuff marks.
He wanted to know if she picked anything up.
He figured that she would just say something wrong like,
oh, this was a door from the cell where so-and-so died and so on.
But that's not what happened. As soon as she touched the wood, her head shot back and her mouth
fell open in horror as a scream ripped from her throat. People falling, she wailed over and over
and over again. And the guide was shaken to his core because those scuff marks?
Those were made by the feet of desperate people kicking rapidly to save themselves in their
last seconds of life.
That piece of wood was the trap door of the old gallows. Old Melbourne jail opened in 1845 to welcome criminals from all walks of life,
men, women, and sometimes children.
It didn't seem to take a lot to end up there.
There certainly were a fair amount of violent offenders like famous gangsters and
brutal murderers, but a lot of its occupants were just arrested for being poor.
And I mean that literally. At the time, a term called vagrancy was used as kind of a catch-all
offense that made it illegal to be unhoused or unemployed. Unmarried women, or those who were
orphaned, disabled, or deemed quote lunatics, often found themselves unable to find work and were trapped in a cycle
of poverty, one that would inevitably lead them to the jail. So if you were to walk down the corridor
of the prison, you would see a long hall with locked doors on either side just like in Port Arthur,
but Old Melbourne Jail had multiple floors. The floors that the prisoners were housed on
determined just how severe
their rehabilitation program would be.
Those who were in for lesser infractions
or who were nearing the end of their sentences
were on the upper levels of the jail's blocks.
There, the cells were bigger
and they housed multiple prisoners.
Many of the inmates would work for the prison,
making uniforms, doing laundry,
or breaking stones for roads.
Some were even paid for their work.
The lower the levels, the rougher the conditions were.
The ground floor being the worst of all.
Those cells were for prisoners
who had committed more serious crimes.
And their accommodations were designed
to keep them contained and isolated.
The walls were two feet thick
with immovable hinges on the doors,
which were offset from the walls
so that prisoners couldn't see into each other's cells.
Some inmates were given a thin mattress and a blanket,
while others slept on boards on the floor.
Again, the rooms did have a window, but it was so high on the wall it was
impossible to see out of. And like Port Arthur, old Melbourne jail was modeled
after Pentonville prison, and it used the silent system method to reform its prisoners.
But whereas Port Arthur just had the separate prison dedicated to this,
Melbourne's entire prison followed these principles. No one was allowed to speak, no matter what floor they were on.
Inmates were kept in their cells for 23 hours a day under the watchful eye of the guards. They even
ate their meals in there. For a single hour, they were either taken to the exercise yard, church services,
or their weekly bath, but they had to wear a canvas mask
so they couldn't communicate with their fellow prisoners.
But unlike Port Arthur, old Melbourne wasn't just using
experimental prisoner reform methods,
they were also using experimental medicine.
So a decent amount of incoming prisoners would go through alcohol withdrawal upon being admitted,
and they would often cry out and break the very strict no-noise rule, but the jail thought
they had a cure for this.
Prisoners would first get doused with cold water, and then they would get sewn into a
blanket.
Next, they would be brought outside
with that same hood over their face
and they were left out in the blistering sun for hours.
Then they would be forced to vomit
to get everything out of their system.
And last, they would be covered in leeches
to get all the toxins out of their blood.
It was an excruciating process
that people were going through
while they were actively withdrawing from alcohol
and some didn't survive this supposed cure.
If you were in this prison,
you would sit alone in a cell all day,
nothing but your thoughts to keep you company.
Maybe sometimes you would hear the wail of someone detoxing,
but there was one sound that you could count on hearing.
Outside the small window at the top of your cell,
there would be the sound of a trap door opening
at the same time every day.
It was the gallows.
Throughout its operation, the jail hung 133 people,
far more executions than ever occurred at Port Arthur. And one of the worst
people executed at this jail was a convicted murderer named Francis Noor. So
Australian society was tough on women in the 1800s, but unmarried mothers had some of the worst experience
of anyone.
Having a so-called illegitimate child
was basically a death sentence.
Women would be banished by society,
unable to work with no support system.
So an answer to this was devised,
a practice called babyminding or baby farming sprang up.
Basically, single pregnant women would pay someone else
to raise their babies until they were older.
And then the child could go back to the mother
under the guise of being a niece or nephew.
It was kind of a fix for those who could afford it,
but it could also be really dangerous.
Children separated from their mothers
were at risk of malnutrition,
and sadly, many were mistreated or neglected
by those who were supposed to be taking care of them.
And that's where Frances Noor came in.
She was a baby minder,
but she had her own idea about what should happen to these
babies. The mothers weren't aware of this when they were handing their children over
to Francis for safekeeping, but she was killing a lot of these babies that she was paid to
look after, and it eventually earned her a death sentence.
On the day of Francis's execution,
prisoners heard the bang of the gallo door
echoing through the prison
and the whoosh of Francis's body plunging through the air.
And after that, there was silence.
One moment she was there and the next she was gone.
But then a shriek pierced through the cells. And this had never happened before,
where the prisoners heard screaming after a hanging. And many assumed that this must
have been Frances herself, now an undead ghoul, filled with fury and grief over her death
upon seeing the sight of her dead body at the bottom of the gallows.
And this is where the legend of Frances began.
Her ghost haunted the prison and inmates swore they could hear her wailing at night, screaming
at the sight of her crumpled body.
And in reality, the screaming sound that the prisoners heard was actually the prisoner's
matron who was disturbed at the sight of a woman being
hanged, something that didn't happen often. But this set off
a long tradition of ghost stories coming out of the jail.
At some point after the jail closed in 1924, a university
moved into some of its old buildings. At night, employees
would walk around the grounds just to make sure everything was closed up.
On one especially chilly night,
a staff member was meandering around the outside,
drifting through the dark shadows of the historic pathways,
and they went over to a spot
where the jail's old hospital yard used to be.
They started feeling something strange,
like a gentle shiver, hair raising on their arms. It was kind of this feeling of dread that washed
over them. And then some kind of unseen presence told them that they weren't alone. They watched as a mist rolled in that covered the yard like a gentle cloud cover, and there
was a distinct chill in the air, one that got worse and worse and worse until something
appeared in the shadows.
And there, across the old hospital yard, was an ethereal figure. It looked like a man with a
gaunt, sad face, reminiscent of a death mask. He had a bulbous nose and thick eyebrows,
and he was hovering just above the grounds. The employee ran away, and the next day they told
their boss what they had seen, and he got this look on his face like, oh you finally saw the ghost.
It turns out more than one person saw this specter over the years but no one knew who
it was or what it wanted.
That is until 2002.
That year excavators were taking an archaeological survey of the area when they hit something in their dig.
They moved some of the dirt away
and they could see bones at the bottom of this ditch.
They were in the hospital yard
and that's actually where the overflow
of hanging victims were buried
once the original burial yard had filled up.
But what surprised the archeologists
was that these remains were far away from the others
and they were at this weird angle.
So the body was parallel to the wall
that surrounded the grounds of the hospital,
while all of the other ones were at a right angle,
which begged so many questions,, what was he doing there? And why
was his body in a different position than the others? And of course, who was he? Well, one of
the employees who saw the Spectre was going through old hospital records one day when they saw a
drawing that they recognized. It was of a man with the same bulbous nose and
thick eyebrows as the specter that had been floating in the yard and underneath
the drawing was a name. Arthur Oldring, a convict executed at Melbourne jail after
murdering a woman and her daughter. The only thing they could never figure out
was why he was buried so far away from the other prisoners
And why at such a strange angle?
After he was found Arthur's body was actually reburied in another cemetery and once he was moved
No one saw that mysterious
Misty figure ever again
Maybe Arthur found some kind of peace by being reburied, though the jury's out
on if he actually deserved it. But his removal didn't mean that the jail was cleared of
its restless spirits. Not even close. On a typical day at the jail's museum, a visitor
arrived, excited to dig into its history. He walked all over the cell block, reading every plaque, soaking it all in.
He had been there for hours when he got to cell 17.
It was on the jail's middle level, far in a back corner at the end of a walkway,
and it had a thick door and an even thicker entryway.
The man peered inside, noting the window on the wall,
the cracked yellow paint that exposed the stone
and cement mixture beneath it,
and he was about to step in for another look
when he realized he couldn't.
Something was stopping him,
like two hands had pressed against his chest,
barring his entry.
He tried two, three, four times, but he couldn't get in.
Something wasn't letting him into that cell.
And this comes up a lot with cell 17.
Reports from visitors and guides range from changes in temperatures and strange smells
to invisible hands physically pushing them out of the cell.
That usually only happens with men though,
while women are actually allowed into the cell,
but when they're in there,
they're attacked by an unseen force.
Some people say they've seen an operation
lingering in front of its door.
And one student actually claimed
that the cell was crowded with people when he walked by,
when in reality it was totally empty. In 2003, a group of ghost hunters claimed they recorded
a woman's voice saying, help, and then, get out. No one knows what happened in that cell that might
have caused this anguish, but the jail has been closed for a hundred years now
and cell 17 spirit does not seem to be going anywhere.
It's resilient, you could say,
just like the prisoners that lived there were.
You had to be to spend hours and months and years
locked up in a dark, quiet space
with only your thoughts to keep you company.
And come to think of it, maybe the ghosts of the jail appear to us for a different reason
than bitterness or retribution.
Maybe after being deprived of human connection in one life, they're just grateful to share
a moment with another soul.
And so, I ask all of you this.
The tours are open for both of these places,
and are you brave enough to go keep them company?
Well, that's all I have for you today. I'm sure our local ghosts jinks loved hearing
tales of other ghosts. Join us next week for a story of a serial killer dentist.
If you're already scared of going to the dentist, you just wait. I'll catch you here next Additional research and writing by Kate Murdock.
Sound design and mix by Peachtree Sound.
Special thanks to Travis Dunlop, Grayson Jernigan,
the team at WME, and Ben Jaffe.
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